Netflix’s Squid Game tied for second with 14 nominations, and made history as the first non-English language series to be nominated for an Emmy. Four members of Squid Game’s main cast are nominated in the individual acting categories.
The 74th Emmy Awards ceremony is scheduled to air Sept. 12 on NBC and Peacock.
Below are the nominees of genre interest in the major categories. The complete list of nominees is here.
DRAMA LEAD ACTOR
Lee Jung-jae (Squid Game)
DRAMA SUPPORTING ACTRESS
HoYeon Jung (Squid Game)
DRAMA SUPPORTING ACTOR
Park Hae-soo (Squid Game)
O Yeong-su (Squid Game)
DRAMA GUEST ACTRESS
Lee You-mi (Squid Game)
Chip ’n’ Dale: Rescue Rangers
Zoey’s Extraordinary Christmas
LIMITED/MOVIE LEAD ACTOR
Himesh Patel (Station Eleven)
VARIETY SPECIAL (PRERECORDED)
Harry Potter’s 20th Anniversary: Return to Hogwarts
(1) SOMTOW’S FILM WINS AWARD. This past weekend Somtow Sucharitkul and an orchestra flew in to do a concert at the Oldenburg International Film Festival — the biggest indie fest in Europe, “Sundance of Europe.” The music selected for the occasion, he says, “included all sorts of great music appropriate to our field including the 1922 score from Nosferatu and the ‘classic’ overture to Piranha II.”
The festival audience also witnessed the premiere of The Maestro, a film made with director Paul Spurrier, with Somtow’s score and onscreen performance. (See File 770’s post about the making of The Maestro.)
In the video below you can watch the entire concert of film music at the Oldenburg Festival — followed by Somtow’s surprise at receiving the Spirit of Cinema Award 2021 for The Maestro.
… And while series like WandaVision and The Mandalorian cleaned up at the Creative Arts Emmys, which awards more technical categories like production design and costuming, they came up empty at the Primetime Emmys, which rightly or wrongly are considered to be more prestigious….
(3) NEW LEM TRANSLATION. Stanislaw Lem’s 1964 story, published in English for the first time, tells the tale of a scientist in an insane asylum theorizing that the sun is alive. “The Truth, by Stanislaw Lem”, translated by Antonia Lloyd-Jones, is part of a new collection and a free read at The MIT Press Reader.
Here I sit writing in a locked room, where the door has no handle and the windows can’t be opened. They’re made of unbreakable glass. I tried. Not out of a wish to escape or out of rabid fury, I just wanted to be sure. I’m writing at a walnut table. I have plenty of paper. I’m allowed to write. Except no one will ever read it. But I’m writing anyway. I don’t want to be alone, and I can’t read. Everything they give me to read is a lie, the letters start to jump before my eyes and I lose patience. None of what’s in them has been of the least concern to me ever since I realized how things really are….
(4) MARCIA LUCAS’ OPINION ABOUT SW SEQUELS. From Marcia Lucas’ foreword in a new biography about Howard Kazanjian.
…And perhaps to set the record straight, Lucas also directs her wrath at her ex-husband’s prequel trilogy, revealing her disappointment in Episode I literally brought her to tears in 1999.
“I remember going out to the parking lot, sitting in my car and crying,” Lucas writes. “I cried. I cried because I didn’t think it was very good. And I thought [George] had such a rich vein to mine, a rich palette to tell stories with… There were things I didn’t like about the casting, and things I didn’t like about the story, and things I didn’t like — it was a lot of eye candy. CG.”…
The highly anticipated Legendary/Warner Bros. movie opened overseas to $36.8 million across 24 markets and 7,819 screens. Russia led international tickets sales with $7.6 million, followed by France ($7.5 million), Germany ($4.9 million) and Italy ($2.6 million).
Dune‘s giant-format ticket sales were a particular stand-out, with the movie earning $3.6 million in Imax ticket sales from 142 screens, making its per-screen Imax average an astounding $25,000. The Imax ticket sales made up 10 percent of the movie’s total international take. The movie was shot for large-format viewing, with the Imax version featuring an exclusive expanded aspect ratio….
Deadline’s comprehensive annual list of fall premiere dates for new series and new seasons of returning series. It covers more than 450 broadcast, cable and streaming shows bowing from September 1 through December 31
(7) SOUNDS OF SILENCE. I’m gradually working my way through SF Signal’s blogroll. It was compiled years ago and many of the authors have in the interim changed to another platform or dropped blogging for other alternatives. Justine Larbalastier explains why she moved on from Twitter in “Why I Left Twitter, or, the Last Day of 2019”, and left blogging in “The Importance of Masks”, posted in July 2020.
…I haven’t been blogging because I missed the community that used to be here. When this was a regular blog there was a wonderful conversation in response to almost every post. I’m finding blogging here to silence soul sucking.
I miss the community of the old days but I accept those days are gone. The conversations now unfold on social media.
I have found an engaged community on Instagram ready and willing to discuss the intersections of fashion and politics during this pandemic and there are no trolls. I’m loving it. So I post my mini essays there. I will continue to post longer essays here and will soon be updating this site with my fashion research.
I don’t foresee returning to Twitter anytime soon. It was too depressing. I miss those of you I no longer interact with, but my mental health is so much better since I left. So . . .
And here we are, at my new blog. The website is yet to come, and for the first couple of weeks I’ll be buried in a deadline: Benjamin January # 19, Death and Hard Cider, which takes place against the background of the 1840 Presidential election. I thought about calling it, “Tippecanoe and Murder, Too,” but realized that a lot of people won’t understand the reference to the campaign of William Henry Harrison. That was the first “modern” style Presidential campaign, with songs, rallies, women’s auxiliary organizations (even though women couldn’t vote – the guys found them convenient for providing refreshments at the rallies, and Harrison’s opponents railed against those hussies for handing out leaflets and reading newspapers and having opinions about the politics of their betters)….
(9) MEDIA BIRTHDAY.
1979 – Forty-two years ago on this evening, Buck Rogers in the 25th Century first aired on NBC. It was developed by Glen Larson who created Battlestar Galactica and Leslie Stevens who created Outer Limits. It is of course based on characters created by Philip Francis Nowlan. The only cast that counts was Gil Gerard as Captain William “Buck” Rogers and Erin Gray as Colonel Wilma Deering. Oh, and Mel Blanc in the first season voicing Twiki. It lasted but two seasons of thirty-seven episodes. Buster Crabbe who played Buck Rogers in the original thirties Buck Rogers film serial would play Brigadier Gordon in an episode here. It’s worth noting that the series re-used most of the props, star fighters, stages, some of the effects film and even costumes from Battlestar Galactica.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 20, 1935 — Keith Roberts. Author of Pavane, an amazing novel. I’ve also read his collection of ghost stories, Winterwood and Other Hauntings, with an introduction by Robert Holdstock. Interestingly he has four BSFA Awards including ones for the artwork for the cover of his own first edition of Kaeti & Company. (Died 2000.)
Born September 20, 1940 — Jonathan Hardy. He was the voice of Dominar Rygel XVI, called simply Rygel, once the royal ruler of the Hynerian Empire, on Farscape. He was also Police Commissioner Labatouche in Mad Max, and he had a one-off in the Mission: Impossible series that was produced in his native Australia in the “Submarine” episode as Etienne Reynard. (Died 2012.)
Born September 20, 1950 — James Blaylock, 71. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives whichcollects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. I see the usual suspects don’t have much by him but they do have two Langdon St. Ives tales, Homunclus and Beneath London.
Born September 20, 1951 — JoAnna Cameron, 70. I’ve previously mentioned in passing Shazam!, a Seventies children’s series done by Filmation. Well she was the lead on Isis, another Filmation children’s series done at the same time. Her only genre appearance was a brief one in the Amazing Spider-Man series. Anyone here seen it? I don’t remember seeing it.
Born September 20, 1955 — David Haig, 66. He played Pangol in “The Leisure Hive” a Fourth Doctor story. He also showed up on Blake’s 7 in “Rumours of Death” as Forres, and was Colonel Bonnet inThe Adventures of Young Indiana Jones: Tales of Innocence. He’s also General Vandenberg in the film remake of A for Andromeda. Finally I should I should he’s The Player in Rosencrantz and Guildenstern Are Dead done at The Old Vic a few years back.
Born September 20, 1974 — Owen Sheers, 47. His first novel, Resistance, tells the story of the inhabitants of a valley near Abergavenny in Wales in the Forties shortly after the failure of Operation Overlord and a successful German takeover of Britain. It’s been made into a film. He also wrote the “White Ravens”, a contemporary take off the myth of Branwen Daughter of Llyr, found in the New Stories from the Mabinogion series.
Born September 20, 1986 — Aldis Hodge, 35. He played Alec Hardison on the Leverage series which just got a reboot. Ok, I know it’s not precisely genre but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use of technology in that series are keeping with the MI spirit. He’s also had one-offs on Charmed, Buffy the Vampire Slayer, Supernatural, The Walking Dead, Star Trek: Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…)
It turns out that Batman’s hometown of Gotham City has a historically Jewish neighborhood, complete with a synagogue. And for this year’s High Holidays, at least one masked superhero will be worshipping there.
Her name is Whistle, a.k.a. Willow Zimmerman, and she’s a Jewish superhero — DC Comics’ first to be explicitly created as Jewish in 44 years. She’s an activist-turned-masked-crusader who draws inspiration from Jewish teachings; she develops the ability to talk to dogs; and she’s making her debut this month in “Whistle: A New Gotham City Superhero,” a graphic novel geared to young adults.
“There’s a long and fascinating history of Jewish creators in comics,” the book’s author and character creator, E. Lockhart, told the Jewish Telegraphic Agency. “Superman, Batman and Spider-Man were all invented by Jewish men, and scholars have interpreted them through a variety of lenses that take that into account. But while there have certainly been Jewish superheroes before, Whistle is the first Jewish hero to originate as Jewish from DC Comics since 1977.”
Lockhart was referring to Seraph, a superhero from Israel who helped Superman in “Super Friends #7? before immediately falling out of the public eye.
(13) TWENTY ACROSS. Catherynne M. Valente celebrated on Facebook her appearance as a clue in a Washington Post crossword puzzle.
….It’s official, we now have a “Star Trek” night at our house each week, when we gather our friends and watch the latest episode. Though we’ve only watched two episodes so far, the show is off to an interesting start! This week we saw “Charlie X”, which had thematic similarities to both of the pilots we saw at Tricon….
…Experiments with laboratory furnaces showed that the bubbled pottery and mudbricks at Tall el-Hammam liquefied at temperatures above 2,700 F (1,500 C). That’s hot enough to melt an automobile within minutes.
The destruction layer also contains tiny balls of melted material smaller than airborne dust particles. Called spherules, they are made of vaporized iron and sand that melted at about 2,900 F (1,590 C).
First, Producer Stanley Bergerman’s Personal Copy of the Universal Pictures Script for Frankenstein (1931). A vintage studio bound and bradded, 99-page screenplay for the Classic Horror movie, Frankenstein. Stanley Bergerman was Universal Studios head, Carl Laemmle’s, son-in-law and a Producer. The oversized script is filled with the content that became one of the greatest monster movies of all time. Second, The Wizard of Oz Metro Goldwyn Mayer Clapperboard (1938). A large vintage wooden clapperboard with metal-hinged clapstick, hand lettered in white on the black painted front face, “Metro Goldwyn Mayer, Wizard Of Oz, Director – Victor Fleming, Camera – Harold Rosson,” and dated, at the bottom of the board, “11-6-1938.”
[Thanks to JJ, Michael Toman, John King Tarpinian, Lise Andreasen, Will R., Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Randall M.]
…The first time I read Piranesi, I scribbled notes about each statue. The minotaurs by the entrance to the House evoke the myth of the labyrinth, which is what the wicked Laurence Arne-Sayles calls the House. An elephant carrying a castle puns on the famous Elephant and Castle inn in London. A woman carrying a beehive — well, certainly that could be a reference to any number of classical myths, which tend to feature bees as a chthonic symbol for life, death, and the soul.
But early on, Clarke makes a point of aiming her readers away from such mechanical, goal-oriented reading.
Piranesi knows of only one other living human, a man he calls the Other who visits the House every so often. The Other believes that the House contains the key to some secret Knowledge that mankind used to possess but has now lost. Once he gets it back, the Other believes, he’ll have the power of flight, immortality, and control over weaker souls.
Piranesi dutifully searches the House for the Knowledge the Other is seeking, but without all that much interest. Eventually, he is struck by an epiphany: The Knowledge, he realizes, is not the point of the House….
…If you hate ebooks like I do, that loathing might attach to their dim screens, their wonky typography, their weird pagination, their unnerving ephemerality, or the prison house of a proprietary ecosystem. If you love ebooks, it might be because they are portable, and legible enough, and capable of delivering streams of words, fiction and nonfiction, into your eyes and brain with relative ease. Perhaps you like being able to carry a never-ending stack of books with you wherever you go, without having to actually lug them around. Whether you love or hate ebooks is probably a function of what books mean to you, and why…
…The Foundation featurette highlights the massive influence it had on other popular sci-fi stories including Dune and Star Wars. They also talked about the process of finally adapting the novel to the screen after several decades since it was first published. They also went on to tease the series’ epic scale in terms of storytelling, ambitious story, characters, and world-building….
(4) HEADLEY’S BEOWULF TRANSLATION WINS AWARD. The Academy of American Poets announced that Maria Dahvana Headley’s Beowulf: A New Translation has won the Harold Morton Landon Translation Award, a $1,000 prize recognizing a published translation of poetry from any language into English that shows literary excellence. Indran Amirthanayagam judged.
Last Saturday, something magical happened at the Bottle Works Ethnic Arts Center in Johnstown Pennsylvania — a one-day mini-convention was held to honor a hometown hero, the legendary Steve Ditko. And because the event was organized with the cooperation of his family, I was not only able to spend time with other comic fans and creators, but was privileged with the presence of Ditko’s nephews and brother as well.
Since you couldn’t be there with me, I decided to get some of the mini-con’s special guests to share their stories here about Steve Ditko’s life and legacy. Because this is a podcast which uses food to loosen the tongues of its guests, and since there was no time during the short one-day event to head out for lunch or dinner, I brought along a Spider-Man PEZ dispenser so I could offer my guests candy. Plus I ran over to Coney Island Johnstown — in business for more than a century — and picked up some gobs — think of them as a regional variation of whoopee pies — which I handed out to some of my guests before we began chatting.
As I wandered the exhibitors area, I was able to grab time with four guests — Javier Hernandez, Zack Kruse, Carl Potts, and Arlen Schumer — all of whom had taken part earlier that day on a panel about Steve Ditko.
(6) BOOK REVIEW OF VERY OLD RIDDLES. Paywalled at the New York Times, “What Has One Eye and 1,200 Heads? An Old English Riddle, That’s What!”, reviewing) The Old English And Anglo-Latin Riddle Tradition (Harvard University, $35), a comprehensive new collection beautifully edited by the Oxford professor Andy Orchard, demonstrates, everything you need to know about crosswords you can learn from Anglo-Saxon riddles: Riddles are the ür-crossword puzzles.
Daniel Dern sent the link with these notes:
While probably most anybody these days, fan or otherwise, is familiar with the Bilbo/Gollum “Riddle” chapter in THE HOBBIT, ditto more generally with Batman’s riddlemanic foe “The Riddler,” how many fans instantly flash on (or more to the point, what’s the rough age threshhold below which fans don’t) the (sf) book citation for “What city has two names twice?”), or simply “Do you like riddles? Raetseln?” [Dutch, spelling here from memory, but that I could look up in my copy of the book if need be ]
Well, the cons I’m familiar with, if they hadn’t stayed in the black the first year there’d have been no second year. Surprising to hear there’s another kind.
(9) EARLY TREKZINES. The Internet Archive includes a “Media Fanzine Collection”. Skipping past the intro, I was intrigued to see some of the well-known early Trek fanzines displayed, such as Spockanalia. The cover on the example here boasts “Third Printing.” Holy cow – a fanzine with a demand that took multiple editions to satisfy! I blush to admit I still haven’t unloaded all the copies of the early mimeo issues of File 770.
The practice of making media print zines began in the late 1960s via science fiction fandom where fanzines had been a popular fan activity since the 1930s. However, the content of science fiction zines is very different, consisting mostly of non-fiction and discussion about a variety of fannish topics, whereas media fanzines include, or consist solely of, fanfiction, art, poetry, as well as discussion, usually about television shows, films, and books.
(10) EMMY BRACKETS. JustWatch.com, the streaming guide, sent along this set of Emmy nominee brackets, based on the audience approval scores their users have given them. Unfortunately, the only genre show that doesn’t get its ass kicked is The Underground Railroad. Even a phenomenonally popular show like The Mandalorian can’t get out of the first round. It is to weep. [Click for larger image.]
(11) MEDIA BIRTHDAY.
1964– Fifty-seven years ago this evening on ABC, a certain witch charmed her way into American homes as Bewitched first aired. It was created by Sol Saks who had done nothing notable before this and departed the show after the pilot was shot. It starred Elizabeth Montgomery as the good witch Samantha Stephens and two different men as her husband, Dick York for the first five before he became very ill, and Dick Sargent for the final three seasons. It did phenomenally well in the ratings early on but sagged later and eventually was cancelled. Hanna-Barbera produced the opening animation credits which you can see here.
It got remade as a film with Nicole Kidman which was not at all beloved by the audience reviewers at Rotten Tomatoes who currently give it a twenty five percent rating and it faired quite poorly at the box office, not breaking even. Oh, and there was a Seventies spin-off involving her daughter called Tabitha that had two pilots (the first tested quite badly) and lasted just eleven episodes.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 17, 1885 — George Cleveland. Actor who filmed scenes as Professor Hensley in a pair of Thirties Flash Gordon serials, Flash Gordon and Flash Gordon’s Trip to Mars (the latter saw his scenes get deleted). He later shows up as in the Drums of Fu Manchu serial as Dr. James Parker. (Died 1957.)
Born September 17, 1908 — John Creasey. English crime and SF writer who wrote well over than six hundred novels using twenty-eight different names. His SF writings were mostly in the Dr. Palfrey series, a British secret service agent named Dr. Stanislaus Alexander Palfrey, who forms Z5, which definitely has elements of SF. (Died 1973.)
Born September 17, 1917 — Art Widner. Editor of three well-known fanzines (Fanfare, Bonfire and YHOS). He’d eventually publish some one hundred sixty zines. He was one of the founding members of The Stranger Club, the pioneers of Boston fandom. He chaired Boskone I and Boskone II, the first two Boston SF conventions. He would be nominated for four Retro Hugos, and become a First Fandom Hall of Fame member. (Died 2015.)
Born September 17, 1920 — Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. If we accept Gilbert & Sullivan as genre adjacent, she was Grace Marston in The Story of Gilbert and Sullivan. (Died 2012.)
Born September 17, 1928 — Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he superbly voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. And for your viewing interest, a clip from the Carol Burnett Show with Roddy McDowall wearing Planet of the Apes makeup here. (Died 1998.)
Born September 17, 1939 — Sandra Lee Gimpel, 82. In Trek’s “The Cage”, she played a Talosian. That led her to being cast as the M-113 creature in “The Man Trap”, another first season episode. She actually had a much larger work history as stunt double, though uncredited, showing up in sixty-eight episodes of Lost in Space and fifty-seven of The Bionic Woman plus myriad genre work elsewhere including They Come from Outer Space where she was the stunt coordinator.
Born September 17, 1951 — Cassandra Peterson, 70. Yes, she’s Elvira, Mistress of The Dark, a character she’s played on TV and in movies before becoming the host of Elvira’s Movie Macabre, a weekly horror movie presentation show in LA forty years ago. She’s a showgirl in Diamonds Are Forever which was her debut film, and is Sorais in Allan Quatermain and the Lost City of Gold.
Born September 17, 1996 — Ella Purnell, 25. An English actress best remembered as Emma in the Miss Peregrine’s Home for Peculiar Children film. She’s also in Kick-Ass 2 as Dolce, she’s Natalie the UFO film that stars Gillian Anderson, and she was the body double for the young Jane Porter in The Legend of Tarzan. In a genre adjacent role, she was Hester Argyll in Agatha Christie’s Ordeal by Innocence.
“Mercedes-Benz “Future 2021” is a wonderfully campy ad by Nina Holmgren that inserts their new Mercedes-Benz electric G-Wagen vehicle for 2021 into a very over-the-top science fiction film of the late 1970s. This future, which could ever only be dreamed of back in 1979, has finally come true today.
…Through the host replacement mess, Burton admitted to [Trevor] Noah he discovered he was not that interested in the gig after all.
“The crazy thing is that when you set your sights on something, you know, they say be careful of what you wish for, because what I found out is that it wasn’t the thing that I wanted after all,” said Burton. “What I wanted was to compete. I mean, I wanted the job, but then when I didn’t get it, it was like, ‘Well, OK, what’s next?’ And so, the opportunities that have come my way as a result of not getting that gig, I couldn’t have dreamt it up. If you had given me a pen and paper and said, ‘Well, so what do you want this to really look like?’ If it doesn’t include Jeopardy! I wouldn’t have been this generous to myself.”
Not going into too much detail, Burton said he had something in the works he was sure his fans were going to enjoy, saying, “I never thought about hosting any other game show outside of Jeopardy! But now, they went in a different direction with their show, which is their right, and now I’m thinking, ‘Well, it does kind of make sense, let me see what I can do.’ So we’re trying to figure out what the right game show for LeVar Burton would be.”…
(16) CORRECTED EDITION. The NESFA Press is letting everyone know they put out a new edition of their ebook Ingathering by Zenna Henderson that fixes the problems mentioned in a Tony Lewis quote run in a recent Scroll.
We have updated the contents of the NESFA Press eBook of Ingathering by Zenna Henderson. This second edition was necessary due to several OCR issues. NESFA Press is committed to the highest quality in the content of our books and will aggressively address any typos or other problems with the text of our eBooks.
To purchase the new version of Ingathering, go to the NESFA Press online store: http://nesfapress.org/, and search for “Ingathering”. People who have purchase the previous version of Ingathering, can download the new version using the link they received. Please direct any problems or questions to the email address below.
If you love Winnie the Pooh characters — and, really, who doesn’t adore A.A. Milne’s “Silly Ol’ Bear” and all of his friends? — you’re going to want to bounce like Tigger when you see Airbnb’s latest offering, designed especially for the 95th Anniversary of the Hundred Acre Wood pals….
…Now into its 11th season, Adult Swim’s longest running series is currently airing new episodes daily at midnight ET/PT. Among all the madness, there’s a sketch that confronts that really confounding plot point in Star Wars: The Rise of Skywalker that finds Emperor Palpatine (Ian McDiarmid) suddenly returning from The Return of the Jedi dead… just because. Ahead of its upcoming debut, SYFY WIRE has an exclusive look at the sketch, which features Seth MacFarlane (Family Guy, The Orville) voicing the mechanically challenged Palps….
…All of these elements create a retail experience that speak to consumers’ growing demands for experience-infused shopping, says Warner Bros’s vice president and general manager of retail experiences Karl Durrant. “There is no doubt that consumer behavior has changed. Digital retail was becoming popular even before the pandemic hit. It’s more important than ever to give consumers a reason to visit a store and to make it an event.”
And to bring the immersive feeling to another level, Warner Bros, in partnership with Dreamscape Immersive, developed two unique VR experiences that bring visitors into the action. In ‘Chaos at Hogwarts’, users join Dobby in an adventure around Hogwarts to immobilize and collect pixies that the house elf accidentally released. The second VR experience, ‘Wizards Take Flight’, invites users to zoom around the skies above London via broomstick, warding off evil Death Eaters alongside Hagrid….
Named Xavier, the mall-cop robots will be autonomously rolling through the Toa Payoh Central district for three weeks from Sept. 5, scanning for “undesirable social behaviours” according to a press release (via Engadget) from the government’s Home Team Science and Technology Agency (HTX)….
(21) SIXTEEN SCROLLS. “Tennessee Cora” Buhlert was inspired by the title of yesterday’s Scroll to drop an instant classic in the comments.
Sixteen Scrolls (with apologies to Merle Travis and Tennessee Ernie Ford)
Some people say a man is made outta mud. A Filer’s made outta books, cons and blood, Books and blood and films and cons. We may look weak, but our minds are strong
You read 16 scrolls, what do you get? Another day older and more books unread. St. Leibovitz, don’t call me ’cause I can’t go, I owe my soul to the Mount Tsundoku.
I was born one morning when the sun didn’t shine I picked up a novel and said, “This looks fine.” I read 16 pixels of number nine scroll and the straw puppy said, “Well, a-bless my soul”
You read 16 scrolls, what do you get? Another day older and more books unread. St. Leibovitz, don’t call me ’cause I can’t go, I owe my soul to the Series Hugo.
I was born one mornin’, it was drizzlin’ rain. Reading and writing are my middle name. I was raised in the library by an old mama lion and no rabid puppy will make me walk the line
You read 16 scrolls, what do you get? Another day older and more books unread. St. Leibovitz, don’t call me ’cause I can’t go, I owe my soul to the Novel Hugo.
If you see us comin’, better step aside. A lotta dogs didn’t, a lotta dogs cried. One fist science fiction, the other fantasy. If the right one don’t get you Then the left one will.
You read 16 scrolls, what do you get? Another day older and more books unread. St. Leibovitz, don’t call me ’cause I can’t go, I owe my soul to the Mount Tsundoku.
Brother Guy Consolmagno SJ is speaking on the contrast between the world and the cosmos that is becoming blurred as we begin to learn of the vastness of the cosmos in an upcoming Zoom event.
The free webinar, “Your God is Too Small,” will be hosted by the Center for Advanced Study in Religion and Science (CASIRAS) and Lutheran School of Theology at Chicago (LSTC) on Friday, October 1, at 5 p.m. CDT. Those interested in attending can register here. Also the event will be livestreamed on LSTC’s Facebook page.
“We need to understand that all those other planets are real places, part of the same universe created by God and redeemed by the Incarnation,” writes Consolmagno. “And God is Creator not only of other places but other times, before and beyond the time when we exist here on Earth.”
His presentation will dive into the meaning of being redeemed by the risen Christ in light of the immensity of time and space.
Br. Guy received the 2014 Carl Sagan Medal for outstanding communication by an active planetary scientist to the general public from the American Astronomical Society Division for Planetary Sciences. He is the author or co-author of four books exploring faith and science issues, including, Would You Baptize an Extraterrestrial? (with Paul Mueller), God’s Mechanics, Brother Astronomer, and The Way to the Dwelling of Light.
“It is rare to find someone so accomplished in science, theology, and philosophy, who can also communicate complex topics clearly to a general audience. Br. Guy is one of the best story-tellers I’ve ever known,” said Grace Wolf-Chase, senior scientist and senior education and communication specialist at the Planetary Science Institute.
(23) HONESTLY. In “Honest Game Trailers: Psychonauts 2” on YouTube, Fandom Games says this game features weird worlds, and characters whose heads weigh as much as their bodies. But don’t expect any action, because ‘playing Psychonauts for the combat is like eating at Taco bell for the diarrhea.”
[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, N., Daniel Dern, Rick Kovalcik, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Peer.]
The Television Academy today presented the final two of its three 2021 Creative Arts Emmy Awards ceremonies honoring outstanding artistic and technical achievement in television.
The winners of genre interest are shown below. The complete list of winners is here.
The 2021 Creative Arts Emmy Awards will air on FXX Saturday, September 18.
The 73rd Emmy Awards will air live on CBSand Paramount+ on Sunday, September 19.
Genndy Tartakovsky’s Primal (Adult Swim)
SHORT FORM ANIMATED PROGRAM
Love, Death + Robots (Netflix)
GUEST ACTOR IN A DRAMA SERIES
Courtney B. Vance (“Lovecraft Country”)
OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)
The Mandalorian • Chapter 16: The Rescue • Disney+ • Lucasfilm Ltd. Ludwig Göransson, Composer
OUTSTANDING ORIGINAL MUSIC AND LYRICS
WandaVision • Breaking The Fourth Wall / Song Title: Agatha All Along • Disney+ • Marvel Studios Kristen Anderson-Lopez, Music & Lyrics Robert Lopez, Music & Lyrics
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
The Mandalorian • Disney+ • Lucasfilm Ltd. Joe Bauer, Visual Effects Supervisor Richard Bluff, Visual Effects Supervisor Abbigail Keller, Visual Effects Producer Hal Hickel, Animation Supervisor Roy K. Cancino, Special Effects Supervisor John Knoll, ILM Visual Effects Supervisor Enrico Damm, Environments Visual Effects Supervisor John Rosengrant, Legacy Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Star Trek: Discovery • Su’kal • Paramount+ • CBS Studios in association with Secret Hideout and Roddenberry Entertainment Jason Michael Zimmerman, Supervising Producer/Lead VFX Supervisor Ante Dekovic, VFX Supervisor Aleksandra Kochoska, VFX Producer Charles Collyer, Lead VFX Artist Alexander Wood, On Set VFX Supervisor Ivan Kondrup Jensen, VFX Supervisor Ghost VFX Kristen Prahl, VFX Producer Ghost VFX Toni Pykalaniemi, VFX Supervisor DNEG Leslie Chung, VFX Supervisor Crafty Apes
OUTSTANDING STUNT COORDINATION
The Mandalorian • Disney+ • Lucasfilm Ltd. Ryan Watson, Stunt Coordinator
OUTSTANDING STUNT PERFORMANCE
The Mandalorian • Chapter 16: The Rescue • Disney+ • Lucasfilm Ltd. Lateef Crowder, Stunt Performer
The Television Academy tonight presented the first of its three 2021 Creative Arts Emmy Awards ceremonies honoring outstanding artistic and technical achievement in television. The second and third will take place Sunday, September 12 in the afternoon and evening.
The 2021 Creative Arts Emmy Awards will air on FXX Saturday, September 18.
The 73rd Emmy Awards will air live on CBSand Paramount+ on Sunday, September 19.
Winners of genre interested are shown below. The full list is here.
OUTSTANDING INTERACTIVE PROGRAM
Space Explorers: The ISS Experience • Oculus • Felix & Paul Studios, TIME Studios (WINNER)
OUTSTANDING CONTEMPORARY MAKEUP FOR A VARIETY, NONFICTION OR REALITY PROGRAM (NON-PROSTHETIC)
Saturday Night Live • Host: Elon Musk • NBC • SNL Studios in association with Universal Television and Broadway Video (WINNER) Louie Zakarian, Department Head Makeup Artist Amy Tagliamonti, Key Makeup Artist Chris Milone, Makeup Artist Jason Milani, Key Makeup Artist Kim Weber, Makeup Artist Joanna Pisani, Key Makeup Artist Young Beck, Key Makeup Artist
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
WandaVision • Disney+ • Marvel Studios Mark Worthington, Production Designer Sharon Davis, Art Director Kathy Orlando, Set Decorator
OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
The Mandalorian • Chapter 15: The Believer • Disney+ • Lucasfilm Ltd. Matthew Jensen, ASC, Director of Photography
OUTSTANDING FANTASY/SCI-FI COSTUMES
WandaVision • Filmed Before A Live Studio Audience • Disney+ • Marvel Studios Mayes C. Rubeo, Costume Designer Joseph Feltus, Assistant Costume Designer Daniel Selon, Assistant Costume Designer Virginia Burton, Costume Supervisor
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
Love, Death + Robots • Snow In The Desert • Netflix • Blur Studio for Netflix (WINNER) Brad North, Supervising Sound Editor/Dialogue Editor Craig Henighan, Sound Designer Dawn Lunsford, Foley Editor Jeff Charbonneau, Music Editor Alicia Stevens, Foley Artist
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Lovecraft Country • Sundown • HBO • HBO in association with afemme, Monkeypaw, Bad Robot, and Warner Bros. Television Tim Kimmel, MPSE, Sound Supervisor John Matter, Dialogue Editor Paula Fairfield, Sound Designer Bradley Katona, Sound Effects Editor Brett Voss, Foley Editor Jeff Lingle, Music Editor Jason Lingle, Music Editor Jeffrey Wilhoit, Foley Artist Dylan Tuomy-Wilhoit, Foley Artist
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
The Mandalorian • Chapter 13: The Jedi • Disney+ • Lucasfilm Ltd. Bonnie Wild, Re-Recording Mixer Stephen Urata, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Christopher Fogel, Scoring Mixer
The Television Academy has announced the Emmy winners for the juried categories of animation, costume, interactive programming and motion design.
Juried category entrants are screened by a panel of professionals in peer groups — Animation, Costume Design, Interactive Programming and Motion Design — in a one-step evaluation and voting procedure.
Winners of genre interest are named below. The complete list of winners is here.
OUTSTANDING INDIVIDUAL ACHIEVEMENT IN ANIMATION
The juried awards bestowed for Individual Achievement in Animation reflect the variety of artistic achievements that contribute to the creation of 2D- and 3D-animated content and the talented artists who drive animation excellence.
Genndy Tartakovsky’s Primal • Plague of Madness • Adult Swim • Cartoon Network Studios David Krentz, Storyboard Artist
Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Robert Valley, Production Designer
Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Patricio Betteo, Background Artist
Love, Death + Robots • All Through the House • Netflix • Blur Studio for Netflix Daniel Gill, Stop Motion Animator
Love, Death + Robots • Automated Customer Service • Netflix • Blur Studio for Netflix Laurent Nicolas, Character Designer
The Simpsons • Wad Goals • FOX • A Gracie Films Production in association with 20th Television Animation Nik Ranieri, Lead Character Layout Artist
OUTSTANDING COSTUMES FOR A VARIETY, NONFICTION OR REALITY PROGRAM
Black Is King • Disney+ • Walt Disney Studios Zerina Akers, Costume Designer Timothy White, Costume Supervisor
OUTSTANDING INNOVATION IN INTERACTIVE PROGRAMMING
“The excellent work in For All Mankind showcases the power of an interactive and immersive story to provide a unique, one-of-a-kind experience for the audience,” said Interactive Media Governor Lori Schwartz. “This creative team embraced new technology that will inspire better and even higher-quality use of AR storytelling in the future,” added Governor Chris Thomes.
For All Mankind: Time Capsule • Apple TV+ • Apple / Tall Ship Productions Apple Tall Ship Productions
(2) A PERSPECTIVE ON AFRICAN SF. Marta Mboka Tveit discusses how “The rise of African Speculative Fiction and other exciting cultural production indicates that modernity is not an exercise in ‘catching up’ with Europe, but an entirely new condition” in “Makeshift modernity” at Africa Is A Country.
…First off, let me argue how excellent the rise of ASF is for everyone, but most importantly for us, the people of African descent. “The place in which I’ll fit will not exist until I make it,” said James Baldwin. To make it, one must first imagine it; to make change, one must first imagine a different kind of future. ASF can be linked to the decolonization of the mind in many ways: we must break the molds of colonial prescriptions, education, and decisions about Africa’s place in the world, much like speculative fiction breaks the mold of what can and cannot exist.
ASF points to an insistence on partaking in the technology-steeped global future and represents a push to actively influence that future. Furthermore, publishing and sharing tales and ideas about the future shows a new kind of optimism and self-confidence. Newfound confidence also arguably comes from stronger and more frequent connections with cousins from another planet—those in African America—facilitated by modern communication technology and faster cultural exchange. Africa is looking to African America for cool self-confidence, and African America is looking to Africa for roots and authenticity. This has been going on for a long time. Increasingly, however, African American interest has given cultural expressions from the continent a boost onto the global stage. After five centuries of the rest of the globe telling Africa its cultures and inputs are useless, those cultures and inputs suddenly find themselves at the forefront of global “cool.” But this time around, we might actually gain something from it….
(3) SCORCHED EARTH. Elaborate attempts to sabotage Nicole Kornher-Stace’s Reddit “Ask Me Anything” yesterday prompted Paul Weimer to connect the dots, saying “the trolls are trying to ruin my life and the lives of those even lightly connected to me” in “A Quick Post on Trolls Again” on his Patreon. He attributes the attack to his having retweeted the author’s announcement of the AMA.
… So what they did is, just before her AMA, they set up a fake account very similar to her name (one letter changed to the number one) and set up their OWN AMA. So, not only were they impersonating here (with plenty of comments and stuff about my supposed perfidy), Nicole could not actually do her own AMA at first.
And when THAT got sorted and she started her real AMA, the troll account started answering questions posed to her in the real AMA, until the moderators finally banned them from the AMA….
And the trolls also subjected Paul to a new round of harassment at work and by trying to get into some of his online accounts.
Nicole Kornher-Stace tweeted a thread of her own about the experience that starts here. A few excerpts —
And here’s a screencap of the Reddit moderator’s announcement while they were trying to manage the trollish invasion of the real AMA.
(4) ADA HOFFMANN BOOK LAUNCH. Ada Hoffmann’s The Fallen, the sequel to her debut, The Outside, was released yesterday. The author will be in conversation with Janelle Shane in a free online event on July 15 (3pm MDT/5pm EDT/10pm BST) on Facebook and YouTube
Released to immediate acclaim in 2019, The Outside was nominated for both the Philip K. Dick Award and the Compton Crook Award, so the follow-up, continuing the story of scientist Yasira Shien as she faces off against awesome AI gods and angels, is hotly anticipated to say the least!
Excitedly, to mark the next book in this eldritch-horror-meets-space-opera universe, Ada will (very appropriately) be in conversation with Janelle Shane, optics and AI researcher, host of the AI humor blog AIWeirdness.com, and author of the 2019 popular science book, You Look Like a Thing and I Love You!
Thank you for joining us on the amazing journey into freedom. It has been a truly inspiring five thousand and forty seconds in which we came together in the spirit of unity that shaped our great nation. When our founder, CIO, CFO and CEO Timothy the Talking Cat outlined his vision for a truly free and anti-elite tech platform for all Americans, we were inspired by how many of you rallied around his cause to break free of the shackles of facebooktwittergoogle. …
…Sadly, the sci-fi genre wasn’t well represented in this year’s nominations, which were announced Tuesday (July 13). Again. It seems only the big franchise names received any kind of attention. There was nothing for “The Expanse” on Amazon Prime Video or “For All Mankind” on Apple TV+ or HBO’s “Raised By Wolves” — and while that show gradually descended into insanity as Season 1 concluded, the actual performances were outstanding. And what about SyFy’s “Resident Alien” in the Comedy category? The eligibility period for 2021 submissions was from June 1, 2020 to May 31, 2021, so all of those shows could’ve been recognized….
…Not that the WandaVision team expected it to happen, at least like this. “Honestly, I was like, if we have one nomination, we will have won,” says series showrunner Jac Schaeffer, who also earned a writing nomination. “The cards are kind of stacked against the superhero space when it comes to recognition and awards.”
By the time nominations morning arrived, Schaeffer may have been the only one—most pundits were betting big on WandaVision, though maybe not 23 nominations big—but when it started, WandaVision really was an underdog. It became the first Marvel project on Disney+ basically by accident, when the pandemic delayed production on other shows, meaning that the bright new future of Marvel on television was being introduced by a defiantly oddball story about grief, sorcery, and classic television. “I felt very secure early on sort of occupying this little corner of the sandbox,” Schaeffer says. “The idea was that Falcon and the Winter Soldier would go first and, and that we could be weird in this little space.”
Instead, WandaVision debuted in mid-January at the peak of a world-altering pandemic, which many viewers had spent stuck at home and, like Wanda Maximoff herself, filtering their realities through television. “There was sort of an element of kismet to it,” Schaeffer says. “The content of the show itself ended up being a reflection of what so many people were doing in their own homes, you know, retreating into their favorite shows as a form of comfort.”
On Emmy nominations morning, both Olsen and Schaeffer were busy sharing the celebration with the rest of the team, though it wasn’t easy to take in the scope of the success….
No matter how you look at the nomination breakdowns released Tuesday, the story is clear: If it wasn’t already a sure thing that streaming is the future of television, the 2021 Emmy nominations have officially cemented it.
Streaming services accounted for four of the five top nominated outlets, with HBO Max (paired with HBO) and Netflix overwhelmingly dominating in terms of total nominations. Disney+, less than two years old, beat out every broadcast and cable network in terms of nominations and came in third overall.
Apple TV+, which isn’t even a breakout streamer (parent company Apple has mostly given it away for free since its launch), received more nominations (34) than all the broadcast networks aside from NBC.
Crisis and political necessity led to the formation of the North American Union, encompassing the United States, Mexico, Canada, and a few other nations. The formative crisis having past, the Union is held together largely thanks to the determination of a cabal of conservatives, the Creationist Coalition. The central figures in the Administration are determined to not let their power and influence slip away. Their resolve proves the North American Union’s undoing.
The Administration is long on steadfast purpose, but short on foresight. Assassinating a Hispanic populist governor alienates Hispanic North Americans. Paranoid attempts to capture a suspected Old Regime sympathizer force the sympathizer to see the Union as his enemy. Each move undertaken to ensure the Union’s stability instead undermines it, with the inevitable result that the North American Union collapses into independent nation states.
(10) EFFECTS HISTORY. BBC Radio 4 has aired the second installment of Unreal: The VFX Revolution – “Digital Realms”.
How visual effects changed and how they changed the movies. Oscar winner Paul Franklin explores how film entered the digital realm.
The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2’s chrome shape shifter-the T1000. The revolution was underway.
(11) MEMORY LANE.
2006 – Fifteen years ago, Catherynne M. Valente would win the Otherwise Award and the Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Night Garden. (It would also be nominated for a World Fantasy Award.) Two years later, she won a second Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Cities of Coin and Spice. Both volumes are available from the usual suspects for just five dollars and ninety-nine cents.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 14, 1904 — Zita Johann. She’s best known for the lead performance in Karl Freund’s 1932 film, The Mummy which also featured Boris Karloff. She wouldn’t show in another horror film for another fifty-four years when she was in Raiders of the Living Dead as a Librarian as her original career only lasted three years. She quit film to work in theater where she where she was a partner of John Houseman, her husband, who she was married to from 1929 to 1933, and with Orson Welles as well. She also taught acting to people with learning disorders. (Died 1993.)
Born July 14, 1906 — Abner J. Gelula. One of the many authors* of Cosmos, a serialized novel that appeared first in Science Fiction Digest in July 1933 and then has a really complicated publication that I won’t detail here. It was critiqued as “the world’s most fabulous serial,” “one of the unique stunts of early science fiction,” and conversely “a failure, miserable and near-complete.” The entire text, chapter by chapter, can be read here. *To be precise, Earl Binder, Otto Binder. Arthur J. Burks, John W. Campbell, Jr., Lloyd Arthur Eshbach. Ralph Milne Farley, Francis Flagg, J. Harvey Haggard, Edmond Hamilton, David H. Keller, M.D., Otis Adelbert Kline, A. Merritt, P. Schuyler Miller, Bob Olsen, Raymond A. Palmer, E. Hoffmann Price and Edward E. Smith. Gulp! (Died 1985.)
Born July 14, 1926 — Harry Dean Stanton. My favourite genre role for him? The video for Procul Harum’s “A Whiter Shade of Pale”. No, I’m not kidding. He also played Paul of Tarsus in The Last Temptation of Christ, Harold “Brain” Hellman in Escape from New York, Detective Rudolph “Rudy” Junkins in Christine, Bud in Repo Man, Carl Rod in Twin Peaks twice, Toot-Toot in The Green Mile, Harvey in Alien Autopsy and a Security Guard in The Avengers. He didn’t do a lot of genre tv, one episode of The Wild Wild West as Lucius Brand in “The Night of The Hangman” and a character named Lemon on Alfred Hitchcock Presents in the “Escape to Sonoita” episode. (Died 2017.)
Born July 14, 1939 — Sid Haig. Best remembered as having a lead role in Jason of Star Command as the villain Dragos. He had one-offs in Batman, Mission: Impossible, Star Trek, Get Smart, Fantasy Island, Buck Rogers in the 25th Century, and MacGyver. His Trek appearence was First Lawgiver in “The Return of the Archons”, and someone in casting at Mission: Impossible liked him as he had nine different roles there. He was Royal Apothecary twice on Batman, not a role I recognize. (Died 2019.)
Born July 14, 1943 — Christopher Priest, 78. This is the Birthday of the One and True Christopher Priest. If I was putting together an introductory reading list to him, I’d start with The Prestige, add in the Islanders (both of which won BSFAs)and its companion volume, The Dream Archipelago. Maybe Inverted World as well. How’s that sound?
Born July 14, 1949 — Brian Sibley, 72. He co-wrote (with Michael Bakewell) BBC Radio 4’s adaptation of The Lord of the Rings. He also adapted The Chronicles of Narnia, and Titus Groan and Gormenghast for the same. Print wise, he’s responsible for such works as The Lord of the Rings Official Movie Guide and The Lord of the Rings: The Making of the Movie Trilogy. His only Award to date is a Sir Julius Vogel Award which is given by the members of the Science Fiction and Fantasy Association of New Zealand (SFFANZ) and the National Science Fiction convention for Weta Digital: 20 Years of Imagination on Screen.
Born July 14, 1964 — Jane Espenson, 57. She had a five-year stint as a writer and producer on Buffy the Vampire Slayer where she shared a Hugo Award at Torcon 3 for her writing on the “Conversations with Dead People” episode, and she shared another Hugo at Chicon 7 for Games of Thrones, season one. She was on the writing staff for the fourth season of Torchwood and executive produced Caprica. And yes, she had a stint on the rebooted Galactica.
Born July 14, 1966 — Brian Selznick, 55. Illustrator and writer best known as the writer of The Invention of Hugo Cabret which may or may not be genre. You decide. His later work, Wonderstruck, definitely is. The Marvels, a story of a travelling circus family is magical in its own right though not genre. His next work, Kaleidoscopic, due out this autumn looks to just as fantastic.
(13) COMICS SECTION.
Gasoline Alley, after a week or so following a colander-hat-guy “hearing ghost voices,” solves the mystery.
(14) TODAY’S THING TO WORRY ABOUT. Is Jason Cordova trying to suggest John Scalzi ripped off two of his novels? Here’s a screencap of Cordova’s Facebook post.
What seems clear to Cordova might not seem so clear to anyone else. Scalzi’s “Preservation Society” in his title phrase sounds like it’s about a rather different subject than Cordova’s “Urban Revitalization Project.” And Cordova’s own title resonates with a line from Godzilla 1985 (as quoted in the Wikipedia) — “That’s quite an urban renewal program they’ve got going on over there” – a coincidence that would be of no more than trivial interest but for Cordova’s complaint.
As for Cordova’s The Corruptor – the Amazon blurb says this is what the book is about:
…The single greatest advance in computer technology since the invention of the microchip, the Warp is a virtual reality gaming system so advanced that players aren’t just in the game, they are the game. And inside the Warp lies the most cunning of all games, the de facto king of online gaming. It is the one game said to be unbeatable: Crisis.
The Warp was flawless, and the game was perfect. Until something went terribly wrong, trapping Tori Adams and her friends inside it, unable to log off and free their minds from the uploaded virus in their brains. With no other options available and time running out, they must do the one thing that has never been done before—what experts say can’t be done—they must beat Crisis in order to save their lives.
I have read Scalzi’s Lock Inbut not Cordova’s book, however, from the latter’s description they appear to have about the same degree of overlap as Ready Player One and The Matrix.
…like so many other studios, Disney is facing the question of how to goose up active interest in a film it’s been teasing since 2019. The apparent solution: Bring in Deadpool, dump him into the Marvel Cinematic Universe, and have him promote the film.
… someone sent me a snapshot of the introduction to an edition that is slightly different than my own gifted copy of the Marvel Comics version of C.S. Lewis’ The Screwtape Letters. This other edition does not reproduce Lewis’ own 1941 preface as mine does. Instead, it has a special introduction written by Neil Gaiman.
As readers will know, Gaiman is not simply a giant in the fantasy world–outside of the horror genre, I think American Gods is the most important work of fantasy on the continent–but one of the new generation pioneers of the graphic novel medium. He is also a lifelong Narnia fan–and, we discover here, a lover and appreciative reader of Screwtape. Leaving beside any technical matters you might normally find in an introduction, Gaiman still manages to orient the reader to the book in their hands while giving us a sense of what he loves about Screwtape as a theologically interested but not specifically religious reader.
Besides some good swipes at the American Christian culture war (the ’90s one, not the current one) and a perceptive description of Narnia, Gaiman draws the reader to Screwtape for entertainment, delight, and wisdom. Gaiman’s perspective of Screwtape‘s impact has reminded me of that larger group of readers of Lewis that keep coming back to his works….
Roslyn Gothic arguably saw its most extensive and iconic use on the paperback covers with works by Philip K. Dick as published by Panther Books.
Designed by Harry Winters, Roslyn Gothic was released by Visual Graphics Corporation (VGC) in 1972, to be used with their Photo Typositor, a popular display typesetting machine of the phototype era. There were three styles; Medium, Bold, and Outline. The sans serif of condensed proportions is infused with some traits that seem to harken back to Art Nouveau, or Jugendstil: counters in d, g, or p are tear-shaped, e has a diagonal bar while the top arm of K is vertical, some stems in m, n, u are slightly curved, A is asymmetrical, and G is pointed at the bottom. Several of these features can also be found in German typefaces from around 1900, like Sezessions-Grotesk or Skulptur. By giving his design a large x-height and tight letterspacing, Winters turned these influences into a quintessential 1970s display typeface. With its punchy yet slightly alien-looking shapes, Roslyn Gothic became a popular choice on book covers in the science fiction genre.
(18) SPEAKER FOR THE TREES. No, we’re not talking about the Lorax. In this video of “Trees, Chainsaws, and the Visions of Paradise in J.R.R. Tolkien” from 2002, Tom Shippey discusses Tolkien’s relationship to trees, the literary function of forests, and the under-rated sophistication of Hobbit poetry. This quote comes from the YouTube transcript —
…Perhaps the best example of this comes from a colleague of mine now a professor of Harvard who tells this anecdote which I shall rapidly pirate. He said that some it must have been at least thirty years ago when he was a student backpacking his way around Europe he found himself in Oxford and he went to the University parks and he found a bench there and took his backpack off and sat down on the bench and looks at the parks for a bit. And at this point I’m an old guy came up very well-dressed and he came along and he sat down on the bench and he started to talk about trees. Trees, how beautiful they were, trees, some particularly beautiful trees, trees, now some trees he was personally fond of, trees, the awful things people did to trees, trees, how awful people were who did these awful things to trees trees, what we ought to do to these awful people in the world. But at this point my colleague said he was beginning to get rather nervous, picks his backpack up and edged away reflecting that you know they haven’t got all the weirdos locked up yet by any means. But next morning he got the local paper and discovered a picture of the old weirdo in it and it was of course the distinguished professor talking who was in the paper because he’d been collecting an honorary doctorate…
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Anna Grace Carpenter, SF Concatenation’s Jonathan Cowie, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
The final season of Star Wars: The Clone Wars was released to widespread critical acclaim, and now the animated series will look to pick up some new accolades. It was announced this week that the seventh season of The Clone Wars has received three nominations at the upcoming Daytime Emmy Awards.
The show will look to take home the trophies for Outstanding Writing Team for a Daytime Animated Program, Outstanding Music Direction and Composition for a Preschool, Children’s or Animated Program, and Outstanding Sound Mixing and Sound Editing for a Daytime Animated Program.
The winners in the Children’s Programming and Animation category will be announced in a stand-alone show streaming at 8 p.m. ET July 17 on the Emmy OTT platform.
FIYAH is partnering with the LeVar Burton Reads podcast for their first-ever writing contest! Do you write speculative fiction (sci-fi, fantasy, horror)? Do you love the podcast? Have you dreamed of getting your work in front of THE LeVar Burton ever since the days of Reading Rainbow? Well, here’s your shot. We are looking for one special story to be featured in Season 10 of the podcast
The first place winner will receive $500 and the story will be read by LeVar Burton on an upcoming episode of the LeVar Burton Reads podcast. The second place winner gets $250, and the third place winner, $100.
Editors for this contest include Diana M. Pho and L. D. Lewis, with the final selection being made by LeVar himself. View full submission guidelines and contest rules here.
After over 50 years of rubbing shoulders with the giants of the entertainment industry, Steve Vertlieb’s resume reads like a cinephile’s dream. This week I speak with the award winning journalist and film historian about the cultural impact of Rod Serling and his seminal science fiction anthology series “The Twilight Zone”.
The late 1950s/early 1960s were a time of staunch conservatism in America. This ideology was prevalent in the mainstream entertainment Americans watched on their television sets and at the local cinema. Rod Serling was a man with a message but it wasn’t a message many at this time wanted to hear. A talented writer, Serling was also a student of history and he knew that to get a message through a fortress wall, sometimes you needed to give the gift of a Trojan horse. “The Twilight Zone” was that gift and in the guise of science fiction, black comedy and horror Rod Serling’s voice reached out to open the eyes, ears and hearts of a fascinated public. This week we welcome award winning journalist, film historian and archivist Steve Vertlieb to the show as we discuss the cultural impact of “The Twilight Zone” and how Rod Serling’s message is still relevant over 60 years after the show’s debut.
… I’m sure you could find many SFF novels about such fuddy-duddy tourism turning strange. There are also novels that up the stakes by marooning the protagonist far from home. This will certainly give the protagonist a way to display do-or-die determination by denying them any choice in the matter…
Consider these five works about castaways.
The Luck of Brin’s Five by Cherry Wilder (1977)
Travel on Torin is a simple matter of hopping into a convenient space-plane and jetting to some other location on the Earth-like world that orbits 70 Ophuichi. Or it would be, if Scott Gale had not just crashed his expedition’s only space-plane on the far side of Torin, near the Terran expeditionary base’s antipodes. Oops.
Torin’s native population is unaware that they have off-world visitors until Scott’s space-plane falls from the sky. To the family of weavers known as Brin’s Five, Scott could become their new Luck (an integral member of each Moruian family’s five-member structure). His arrival may save the weavers from misfortune and starvation.
To Great Elder Tiath Avran Pentroy, also known as Tiath Gargan (or Strangler), technologically superior aliens are an unwanted disruptive element. Best to quietly dispatch Scott before Strangler has to deal with the ramifications of alien contact. And if Brin’s Five are not public-minded enough to surrender their Luck? Why, they can be dispatched as well.
I am very happy to announce Toni Weisskopf, Publisher of Baen Books, as this year’s keynote speaker for the combined Writers and Illustrators of the Future 36/37 Awards Ceremony. Many of our past winners and current judges are published by Baen Books. Writers of the Future and Toni first connected up in 1989, when as a volunteer, she helped out at the Writers of the Future Awards Event in New York City. We are happy she will be back again!
(8) TIME ENOUGH FOR CATS. Did we mention there is a Japanese adaptation of Heinlein’s The Door Into Summer? Let’s make sure it hasn’t been overlooked by the Scroll:
(9) MEMORY LANE.
1999 — Twenty-two years ago, Charles Vess wins a Mythopoeic Fantasy Award for Adult Literature for the illustrated version of Neil Gaiman’s Stardust which was published by Vertigo the previous year. Gaiman of course shared in that Award. It would also win a World Fantasy Award as well.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And of course he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 78. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 74. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 71. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 65. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), the 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1968 — Judith Hoag, 53. Her first genre role was in Teenage Mutant Ninja Turtles as April O’Neil followed by being in Armageddon playing Denise Chappel and then a Doctor in A Nightmare On Elm Street. She filmed a cameo for another Turtle film, Teenage Mutant Ninja Turtles: Out of the Shadows, but it was deleted. She’s got one one-offs in Quantum Leap, The Adventures of Brisco County, Jr., Strange World, The Burning Zone, X-Files, Carnivàle and Grimm. Her latest genre role was in The Magicians as Stephanie Quinn.
It is a good time to be a superheroic animal. DC’s League of Super-Pets animated movie is on the way and has somehow nabbed Dwayne “The Rock” Johnson as the voice of Krypto the Superdog, along with Kevin Hart as Ace the Bat-Hound, plus Keanu Reeves, Kate McKinnon, Diego Luna, and more. But these critters—and maybe others—have long had superhero careers in the pages of DC Comics. It’s time to look at every member of the Legion of Super-Pets— and see how they compare….
(13) SALE OF THE MID-CENTURY. See a bit of sf history in a photo here on Facebook – at the 1968 Worldcon in Oakland/Berkeley, Harlan Ellison auctions off the services of David Gerrold (standing).
It’s time for a showdown of galactic proportions… In which universe does your loyalty lie, are you Team Spock or is Darth your daddy? Foxglove and Gee Quiz are proud to strike back in 2021 bringing you a quiz from galaxies far away, a showdown between Star Wars and Star Trek superfans.
Whet your whistle in Mos Eisely Cantina while the food replicator whips you up dishes from culinary worlds like Endor, Naboo, Vulcan and Remus. Have you ever tried Petrokian Sausage? All teams answer questions from both universes, including specialty bonus food and beverage rounds to test your knowledge of culinary delights that are out of this world. Every ticket includes 2 drinks, canape and shared table banquet dishes from all corners of the universe!
Book your six person team ($450) or book a single ticket ($75) and declare your loyalty and we’ll match you up with like-minded quizzers.
ORIGINAL: How big? When complete the starship will measure 42-inches long and 18-inches wide. Features will include electronic lights and sounds that can be controlled via an app, and you can open up the saucer section of the Enterprise to see a full 1966-style bridge. The body of the ship will also open to display the engineering room.
A large collaboration of astrophysicists report they have made the first-ever confirmed detections of shockwaves produced by mergers between neutron stars and black holes. The detections, 10 days apart, represent two of these enormous cosmic unions.
In January 2020, Earth quivered ever so slightly as shockwaves imperceptible to human senses passed through it. Those ripples were gravitational waves, perturbations in spacetime generated by all massive objects but only detectable from extremely huge events, like two black holes colliding. The waves were strong enough to be picked up by the Laser Interferometer Gravitational-Wave Observatory in Louisiana (the Washington branch of the instrument was offline at the time) and the similar Virgo experiment in Pisa, Italy. These experiments detect gravitational waves using a sensitive arrangement of mirrors and laser beams.
Black holes are points in space with such intense gravitational fields that not even light can escape. They form when a star dies and collapses in on itself. Neutron stars form similarly; they are the extremely dense collapsed remains of dead stars and are mostly composed of packed-in neutrons.
… Venus doesn’t have plate tectonics. But according to a study published Monday in the Proceedings of the National Academy of Sciences, it may possess a quirky variation of that process: Parts of its surface seem to be made up of blocks that have shifted and twisted about, contorting their surroundings as they went.
These boogying blocks, thin and flat slices of rock referred to as campi (Latin for “fields”), can be as small as Ireland or as expansive as Alaska. They were found using data from NASA’s Magellan orbiter mission, the agency’s last foray to Venus. In the early 1990s, it used radar to peer through the planet’s obfuscating atmosphere and map the entire surface. Taking another look at these maps, scientists found 58 campi scattered throughout the planet’s lava-covered lowlands….
(18) SHOW BIZ WANTS YOU. Universal Studios Hollywood put out a call for contestants to be on “the first ever Harry Potter quiz show.” The application is here.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Ratchet and Crank: Rift Apart,” Fandom Games says the latest line extension of the Ratchet and Crank franchise is so familiar that “if it seems like a new coat of paint on an old favorite, that’s what it is” and shows the rule of the gaming industry, that, “If it ain’t broke, just slap newer-looking graphics on it and charge full price.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]