Tag Archives: comics

Pixel Scroll 9/24/23 The Decimated Pixel Of Doom

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(0) WGA/AMPTP REACH DEAL. Shortly after the Scroll was posted, I received this news item reported by Variety: “Deal! WGA, AMPTP Agree to Deal After 146-Day Writers Strike”.

Hollywood heaves a sigh of relief. The WGA and major studios and streamers have reached a tentative agreement on a new three-year contract that promises to end the 146-day strike that has taken a heavy toll across the content industry.

Negotiators for the Writers Guild of America and Alliance of Motion Picture and Television Producers reached the finish line Sunday after five consecutive days of negotiations. Day 4 on Saturday mostly involved lawyers for the guild and AMPTP hashing out the fine print of language around complicated and groundbreaking additions to the WGA’s Minimum Basic Agreement. The nitty-gritty details of language around the use of generative AI in content production was one of the last items that the sides worked on before closing the pact.

“We can say, with great pride, that this deal is exceptional – with meaningful gains and protections for writers in every sector of the membership,” the WGA Negotiating Committee wrote in an email to sent to members at 7:10 p.m. PT (Full text below).

The three-year contract will be sent to WGA members for a ratification vote. After nearly five months on strike – the work stoppage began May 2 – it’s highly likely to pass muster with the WGA’s 11,000 members, especially with the enthusiastic endorsement of WGA leaders. As momentum built this week, negotiators began to look at the approach of the Yom Kippur holiday on Sunday as a soft target deadline….

(1) HUGO VOTING DEADLINE. Voting for 2023 Hugo Award, Astounding Award and Lodestar Award closes less than a week from now on September 30 at 11:59 p.m. Hawaiian Time.  Don’t miss your chance to cast and update your ballot before the deadline.

(2) YOU STEPPED OUT OF A DREAM. I dreamed last night I was watching a stand-up comic perform. He got to part of a story where emergency vehicles were responding to a situation and he was imitating the siren/bell/electronic squawks they made — which was surprising (and possibly unlikely) he could do with his voice alone, but it was mentally up to me to decide when he had made enough different noises to be funny but without doing too many to kill the joke. Apparently I woke up at the point I decided he’d done enough.

(3) FIFTH ELEMENTS. New Scientist presents “Five of sci-fi’s best corporate villains, according to author John Scalzi”. Read fast – New Scientist lets you read for a few seconds before blocking with a request that you register for an account to continue reading.

In my latest novel Starter Villain, the book’s protagonist, Charlie Fitzer, inherits his mysterious uncle’s vast corporate empire – only to discover that underpinning it all is a supervillainy business that rivals anything that James Bond’s adversaries might have ever imagined.

While my book takes place in today’s world, there are definitely unexpected elements (wait until you meet the cats!) that make for a mash-up of wild science fiction and modern corporatised evil. But of course, Starter Villain isn’t the first work to blend the two concepts.

Submitted below, for your approval, are five cinematic (non-007) works from across several decades that have offered up the sort of villains who show up in my novel….

One of his choices is:

Aliens(1986): In the original Alien (1979), it is clear that the Weyland-Yutani corporation that has sent the crew of the Nostromo to pick up a murderous, extraterrestrial egg values its military branch’s profits more than humans. But in this excellent and rather tonally different sequel, that corporate ethos is given a face in Carter Burke (Paul Reiser), a striving middle-management type who just doesn’t understand why Ellen Ripley (Sigourney Weaver) can’t see the financial opportunity the aliens offer the company. Appropriately, it’s the aliens themselves who eventually show him the error of his ways.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Chengdu Science Fiction Season. I’m not sure how officially these are associated with the Worldcon, but there have been a few events under the “2023 Chengdu Science Fiction Season” branding, which include the Chengdu Worldcon name and panda logo on their photos and videos.

On September 15th, writer 泽泽 / Ze Ze gave a talk at a Chengdu primary school about the history of SF, which apparently went as far as explaining the difference between hard and soft SF.

This is another talk to schoolkids, this time by La Zi (aka Latssep), who works at SF World magazine, and co-edited one of the Best Fanzine finalists.  This line caught my eye:

First of all, [La Zi] started by talking about three “major science fiction events” that happened around us, the World Science Fiction Conference, The Wandering Earth, General Secretary Xi’s speech…

That’s the Google Translate rendering, but I also put that text through the DeepL and Vivaldi Lingvanex translators, and they all came out with similar results.

This took place on September 16 in Chengdu, and featured Best Short Story finalist Lu Ban alongside a moderator and a couple of others.

I’m not sure when exactly this took place.  The Friday post talks about an event that happened this afternoon (Sunday 24th), but has a video of the panel, so whatever happened today can’t have been that panel?  (I think that panel may have been streamed live, per the text in the top right of the video?)  The panelists include one of the Worldcon division heads, and a couple of writers who’ve had  stories published in English translation.

The people on stage, from left:

  • The lady hosting the panel is 陈曜 / Chen Yao aka Sara Chen, who works at SF World magazine, and is one of the Worldcon division heads.
  • The guy in the black North Face polo shirt is 谢云宁 / Xie Yunning, who won the Xingyun Best Novel award in 2021, but doesn’t seem to have had anything published in English.
  • Third panelist (guy with glasses) is 阿缺 / A Que, who has had several stories published in Clarkesworld, and also one in the Sinopticon anthology.
  • The lady in the blue top is 程婧波 / Cheng Jingbo, who has also had a few stories translated into English, and has an SFE entry https://sf-encyclopedia.com/entry/cheng_jingbo
  • Fifth panelist (guy with glasses)  天瑞说符 / Tianrui Fu, webnovelist. He has a translation of one of his works available on Amazon ( https://www.amazon.co.uk/Die-Mars-Chinese-science-fiction-ebook/dp/B07YH2HXR7 ), but from a very quick skim, it doesn’t look like anyone who was a native speaker was involved in the translation.
  • Rightmost panelist: 张玉乐 / Zhang Yule, president of a university SF society

Early on, after giving an overview of what Worldcons are, and a bit of background about the Hugos, between 17:45 and 20:05, Chen Yao namechecks all the Hugo finalists that SF World has published, has scheduled to publish in the future, or employs (in the case of the editor finalists), all of which were on the recommendation list mentioned in the Scroll a couple of months ago. I’m sure none of that is an attempt to influence Hugo voters….

(5) THE GODS THEMSELVES. “Krapopolis Review: Dan Harmon Sitcom Off to Promising Start” declares Variety.

Ever since the success, demise, rebirth and extended afterlife of the NBC-turned-Yahoo sitcom “Community,” the showrunner Dan Harmon has largely avoided the strictures of network TV. With his cynical streak and meta references, Harmon’s niche sensibility was always an awkward fit for a mass audience; even when “Community” was on the air, it was perpetually on the verge of cancellation. As television expanded rapidly in the 2010s, Harmon found a more natural home in cable and streaming. Despite the departure of “Rick and Morty” co-creator and star Justin Roiland amid allegations of sexual assault, the hit show is now entering its seventh season on Adult Swim; earlier this year, Harmon helped adapt the web comic “Strange Planet” into a series for Apple TV+.

With the animated half-hour “Krapopolis,” however, Harmon makes his official return to a broadcast network. Airing on Fox, “Krapopolis” is at least guaranteed the stability “Community” never enjoyed; ahead of its premiere on Sept. 24, the show has already been renewed through Season 3. And due to the ongoing strikes, “Krapopolis” is now, by default, one of the tentpoles of its network’s fall schedule, with new live-action series postponed until further notice.

That’s a heavy load to bear for an amusing, high-concept riff on the family sitcom set in an extremely loose rendition of ancient Greece. Physically weak and intellectually arrogant, 29-year-old Tyrannis (Richard Ayoade) is a man ahead of his time, so he’s recruited his warrior sister Stupendous (Pam Brady) and scientist half-brother Hippocampus (Duncan Trussell) to help him build a modern city-state. (“He tells powerless people they’re powerful and they like that, so they give him all their power,” one citizen says of Tyrannis’ skill set.) But first, Tyrannis must persuade the skeptical, not least among them his own parents: vain goddess Deliria (Hannah Waddingham) and Shlub (Matt Berry), a manticore-like hybrid of several different creatures….

(6) SFF THAT IS UNEXPECTEDLY PREDICTIVE. Gizmodo says this is “The Summer That Reality Caught Up to Climate Fiction”.

…What once sounded outlandish, like material for a dystopian novel, is looking more and more like reality. So what is a writer of fiction supposed to do? For decades, authors have speculated what the world might look like when the climate from hell arrives. Consider American War by Omar El Akkad, set in 2074 during the outbreak of a civil war set off by a ban on fossil fuels, when Florida is erased from the map and Louisiana is half-underwater. In the six years since the book’s publication, the United States has become the most deeply polarized democracy in recent history; the intensity of heat waves and other disasters have eclipsed expectations. Earlier this year, the magazine Writer’s Digest called American War an “all-too-realistic cautionary tale.”

But El Akkad never intended it to be realistic at all. I asked him if it felt like the novel was starting to come true. “I thought that the way I had structured it was enough of an extrapolation that I wouldn’t have to deal with precisely the question you’re asking,” El Akkad told me. “And that has been obliterated in the last few years. That, to me, is terrifying.”

Extreme weather has melted the distinction between fact and fiction. As El Akkad described it, global warming doesn’t feel slow and steady; it feels more like falling down the stairs, with big drops that shake your expectations. One moment, you’re taking a nap in your house; the next, you’re running for your life from a wildfire. This year, a naturally hotter weather pattern called El Niño started setting in, adding extra heat on top of the climate change we’ve become accustomed to. July was the planet’s hottest month on record, clocking in at 1.5 degrees C (2.4 F) warmer than the preindustrial average. The disasters this summer serve as a preview of what the world could see during a typical year in the early 2030s. We no longer need authors or scientists to imagine it; real-world experience does the trick for anyone who’s paying close attention…..

(7) HWA LATINX INTERVIEW SERIES. “Latinx Heritage in Horror: Interview with Javier Loustaunau” is the latest in the Horror Writers Association blog’s series.

What inspired you to start writing?

I grew up in a house surrounded by books so there was never a moment where I did not think I was going to write, it felt like everyone must write for there to be this many books. Really, I was just impatient to grow up a little and become a better writer, somebody who did not have to lean so hard imitating other writers. One thing that helped me as a writer was when I reached out to the Marvel editorial asking for help on becoming a comic book writer and I got a response from Stan Lee (or more likely his assistant) telling me it does not matter what I write but I need to write every single day if I want to improve. So I wrote letters, I wrote reviews, I wrote poems, I translated, I journaled… but I made sure I always wrote every single day. 

(8) SIGHTS AND SOUNDS. Rebecca F. Kuang shares literary and cultural recommendations with the Guardian in: “On my radar: Rebecca F Kuang’s cultural highlights”. The second item is —

2. Fiction

Clarice Lispector’s The Hour of the Star, translated by Benjamin Moser

A few months ago, I hosted a friend from Colombia who was touring my university. After a morning walk in the cemetery, we ended up at the campus Barnes & Noble, where we picked out favourite novels for the other to read. Rather predictably, we went for the Nobel laureates – I chose for her Kazuo Ishiguro’s The Remains of the Day, and she chose Gabriel García Márquez’s Love in the Time of Cholera. She also included a random bonus pick – a short, translated novel by Ukrainian-born Brazilian novelist Clarice Lispector, which I enjoyed so much I have since copied out the following passage about writing in several letters to friends: “All this, yes, the story is history. But knowing beforehand so you never forget that the word is the fruit of the word, the word must resemble the word. Reaching it is my first duty to myself. And the word can’t be dressed up and artistically vain, it can only be itself. Well, it’s true that I also wanted to arrive at a sheer sensation and for it to be so sheer that it couldn’t break into a perpetual line.” The word can only be itself. Good advice for every time I sit down to write….

(9) REST IN PEACE TACO CAT. Cat Rambo shared this sad news today:

Earlier this year Taco was part of our Cats Sleep on SFF series in “Proud Pink Sky” – photo at the link.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 24, 1922 — Bert Ira Gordon. He not only wrote but directed such films as Serpent Island, King Dinosaur, The Amazing Colossal Man, Earth vs. the Spider, Village of the Giants and Empire of the Ants. Aren’t those truly deliciously pulpy SF film titles?  (I need more adjectives, I truly do.) Forrest J Ackerman nicknamed him “Mr. B.I.G.” a reference to both his initials and his films’ tendency to feature super-sized creatures. (Died 2023.)
  • Born September 24, 1930 — Jack Gaughan. Artist and illustrator who won the Hugo several times including once for Best Professional Artist and Best Fan Artist in the same year. Most of his work from 1970 onward was for Ace and DAW. He illustrated the covers and hand-lettered title pages for the unauthorized first paperback edition of The Lord of the Rings which Ace released in 1965. Here’s those covers he did for The Fellowship of the Ring, The Two Towers and The Return of the King. (Died 1985.)
  • Born September 24, 1934 — John Brunner. My favorite works by him? The Shockwave Rider, Stand on Zanzibar which won a Hugo at St. Louiscon and The Sheep Look Up. I’m also fond of The Squares of The City which was nominated for a Hugo at Tricon. What’s your favorite works by him? (Died 1995.)
  • Born September 24, 1936 — Jim Henson. As much as I love The Muppet Show, and I’ve watched every show at least twice, I think The Storyteller is his best work. That’s not to overlook Labyrinth, The Witches, (yes I know it’s now considered misogynistic) The Dark Crystal and the first two Muppets films which are also excellent. (I think they really did far too many Muppets films.) (Died 1990.)
  • Born September 24, 1945 — David Drake, 78. I’d say his best-known solo work was the Hammer’s Slammers series. He has also written the Royal Cinnabar Navy series which are space operas inspired by the Aubrey–Maturin novels which i be not read. Opinions please on if I should do so. He has also drafted story ideas that were then finished off by co-authors such as Karl Edward Wagner, S.M. Stirling, and Eric Flint. He’s very, very well stocked at the usual suspects. Usual suspects for those of you are curious being Apple Books, Kindle and Kobo. 
  • Born September 24, 1945 — Ian Stewart, 78. Mathematician and writer. He makes the Birthday Honors for the four volumes in The Science of Discworld series he wrote with Jack Cohen and Terry Pratchett. It was nominated for a Hugo at Chicon 2000. Each of the books alternates between the usually absurd Discworld story and serious scientific exposition. (All four volumes are available from the usual suspects.) He would write a number of genre novels, none of which I’m familiar with. Anybody here read his works? 
  • Born September 24, 1957 — Brad Bird, 66. Animator, director, screenwriter, producer, and occasionally even a voice actor whom I’m going to praise for directing The Iron Giant (nominated for a Hugo at Chicon 2000), The Incredibles (winner of Best Dramatic Presentation, Long Form at Interaction), Incredibles 2 and Tomorrowland. He’s the voice of Edna Mode in both the Incredibles films, a most excellent role indeed. 
  • Born September 24, 1965 — Richard K. Morgan, 58. The Takeshi Kovacs novels are an awesome series that I’ve read at least twice which are why I haven’t watched the Netflix series. His fantasy series, A Land Fit For Heroes, is still on my TBR To Be Listened To pile. I read the first of the Black Man series and will admit that I was far from impressed. 

(11) COMICS SECTION.

  • Bizarro is kind of a police procedural. Sort of.
  • Brewster Rockit is a didactic strip about the OSIRIS-Rex mission, with a surprise twist at the end.
  • Tom Gauld reveals another benefit of reading.
  • And Tom Gauld knows something about co-workers’ social lives.

(12) SHRINKING COMICS SECTION. Cartoonist Dave Kellett on X reports Gannett Newspapers is cost-cutting and has limited ALL its 200 papers to just these 34 comics.

The Daily Cartoonist has a list of “The Gannett 34”.

The USA TODAY Network/Gannett group has released a list of the selected 34 comic strips and panels that local editors and publishers will* choose from to run in their newspapers – not all will run in all (any?) of the papers.

The chosen strips and panels:

Group 1: Blondie, Zits, Beetle Bailey, Family Circus, Hagar the Horrible, Dennis the Menace

Group 2: Garfield, Peanuts, For Better or Worse, Baby Blues, Pickles, FoxTrot

Group 3: Pearls Before Swine, Jump Start, Ziggy, Marmaduke, Non Sequitur, Crabgrass

Group 4 Crankshaft, Luann, Baldo, Frank & Ernest, The Born Loser   

Group 5: B.C., Wizard of Id, Close to Home, Argyle Sweater, Mother Goose, Rose is Rose

Group 6: Hi & Lois, Mutts, Curtis, Shoe, The Lockhorns

(13) DRAGONSLAYER. On the “DARK DISNEY – Part 1: Dragonslayer (1981)” episode of Erik Hanson’s Cradle to the Grave podcast the host is joined by guests Clay McLeod Chapman, Junot Diaz, and Stephen Bissette.

Have you ever wanted to see a Disney movie where the Princess gets her foot chewed off by a baby dragon? Well, look no further, Dragonslayer has you covered! Here to chat about said foot-chewing are 3 of the biggest Dragonslayer fans I could find: Author Clay McLeod Chapman, Author Junot Diaz, and comic book writer / artist Stephen Bissette. Together we dive deep into the era known as “Dark Disney” and come to the realization that Disney has ALWAYS BEEN DARK!

(14) I COULD HAVE HAD A V-2.  The National Air and Space Museum blog article “Restoring the Museum’s V-2 Missile” goes into fascinating detail about the history of the components in the museum’s V-2, and the painstaking research to explain which of the paint jobs applied over the years might be the most historically accurate.

One of the icons of the Museum’s location on the National Mall has been the black-and-white German V-2 ballistic missile. Ever since the building opened in July 1976, it stood in Space Hall, which in 1997 was revised to become Space Race. That rocket, currently off display, will return in a new guise, with green camouflage paint, when the hall reopens in a few years as RTX Living in the Space Age….

In a parallel project, Duane Decker of the Preservation and Restoration Unit redid the V-2 launch stand, which is original German mobile launch equipment transferred by NASA Marshall in 1975. Painted black, it was used to support the missile in Space Hall/Space Race. When he stripped it, he found no original paint. I consulted with Tracy Dungan, who supplied 1944 images that showed German stands painted in “dark yellow,” the late-war Wehrmacht vehicle camouflage. Duane painted ours in that color and it will once again support the rocket when it goes back on display in RTX Living in the Space Age. 

This time the stand and rocket will be on top of a pedestal in the Missile Pit, the hole in the center of the gallery floor that allows taller rockets to fit under the roof. Lifted up to floor level, visitors will be able to see the stand and the rocket much as they would have looked during the V-2 campaign of 1944-1945. I very much look forward to the day when we again assemble and mount this important and deadly icon of the missile and space age.

The Museum’s V-2 rocket in the Space Race exhibition in 2006.

(15) SUCCESSION. The Guardian says “Studio Ghibli to be acquired by Nippon TV after struggle to find a successor to Miyazaki”.

Weeks after the celebrated Japanese animator Hayao Miyazaki made his long-awaited comeback, the studio he founded almost four decades ago has secured its long-term future, easing concerns over its struggle to find a successor.

Studio Ghibli said this week that the company would be acquired by the private broadcaster, Nippon TV, which promised to continue building on Ghibli’s global success.

Miyazaki – widely considered to be one of the world’s greatest animators – founded Studio Ghibli in 1985, leading it to a string of successes, including an Oscar in 2003 for Spirited Away.

The studio built a loyal following around the world with films like My Neighbor Totoro and Princess Mononoke, while Miyazaki was nominated for two further Academy Awards – for Howl’s Moving Castle in 2006 and The Wind Rises in 2014 – the same year he was chosen to receive an honorary Oscar.

The agreement with Nippon TV, which will become Ghibli’s biggest shareholder, came after Miyazaki, 82, and its president, 75-year-old Toshio Suzuki, failed to persuade Miyazaki’s son to take over the running of the studio….

(16) HONEY, I’M HOME. “In a first, NASA returns asteroid samples to Earth” – NBC News has the story.

A capsule containing precious samples from an asteroid landed safely on Earth on Sunday, the culmination of a roughly 4-billion-mile journey over the past seven years.

The asteroid samples were collected by NASA’s OSIRIS-REx spacecraft, which flew by Earth early Sunday morning and jettisoned the capsule over a designated landing zone in the Utah desert. The unofficial touchdown time was 8:52 a.m. MT, 3 minutes ahead of the predicted landing time.

The dramatic event — which the NASA livestream narrator described as “opening a time capsule to our ancient solar system” — marked a major milestone for the United States: The collected rocks and soil were NASA’s first samples brought back to Earth from an asteroid. Experts have said the bounty could help scientists unlock secrets about the solar system and how it came to be, including how life emerged on this planet….

And — “NASA collected a sample from an asteroid for the first time — here’s why it matters” – The Verge will be happy to explain.

(17) A PART OF ONE PIECE. Gizmodo thinks “Jamie Lee Curtis May Have Achieved Her Dream of Being in One Piece” based on this Instagram.

(18) ANIME EXPLORATIONS. The prospect of Jamie Lee Curtis being cast in One Piece is also one of several topics taken up in episode 12 of the Anime Explorations Podcast, “Shirobako”. Another is Anime industry figures referenced in Shirobako. And Vampire Hunter D.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Steven French, Alexander Case, Kathy Sullivan, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 5/16/23 I Gave Them My Haploid Heart But They Wanted My Scroll

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(1) BRITISH FANTASY AWARDS TAKING NOMINATIONS. Voting for the British Fantasy Awards is open through May 31.

You can vote for the BFAs if you are any of the following:
– A member of the British Fantasy Society
– An attendee at FantasyCon 2022 (London Heathrow)
– A ticket-holder for FantasyCon 2023 (Birmingham)

In each category the four titles or names with the highest number of recommendations will make the shortlist of nominations.

The BFA also has put out a “Call for BFA jurors” – “ANYONE can apply to become a juror and we would actively encourage non-members to volunteer as jurors.”

(2) BRITISH BOOK AWARDS. R.F. Kuang’s novel has won again – this time a British Book Award. The complete list of winners is at the link.

Fiction, supported by Good Housekeeping

RF Kuang

Babel (HarperCollins / Harper Voyager)

(3) ABSCISSION. “New Leaf Literary & Media Faces Backlash After Dropping Authors” – Publishers Weekly monitored authors’ social media and is pursuing the story.

…The controversy unfolded shortly after New Leaf announced a series of changes to its staff structure. Hamessley has not returned requests for comment, and New Leaf emphasized that they cannot speak to any circumstances around her departure.

In an official statement on the matter, the Authors Guild expressed concern that Hamessley’s clients continue to be supported through the transition. “The Authors Guild strongly believes that every agent needs to have a succession plan for their authors in case of disabling ill health or death, and we instruct authors to inquire about such a contingency plan. We have seen far too many authors left in the lurch over the years.”

The statement continued: “New Leaf authors who were impacted by this sudden shakeup can reach out to us, though we can only represent Authors Guild members in legal matters. Authors who are members of the Authors Guild should send in their agency agreements to our legal staff so we can advise them on their rights.”

New Leaf told PW that it has been actively reaching out to Authors Guild representatives to clarify the situation.

In a statement to PW, author Stephanie Lucianovic said: “Undoubtedly, you’ll find out a lot about our reactions to these unceremoniously abrupt, late, Friday-night agency oustings on our socials, but our primary concern for the last 48+ hours has been about gathering our shocked and distraught agent-mate community and taking care of one another as best we can.”

(4) VALENTE Q&A. Catherynne M. Valente talks about Eurovision, Aliens and Mythpunk with Moid Moidelhoff at Media Death Cult.

(5) STARTING EARLIER. [Item by Dann.] What if… …the 1960s were the age of Marvel and DC movies?  This thread reimagines classic actors as classic heroes and villains. Thread starts here.

(6) TUNING UP. WhatsOnStage polled readers: “Top 100 musicals of all time revealed”. Six of the top 20 are sff. Believe it!

Audiences have been voting in their thousands across the month of April to find the top musicals of all time – and the results are now in!

We run down the top 20 below, with the subsequent 80 listed at the bottom. Where did your fave end up?

In terms of figures, leading the way with the highest number of musicals appearing is Stephen Sondheim on nine as composer and lyricist and a further two as lyricist. Andrew Lloyd Webber follows one behind on eight, including second place The Phantom of the Opera….

(7) TOR HIRE. Publishers Lunch reports Stephanie Stein has joined Tor Books as senior editor, acquiring adult science fiction and fantasy. She was previously at Harper Children’s.

(8) STAR WARS PROP GEMS. Paper City profiles the exhibition of a spectacular collection: “Star Wars Exhibit Wows With Galaxy Firsts at Valobra Master Jewelers — The Force Is Strong In Houston”.

In a climate-controlled garage, not so far away, sat one of the world’s most impressive Star Wars memorabilia collections, second only to that of the collection of George Lucas, the Jedi mind behind the science fiction franchise. That is until Franco Valobra, founder and CEO of Valobra Master Jewelers, decided to showcase the rare pieces for a limited engagement in his Houston store. 

Carrie Fisher’s (aka Princess Leia)  personally annotated script for The Empire Strikes Back, a fully functional R2D2 used for Star Wars promotions in the 1970s and a life-size original Darth Vader costume from the first Star Wars movie in 1977 are among the astonishing artifacts that were on display through Saturday, May 13.

Franco Valobra, a renowned luxury car collector, shares a “garage” with a close friend, storing his Ferraris and Maseratis alongside an array of astonishing memorabilia such as a model-size X-Wing Fighter and a Stormtrooper Blaster used in Star Wars: A New Hope. …

(9) MEMORY LANE.

2006 – [Compiled by Cat Eldridge.]

Some of you I think are likely more familiar with Susanna Clarke by way of her two novels, Jonathan Strange & Mr Norrell and Piranesi, than you are with her short stories.  It turns out that she is most excellent when it comes to this form.

She’s not written a lot of short stories but eight of these were collected in The Ladies of Grace Adieu and Other Stories, published seventeen years ago by Bloomsbury USA. The cover illustration (there’s no dust jacket) which I not surprisingly really love is by Charles Vess. 

All of them are set in the same alternative history as Jonathan Strange & Mr Norrell. 

Our Beginning is drawn from one of them, “The Ladies of Grace Adieu Above”. And now here it is for you to read…

The Ladies of Grace Adieu Above all remember this: that magic belongs as much to the heart as to the head and everything which is done, should be done from love or joy or righteous anger. 

And if we honour this principle we shall discover that our magic is much greater than all the sum of all the spells that were ever taught. Then magic is to us as flight is to the birds, because then our magic comes from the dark and dreaming heart, just as the flight of a bird comes from the heart. And we will feel the same joy in performing that magic that the bird feels as it casts itself into the void and we will know that magic is part of what a man is, just as flight is part of what a bird is.

This understanding is a gift to us from the Raven King, the dear king of all magicians, who stands between England and the Other Lands, between all wild creatures and the world of men. From The Book of the Lady Catherine of Winchester (1209-67), translated from the Latin by Jane Tobias (1775-1819) 

When Mrs Field died, her grieving widower looked around him and discovered that the world seemed quite as full of pretty, young women as it had been in his youth. It further occurred to him that he was just as rich as ever and that, though his home already contained one pretty, young woman (his niece and ward, Cassandra Parbringer), he did not believe that another would go amiss. He did not think that he was at all changed from what he had been and Cassandra was entirely of his opinion, for (she thought to herself) I am sure, sir, that you were every bit as tedious at twenty-one as you are at forty-nine. So Mr Field married again. The lady was pretty and clever and only a year older than Cassandra, but, in her defence, we may say that she had no money and must either marry Mr Field or go and be a teacher in a school. The second Mrs Field and Cassandra were very pleased with each other and soon became very fond of each other. Indeed the sad truth was that they were a great deal fonder of each other than either was of Mr Field. There was another lady who was their friend (her name was Miss Tobias) and the three were often seen walking together near the village where lived-Grace Adieu in Gloucestershire.

Cassandra Parbringer at twenty was considered an ideal of a certain type of beauty to which some gentlemen are particularly partial. A white skin was agreeably tinged with pink. Light blue eyes harmonized very prettily with silvery-gold curls and the whole was a picture in which womanliness and childishness were sweetly combined. Mr Field, a gentleman not remarkable for his powers of observation, confidently supposed her to have a character childishly naive and full of pleasant, feminine submission in keeping with her face.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 16, 1918 — Barry Atwater. Surak in “The Savage Curtain” episode where several reliable sources say he had serious trouble making Vulcan hand gesture. He did a lot of other genre work from Night Stalker where he played the vampire Janos Skorzeny to The Man From U.N.C.L.E., The Alfred Hitchcock Hour, Voyage to the Bottom of the Sea, Night Gallery, The Wild Wild West and The Outer Limits. (Died 1978.)
  • Born May 16, 1937 — Yvonne Craig. Batgirl on Batman, and that green skinned Orion slave girl Marta in “Whom Gods Destroy”. She also appeared in The Man from U.N.C.L.E., The Wild Wild West, Voyage to The Bottom of the Sea, The Ghost & Mrs. Muir, Land of the Giants, Six Million Dollar Man and, err, Mars Needs Women. (Died 2015.)
  • Born May 16, 1950 — Bruce Coville, 73. He’s won three Golden Duck Awards for Excellence in Children’s Science Fiction. He won first for his My Teacher Glows in the Dark, the second for his I Was a 6th Grade Alien, and the third for producing an audio adaptation of Heinlein’s The Rolling Stones. And NESFA also presented him with the Edward E. Smith Memorial Award for Imaginative Fiction. He was twice nominated for the Mythopoeic Fantasy Award for Children’s Literature. 
  • Born May 16, 1953 — Pierce Brosnan, 70. Louis XIV in The Moon and the Sun adaptation of Vonda McIntyre’s novel, shot in 2014 then not released til 2022. James Bond in a remarkably undistinguished series of such films. Seriously, what do you remember about his Bond films? Dr. Lawrence Angelo in The Lawnmower Man, and he was lunch, errr, Professor Donald Kessler in Mars Attacks! and Mike Noonan in Bag of Bones.
  • Born May 16, 1955 — Debra Winger, 68. Not I grant you an extensive genre resume but interesting one nonetheless. Her first genre appearance is in E.T. the Extra-Terrestrial in uncredited turn as, and I kid you, a Halloween Zombie Nurse with a poodle. Really I’m not kidding. And she appeared in three episodes of the Seventies Wonder Woman as Drusilla / Wonder Girl. If you want to stretch it, she was Rebecca in The Red Tent film.
  • Born May 16, 1969 — David Boreanaz, 54. Am I the only one that thought Angel was for the most part a better series than Buffy? And the perfect episode was I think “Smile Time” when Angel gets turned into a puppet. It even spawned its own rather great toy line. He’s currently Master Chief Special Warfare Operator Jason Hayes on SEAL Team which has migrated to Paramount + which means that the adult language barrier has been shattered so it’s quite amusing to hear a very foul mouthed Boreanaz. 
  • Born May 16, 1977 — Lynn Collins, 46. She was an excellent Dejah Thoris in the much underrated John Carter. Her first genre role was Assistant D.A. Jessica Manning on the very short lived horror UPN drama Hauntings, and she showed up in True Blood as Dawn Green. She survived longer on The Walking Dead as Leah Shaw.  Back to films, she was in X-Men Origins: Wolverine and The Wolverine as Kayla Silverfox, Rim of The World as Major Collins and Blood Creek as Barb. 

(11) COMICS SECTION.

(12) SIMULTANEOUS TIMES. Space Cowboy Books presents the Simultaneous Times podcast Episode 63 with stories by Elad Haber and Brent A. Harris. Stories featured in this episode:

“They Promised Trees” by Elad Haber. Music by Fall Precauxions 

“The Story That Never Was” by Brent A. Harris. Music by Phog Masheeen

Theme music by Dain Luscombe

(13) THEY GOT ME. If you disdain clickbait then you won’t click on “Fun Facts About the 1960s ‘Batman’ Series You Probably Didn’t Know” at Sportzbonanza.

Alan Napier

Before getting to the audition for the show, Alan Napier had no clue who Batman was. He never heard of the character, and he didn’t take the casting that seriously. The truth is, when the producers offered him a part of Batman’s butler Alfred, Alan was a skeptic, and he even considered not accepting the part. The story and idea seemed funny and ridiculous to him.

Luckily, after Napier’s agent showed him the income that the role could get him, he immediately changed his mind and said yes.

(14) WOTF 39. Today is the official release of Writers of the Future Volume 39 book, ebook and audiobook.

(15) MORE WATER TRACES ON THE SURFACE OF MARS. [Item by SF Concatenation’s Jonathan Cowie.] And they are in the low latitudes, away from the poles. In the Science Advances journal article “Modern water at low latitudes on Mars: Potential evidence from dune surfaces” Chinese researchers —

…report crusts, cracks, aggregates, and bright polygonal ridges on the surfaces of hydrated salt-rich dunes of southern Utopia Planitia (~25°N) from in situ exploration by the Zhurong rover. These surface features were inferred to form after 1.4 to 0.4 million years ago. Wind and CO2 frost processes can be ruled out as potential mechanisms. Instead, involvement of saline water from thawed frost/snow is the most likely cause. This discovery sheds light on more humid conditions of the modern Martian climate and provides critical clues to future exploration missions searching for signs of extant life, particularly at low latitudes with comparatively warmer, more amenable surface temperatures.

(16) WORSE THAN KUDZU. “Restart the Earth review – Chinese sci-fi is pacy plant-based apocalypse” says the Guardian.

No doubt to Alan Titchmarsh’s great relief, the horticultural arm of the post-apocalypse flick is finally entering the growth phase, with the likes of Annihilation, The Last of Us and now this lightweight effort from Chinese director Lin Zhenzhao. The hubris here is that mankind has overcompensated for the desertification of the planet with cutting-edge research to promote plant growth, accidentally creating a super-species of sentient flora that has choked the Earth, and whose roving vines hunt down people to snack on….

When a drug to replicate plant cells creates a sentient form of flower, the planet is over taken by flora and humankind is depleted. A Chinese task force, a widowed father and his young daughter fight to survive in a mission to inject an antidote to the core of the plants to reverse their growth.

(17) VIDEO OF THE DAY. Mike Lynch Cartoons tells who’s who in this 1945 video “John Nesbitt’s Passing Parade: ‘People on Paper'”: H.H. Knerr (Katzenjammer Kids), Bud Fisher (Mutt and Jeff), Fred Lasswell (Barney Google and Snuffy Smith), Frank King (Gasoline Alley), Chester Gould (Dick Tracy), Dick Calkins (Buck Rogers in the 25th Century), Milton Caniff (Terry and the Pirates), Chic Young (Blondie), Raeburn Van Buren (Abbie an’ Slats), Ham Fisher (Joe Palooka), Hal Foster (Prince Valiant), Harold Gray (Little Orphan Annie), and Al Capp (Li’l Abner).

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, SF Concatenation’s Jonathan Cowie, Lise Andreasen, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/24/23 A Pixel Lives Forever, But Not So Files And Scrolls

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(1) MOST CENSORED. “ALA Releases Top 13 Most Challenged Books of 2022” – see the complete list at Publishers Weekly. This genre work is on it:

10. A Court of Mist and Fury by Sarah J. Maas, for claims it is sexually explicit.

(2) 2025 WORLDCON BID STATUS. According to the Chengdu Worldcon PR#1, the deadline for submission of materials for biding for the 2025 Worldcon was April 21, 2023.

Kathy Bond, Co-Chair of the Seattle 2025 Bid, says “We filed our documents in March and received confirmation that they were received by the Chengdu team.” 

However, all are waiting on the Chengdu committee to confirm whether that was the sole filed bid.

(3) THE STATE OF TRADPUB SALARIES. A Publishers Weekly survey sees “Starting Salaries at Big Publishers Grow”.

As of April 1, the average entry-level salary for publishing employees located in New York City at the Big Five trade publishers and Scholastic was $47,583, up from $38,583 before the Covid-19 pandemic, according to a recent survey conducted by PW. That marks an increase of 23.3%, during a period when prices rose 12.4%, according to the U.S. Bureau of Labor Statistics.

Publishers raced to increase starting salaries beginning in 2020, after the onset of the pandemic and the murder of George Floyd by Minneapolis police prompted book business workers to call attention to social justice causes, including the need for publishing employees to make a living wage. Another round of salary increases occurred earlier this year across the Big Five—including at HarperCollins, where union members ended a three-month strike in February.

According to the publishers polled in this survey, staffers work between 35 and 40 hours a week, depending on the company, and all are eligible for overtime. Respondents to the industrywide 2022 PW salary survey said they were working an average of 42 hours per week—including time outside the office—the same number of hours they reported working in 2021. The survey also found that median compensation for staff with less than five years of experience was $46,000 for editorial, $48,000 for sales and marketing, and $61,500 for operations and production….

(4) SEE ENDEAVOUR AWARD WINNER INTERVIEW. The Endeavour Award for science fiction and fantasy published by Pacific Northwest authors is announcing a new series of interviews and readings featuring winners, finalists, judges, and other PNW luminaries. The first interview will be with 2021 Endeavour Award winner Erica L. Satifka, who won the prize for her short story collection How to Get to Apocalypse and Other Disasters. The event will be held Friday, April 28 at 4:00 p.m. Pacific (7:00 p.m. Eastern), and will include an interview and a reading from her book. To join, visit the Endeavour Award’s Facebook page. 

The award administrator is currently seeking entries for books published in 2022. Entries are free. Please contact Jim Kling at [email protected] for more information. 

Since 1999, The Endeavour Award has recognized science fiction or fantasy works of 40,000 words or more, or single-author collections of short fiction. The author(s) must have had legal or physical residence in the Pacific Northwest (Alaska, Oregon, Washington, Idaho, The Yukon, and British Columbia) when the publisher accepted the book, and must affirm that they wrote the majority of the book while living in the Pacific Northwest. The books must have been published in the United States or in Canada.

(5) THE TRUTH IS OUT THERE. Craig Miller tells a fascinating story on Facebook about working on publicity for Oliver Stone’s first feature as a director, a little-known film called The Hand.  

…A couple final comments about the film. When I was a publicist, I would not lie. I would not tell people something was great if I didn’t think it was. When I was repping “The Hand”, I used to describe it as “one of the best disembodied hand movies ever”. And on that metric, I think I’m correct….

(6) BULGACON 2022 RECORDINGS ON LINE. [Item by Valentin D. Ivanov.] Bulgacon is the annual national Bulgarian SFF convention. The 2022 hybrid edition took place in Kardzhali on Sept 2-6, 2002. The event gathered some international participation (including Peter Watts, Paul MacAuley, Julie Novakova and Lavie Tidhar, among others.

A bilingual Bulgarian/English booklet with the program and the list of panelists can be seen in pdf format here.

Recently, the recordings of 16 panels (most in English with Bulgarian translation) were made available on a dedicated YouTube channel.

(7) DENNY LIEN MEMORIAL PLANNED. The family obituary — “Obituary of Dennis Kieth Lien” – includes details of the planned memorial. There is also a link to a page full of tributes and reminiscences about him.

A memorial celebration of life is planned for Friday June 2, 5–8 pm, at the Como Park Streetcar Station. See Denny’s online memorial board for further information as well as tributes, personal anecdotes, and photos: www.kudoboard.com/boards/xRExNJQo/dennylien

(8) HOW TO TRAIN YOUR BOT. The Washington Post’s analysis of a dataset that may be used to train AI bots like ChatGPT, linked in the April 21 Scroll, inspired Jonathan Cowie to check on some other SF sites “including my personal Science-com one I’ve not updated since CoVID…” (To refresh your memories, File 770 ranked 3,445th with 2.5 million “tokens”.) Here are screencaps of the results for Locus.com, Ansible, SF2 Concatenation, and Science.com.

(9) ON THE ROAD. Feline intelligence far surpasses AI when it comes to understanding great literature. “Timothy reads The Road by Cormac McCarthy” at Camestros Felapton.

…Mr McCarthy wrote a novel in which nearly everything is dead. He doesn’t say that a cat did it but I think we can infer that. When you read literature, the author doesn’t always explain everything….

(10) MEMORY LANE.

1997 – [Compiled by Cat Eldridge.]

Before her short life was drawn to a close by cancer, Angela Carter was fond in her writings of using folklore themes. Her best remembered story I think is A Company of Wolves which got turned into a film but there were others as well but not limited to including a woman with wings, werewolves, the erl-king, and reworkings of Snow White and Sleeping Beauty. 

What we have for our Beginning tonight is  her “Puss-in Boots” story which she wrote specifically for The Bloody Chamber and Other Stories collection which was published by 1997. 

The Bloody Chamber was  often described as a series  of retellings’ of classic children’s fairy tales. Not true. Carter said she was actually writing new tales which revealed the intrinsic violence which included sexual violence towards women of those old folk tales.

This tale, and I don’t consider this a spoiler, is based off the Italian commedia dell’arte tradition. 

This story, as is The Bloody Chamber and Other Stories collection, simply stellar. 

And now for our rather delightful Beginning…

“Figaro here; Figaro, there, I tell you! Figaro upstairs, Figaro downstairs and–oh, my goodness me, this little Figaro can slip into my lady’s chamber smart as you like at any time whatsoever that he takes the fancy for, don’t you know, he’s a cat of the world, cosmopolitan, sophisticated; he can tell when a furry friend is the Missus’ best company. For what lady in all the world could say ‘no’ to the passionate yet toujours discret advances of a fine marmalade cat? (Unless it be her eyes incontinently overflow at the slightest whiff of fur, which happened once, as you shall hear.)

A tom, sirs, a ginger tom and proud of it. Proud of his fine, white shirtfront that dazzles harmoniously against his orange and tangerine tessellations (oh! what a fiery suit of lights have I); proud of his bird-entrancing eye and more than military whiskers; proud, to a fault, some say, of his fine, musical voice. All the windows in the square fly open when I break into impromptu song at the spectacle of the moon above Bergamo. If the poor players in the square, the sullen rout of ragged trash that haunts provinces, are rewarded with a hail of pennies when they set up their makeshift stage and start their raucous choruses, then how much more liberally do the citizens deluge me with pails of the freshest water, vegetables hardly spoiled and, occasionally, slippers, shoes and boots.

“Do you see these fine, high, shining leather boots of mine? A young cavalry officer made me the tribute of, first, one; then, after I celebrate his generosity with a fresh obbligato, the moon no fuller than my heart–whoops! I nimbly spring aside–down comes the other. Their high heels will click like castanets when Puss takes his promenade upon the tiles, for my song recalls flamenco, all cats have a Spanish tinge although Puss himself elegantly lubricates his virile, muscular, native Bergamasque with French, since that is the only language in which you can purr.

“Merrrrrrrrrrrci!’

Instanter I draw my new boots on over the natty white stockings that terminate my hinder legs. That young man, observing with curiosity by moonlight the use to which I put his footwear, calls out: ‘Hey, Puss! Puss, there!’

‘At your service, sir!’

‘Up to my balcony, young Puss!”

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 24, 1910 — Albert Zugsmith. American film producer, film director and screenwriter who specialized in really low-budget exploitation films such as Sex Kittens Go to College and Female on the Beach through the Fifties and Sixties. So why am I giving him a Birthday, you ask?  Why it’s because he produced The Incredible Shrinking Man which won a Hugo at Solacon. (Died 1993.)
  • Born April 24, 1946 — Don D’Ammassa, 77. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered him as a reviewer.
  • Born April 24, 1947 — Michael Butterworth, 76. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklordsand Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures”. 
  • Born April 24, 1950 — Michael Patrick Hearn, 73. Academic who has some of the best annotated works I’ve had the pleasure to encounter. I wholeheartedly recommend both The Annotated Wizard of Oz and The Annotated Christmas Carol, not to overlook Victorian Fairy Tales which is simply the best collection of those tales.
  • Born April 24, 1953 — Gregory Luce, 70. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth.
  • Born April 24, 1955 — Wendy S. Delmater, 68. She was nominated at Sasquan for a Best Semiprozine Hugo for editing the exemplary Abyss & Apex webzine. It’s particularly strong in the areas of speculative poetry and small press genre reviews. She herself has written a lot of genre centered essays, plus a handful of genre stories and poems. 
  • Born April 24, 1983 — Madeline Ashby, 40. California-born Canadian resident writer whose Company Town novel created an entire city in an oil rig. Interestingly In 2013, she was a finalist for the Astounding Award for Best New Writer but recused herself on the grounds that her pro career started with her ‘09 publication of a short story in Nature, so her eligibility period had expired in ‘11. And her Machine Dynasties series is simply brilliant, and resonates with the later Murderbot series.

(12) FINAL SPACE RECEIVING A CONCLUSION AS A GRAPHIC NOVEL. [Item by N.] Final Space, the beloved cult sci-fi animated series, after it was given an unceremonious cancellation and tax write-off, is able to conclude its story next year via graphic novel as Olan Rogers has received a license.

Book is on sale here.

That’s the good news. The bad news, in a bit of a monkey’s paw for fans of the show outside of the US, is no digital release and what appears to be extremely high shipping costs (though Rogers, as of writing, is working with Shopify to reduce these). See these tweets for examples of the shipping costs: (1), (2), (3).

(13) THE ORIGINAL WAR ON COMICS. Unlike some Filers, there are readers even now approaching retirement age who know nothing about Seduction of the Innocent and the related efforts to censor comics. So CrimeReads’ Keith Roysdon is stepping in to provide “A Brief History of America Freaking Out About Horror Comics”.

Fourteen-year-old David Drew was the poster boy for horror comics in the 1950s, in the worst possible way….

…A wire service story widely published in newspapers beginning May 19 reported that Drew had told Douglas Kelley, a University of California psychiatrist, that he read horror comics and especially liked comics that “depict torture and throwing people off cliffs.” 

As the young killer moved through the California legal system – he pleaded guilty in November 1955 – newspapers and wire services quickly found a memorable label for his crime: “the comic book hatchet slaying.”

Authorities and newspapers were already primed to cite comic books as a bad influence on young people. A year before, in the spring of 1954, the Congressional Subcommittee to Investigate Juvenile Delinquency had held public hearings. Among those testifying was Frederic Wertham, a psychiatrist whose book, “Seduction of the Innocent,” posed the theory that comic book heroes like Batman and Robin were gay and a bad influence on children. 

Months before young Stanley Frank was killed, in October 1954, the Code of the Comics Magazine Association of America had been adopted by comics industry publishers. The comics industry had waved a white flag in the war on comics.

(14) QUEST CATALOG. SYFY Wire does a roundup of “Our favorite Holy Grail quest movies in honor of ‘Mrs. Davis’” Beware spoilers. Monty Python and the Holy Grail wins high praise here.

How far would you go to defeat an evil A.I.? That’s the question at the heart of Mrs. Davis, the new Peacock original series that premiered this week after a wave of positive reviews and early buzz that’s set it up as one of the most intriguing new genre shows of the year.

Now, there are a lot of twists and turns built into this show, but the basic setup is this: There’s a massively popular, potentially dangerous A.I. out there that calls itself “Mrs. Davis,” and a nun named Simone (Betty Gilpin) who wants to shut it down for the good of mankind. Simone is convinced that getting Mrs. Davis to deactivate is the right thing to do, but Mrs. Davis isn’t exactly just sitting by a plug that’s waiting for the nun to pull it. So … how is she supposed to get it done?

SPOILERS AHEAD

In the series premiere, it’s revealed that Mrs. Davis has made a promise to Simone: The A.I. will shut down if Simone can track down, and eventually destroy, the Holy Grail.

(15) ADA HOFFMANN COLLECTION ANNOUNCED. Apex Book Company has acquired first North America English rights to the collection Resurrections by Ada Hoffmann. The deal was brokered by agent Hannah Bowman of Liza Dawson Associates.

Ada Hoffmann’s work has been a finalist for the Philip K. Dick Award (2020, The Outside), the Compton Crook Award (2020, The Outside), and the WSFA Small Press Award (2020, “Fairest of All”). She is the winner of the Friends of the Merrill Collection Short Story Contest (2013, “The Mother of All Squid Builds a Library”) and a two-time Rhysling award nominee (2014 for “The Siren of Mayberry Crescent” and 2017 for “The Giantess’s Dream”).

Apex Book Company is a small press owned and operated by Jason Sizemore.

(16) MOCKUMENTARY. We may have looked at this before – but let’s look again! “The Great Martian War 1913-1917”.

This film was made in 2013 as a joke, for WW1’s 100th anniversary.

(17) VIDEO OF THE DAY. Ryan George tells us what it would be like “If Cats Had Podcasts” – and it’s barely an inconvenience!

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, N., Jim Kling, Valentin D. Ivanov, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/31/22 Because I Would Not Scroll For Pixel, He Kindly Scrolled For Me

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(1) BREAKING THE FIRST, SECOND, AND THIRD WALL. MUTTS educates everyone in “How to Read a Comic Strip: Part 1”.

Recently, a series of Patrick’s MUTTS comic strips centered playfully on the comic strip lexicon, so we thought it might be fun to round up those strips as a comic strip primer of sorts. There are probably no surprises here if you’re a lifelong fan of the funny pages, but we know that the things we take for granted might not be intuitive to people reading a comic strip for the first time.

So on that note, here are some rules that comic strips live by…

(2) DETER ONLINE ART THEFT. Eli Benik tells “How to prepare your art to post online because fuck AI” in an unlocked Patreon post.

…From what I can tell, there are already plenty of excellent resources for preparing files to print, but I have not seen much in the way of preparing files to safely post online to prevent art theft. Specifically, how to reduce DPI and file size without your art looking like complete garbage in an online portfolio. 

In this post, I’ll walk you through the basics of saving your image files to prepare them to post online. I’m using Photoshop CS6 for this tutorial, but pretty much any other art editing program should have these options, if not something similar….

(3) THEY’RE SELLING, HE’S NOT BUYING. If you need somebody to join you in grumping at some of 2022’s fantasy streaming efforts, Camestros Felapton is your man: “The Third Prequelf: The Witcher – Blood Origins”.

…The selling point for all prequelfs is the suggestion that viewers will get more of the same but with a different plot. You liked Lord of the Rings? Well, what if you could watch a different story in the same world? Loved Westeros? What if you could go back to that? Enjoyed Herny Cavill as the Witcher? Well, what if you can go to the same world but it has Lenny Henry in it?

All three mine the back story of the properties to deliver an extra hit of middle-earthy-place but that back story is about a different part of history. It would be weird to make a series about, say, the Tudors and then set a story hundred years earlier that had the same sort of world. …

(4) STILL UNDER ATTACK. Sarah’s Scribbles creator Sarah Andersen writes in an NYT op-ed, “The Alt-Right Manipulated My Comic. Then A.I. Claimed It.”

…The [alt-right] harassment shocked the naïveté out of my system. A shadow me hung over my head constantly, years after the harassment campaign ended. I had been writing differently, always trying to stay one step ahead of how my drawings could be twisted. Every deranged image the alt-right created required someone sitting down and physically editing or drawing it, and this took time and effort, allowing me to outpace them and salvage my career.

And then along comes artificial intelligence. In October, I was sent via Twitter an image generated by A.I. from a random fan who had used my name as a prompt. It wasn’t perfect, but the contours of my style were there. The notion that someone could type my name into a generator and produce an image in my style immediately disturbed me. This was not a human creating fan art or even a malicious troll copying my style; this was a generator that could spit out several images in seconds. With some technical improvement, I could see how the process of imitating my work would soon become fast and streamlined, and the many dark potentials bubbled to the forefront of my mind.

I felt violated. The way I draw is the complex culmination of my education, the comics I devoured as a child and the many small choices that make up the sum of my life….

(5) BEST FLICKS EVER. [Item by Mike Kennedy.] I made an ultra, ultra quick pass through the list of 100 and came up with almost 20 genre films. Including the top two. I included Bond and a couple of other things like it but excluded some other edge cases. So YMMV. A lot. “The 100 Best Movies of All Time: Critics’ Picks” in Variety. A fantasy film is #2! The sff film ranking lowest on the list is —

97. Alien (1979)   

A smothering tentacled thingy attaches itself to an astronaut’s face. Several scenes later, an alien fetus erupts right out of his belly, and the cinema would never be the same. Director Ridley Scott, drawing on the imagery of H.R Giger, staged a kind of Skinner box sci-fi nightmare that left audiences in a state of primal shock. Scott envisioned the film’s spaceship not in clean Kubrickian whites but in shades of murk that could speak to the film’s queasy fusion of the organic and the inorganic. And once Sigourney Weaver’s Ripley starts to take on the monster all by herself, a paradigm shift is born: the female action hero, who Weaver invested with such fierce, industrious, yet tossed-off authority that it’s as if she’d always been there.  

(6) FIREWORKS IN FANTASY, AN APPRECIATION.

[By Cat Eldridge.]

So shall we talk about fireworks in genre Literature on this, the last day of the year? Yes, let’s do that. Warning: there be SPOILERS here. Really we cannot avoid them. If that will be a problem for you, Ellen Kushner I hear is making hot chocolate down in Riverside. 

There’s only an appropriate place to begin with this conversation and that’s with the splendid fireworks created for eleventy first birthday: 

Gandalf’s fireworks were very impressive to the hobbits, who hadn’t seen their like since the Old Took died many years ago. Green trees with scented flowers, singing birds, eagles, and sailing ships were all effects created through Gandalf’s work with colored smokes and lights. The finale was a large red-gold dragon that flew out of a mountain, breathing fire and circling over the Hobbits’ heads, before exploding over Bywater. This was in honor of Bilbo’s adventures during the Quest of Erebor and was also the signal for supper.    

But there are others as well, not just in fantasy but in SF too. On Babylon 5 in “The Long Night”, when the Centuria occupation of the Nara homework is over and Mollari and Cotto are leaving there to go the home, fireworks light up the night sky as the Narns celebrate the Centauri are leaving and that the long nightmare of their occupation has ended. 

Other SF one is in The Return of The Jedi when Luke sets a torch to the logs stacked under a funeral pyre where his  father’s body lies, again dressed in black mask and helmet. He stands, watching sadly, as the flames leap higher to consume Darth Vader —  Anakin Skywalker. In the sky above, fireworks explode and Rebel fighters zoom above the forest.

Stephen King’s Cycle of the Werewolf has fireworks as part of the plot, to precise  The town’s annual fireworks celebration is cancelled because of the monster’s attacks, but the use of illicit fireworks by Marty half-blinds the monster when it attacks him on the 4th of July.

Finally our last choice is from the Potter universe. In the Harry Potter and the Order of the Phoenix film, Fred and George set off the fireworks in the middle of the Charms O.W.L. Exam. Some of the fireworks go after Draco Malfoy, Vincent Crabbe, and Gregory Goyle. Fred and George then set off a rather larger and quite real dragon-shaped firework, which went after Umbridge. Just outside the Great Hall, its jaws closed around her causing it to explode and destroy all of Umbridge’s Educational Decrees. She is rather annoyed. 

So what’s your favorite use of fireworks in genre fiction? 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 31, 1937 — Anthony Hopkins, 85. I think one of his most impressive roles was as Richard in The Lion in Winter but we can’t even call that genre adjacent, can we? Oh yes we can as it is most definitely alternate history. He was, during that period, also King Claudius in Hamlet. I’ll say playing Ian McCandless in Freejack is his true genre role, and being Professor Abraham Van Helsing In Bram Stoker’s Dracula is a plum of a genre role. It’s a better role than he as Odin has the MCU film franchise. What else have I missed that I should note? 
  • Born December 31, 1943 — Ben Kingsley, 79. Speaking of Kipling as we did yesterday, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films.
  • Born December 31, 1945 — Barbara Carrera, 77. She is known for being the SPECTRE assassin Fatima Blush in Never Say Never Again, and as Maria in The Island of Dr. Moreau. And she was Victoria Spencer in the really awful Embryo, a film that that over five hundred review reviewers at Rotten Tomatoes give a sixteen percent rating. 
  • Born December 31, 1945 — Connie Willis, 77. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses me! Of her works, I’m most pleased by To Say Nothing of the Dog, Doomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there. She’s very well stocked at the usual suspects and quite a number of her works qualify as Meredith moments. 
  • Born December 31, 1949 — Ellen Datlow, 73. Let’s start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes, I know it was titled The Year’s Best Fantasy for the first year. And I still read stories from them from time to time.  If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site.  Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare Magazine, Omni, the hard copy magazine and online, Sci Fiction webzine and Subterranean Magazine. And yes, she won a number of Hugos for her editing including one this year which she richly deserved. 
  • Born December 31, 1953 — Jane Badler, 69. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy Island, Sir Arthur Conan Doyle’s The Lost World, Bitch, Popcorn & Blood and Virtual Revolution.
  • Born December 31, 1959 — Val Kilmer, 63. Lead role in Batman Forever where I thought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly well-conceived reboot of Knight Rider. Best role? Ahhh that’d be Doc Holliday in Tombstone. Nope, not even genre adjacent but I really, really love that film. 
  • Born December 31, 1971 — Camilla Larsson, 51. Therese in the first series of Real Humans on Swedish television. She was Jenny in the Mormors magiska vind series which is definitely genre given it’s got a ghost and pirate parrots in it! 

(8) COMICS SECTION.

  • Tom Gauld finds the highly scientific attitude toward the New Year is unwelcome by some.

(9) MARVEL YEAR’S EVE. The Spider-Verse Unlimited Jackpot Question #31 launched today. Writer: J. Holtham; Artist: Fend Hamilton; Colorist: Pete Pantazis; Editor: Ellie Pyle.

It’s New Year’s Eve and Madame Web, AKA Julia Carpenter, is going to a party. When she takes a turn with an unexpected dance partner, what will Julia make of the New Year’s visions that result?

(10) PRIME TIME. Thanks to SYFY Wire for pointing us at the “Amazon The Boys ’90s sitcom trailer parody”.

… Amazon has proved once again that anything — even the most hardcore of superhero shows — can be transformed into a piece of heartwarming television with a grainy VHS filter and an upbeat soundtrack. For no reason in particular, the streaming platform has reimagined the adult-oriented project as a ’90s sitcom. Because why the hell not, right? If you’re new to The Boys, be warned that this is not an accurate representation of what goes on in Vought Land….

(11) JOURNALS OF JOCULAR SCIENCE. [Item by SF Concatenation’s Jonathan Cowie.] The Hulk and She-Hulk biomedical implications were the subject of a discussion paper in the Christmas/New Year edition of the British Medical Journal: “She-Hulk: an incredible case of transfusion associated graft versus host disease”.The Festive season can be rather fun in some science journals, especially those, I have noticed over the years, with slightly older editors. (I don’t know why this is but tentatively suspect that younger editors take themselves, and want be taken, more seriously where as oldies who have been around the block a few times simply don’t care.)

Anyway, there were a number of interesting academic papers in the festive mix this year including one rather disturbing piece of research, “Can artificial intelligence pass the Fellowship of the Royal College of Radiologists examination? Multi-reader diagnostic accuracy study”, which pitted real-life radiologists against an artificial intelligence giving them a Royal College of Radiologists examination. It demonstrated that all that is preventing artificial intelligence from replacing radiologists is training AIs, showing them a sufficiently large number (many thousands) of x-ray pictures of medical problems… Forgive me, I stray.

Meanwhile back at the plot and the discussion paper on aspects of She-Hulk biomedicine.

Transfusion associated graft versus host disease (TaGVHD) is a rare complication of blood transfusion in which viable lymphocytes within a blood product survive and proliferate in a recipient. This process results in an almost always fatal form of graft-versus-host disease, with donor T cells attacking multiple organs.

This discussion paper analyses a high profile case of non-lethal TaGVHD due to inadvertent blood contamination of an open wound after a car accident. While both donor and recipient survived the crash and contamination, the recipient was left with unexpected side effects, namely inheriting the ability of the donor to transform into a huge, green-rage monster.

The celebrity nature of this case means that the identities of both donor and recipient as well as the details of the incident are already in the public domain. The donor is Bruce Banner MD, PhD, PhD, otherwise known as the strongest Avenger. The recipient is Jennifer Walters, JD – also known as She-Hulk of high profile law firm Goodman, Lieber, Kurtzberg, and Holliway, the only legal firm in the world representing superhuman clients.

The paper concludes that while superheroes as blood and bone marrow donors capture the imagination, the safety of engaging super-powered individuals as donors is far from established. However, this case will hopefully encourage normal humans to donate blood – allowing them to become the real heroes….

(12) YEAR IN THE REAR VIEW MIRROR. [Item by SF Concatenation’s Jonathan Cowie.] Well, that was 2022.

And this is how we got there…

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Rich Lynch, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Nigel. Signing off 2022 now — see you on the other side!]

Pixel Scroll 3/26/22 How Can You Scroll In Two Pixels At Once When You’re Not Online At All

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(1) FUTURE TENSE. “’Empathy Hour,’ a short story by Matt Bell” at Slate is the newest story in the Future Tense Fiction series from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

This week, like every week, it’s the theme song that calls you to attention, the music simultaneously jaunty, patriotic, inspirational, commanding. As the fade-in begins, the tune gives way to the whup-whup-whup of unseen rotors, the familiar sound preceding your first glimpse of a helicopter’s wash rippling the dark water surrounding a half-drowned house, where this week’s family balances awkwardly atop their roof’s wind-peeled slope, desperate for rescue: a mother, a father, two preteen daughters, and an especially attractive Australian cattle dog….

Bell’s story is followed by a response essay “What are we going to do with more than 200 million climate refugees?” by Tim Robustelli and Yuliya Panfil.

It’s already happening. Millions in low-lying Bangladesh are fleeing stronger cyclones and increased coastal flooding. After Hurricane Maria, thousands of Puerto Ricans have left behind their blue-tarped homes for the mainland United States. And farmers from the Sahel to Central America are abandoning their dried-up fields in droves.

The increasingly dire effects of climate change are resulting in unprecedented levels of displacement globally. And it’s going to get worse: The World Bank recently estimated that there could be more than 200 million “climate refugees” by 2050. Experts suggest that about one-quarter of them will move overseas, while the rest will migrate within their own countries.

What will happen to these migrants as they leave their homes and livelihoods, and how will their new communities receive them?…

(2) SMALL CRAFT WARNING. “Puppet Makers Rise Up Against the Puppet Masters” – and The Hollywood Reporter is on the front lines.

As they push for unionization, craftspeople at the The Jim Henson Company say they are treated as an underclass, subject to abuse and unsafe conditions: “The job of the wrangler is eating sh** and taking blame.”

… There are only about 25 people in the world who work as full-time wranglers — and they are currently seeking union representation, something that has eluded them since the job first emerged with the rise of Sesame Street and The Muppet Show in the late 1970s….

(3) PULLMAN QUITS AS SOA PRESIDENT. “‘I would not be free to express my opinion’: Philip Pullman steps down as Society of Authors president” – the Guardian has the story.

Philip Pullman has stepped down as president of the Society of Authors (SoA) after comments he made about Kate Clanchy’s controversial memoir, Some Kids I Taught and What They Taught Me. In a letter sent to the SoA’s management committee this month, the children’s author said he “would not be free to express [his] personal opinion” as long as he remained in the role.

Pullman, who will remain a member of the trade union’s council, came under fire last year when he spoke out in support of Some Kids I Taught and What They Taught Me, which was criticised for racial and ableist stereotyping. In response to a tweet that he incorrectly assumed was about Clanchy, Pullman, in a now-deleted tweet, said that those who criticised the book without reading it would “find a comfortable home in Isis or the Taliban”.

The SoA released a statement at the time distancing itself from Pullman’s comments, and Pullman later tweeted an apology for the harm he caused, saying criticism of Clanchy was “reasonable and balanced” and that people of colour “deserve every kind of respect”.

However, as the controversy around Clanchy continues – she and her publisher “parted ways” in January – Pullman clearly felt that he could no longer remain in his role….

(4) MORE BANG FOR YOUR BUCK. Another part of the story “J.K. Rowling hits back at Putin after he likened Russia to her in rant against cancel culture” that should have been mentioned here yesterday is how Rowling’s charity is doing matching donations in support of Ukraine.

…Rowling previously revealed that her children’s charity, Lumos, had been working with the Ukrainian government since 2013, and she launched a fundraising appeal the day after the Russian invasion to help “the thousands of children trapped by the fighting in Ukraine’s orphanages.”

“A reminder: I will personally match all donations to our emergency appeal, up to £1million ($1.3 million). If you’re able to, you can donate here. Again, thank you so very much to all who’ve already donated,” she tweeted Friday.

(5) WHO KNEW? Slate explains why “Cross-stitch stores disappeared after Etsy banned Russian sellers.”

Since Russia’s “special operation” began in Ukraine, Western brands have been exiting the country rapidly, making it much harder to find cars, furniture, phones, and clothes. But the change has also affected more unexpected businesses. In early March, after PayPal announced shutting down its services in Russia, Etsy suspended Russian shops “due to expanding business restrictions, including multiple payment processors and credit cards ceasing operations in Russia.”

This is how many American fans of cross-stitch—a needle craft in which you stitch tiny X’s over and over to create a design on fabric—discovered that many of their favorite digital pattern designers are from Russia. Cross-stitchers will pay anywhere from about $3 for small, simple patterns to much more for large, complex designs, all of which can be downloaded instantly after purchase. They can also pay large sums for custom designs. After Etsy pulled the plug on Russia, shops with thousands of five-star reviews and large numbers of sales disappeared at once. “Did cross-stitch pattern makers go through a purge or something?” a Reddit user wondered. In a way, yes—and it’s a fascinating example of how even the digital supply chain can be concentrated in one geographic area….

(6) GARETH POWELL Q&A. FanFiAddict chatted with Gareth L. Powell, author of Stars and Bones.

Join FanFiAddict’s Adrian M. Gibson and author Gareth L. Powell for a chat about his new book Stars and Bones, its timely themes, the mentorship of Diana Wynne Jones and Helen Dunmore, paying it forward with a “field guide” on writing, the appeal of writing space opera and accessible sci-fi, social media and mental health and much more.

ABOUT THE AUTHOR: Gareth L. Powell is a BSFA award-winning author who writes science fiction about extraordinary characters wrestling with the question of what it means to be human. This includes works like the Embers of War series, the Ack-Ack Macaque series, the novellas Ragged Alice and Light Chaser, the latter of which he wrote with Peter F. Hamilton, and more. His latest novel, Stars and Bones, is out now through Titan Books.

(7) WHO’S GOT NEXT? Bleeding Cool has a wonderful article tracing the decades-long history of fake Who news: “When British Tabloids Made Up Stories About The Next Doctor Who”.

…But secondly, this is what British tabloids do. And have done for decades. When it was announced that William Hartnell would no longer play The Doctor, the British press asked the question, just didn’t suggest they had the answers….

The speculation would only really begin with the departure of Tom Baker at The Doctor in 1980. Which was also the time that the suggestion first arose about a female Doctor Who. Clearly, the “woke” 1980 for you there….

(8) FOR BETTER OR MULTIVERSE. At CrimeReads, Josh Weiss recommends alternate history novels, mostly of the “Hitler Wins” variety.  “10 Must-Read Alternate History Thrillers”.

The Yiddish Policemen’s Union, Michael Chabon (2007)

This book was recommended to me by a friend in college. Hearing him describe the concept was a mind-blowing experience in and of itself. European-Jewish refugees settling Alaska at the outbreak of WWII? A thriving modern American town that speaks Yiddish? Ultra-Orthodox mafia bosses? This I had to see for myself….

(9) SWIFT WILL SPIN. “Tom Swift: The CW Confirms May Debut for ‘Nancy Drew’ Spinoff Series” – Bleeding Cool describes the planned adaptation.

…’Tom Swift’ follows the serialized adventures of its titular character (Richards), an exceptionally brilliant inventor with unlimited resources and unimaginable wealth who is thrust into a world of sci-fi conspiracy and unexplained phenomena after the shocking disappearance of his father. Tom takes to the road on a quest to unravel the truth, leaving behind the comforts of his usual moneyed lifestyle while fighting to stay one step ahead of an Illuminati-scale group that’s hellbent on stopping him.

Ashleigh Murray plays Zenzi, Tom’s best friend, whose unabashed and unvarnished candor keeps him grounded while she forges a path for herself as a business visionary. Marquise Vilsón is his bodyguard Isaac, whose fierce commitment to his chosen family is complicated by his own simmering feelings for Tom. LeVar Burton voices Barclay, Tom’s AI, whose insights and tough love have been a constant throughout Tom’s life, Albert Mwangi is the mysterious and dangerous Rowan, who intersects Tom’s path with hidden motivations and undeniable mutual chemistry. Meanwhile, at home, Tom’s relationship with his mother Lorraine (April Parker Jones) becomes conflicted as she urges him to take his father’s place in elite Black society.

(10) MEMORY LANE.

1989 — [Item by Cat Eldridge.] Thirty-three years ago, the Quantum Leap series premiered on NBC.

Created by  Donald P. Bellisario (Tales of The Golden Monkey, AirWolf), it starred Scott Bakula as the time-travelling Sam Beckett and the cigar chomping Dean Stockwell as his holographic contact from the future, Admiral Al Calavicci. The series would air on NBC for five seasons and a total of ninety-seven episodes, gaining a large following after a very mediocre start. 

So what was the reception for it at the the time? The New York Times liked it with these parting words: “Overall, ‘Quantum Leap’ has the distinction of being unpredictable, which is the last thing that can be said about the vast bulk of television series. And Mr. Bakula and Mr. Stockwell make the most of their leaping opportunities.” 

It has generated an immense fictional universe with at least twenty authorized novels to date (edited by Ginjer Buchanan!) and a universe of fan fiction, some that would make even Al turn red. There are non-fiction works such as The Making of Quantum Leap and Beyond the Mirror Image which was done as a Kickstarter endeavor. And Innovation Publishing did a thirteen-issue comic series as well. 

A sequel series coming on Peacock later this year is set thirty years after the original series ended and attempts to figure what happened to Sam Beckett. 

Quantum Leap has a stellar 97% rating by the audience reviewers at Rotten Tomatoes. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 26, 1924 — Peter George. Welsh author, most remembered for the late Fifties Red Alert novel, published first as Two Hours To Doom and written under the name of Peter Bryant. The book was the basis of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. (Died 1966.)
  • Born March 26, 1931 — Leonard Nimoy. I really don’t need to say who he played on Trek, do I? Did you know his first role was as a zombie in Zombies of the Stratosphere? Or that he did a a lot of Westerns ranging from Broken Arrow in which he played various Indians to The Tall Man in which at least his character had a name, Deputy Sheriff Johnny Swift. His other great genre role was on Mission: Impossible as The Great Paris, a character whose real name was never revealed, who was a retired magician. It was his first post-Trek series. He of course showed up on the usual other genre outings such as The Twilight Zone, The Man from U.N.C.L.E., The Outer Limits, Night Gallery and Get Smart. (Died 2015.)
  • Born March 26, 1942 — Erica Jong, 80. Witches which has amazing illustrations by Joseph A. Smiths is very much still worth your time nearly forty years on. ISFDB also lists Shylock’s Daughter: A Novel of Love in Venice which is a time travel story but it certainly sounds more like a romance novel to me. 
  • Born March 26, 1950 — K. W. Jeter, 72. Farewell Horizontal may or may not be punk of any manner but it’s a great read. Morlock Night, his sequel  to The Time Machine, is well-worth reading. I’ve heard good things about his Blade Runner sequels but haven’t read them. Opinions? And his wiki page says he coined the term “steampunk”. That so? 
  • Born March 26, 1953 — Christopher Fowler, 69. I started reading him when I encountered his Bryant & May series which though explicitly not genre does feature a couple of protagonists who are suspiciously old. Possibly a century or more now. The mysteries may or may not have genre aspects (some such as Seventy Seven Clocks are definitely genre) but all are wonderfully weird. Other novels by him which I’d recommend are Roofworld and Rune which really are genre, and Hell Train which is quite delicious horror.
  • Born March 26, 1960 — Brenda Strong, 62. First film genre appearance was on Spaceballs as Nurse Gretchen. The role you probably remember her was on Starship Troopers as Captain Deladier though post-death she shows up in Starship Troopers 2: Hero of the Federation as Sergeant Dede Rake. She showed up on Next Gen as a character named Rashella in the “When the Bough Breaks” episode and she’s been a regular on Supergirl as Lillian Luthor.
  • Born March 26, 1966 — Michael Imperioli, 56. Detective Len Fenerman in Peter Jackson’s The Lovely Bones and Detective Ray Carling, the lead in Life on Mars and Rosencrantz in a recent Hamlet.
  • Born March 26, 1985 — Keira Knightley, 37. To my surprise, and this definitely shows I’m not a Star Wars geek, she was  Sabé, The Decoy Queen, in The Phantom Menace.  Next up for her is Princess of Thieves, a loose adaptation of the Robin Hood legend. Now I didn’t see that but I did see her in Pirates of the Caribbean: The Curse of the Black Pearl as Elizabeth Swann. (She’s in several more of these films.) I saw her as Guinevere, an odd Guinevere indeed, in King Arthur. Her last role I must note was as The Nutcracker and the Four Realms in which she was the Sugar Plum Fairy! 

(12) NOT DEAD YET. The Comics Journal considers “The Strange Second Life of Legacy Comic Strips or: I Want Wilbur Weston Dead”.

…It was a bathetic end for a shlub of a man… or was it? Because only a few short days after Wilbur’s fall, [Mary Worth] readers were confronted with a single panel depicting a bedraggled, pink-shirted man, glasses still on his head and one shoe left on his feet, washing up on the shores of a desert island….

…“I WANT WILBUR WESTON DEAD” declared one reader, as if to will the outcome into the world. “We as a society need to organize a beach-storming on the scale of Normandy, all to ensure that Wilbur Weston remains dead,” offered another. Comics critic Tom Shapira put forward the still-intriguing hypothesis that Wilbur was about to undergo the origin story of a familiar DC Comics superhero. It was the brief, ephemeral, but powerful buzz of a minor comics Twitter zeitgeist, all of which led me to a single question: what in God’s name was going on here?…

…Mary Worth is therefore a prime example of what has been termed a legacy strip: a comic strip that has outlived (often literally) its original creators, and been passed along to new hands while maintaining continuity in syndication. Glance at the comic page of a daily print newspaper, if you can still find one, and you’ll see that the list is long and, arguably, ignominious: Blondie, The Family Circus, Hagar the Horrible, The Wizard of Id, Beetle Bailey, Rex Morgan M.D. Not for nothing have these features been given the less charitable and more common description of zombie strips.

And yet: the Wilbur Weston episode intrigued me. Because if a strip like Mary Worth–a strip that, with one exception I’ll discuss a bit later, I had never had cause to consider anything more than an innocuous presence in my grandparents’ daily Los Angeles Times–could generate a week of Twitter conversation among pandemic-jaded millennials, then there was clearly some kind of life in this allegedly undead comic. I wanted to understand why this might have happened, and more than that, I wanted to know what Mary Worth’s current creators thought about it. So I asked them.

(13) ROSE AGAIN. Seventeen years ago today Doctor Who returned with the episode “Rose” on BBC One. Here’s a clip collage to help you celebrate.

(14) GROUNDBREAKING GROUND BEEF. Mashed remembers “Why Burger King’s ’70s Star Wars Promotion Was So Groundbreaking”.

… The relationship between the burger giant and the iconic media franchise goes back decades to when its original movie trilogy was released. According to Finance 101, the original “Star Wars” film (now referred to as “Star Wars: Episode IV — A New Hope”) was released in 1977 and was the highest-grossing film of all time until “E.T.” — another iconic character from outside our world — came into the picture in 1982. Burger King then made its own groundbreaking move in connection with this first “Star Wars” movie. 

It may be hard to imagine a time when an onslaught of fast-food toy tie-ins seemingly accompanied the release of nearly every major animated motion picture. Yet according to Wide Open Eats, fast-food restaurants didn’t cross-promote movies prior to 1977, the year Burger King broke history by promoting “Star Wars.” The first-of-its-kind marketing strategy included “Star Wars” posters, stickers, and drinking glasses (via Fast Food Reference)…

(15) SPOT ON. They should end up with a better image as fire dogs instead of police dogs: “See ‘Spot’ Save: Robot Dogs Join the New York Fire Department” reports the New York Times.

… The Police Department cut short its contract with Boston Dynamics last April after critics raised concerns about privacy, data collection, aggressive police tactics and the generally dystopian vibes the robot gave off as it trotted through a public housing development during a hostage situation.

Fire officials and robotics experts say the way the department plans to use the robots might help reshape the perception of their use for public safety purposes.

At the command of a human operator, the device can provide vital information in the midst of a calamitous event. It has the ability to descend deep underground after a steam leak to collect images and data about dangerous debris. It can also be deployed moments after a building collapse to gauge structural integrity or measure the concentration of toxic, flammable gasses like carbon monoxide to better inform firefighters responding to the scene….

(16) SECOND STAGE LENSMAN. Filmmaking in Britain will continue to grow if the tax laws cooperate: “A Hollywood Production (Made in Liverpool)”  in the New York Times.

…The early “Star Wars” films and 10 years’ worth of Harry Potter movies helped Britain get here. Film productions were attracted by experienced labor and visual effects companies and, critically, generous tax breaks. In 2013, the incentives were extended to TV productions that cost more than £1 million per broadcast hour — so-called high-end TV series, like “The Crown” and “Game of Thrones.” In recent years, productions were offered a 25 percent cash rebate on qualifying expenditures, such as visual effects done in Britain. In the 2020-21 fiscal year, tax breaks for film, TV, video games, children’s television and animation exceeded £1.2 billion.

In Britain, film gets a level of government attention that other creative industries, such as live theater, can only dream of.

“I would not like to contemplate the loss of the tax incentive,” said Ben Roberts, the chief executive of the British Film Institute. Without it, Britain would become immediately uncompetitive, he added.

Most of the growth in production in Britain comes from big-budget TV shows, a staple of streaming channels. Last year, 211 high-end TV productions filmed in Britain, such as “Ted Lasso” and “Good Omens,” and fewer than half of them were produced solely by British companies, according to the British Film Institute. Compared with 2019, the amount spent jumped by 85 percent to £4.1 billion.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Says Sang Joon Kim, “Imagine if your life is stressed out now, but it would be much worse if everyone you run into is a pigeon!”

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Andrew (Not Werdna), SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Reading Daily Comic Strips Online

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By Daniel Dern. Back in the pre-Internet (or even CompuServe, Well or BBS) days when I was growing up, I would get my daily fix of comic strips and single-panel cartoons (Peanuts, Andy Capp, B.C., Blondie, Gasoline Alley, Steve Canyon, etc.) from our local daily paper (The Bergan Record) — several pages’ worth. (I don’t recall whether they were carrying Pogo.)

These days, the Boston Globe has barely a full page of strips — and they’ve been smallified to near-unreadability.

Fortunately, comic-carrying newspapers are, of course, all (also or only) online these days, but even then, some require subscriptions (fair enough), and to get all the ones you want. For example, online, the Washington Post, has about 90, while the Boston Globe is just shy of a paltry one-score-and-ten. And (at least in Firefox), they don’t seem to be visible in all-on-one-page mode, much less customize-a-page-of.

So, for several years now, I’ve been going to the source — two  “syndicates” that sell/redistribute many popular strips to newspapers:  ComicsKingdom.com ($19.99/year) and GoComics.com.  (Free, or $1.99/$19.99/year).

(Note, GoComics pricing not visible anywhere obvious — the only places on the site I see any info are https://www.gocomics.com/profiles/sign-up/plan, which approximates the monthly price, and https://www.gocomics.com/help#freetrial1, which gives the annual price, but succinct info doesn’t reveal itself until you’ve started the signup process. I confirmed my pricing by looking at my account settings. Sheesh.)

Comics Kingdom carries comics syndicated by King Features, and includes current and Vintage comics from Amazing Spider-Man to Zits, including plus about a dozen political cartoons. They also have a translated-into-Spanish grouping. You can access the current and previous week’s strips with a free account; you’ll need a Premium account to access Vintage strips and the 60,000 strip library beyond the past week.

GoComics is from Andrews McMeel Universal , “the largest independent syndicate,” and says it is “the web’s largest catalog of syndicated newspaper strips, political cartoons and webcomics” offerings go from Aaggghhh to Ziggy, including translated-to-Spanish (including Calvin & Hobbes), in addition to comic strips, offers offers web comics.. (FYI, GoComics includes Winsor McKay’s Little Nemo, BTW.) GoComics also offers (sells) strip-related merchandise — books, calendars, prints, pins, and one or two each DVDs and plushies.

Currently, I’m following about a a dozen of so strips on each. (We still get the Boston Globe in two-dimensional cellulose, or I’d be digitally getting another dozen or so.)

For less than a buck a week ($19.99×2/52, so a smidge over six bits), it lets me get most of my morning fix in a simple batches.

But not all. I’m still getting XKCD and QuestionableContent direct from their own sites, in particular.

It’s a predictable good way to start my at-desk morning.

But I still miss having four pages of daily strips (sized big enough for even aging eyeballs) and more-than-six pages of Sunday strips.

Commando And British Weekly Comic Swap Meet

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Saturday 25th September 

Bushey and Oxhey Scout Hut
Park Ave. Bushey, Watford.
WD23 2BA

By James Bacon: Join comic book fans at the 7th Commando Comic Swap meet, an old school event in suburban Watford where thousands of British weeklies and digest comics will be on sale, at very affordable prices. 

Being organized with profits going to the Scout Hut, the volunteers organizing the event welcome dealers, and with tables only a tenner, it’s a very affordable way to sell comics. 

Entry is a £1. 

Alan Hebden will be along for the day. Alan who has written for Commando, Victor, Starlord, 2000AD and most recently had a story in The Battle special from Rebellion, and created fan favorites Major Easy, El Mestizo and Fighting Mann. 

With Commando Comics trading for 50p, and weeklies at a variety of prices, not only is it a chance to fill up your collection, but an opportunity for new collectors to make a decent start on doing so while finding or reconnecting with incredibly good story telling and fabulous art. 

This as a small but excellent comic event offering exceptionally good value, and a level of friendly helpful expertise with most sellers collectors themselves or only too happy to engage and chat about shared interest and passion.  

(Further details can be found on the Commando Comic Collectors Facebook group, but you have to join the group to get access.)

Pixel Scroll 4/12/21 No Matter Where You Scroll, There You Pixel

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(1) MUIR’S PROGRESS. Bence Pintér conducted a “Q&A with Tamsyn Muir” for the Hungarian magazine Spekulatív Zóna. (You can find the Hungarian version of the interview here.)

The Locked Tomb Trilogy seems like a pretty hard one to pitch to a publisher. How have you pitched it?

I never really pitched the trilogy as a trilogy. I pitched Gideon as more or less a murder mystery, because to me that’s still its most fundamental DNA: it’s the classic And Then There Were None set-up, a group of people in an isolated location start getting killed off one by one. I think I said it was a locked-room murder mystery with necromancers. But I was also deeply confused about a lot of things and thought it might be a Young Adult book, because I understood ‘young adult’ as a tag to mean ‘older teenagers would enjoy it’ and I firmly believed that older teenagers would enjoy Gideon! Someone I showed the story to at an early stage had to break it to me gently that this was not a Young Adult book, and never would be without very major re-writing and taking out 90% of the swearwords….

You signed a six-figure deal with Tordotcom Publishing. What will you work on after finishing Alecto the Ninth?

Lots of stuff. Next up is a novella about a gunslinger in a near-future dystopia, which is going to be a massive relief to write as it contains neither swords nor bones, thank God. Then I’ve got to start on the next full-length novel, which will probably have some swords and some bones but not at anywhere near the concentration Locked Tomb did, and will leaven the mixture by also having some motorbikes. And at some point I need to fit in the sequel to Princess Floralinda and the Forty-Flight Tower, my novella from last year, which I’ve decided I’m not quite done with. Now if I could just get an extra four or five months added in to the year, maybe in summer when the weather’s OK, that would be fantastic.

(2) PRO TIPS. Odyssey Writing Workshop interviews Guest Lecturer Sheree Renée Thomas, now editing F&SF.

Congratulations on recently becoming editor of The Magazine of Fantasy & Science Fiction! What are the most common problems in the manuscript submissions you receive?

I just revised our submission guidelines to address that, because after reading 2,400 stories our first month in January, I noticed some patterns, particularly for people who have submitted work to the magazine in the past, and they probably don’t know that they’re doing some of these things.

The main thing I revised our submission guidelines to address is pacing. If you spend a long time setting up your story, or throat clearing, or giving us a long narrative exposition before we even get to the characters we’re supposed to be following and experiencing, you’re going to lose your readers’ interest right off the bat. One of the things people can do when they go back and look at the story is see if they started in the right place. As a writer, it’s not always easy to know that immediately. Sometimes we have to write the thing in order to know the thing; we have to write that first scene to get to the other one.

The other thing that a lot of writers do give us too much information that’s not naturally integrated into the storytelling, and so that becomes a little wearisome to read and hard to follow. People are not telling the story from the POV of the character who has the most to lose in the situation.

I don’t want to read about misogyny, whether it’s conscious or not in the story. I don’t particularly care for rape stories where rape is just a plot device and it’s not handled in a human way, where you don’t have the characters respond to it in a way that humans might. And F&SF is not the best market for super erotic work.

(3) TV DINNER. ASU’s Center for Science and the Imagination’s Science Fiction TV Dinner series is going virtual for 2020-2021, and they’ll  Zoom the next event on Tuesday, April 27 at 6 p.m. Pacific time. It features The Mailbox, a short film about time travel and Chinatowns. They’ll be talking with the director, Louis Yin, a writer and filmmaker based in Beijing, and Diane Wong, a professor at Rutgers University who studies the Asian diaspora and the urban immigrant experience. The event is free, and open to everyone. Register at the link.

We’re shifting the format slightly, presenting Science Fiction TV Small Bites: short films from talented creators that invite us to explore a range of possible futures.

…Each Small Bite event will also feature an exclusive segment on cuisine and cooking by Corey S. Pressman, an author, educator, anthropologist, visual artist, and member of CSI’s Imaginary College.

We would like to thank Storycom for their support and collaboration on this event. Storycom is the first professional story commercialization agency in China, and is dedicated to bringing excellent Chinese SF stories to domestic and global audiences in various formats. Storycom also presents The Shimmer Program to introduce new audiences to Chinese SF. Learn more at https://twitter.com/ShimmerProgram.

(4) ACE ON THE CASE. [Item by Martin Morse Wooster.] In the April 7 Financial Times, Tom Faber looks at video games that combine the supernatural with detective stories.

…The first detective games I loved were the Ace Attorney trilogy, in which you play Phoenix Wright, an impossibly earnest lawyer who solves a trio of outlandish murders.  The tone is decidedly zany, with anime-style graphics and supernatural story beats. But the sharp characterisation makes them deeply affecting.  Each complex case is split into two parts:  the first has you talking to witnesses and gathering evidence from the crime scene, while the second takes you to court, where you cross-examine witnesses and poke holes in testimony…

…Perhaps the secret ingredient to a successful detective game is allowing players freedom to find the solution by themselves.  These qualities re best exemplified in last year’s indie hit Paradise Killer, which sets its supernatural mystery across an open world, allowing you to investigate at your own pace.  The game never tells you where to go next and you can set the final trial at any point, no matter how much evidence you’ve gathered.  Newcomers may be alarmed by the game’s high-concept fantasy, which tells of a group of social elites constructing a utopia by sacrificing the working classes to resurrect a pantheon of vanished gods.  Yet once you find your footing, the story resolves into a fantastically imaginative, richly compelling narrative with a superb soundtrack to boot.

(5) WHAT YOU CAN LEARN FROM CONFUSION. Ian Moore’s “ConFusion: Eastercon 2021” report at Secret Panda offers a lot of coverage of the panel programming.

… Many of the academic presenters at ConFusion seemed to be from creative writing rather than literary criticism programmes, which changed the focus somewhat: when they were examining a particular theme within science fiction, it was with a view to ultimately creating something in that area themselves, with several then presenting us with some of their own creative work in progress.

I enjoyed Hester Parr’s presentation on fanfic, though at times it did tend towards more of a stirring defence of fan fiction than an academic analysis of it. Particularly interesting was the discussion of how some fanfic writers use their writing to work out things about themselves and the revelation that the My Fair Lady musical is closer to the original Pygmalion myth than the George Bernard Shaw play it is adapted from. I did find myself thinking about whether there is a difference between something like Margaret Atwood’s The Penelopiad and other retellings of myths or sequels to others’ work by novelists on the one hand and fan fiction proper on the other hand. Part of Parr’s argument seemed to be that there is not really a difference, with the human tendency to retell and adapt stories meaning that fanfic is a universal thing with its origins in the mists of time. I have the nagging sense though that there is something different between a novel written by a professional writer and something a hobbyist has posted to an online fanfic platform. To me the fannishness of fanfic is what distinguishes it from non-fan writing drawing on pre-existing stories, though further investigation may be required here….

(6) GAGARIN AND THE POTATO FIELD. Sixty years ago today Yuri Gagarin became the first man in space. Here’s the CNN story:

…Khrushchev’s answer came 60 years ago, on April 12, 1961, when Soviet cosmonaut Yuri Gagarin circled the Earth aboard a spacecraft called Vostok 1. After parachuting from the craft near the Russian village of Smelovka, Gagarin landed a hero — and a major embarrassment for the United States, already stung by the Soviet first-in-the-race launch of the Sputnik 1 satellite four years earlier….

And what goes up must come down – however unexpectedly that might be if you happen to be standing where they land.

(7) JOURNEY INTO SPACE. And the Journey Planet team bids everyone a Happy Cosmonautics Day. Ann Gry co-edited their “Russian Space – ” theme issue which came out in December.

Cover by Sara Felix

This unique issue of Journey Planet comes in two languages in parallel text, Russian and English. With bi-lingual text on every page we look at the Science, Engineering, Science Fiction, Films, Comics and poetry that the theme of Russian Space has to offer.

Muscovite Co-Editor Ann Gry (Anna Gryaznova) was committed to ensure the issue was as accessible as possible to the readers, interested in the subject and spent a tremendous amount of time working on translations as well as seeking out new voices, and hearing from voices who may be very new to Journey Planet readers. This issue is a curated glimpse into the creative realms mostly inaccessible due to the language barrier and is an attempt to give an idea of how space theme connects us all.

You can find the issue here:

(8) WE’LL MEET AGAIN. James Davis Nicoll extols “Five Stories Built Around the Threat of Nuclear Blackmail” to Tor.com readers. Not all of them are grim:

The Mouse that Roared by Leonard Wibberley (1955)

The tiny principality of Grand Fenwick had no intention of blackmailing the world with atomic doom. Faced with economic calamity (Americans had successfully copied Grand Fenwick’s principal export, Pinot Grand Fenwick wine), they came up with a simple but brilliant plan: declare war on the United States of America, lose, capitulate, and then wait for US to expend billions of dollars rebuilding Grand Fenwick (shades of the Marshall Plan). Since Grand Fenwick had not upgraded its military toolkit since the Hundred Years War, there was no way this cunning scheme could go wrong. Or so it seemed.

The handful of men-at-arms dispatched to New York City find a city abandoned thanks to a Cold War-era Civil Defense exercise. Hunting for someone to whom they might surrender, they stumble across Dr. Kokintz and his Q-bomb demonstration model. Both Kokintz and his device are carried off to Grand Fenwick, whereupon the astounded Grand Fenwickians discover to their alarm that they are now in possession of a weapon that could, if detonated, depopulate a continent. Still, having the eyes of the world on them has possibilities…provided nobody jostles the delicate Q-bomb.

(9) HAND MADE. The Dwrayger Dungeon makes a post from clips from a 1939 short in “13: PARAMOUNT Presents POPULAR SCIENCE”. See how a Popeye cartoon was made in the days of hand-painted animation cels.

Today we go behind the scenes of the making of the Popeye cartoon “Aladdin And His Wonderful Lamp” at the Fleischer Studios in Miami….

Here are the guys working on the storyboards for their upcoming Popeye cartoon. I swear, there are like 500 drawings pinned up on the wall….

(10) MEDIA BIRTHDAY.

  • April 12, 1940 — On this day in 1940, Black Friday premiered. It was directed by Arthur Lubinfrom from a screenplay by Curt Siodmak (who won a Retro Hugo last year for Frankenstein Meets the Wolf Man) and Eric Taylor. Though Boris Karloff and Béla Lugosi were co-billed, Lugosi only has a rather small part in the film and does not appear on screen with Karloff.  Universal had cast Lugosi as the Doctor and Karloff as the Professor, but Karloff insisted on playing the Doctor. So Lugosi was given the minor role of a rival gangster, while Stanley Ridges was brought in to play the Professor. Reception was mixed with some critics loving the double billing, but the NYT noted that “Lugosi’s terrifying talents are wasted”.  Over at Rotten Tomatoes, the audience reviewers give it a rating of forty nine percent.  It is in the the public domain now, so you can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 12, 1884 — Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late 1920s early 1930s. He’s one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.) (CE) 
  • Born April 12, 1908 – Janie Lamb.  Edited the N3F (Nat’l Fantasy Fan Fed’n) National Fantasy Fan and Tightbeam.  Inspiring spark of Southern Fandom (southern U.S., not e.g. the Republic of South Africa, or London, or Spain despite Roses from the South, these other regions not typically so calling themselves); chaired DeepSouthCon 7.  Kaymar and Rebel service awards.  (Died 1981) [JH]
  • Born April 12, 1915 — Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’  He published thirteen novels and some one hundred fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. (Died 2000.) (CE) 
  • Born April 12, 1921 — Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement award from the World Fantasy Awards Administration. I’ve not read her novels, so which would you recommend? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.) (CE) 
  • Born April 12, 1936 — Charles Napier. Adam in Star Trek’s “The Way to Eden”. He had one-offs, and this is not a complete list, on Mission Impossible, The Incredible Hulk, Knight Rider, Tales of The Golden Monkey, The Incredible Hulk Returns, Lois & Clark: The New Adventures of Superman, Deep Space Nine and voiced Agent Zed in the animated Men in Black series. (Died 2011.) (CE) 
  • Born April 12, 1947 – Tom Clancy.  Regardless of whether Jack Ryan becomes President, and the author’s politics which as it happens I never liked much, I defiantly assert The Hunt for “Red October” – TC’s first novel! he’d been an insurance salesman! Deborah Grosvenor had to persuade the Naval Inst. to publish it! – is SF, and good SF too.  (Died 2013) [JH]
  • Born April 12, 1952 – Pierre Stolze, Ph.D., age 69.  Dissertation at École Normale Supérieure on SF.  Seven novels, a score of shorter stories.  Will Francophone translators kindly address this man’s work?  [JH]
  • Born April 12, 1958 – Elizabeth Klein-Lebbink, age 63.  Canadian living in Los Angeles.  Active particularly with Art Shows; board member of the Southern Calif. Inst. for Fan Interests (yes, that’s what the initials spell, pronounced skiffy).  Her high-tech expertise permitted the annual Rotsler Award display at Worldcons to rise above the personal handicraft of one man in a propeller beanie, however helped by volunteers (hello, Murray), and thus reach Dublin (77th Worldcon) and Wellington (78th Worldcon, virtual-only).  [JH]
  • Born April 12, 1968 – Marah Searle-Kovacevic, age 53.  Head of Exhibits at Noreascon 4 the 62nd Worldcon, credited by con chair with extra help at N4’s elaborate and successful First Night, see this detailed report.  Chaired SFContario 4-5.  Was assigned as head of Social Media for Westercon LXXIII.  [JH]
  • Born April 12, 1969 – Mike Jansen, age 52.  Ran Babel Publications for ten years with Roelof Goudriaan (hello, Roelof).  Three novels, fourscore shorter stories, a dozen poems, many available in English e.g. collection Ophelia in My Arms.  Website in eight languages including Arabic, Chinese, English. [JH]
  • Born April 12, 1979 — Jennifer Morrison, 42. Emma Swan in the Once Upon a Time series, and Winona Kirk, mother of James T. Kirk in Star Trek and Star Trek Into Darkness. She also paid her horror dues in Urban Legends: Final Cut as Amy Mayfield, the student videographer whose film goes terribly wrong. I’m intrigued to see that she’s the voice actor for the role of Selina Kyle / Catwoman in the Batman: Hush, a film that needs a R rating to be told properly and indeed did so. (CE) 

(12) COMICS SECTION.

  • Macanudo reveals the ancestry of a certain popular character from The Mandalorian.

(13) THE ARRIVAL OF THE FUTURE. Eric Diaz analyzes “How the Year 1986 Changed Comic Books Forever” at Yahoo! Life. Here’s the first pair of reasons:

… Let’s get this double-whammy out of the way. 1986 saw the release of Alan Moore and Dave Gibbons’ Watchmen, and Frank Miller’s Batman: The Dark Knight Returns. So much has been said about both of these comics already. Although much about them is different, each is a deconstruction of the superhero concept; and each elevated the medium to new levels of respectability.

Yes, their success has sown definite downsides. Too many creators take the wrong lessons from their popularity, veering “dark and edgy” for the sake of it. But this aside, both of these remain towering achievements in comic book storytelling…. 

(14) WONDER WOMAN WRITER REMEMBERED. In the Washington Post, Michael Cavna interviews Mark Evanier and author/editor Anina Bennett about Joye Hummel Murchison Kelly’s appearance at the 2018 Comic-Con and how she enjoyed the recognition she got for her Wonder Woman work when she was 94. “She was the ‘secret’ Wonder Woman writer in the 1940s. Here’s how she finally got her due at 94”.

…“In all my years of Comic-Conning, I can’t recall another moment when the audience was so eager to give someone a long, loving ovation,” Evanier said Wednesday, “and the recipient was so delightfully surprised to be at an event like that receiving one.

“Joye told me it was the best weekend of her life, and I thought, ‘Imagine having the best weekend of your life when you’re 94!’”

(15) BIRD IS THE WORD. Jeff VanderMeer, in his essay “Hummingbirds and the Ecstatic Moment” for Orion Magazine, explains how birds provided comfort to him when he was sick in bed with asthma as a child and why birds play a crucial role in Hummingbird Salamander.

…I am not going to complain about my childhood—it was worse than some and better than many. But it was a sickly time for me. Transplanted to the Fiji Islands from Pennsylvania when my parents joined the Peace Corps, I discovered I was allergic to many flowering trees and also developed acute asthma. The practical effect of this meant that some mornings I would wake to birdsong hardly able to breathe or open my eyes.

Yet we lived in the cliché of a tropical paradise, a nature-rich country in which nothing separated you from the outdoors. An island nation that knew the limits of its resources and thus, at that time, treasured them.

At recess at school, in our drab gray uniforms, we would run across the road to the black sand beach at low tide and look for mudskippers, or walk along the edge of the reef, searching for starfish. I would stare into the alien eye of a sea turtle as my mother captured the detail in her biological illustrations. We would pile into a boat so my father could go to an outer island and observe the damage to coconut trees from rhinoceros beetles, for his research. Along the way, I would keep a birding journal and identify what I saw using a black-and-white stapled booklet showing the local Fijian species.

There could be no greater contrast between the beauty of that place and the realities of my condition…. 

(16) RESNICK ON SALE. There’s a Bundle of Holding with a flock of novels by Mike Resnick. It’s available for the next 21 days.

Adventurer! This Mike Resnick Bundle presents space opera and alternate-history fantasy ebook novels by Mike Resnick published by Pyr Books. Mike Resnick (1942-2020) wrote more than 70 wide-ranging science fiction novels and hundreds of short stories that won many awards. This all-new fiction offer gives you DRM-free ebooks (in both ePub and Kindle formats) of a dozen Resnick novels: the four Weird West steampunk fantasies, the three Dead Enders adventures of interstellar espionage, and the five Starship military space operas. These three series showcase Resnick’s gift for fast pacing, engaging characters, snappy dialogue, and headlong action.

For just US$6.95 you get all three novels in our Mike Resnick Sampler (retail value $58) as DRM-free ebooks. Each of these novels — The Buntline Special, The Fortress in Orion, and Starship: Mutiny — launched a series.

And, if you pay more than the threshold price of $25.36, you’ll also get our Complete Collection with all the later books in each series — nine more novels worth an additional $180…

(17) DON’T DO IT. From an interview in The Guardian: “String theorist Michio Kaku: ‘Reaching out to aliens is a terrible idea’”.

You believe that within a century we will make contact with an alien civilisation. Are you worried about what they may entail?

Soon we’ll have the Webb telescope up in orbit and we’ll have thousands of planets to look at, and that’s why I think the chances are quite high that we may make contact with an alien civilisation. There are some colleagues of mine that believe we should reach out to them. I think that’s a terrible idea. We all know what happened to Montezuma when he met Cortés in Mexico so many hundreds of years ago. Now, personally, I think that aliens out there would be friendly but we can’t gamble on it. So I think we will make contact but we should do it very carefully.

(18) IT’S A THEORY. “Prehistoric cavemen starved themselves of oxygen to induce hallucinations and inspire their ancient paintings, study finds” – Yahoo! News has the story.

Prehistoric cave dwellers living in Europe purposefully starved themselves of oxygen to hallucinate while creating their decorative wall paintings, a groundbreaking new study has found.

Researchers have been questioning for years why so many of the world’s oldest paintings were located in often pitch-black tunnel systems, far away from cave entrances.

But a recent study by Tel Aviv University now reveals that the location was deliberate because it induced oxygen deprivation and caused cavemen to experience a state called hypoxia.

Hypoxia can bring about symptoms including shortness of breath, headaches, confusion, and rapid heartbeat, which can lead to feelings of euphoria, near-death experiences, and out-of-body sensations. The team of researchers believes it would have been “very similar to when you are taking drugs”, the Times reported.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Alien:  Covenant Pitch Meeting” on YouTube, both the producer and the screenwriter agree that the film’s plot is so ridiculous that the screenwriter says “the movie falls apart if any character stops being dumb” and the producer asks, “do all the characters have brain damage, or what’s up?”

[Thanks to Hampus Eckerman, rcade, John King Tarpinian, Joey Eschrich, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Andrew Porter, Rich Horton, James Davis Nicoll, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Contrarius.]

Pixel Scroll 2/7/21 Scroll Nine From Filer Space

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(1) HWA YIELDS TO SAFETY CONCERNS. This year’s StokerCon will be virtual: “StokerCon™ 2021 Special Announcement”. The virtual event will keep the announced May 20 to 23 dates. Next-year’s in-person event will take place in Denver at the same hotel they intended to use in 2021.

The Horror Writers Association has made the difficult decision to shift StokerCon™ 2021 from an in-person event to a virtual platform during its originally scheduled May 20 to 23 dates. With the ongoing pandemic, the emergence of viral variants, and the broad range of travel obstacles around the world, we have deemed this to be the safest, most responsible way to hold the event.

As might be expected with an event of this size, switching to a virtual footing poses many challenges, but Con co-chairs, James Chambers and Brian Matthews; HWA President, John Palisano; Vice President, Meghan Arcuri; Administrator, Brad Hodson; and the officers and trustees of the HWA Board have made significant progress in executing this change.  Our hope is to preserve the spirit of StokerCon™ and create an event that will resemble as closely as possible our usual programming—panels, presentations, interviews, author readings, ceremonies, and the Bram Stoker Awards® presentation. At this time our plans include the Ann Radcliffe Academic Conference, Librarians’ Day, Horror University, and the Final Frame Film Competition. And while we won’t be able to gather in the same place, all attendees of this virtual StokerCon™ will receive—or, outside the U.S., have the option to receive—a printed copy of the beautiful souvenir book created and edited by Josh Viola and HEX Publishing….

(2) BOSKONE’S INTERVIEW SERIES. Boskone 58, to be held February 12-14 has been running a series of interview posts.

Dr. Gillian Polack

…If you were planning a holiday or vacation and could visit any location, whether in the real world or fictional worlds, where would you go? Why? 

I love portal fantasies. I always dreamed of the doors in other peoples’ writing and of walking through those doors into enchanted lands. Then I wrote my own. I now want to visit the house in Borderlanders and travel to strange places. I seldom want to visit anywhere I’ve written about, for I know all the downsides of all the places, but doors that lead to hidden seas or to rooms lined with liquid glass? That’s different.

Here are links to more mini-interviews:

(3) HOUR AFTER HOUR. Jim Freund is “Celebrating 50 years of Hour of the Wolf“, his WBAI radio show.

…Hour of the Wolf premiered in early 1971, somewhere between January and early March. I was to engineer the majority of her programs. Adler came up with the title, taken from the 1967 Ingmar Bergman film of the same name starring Liv Ullman and Max von Sydow. Initially there was no consistent opening music theme until early 1972, when we saw the environmentally-aware science fiction movie Silent Running. The best thing in the film (IMO) was the fabulous soundtrack by Peter Schickele of P.D.Q. Bach fame. There is a grand scene in the movie in which we see small robots caring for and watering the last trees in existence; the camera then pans out to an exterior perspective showing us that this is one of many ships set up as environmental domes. The name of this music is “The Space Fleet,” and once we found a copy in a bin in a 69-cent store, it became the official theme music of the show….

…In 1973, Margot and I both passed the entrance qualifications for the Clarion West Science Fiction Writers Workshop — an intense six-week seminar that featured a different teacher each week that was a veritable Who’s Who of progressive writing in the era. I could not afford to go to Seattle for that long, much less the entrance fee, plane fare, and room and board. Furthermore, Margot told me if I could not go, I would take over Hour of the Wolf in her absence. And that’s what happened. When Margot came back, she was offered a 7-9 AM slot twice a week, which fit her schedule better, and it was agreed that I would stay over after Hour of the Wolf and engineer her show as well….

(4) BE SERIOUS. While the BBC hasn’t said Jodie Whittaker is moving on, speculation is rife – and Radio Times’ Huw Fullerton scoffs at the rumored replacements. “The next Doctor and why all the guesses are wrong”.

… Every single time we start talking about who the next Doctor should be, people invariably start suggesting names so absurd and unlikely that you have to wonder if they’ve recently returned from a parallel universe, where appearing in a popular British sci-fi series is the pinnacle of creative and financial achievement.

Tilda Swinton? Richard Ayoade? Idris Elba? If people seriously think these sort of names are realistic, they haven’t been paying attention to the way the show is made, or its demands. It’s like watching the judges on The Masked Singer confidently predicting that Brad Pitt has decided to dress up as a talking clock and sing ballads on ITV primetime – while technically possible, not a suggestion that anyone could really take seriously….

(5) PRO TIPS. Lou J. Berger drew on his 15 years of experience for this writing advice on Facebook.

… The second bit of advice is to write for yourself, first and foremost. If you are changing your manuscript because you know exactly how each of your critique partners will judge it, see the above advice about finding a new group. The value of a strong critique group will ALWAYS be better than writing in a vacuum. Unless there’s toxicity. Then get the hell out, immediately.

Writing for yourself means that you write something you want to read. And when you read it through other people’s eyes, you are catering to another person’s will. We’ve been through enough in our lives, bending to the will of others. Don’t let your prose get sullied by that same desperate need to conform. It is in the writing of your HEART that you will find release, and the passions that stir you, in the quiet hallways of your own mind, deserve the treatment that only you, and you alone, can give them. Write your HEART and let the others be damned. If there’s one thing in this godforsaken world that you can lay claim to, it is your innermost, private thoughts, and they shall always be yours, the true essence of what makes you unique….

(6) MEDIA BIRTHDAY.

  • February 7, 1992 — The Ray Bradbury Theater aired “The Utterly Perfect Murder” episode. Based on a short story by Bradbury, it concerns the long anticipated revenge of a boy tormented in his childhood who now thinks he has plotted the utterly perfect murder. It’s directed by Stuart Margolian, and stars Richard Kiley, Robert Clothier and David Turri. You can watch it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 7, 1478 – Sir Thomas More.  Recognized as a saint in the Catholic Church.  Renowned among us for Utopia, which would be just fine if we read it carefully enough to realize that, as Lafferty had a fictional TM repeat in Past Master, it’s a satire.  (Died 1535) [JH]
  • Born February 7, 1812 – Charles Dickens.  Many of us know “A Christmas Carol”, with ghosts; he wrote fourscore more fantastic stories, among much else he is still famous for; some say he believed the end of Mr. Krook in Bleak House was possible, others call it fantasy.  I can’t let CD’s greatness go without saying, but it’s mostly outside our field.  (Died 1870) [JH]
  • Born February 7, 1883 – John Taine.  A dozen novels, three shorter stories.  Under another name he earned a Ph.D., taught math at Cal Tech, wrote Men of Mathematics which he wanted to entitle The Lives of Mathematicians, and several others, The Queen of the Sciences, The Handmaiden of the Sciences, The Development of Mathematics, Mathematics: Queen and Servant of Science, of substantial literary ability in this subject which is far easier to do than to write prose about.  (Died 1960) [JH]
  • February 7, 1908 — Buster Crabbe. He played the lead roles in the Tarzan the Fearless, Flash Gordon, and Buck Rogers series in the Thirties, the only person to do so although other actors played some of those roles.  He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.) (CE)
  • Born February 7, 1913 – Henry Hasse.  His superb “He Who Shrank” is in the superb Healy-McComas anthology Adventures in Time and Space.  Since this is File 770, I’ll note HH is named co-author of Ray Bradbury’s “Pendulum”, Sep 41 Super Science Stories, which I understand is RB’s first publication in a prozine.  A story “The Pendulum” appeared in the Fall 39 Futuria Fantasia, RB’s fanzine.  The Kent State Univ. Collected Stories of RB vol. 1 lists both: do you know how they differ?  I can’t get at these sources just now.  But we digress.  One novel; twoscore more shorter stories, two with RB, two with Emil Petaja, two with Albert de Pina.  (Died 1977) [JH]
  • Born February 7, 1921 – John Baltadonis.  Today is the hundredth birth-anniversary of this fannish giant (he was in fact 6’2″ [1.9 m] tall).  See the note about him yesterday, No. 6 in the Pixel Scroll.  Don’t neglect his fanart; we did during his life, he never had enough Best Fanartist nominations even to reach the Hugo ballot.  [JH]
  • February 7, 1949 — Alan Grant, 72. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s.  If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. (CE)
  • February 7, 1950 — Karen Joy Fowler, 71. Michael Toman in a letter to our OGH asked we note her Birthday as he has a “A Good Word for one of his favorite writers” and so do I. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection and  the novel The Jane Austen Book Club, is not SF though SF plays a intrinsic role in it, and two short works of hers, “Always” and ““The Pelican Bar” won significant Awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. (CE)
  • February 7, 1952 — Gareth Hunt. Mike Gambit in The New Avengers, the two-season revival of The Avengers that also starred Joanna Lumley as Purdey and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.) (CE)
  • February 7, 1955 — Miguel  Ferrer. You likely best remember him as OCP VP Bob Morton in  RoboCop  who came to a most grisly death. Other notable genre roles include playing FBI Agent Albert Rosenfield on Twin Peaks and USS Excelsior helm officer in Star Trek III: The Search for Spock. In a very scary role, he was Director of Hatcheries and Conditioning in Brave New World.  Lastly I’d like to note that he did voice work in the DC Universe at the end of his life, voice Martian Manhunter (J’onn J’onzz) in Justice League: The New Frontier and Deathstroke (Slade Joseph Wilson) in Teen Titans: The Judas Contract. (Died 2017.) (CE) 
  • February 7, 1960 — James Spader, 61. Most recently he did the voice and motion-capture for Ultron in Avengers: Age of Ultron. No, I did not enjoy that film, nor the Ultron character. Before that, he played Stewart Swinton in Wolf, a Jack Nicholson endeavor. Then of course he was Daniel Jackson in Stargate, a film I still enjoy though I think the series did get it better. He also plays Nick Vanzant in Supernova andJulian Rome in Alien Hunter. (CE)
  • Born February 7, 1990 – Jessica Khoury, age 30.  Seven novels. “Read as much as you can, in as many genres as you can.  Read insatiably.  Read ingredients on your food.  Read warning labels on heavy machinery.  Read the newspaper, read magazines, read manga”.  [JH]

(8) COMICS SECTION.

(9) SAME BAT CHANNEL, SAME BAT BROKEN RECORD. Busted again: “AWKKKKKK! Batman No. 1 Sells for $2.2 Million” reports Print.

Last week, reported The Hollywood Reporter, a near-mint copy of the Batman No. 1 comic, published in 1940, “sold as part of Heritage Auction’s comics and comic art events. … The final price was $2,220,000, which included the buyer’s premium fee.” Just in case you’re worrying about how you’re going to pay your monthly health insurance premium or children’s college tuition, that number, to repeat, was $2,220,000—a record for “the most expensive Batman comic ever sold.”

Does that mean that other comic books have sold for more? Well, according to Helen Stoilas in The Art Newspaper, “The rare 1940 issue, which marks the first appearance of the Joker and Catwoman, is the second most-expensive comic book ever sold. Even before the live sale opened on Thursday [Jan. 14], the start of Heritage’s four-day Comics and Comic Art event, online pre-bidding for the comic book had shot up to $1.9 million. Its sale of $2.22 million, to a U.S. bidder on the auction house’s online HA Live platform, knocked out the previous Batman record holder, a copy of 1939’s Detective Comics #27, which introduced the character to the world and sold for $1.5 million at Heritage this past November.”

(10) THROWBACK TEAM. “Justice Society: World War II” on YouTube is a trailer for a new WB cartoon about the original matchup of DC superheroes.

(11) CATCHING UP TO FANDOM. The New York Times shows why “‘Bridgerton’ Is Just the Beginning”.

It’s a world of corsets, stays and chemises. Of weskits, bum rolls, breeches and hoop panniers. For actors, wearing period costume has long meant literally stepping into the past: lacing soft modern flesh into antique shapes and learning how to use the toilet without peeling off multiple layers.

“Bridgerton,” Shonda Rhimes’s racially diverse Netflix series set in 1813 England, has suddenly ignited new interest in Regency fashions. But a global community of hobbyists has been designing, making and wearing clothing from the 19th century and earlier for many years. Long a private obsession fueled by films like “The Leopard” and “Pride and Prejudice,” social media has widened the conversation, with fans of all ages and backgrounds worldwide now trading notes on how best to trim a sleeve or adjust a straw bonnet.

Pre-pandemic, they gathered in Los Angeles at Costume College, an annual conference, at Venice’s Carnival and the Fêtes Galantes at Versailles. Some lucky Europeans, like Filippa Trozelli, find themselves invited to wear their historical clothing to private parties at ancient local estates….

(12) THE FINAL CAT FRONTIER. “Star Trek Enterprise Cat Tree: Bolding Going Where No Cat Has Gone Before” at Technabob. I’m thinking the cats shown posing on this tree might easily be mistaken for aliens.

A USS Enterprise and Deep Space Nine themed cat tree: it’s what every Star Trek loving feline owner’s home has been missing. And now thanks to Etsy seller CE360designs, you can finally fill that void with a custom Star Trek Enterprise 1701D and DS9 Wood Cat Tower. You know they say good things come in small packages, but I imagine this box being on the larger side.

According to the sales copy, “The bottom is a wormhole but can be a Borg ship.”

(13) MARS SPINOFFS. The space agency tells how “NASA’s Perseverance Pays Off Back Home”.

A laser-light sensor that can identify bacteria in a wound may sound far-fetched, but it’s already becoming a reality, thanks in part to NASA’s Mars Exploration Program. The technology is going to Mars for the first time on Perseverance, which will touch down on the Red Planet in February, but it’s already detecting trace contaminants in pharmaceutical manufacturing, wastewater treatment, and other important operations on Earth.

That’s not the only technology headed to Mars that’s already paying dividends on the ground. Here on Earth, these innovations are also improving circuit board manufacturing and even led to a special drill bit design for geologists….

(14) SLOW WOOD? That’s what Michael J. Walsh asked after reading CBC Radio’s article: “Scientists develop transparent wood that is stronger and lighter than glass”.

Researchers at the University of Maryland have turned ordinary sheets of wood into transparent material that is nearly as clear as glass, but stronger and with better insulating properties. It could become an energy efficient building material in the future.

Wood is made of two basic ingredients: cellulose, which are tiny fibres, and lignin, which bonds those fibres together to give it strength.

Tear a paper towel in half and look closely along the edge. You will see the little cellulose fibres sticking up. Lignin is a glue-like material that bonds the fibres together, a little like the plastic resin in fibreglass or carbon fibre. The lignin also contains molecules called chromophores, which give the wood its brown colour and prevent light from passing through.

Early attempts to make transparent wood involved removing the lignin, but this involved hazardous chemicals, high temperatures and a lot of time, making the product expensive and somewhat brittle. The new technique is so cheap and easy it could literally be done in a backyard….

(15) DAVIDSON READ ALOUD. The Avram Davidson Universe is a podcast dedicated to the life work and impact of award-winning author, Avram Davidson. Episode 6 features “Alan Dean Foster & “Help! I Am Dr. Morris Goldpepper”.  It’s a very funny science fiction story about dentists. 

In each episode, we perform a reading and discussion of his works with a special guest. Avram Davidson (1923–1993) was a writer of fantasy, science fiction, and crime fiction. Davidson was born in Yonkers, NY and and served in the Navy during World War II. His life work includes 19 novels and over 200 short stories, all of which have been widely recognized for their wit and originality. Davidson’s works have won awards in three genres: an Edgar Award for mystery, a Hugo Award for science fiction, and three World Fantasy Awards.

(16) SUPER BOWL COMMERCIAL. The most genre of today’s TV spots was “Edward Scissorhands – Cadillac Super Bowl Commercial”.

(17) VIDEO OF THE DAY. In “Professor Layton” on Honest Game Trailers, Fandom Games says that while Professor Layton is “the world’s worst Sherlock Holmes cosplayer” the game’s many quizzes should appeal to fans of “anime, Agatha Christie, and people who enjoy the puzzle section in the newspaper.”

[Thanks to Andrew Porter, Michael Toman, JJ, Will R., Darrah Chavey, Martin Morse Wooster, John King Tarpinian, John Hertz, Mike Kennedy, Michael J. Walsh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/2/20 This Pixel Scroll Title Made From 60% Recycled Material

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(1) SIGNAL BOOST. Julie C. Day’s Weird Dream Society, a charity anthology with all proceeds going to RAICES (The Refugee And Immigrant Center For Education And Legal Services), is in the pre-order stage.

Playful, whimsical, or dark, but always thoughtful and tinged with the inexplicably weird, the Weird Dream Society brings together some of the most innovative creators in speculative fiction. Most of the book consists of reprints with a few new stories to round it out.

The anthology includes stories by Nathan Ballingrud, Carina Bissett, Gregory Norman Bossert, Karen Bovenmyer, Christopher Brown, Emily Cataneo, Julie C. Day, Michael J Deluca, Gemma Files, A.T. Greenblatt, Nin Harris, Chip Houser, James Patrick Kelly, Marianne Kirby, Kathrin Köhler, Matthew Kressel, Jordan Kurella, Premee Mohamed, Sarah Read, Sofia Samatar, Bonnie Jo Stufflebeam, Steve Toase, and A.C. Wise.

In addition to his fictional work, author and artist Gregory Norman Bossert generously donated the anthology’s cover illustration.

Proceeds from this charity anthology go to support RAICES, the nonprofit agency that promotes justice by providing free and low-cost legal services to under-served immigrant children, families, and refugees. With offices in Austin, Corpus Christi, Dallas, Fort Worth, Houston and San Antonio, RAICES is “a frontline organization in the roiling debate about immigration and immigrants in the world.”

Paul Jessup has reviewed the project for Vernacular Books:

…But I’ve never been one for rules or guidelines, and really neither is this collection. I will say, I knew a few of these stories ahead of time, they were favorites published in off beat anthologies and magazines back in the day, so seeing them here was a joy and a promise of things to come. You know an anthology is going to be good when you recognize some of your favorites right away….

Weird Dream Society will be released May 26, 2020. Pre-order eBook: Amazon | Kobo | B&N Nook; Pre-order Paperback: Amazon | Barnes&Noble. Find out more at Twitter, their website, and Goodreads.  

(2) PROFIT SHARING. It’s the anniversary of the Battle of Hogwarts. J.K. Rowling is observing it a bit differently than usual. “JK Rowling donates £1m to two charities”

JK Rowling, the creator of the Harry Potter adventures, is donating £1m to charities supporting vulnerable people during the lockdown.

Half of the money will go to Crisis which helps homeless people, and half to Refuge to support victims of domestic abuse.

Rowling’s donations come amid #HarryPotterDay on Twitter.

Saturday also marks the anniversary of one the author’s major events in her stories.

On Twitter, Rowling said: “Today’s the 22nd anniversary of the Battle of Hogwarts, but I am going to be honest and say that it feels inappropriate to talk about fictional deaths.

“Too many people are losing loved ones in the real world.”

Rowling, who wrote many of her Harry Potter stories while living in Edinburgh, said many vulnerable people who were homeless or in an abusive relationship were suffering at this time.

(3) COMMUNITY RALLIES. Shelf Awareness reports an epic fundaising success to help comics and book stores.

In five days, #Creators4Comics raised $433,166 for the Book Industry Charitable Foundation (Binc) to support comics stores and indie bookstores hurt by Covid-19. The group’s charity auction featured 635 separate auctions on Twitter and other platforms by comics creators, authors and celebrities.

“Comic shops and indie bookstores have supported so many of us,” said Kami Garcia, author of the graphic novel Teen Titans: Raven, who brought the organizers together. “They aren’t just places where we buy books and comics. These stores are places where we find belonging.”

Among the participants were Frank Miller, Neil Gaiman, Patton Oswalt, Kelly Sue DeConnick, Joe Hill, Shannon Hale, Mike Mignola, Brad Meltzer, Mariko Tamaki, Scott Snyder, Greg Capullo, Marissa Meyer, Danielle Paige, Gene Luen Yang, Tom King, Bryan Edward Hill, Jason Aaron, Marc Guggenheim, Gail Simone, Vita Ayala, Bryan Lee O’Malley, Cassandra Clare, Marieke Nijkamp, Margaret Stohl, Jock, Mico Suayan, and G. Willow Wilson. Seth Meyers, Damon Lindeloff and Robert Kirkman made generous matching donations.

Since March 13, 135 comics retailers and their households have received more than $150,950 in financial assistance for rent, food and essential medications from Binc–more than double the amount distributed last year to this sector of the book industry. In total, 722 comic book stores have now applied for aid….

(4) GENRE PALADIN. Joshua Gillingham takes up the cudgels “In Defense of Genre Fiction”.

…Well, some might say that reading genre fiction is a bit like ordering pulled-pork sandwiches over and over, that it makes you predictable (i.e. boring). Others might add that writing genre fiction is little more than an act of trying to resuscitate long-dead tropes while trying to pass off cheap imitations as original work. Given these two stereotypical notions, especially within the writing community, there can be a lot of shame or defensiveness around reading or writing these kinds of stories. Therefore, I feel the need to present an argument in defense of genre fiction, its readers, and its writers…. 

(5) SERLING SILVER. Herbie J. Pilato continues his “Writing for Your Life” series with “Rod Serling and ‘The Twilight Zone’” at Medium.

The development and execution of The Twilight Zone and its induction into the annals of TV history is a story of an obsessive need for acceptance on many levels.

Submitted for your approval:

Exhibit A: Rod Serling, Zone’s creator, executive producer, central writing force, and charismatic host. The show’s popularity preyed upon his endless reservoir of ideas, originally inspired by his obsession with the past and his preoccupation with aging, mixed in with a measure of courage and faith, and the survival techniques he learned in the army….

(6) AHH NATURE. “Sir Tim Cattenborough Presents The Life Cycle of a Novel” – a Camestros Felapton production.

[A stunning new nature documentary by world famous publisher, naturalist and national treasure Sir Timothy Cattenborough]

Our beautiful planet Earth. From up here on the slopes of Mount Kilimanjaro we can see the vast vistas of nature’s own miracles and what greater miracle can there be than the majestic novel — one of the natural world’s most miraculous miracles.

Here I am in the forests of Borneo gazing in wonder at the spectacular site of thousands of novels making their nests among the natural shelving of the great pine trees of northern Scandinavia. Whether it is these great majestic creatures of the plains of Patagonia or the more common domesticated novel of these rolling hills of Southern England, the novel is a familiar sight to us all.

But very few people have ever managed to see the hidden lifecycle of a novel. How are they born? How do they grow? And how, via the miracle of evolution do they reproduce? Today, via special cameras disguised as robots disguised as librarians we have, over a gruelling five minute project, at last gained unique footage of the novel’s lifecycle….

(7) MAY THE FOURTH. This will make your Starbucks mocha grande seem cheap by comparison. NBC Los Angeles tells Star Wars fans “Blue Milk on May the Fourth, You Can Have”.

…Scum & Villainy Cantina, in Hollywood, can kindly help us locate the cosmic libation, however.

The “Star Wars”-sweet venue, which also celebrates a number of different fandoms via a host of events, will celebrate May the Fourth by offering 21+ fans Wretched Blue Milk Snack Packs for $11.38 each.

(8) TEMPTING TIDBITS. [Item by Daniel Dern.] Not directly SF (although McPhee has written about Freeman Dyson, just not here.)

The Patch, John McPhee’s newest [in 2019] (and 7th) collection of short pieces, has two parts:

  • six long sports or sport-related articles (mostly golf) (~ 90 pages)
  • “an album quilt” — ~130 pages of dozens of his shorter articles (or excerpts from same)

In case “John McPhee” and “new collection of short pieces” isn’t enough to make you borrow or buy the book, here’s links to 3 sections of quilt, and if these aren’t enough to get you to borrow or buy this book (and, by extension, proceed to read more of his books), well, then more wouldn’t help.

1, “Pools and pools and pools of chocolate — fifty-thousand pound, ninety-thousand pound, Olympus-length pools of chocolate…”

2. [Found via Google Books.] “When Martha, my youngest daughter, was seventeen, her English teacher–Mrs. Thomas–write forty-seven vocabulary words on the blackboard and told the class to write a short composition using all forty-seven words: aspersion, audacious, avarice, blanch…”

(DPD notes, in searching for this, by omitting McPhee’s name, the above search’s results includes “A Glossary for the Fiction of Clark Ashton Smith”.)

3, McPhee tries an eary word processor – quoted in “The Machine That Was Going To Tranquilize This Scene Was Locked Away In A Quiet Cubicle”.

“Joseph Martin, computer methodologist at the [New York] Times, has been pursuing for some years what he describes as ‘the ideal philosophy of creating a newspaper’… you start by ‘capturing the keystroke at the origin.'”

(DPD notes, the first URL does not contain the full text of what’s in the book.)

(9) TODAY IN HISTORY.

  • May 2, 1952 — Tales Of Tomorrow aired its “Red Dust” episode. As the copy provided not the network says, “The first human mission to another solar system loses 2 crew on a red dust-covered planet, which once had an advanced civilization. Due to allergies, neither of the shipmates got anti-radiation shots, so the remaining crew aren’t concerned about their own return to Earth. But then the red dust starts to appear everywhere on the space ship.” It was directed by Don Medford from a script by Irving Elman from the play by noted SF writer Theodore Cogswell, a member of the First Fandom Hall of Fame. His “The Wall Around the World” novelette as published in the September 1953 issue of Beyond Fantasy Fiction was nominated for a Retro Hugo at Noreascon 4. The cast was Fred Stewart, Lex Barker, Skedge Miller and Robert Patten. You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 2, 1890 — E. E. “Doc” Smith. Best-known for the Lensman and Skylark series. I note that multiple sources say he is called the father of space opera. Is he indeed that?  Another author I know I’ve read quite a lot of but would be hard pressed to say exactly what I’ve read decades on. (Died 1965.)
  • Born May 2, 1921 — Satyajit Ray. Bengali filmmaker, screenwriter, graphic artist, lyricist, music composer and writer who is here for his genre fiction which fortunately has been translated into English as most of us don’t read Bengali. Over a decade recently, three collections came in English The Diary of a Space Traveller and Other Stories, Classic Satyajit Ray and The Collected Short Stories) with most of his genre work in the collection. There are nine stories involving Professor Shonku, his most popular SF character. (Died 1992.)
  • Born May 2, 1924 — Theodore Bikel. He was on Next Generation playing the foster parent to Worf in the “Family” episode playing CPO Sergey Rozhenko, ret.. That and playing Lenonn in Babylon 5: In the Beginning are the roles I want to note. Bikel also guest-appeared on The Twilight Zone in “Four O’Clock” as Oliver Crangle. Well there is one minor other role he did — he voiced Aragorn in the animated The Return of the King. By the way, Theodore Bikel’s Treasury of Yiddish Folk & Theatre Songs is quite excellent. (Died 2015.)
  • Born May 2, 1925 — John Neville. I’ve mentioned before that Kage considered Terry Gilliam’s The Adventures of Baron Munchausen to be one of her favorite films and John Neville was one of the reasons that she did so. You can read her review here. Among his other genre roles, Neville had a prominent recurring role in The X-Files as The Well Manicured Man. And he showed up playing Sir Isaac Newton on The Next Generation in the “Descent” episode. (Died 2011.)
  • Born May 2, 1941 — Paul Darrow. He‘s best remembered for playing Kerr Avon in Blake’s 7. He also had two appearances on Doctor Who, playing Captain Hawkins in Doctor Who and the Silurians, a Third Doctor story, and later Trekker in Timelash, a Sixth Doctor story. He also played Sir Arthur Conan Doyle in “Sherlock Holmes and the Case of the Missing Link” in the Science Fiction series. (Died 2019.)
  • Born May 2, 1942 — Alexis Kanner. His first genre appearance was on The Prisoner where he so impressed McGoohan in the “Living in Harmony” episode that he created a specific role for him in the series finale, “Fall Out” where he stands trial. He also has an uncredited role in “The Girl Who Was Death” in that series. His final known acting role was as Sor in Nightfall based off the Asimov story of the same name. (Died 2003.)
  • Born May 2, 1946 — David Suchet, 74. Though rather obviously better remembered as Hercule Poirot, he does show up on in a Twelfth Doctor story, “Knock Knock,” simply called Landlord.  Don’t let don’t deceive you. He’s appeared in some other genre work from time times to time including Greystoke: The Legend of Tarzan, Lord of the Apes, Harry and the Hendersons, Dr. No: The Radio Play, Wing Commander, Tales of the Unexpected and Peter Pan Goes Wrong.
  • Born May 2, 1946 — Leslie S. Klinger, 74. Editor and annotator of Sherlock Holmes, Dracula, Frankenstein, as well as Neil Gaiman’s The Sandman, Alan Moore’s and Dave Gibbons’s Watchmen, and the stories of H. P. Lovecraft. I particularly recommend his Sandman annotations as Gaiman was actively involved in them and they’re quite interesting. 
  • Born May 2, 1948 — Bob Null. Very long-time LASFS member who was the club’s VP for an equally long period. Fancyclopedia 3 say that “He also sat on the Board of Directors, and frequently handled logistics for local conventions including both Loscon and local Worldcons, and was always one of those nearly invisible hard-working people who make fandom work. He is a Patron Saint of LASFS.” (Died 2010.)

(11) COMICS SECTION.

  • Grant Snider of Incidental Comics captures the present season of the world.

(12) JOB LOSSES. Condolences to gifted editors Diana M. Pho, Diana Gill, and Melissa Frain who were among Macmillan’s COVID-19 employee layoffs.

(13) JUST WHAT WE NEED. Tipper Gore will be happy to hear that “Deezer develops AI to detect explicit song lyrics”. But what’s their stand on shaving cream?

Streaming service Deezer is developing technology to automatically detect explicit content in songs.

The company has been looking into the issue because record labels often fail to identify offensive lyrics when they submit songs, it explained.

In fact, it said, a “substantially large part” of its library did not have a tag indicating whether or not a song contained strong language or themes.

In response, it is researching a way of automatically flagging up such content.

Although the technology is not yet “fit for tagging songs as explicit in a fully automated manner,” it could be used to help humans identify potentially explicit material.

The problem has grown exponentially bigger over the last couple of years, with profanities cropping up ever-more frequently in mainstream pop songs by the likes of Ariana Grande and Beyonce.

Added to that, a streaming service like Deezer can receive up to 40,000 new tracks every day, making it impossible for humans to review all the lyrical content.

Parents are particularly keen to screen out explicit content – but while mainstream services like Deezer, Apple and Amazon Music offer the ability to “turn off” explicit songs, the results are patchy at best.

(14) LIGHTNING AND LIGHTNING BUGS. “Random House Copy Chief: Stand Tall, Wordsmiths! (But Choose Your Battles)” – a print summary of a linked 25-minute interview; includes realization that singular “they” was necessary. (From 2019.)

Random House copy chief Benjamin Dreyer is not a fan of the word “very.”

“It’s not a dreadful word,” he allows, but “it’s one of my little pet words to do without if you can possibly do without it.”

“Very” and its cousins “rather” and “really” are “wan intensifiers,” Dreyer explains. In their place, he advises that writers look for a strong adjective that “just sits very nicely by itself” on the page. For example, “very smart” people can be “brilliant” and “very hungry” people can be “ravenous.”

Dreyer gets the final say over questions related to grammar, style and clarity at Random House. Now he’s sharing his writing advice in the new book Dreyer’s English: An Utterly Correct Guide to Clarity and Style.

“Words are my business, and the meaning of words is my business,” he says. “To watch language twisted and distorted — that gets under my skin and makes me unhappy.”

(15) IRON (LIFTING) MAN. “Game of Thrones actor breaks 501kg deadlift record”.

Game of Thrones actor Hafthor Bjornsson has set a world deadlifting record by lifting 501 kg (1,104 lbs).

Bjornsson, a powerlifter who portrayed Ser Gregor “The Mountain” Clegane in the HBO series, broke the record at his gym in his native Iceland.

He lifted the barbell for two seconds, before dropping the weights and roaring in delight.

The event was streamed by sports broadcaster ESPN and filmed for Bjornsson’s YouTube channel.

Bjornsson, who is 2.05m tall (6ft 9in), previously won the World’s Strongest Man competition in 2018.

(16) KNITS UP THE RAVELED SLEEVE OF SPACESUITS. Richard Trenholm’s CNET article “Dreams of the future: How sci-fi sees sleep” dates to 2018, but its references – like this one to the Culture – make it timeless.

…A much smarter option for dodging the duvet is employed by space pirate captain Kraiklyn in Ian M Banks’ novel Consider Phlebas. He could put each side of his brain to sleep individually so he could stay constantly awake and no one could sneak up on him in bed. The downside was that his personality changed depending on whether his left or right brain was in charge.

Generally, though, catnap-compressing contraptions are surprisingly rare in speculative fiction — it seems sleep is just too fundamental a human requirement for even sci-fi writers to mess with. Still, that doesn’t stop us trying out all manner of apps and sleep trackers to improve the quality of our kip….

(17) ABOUT SF’S PREDICTIVE POWERS…. Kevin Polowy, in the Yahoo! Entertainment story “Terry Gilliam, ’12 Monkeys’ screenwriters reunite, admit they ‘had no clue’ when creating film’s fictitious virus” says that when he asked 12 Monkeys co-screenwriter David Peoples what research he did about designing the virus in the film, he said, “How about not at all?  We had no clue,” a thought seconded by director Terry Gilliam.

The sci-fi story follows a prisoner (Bruce Willis) plucked by scientists to time travel (though the filmmakers prefer to think of it as “mind travel”) to the mid-’90s to discover the root of the virus, which is thought to be generated by an anarchist faction known as The Army of the 12 Monkeys.

(18) VIDEO OF THE DAY. “Conspiracy Cruise” on Vimeo is a short film by Brad Abrahams that asks what happens when members of conspiracy fandom on a cruise are attacked by the conspiracy!

[Thanks to Cat Eldridge, Michael Toman, JJ, Martin Morse Wooster, John King Tarpinian, Daniel Dern, Chip Hitchcock, Julie C. Day, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]