Tag Archives: Bill Willingham

Pixel Scroll 9/21/23 Dammit, Jetpack! I’m A Pixel Not A Scroll Deliverer

Posted on by
29

(1) BIGGER ON THE INSIDE. If you can’t get somebody to give you this as a gift over the coming holidays you’ll have to buy it yourself. Because how could you not own it? “Doctor Who: Limited Edition Complete New Who Blu-ray Set Is Up for Preorder” at IGN. There’s a hell of a lot of content in these boxes.

…The Complete New Who limited edition collection is now available to preorder at Amazon and will feature every single episode from the modern era of Doctor Who in wonderful physical Blu-ray format. At $174.99, this looks incredibly affordable vs. buying each series on its own.

It’s still a premium price, for sure, but you’re getting a lot of TV-show for that price, with the collection comprising every series from the revival in 2005, to the Flux episodes (Series 13) in 2021, and every Holiday episode or one-off special along the way as well….

(2) BOOKS AS RARE AS UNICORNS. Or maybe you’d rather spend your money on one of the three limited editions of The Last Unicorn by Peter S. Beagle from Suntup Editions, announced today.

…Magical, beautiful beyond belief and completely alone, the unicorn has lived since before memory in a forest where death could touch nothing. Maidens who caught a glimpse of her glory were blessed by enchantment they would never forget. But outside her wondrous realm, dark whispers and rumors carried a message she could not ignore: “Unicorns are gone from the world.” Aided by a bumbling magician and an indomitable spinster, the unicorn embarks on a dangerous quest to learn the truth about what happened to her kind….

The signed limited edition of The Last Unicorn by Peter S. Beagle is presented in three states: Classic, Numbered and Lettered. The edition measures 6” x 9” and features nine full color tipped in oil painting illustrations by Tom Kidd as well as a new exclusive introduction by the author. One of the nine illustrations is a presented as a fold-out appearing in all three states….

The Classic edition is limited to 750 copies, and is the only edition to include a dust jacket illustrated by Tom Kidd….

The Numbered edition of 250 copies is a Bradel binding with a cover design inspired by the famous Unicorn Tapestries of the late Middle Ages….

The Lettered edition is limited to 26 copies and is bound in full white goatskin with a unicorn and bull design by Laura Serra on the cover. … 

(3) 57 SECONDS. The idea might remind you of the Omega-13. Gizmodo has an exclusive “57 Seconds Clip: Josh Hutcherson Discovers Time Travel”. See the clip at the link.

…Presumably Franklin gets to the time jumps quick enough, considering the rest of the movie will see him team up with Burrell to use the ring on a mission of vengeance against a sinister pharmaceutical company that was responsible for the death of his sister. But for now, it’s nice to see someone react just like we would if we discovered time travel: with a lot of anxiety, confusion, and some mild cursing…

ScreenRant posted its own, different exclusive clip a couple days ago.

(4) THE LAW AND MISTER WILLINGHAM. [Item by Jennifer Hawthorne.] “The Litigation Disaster Tourism Hour: Bill Willingham, DC, and the Fight Over Fables – no, really, WTF is going on?” on Twitch is a video of a law stream done by Mike Dunford. He’s an actual professional copyright lawyer (did his JD thesis on it) and he was asked to address Bill Willingham’s statement that he was placing Fables into the public domain as a means of striking back at DC comics who Willingham asserts has disrespected him. Mike D goes over Willingham’s statement and explains why it’s utter nonsense. Warning: Lots of colorful profanity, much of it directed at Willingham. TL:DR: Willingham is talking BS and Mike D’s only concern is that some third party might believe WIllingham’s statement, try to make a Fables creative product, and end up getting sued into oblivion by DC.

(5) YOU MUST LISTEN. [Item by SF Concatenation’s Jonathan Cowie.] The British SF writer Nigel Kneale is possibly best known for creating the character Quatermass whose most famous adventure was the BBC TV series Quatermass and the Pit that gripped Britain back in 1958/9, so much so that it spawned a film version, the most successful of the four cinematic adaptations of the four BBC series (there were five Quatermass TV series in all).

Because much of Kneale’s work was decades before the internet (a good portion even before the widespread adoption of the transistor and microchip) some of his works have been lost. However, a trawl through his personal archive has uncovered the script for one of his lost radio play’s You Must Listen. This has now been re-made and premiered on BBC Radio 4 yesterday, September 20.

A solicitor’s office has a new phone line connected, but the staff keep hearing a woman’s voice on the phone. Engineer Frank Wilson is called to fix the problem, and gradually the disturbing story of the woman starts to emerge.

Originally broadcast in September 1952, You Must Listen was written by Nigel Kneale, one of the most admired English science-fiction writers of the last century. His Quatermass trilogy of science fiction serials continues to influence generations of admirers and filmmakers, among them Russell T Davies and John Carpenter.

But before The Quatermass Experiment established his television career, Kneale’s radio drama You Must Listen paved the way for what was to come. It explores many of the same themes that he later addressed in Quatermass, The Stone Tape and The Road, of the paranormal coming into collision with modern science.

No recording of the original version of You Must Listen is known to exist, but fortunately Kneale kept a copy of the script in his archives, and this new version has been recorded to mark the centenary of BBC Radio Drama.

You can listen to it on BBC Sounds here for the next month.

(6) AUCTION WILL ASSIST UKRANIAN BOOKSELLERS. The Guardian has details: “Rare book donations sought for auction to help Ukraine booksellers”.

Donations of rare books, artworks, manuscripts, photographs and ephemera are being sought for an auction aimed at raising funds for Ukrainian booksellers and publishers affected by the Russia-Ukraine war.

Authors are also being invited to donate signed first-edition copies of their books. The proceeds of the auction will go to Helping Ukrainian Books and Booksellers (Hubb), a group formed shortly after the war began, when thousands of publishing professionals suddenly found themselves out of work.

…Donations across “literature, poetry, history and science” are welcomed, said Avi Kovacevich, founder of Catalog Sale, a New York-based auction house that is facilitating the sale….

Hubb’s proceeds will be distributed in Ukraine by the Ukrainian Publishers and Booksellers Association. So far, Hubb has raised more than $30,000 (£24,257), which has been allocated to booksellers, publishers and libraries in Ukraine.

A large portion came from donations made by customers at Brookline Booksmith in Boston, the bookshop visited by the late Ukrainian novelist Victoria Amelina when she lived in the city for a year. Amelina died in July from injuries sustained in a Russian missile attack on a restaurant in eastern Ukraine.

The auction will take place online in mid-November….

The call for submissions is open until 10 October. Those interested in contributing to the sale are asked to send images of up to 10 items to [email protected].

(7) SF TERMS IN NEW YORK MAGAZINE NEWSLETTER. [Item by Michael A. Burstein.] Unfortunately, this isn’t available on the web, but New York Magazine is sending out a newsletter to subscribers who sign up called Queries, from copy editor Carl Rosen. (Information about the newsletter here.) 

The issue that came out yesterday, Queries Week 2, includes this question from a reader and an answer from Rosen that I thought would be of interest (and does anyone know if Rosen was/is a part of fandom?):

A pet peeve: The new widespread usage of the phrase “I’m excited for …” applied to events instead of people. I believe that we all used to say “I’m excited for you, the bride-to-be, getting married next month!” Or, “I’m so excited about your wedding!” Now everyone says instead “I’m so excited for your wedding!” As though an event needs empathy. When did this start and why is it allowed to continue? —Callie

It started in the locker room at my middle school and followed the misuse of best for favorite that stoked my dudgeon in playground discussions of filk songs and FIAWOL (sci-fi fan terms). At least excited people talk in ways that favor empathy, as you point out, so let’s extend our sympathies to them. But only in their quotations.

(8) PRONOUNS IN SPACE. Samantha Riedel says “A Gamer Tried to Remove Pronouns from ‘Starfield’ and It Turned Their Character Nonbinary” at Them.us.

No matter how many light years you travel, you just can’t outrun pronouns.

Starfield, Bethesda Game Studios’ new science fiction role-playing game, launched almost two weeks ago with its fair share of bugs and glitches — but for the internet’s angriest hobbyists, one thing above all else had ruined the game: a drop-down menu in character creation that allows players to choose their own woke pronouns, by which we mean you can choose whether to be referred to as “he,” “she,” or “they.” (Next you’ll be telling us they let you have blue hair — aw, shit!)

Anti-trans gamer bros went on a comments-section rampage, led by one YouTuber who briefly went viral for a shrieking rant about Bethesda “tak[ing] everything we love” and shoving it full of “fucking pronouns.” One person was so Large Mad about the pronoun selection option that they even modified the game’s PC version to remove the option from character creation entirely. There’s just one problem: the mod accidentally made the player’s character gender-neutral….

(9) DEBORAH K. JONES (1948-2023). “Deborah K. Jones 1948–2023: In Memoriam” at the International Costumers Guild website is a personal tribute by Eleanor Farrell.

I am very saddened to report that Deborah K. Jones, respected and admired by all in the costuming community for her exquisitely crafted and thoughtfully choreographed masquerade presentations, passed away peacefully on July 8, 2023, following a three year bout with glioblastoma. Debby had struggled with a number of medical issues over several decades, but always with a positive attitude and quiet fortitude, and never lost her sense of curiosity and creative drive. She is survived by her husband Terry and their two children, Rhiannon and Bryan….

Continues at the link.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 21, 1895 — Norman Louis Knight. His most-remembered work is A Torrent of Faces, a novel co-written with James Blish and reprinted in the Ace Science Fiction Specials line. His only other writing is a handful of short fiction. Not surprisingly his short fiction isn’t available at the usual suspects but neither A Torrent of Faces. (Died 1972.)
  • Born September 21, 1912 — Chuck Jones. Looney Tunes and Merrie Melodies creator (think Bugs Bunny). His work won three Oscars, and the Academy also gave him an honorary one in 1996.  I’ve essayed him more that once here, so you know that I like him. What’s your favorite one of his? Though perhaps culturally suspect these days, I’m very fond of “Hillbilly Hare”. (Died 2002.)
  • Born September 21, 1935 — Henry Gibson. I’m going confess upfront that I remember best him as a cast member of Rowan & Martin’s Laugh-In. In regards to his genre work, he showed up on the My Favorite Martian series as Homer P. Gibson, he was in Chitty Chitty Bang Bang as an uncredited dancer, in Bewitched twice, once as Napoleon Bonaparte, once as Tim O’ Shanter, he was the voice of Wilbur in Charlotte’s Web, in The Incredible Shrinking Woman as Dr. Eugene Nortz, and even in an episode of Star Trek: Deep Space Nine, the “Profit and Lace” episode to be exact in which he was Nilva, a ferengi. (Died 2009.)
  • Born September 21, 1947 — Stephen King, 76. I once saw him leaning up against a wall in Bangor outside his favorite breakfast spot nose deep in a paperback novel. That’s how his native city treated him. Favorite by him? I’m not fond of his novels but I love his novellas and shorter fiction, so Different Seasons, Four past Midnight and Skeleton Crew are my picks. 
  • Born September 21, 1950 — Bill Murray, 73. Scrooged is my favorite film by him by a long shot followed by the first Ghostbusters film as I remain firmly not ambivalent about the other Ghostbusters films. I’m also fond of his voicing of Clive the Badger in Fantastic Mr. Fox. 
  • Born September 21, 1964 — Andy Duncan, 59. If I were to start anywhere with him, it’d be with his very excellent short stories which fortunately were published in two World Fantasy Award-winning collections Beluthahatchie and Other Stories, and The Pottawatomie Giant and Other Stories, and another WFA nominee, An Agent of Utopia: New & Selected Stories.  I’ve read his novels, so what you recommend?  He has garnered some very impressive Awards — not only World Fantasy Awards for the two collections, but also for the “Wakulla Springs” novelette (co-authored with Ellen Klages), and a Nebula for the novelette “Close Encounters” (2013). He has three Hugo nominations, for his “Beluthahatchie” short story (1998), the novella “The Chief Designer” (2002), and “Wakulla Springs”
  • Born September 21, 1974 — Dexter Palmer, 49. He wrote interesting novels, the first being The Dream of Perpetual Motion which is based off The Tempest, with steampunk, cyborgs and airships as well; the second being Version Control, a media-saturated twenty minutes into the future America complicated by time travel that keep changing everything. He wrote these and that was it. 
  • Born September 21, 1983 — Cassandra Rose Clarke, 40. I strongly recommend The Witch Who Came in from the Cold, a serial fiction story she coauthored with Max Gladstone, Lindsay Smith, Ian Tregillis, and Michael Swanwick. It’s quite brilliant.  And The Mad Scientist’s Daughter, nominated for a Philip K. Dick Award, is equally brilliant.

(11) COMICS SECTION.

(12) FINAL DOOM. TVLine brings news of “’Doom Patrol’ Final Season 4B Release Date, Trailer — Series Finale”.

…Max on Thursday announced that Doom Patrol‘s in-progress final season will resume on Thursday, Oct. 12. Two episodes will drop on premiere day, followed by one new episode every week through Nov. 9.

In Season 4B, “the Doom Patrol meet old friends and foes as they race to defeat Immortus and get back their longevities,” according to the official logline. “Battling between saving the world and each other, the Doom Patrol are forced to face their deepest fears and decide if they are ready to let go of the past in order to take their future into their own hands — and away from the zombie butts.”…

(13) WHAT’S COMING TO THE COMIC-CON MUSEUM. “Comic-Con Museum Announces Fall 2023 Exhibits Featuring Popnology, Artist Colleen Doran, More”. The new exhibits debut October 4.

…This interactive exhibit looks back at how the pop culture of yesterday has influenced the technology of the future, exploring the fantasy and reality of driverless cars, robots, drones, 3D printers, and more.

Museum attendees will get to explore:

How We Play – The future of toys and games. Is virtual the new reality? Experience Oculus Rift and virtual projection games.

How We Connect – The revolution in communication technology, with concept drawings from the visual futurists who created the looks for Blade Runner.

How We Live and Work – Inventions and ideas that shape daily life, including interacting with robots.

How We Move – The future of transportation on Earth and beyond. Check out everything from a full-sized replica of the Back to the Future DMC DeLorean to the world’s first 3D-printed car.

…The first of which is “Colleen Doran Illustrates Neil Gaiman”, which features original artwork by the award-winning artist Colleen Doran. The new exhibit will focus on her work illustrating the stories of Neil Gaiman, including Chivalry, Snow, Glass, Apples, The Sandman, Troll Bridge, American Gods, Norse Mythology, and the upcoming Good Omens.

The centerpiece of the exhibit will be 20 hand-painted pages for Doran and Gaiman’s Chivalry (Dark Horse Books), the Eisner-award winning graphic novel adaptation of Gaiman’s short story which features the story of Mrs. Whitaker, a British widow who finds the Holy Grail in a thrift shop and the knight who offers her priceless relics in exchange so he can win the Grail and end his quest…

(14) SUPER STYLING. DC Comics’ merch pages include “Batman & Superman Fashion Accessories” such as these “Batman Dark Knight Cufflinks”.

And this reference to some super villains: “Arkham Asylum Lapel Pin”.

(15) OCTOTHORPE. A belated Octothorpe episode 92 winging its way to you! Listen here: “Shouting From Inside the Room”.

John Coxon went to Reno, Alison Scott went to San Francisco, and Liz Batty went to Chicago. We spend some time discussing ConFrancisco, which celebrated its 30th anniversary recently, before also discussing Glasgow and Chengdu. We read out some excellent letters of comment and discuss some science fiction, too! The cover art is by our own Alison Scott.

(16) SAMPLE CASE. Nature tells how “Bringing space rocks back to Earth could answer some of life’s biggest questions”.

At 8.55 a.m. local time on 24 September, a small and precious cargo is due to touch down in Utah’s West Desert, ending a journey of more than two years and two billion kilometres. Released 100,000 kilometres from Earth by NASA’s OSIRIS-REx spacecraft, the sample capsule contains roughly 250 grams of material transported from the near-Earth asteroid 101955 Bennu — the largest ever asteroid sample to be brought back to Earth.

…The imminent return of the Bennu samples by OSIRIS-REx reminds me of what an exhilarating time this is and the profound possibilities of these precious materials.

(17) SINGLE EBELSKIVER TO ORBIT. [Item by Steven French.] Space-faring Swedes! (Should the cosmos be worried about a resurgence of Viking tendencies …?!!) “Hidden in the Arctic, Sweden is quietly winning Europe’s next big space race” reports the Guardian.

Once Europe’s first successful launch is completed, the base aims to build capacity for “rapid launching” by 2030, where satellites would be ready to be thrust into orbit within a fortnight of notification. “To us, it’s not a race to be first, it’s a race to be successful,” said Gustafsson, a former marathon canoeist with world championship medals to his name. But, he adds, “competition is good because it drives speed and cost effectiveness”. Make no mistake, the Swedes have their eyes on the stellar prize.

(18) SLOW BURN. See the “Close-up Ignition of a Rocket Engine in Slow Mo” courtesy of The Slow Mo Guys.

Gav plops down the high speed camera next to a rocket engine with 45,000lbs of thrust and the results are epic. Big thanks to Firefly for allowing us to film at their facility and BBC Click for letting us use their behind the scenes footage from the day.

[Thanks to John King Tarpinian, Ersatz Culture, Chris Barkley, Jennifer Hawthorne, Steven French, Michael A. Burstein, Dariensync, Lise Andreasen, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 9/16/23 Hush Little Pixel, Mama’s Going To Buy You A Scroll

Posted on by
38

(1) DOCTOROW ON FABLES TABLE-FLIP. Cory Doctorow’s Pluralistic post “Bill Willingham puts his graphic novel series ‘Fables’ into the public domain (15 Sept 2023)” assesses many IP rights issues triggered by Willingham’s announcement.

…It’s been 21 years since Bill Willingham launched Fables, his 110-issue, wide-ranging, delightful and brilliantly crafted author-owned comic series that imagines that the folkloric figures of the world’s fairytales are real people, who live in a secret society whose internal struggles and intersections with the mundane world are the source of endless drama.

Fables is a DC Comics title; DC is division of the massive entertainment conglomerate Warners, which is, in turn, part of the Warner/Discovery empire, a rapacious corporate behemoth whose screenwriters have been on strike for 137 days (and counting). DC is part of a comics duopoly; its rival, Marvel, is a division of the Disney/Fox juggernaut, whose writers are also on strike.

The DC that Willingham bargained with at the turn of the century isn’t the DC that he bargains with now. Back then, DC was still subject to a modicum of discipline from competition; its corporate owner’s shareholders had not yet acquired today’s appetite for meteoric returns on investment of the sort that can only be achieved through wage-theft and price-gouging….

…Rather than fight Warner, Willingham has embarked on what JWZ calls an act of “absolute table-flip badassery” – he has announced that Fables will hereafter be in the public domain, available for anyone to adapt commercially, in works that compete with whatever DC might be offering.

Now, this is huge, and it’s also shrewd. It’s the kind of thing that will bring lots of attention on Warner’s fraudulent dealings with its creative workforce, at a moment where the company is losing a public relations battle to the workers picketing in front of its gates. It constitutes a poison pill that is eminently satisfying to contemplate. It’s delicious.

But it’s also muddy. Willingham has since clarified that his public domain dedication means that the public can’t reproduce the existing comics. That’s not surprising; while Willingham doesn’t say so, it’s vanishingly unlikely that he owns the copyrights to the artwork created by other artists (Willingham is also a talented illustrator, but collaborated with a who’s-who of comics greats for Fables). He may or may not have control over trademarks, from the Fables wordmark to any trademark interests in the character designs. He certainly doesn’t have control over the trademarked logos for Warner and DC that adorn the books….

It is also interesting to read that Bill Willingham, praised today by Cory Doctorow for striking a blow against corporate IP abuse, attended BasedCon last weekend.   

(2) FANTASY REQUIRES A GOOD MAP. [Item by Bruce D. Arthurs.] Interesting piece at Mapping As Process about a 1917 map of Fairyland by artist Bernard Sleigh, with references to many stories in folklore and fable. There’s a link to a high-resolution image that can be zoomed in on: “An Anciente Mappe of Fairyland”.

…In December 1917, the British artist and wood engraver Bernard Sleigh (1872–1954) published a six-foot long, panoramic map of Fairyland in three sheets. Its style was that of the Arts and Crafts movement, an aesthetic championed by William Morris (1834–1896) in the second half of the nineteenth century, in reaction to the apparent destruction of individual skills and traditional designs by mass industrialization. Arts and Crafts generated intricately detailed designs and a retrogressive appeal to folk aesthetics. Sleigh, trained by one of Morris’s followers, cultivated a stylized mediaevalism in both the design and the subject matter of his drawings, prints, murals, and stained glass (Cooper 1997)….

(3) VOCAL COMPLAINT. Behind a paywall at Fortune: “Actor Stephen Fry says his voice was stolen from the Harry Potter audiobooks and replicated by AI—and warns this is just the beginning”. Wealth of Geeks has this report about what is in the article: “Actor Stephen Fry Claims AI Replicated His Voice from ‘Harry Potter’ Audiobooks”.

…Actor Stephen Fry claims that producers used AI to replicate his voice from the Harry Potter audiobooks without his permission. AI has become a central point of contention of both the WGA and SAG-AFTRA strikes.

As reported by Fortune, Fry told an audience at a London festival, “I’m a proud member of [SAG-AFTRA], as you know we’ve been on strike for three months now. And one of the burning issues is AI.”

At the festival, Fry played a clip of AI mimicking his voice as the narrator of a historical documentary. “I said not one word of that—it was a machine. Yes, it shocked me,” he said. “They used my reading of the seven volumes of the Harry Potter books, and from that dataset an AI of my voice was created and it made that new narration. What you heard was not the result of a mash-up, this is from a flexible artificial voice, where the words are modulated to fit the meaning of each sentence.”…

(4) DON’T BE A SUCKER. Victoria Strauss gives Writer Beware readers the “Anatomy of a Fake Film Company Scam: The Greendot Films / Better Bound House”.

…Here’s how it works. A film company–with a website and everything–calls or emails out of the blue with a tempting offer: your book has the potential to be made into a movie/TV series! And they want to represent you to studios/pitch you to producers/take you to a major conference where scores of film people will be present! Just one requirement: you need a screenplay/a pitch deck/a storyboard/some other product. Don’t have those things? No problem–they know a reputable and expert company that can create them for you…for a fee.

It’s a classic bait-and-switch setup. The “film company” is a front for the service provider, which in turn is owned by a parent company overseas. And that initial service that was pitched to you as absolutely essential? It’s just the start. By paying, you’ve marked yourself as fair game for escalating sales pressure and fraudulent offers involving large upfront payments. And the sales reps who staff the scams–who earn a commission on every dollar you spend–will take every opening you give them, and won’t stop unless you stop them.

This post takes a look at a real-life example, thanks to an author who has given me permission to share their experience.

Dramatis Personae

The fake film company: The Greendot Films. Its website includes a slideshow of movies Greendot is hoping you’ll assume they were responsible for creating, along with a fake history claiming that they’re a successor to two defunct production companies. The Greendot name itself has been “borrowed” from yet another defunct film company, Green Dot Films….

(5) BARRIERS TO FANDOM. Pocket reposts a 2021 Teen Vogue article which asks, “Who Actually Gets to ‘Escape’ Into Fandom?” and discusses antiracism resources.

… Escapism isn’t actually possible for everyone because of the nature of both fandom and the world around us. The best-worst example of the limits of fandom escapism? Racism.

Racism is global, and it infiltrates everything that we do; it’s close to inescapable offline, and it’s just as common online. Fandom is no exception.

In 2019, Dr. Rukmini Pande did an interview with Henry Jenkins about her book Squee From The Margins: Fandom and Race. “I found that while it is certainly possible for fans of color to ‘pass’ within online fan spaces, their modes of escapism are mostly contingent – I can enjoy a source or fan text until it gets racist,” Pande said in the interview. “Other fans articulated the importance of finding networks of fellow non-white fans so that they could curate their experiences to be safer. In all cases, fandom certainly isn’t a space where these fans can escape from race/racism even if it is not something that is engaged with publicly or vocally.”

It makes sense that people would resort to fandom escapism following natural disasters, or to have something to do other than overthink their local government’s COVID-19 response. But what about the times we’ve seen people talk about fandom being their “safe space” from them dealing with or seeing viral video recordings of Black people being killed, as we saw in the summer of 2020? What about people in the U.S. delving into fandom so they don’t have to think about American politics?

No matter the fandom, fans of color can’t reliably escape into fandom, because people don’t stop being racist just because they like the same things that people of color do. There’s always a racist person in fandom. There are always racist fanworks. There are always racist creators. There’s always racism in the source material that people will defend in your mentions for days….

(6) NM-AZ STATE BOOK AWARD SHORTLIST. The finalists for the 2023 New Mexico-Arizona Book Awards include these science fiction books:

  • 3VE by Jason DeGrey
  • Mountain Knight by Avery Christy
  • Planet Quest by Kate Harrington
  • The Yewberry Way by Jack Gist

(7) NO, THERE IS ANOTHER. “C.I.A. Discloses Identity of Second Spy Involved in ‘Argo’ Operation” reports the New York Times.

In the midst of the 1979 Iran hostage crisis, the C.I.A. began what came to be noted as one of the spy agency’s most successful publicly known operations: the rescue of six American diplomats who had escaped the overrun U.S. Embassy — using a fake movie as the cover story.

“Argo,” the real-life 2012 movie about the C.I.A.’s fake movie, portrayed a single C.I.A. officer, Tony Mendez, played by Ben Affleck, sneaking into Tehran to rescue the American diplomats in a daring operation.

But in reality, the agency sent two officers into Tehran. For the first time on Thursday, the C.I.A. is releasing the identity of that second officer, Ed Johnson, in the season finale of its new podcast, “The Langley Files.”

Mr. Johnson, a linguist, accompanied Mr. Mendez, a master of disguise and forgery, on the flight to Tehran to cajole the diplomats into adopting the cover story, that they were Canadians who were part of a crew scouting locations for a science fiction movie called “Argo.” The two then helped the diplomats with forged documents and escorted them through Iranian airport security to fly them home.

Although Mr. Johnson’s name was classified, the C.I.A. had acknowledged a second officer had been involved. Mr. Mendez, who died in 2019, wrote about being accompanied by a second officer in his first book, but used a pseudonym, Julio. A painting that depicts a scene from the operation and hangs in the C.I.A.’s Langley, Va., headquarters, shows a second officer sitting across from Mr. Mendez in Tehran as they forge stamps in Canadian passports. But the second officer’s identity is obscured, his back turned to the viewer.

The agency began publicly talking about its role in rescuing the diplomats 26 years ago. On the agency’s 50th anniversary, in 1997, the C.I.A. declassified the operation, and allowed Mr. Mendez to tell his story, hoping to balance accounts of some of the agency’s ill-fated operations around the world with one that was a clear success.

But until recently, Mr. Johnson preferred that his identity remain secret….

 (8) CINEMATIC HISTORY MADE HERE. “George Lucas’ former Marin Industrial Light and Magic studio closing, some employees vow to save it” reports ABC7 San Francisco.

In the North Bay, it’s the end of an era of movie-making magic.

The original soundstage and production facility in San Rafael for Industrial Light and Magic, founded by George Lucas, is going away. Lucas moved his campus to the Presidio in San Francisco almost 20 years ago.

The facility’s new owners are retiring, but one employee would like to save the studio’s history and legacy.

It may be a surprise to know hundreds of other films were created inside the nondescript building on Kerner Blvd. in San Rafael.

Now home to 32TEN Studios, this is the former campus of Lucas’ Industrial Light and Magic.

“Right after the success of ‘Star Wars,’ George Lucas wanted to remove himself from the Hollywood system, so he moved the ILM shop from Van Nuys up here,” said House.

House is a longtime model shop supervisor, and says many props and models from movies are still there. That includes the Millennium Falcon, an anchor from “Pirates of the Caribbean,” even a model of Chewbacca’s head.

Lucas relocated his campus to the Presidio in 2005 and he took the original door with him, which is now on display….

(9) BACK IN PORT. Having finished a series detailing her experiences aboard Disney’s Star Wars-themed Starcruiser, Cass Morris analyzes why it works in “The Stars Have Come Alive” at Scribendi.

As promised, this post is my attempt to analyze, for myself and for other interested parties, how the Starcruiser creates such an exceptional experience, and why it works so very well as it does.

I feel quite confident in the base assertion that it does, and has, because I’ve seen it in action on people who aren’t as deeply invested in the IP as I am. I’ve watched videos of influencers who are only surface-level conversant with Star Wars be moved to tears by Yoda’s holocron. I’ve seen parents who thought they were only their for their kids get wrapped up in the experience. I’ve seen people who arrived in civilian clothes buy garments on the ship or in Batuu so they could feel more a part of things.

And I’ve seen people who were already Star Wars fans go absolutely feral. In a good way! But the response that this experience has from people who fully give themselves over to it is astonishing.

So. It works. The Starcruiser is a phenomenal example of what immersive experiences can be. Now: Let’s unpack how and why…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1898 — Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
  • Born September 15, 1932 — Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the ever so delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 15, 1952 — Lisa Tuttle, 71. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Lovers collection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
  • Born September 15, 1954 — Howard Weinstein, 69. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic video affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.” 
  • Born September 15, 1955 — Amanda Hemingway, 68. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are. Oh and she invented this wonderful as noted on her Twitter site: “Schroedinger’s Cake: you don’t know it it’s been eaten until you open the tin.”
  • Born September 15, 1960 — Kurt Busiek, 63. Writer whose work includes The Marvels limited series, Thuderbolts, Superman, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8. 
  • Born September 15, 1960 — Mike Mignola, 63. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) COMICS SECTION.

  • Reality Check shows the results of a mixed message in Gotham.
  • Bliss explains the source of this superhero’s bliss.

(12) FEAST YOUR EYES. The Bristol Board has a wild gallery of “Basil Wolverton artwork for ‘Weird-Ass Tales of The Future’”, splash panels from Basil Wolverton’s science-fiction tales.  

(13) LOOKS WEIRD. Gizmodo delivers a “Weird Tales 100 Years of Weird Illustrated Anthology First Look”. There’s a slideshow of art at the link.

Weird Tales—which delivers exactly the kind of freaky, spooky stories you’d expect—marks its 100th anniversary this year, and is celebrating with the release of illustrated anthology Weird Tales: 100 Years of Weird. It’ll include entries from authors like Ray Bradbury and H.P. Lovecraft, as well as contemporary writers….

(14) ALL ABOARD. GameRant calls these the “Best Sci-Fi Board Games Of All Time”.

…This shared love of science fiction has led to a plethora of sci-fi-themed board games that use the themes and aesthetic of sci-fi to create immersive, unique experiences on the tabletop. The following examples provide a broad and varied selection of games, both old and new, that use science fiction as their theme to great effect.

Ranked in first place:

1. Twilight Imperium

This sci-fi space opera from Fantasy Flight Games was originally produced back in 1997. Now in its fourth edition, Twilight Imperium is grand strategy on an epic scale, tasking players with controlling the burgeoning empires of various alien races.

Each race in Twilight Imperium encourages a different playstyle, making for a broad and replayable experience. The game is mainly focused on building and positioning fleets, as well as engaging in diplomacy with fellow players. Twilight Imperium is a huge game, and not necessarily accessible, not only because it takes roughly six hours to play depending on the player count, but because it requires a heavy amount of strategizing. However, Twilight Imperium is a dramatic and immersive experience that fans of sci-fi space operas are sure to love.

(15) BUDGET BREAKER? Science explains why “Mars Sample Return risks consuming NASA science”. “Forthcoming cost estimate for budget-busting mission could lead to strict caps from Congress.”

…The cost of the mission may become altogether too mighty, however. The most recent official figure now puts it at some $6 billion, up from some $4 billion, and a leaked report suggests that, in one scenario, it could exceed $8 billion. Cost overruns for MSR and a few other large missions have already forced NASA to squeeze or delay other science missions, and calls to rethink—or even kill—Mars Sample Return  have grown. When an independent review of the project delivers a fresh cost estimate later this month, advocates are praying it stays well below $10 billion, which has emerged as a sort of red line for the mission. “It’s fair to say that the future of Mars Sample Return lives and dies with the recommendations of that panel,” says Casey Dreier, chief of space policy at the Planetary Society….

(16) WE’LL GO AT NIGHT. PBS Space-Time wonders “What NEW SCIENCE Would We Discover with a Moon Telescope?”

In order to see the faint light from objects in deepest space, astronomers go to the darkest places on the planet. In order to listen to their quite radio signals, they head as far from any radio-noisy humans as possible. But there’s nowhere on the earth, or even orbiting the Earth, that’s far enough to hear to the faint radio hum from the time before stars. In fact, we may need to build a giant radio telescope in the quietest place in the solar system—the far side of the Moon.

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult, has a new 10-minute video filmed appropriately, in sand dunes, on “How DUNE Became The Biggest Science Fiction Book In The Universe”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Bruce D. Arthurs, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Fables Fly Free

Posted on by
10

Bill Willingham announced on his Substack today he’s releasing Fables into public domain – a pretty sharp stick to poke into DC’s eye. He explained the decision in “Willingham Sends Fables Into the Public Domain”, excerpted here.

As of now, 15 September 2023, the comic book property called Fables, including all related Fables spin-offs and characters, is now in the public domain. What was once wholly owned by Bill Willingham is now owned by everyone, for all time. It’s done, and as most experts will tell you, once done it cannot be undone. Take-backs are neither contemplated nor possible.

Q: Why Did You Do This?

A number of reasons. I’ve thought this over for some time. In no particular order they are:

1) Practicality: When I first signed my creator-owned publishing contract with DC Comics, the company was run by honest men and women of integrity, who (for the most part) interpreted the details of that agreement fairly and above-board. When problems inevitably came up we worked it out, like reasonable men and women. Since then, over the span of twenty years or so, those people have left or been fired, to be replaced by a revolving door of strangers, of no measurable integrity, who now choose to interpret every facet of our contract in ways that only benefit DC Comics and its owner companies. At one time the Fables properties were in good hands, and now, by virtue of attrition and employee replacement, the Fables properties have fallen into bad hands.

            Since I can’t afford to sue DC, to force them to live up to the letter and the spirit of our long-time agreements; since even winning such a suit would take ridiculous amounts of money out of my pocket and years out of my life (I’m 67 years old, and don’t have the years to spare), I’ve decided to take a different approach, and fight them in a different arena, inspired by the principles of asymmetric warfare. The one thing in our contract the DC lawyers can’t contest, or reinterpret to their own benefit, is that I am the sole owner of the intellectual property. I can sell it or give it away to whomever I want.

I chose to give it away to everyone. If I couldn’t prevent Fables from falling into bad hands, at least this is a way I can arrange that it also falls into many good hands. Since I truly believe there are still more good people in the world than bad ones, I count it as a form of victory.

2) Philosophy: In the past decade or so, my thoughts on how to reform the trademark and copyright laws in this country (and others, I suppose) have undergone something of a radical transformation. The current laws are a mishmash of unethical backroom deals to keep trademarks and copyrights in the hands of large corporations, who can largely afford to buy the outcomes they want….

…Of course, if I’m going to believe such radical ideas, what kind of hypocrite would I be if I didn’t practice them? Fables has been my baby for about twenty years now. It’s time to let it go. This is my first test of this process. If it works, and I see no legal reason why it won’t, look for other properties to follow in the future. Since DC, or any other corporate entity, doesn’t actually own the property, they don’t get a say in this decision.

Q: What Exactly Has DC Comics Done to Provoke This?

Too many things to list exhaustively, but here are some highlights: Throughout the years of my business relationship with DC, with Fables and with other intellectual properties, DC has always been in violation of their agreements with me. Usually it’s in smaller matters, like forgetting to seek my opinion on artists for new stories, or for covers, or formats of new collections and such. In those times, when called on it, they automatically said, “Sorry, we overlooked you again. It just fell through the cracks.” They use the “fell through the cracks” line so often, and so reflexively, that I eventually had to bar them from using it ever again. They are often late reporting royalties, and often under-report said royalties, forcing me to go after them to pay the rest of what’s owed….

Q: Are You Concerned at What DC Will Do Now?

No. I gave them years to do the right thing. I tried to reason with them, but you can’t reason with the unreasonable….

…Note that my contracts with DC Comics are still in force. I did nothing to break them, and cannot unilaterally end them. I still can’t publish Fables comics through anyone but them. I still can’t authorize a Fables movie through anyone but them. Nor can I license Fables toys nor lunchboxes, nor anything else. And they still have to pay me for the books they publish. And I’m not giving up on the other money they owe. One way or another, I intend to get my 50% of the money they’ve owed me for years for the Telltale Game and other things.

However, you, the new 100% owner of Fables never signed such agreements. For better or worse, DC and I are still locked together in this unhappy marriage, perhaps for all time.

But you aren’t.

If I understand the law correctly (and be advised that copyright law is a mess; purposely vague and murky, and no two lawyers – not even those specializing in copyright and trademark law – agree on anything), you have the rights to make your Fables movies, and cartoons, and publish your Fables books, and manufacture your Fables toys, and do anything you want with your property, because it’s your property….

[Thanks to Bruce D. Arthurs for the story.]

Pixel Scroll 6/12/21 The Scroll Of His Pixels, The Click Of His Files

Posted on by

(1) OKORAFOR RECRUITED TO INTERPLANETARY INITIATIVE. Nnedi Okorafor will join the faculty at Arizona State University:

I’ve just accepted an appointment at Arizona State University as a Professor of Practice as part of the Interplanetary Initiative and the College of Liberal Arts and Sciences. I’m a professor again! This time, on MY terms and in a way that accommodates and compliments my heavy and active life as a published author and screenwriter (I won’t be teaching classes, but I will show up in some).

A small fact that makes me smile: They based my contract on those of an astronaut and a senator who hold the same type of position at the university.

The Interplanetary Initiative webpage says it “is a leading space center, creating private-public partnerships and driving our positive human space future for exploration by finding the key needs and filling them with interdisciplinary teams.”  

(2) DINING ON ANOTHER PLANET. Esquire tells the “Planet Hollywood Origin Story – How Bruce Willis, Sylvester Stallone and More Celebs Started Planet Hollywood”.

…This was opening night of the Planet Hollywood on Rodeo Drive. Every celebrity you could imagine was there. It was the hottest ticket in town. ABC aired a special event, Planet Hollywood Comes Home. The cops shut down the street. All this for a chain restaurant that served chicken coated in Cap’n Crunch. And not just a chain restaurant but a theme restaurant. A Rainforest Cafe with celebrities. It seems unfathomable now that stars would go along with this.

But they appeared to be having a ball. For a few years in the nineties, these stars dropped any pretense of hauteur, while everyone else succumbed to their love of celebrity by paying ten dollars to eat a burger under the Terminator’s leather jacket. Cheesy? Yes. A massive—but fleeting—success unlike anything before it? A resounding yes.

By the start of the next decade, the enterprise would collapse, falling into bankruptcy twice, and the bold-faced names who reveled there would begin to walk away. Today, there’s a tendency among the stars involved to be overcome with sudden amnesia. It seems they’d rather we all just forget about the whole thing.

…They needed an action star, someone with appeal in the U. S. and overseas, so they started with a moon shot: Arnold Schwarzenegger, whom Barish had worked with on The Running Man. It didn’t get much bigger than Schwarzenegger in the late eighties, early nineties. He was hot off The Terminator and Total Recall. On Valentine’s Day, after the actor wrapped a scene for Terminator 2: Judgment Day, Barish told him about the plan for a Hollywood restaurant. He accepted immediately. Barish left the set with his first star locked in as Schwarzenegger’s family arrived with Valentine’s Day balloons for him…

…Todd went to the studios to ask for donations—some would only lend items, demanding the right to get them back whenever they wanted. And he bought items that went up for auction, bidding against private collectors. He dug around in musty attics, damp garages, secondhand shops. He found the ships from Ben-Hur in the middle of a Nebraska cornfield. The ax Jack Nicholson wielded in The Shining, still caked in fake blood, was buried in the back of the garden shed of a guy who worked on the film.

“We asked what he wanted for it,” Todd told the Los Angeles Times in 1995, “and he said, ‘Well, I’ll need another ax.’ That was an easy deal.”…

(3) STRACZYNSKI’S NEW COMICS. You can’t read his mind but you can read his comics. J. Michael Straczynski told Facebook readers about his upcoming project:

“When are you going to tell another story about telepaths?” I’ve been asked at conventions over the years. (The second most frequent question I get asked is, “Where is the restroom?”) Having explored the subject area a fair bit in both #Babylon5 and #Sense8, it’s something I have a great interest in given all of the societal implications.

I waited until I had a story worth telling, one that would let me dive deep into the subject matter…which became TELEPATHS, a new 6 issue comic miniseries from AWA. Details and sample art by the amazing Steve Epting can be found at the link below.

SYFY Wire has some of the art: “J. Michael Straczynski shares a first look at his new comic series ‘Telepaths’”.

…“I’ve always been fascinated by questions of privacy and what defines the self,” he continues. “And the fact that so often we are defined by our secrets, by the things that we don’t tell anyone and what happens when suddenly all of that is out in the open and there’s nowhere to hide. That to me is the most interesting part. And I started thinking about this for a long, long time. I thought I have more things to say about this. I want to get it out in another story.”

This led to Telepaths, a book that is very much an ensemble that includes police officers, White House staff members, MIT professors, and even convicted murderers. Everyone has their secrets they are hiding, but once the incident happens, many of those secrets are no longer kept hidden. “That’s a larger application of this story is, maybe you’re having an affair and your partner has that power, so that person’s going to know,” he explains. “There’s no such thing as having a secret life or dreams or goals or ambitions. It’s all going to be on display.”

(4) CENSORSHIP HITS HONG KONG CINEMA. “China’s Censorship Widens to Hong Kong’s Vaunted Film Industry, With Global Implications” reports the New York Times.

…The city’s [Hong Kong’s] government on Friday said it would begin blocking the distribution of films that are deemed to undermine national security, marking the official arrival of mainland Chinese-style censorship in one of Asia’s most celebrated filmmaking hubs.

The new guidelines, which apply to both domestically produced and foreign films, come as a sharp slap to the artistic spirit of Hong Kong, where government-protected freedoms of expression and an irreverent local culture had imbued the city with a cultural vibrancy that set it apart from mainland megacities.

…The updated rules announced Friday require Hong Kong censors considering a film for distribution to look out not only for violent, sexual and vulgar content, but also for how the film portrays acts “which may amount to an offense endangering national security.”

Anything that is “objectively and reasonably capable of being perceived as endorsing, supporting, promoting, glorifying, encouraging or inciting” such acts is potential grounds for deeming a film unfit for exhibition, the rules now say.

The new rules do not limit the scope of a censor’s verdict to a film’s content alone.

“When considering the effect of the film as a whole and its likely effect on the persons likely to view the film,” the guidelines say, “the censor should have regard to the duties to prevent and suppress act or activity endangering national security.”

(5) PUBLISHER TAKES CAPTAIN JACK COMIC OFF WEBSITE. Radio Times reports more consequences of the Barrowman allegations: “Doctor Who graphic novel centred around Captain Jack Harkness on hold”.

Plans for a Doctor Who graphic novel centring around Captain Jack Harkness are on hold following allegations that John Barrowman had frequently exposed himself on the sets of Doctor Who and Torchwood.

All mentions of the graphic novel, referred to as ‘Doctor Who 2021 Event’, have been removed from the Penguin Random House website.

The now-deleted synopsis for the novel revealed that the story tied-in “directly with episode two of the hotly-anticipated series 13,” suggesting Barrowman may have filmed scenes for the upcoming 13th series….

(6) GET ACQUAINTED WITH WINNIPEG BIDDERS. The Winnipeg in ’23 Worldcon bidders got me this last night:

Join the “Winnipeg in ‘23” Worldcon bid committee movers and shakers at one of our Zoom socials, where you can hear the latest news, ask questions, and get to know our crew better. We’re dedicated to bringing you an absolutely stellar 81st World Science Fiction Convention in 2023. Winnipeg has lots of cool plans in the works, which we’d love to share with you! Sign up links and more information are here.

We will also stream our socials to our YouTube channel here.

Sign up here for June 12 at 8:00pm CDT

Sign up here for June 13 at 1:00pm CDT

(7) MEDIA BIRTHDAY.

  • June 12, 1987 — On this date in 1987, Predator premiered. The first in the franchise, it was directed by John McTiernan and written by Jim and John Thomas. It was produced by Lawrence Gordon, Joel Silver and John Davis.  As you know, it starred Arnold Schwarzenegger and Carl Weathers. There would be four Predator films including one currently in production plus three Alien cross-over films as well. With the exception of Roger Ebert, critics generally hated it which didn’t stop it from being very successful at the box office. Audience reviewers at Rotten Tomatoes currently give it an eighty-eight percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 12, 1856 – Georges Le Faure.  Among a dozen popular swashbuckling novels, War Under Water against Germany; The Extraordinary Adventures of a Russian Scientist (with Henry de Graffigny, 4 vols.; tr. in 2 vols. 2009) with an explosive that could destroy the world, a Space-ship faster than light, visits to other planets, aliens.  Verne was first but not alone.  (Died 1953) [JH]
  • Born June 12, 1921 – James Houston.  Canadian Volunteer Service Medal in World War II.  Drew and painted in the Eastern Arctic; civil administrator of western Baffin Island.  Brought Inuit carvings to Montreal, where Canadian Handicrafts Guild held autumn sales with queues stretching out the door and down the block; introduced printmaking to the Inuit with similar success.  Master designer for Steuben Glass.  Thirty books for children & adults, some ours.  Producer & director of documentaries.  Four honorary doctorates.  Inuit Kuavati Award, Metcalf Award (twice), Massey Medal.  Acrylic & aluminium – I said he was Canadian – sculpture Aurora Borealis 70 ft (20 m) high at Glenbow Museum, Calgary.  Memoirs, Confessions of an Igloo Dweller and Zigzag.  See here.  (Died 2005) [JH]
  • Born June 12, 1924 — Frank Kelly. All of his short fiction was written in the Thirties for Astounding Science Fiction and Wonder Stories. The stories remained uncollected until they were published as Starship Invincible: Science Fiction Stories of the 30s. He continues to be remembered in Fandom and was inducted into the First Fandom Hall of Fame in 1996. Starship Invincible is not available in digital form. (Died 2010.) (CE)
  • Born June 12, 1927 — Henry Slesar. He had but one genre novel,Twenty Million Miles to Earth, but starting in the Fifties and for nearly a half century, he would write one hundred sixty short stories of a genre nature, with his first short story, “The Brat” being published in Imaginative Tales in September 1955.  He also wrote scripts for television — CBS Radio Mystery Theater (which, yes, did SF), Tales Of The Unexpected, the revival version of the Twilight Zone, Batman, The Man from U.N.C.L.E., and genre adjacent, lots of scripts for series Alfred Hitchcock did. (Died 2002.) (CE) 
  • Born June 12, 1930 — Jim Nabors. Fum on The Lost Saucer, a mid sixties series that lasted sixteen episodes about two friendly time-travelling androids from the year 2369 named Fi (Ruth Buzzi) and Fum (Jim Nabors) who land their UFO on Earth. (Died 2017.) (CE) 
  • Born June 12, 1940 — Mary A. Turzillo, 81. She won the Nebula Award for Best Novelette for her “Mars is No Place for Children” story, published first in Science Fiction Age. Her first novel, An Old Fashioned Martian Girl was serialized in Analog, and a revised version, Mars Girls was later released. Her first collection to polish her SWJ creds is named Your cat & other space aliens. Mars Girls which I highly recommend is available from the usual digital suspects. (CE)
  • Born June 12, 1946 – Sue Anderson.  Fannish musicals with Mark Keller, performed at 1970s Boskones: Rivets, Rivets Redux, Mik Ado about Nothing (i.e. alluding to both Gilbert & Sullivan, and Shakespeare), The Decomposers. George Flynn, Anne McCaffrey, Elliot Shorter are gone, but Chip Hitchcock was in some or all and may yet explain what really happened.  Three short stories (one posthumously in Dark Horizons 50); this cover with Stevan Arnold for Vertex.  (Died 2004) [JH]
  • Born June 12, 1948 — Len Wein. Writer and editor best known for co-creating (with Bernie Wrightson) Swamp Thing and co-creating Wolverine (with Roy Thomas and John Romita Sr.) and for helping revive the X-Men. He edited Watchmen which must have been interesting dealing with Alan Moore on that. He’s a member of the Will Eisner Award Hall of Fame. (Died 2017.) (CE)
  • Born June 12, 1953 — Tess Gerritsen, 68. ISFDB lists her as genre so I’ll include her even though I’m ambivalent on her being so.  They’ve got one novel from the Jane Rizzoli series, The Mephisto Club, and three stand alone novels (Gravity, Playing with Fire and The Bone Garden). All save Gravity couldbe considered conventional thrillers devoid of genre elements. (CE) 
  • Born June 12, 1963 – Franz Miklis, age 58.  Austrian artist active for decades in fanart (see here and here) and otherwise (see here and here).  Edited Galacto-Celtic Newsflash.  A hundred covers, three hundred interiors for e.g. Future Magic, LoneStarCon 3 the 71st Worldcon, Jupiter Jump, The Nat’l Fantasy Fan, Opuntia, Visions of Paradise.  Artbooks Vance World (part 1, paintings; part 2, crystal cities & flying palaces); Behind the Event Horizon.  Website here.  [JH]
  • Born June 12, 1964 — Dave Stone, 57. Writer of media tie-ins, including quite a few in the Doctor Who universe which contains the Professor Bernice Summerfield stories, and Judge Dredd as well. He has only the Pandora Delbane series ongoing plus the Golgotha Run novel, and a handful of short fiction. (CE)
  • Born June 12, 1970 – Claudia Gray, age 51. A score of novels, a few shorter stories.  Website here (“Bianca, Tess, Nadia, Skye, Marguerite, and Noemi aren’t that much like me.  For example, they all have better hair”; also “Read as much as you can….  Read the stuff you love.  Read the stuff you never thought you’d love”).  [JH]
  • Born June 12, 1985 – Madeleine Roux, age 36. A dozen novels (some NY Times Best-Sellers), half a dozen shorter stories.  Fiction Weblogs (for some of us, blog is a drink) Allison Hewitt Is Trapped, Sadie Walker Is Stranded.  Has read Pride & Prejudice, Frankenstein, Lolita, The Adventures of Huckleberry Finn, One Hundred Years of Solitude, Slaughterhouse-Five.  [JH]

(9) COMICS SECTION.

  • Lio enjoys a practical joke on Dracula.
  • Non Sequitur has a heap of dino humor.

(10) FABLES TO CONTINUE. DC Comics announced that Bill Willingham’s Fables series will resume in September with Batman vs. Bigby! A Wolf in Gotham: “Fables Returns!”

…“I’ve wanted to do this since the very first year of Fables,” says writer Bill Willingham. “Why? Because Batman is a detective, and Bigby is a detective, and I love a well-crafted story crossing over characters from two different fictional worlds. It’s automatically a fish-out-of-water story for at least one of the main characters, and that sort of story always works. Plus, I knew from the very beginning of Fables that my fictional universe would allow for many ways to get Bigby Wolf into the DCU and Gotham City. Even though those cosmic story structures wouldn’t be introduced in the Fables books for a year or more, they were baked in from the very beginning.”

Then, on sale the first week of May 2022, the main story line continues with Fables #151—just in time for the 20th anniversary of Fables #1. Fables #151 is the first installment of “The Black Forest,” a 12-issue arc that picks up where the story left off in Fables #150, and is also a perfect jumping-on point for new readers. The series also reunites the core creative team, with pencils by Mark Buckingham, inks by Steve Leialoha, colors by Lee Loughridge, and letters by Todd Klein….

(11) WANTED TO GROW UP TO BE RUMPOLE. The author of the Phryne Fisher series tells CrimeReads about her days practicing law: “Kerry Greenwood’s Life In Crime”.

…My practice was far more colorful than most. Rumpole never prosecutes, and neither did Greenwood. I worked for the Legal Aid Commission and gave free advice and legal representation to anyone who needed it. Because appearing in court seemed to me the most important thing I could do with my life, I volunteered. I didn’t want to sit in a cosy office anyway. I wanted to be doing Rumpole things, and be an advocate for those who had no voice of their own. At the height of my career I was appearing in three different courts every week. ‘Anyone for Legal Aid?’ I would ask. Oh yes. Word got around about me. As my writing career blossomed I reduced my hours. By the end I was paid for five hours a week (around $A130), and for this trifling sum I would represent my twenty-odd clients in court and out of it; and stagger home knowing that whatever I was doing this for, it certainly wasn’t for the money….

(12) SAIL, HO. The Guardian comments on prospects for another film based on the work of Patrick O’Brian: “Avast and furious: will it be a triumphant return for Master and Commander?” Not sff, but didn’t you want to know?

If the 2003 naval epic Master and Commander: The Far Side of the World teaches us anything about life on a 19th-century British frigate, it is that even the most prolonged period of deck-scrubbing doldrums can suddenly erupt into thrilling action. Long-standing admirers of Peter Weir’s film experienced a similar adrenaline jolt this past weekend when news broke that the long-becalmed franchise based on Patrick O’Brian’s swashbuckling novel series was preparing to sail on to the big screen again. Ship just got real.

Patrick Ness, the author and screenwriter tasked with creating this new adaptation, confirmed his involvement by posting a bookshelf on Instagram of cherished O’Brian volumes. “This is a cache of riches,” he wrote, “with so much left to be explored.”… 

(13) SHUTE IN COMICS. Clark J. Holloway has posted some installments of the On The Beach graphic adaptation on his website.

I first read Nevil Shute’s best-selling 1957 cautionary novel of nuclear holocaust when I was in my early teens. It scared the bejabbers out of me. Sometime later I saw the 1959 movie with Gregory Peck, Ava Gardner, and Fred Astaire on late-night TV, and whatever bejabbers that may have been left in me fled to join their departed comrades. The story had a powerful impact on my young mind. However, as the years rolled by and the Cold War wound down the fear of imminent nuclear destruction faded from my mind and On the Beach became little more than a distant memory.

…In searching the Internet for reviews of Shute’s 1957 novel and the 1959 film I found that a closed-end comic strip adaptation of the novel had run in a number of the nation’s newspapers beginning on November 4, 1957. The story has been condensed down so that it could be told in five weeks worth of daily installments, excluding Sundays, and was drawn by cartoonist Ralph Lane. Since reprints of the comic are apparently rather rare, I’ve posted copies of them found on newspapers.com. Following the story are some examples of beautifully drawn original art from the strip that I’ve been able to acquire for my collection….

 (14) WOULD YOU LIKE SOME SF IN YOUR POLITICS? [Item by Daniel Dern.] Daily Kos told how “Rep. Dan Crenshaw asks soldiers to report ‘wokeness’ in military ranks, is trolled into oblivion”.

…Continuing the Republican tradition of pretending at maximum manly toughness while thumping through life with shows of oddly weaponized gutlessness, it’s Texas Rep. Dan Crenshaw and Arkansaw’s Sen. Tom Cotton leading a new charge against Rampant Theoretical Wokeness in our nation’s tough manly military. Crenshaw announced it on Twitter with suitable turgidity: “We won’t let our military fall to woke ideology,” he puffed. The Crenshaw-Cotton response is a new “whistleblower webpage” where you can “submit your story” of being, um, exposed to Wokeness…. 

Twitter was flooded with reports. (You’ll probably have to click on the tweet to see the full text,)

https://twitter.com/cosmoconure/status/1398804868526190593

[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Daniel Dern, Cat Eldridge, John Hertz, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day David Shallcross.]

Pixel Scroll 7/16

Posted on by

Six stories, two advertisements disguised as news, and a charming science video make up today’s Scroll.

(1) What happens when you delegate your online transactions to a program that becomes annoyed by your laziness? Rudy Rucker provides an imaginative answer in “Like A Sea Cucumber”, a free read on Motherboard. [Via SF Signal.]

(2) Bill Willingham’s Fables is coming to an end reports Jim Vorel on Paste.com.

The closure of Fables with the Fables: Farewell trade paperback on July 22 will be the end of an era in the comics industry, the rightly deserved and satisfying conclusion to a singular, ongoing story rivaled by only a handful of other titles. Fables is retiring on par with say, Vertigo stablemate The Sandman in both critical adoration (a ridiculous 14 Eisner Awards) and commercial success, an immediate entrant into the comics hall of fame. Not bad for a series at least partially inspired by The Rocky & Bullwinkle Show, by Willingham’s own admission.

(3) Frequent File 770 commenter Nicole LeBoeuf-Little educates Examiner.com readers about the Hugos in an article which includes a deep dive into the question “Why would anyone vote No Award? Isn’t that like nuking the Hugos or something?” Five reasons are given, one being a voter’s personal desire to overrule the Hugo Administrator —

Protest a finalist’s placement on the ballot due to eligibility. The award administrators do try to identify ineligible finalists and remove them from the ballot, but not every voter will agree with their assessment. For instance, two of this year’s finalists in the Novella category, “Big Boys Don’t Cry” by Tom Kratman and “One Bright Star to Guide Them” by John C. Wright, were actually first published earlier than 2014. However, the 2014 versions were considered to have been substantially revised and expanded from the originals and thus qualified as new works. A voter who disagrees with that assessment might well choose to rank No Award above those novellas. For another example: Last year, the 14-book Wheel of Time series was nominated in its entirety under “Best Novel,” having been ruled to be a multi-part serialized single work. A number of voters disagreed, and ranked No Award higher.

….Point is, No Award should not be considered a destructive option. It is a tool of dissent with which voters have been intentionally empowered. Use it, or not, as your conscience, heart, and/or whim dictates. The health of the Hugo Awards will be undiminished either way.

(4) Michael Z. Williamson, for one, will be exercising the nuclear option as he told his readers on July 13:

I have just voted NO AWARD across the board for the Hugo awards, including the category in which I am a finalist.

At one time, the Hugo WAS arguably the most significant award in SF, with the Nebula being the pro award with a different cachet.

The Nebula lost any credibility when it was awarded to If You Were An Alpha Male My Love, which was not only eyerollingly bad Mary Sue, but wasn’t SF nor even an actual story. If that’s what the pros consider to be worthy of note, it indicates a dysfunction at their level….

This was my choice.  I am not telling my fans not to vote for me. If you feel my work is worthy, by all means vote for it. Just understand that if I win, it will be subject to the same scathing derision I give to any and all social and political issues.  It deserves no less.

(5) Vox Day still opposes voting No Award in 2015 for tactical reasons:

Also, and more importantly, not voting No Award permits us to correctly gauge the full extent of the SJW influence in science fiction and see how it compares to the current strength of the Sad and Rabid Puppies. That’s my chief interest in this year’s vote, because it will inform the strategy that we pursue in the future. Remember, we haven’t even begun to finance “scholarships” in the way the other side has. Our 2015 numbers do not reflect the full extent of the force we can bring to bear.

(6) Alex, of Randomly Yours, Alex, the opposite of a no award voter, is struggling with a decision about ranking “Hugo Awards: the novellas” for reasons that may be completely unique:

“The Plural of Helen of Troy,” John C Wright: ready for me to get actually controversial? I’m not sure about this one.

That’s right. I actually liked this story and would consider putting this on my ballot. But it was published by Castalia House, and that sound you just heard? That was my politics running smack bang into my reading enjoyment.

The story is told backwards; another PI, this time working in a city outside of time somehow – I’m generally quite capable of reading time travel stories without the paradoxes doing too much to my brain, as a rule, although I know that’s not possible for many readers. (What can I say, it’s a gift. Like reading Greg Egan science.) He’s contracted to help a man whose girlfriend (?) is apparently going to be attacked by someone, and they have to stop it. Of course things get messier than that, and there are iterations and variations as the story progresses (…which means going backwards…). There are some neat moments – I was quite amused by the realisation of who the man and the ‘Helen’ were, and some funny enough moments of these people completely out of their times living together. Including Queequeg. QUEEQUEG LIVES.

Anyway. Now I have to figure out how to vote in the novellas and it HURTS. I’ve got a couple of weeks, right? I can figure it out in that time…

(7) Attendees at Pulpfest in August will receive The Pulpster, the con’s feature-laden program book.

The highlight of the issue will be a round-robin article on H. P. Lovecraft and WEIRD TALES. It will feature contributions from filmmaker Sean Branney; Marvin Kaye, the current editor of WEIRD TALES W. Paul Ganley, founder of WEIRDBOOK, and Derrick Hussey, the publisher at Hippocampus Press; authors Jason Brock, Ramsey Campbell, Cody Goodfellow, Nick Mamatas, Tim Powers, Wilum Pugmire, Jessica Amanda Salmonson, Darrell Schweitzer, and Chet Williamson; poet Fred Phillips; pulp scholars and collectors John Haefele, Don Herron, Morgan Holmes, S. T. Joshi, Tom Krabacher, Rick Lai, Will Murray, and J. Barry Traylor.

Supporting members are also guaranteed a copy. Or following the convention, a limited number of copies of the program book will be available for purchase through Mike Chomko, Books which can be reached at [email protected].

Nick Mamatas would want you to!

(8) The Easton Press is taking orders for Douglas Adams’ The Complete Hitchhiker’s Guide To The Galaxy —

Five complete novels and one story, together in one volume… “Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun.”  With over 15 million copies sold, the Hitchhiker’s Series ranks among the best-loved works of science fiction.  Features 5 specially commissioned original full-color illustrations!

All these gilt-edged editions remind me too much of the Bible…. A resemblance Douglas Adams would probably enjoy, in an ironic way.

(9) Finally, I enthusiastically recommend “The Scale of the Solar System,” linked in comments earlier today:

Renovation Invites Bill Willingham
as Special Guest

Posted on by

Bill Willingham, the Eisner Award winning comic book writer, has been added as a special guest of Renovation, the 2011 Worldcon.

The invitation symbolizes Renovation’s  plans for a program track dedicated to comics and graphic novels, with panels, talks and demonstrations. And it also will be the third successive Worldcon presenting a Best Graphic Story Hugo, a category first introduced in 2009. Bill Willingham has twice been nominated in this category for installments of his Fables, the story War and Pieces (2009) and Volume 12: The Dark Ages (2010).

The full press release follows the jump.

Continue reading →