Tag Archives: Deutscher Buch Preis

Pixel Scroll 9/21/22 She Took The Midnight Train To Arcturus

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(1) ANTHEM LAUNCH. [Item by Martin Morse Wooster.] In the Washington Post, classical music critic Michael Andor Brodeur discusses the new Space Force anthem by Jamie Teachenor and Sean Nelson, and lets his father make a dad joke that the tune was written by “Buck Rogers and Hammerstein.” “New Space Force anthem aims to land the military branch on your radar”.

On Tuesday, the United States Space Force entered its anthem era, announcing the release of its own official song at the Air Force Association Air, Space and Cyber Conference at National Harbor in Maryland.

The song, “Semper Supra” (“Always Above”), joins the ranks of “The Marines’ Hymn,” “The Army Goes Rolling Along” and other staples of the American military anthem repertoire. It’s also … Wait. Why are you laughing?

I knew as soon as I said “Space Force” this would happen.

Because the Space Force is, for the foreseeable future, the New Guy among military branches. Because its sudden and ham-handed public rollout in 2019 was largely entrusted to the writers’ rooms of late-night shows. And, yes, because it’s called the Space Force, so there remains a lingering temptation not to take it seriously (and a tacit cultural authorization to proceed).

… I guess for a song that’s destined to orbit around this branch of military in perpetuity, I was hoping for something … I don’t know, spacier?

Over the past century, the cosmos has supplied us with such a rich musical mood board: Gustav Holst gave us his standard-bearing model of the solar system, “The Planets,” back in 1916. Stanley Kubrick’s use of Johann Strauss’s antigravity waltzes and the monolithic motif taken from the other Strauss’s “Also sprach Zarathustra” have informed our perception of deep space since “2001” arrived in 1968. John Williams has also memorably distilled his visions of the vastness of space into universal themes — think the “five tones” of “Close Encounters of the Third Kind.”…

(2) FLIP THE SCRIPT. Camestros Felapton supplies the answer to the question, “Could you rewrite the Lord of the Rings as a techno-thriller?” (Did you doubt it for a moment?)

…Part of the issue is that much of what makes LotR a compelling story, are not the things that make it genre distinctive. Attempts to make a clear distinction between science fiction and fantasy can founder when we consider how LotR would change if it had to conform to proposed rules about science fiction. If, as the thought experiment goes, Tolkein’s elves were aliens, would the story now be sci-fi? The role of magic in fantasy versus materialist explanations in science fiction has also been offered. However, LotR has an odd take on magic. Much of the overt magic we see is attached to made objects (the Ring obviously, but also the palantir, the doors of Moria, Sting, the vial of light gifted to Frodo by Galadriel, or delving deeper into the mythos, the Silmarils themselves). We don’t know how those things work (magic!) but of course we don’t know how phasers, tractor beams, replicators or warp drives work either. To quote the overused quote from Arthur C. Clarke “Any sufficiently advanced technology is indistinguishable from magic”. Clarke was making a point about technology rather than genre distinctions but the insight works almost symmetrically…. 

(3) HOPKINSON ZOOM. The Feminist Futures Forum, organized by the Emily Taylor Center for Women & Gender Equity at the University of Kansas, presents a conversation with Brown Girl in the Ring author Nalo Hopkinson facilitated by Anthony Boynton, a Ph.D. candidate in the KU English Department in September 22 at 6:30 p.m. Central, They will explore Black speculative fiction, Afrofuturism, and Black feminisms. Register here. This year’s Forum is planned in conjunction with the Gunn Center’s Sturgeon Symposium.

(4) FIRST STURGEON SYMPOSIUM. Speaking of which, the 1st annual Sturgeon Symposium, a hybrid in-person/online event hosted by the Gunn Center for the Study of SF, takes place next Thursday and Friday, September 29-30. 

Sessions include presentations on Fan Fiction, Indigenous Speculative Fiction, Eastern European SF, Latin American Dystopias, Gender & The Black Fantastic, Pedagogical Approaches, and much, much more.

Visit their website for the full program: Sturgeon Symposium.

(5) HOW DO YOU TURN THAT OFF? Sarah A. Hoyt explains why “Words Are Our Profession” at Mad Genius Club, though it is this paragraph that has me nodding in agreement:

…I will also straight up admit that I must be very odd in my relationship with text, because I never understand why anyone highlights or clips certain excerpts from books. When I got my latest kindle, I had the “show other people’s markings” setting on and couldn’t figure out how to turn it off. This made me glare a lot, as I couldn’t figure out why people were highlighting completely mundane sentences. Of course, it’s entirely possible that all these highlights and clipping of sentences happen the way they happen to me: Kindle starts falling, grab it with my off hand, and suddenly I’ve saved a clipping of “Hi, I am looking for my cat” as though it were some kind of life altering message. (As is, I had to turn the dictionary off, otherwise, by the same process, I was continuously having the meaning of “hand” or “parasol” explained to me.)…

Hoyt’s column is mainly about when it’s a good idea to eschew surplusage, and successful tactics for so doing.

(6) STEP BY STEP TO PUBLICATION. [Item by Martin Morse Wooster.] Amit Gupta sold a short story to Tor.com.  Here, he discusses how long it took and all the rejections he accumulated. “Short stories: How much do you make? How do you sell one? How long does it take to write?” And you can read his story “India World” at Tor.com.

What’d I learn looking back through all this?

  • Writing takes forever, even if it’s a just a few thousand words. Way longer than I thought.
  • Submitting takes even longer. This tracks with other areas of my life. Selling is always less fun for me than making things.
  • SO MANY people helped! I’m blown away by how many people took time to read drafts and offer their feedback.

(7) DEUTSCHER BOOK PREIS. The only longlisted genre work didn’t make the Deutscher Buch Preis shortlist. If you want to know what did, click here.

(8) IT BECKONS. Kelly McClymer encourages writers to ask “Is Your Book Cover Doing the Job or Does It Need to Be Fired?” in the “Indie Files” series at the SFWA Blog.

… For authors, the cover is a double-edged sword. We need one that calls to our readers and makes them pick our book out of a crowded line up.

I remember the first time I realized would have to change the cover for an indie book. I didn’t want to pay for another cover design, so I delayed making the obvious decision. I kept telling myself that the book was good, so the cover couldn’t make that much difference.

I should have known better. I’ve been a voracious reader since I learned to read and my personal book choice algorithm is simple: favorite author first, then intriguing title, then intriguing cover. That personal algorithm hasn’t changed in decades. As a reader, I am easily seduced by title or cover.

As an author, I hate spending money on new covers and agonizing over the design. What got me to stop pinching pennies in this critical area of marketing? Evidence, of course. My indie author friends weren’t afraid to change their covers. Multiple times. And it (usually) helped their sales significantly. Even better, some of them were able to do so on a budget by using pre-made covers that were on sale. …

(9) WHAT’S THE MESSAGE? Scifihistory.net seriously doubts 2001 deserves a reputation for greatness: “Stardate 09.21.2022.A: Warp Core Breach: Science Fiction’s Biggest Circle Jerk – 2001: A Space Odyssey (1968)”.

Circle jerk = a situation in which a group of people engage in self-indulgent or self-gratifying behavior, especially by enforcing or reinforcing each other’s views or attitudes.
 
A long time ago in a galaxy far, far away (snicker snicker) I attended a small private college in Anytown, USA.  In one of my several classes talking about film, a professor (who shall be nameless) took the occasion one day to wax on eloquently about “mankind’s claim” that Stanley Kubrick’s 2001: A Space Odyssey was not only the greatest Science Fiction film ever made but very well was considered the best film ever made.
 
Now, at this juncture in my cognitive development, I was a firm supporter of Citizen Kane’s rightful claim to that title.  Not one to keep silent, I spoke up, asking where it was written that 2001 was ever considered a greater accomplishment than Kane was … to which I got an earful.  Pushing back as politely as I could, I argued that I’d never heard of anyone making such an assessment, and – while I didn’t doubt the instructor had read or perhaps thought such a ranking possible – I wanted to know which experts felt that way so that I could go out and read their analysis.  Essentially what I was told was that 2001 was, clearly, the superior film because of its central message.
 
Get ready, folks.
 
I asked, “What is 2001’s central message?”…

(10) SPELLER TRIBUTES CONTINUE. Strange Horizons’ Aishwarya Subramanian and Dan Hartland mark the loss of their colleague and friend: “In Memoriam: Maureen Kincaid Speller”.

…Maureen Kincaid Speller was capable of producing among the best criticism SFF has to offer. Now she has left us, our understandings of the genre will be poorer and less complete. We will know our favourite texts less well, and we will struggle sometimes to express a reading she would have worked into prose of wit, clarity, and pith. We will miss her because, as a critic, she helped us be better readers; because, as an editor, she made us better writers; and because, as herself, she was fearless in achieving these ends. But most of all, we will miss her because she was our friend—was the friend of all readers, and all authors, and all books. She showed us this every time she attended to a text and asked not just why she liked it, but why she—or why we—might not. Friends make us better, and they often do so via the unvarnished truth….

(11) MEDIA BIRTHDAY.  

1969 – [By Cat Eldridge.] Randall And Hopkirk Deceased (1969)

Yes, I know it had multiple premiere dating back fifty-three years ago, so I’ve picked the London Weekend Television broadcast of the pilot two days after the ATV broadcast. No reason, but that’s my choice. Well, and it’s today.

Randall and Hopkirk (Deceased) is a somewhat comical British PI series that starred Mike Pratt and Kenneth Cope respectively as the private detectives Jeff Randall and the quickly quite dead and just as rapidly ghostly Marty Hopkirk. Annette Andre as Jeannie Hopkirk, secretary at the Randall and Hopkirk private investigation office, and widow of Marty, was the only other regular cast member. 

(Note: beautiful woman here as well. The trope holds true!) 

In the United States possibly because the word deceased would be offensive, it was called My Partner the Ghost. Or because the syndicators here were utterly lacking in imagination and had to be sickeningly cute. You pick. 

It was created by Dennis Spooner who did a lot of writing for Doctor Who, a spot of writing for The Avengers and quite a bit later for the New Avengers, and was the creator of Department S. 

It would last one run of twenty-six episodes. In the year 2000 it was remade by the BBC starring Vic Reeves as Hopkirk (once again in a white suit) and Bob Mortimer as Randall, with Emilia Fox as Jeannie. Two series were made lasting just thirteen episodes.

A decade ago, SyFy announced that it had secured the rights to Randall & Hopkirk (Deceased) and were looking to develop a pilot, and in January 2011, Entertainment Weekly announced that Jane Espenson and Drew Z. Greenberg would be writing a pilot for SyFy. Given SyFy’s record for rebooting series, guess what happened to it? Well did you see a pilot? 

It does not appear to streaming anywhere for free right now.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 21, 1904 — Alexander Key. American writer primarily of children’s books. His novel Escape to Witch Mountain was made into by Disney into a film three times 1975, 1995, and again in 2009. (Originality isn’t one of Disney’s stronger suits.) The sequel novel was made into another film in 1978. The Incredible Tide novel became the Seventies Future Boy Conan anime series. (Died 1979.)
  • Born September 21, 1912 — Chuck Jones. Looney Tunes and Merrie Melodies creator (think Bugs Bunny). His work won three Oscars, and the Academy also gave him an honorary one in 1996.  I’ve essayed him more that once here, so you know that I like him. What’s your favorite one of his? Though perhaps culturally suspect these days, I’m very fond of “Hillbilly Hare”. (Died 2002.)
  • Born September 21, 1935 — Henry Gibson. I’m going confess upfront that I remember best him as a cast member of Rowan & Martin’s Laugh-In. You know what role that was. In regards to his genre work, he showed up on the My Favorite Martian series as Homer P. Gibson, he was in Chitty Chitty Bang Bang as an uncredited dancer, in Bewitched twice, once as Napoleon Bonaparte, once as Tim O’ Shanter, he was the voice of Wilbur in Charlotte’s Web, in The Incredible Shrinking Woman as Dr. Eugene Nortz, and even in an episode of Star Trek: Deep Space Nine, the “Profit and Lace” episode to be exact in which he was Nilva, a ferengi. (Died 2009.)
  • Born September 21, 1960 — Mary Mara. Best remembered as Inspector Bryn Carson on Nash Bridges but she had a number of genre appearances including Mary in K-PAX from Gene Brewer’s novel of the same name, and her best role though animated was — and don’t blame the messenger — Alice Kerchief/Geisha in Spicy City is an adult animated erotic cyberpunk television series which was created by Ralph Bkashi for HBO that ran for six episodes. It was a really fascinating role. I’d rate the series a strong R. (Died 2022.)
  • Born September 21, 1964 — Andy Duncan, 58.  If I were to start anywhere with him, it’d be with his very excellent short stories which fortunately were published in two World Fantasy Award-winning collections Beluthahatchie and Other Stories, and The Pottawatomie Giant and Other Stories, and another WFA nominee, An Agent of Utopia: New & Selected Stories.  I’ve read his novels, so what you recommend?  He has garnered some very impressive Awards — not only World Fantasy Awards for the two collections, but also for the “Wakulla Springs” novelette (co-authored with Ellen Klages), and a Nebula for the novelette “Close Encounters” (2013). He has three Hugo nominations, for his “Beluthahatchie” short story (1998), the novella “The Chief Designer” (2002), and “Wakulla Springs” (2014). 
  • Born September 21, 1974 — Dexter Steven, 48. He wrote interesting novels, the first being The Dream of Perpetual Motion which is based off The Tempest, with steampunk, cyborgs and airships as well; the second being Version Control, a media-saturated twenty minutes into the future America complicated by time travel that keep changing everything. He wrote these and that was it. 
  • Born September 21, 1990 — Allison Scagliotti, 42. One of the primary cast of Warehouse 13, a show that I really, really loved. Her first genre role was as Jayna, one of the Wonder Twins, on the Smallville series. And she showed in a crossover episode of Eureka, “Crossing Over”.  She was in Camille Engelson on Stitchers which I must watch soon. 

(13) COMICS SECTION.

  • Bizarro  shows mythical beasts need therapy, too.

(14) WHO DAT? The Bookseller’s Joe Phelan knows there’s always an audience for anyone prepared to tell us, “What happened to Sad Puppies?”

The Sad Puppies era is arguably the bleakest passage in the history of the Hugo Awards. The Puppies’ campaigns gave rise to smears, vitriol, conspiracy and hostility; they can be regarded as an early skirmish in publishing’s now-pervasive “culture wars”, where suspicion, belligerence and an unwavering conviction in one’s own position routinely permeate discourse.

There are quotes from Kevin Standlee and Neil Gaiman which Phelan presents as recently obtained, and another from this laughably “anonymous” pro-Puppy figure:

…The anonymous Sad Puppies advocate we spoke to fully disputes suggestions that the campaigns should be branded failures. They are adamant the Hugos remain just as unrepresentative and biased as they considered them to be in 2013, and they believe Sad Puppies played an important role in raising awareness of this apparent issue.

“No, it was not unsuccessful. The campaign(s) proved to any onlookers who care to look that the modern Hugos are awarded solely for reasons of political correctness. A casual perusal of the lists of candidates and winners over the past four years is a sufficient confirmation of this. The Hugo Awards, in effect, burned themselves to the ground for the sole purpose of avoiding my work being recognised. The fans had selected an author that the insiders did not prefer – despite that I myself was a Tor author at the time. Those who hoped sobriety would prevail, and the Hugos return to the dignity they once knew, had their hopes dashed.”…

If you know any ex-Tor authors who were on the Sad Puppy slates that weren’t named John C. Wright, please do refresh my memory.

(15) PURE WROUGHT. Speaking of Mr. Wright, his recent “Note on Christian Science Fiction” contains this wonderful passage scoffing at some familiar genre works:

…People would go mad at the sight of stars, Mr. Asimov? Really? Eyewitnesses to the Crucifixion would immediately convince the world without any fuss that all religion was bunk, Mr. Clarke? Say you so? One should sleep with whores out of courtesy to one’s hosts when visiting whoreland, Mr. Heinlein? Really? Adultery is lawful for persons truly in love, Mrs. Rand? Honestly? Or, my personal favorite, if Captain Kirk is split into a good and evil pair, a la Jekyll and Hyde, the bad side is filled with passion and energy rather than filled with vice, and the good side is indecisive and weak rather than virtuous? Really, Mr. Roddenberry? Honestly, is that the way good and evil works, or have you simply been reading too much Freud, and it has warped your brain?…

(16) SEEMS MORE RELEVANT NOW. [Item by Todd Mason.] A quote from an old sff magazine:

“The Ukraine had had a number of serious attacks in the previous week, which refuted the theory that the metal locusts were a Russian weapon being used in preparation for a mobilisation of forces.”

“The Locusts” by R. Whitfield Young, Science-Fantasy, April 1958.

Apparently the only published story by Young under that byline, and one might guess why from the bulk of the story.

(17) AGAIN. CBR.com decides “Kaley Cuoco & Pete Davidson’s Meet Cute Is a Clever, Affecting Sci-Fi Rom-Com”.

When Sheila (Kaley Cuoco) approaches Gary (Pete Davidson) in a New York City bar at the beginning of Meet Cute, it seems like the moment referenced in the title — the romantic-comedy staple of the main characters first encountering each other in an adorable, amusing manner. For Gary, that’s what it is. He’s won over by Sheila’s offbeat charms, including ordering the exact same drink as him and toasting in the exact same way. For Sheila, though, this isn’t her first time meeting Gary, or even the fifth time. As she tells him almost immediately, she’s a time traveler, and she’s experienced this moment multiple times already. It’s a disarmingly direct way for the movie to introduce its sci-fi concept, which is indicative of the clever, surprising, and emotionally affecting story to come….

(18) LONGER AGO THAN YESTERDAY. Neil Gaiman, Ian Rankin, and Denise Mina are featured in this 2009 BBC piece about graphic novels that dropped today.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Adam Savage reports from the convention he holds (Silicon!) and how a fabricator he calls “evil Ted” gave him a very realistic foam space helmet.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Todd Mason, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 8/23/22 Another Hulkling, Another Skrull

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(1) GENRE SQUEAKS IN. [Item by Cora Buhlert.] Amazingly, there actually is one genre book on the Deutscher Buch Preis (German Book Prize) longlist, which is quite unusual for this award, which tends to go to family sagas with historical background or novels about rootless young people in the big city.

The novel in question is Auf See (At Sea) by Theresia Enzensberger, which tells the story of a woman who grows up in a floating city in the Baltic Sea that was founded by her father, a tech billionaire to escape the chaos on shore. Alas, the floating city is declining and the protagonist worries that she might be succumbing to the same mystery disease as her late mother.

The 20-book longlist is here. The winner receives prize money of €25,000 (US$24,855). The five finalists each receive €2,500 (US$2,485). The shortlist will be released September 20.

(2) LET ME INTERRUPT YOU. “An ‘Impertinent’ Interview with Lawrence Block” at Janet Rudolph’s Mystery Fanfare includes a few sff moments.

…And here you are with another book—

The Burglar Who Met Fredric Brown.

—and another plug for another title, sheesh, what is it with you? Never mind, don’t answer that. Fredric Brown. Sensational writer, a whole lot better than you, and equally at home in science fiction and mystery. You ever write any SF?

I had a story in a magazine, Science Fiction Stories, in 1959, and it was chosen for Judith Merril’s best-of-the-year collection. And in 1984 Fantasy & Science Fiction ran “The Boy Who Disappeared Clouds.”

Two stories twenty-five years apart. Doesn’t exactly put you up there with Sturgeon and Asimov, does it?

I never said—

(3) BOFFO HOME BOX OFFICE. “House of the Dragon recorded HBO’s biggest premiere of all time” reports The Independent.

HBO has revealed that the first episode of its Game of Thrones spinoff House of the Dragon recorded the network’s biggest premiere of all time.

Warner Bros Discovery said that the show recorded approximately 9.9 million views on Sunday (21 August) night in the US alone….

(4) HOW TO COOK A DIREWOLF. “Chicago Chef Iliana Regan Didn’t Just Cook Fine Dining — She Cooked Fanfiction” explains Eater’s Rachel P. Kreiter.

The first time I went to a Game of Thrones dinner at the restaurant Elizabeth, the room was decked out in banners bearing ancestral sigils, while dozens of vinyl figurines were stuffed into every possible gap and onto every ledge. It was April 2017, a seventh season of the show would air in a couple of months, and a friend had come to Chicago to attend this dinner with me, not because we loved Game of Thrones — neither of us had watched for years at that point — but because the idea of a fannish dinner was exciting.

Before each of 10 courses, the staff explained the source or inspiration for everything that was served. We had the “black bread” that is mentioned repeatedly in the novels the TV series is based on. (This version was dyed with squid ink.) It was served with accompaniments, one of which was an asparagus relish; at another table, the server was explaining how he’d seen the chef arranging the asparagus on her bread like dragon scales while testing out the recipe.

If courses were inspired by something exact, the servers mentioned its scene of origin: After Catelyn Stark arrests Tyrion Lannister at an inn, she dines on onions dripping in juices, and we got the same. (The plating of these was vaguely scale-like, too.) Within a three-part course that reflected the seafaring Iron Islands culture, one dish, squid “noodles,” was a subtle nod toward the sigil of the local ruling family. Another Iron Islands dish, clams in a dashi broth, was inspired by a particular line in the fourth book of five currently published: “Aeron broke his fast on a broth of clams and seaweed cooked above a driftwood fire.” These citations were delivered in the same breath as the ingredient sources: This cheese is from Indiana, and that amuse-bouche draws on a description of tables laid with strawberries and sweetgrass.

The chef, Iliana Regan, has seemingly never done anything half-assed or half-hearted in her life; obviously she owns a small army of Game of Thrones dolls, and if she was bothering to cook a menu about it, there was going to be a chest of handmade dragon eggs next to the duck press near the kitchen….

(5) HANDMADE. Geek Tyrant introduces fans to “Impressively Detailed Sci-Fi Mecha Cardboard Art By Greg Olijnyk”.

…One of his pieces is titled David v G 2.0, which is a Mecha meets samurai meets bible story. It’s a retelling of David and Goliath. Each of his creations below comes with a little note about what his goal was for each piece.

(6) HEADED FOR CHICAGO? Just a reminder about the availability of a great resource, “Neil’s Native Guide, Chicon 8 Edition”.

This compendium is for members of Chicon, who are only in town for a few days, with hours or half-days (or empty stomachs!) to fill, so “here” is the Hyatt Regency on East Wacker (city center map  We’re part of Illinois Center on the south side of the mouth of the river.). Except for Hyde Park (Museum of Science and Industry, University of Chicago, site of the first nuclear “pile”, site of 1893 Columbian Exposition), marked with the Ferris Wheel, I’ve tried to restrain myself from things more than a couple of miles from the Loop. Alas, no Nazi submarine  [2]  [3], Pullman, Garfield Park Conservatory, or Green Mill (fortunately, Ric Addy’s tour of the basement is on YouTube [2]).

(7) LANSDALE INTERVIEW. [Todd Mason.] And a good one, though you can pretty much ignore that pre-i/v intro. The interviewer does like to ask Tell Me About Your Journey questions of Creatives. “’The Family That Creates Together…’ Writer Joe Lansdale & Singer Kasey Lansdale” in The Hollywood AWAC Podcast with Host Bill Thill.

Host Bill Thill sits down with writer Joe R. Lansdale (“Hap And Leonard”, “Cold In July”, “The Bottoms”, Etc.) And Kasey Lansdale to discuss their recent collaboration writing their new book, “Terror Is Our Business”. This talented father-daughter duet chat about the creative process and what it takes to build a life less ordinary while pursuing creative endeavors.

(8) POPULARIZING SPACE EXPLORATION. At Dreams of Space, scans of Wernher Von Braun’s fictionalized portrayal of what “5 Days on the Moon” would really be like. From This Week, March 8, 1959.

“5 Days on the Moon” by Wernher Von Braun and illustrated by Fred Freeman.  These are hard to find. I am still looking for a copy of part 2.  

(While we’re aware of Von Braun’s V-2 program in WW2 and use of slave labor there, this item is linked as an example of how a vision for Moon exploration was set in American mass media just a few years before the real thing.)

(9) THE HORROR. [Item by Mike Kennedy.] If Winnie the Pooh can get a horror adaptation, why not Pretty Woman? “Popular Movies That Need Horror Adaptations”, a list by Buzzfeed’s Jeremy Hayes. For example:

3. It’s a Wonderful Life

The original is a Christmas classic, but this horror adaptation would focus on the elements at the movie’s end when George Bailey wishes he was never born. There’s an opportunity for a thought-provoking thriller with dark and supernatural elements. Imagine Clarence as a dark angel instead of George’s guardian angel.

My horror movie description: A man’s life falls into chaos after an angel makes it so he was never born.

The closest film comparison: The Forgotten

(10) MEDIA BIRTHDAY.  

2014 – [By Cat Eldridge.] Peter Capaldi began his reign as the Twelfth Doctor in “Deep Breath” which featured just a brief cameo from Matt Smith as the Eleventh Doctor. It was a crowded affair as his Companion, Clara Oswald as played by Jenna Coleman, was there, as was Neve as Madame Vastra and Catrin Stewart as her wife Jenny Flint and Dan Starkey as Santoran Strax. 

Partly without a working memory, a common theme with newly regenerated Doctors and one I’d dearly love to know why, he takes on The Faceless One. No more shall I say to skip the bother of posting SPOILER WARNINGS! 

Now how was Capaldi as a Doctor? I liked his spiky, brusque and acerbic take on the Doctor and there were episodes that I must say were absolutely stellar. The take off Christie’s Murder on the Orient Express titled “Mummy on the Orient Express” and the heist story “Time Heist” was one of the best Who stories even told. “Twice Upon a Time” where he meets the First Doctor was amazing. 

His relationships with Clara Oswald and Bill Potts I thought was written well. The Third Companion, Nardole, really not so much. That’s not his fault that at least for me Nardole didn’t work. 

I hold that he was smart, inventive and unlike most incarnations of the Doctors save the Fourth and the Seventh, he had a touch of sarcasm running through him. Subtle at times, not at all subtle other times. Not a bad thing to have, I’d say. 

Some of his episodes got nominated for Hugos — “Listen” at Sasquan, “Heaven Sent” at MidAmeriCon II, “The Return of Doctor Mysterio” at Worldcon 75 and “Twice Upon a Time” at Worldcon 76. None alas won.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 23, 1868 — Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it?  Well, I think so even if you don’t, so there. (Died 1950.)
  • Born August 23, 1927 — Peter Wyngarde. Not a lead actor in any genre series but interesting nonetheless. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
  • Born August 23, 1929 — Vera Miles, 93. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight Zone, Alfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E. 
  • Born August 23, 1931 — Barbara Eden, 91. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors though she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. And let’s not forget Barbara Eden’s role in The Brass Bottle, a 1964 film where she’s the girlfriend of a guy who is played Tony Randall who finds a troublemaking genie who was portrayed by Burl Ives. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch. 
  • Born August 23, 1944 — Karl Alexander. Author of Time after Time which when filmed was directed and written by Nicholas Meyer. Cast included Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. (Died 2015.)
  • Born August 23, 1965 — Chris Bachalo, 57. Illustrator well-known for his work on DC Comics’ Shade, the Changing Man and Gaiman’s two Death series, Death: The High Cost of Living and Death: The Time of Your Life. 
  • Born August 23, 1970 — River Phoenix. The Young Indiana Jones in Indiana Jones and the Last Crusade was his best known genre role. He was also Wolfgang Müller in Explorers, and he’s Talbot Roe in Silent Tongue, a horror film most likely you’ve never heard of. (Died 1993.)
  • Born August 23, 1990 — Jessica Lee Keller, 32. Lauren, Elise’s Best Friend, in The Adjustment Bureau from Philip K. Dick’s “Adjustment Team” story. She also shows up in Lucifer, Terror Birds and 12-24 where IMDB describes her as the One Tit Zombie. (CE) 

(12) SF REFERENCES, TOO. In the Washington Post, Michael Cavna profiles Tom Batiuk, who is celebrating the 50th anniversary of “Funky Winkerbean,” one of the few daily strips where the characters age in real time. “How ‘Funky Winkerbean’ became the darkest strip on the comics pages”.

…“I started out writing about kids in high school who worry about trying to get a date and climbing the rope in gym class,” says the “Funky Winkerbean” creator this month by Zoom from Medina, Ohio. “Now, I’m writing about going to financial seminars and getting colonoscopies and playing pickleball.”…

(13) BOOK AUCTION ONLINE WEDNESDAY. Matt of Bookpilled is having another classic book auction Wednesday, August 24. “Whatnot – Vintage SF & Fantasy Masterpieces Livestream by thriftalife”. From what Matt calls a “Painfully Good Science Fiction & Fantasy Book Haul That I Can’t Keep”. The video previews some of the gems.

(14) MOON HOAX NEWS. [Item by Martin Morse Wooster.] In the Washington Post, Dave Kindy discusses the Great Moon Hoax of 1835, in which readers of the New York Sun were thrilled by a series about creatures on the Moon until they discovered the series was sf written by Sun reporter Richard Adams Locke. “Great Moon Hoax of 1835 convinced the world of extraterrestrial life”.

…The Sun ran six articles on the discoveries over the course of a week beginning on Aug. 25, 1835. The stories included amazing descriptions of life on the moon, as viewed through an enormous telescope with “hydro-oxygen” lenses built by Herschel at an observatory on the Cape of Good Hope in South Africa.

According to the Sun, the articles were reprinted from the Edinburgh Journal of Science in Scotland. In them, Grant wrote about golden temples and a ruby coliseum built by Vespertilio–Homo, a Latin name meaning “bat-man,” which was given to the humanoids populating the moon.

He also reported how “some of their amusements would but ill comport with our terrestrial notions of decorum.” Apparently, these winged humans liked to share intimate moments in public — presumably of a sexual nature…

(15) DIFFERENT ENDING TACKED ON. The New York Times reveals “In China’s Version of ‘Minions’ Movie, Morality Triumphs”. BEWARE SPOILERS.

 The bright yellow creatures known as Minions have caused plenty of chaos on movie screens. When their latest film, “Minions: The Rise of Gru,” opened in China last Friday, censors decided to impose some law and order.

In the original version, the film’s two main villains make a bold escape, unpunished. But on Chinese social media, photographs of what appeared to be a jarringly different epilogue stitched into the credits section soon began to circulate widely.

According to that epilogue, one of the villains got a lengthy prison sentence for his crimes, while the other became an attentive father of three, in what some saw as a nod to China’s policy of encouraging higher birthrates.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Minions: The Rise of Gru,” the Screen Junkies say that “Everyone will be dumber for having seen it. But I award it all the points and may God make Minions of us all.”  Now that Pixar has cornered the market in depressing your kids, the Minions film delivers fart jokes, ‘Silly Minion gibberish,” and ancient Boomer references that are too old for your parents (remember Don Rickles?)

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Todd Mason, BGrandrath, Neil Rest, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]