(1) WHEN GRAVITY FAILS. [Item by Mike Kennedy.] Chuck Jones’ rules for Coyote cartoons said it works best when gravity is what defeats him. Instead, the change in management at Warner Bros seems to be what has claimed his long-awaited film. The mixed live/animated Coyote Vs. Acme is rumored to have been consigned to the dustbin, despite being a finished product. There it will join Bat Girl and Scoob Holiday Haunt!, both already brought to an ignominious end by the Bros. “‘Coyote Vs. Acme’: Finished Live/Action Animated Pic Shelved Completely By Warner Bros As Studio Takes $30M Tax Write-off” – Deadline has the astonishing story.
In another maneuver by the David Zaslav-run Warner Bros Discovery to kill movies, we hear on very good authority that Warner Bros will not be releasing the live-action/animated hybrid Coyote vs. Acmewith the conglom taking an estimated $30M write-down on the $70M production. We understand the write-down for the pic was applied to the recently reported Q3.
This reps the third time that Zaslav’s Warner Bros has pulled the plug on a movie greenlit by the previous Warner Media administration; the other two being the Max destined Bat Girl and the animated Scoob Holiday Haunt!.
The difference here is that Coyote vs. Acme is a completed movie with very good test scores, 14 points above the family norm. We’re told that the cash-strapped Warners finds that it’s not worth the cost to release theatrically, or to sell to other buyers (and there are parties who are interested for their own streaming services; we hear Amazon kicked the tires). After reporting a mixed third quarter, the best means for Warners money is a tax write-off. At one point, Coyote vs. Acme was dated on July 21, 2023 for theatrical release before getting pulled; that date placed by the ultimate $1.4 billion grossing Warner Bros biggest hit of all-time, Barbie….
… Daniel Abraham and Ty Franck—who write together as James S.A. Corey—have nixed any return to the world of The Expanse, [but] they’re still working on sci-fi projects together, as today’s big announcement attests.
Fans can look forward to the arrival of The Mercy of Gods, a space opera trilogy “that sees humanity fighting for its survival in a war as old as the universe itself,” according to a press release from publisher Orbit. This book will kick off the Captive’s War trilogy, and it will be released August 6, 2024….
Just about every temptation for a hungry writer is here. Big bucks for the winners. Feedback on every submission from distinguished judges–at least, one assumes they’re distinguished, since they’re finalists for important literary awards. Monthly stipends! Consideration by literary agencies! What more could a contest offer, even if it does charge a $15 submission fee?
Well…
You’ll probably already have noticed some…oddities…both in the screenshot above and on the contest page. The mis-spelling of Hemingway, to start (plus, it’s PEN–it’s an acronym–not Pen). The curious absence of judges’ names. Guidelines that fail to state when winners will be announced and how they will be notified. An entry form with a copy-and-paste box for submitting your entry (have fun reading, no-name judges)….
…Black Mirror knock-offs are a scourge of the streaming era, which unfortunately incentivizes dressed-up spins on previous successes over truly cerebral or ambitious imaginations of the future….
(5) JEOPARDY! Last night’s episode of Jeopardy! devoted an entire category to science fictional worlds. Andrew Porter found these responses noteworthy.
Category: At a Loss for Worlds
Answer: Survivors escape to Bronson Beta in the 1933 Philip Wylie & Edwin Balmer novel “When” this happens
Wrong question: What is “When Tomorrow Comes”?
No one could ask, “When Worlds Collide”
Same category: It’s the real name of the planet referred to in the title of a 1965 Frank Herbert novel.
He bet it all, got it wrong: “What is Dune?”
Correct question: What is Arrakis?
Same category: At the end of Arthur C. Clarke’s “Childhood’s End” this world is destroyed.
John Coxon didn’t, Alison Scott would’ve done, and Liz Batty tried. We round up the rest of the news we didn’t talk about in Episode 95, featuring a discussion of how the Chengdu Worldcon went, and the much-anticipated reappearance of THE LIZ BAT. Listen here!
In the U.K., watching retailer John Lewis’ Christmas ad is as much of a festive ritual as decorating the tree or exchanging gifts. This year, with a different agency and marketing strategy, the brand is hoping to cement its role in both old and new holiday traditions.
The new ad, titled “Snapper,” follows the unusual tale of a Venus flytrap. While at a flea market with his family, a boy discovers a seed packet promising to grow into the “perfect Christmas tree.”
Instead, a carnivorous plant emerges from the soil. Though the boy loves Snapper, the mischievous plant causes disruption and is eventually banished outside after it grows too big for the house.
On Christmas morning, the boy leaves his family’s normal tree to bring a gift to the Venus flytrap. Snapper spits out confetti and gifts in return, inspiring the family to embrace an unconventional addition to the festivities. …
Astronaut Frank Borman, who commanded Apollo 8’s historic Christmas 1968 flight that circled the moon 10 times and paved the way for the lunar landing the next year, has died. He was 95.
Borman died Tuesday in Billings, Montana, according to NASA.
Borman also led troubled Eastern Airlines in the 1970s and early ’80s after leaving the astronaut corps….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 9, 1921 — Alfred Coppel. Have I ever mentioned how much I love pulp? Everything from the writers to the artwork to the magazines themselves are so, so cool. And this writer was one of the most prolific such authors of the Fifties and Sixties. That he was also a SF writer is an added bonus. Indeed, his first science fiction story was “Age of Unreason” in a 1947 Amazing Stories. Under the pseudonym of Robert Cham Gilman, he wrote the Rhada sequence of galactic space opera novels aimed at a young adult market. Wiki claims he was writing under A.C. Marin as well but I cannot find any record of this. (Died 2004.)
Born November 9, 1924 — Lawrence T. Shaw. A Hugo Award-winning fan, author, editor and literary agent. In the Forties and Fifties, Larry Shaw edited Nebula, Infinity Science Fiction and Science Fiction Adventures. He received a Special Committee Award during the 1984 Worldcon for lifetime achievement as an editor. His Axe fanzine (co-edited with his wife Noreen) was nominated at Chicon III for a Hugo. (Died 1985.)
Born November 9, 1954 — Rob Hansen, 69. British fan, active since the Seventies who has edited and co-edited numerous fanzines including his debut production Epsilon. And he was the 1984 Trans-Atlantic Fan Fund delegate. His nonfiction works such as Then: Science Fiction Fandom in the UK: 1930-1980, lasted updated just a few years ago, are invaluable.
Born November 9, 1988 — Tahereh Mafi, 35. Iranian-American whose Furthermore, a YA novel about a pale girl living in a world of both color and magic of which she has neither, I highly recommended it. Whichwood is a companion novel to this work. She also has a young adult dystopian thriller series.
Born November 9, 1989 — Alix E. Harrow, 34. Winner at Dublin 2019 of the Best Short Story Hugo for “Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies” which also was nominated for a BSFA and Nebula Award. Other Hugo-nominated work: The Ten Thousand Doors of January was nomination at CoNZealand; “A Spindle Splintered” novella and “Mr. death” short story at Chicon 8; and “A Mirror Mended” novella this year. She has three excellent novels to date, The Ten Thousand Doors of January,The Once and Future Witches which was nominated for a WFA and the just released Starling House. She has a double handful of short stories not yet collected anywhere. More’s the pity.
The actor who played C-3PO in Star Wars said “it feels like it is time” to sell the costumes, props and scripts he kept from the iconic films.
Anthony Daniels, 77, is parting company with items from his personal collection via Hertfordshire-based auctioneer Propstore from Thursday.
The famous gold helmet he wore for his character in the first film from 1977 is estimated to sell for up to £1m.
Daniels said he was excited for his collection to “find a good home”.
“I realised I had these items and they’re not unloved but they are unlooked at – we don’t have them crowding the sitting room,” he said, explaining why he has chosen to sell the items now.
“Will I feel sad to part with them? No. I will enjoy the fact people will cherish and display them.”…
(12) FANHISTORY ART ZOOM ON YOUTUBE. Fanac.org’s two-part Zoom with a panel of fanartists now can be viewed on YouTube.
Part 1
Title: Evolution of Art(ists) (Pt 1 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan
Description: In part 1 of this 2-part session, you’ll hear their “origin stories”, their influences, how they found science fiction fandom, and what they perceive as the unique benefits of fandom to young artists. You’ll find out why artists should avoid hecto, and torturous tales of justifying margins by hand. There are intriguing insights into adjusting one’s art to the reproduction medium, and how fandom helped people along, especially towards professional careers. Larger than life figures make their appearance, including several stories of Bill Rotsler.
There’s plenty more, including their views on Carl Barks, why Dan started “Lizard Inn”, Jim’s take on the slippery slope to having a fanzine too big to staple without an industrial stapler, Tim on his deep desire to tell stories, and Grant’s opinion of “Starling”. The fun continues in Part 2.
Part 2
Title: Evolution of Art(ists) (Pt 2 of 2): Grant Canfield, Tim Kirk, Jim Shull, and Dan Steffan
Description: In part 2 of this 2-part session, the fan art discussion continues, with more on professional careers as well. The conversation ranges from Tolkien’s house to Harlan Ellison’s house, from “The Last Dangerous Visions” to Bill Gibson, from Harlan Ellison stories to BNFs that had an impact. There are more Rotsler stories too. You’ll hear about silent jam sessions, “Esoteric Fan Art Tales”, and the impact that conventions had on artists who worked in isolation. A real treat is the slideshow of samples of our panelists’ art, with their live comments on what each piece represents.
Q&A starts about 45 minutes into the video, with comments as well as questions, including Ted White’s discussion of the impact of Mondrian’s work on modern magazine design. Lest you believe that fanzines are a thing of the past, the video wraps up with a plug for an upcoming paper fanzine by faned Geri Sullivan.
“After the alignment, the world will change forever. Everything will start over.” Dark Star Pictures has released an official US trailer for an indie sci-fi action thriller film from France titled The Gravity, made by filmmaker Cédric Ido. This intially premiered at the 2022 Toronto Film Festival last year and it already opened in France earlier this year. Finally set for a US release on VOD starting in November. A mysterious cosmic event upsets the Earth’s gravity and sets the sky ablaze in a red hue, creating chaos in a futuristic Parisian suburb. This French “genre-busting” thriller is more of a story about street culture in the suburbs, following a local band of teenagers and their feud with other residents in the area….
Meantime there five days remain in the Kickstarter to raise funds for “Space Command Forgiveness: Post-Production”. At this time fans have pledged almost $52,000 of the $60,000 goal.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rich Lynch, Lise Andreasen, Steven French, Mike Kennedy, Andrew Porter, Ersatz Culture, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) DOOM PATROL TEASER. Daniel Dern helpfully adds a Rot-13 footnote to the video: “For Filers too young and/or cool to recognize the background music’s singer, Fvatvat ‘Gvcgbr Guebhtu Gur Ghyvcf’ vf Gval Gvz , of course.”
DOOM PATROL is a re-imagining of one of DC’s most beloved groups of outcast Super Heroes: Robotman, Negative Man, Elasti-Girl and Crazy Jane, led by modern-day mad scientist Dr. Niles Caulder (The Chief). The Doom Patrol’s members each suffered horrible accidents that gave them superhuman abilities — but also left them scarred and disfigured. Traumatized and downtrodden, the team found purpose through The Chief, who brought them together to investigate the weirdest phenomena in existence — and to protect Earth from what they find. Part support group, part Super Hero team, the Doom Patrol is a band of super-powered freaks who fight for a world that wants nothing to do with them. Picking up after the events of TITANS, DOOM PATROL will find these reluctant heroes in a place they never expected to be, called to action by none other than Cyborg, who comes to them with a mission hard to refuse, but with a warning that is hard to ignore: their lives will never, ever be the same.
Mankind has split the atom, sent a man to the moon, and now, in arguably its most unlikely achievement, it has produced a watchable Transformers movie.
There’s really no scientific expression for how low Michael Bay’s five previous Transformers movies have set the bar, but it’s not enough to praise Bumblebee, the diverting new spin-off/prequel, for basic visual coherence or evidence of identifiable human emotion. It does better than that, imbuing the commercial cynicism of a Hasbro product with the borrowed warmth of E.T.: The Extra Terrestrial, Splash, and a soundtrack so chock-a-block with ’80s favorites that it gets from The Smiths to Steve Winwood in a hummingbird’s sneeze.
Though Bay has stayed on as producer, director Travis Knight, who made the wonderful Laika animated film Kubo and the Two Strings, and his screenwriter, Christina Hodson, almost make a point of crumpling up his vision and tossing in the waste basket. Gone is the Bay’s risible mix of mythology and militarism, replaced by simplified conflict and an emphasis on the friendship between an outcast and an exile. Gone also is the leering, dorm-room poster sexuality, replaced by a notably chaste teen romance that doesn’t get past first base. Bumblebee seems to have more of a family-friendly mandate than Bay’s Transformers movies, but the lightness and earnestness serves the material well. Movies inspired by toys tend to crack like cheap plastic under too much weight.
The long and bleak year of 2018 is almost over. It was a year full of devastating storms and disasters, scandal after scandal from tech companies, and chaotic politics from around the world. If there was any bright point in the year, it was that 2018 also brought with it a bumper crop of fantastic science fiction, fantasy, and horror novels that served as an oasis to examine the world around us, or to escape for brighter pastures.
The best books of this year told stories of interstellar colonization, of fantastic magical civilizations, optimistic alternate worlds, and devastating potential futures. They brought us fantastic characters who sought to find their places in the vivid and fantastic worlds they inhabited.
Set in the distant future, humanity survives on a planet wrecked by climate change and plagues in Larissa Lai’s latest novel The Tiger Flu, which follows a community of cloned women who are battling for their very survival waged by illness and economics.
Lai’s story follows two women: Kirilow, a doctor of Grist Village whose lover Peristrophe dies of a new strain of flu. Peristrophe was vitally important to their community — she could regrow her limbs and organs, and following her death, Kirilow sets out to Salt Water City to try to find someone to replace her. There, she meets Kora, a woman living in the city who might be able to save her community, but who resists leaving her family behind. Lai’s story is an intriguing post-apocalyptic novel, one rife with biotech and the remnants of the world from before.
(4) SPACE COMMAND. On Late Night With Stephen Colbert the USS Enterprise receives a message from an alien
curious about this whole Space Command thing. (The one thought up by Trump, not
Marc Zicree.)
(5) THE KING JEFF VERSION. Now in those days a decree went out from Jeff VanderMeer counting down his Facebook rules for 2019:
I’m expanding my blocking next year to people who (1) love ice cream, (2) hate vultures, (3) tag me in posts comparing me unfavorably to authors I hate, (4) post cute animal vids without checking the source, (5) think wine coolers are cool, (6) have “author” as part of their name, (7) are inept at the fine art of humble bragging, (8) tell me something’s inspired by Annihilation just to get me to retweet it, (9) send me emails about how convinced they are the biologist wanted to commit suicide, and (10) send me every goddamn photo of a weird tree every single goddamn time. – Love, Curmudgeon
Donald Moffat, the English actor most known for playing station commander Garry in John Carpenter‘s 1982 remake of The Thing, has died at the age of 87. According to The New York Times, Moffat passed away Thursday in Sleepy Hollow, New York, after complications arose from a stroke six days before his 88th birthday.
… Born in Plymouth of the U.K.’s Devon County in December of 1930, Moffat moved to the United States at the age of 26 to pursue a full-time acting career. Besides The Thing, the actor appeared in a number of other genre projects, like Night Gallery, TheTerminal Man, Logan’s Run (the TV series), Exo-Man, Popeye, The Right Stuff, and Monster in the Closet.
The father of actress Mary Stuart Masterson and a two-time Tony nominee also helmed ‘The Trip to Bountiful’ and appeared in ‘The Stepford Wives’ and ‘The Exorcist.’…
(8) ICONS LOST IN 2018.
Last week, Turner Classic Movies posted its annual in memoriam video. Harlan Ellison, Jerry Maren, William Goldman,
Gary Kurtz, Margot Kidder, and Stan Lee are some of the genre figures shown.
In loving memory of the actors and filmmakers who have passed away in 2018. We will remember you for all time.
Walter Cronkite held a tiny model of the Apollo 8 spacecraft and strode across a darkened studio where two dangling spheres represented Earth and the moon. This was the CBS Evening News, Dec. 20, 1968, and three Apollo 8 astronauts were scheduled to blast off the following morning on a huge Saturn V rocket. Cronkite explained that the astronauts would fly for three days to the vicinity of the moon, fire an engine to slow the spacecraft and enter lunar orbit, circle the moon 10 times, then fire the engine a final time to return to Earth and enter the atmosphere at 25,000 miles per hour.
“They must come in at JUST the right angle. If they come in too steeply, they will be CRUSHED in the Earth’s atmosphere. If they come in too shallow, they will SKIP OUT and go into Earth orbit and not be able to return,” Cronkite said….
(10) TODAY’S
BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born December 21, 1892 – Hubert Rogers. Illustrator during the Golden Age of pulp magazines. His first freelance work was for Ace-High, Adventure, Romance, and West. In ‘42, he started doing covers for Astounding Science Fiction which he would do until ‘53. He did the cover art for the ‘51 edition of the Green Hills of Earth, the ‘50 edition of The Man Who Sold the Moon and the ‘53 edition of Revolt in 2100. (Died 1982.)
December 21, 1928 – Frank Hampson. A British illustrator that is best known as the creator and artist of Dan Dare, Pilot of The Future and other characters in the boys’ comic, The Eagle, to which he contributed from 1950 to 1961. There is some dispute over how much his original scripts were altered by his assistants before being printed. (Died 1985.)
Born December 21, 1937 – Jane Fonda, 81. Sure everyone here has seen her in Barbarella? Her only other genre appearances are apparently by voice work as Shuriki in the animated Elena of Avalor series, and in the Spirits of the Dead, 1968 anthology film based on the work of Poe. She was the Contessa Frederique de Metzengerstein in the “Metzengerstein” segment of the film.
Born December 21, 1948 – Samuel L. Jackson, 70. Where to start? Did you know that with his permission, his likeness was used for the Ultimates version of the Nick Fury? It’s a great series btw. He has also played Fury in the Iron Man, Iron Man 2, Thor, Captain America: The First Avenger, The Avengers, Captain America: The Winter Soldier, Avengers: Age of Ultron and Avengers: Infinity War and showed up on Agents of S.H.I.E.L.D. too! He voiced Lucius Best (a.k.a. Frozone) in Incredible and Incredibles 2, Mace Windu in Star Wars: Episode I – The Phantom Menace and Star Wars: The Clone Wars, the Afro Samurai character in the anime series of the same name and more other genre work than can be listed here comfortably so go ahead and add your favorite role by him.
Born December 21, 1962 – Kevin Murphy, 56. American actor and writer best known as the voice and puppeteer of Tom Servo on the Mystery Science Theater 3000. And he does RiffTrax which are humorous audio commentary tracks intended to be played along with various television programs and films.
Born December 21, 1966 – Kiefer Sutherland, 52. My, he’s been in a lot of genre undertakings! I think that The Lost Boys was his first such of many to come including Flatliners, Twin Peaks: Fire Walk with Me, The Nutcracker Prince, The Three Musketeers, voice work in Armitage: Poly-Matrix, Dark City, more voice work in The Land Before Time X: The Great Longneck Migration, Marmaduke and Dragonlance: Dragons of Autumn Twilight, Mirrors, and yes he’s in the forthcoming second Flatliners as a new character.
Born December 21, 1971 – Jeff Prucher, 47. Won the Hugo Award for Brave New Words: The Oxford Dictionary of Science Fiction which to my knowledge is still the only historical dictionary of words originating in sf, plus citations and bibliographic information for them. If there’s another one, I’d like to know about it.
(11) DON’T JUDGE BY CHARACTERS
ON TV. Ada Hoffman told Twitter readers, “[If] you
are NT, I am going to explain several reasons why you SHOULD NOT EVER judge if
a character is ‘autistic enough’ by how well they match autistic characters on
TV. Any TV.” Thread starts here.
(12) SPACE DOESN’T HAVE
ENOUGH SPACE? The Man Who Sold The Moon, Delos Harriman, died before authorities
could smother him with paperwork for his illegal mission – not so Swarm co-founder
and Chief Executive Officer Sara Spangelo: “FCC
fines Swarm $900,000 for unauthorized satellite launch”.
Swarm Technologies Inc will pay a $900,000 fine for launching and operating four small experimental communications satellites that risked “satellite collisions” and threatened “critical commercial and government satellite operations,” the Federal Communications Commission said on Thursday.
The California-based start-up founded by former Google and Apple engineers in 2016 also agreed to enhanced FCC oversight and a requirement of pre-launch notices to the FCC for three years.
Swarm launched the satellites in India last January after the FCC rejected its application to deploy and operate them, citing concerns about the company’s tracking ability.
(13) COUNTERING ROGUE DRONES.
[Item by Chip Hitchcock.] BBC
chronicles “Gatwick
airport: How countries counter the drone threat”. Context: per another BBC post, possibly 100,000 or more
passengers grounded due to somebody flying at least one drone around the
airport. It’s unclear so far whether it was a random idiot, or somebody
deliberately harassing; the latter reminds of Christopher Anvil’s “Gadget vs. Trend” which is framed by quotes from a
sociologist complaining first about rampant conformism and last about rampant
individualism, after a device has allowed people to be … disruptive.
Rogue drones “deliberately” flown over one of the UK’s busiest airports caused travel chaos this week.
Incoming planes were forced to divert to airports up and down the country as the drones, or unmanned aerial vehicles (UAVs), repeatedly appeared over the airfield at London’s Gatwick Airport.
The situation was so serious the Army was called in to support the local police in tackling the issue, with the runway finally re-opening on Friday morning.
For some time now, governments around the world have been looking at different ways of addressing the dangers of drone use in areas where they pose safety risks.
Here we look at some of the solutions – ranging from bazookas to eagles.
Just in time for the winter solstice, scientists may have figured out how short days can lead to dark moods.
Two recent studies suggest the culprit is a brain circuit that connects special light-sensing cells in the retina with brain areas that affect whether you are happy or sad.
When these cells detect shorter days, they appear to use this pathway to send signals to the brain that can make a person feel glum or even depressed.
There are so many amazing books this year that I personally think did not get enough hype or recognition, and today’s all about highlighting some of the quieter YA releases that you should definitely check out!
Every single book on this list and the ones to come are books that I’ve already read + loved, but obviously there are 2018 novels I haven’t read and could definitely qualify. But, alas. It is not to be.
I feel like in end of the year lists, we oftentimes forget about books that published earlier in the year, but Undead Girl Gang is a book I looooved! Not only did it star a fat Hispanic MC, but it’s also a really great book about friendship?
I mean, this girl has her mean girls revived as “zombies” of sorts (just not…flesh eating) and I loved seeing how they resolved their differences throughout the novel. It was not only super nice to read about friendship and not a lot of romance, but I also really loved the sort of fun narrative style that makes you enjoy what’s happening and not take it too seriously!
Lauren C Teffeau’s Implanted combines future cyberpunk beats with a climate changed ravaged future, a vertically oriented arcology setting, and a strong central character with a thriller chassis for an entertaining read.
…The strength of the novel is Emily as a flawed, complicated character with lots of fiddly bits to her personality and story. Far from being a smooth operator when dropped into her new, unwelcome situation, and on the other hand, avoiding the trap of making her a completely clueless newbie without any skills, the author creates Emily as someone with strengths and weaknesses, in terms of skills and personality, that become plot relevant and interesting to her development and growth. Her desire to reconnect with her former life, damn the consequences, is a major driver of the plot as well.
(18) FELINE NAVIDAD.Camestros Felapton’s “Carols with Catnip” features seasonal music behind a video visage of Timothy the Talking Cat. It’s sort of like that Sauron eye fireplace video, except even more horrifying!
[Thanks to JJ, Cat Eldridge, Andrew Liptak, Chip Hitchcock, Daniel Dern, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day James Moar.]
December 19, 1972: The splashdown of Apollo 17 marks the end of the United States’ manned moon exploration program.
The Apollo 17 spacecraft landed in the Pacific Ocean at 2:25 p.m. and soon after Commander Eugene Cernan, Command Module Pilot Ronald Evans, and Lunar Module Pilot Harrison Schmitt were picked up and flown by helicopter to the recovery ship U.S.S. Ticonderoga.
Although that closed the first chapter in the history of manned space exploration, it is not the most famous fact about the mission.
As Apollo 17 was en route to the Moon, the crew took a photo of the Earth from space that became known as “The Blue Marble” photo. NASA archivist Mike Gentry has speculated that may be the most widely distributed image in human history.
Ironically, the photo is such an icon that it was even used in the 1995 Tom Hanks film Apollo 13 — every time the crew looked out the window that was the view, a photograph taken by Apollo 17. (This, despite there being photos of Earth actually taken by Apollo 13.)
Apollo 17 is also notable for furnishing pop culture with a couple of fictional characters. One-time astronaut Steve Austin of The Six Million Dollar Man (based on the 1972 novel Cyborg) is described in the book as watching the Earth “fall away during Apollo XVII” – indicating he was aboard the spacecraft. Likewise, in Deep Impact (1998), the President calls Spurgeon “Fish” Tanner, portrayed by Robert Duvall, the “last man to walk on the moon,” implying he was a crew member.
