Pixel Scroll 3/12/22 Objects In The Scroll Are More Pixelated Than They Appear

(1) THE MASTER’S VOICE. “Hoard of the rings: ‘lost’ scripts for BBC Tolkien drama discoveredreports the Guardian. These artifacts of previously lost radio history include notes in Tolkien’s hand.

Decades before Peter Jackson directed his epic adaptations of The Lord of the RingsJRR Tolkien was involved with the first ever dramatisation of his trilogy, but its significance was not realised in the 1950s and the BBC’s audio recordings are believed to have been destroyed.

Now an Oxford academic has delved into the BBC archives and discovered the original scripts for the two series of 12 radio episodes broadcast in 1955 and 1956, to the excitement of fellow scholars.

Tolkien’s fantasy masterpiece was dramatised by producer Terence Tiller, whose scribbled markings on the manuscript no doubt reflect his detailed discussions with the author in correspondence and meetings. Among the typed pages is a sheet in Tolkien’s hand, with red crossings-out, showing his own reworking of a scene….

(2) RED DOG AT MOURNING. Vanity Fair takes readers “Inside the Succession Drama at Scholastic, Where ‘Harry Potter’ and ‘Clifford’ Hang in the Balance”, where the infighting continues over control of Scholastic after the death of longtime CEO Dick Robinson, which is now led by an executive who refuses to speak to the press.

The bleak grind of the pandemic had been wearing Dick Robinson down, just like everybody else. He’d been working long days in the near-empty SoHo Headquarters of Scholastic, the $1.2 billion corporation he ran, which his father founded more than 100 years ago. He was trying to keep the business powering on as schools shut down across the country, taking with them Scholastic’s legendary in-person bookfairs. He began spending weekends and holidays on Martha’s Vineyard, where he and his ex-wife Helen Benham had bought a place in the ’90s. The house in bucolic Chilmark still served as a retreat for Benham and their adult sons, Ben and Reece. One Friday last June, the exes talked late into the night about their plans for the family’s future together as well as for the company. The next day, during a ramble on the island’s Peaked Hill trails with Helen, Reece, and the family dog, Darla, Robinson collapsed from a stroke.

His sudden death was shocking, but then came another seismic surprise: Robinson had left controlling shares of the family company to a Canadian executive named Iole Lucchese, the company’s chief strategy officer and head of Scholastic Entertainment—and now, in the wake of his death, the chair of the board. With Peter Warwick as newly minted CEO, Lucchese would oversee a children’s media empire crammed with beloved (and lucrative) franchises like Clifford the Big Red Dog, Harry Potter, Captain Underpants, Animorphs, and The Magic School Bus in an era when Hollywood eagerly devours literary properties to feed the ever-flowing streamers. A Wall Street Journal story aired plenty of dirty laundry about Scholastic’s “messy succession” and the ascendance of Lucchese, Robinson’s “former girlfriend,” who had also inherited all of Robinson’s personal possessions. Robinson’s two sons began to consider contesting the will.

While Scholastic publicly closed ranks around Lucchese, a protective corporate force field, current and veteran employees privately traded bewildered gossip. The executive suites had already been gladiatorial, people said, with shifting alliances and backstabbing betrayals more suited to Game of Thrones than a wholesome children’s media company. Now, they argued over whether Lucchese was suited to the job, whether she could keep the place from being chopped up or sold off. And they pondered the shadow Robinson’s personal life had cast over the innovative, far-reaching business he had built around his deeply felt mission to get children to read books.

“It’s worse than a normal death because of the sense of betrayal that everybody’s feeling,” says a longtime former employee. “A big mistake is what it was.”…

(3) NO SAINT. A new critical biography of Stephen Hawking is rebutted by a former student and friend, Bernard Carr, in “Underselling Hawking” at Inference.

STEPHEN HAWKING WAS an icon of twentieth-century science, renowned for both his contributions to physics and his inspiring battle against motor neuron disease. But four years after his death, Charles Seife’s Hawking Hawking paints a different picture. As indicated by its provocative title, this book is no hagiography. Seife disparages Hawking on three levels, arguing that his status as a great physicist has been exaggerated, cataloging his various personal failings, and suggesting that he was a genius at self-promotion, his iconic status being attributable to media manipulation.

As one of Hawking’s first PhD students and his friend for forty years, I do not share Seife’s views.

Although his status as a physicist was sometimes exaggerated by the media, Hawking was undoubtedly one of the brightest stars within the relativistic community. Indeed, his discovery of black-hole quantum radiation was one of the key insights of twentieth-century physics. Hawking certainly had his failings, as acknowledged by the people who loved and admired him the most, but it is misleading to elevate these above his strengths: his courage, sense of humor, and determination to live life to the full, despite the relentless progress of his illness….

(4) TWO MORE JOHN CARTER RETROSPECTIVES. “On its 10th anniversary, TheWrap goes inside the birth, death and rebirth of the sci-fi blockbuster” — “The Untold Story of Disney’s $307 Million Bomb ‘John Carter’: ‘It’s a Disaster’”.

…[Andrew] Stanton had been following the various iterations of “John Carter” for years. “That’s something I have spent my whole life wishing somebody would make, and when I was in the industry from maybe the ’90s on, if I ever heard even the slightest rumor it might get made, I would get all excited like a fanboy and go, I’ll be the first in line to go and see it,” Stanton said. “I never had the hubris to think that’s something I would want to do or could do.” But when the Favreau iteration fell apart, something stirred inside him. “It was one of those kismet moments where I’m like, It’s so crazy, it just might work, you know?”

Disney didn’t own the rights yet. But Stanton went to the top brass and made, as he says, “an impassioned plea.”

“I had nothing to lose because it wasn’t like I had to do this in the sense of I have no career or that I needed the next paycheck or something like that,” Stanton said. Instead, he told the execs, “I think these things are about to fall into public domain and I think you could reinterpret them to be something that could be digested today.” Stanton was envisioning a classic tale for modern audiences. “I remember saying, ‘Fine if I don’t make it, but you should be the ones making it,’” Stanton said. “And I meant it. I thought it had the potential to just be a big franchise.”…

“John Carter director Andrew Stanton reveals for the first time his plans for the opening scenes of the abandoned sequel, titled Gods of Mars” – “Cancelled John Carter 2 Story Revealed By Director” at Screen Rant.

…Stanton goes on to reveal that Carter arriving on Mars is actually later than the prologue would have audiences believe, and Deja has gone missing. He also compares the film’s plot to Beneath the Planet of the Apes, showing how the Therns control the whole planet. The opening description does align with the second novel in Edgar Rice Burroughs series, The Gods of Mars. Stanton has previously revealed the title of the second film would be Gods of Mars, and the third film would have been titled Warlord of Mars, yet this is the first time the writer and director has shared any major details about the sequel films….

(5) IN THEIR OWN WORDS. “An Urgent Mission for Literary Translators: Bringing Ukrainian Voices to the West” – the New York Times tells how it’s being accomplished.

As Russian forces breached the border with Ukraine late last month, Kate Tsurkan issued an urgent call for help on social media.

Tsurkan, a translator who lives in Chernivtsi, a city in western Ukraine, wanted to give international readers a glimpse of what ordinary Ukrainians are experiencing — and to counter President Vladimir V. Putin’s claim that Ukraine and Russia “are one people” by highlighting Ukraine’s distinct literary and linguistic heritage.

What she needed, she said, was to get Ukrainian writers published in English. She needed translators.

The response was swift and overwhelming: Messages poured in from translators and writers like Jennifer Croft, Uilleam Blacker and Tetyana Denford, and from editors who wanted to polish and publish their work. As the war escalated, so did their effort. Soon, they had a dedicated group of literary translators — who often spend years working on books for small academic presses — speed translating essays, poems and wartime dispatches.

“We need to elevate Ukrainian voices right now,” said Tsurkan, an associate director at the Tompkins Agency for Ukrainian Literature in Translation, or Tault.

 (6) MEDIA BIRTHDAY.

1971 [Item by Cat Eldridge] Fifty-one years ago today, The Andromeda Strain premiered. It was based off the novel by Michael Crichton. This novel had appeared in the New York Times Best Seller list, establishing Crichton as a genre writer. The screenplay was written by Nelson Gidding, whose previous genre work was his screenplay for The Haunting, based on Shirley Jackson’s The Haunting of Hill House

Robert Wise directed, who you’ll no doubt recognize for his earlier work on West Side Story and The Sound of Music.

The primary cast was Arthur Hill as Dr. Jeremy Stone, James Olson as Dr. Mark Hall, David Wayne as Dr. Charles Dutton and Kate Reid as Dr. Ruth Leavitt. 

Produced on what was considered a high budget of six point five million, with special effects designed by Douglas Trumbull, it made a profit of six million in the States. 

So how did it fare among critics? Roger Ebert in his syndicated column at the time said of it that, “On the level of fiction, ‘The Andromeda Strain’ is a splendid entertainment that will get you worried about whether they’ll be able to contain that strange blob of alien green crystal.” And Kevin Maher of The Times was equally enthusiastic: “The Sound of Music director Robert Wise executed a spectacular volte-face with this sombre and painstakingly realistic scientific procedural about an alien micro-organism that threatens all life on Earth.” 

Audience reviewers at Rotten Tomatoes currently give it a seventy two rating. 

It was nominated for a Hugo at the first L.A. Con, the year A Clockwork Orange won.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 12, 1879 Alfred Abel. His best-known performance was as Joh Fredersen in Fritz Lang’s Metropolis.  It wasn’t his only genre as Phantom, a 1922 German film, was fantasy, and my German is just good enough forty years after I studied it to see that much of his work could be considered genre or genre adjacent. (Died 1937.)
  • Born March 12, 1886 Kay Nielsen. Though he’s best known for his work with Disney, for whom he did many story sketches and illustrations, not the least for Fantasia, and The Little Mermaid be it thirty years after his death, I’d be remiss not to note his early work illustrating such works as East of the Sun and West of the MoonHansel and Gretel and Andersen’s Fairy TalesEast of the Sun and West of the Moon Is my favorite work by him. (Died 1957.)
  • Born March 12, 1914 John Symonds. Critic of Alistair Crowley who published four, yes four, books on him over a fifty-year period: The Great BeastThe Magic of Aleister CrowleyThe King of the Shadow Realm and The Beast 666. Needless to say the advocates of Crowley aren’t at all happy with him. Lest I leave you with the impression that is his only connection to our community, he was a writer of fantasy literature for children including the feline magical fantasy, Isle of Cats with illustrations by Gerard Hoffnung. (Died 2006.)
  • Born March 12, 1925 Harry Harrison. Best known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room!, the genesis of Soylent Green (a film which won a Hugo at DisCon II). It garnered a Nebula as well.  He was nominated for Hugos at Seacon for Deathworld, then at Chicon III for Sense Obligation, also known as Planet of the Damned.  I just realized I’ve never read the Deathworld series. So how are these? See our anniversary post on the Alex Cox animated version of Bill, the Galactic Hero here. And he was named a SFWA Grand Master in 2009 — a outstanding honor indeed! (Died 2012.)
  • Born March 12, 1933 Myrna Fahey. Though best known for her recurring role as Maria Crespo in Walt Disney’s Zorro, which I’ll admit is at best genre adjacent, she did have some genre roles in her brief life including playing Blaze in the Batman episodes of “True or False-Face” and “Holy Rat Race”. Her other genre appearances were on The Time Tunnel and Adventures of Superman. Cancer took her at just forty years. Damn it. (Died 1973.)
  • Born March 12, 1933 Barbara Feldon, 89. Agent 99 on the Get Smart series, who reprised her character in the TV movie Get Smart Again! (1989), and in a short-lived series in 1995 later also called Get Smart. Other genre credits include The Man from U.N.C.L.E. She didn’t have that much of an acting career though she was in the pilot of Rowan & Martin’s Laugh-In. It amazing how many performers guested on that show. 
  • Born March 12, 1952 Julius Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. oh but what a role it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. He did have one-offs in The Misfits of Science, Earth 2Tales from the Crypt and voiced a character on Henson’s Dinosaurs. (Died 2008.) 
  • Born March 12, 1960 Courtney B. Vance, 62. I know him best from Law & Order: Criminal Intent, in which he played A.D.A. Ron Carver, but he has some interesting genre roles including being Sanford Wedeck, the Los Angeles bureau chief of the FBI in the pilot of FlashForward, Miles Dyson: Cyberdyne Systems’ CEO who funds the Genisys project in Terminator Genisys, and The Narrator in Isle of Dogs. He had a recurring role in Lovecraft Country as George Freeman. He earned a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series nomination for that role.

(8) COMICS SECTION.

(9) RED’S MOM. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna interviews Domee Shi, director of Turning Red, which “is not only the first Pixar film to be solo-directed by a woman.  It also continues Pixar’s growth with personal stories along matrilineal lines.” “’Turning Red’ shows how Disney and Pixar movies are embracing mother-daughter relationships”.

…For “Turning Red,” Shi mined her own life for a story set in early-aughts Toronto, as 13-year-old Meilin “Mei” Lee (voiced by Rosalie Chiang) rebels against the hovering control of her mother, Ming (Sandra Oh). The supernatural secret in this Chinese-Canadian family, though, is that Mei suddenly begins turning into a giant red panda when her emotions are inflamed.

“I was her,” says Shi, who is in her early 30s. “I was Mei when I was 13 — I was this dorky, confident, obsessive girl who thought she had her life under control. I was her mom’s little perfect daughter and then one day woke up, and everything changed: my body, my emotions, my relationship with my mom — I was fighting with her every day.”…

(10) PULP WARS. Lots of inside stuff the actor’s Star Wars career in this article based on his TV interviews: “Samuel L. Jackson says he didn’t ask for a ‘Pulp Fiction’ engraving on his ‘Star Wars’ lightsaber: ‘They did that because they loved me’” at Yahoo!

…During the interview on “The Graham Norton Show,” Jackson said he asked George Lucas, the creator of “Star Wars,” for his fictional weapon to be purple so that he would be able to find himself in the battle scene in the second prequel movie, “Star Wars: Attack of the Clones.”

“I said to George, ‘You think maybe I can get a purple lightsaber?'” Jackson said. “He’s like, ‘Lightsabers are green, or lightsabers are red.’ And I’m like, ‘Yeah, but I want a purple one. I’m like the second-baddest Jedi in the universe next to Yoda.’ He’s like, ‘Let me think about it.'”

The “Shaft” actor added: “And when I came back to do reshoots, he said, ‘I’m going to show you something. It’s already caused a shitstorm online.’ And he had the purple lightsaber, and I was like, ‘Yeah!'”

(11) HE’S EVEN STRANGER. Marvel explains Baron Mordo, nemesis of Doctor Strange in the comics.

Langston Belton explains how Baron Mordo becomes a villain and primary enemy of Doctor Strange by aligning himself with monsters of the multiverse like Dormammu, Mephisto, and more!

(12) A MISS IS AS GOOD AS A MILE. [Item by Mike Kennedy.] After initial calculations that showed a newly-discovered 230-foot asteroid will hit the Earth next year, we’ve been given a reprieve. The initial data looked bad, then the asteroid disappeared from view because its line of site was close to that of the bright Moon.

After a little while on pins and needles, additional data showed that it will miss in 2023 by over 5 million miles. That’s good, since it could’ve caused an explosion the size of the atomic bomb leveled Hiroshima. “230-foot wide asteroid initially expected to hit Earth in 2023 was false alarm” at USA Today.

… Astronomers had been concerned that there wasn’t enough time to prepare a defense system against the asteroid had it been on track to strike Earth. In November, NASA launched the DART system, which will seek to determine whether crashing a spacecraft into an asteroid could change its course. The spacecraft is expected to hit the asteroid moon of Didymos in September. 

(13) CATCH ‘EM ALL. If he didn’t feel sick before, he does now. “Georgia man gets 3 years in prison for spending nearly $60,000 in COVID-19 relief money on a Pokémon card” at Yahoo!

… 31-year-old Vinath Oudomsine has been sentenced to 36 months in prison after admitting he used nearly $60,000 in COVID-19 relief funds to buy a Pokémon card, according to the U.S. Attorney’s Office for the Southern District of Georgia. He pleaded guilty to one count of wire fraud.

Oudomsine applied for a COVID-19 relief loan from the Small Business Administration, supposedly for an “entertainment services” business, and he received $85,000, prosecutors said. But he allegedly lied on the application and spent $57,789 of the relief money he received to buy a Charizard card.

Oudomsine was ordered to pay restitution of $85,000, and he was fined $10,000 and given three years of supervised release after his prison sentence is completed. He also agreed to forfeit the card….

(14) A TICK AWAY. J.G. Ballard discusses his fictions set “five minutes into the future” in the 2003 BBC profile hosted by Tom Sutcliffe.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Batman Pitch Meeting,” Ryan George, in a spoiler-filled episode, says that The Batman is dark–so dark “They have one lightbulb per household” in Gotham City.  The next Batman movie, says the writer, will be so dark “we can show a completely black screen” and have the characters read a Batman audiobook to save money.  Also, in The Batman, while Batman is “dark and brooding” Bruce Wayne is “brooding and dark.”

[Thanks to Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Chris Barkley, Rob Thornton, Jeffrey Smith, Alan Baumler, Steven French, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer, in creative conversation with Soon Lee.]

Pixel Scroll 2/9/22 I Have Tasted The Pixels In The Scroll Of The Universe, And I Was Not Offended

(1) TRIPLE TIP. What he tells you three times is true: “Hand Holding” by Mark Lawrence.

This is a blog-post about hand holding. The previous sentence was hand-holding, since the title and the image below make it obvious what the blog-post is about. 

Fantasy stories can be complicated beasts. They’re potentially confusing even if we forget all the technicalities and twistiness of battles, wars, duels, mysteries, espionage, lies etc that might well bedevil other genres….

…And the question through all of this is how much hand-holding the author does. Does the writer put the pieces of the puzzle in front of the reader and assume they’ll put them together? Does the writer put the pieces together for them then repeat the answer for the reader three times in three different ways?

Before I was published I used to share short stories on the now vanished Yahoo Groups. During that time I developed through observation and experience, what I called The Rule of Three.

The Rule of Three: If you want 90% of your readership to take onboard an important fact then you need to repeat it three times in the text….

(2) IAFA’S NEW LEADER. Dr. Pawel Frelik is the next President of the International Association for the Fantastic in the Arts.

A two-term Division Head of the IAFA, Pawe? Frelik is Associate Professor and the Leader of Speculative Texts and Media Research Group at the American Studies Center, University of Warsaw, Poland. His teaching and research interests include science fiction, speculative visualities, and video games. He has published widely in these fields, serves on the boards of Science Fiction Studies (USA), Extrapolation (USA/UK), and Journal of Gaming and Virtual Worlds (UK), and is the co- editor of the New Dimensions in Science Fiction book series at the University of Wales Press. In 2013-2014, he was President of the Science Fiction Research Association, the first in the organization’s history from outside North America. In 2017, he was the first non-Anglophone recipient of the Thomas D. Clareson Award. Within IAFA, he has served as Science Fiction Division Head since 2017. Dr. Frelik will assume the presidency at the end of the 43rd ICFA in March.

(3) DISCUSS RING SHOUT. The Gunn Center for Science Fiction Virtual Book Club will meet February 25 and Director Giselle Anatol invites you to the meeting.

(4) WIDE LOAD. Reddit’s r/printSF raised the question, “Are sci-fi books much longer than they used to be? If so, any idea why?” John Scalzi contributed a detailed reply which begins:

Novel lengths in science fiction and fantasy are essentially dictated by methods of publication *and* distribution.

For example, during the “golden age” of science fiction, the main publishing action of SF/F was in the short fiction arena, with novels (many of which were “fix-ups” of previously published shorter work) largely printed as cheap paperbacks which were fitted into racks at drug stores, groceries and other such places. Because distributors (and publishers!) wanted to fit a larger number of books into each rack, novel lengths were commensurately shorter — 40,000 to 60,000 words on average….

(5) BACK TO THE FUTURAMA. “’Futurama’ Revived at Hulu”The Hollywood Reporter says they’ve lined up the creators and the cast.

Nearly 10 years after it signed off, Futurama has been revived for a 20-episode run on Hulu, the third platform for the animated comedy from creators Matt Groening and David X. Cohen.

The series that aired its first five seasons on Fox before being revived for three more at Comedy Central will return to production this month for a 2023 premiere. Following an extended deal-making period, original stars Billy West (Fry) and Katey Sagal (Leela) along with ensemble players who voiced multiple characters Tress MacNeille, Maurice LaMarche, Lauren Tom, Phil LaMarr and David Herman will all return. John DiMaggio, who provided the voice behind the wise-cracking robot with the “shiny metal ass” Bender, is finalizing a deal to return as well though a deal has not yet closed.

(6) SCIENCE PLUS. The National Book Foundation Science + Literature Program “identifies three books annually, steered by a committee of scientific and literary experts, to deepen readers’ understanding of science and technology with a focus on work that highlights the diversity of voices in scientific writing. The selected titles will act as a catalyst to create discourse, understanding, and engagement with science for communities across the country.” Authors will receive a $10,000 prize. The inaugural winners are:

(7) IMAGINARY PAPERS 9. The latest issue of Imaginary Papers, ASU’s quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination, features an essay by science fiction and global futures scholar Bodhisattva Chattopadhyay on the oft-forgotten science fiction docudramas of the filmmaker George Haggerty, and CSI staffer Bob Beard on Richard Linklater’s 2006 PKD adaptation A Scanner Darkly and the dramas of self-presentation. There’s also a writeup of the “Speculating the Future” essay series from the Olaf Stapledon Centre for Speculative Futures. “Imaginary Papers, Issue 9”.

The Films of George Haggerty, Parts 1 and 2 (1975-1994)

What exactly counts as a “forgotten future”? One can google George Haggerty, the director, whose six docufiction films are presented in two anthology DVDs, released in 2017 by Screen Edge and MVDvisual. All six films—Hamburger Hamlet (1975), Mall Time (1988), Robotopia (1990), Home on Wheels (1992), LA Requiem (1993), and Cyberville (1994)—were produced by Mike Wallington, but searching that reveals little about the director or the films. It was the sleeve descriptions, which make Haggerty appear a maverick outsider figure, that first drew my attention to these anthologies. The films are unreservedly about the future, even as they operate at the interstices of the vanishing past and present. As a documentary producer and SF researcher, there is something disconcerting about finding a set of films that one is unable to locate easily in the developing history of the medium. (Drew Barrymore even appears in one of the films, but the title is absent from her IMDb profile.)…

(8) PEEK EXPERIENCE. Leonard Maltin says this was “Douglas Trumbull’s greatest visual effect” in “Remembering Douglas Trumbull” at Leonard Maltin’s Movie Crazy.

Sometime in the late 1980s my wife and I were invited to a warehouse-type building in Marina del Rey for a demonstration of Douglas Trumbull’s Showscan. A new film format from the man who was largely responsible for the incredible look of Stanley Kubrick’s 2001: A Space Odyssey and the modern era of visual effects? The same guy who directed Silent Running? Who could turn down an invitation like that? …

(9) MAKING TIME. GQ is convinced that “The Lazarus Project is your next sci-fi TV obsession” – at least for those in the UK who can access Sky.

Archie recruits him for the clandestine Lazarus Project: an organisation composed of people with the same vanishingly rare ability with which George finds himself stuck. They harness the time-bending power to prevent global catastrophes and apocalyptic scenarios (as a famous philosopher once said: “With great power, comes great…”) But when Sarah, the love of George’s life, is involved in a car accident, the ethics of such an extraordinary gift take centre stage — and what is George willing to sacrifice?

(10) TOM DUPREE (1949-2022). Writer, critic, and editor Tom Dupree died February 7. He was employed as the line editor for Star Wars novels with Bantam Spectra from 1992-1997. He was charged with handling the X-Wing series of novels. The character names “Dupas Thomree” (in Assault at Selonia and Showdown at Centerpoint by Roger MacBride Allen) and “Ree Duptom” (in Hard Merchandise by K.W. Jeter) are playful nods to him.

He had around a dozen published short stories. “With a Smile” (from Mob Magic, 1998) received an Honorable Mention in Gardner Dozois’ Year’s Best.

He co-wrote John Maxwell’s critically acclaimed one-man show based on the life of William Faulkner (filmed in 2006).

(11) MEDIA BIRTHDAY.

1966 [Item by Cat Eldridge] Fifty-six years ago this evening, the thrilling sight of Lost In Space’s “War Of The Robots” first happened. In one corner of this fight, we have Robby the Robot from Forbidden Planet.   And in the other corner of the ring (metaphorically speaking), we have B-9 from Lost in Space

Aired as the twentieth episode of the first season, the story is that while returning from a fishing trip, Will and B-9 find a deactivated Robotoid. Against the wishes of B-9, Will proceeds to repair and restore the Robotoid which apparently becomes a humble servant of the Robinson family. Sure.

The best part of this episode is the slow motion rock ‘em, sock ‘em battle between the robots. And yes it’s a very, very silly battle indeed as you can see from the image below. 

Lost in Space is available to stream on Hulu and Netflix.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 9, 1928 Frank Frazetta. Artist whose illustrations showed up damn near everywhere from LP covers to book covers and posters. Among the covers he painted were Tarzan and the Lost EmpireConan the Adventurer (L. Sprague de Camp stories in that setting) and Tarzan at the Earth’s Core. He did overly muscular barbarians very well! Oh, and he also helped Harvey Kurtzman and Will Elder on three stories of the bawdy parody strip Little Annie Fanny in Playboy. Just saying. In the early 1980s, Frazetta worked with Bakshi on the feature Fire and Ice. He provided the poster for it as he did for Mad Monster Party? and The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck, two other genre films. He was inducted into both Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 2010.)
  • Born February 9, 1935 R. L. Fanthorpe, 87. He was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of small rural library. He’d be perfect for the usual suspects I’d say.
  • Born February 9, 1936 Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream (1968). Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ecto, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
  • Born February 9, 1940 David Webb Peoples, 82. Screenwriter of Blade RunnerLadyhawkeLeviathan, and Twelve Monkeys which is not a full listing. He’s also been writing for the Twelve Monkeys series .
  • Born February 9, 1942 Marianna Hill, 80. Doctor Helen Noel in the excellent “Dagger of The Mind” episode of the original Trek. (This episode introduces the Vulcan mind meld.) She also had roles on Outer Limits (in the Eando Binder’s “I Robot“ story which predates Asimov’s story of that name), Batman (twice as Cleo Patrick), I-SpyThe Wild Wild WestMission: Impossible and Kung Fu (ok, the last one has to be least genre adjacent, isn’t it?). 
  • Born February 9, 1951 Justin Gustainis, 71. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series? 
  • Born February 9, 1956 Timothy Truman, 66. Writer and artist best remembered in my opinion for his work on Grimjack (with John Ostrander), Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, volumes one and two. For the Hex work, I’d say Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve now overlooked… 
  • Born February 9, 1981 Tom Hiddleston, 41. Loki in the Marvel film universe. And a more charming bastard of a god has never been conceptualised by screenwriters. Outside of the MCU, I see he shows up in Kong: Skull Island as Captain James Conrad and The Pirate Fairy as the voice of James Hook as well in a vampire film called Only Lovers Left Alive as Adam. 

(13) COMICS SECTION.

  • Close to Home illustrates a friend who doesn’t quite get it.
  • Tom Gauld free associates.

(14) VERBATIM. The Comics Journal has posted the “Transcript of the McMinn County Board of Education’s Removal of Maus”. It’s been extensively discussed here in comments, but may still be news for others.

On January 10, 2022, the McMinn County Board of Education in Tennessee voted unanimously to remove Art Spiegelman’s Maus from its eighth-grade language arts curriculum, citing its use of profanity and depictions of nudity. This public document represents the unedited minutes of that Board’s meeting, presented as a service to all impacted parties.

(15) DAY-OLD NEWS. Someone – probably Upstream Review’s Michael Gallagher in “A Whitewashed Tomb: SFWA’s Best Can’t Sell Books” – got what you get when you poke the bear.

(16) POKÉMON TIME TRIP. “Pokémon Legends: Arceus review: breathing new life into Pokémon” promises The Verge.

…Which is what makes Pokémon Legends: Arceus so refreshing: it’s genuinely surprising. It does this by shifting the timeline back to long before the modern games in the series, during a period when pokémon were still barely understood. Instead of a world where humans and pokémon live in harmony, and anyone can buy an electronic device full of information on hundreds of species, players are thrust into a wild, untamed region where people are just doing their best to survive while surrounded by largely unknown and seemingly dangerous creatures….

(17) NEGATORY, GOOD BUDDY. If you’re sensitive to robotic (and other violence), do not watch the trailer for the game Atomic Heart. No, no, no.

(18) LONG MEMORY. Beckett’s “History of the Obscene 1977 Topps Star Wars 207 C-3PO” includes the interesting note that unlike most collectibles that have to be withdrawn, it’s easier to find the original version of this trading card than the censored replacement edition.

“C-3PO (Anthony Daniels)” is about a mundane caption as you can get.

To those working on the set at Topps and the licensor, nothing seemed to stand out.

Once the cards were out there, it didn’t take long for people to notice that something definitely was.

(19) BLOWN AWAY. BBC News reports “SpaceX loses 40 satellites to geomagnetic storm a day after launch”.

SpaceX has lost dozens of satellites after they were hit by a geomagnetic storm a day after launch, causing them to fall from orbit and burn up.

Such solar “storms” are caused by powerful explosions on the sun’s surface, which spit out plasma and magnetic fields that can hit the Earth.

The company, owned by billionaire Elon Musk, said up to 40 of 49 satellites from last week’s launch were hit.

They had been due to join its Starlink satellite internet project.

Starlink is Mr Musk’s bid to provide high-speed internet using thousands of orbiting satellites….

(20) ROCK AROUND THE CLOCK. “Asteroid sharing Earth’s orbit discovered – could it help future space missions?” asks The Conversation.

Research has shown that the Earth trails an asteroid barely a kilometre across in its orbit about the Sun – only the second such body to have ever been spotted. It goes round the Sun on average two months ahead of the Earth, dancing around in front like an excited herald of our coming.

This object, known as 2020 XL?, was first spotted in December 2020 using Pan-STARRS telescopes on the summit of Haleakala on the Hawaiian island of Maui. But determination of its orbit required follow-up observations using the 4.1-metre SOAR (Southern Astrophysical Research) telescope in Chile….

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Arcane:League of Legends,” the Screen Junkies find an animated series based on a video game that “taught your 13-year-old cousin all his favorite slurs” is actually pretty good.  The series features “cyberpunk, steampunk. skatepunk, and Punky Brewster” and is in a world where “magic is like science, and science is like Crossfit.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Jennifer Hawthorne, Chris Barkley, Rob Thornton, Joey Eschrich, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 9/26/21 Gonna Scroll Them Pixels

(1) A COLORADO FAN MARRIAGE. “A Wedding 18 Years in the Making for Colorado Governor”. The Governor of Colorado and his spouse first met at a bookstore in 2003, and a month later went to MileHiCon. They finally wed earlier this month.

Gov. Jared Polis of Colorado gets one question a lot about his Sept. 15 wedding to Marlon Reis. “People say, ‘You know, it took you a while to get married,’” Mr. Polis, a Democrat, said. “But what’s important to remember is that Obergefell v. Hodges wasn’t until 2015. So we really only waited six years.”

Obergefell v. Hodges is the U.S. Supreme Court case that legalized same-sex marriage. Mr. Polis, 46, and Mr. Reis, 40, met 18 years ago. Back then, neither imagined he would one day be able to have a legal union. Finding others who identified as L.G.B.T.Q. in Boulder was hard enough.

“It was a relatively small community here,” Mr. Polis said. “There was no Tinder.” There were chat sites and forums that helped connect the community, though. Which is how Mr. Polis and Mr. Reis ended up meeting at Boulder Book Store in September 2003. First came a browse through the sci-fi section, then came dinner.

Mr. Reis, a writer whose focus is animal welfare and L.G.B.T.Q. rights, was in his last year of college at the University of Colorado. Mr. Polis was an entrepreneur with political aspirations; before he became governor in 2019, he served for a decade in the U.S. House of Representatives. At the bookstore, “we just really hit it off,” Mr. Polis said.

By the time they attended MileHiCon, a gathering for science fiction and fantasy fans, a month later, they were falling in love. The weekend-long convention in Denver was, for Mr. Polis, a yardstick for compatibility. “I remember Jared being slightly nervous about it, saying, ‘This is the test to see if we can be around each other a few days,’” Mr. Reis said. “I had never seriously dated anybody. To my way of thinking, it was, Of course we’re going to be fine.”…

(2) HOW FANTASTIC WAS SHE? At Galactic Journey, John Boston and Cora Buhlert profile a legendary editor in “[September 26, 1966] All that glitters: in praise of Cele Goldsmith Lalli”.

Boston, the blog’s resident Amazing reviewer, comments on Amazing and Fantastic in general:

…Goldsmith’s most often recognized achievement is the significant number of excellent writers whom she discovered and who went on to considerable success. The list speaks for itself: Keith Laumer, Neal Barrett, Jr., Roger Zelazny, Sonya Dorman, Thomas M. Disch, Ursula K. LeGuin, Phyllis Gotlieb, Piers Anthony. She also provided a home for David R. Bunch, who had been publishing in semi-professional and local markets throughout the ‘50s, but who became a regular in Amazing and Fantastic, albeit to decidedly mixed reception. Similarly, she was the first American editor to publish J.G. Ballard, who had made a substantial reputation in the British SF magazines but had not previously cracked the US magazines. Lalli’s lack of background in SF before she came to Ziff-Davis may have served her well by leaving her more open than other editors to departures from genre business as usual….

Cora Buhlert sets her focus on Cele Goldsmith Lalli’s role in ushering in the sword and sorcery revival of the 1960s: 

…Cele Goldsmith had only just been born during sword and sorcery’s first heyday in the 1930s and certainly did not read Weird Tales in the crib, but she knew a rising genre when she saw one. So she began publishing more sword and sorcery stories by other authors.

Roger Zelazny is one of Cele Goldsmith’s great discoveries. His first professional story “Horseman!”, which appeared in the August 1962 issue of Fantastic, was a sword and sorcery story. It wasn’t even the only sword and sorcery story in that issue. The title story “Sword of Flowers” by Larry M. Harris a.k.a. Laurence M. Janifer as well as “The Titan,” a reprint of a 1934 story by P. Schuyler Miller, were sword and sorcery as well….

(3) PSYCHOHISTORY’S FIRST PAGES. On Cora Buhlert’s own blog, she reviews the first episode of Foundation: “Foundation enjoys “The Emperor’s Peace” and turns out better than expected”.

… But Foundation? Yes, my 16-year-old self would have killed for a Foundation TV show and indeed she is the reason I watched and reviewed it, because she would not forgive me. But my 48-year-old self says, “Ahem, better leave that one alone and film something that’s easier to adapt and also more suited to modern sensibilities.” Because Foundation is less a novel or several, but a series of interconnected short stories from the 1940s, which span a period of 500 years and have no continuing characters except for Hari Seldon’s wisdom dispensing hologram (and Daneel, if you want to include him). Worse, the characters that make up the cast of the individual stories are rather underdeveloped and not particularly memorable. Also, the first five stories, which make up the first book, are a little dull, heavy on the talking and low on action. All the really exciting stuff, which will leave you at the edge of your seat with your jaw dropping open, happens in books 2 and 3. So in short, Foundation is extremely difficult to adapt, probably impossible, if you take Hollywood’s insistence that their audiences are stupid into account.

But no one wants my opinion and so, after decades of trying, Apple has finally adapted Foundation series for its streaming service. …

(4) VARIATIONS ON A THEME. In case it’s the sort of thing you like to keep track of, Screen Rant covers “Foundation Book Differences: All Major Changes The Show Makes”.

… Gaal Dornick isn’t the only one to have been changed significantly. Salvor Hardin has been gender-swapped as well, played by industry newcomer Leah Harvey, and she’s been reinvented as the Warden of Terminus rather than its mayor. This fundamentally alters the dynamics on Trantor, because Salvor’s role is a military one rather than an administrative one. In the books, Hardin was well-known for his many sayings, with the most famous being that “violence is the last refuge of the incompetent.” But Foundation‘s Salvor Hardin feels like a much more action-oriented character, suggesting her role going forward will be very different….

(5) VISIT TO THE LEIBER ARCHIVE. Michael Curtis gives Goodman Games readers a tour of the Fritz Leiber Papers Archive at the University of Houston: “Michael Curtis Visits Leiber’s Legendary Lankhmar Library in Houston”. This is also where Leiber’s Retro Hugos reside. Not sure about the regular Hugos he won.

…In the meantime, here’s a partial summary of some of the things I examined while in Houston:

The correspondence between Leiber and Harry Otto Fischer, the co-creator of Fafhrd and the Gray Mouser. Amongst many revelations in the letters, I discovered Fischer had plans for another F&GM story he discussed with Leiber but never penned. The story, as Fischer envisioned it, “all ends in a single handed combat with the Mouser unarmed (or so it seems) dressed as a He-whore of Lankhmar against a peculiar foe (axman deluxe).” Am I the only one who wishes I could read a story featuring the Gray Mouser dressed as a gigolo fighting a maniacal axe-wielding warrior empty-handed?…

(6) RETURN TO SENDER OF THE JEDI. An opinion piece published by Scientific American seeks to persuade readers “Why the Term ‘JEDI’ Is Problematic for Describing Programs That Promote Justice, Equity, Diversity and Inclusion”.

The acronym “JEDI” has become a popular term for branding academic committees and labeling STEMM (science, technology, engineering, mathematics and medicine) initiatives focused on social justice issues. Used in this context, JEDI stands for “justice, equity, diversity and inclusion.” In recent years, this acronym has been employed by a growing number of prominent institutions and organizations, including the National Academies of Sciences, Engineering, and Medicine. At first glance, JEDI may simply appear to be an elegant way to explicitly build “justice” into the more common formula of “DEI” (an abbreviation for “diversity, equity and inclusion”), productively shifting our ethical focus in the process. JEDI has these important affordances but also inherits another notable set of meanings: It shares a name with the superheroic protagonists of the science fiction Star Wars franchise, the “Jedi.” Within the narrative world of Star Wars, to be a member of the Jedi is seemingly to be a paragon of goodness, a principled guardian of order and protector of the innocent. This set of pop cultural associations is one that some JEDI initiatives and advocates explicitly allude to.

Whether intentionally or not, the labels we choose for our justice-oriented initiatives open them up to a broader universe of associations, branding them with meaning—and, in the case of JEDI, binding them to consumer brands. Through its connections to Star Wars, the name JEDI can inadvertently associate our justice work with stories and stereotypes that are a galaxy far, far away from the values of justice, equity, diversity and inclusion. The question we must ask is whether the conversations started by these connections are the ones that we want to have.

As we will argue, our justice-oriented projects should approach connections to the Jedi and Star Wars with great caution, and perhaps even avoid the acronym JEDI entirely. Below, we outline five reasons why.

The first reason advanced is —

The Jedi are inappropriate mascots for social justice. Although they’re ostensibly heroes within the Star Wars universe, the Jedi are inappropriate symbols for justice work. They are a religious order of intergalactic police-monks, prone to (white) saviorism and toxically masculine approaches to conflict resolution (violent duels with phallic lightsabers, gaslighting by means of “Jedi mind tricks,” etc.). The Jedi are also an exclusionary cult, membership to which is partly predicated on the possession of heightened psychic and physical abilities (or “Force-sensitivity”). Strikingly, Force-wielding talents are narratively explained in Star Wars not merely in spiritual terms but also in ableist and eugenic ones: These supernatural powers are naturalized as biological, hereditary attributes. So it is that Force potential is framed as a dynastic property of noble bloodlines (for example, the Skywalker dynasty), and Force disparities are rendered innate physical properties, measurable via “midi-chlorian” counts (not unlike a “Force genetics” test) and augmentable via human(oid) engineering. The heroic Jedi are thus emblems for a host of dangerously reactionary values and assumptions. Sending the message that justice work is akin to cosplay is bad enough; dressing up our initiatives in the symbolic garb of the Jedi is worse.

This caution about JEDI can be generalized: We must be intentional about how we name our work and mindful of the associations any name may bring up—perhaps particularly when such names double as existing words with complex histories….

Lela E. Buis’ response was: “Scientific American Tries to Cancel Star Wars”. She concludes:

…So, this article was rated on Twitter and mentioned in a couple of news feeds. It did not fare well. The obvious problem is that they’re dissing the Jedi, so Star Wars fans are derisive. The films are built on important archetypes and have entered the cultural consciousness of our society, which means they’re pretty sacred. The other problem hasn’t been pointed out very clearly, which is that this is an example of the pot calling the kettle black. Enforced conformity to an ideal? Who’s the absolute worst for that?

(7) TOLKIEN’S THIRD LIFE. Bradley J. Birzer praises Carl Hostetter’s new book, which continues the revelation of Tolkien’s unpublished material: “Book Review: ‘The Nature of Middle-earth’ Reminds Us of J. R. R. Tolkien’s Greatness” at National Review.

When J. R. R. Tolkien (b. 1892) passed away in 1973, he left an immense amount of unpublished writings — much of which consisted of his own personal Middle-earth mythology, known as the legendarium, begun just prior to World War I. After his father’s death, Tolkien’s youngest son, Christopher (1924–2020), became his literary heir, publishing his father’s The Silmarillion in 1977, Unfinished Tales in 1980, the twelve-volume History of Middle-earth (1983–1996), the three great tales of the First Age, as well as several books on various non-Middle-earth mythologies, such as on the Nibelungenlied, Beowulf, and King Arthur.

Amazingly, however, even with Tolkien’s writings taking two adult professional lives to publish, the corpus of Tolkien’s work is still not completely available to the public in book form. Just this month, a full year and a half after Christopher Tolkien’s death, Houghton Mifflin has released yet another volume of Tolkien’s mythological writings. Titled The Nature of Middle-earth, it is beautifully and expertly compiled and edited by one of our greatest living Tolkien scholars, Carl F. Hostetter….

(8) DOUG BARBOUR (1940-2021). Canadian fan, poet and academic Doug Barbour died of cancer September 25 at the age of 81. His “Patterns of Meaning in the SF Novels of Ursula K. Le Guin, Joanna Russ and Samuel R. Delany, 1962-1972,” in 1976 was the first Canadian doctoral dissertation in the field of science fiction.

He also co-edited with Phyllis Gotlieb Tesseracts 2 (1987), one of the Tesseracts series of anthologies containing original Canadian stories.

As a fanwriter he contributed to Ash-Wing and Riverside Quarterly. Also, notes Bruce Gillespie, “He has been a tireless writers of letters of comment and articles for my magazines. We shared many enthusiasms, especially music (classical, jazz, and what is now called Americana), some SF writers, and poetry. Doug was a well-known Canadian poet and writer about poetry. …He did several poetry-reading tours of Australia, during which he met and made friends with far more Australian poets than most Australian poets ever meet.”

 The Canadian Encyclopedia entry about him discusses his accomplishments as a poet.

(9) MEMORY LANE.

1987 – Thirty-four years in syndication, Star Trek: The Next Generation‘s “Encounter at Farpoint” opening episode premiered. It was written by D. C. Fontana and Gene Roddenberry and directed by Corey Allen. The series would run for seven years. It was premiered eighteen years after the original series was cancelled. I’m not going to list the cast as y’all well know who they are. The series would win two Hugos, first at ConFrancisco for the “Inner Light” episode, and then for “All Good Things…” at Intersection. The “Encounter at Farpoint” premier episode was nominated at Nolacon II but lost out to The Princess Bride. It currently holds a ninety-one percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 26, 1888 — T. S. Eliot. He’s written at least three short poems that are decidedly genre, “Circe’s Palace” “Growltiger’s Last Stand” and “Macavity: The Mystery Cat”. Then there’s his major work,  “The Waste Land” which is genre as well.  It’s worth noting that Lovecraft intensely hated the latter and wrote a parody of it called “Waste Paper: A Poem of Profound Insignificance”. (Died 1965.)
  • Born September 26, 1941 — Martine Beswick, 80. Though she auditioned for Dr. No, she was instead cast in From Russia with Love as Zora. She also appeared as Paula Caplan in Thunderball. She would appear in One Million Years B.C. opposite Raquel Welch.  She made several Hammer Studio films including Prehistoric Women and Dr. Jekyll and Sister Hyde. She showed up on Fantasy Island once. 
  • Born September 26, 1942 — Kent McCord, 79. Several genre roles with his first being an uncredited role as a Presidential aide in Seven Days in May.  His next is in Predator 2 as Captain Pilgrim, then he had a recurring role as Commander Scott Keller on Seaquest DSV, and finally being Jack Crichton on Farscape.  Oh, and if you look very carefully in “The Quadripartite Affair” episode of The Man from U.N.C.L.E., you’ll spot him as the Man in Hallway. 
  • Born September 26, 1946 — Louise Simonson, 75. Comic editor and writer. She started as editor on the CreepyEerie, and Vampirella titles at Warren Publishing. Working for DC and Marvel, she created a number of characters such as Cable and Doomsday, and written quite a few titles ranging from DoomsdayWonder WomanConan the Barbarian and X-Terminators. She’s written a Star Wars title for Dark Horse. 
  • Born September 26, 1956 — Linda Hamilton, 65. Best known for being Sarah Connor in The Terminator film franchise and Catherine Chandler in the Beauty and the Beast series. (I wonder what the Suck Fairy would do to the latter series. It’s on Paramount+ which I subscribe to.) She is also Vicky Baxter in Children of the Corn, and Doctor Amy Franklin in King Kong Lives. She would be Acacia, a Valkyrie in “Delinquents” of the Lost Girl series, a role she would reprise in two more episodes, “End of a Line” and “Sweet Valkyrie High”. She’s currently playing General Macalliaster in the Resident Alien, the Syfy series based on the comic book series of the same name by Peter Hogan and Steve Parkhouse. 
  • Born September 26, 1957 — Tanya Huff, 64. Her now-concluded Confederation of Valor Universe series is highly recommended by me.  And I also give a strong recommendation to her Gale Family series. I’ve not read her other series, so I’ll ask y’all what you’d recommend.
  • Born September 26, 1959 — Ian Whates, 62. The Noise duology,  The Noise Within and The Noise Revealed, are space opera at its finest. As an editor, he’s put together some forty anthologies of which I’ll note only the most recent, London Centric: Tales of Future London, as it’s a quite amazing collection. 
  • Born September 26, 1968 — Jim Caviezel, 53. John Reese on Person of Interest which CBS describes as a “crime drama”. Huh. He was also Detective John Sullivan in Frequency, and Kainan in Outlander. And yes, he played Number Six in the rather unfortunate reboot of The Prisoner

(11) COMICS SECTION.

(12) SET AND MATCH. Trekonderoga 2021 took place this weekend in Ticonderoga, NY. There’s a reason for the location, as we learn from a Gothamist article: “Interview: The Star Trek Fandom Lives Long & Prospers At Trekonderoga”.

First of all: why does Ticonderoga have this incredible replica of the bridge of the starship Enterprise? I suppose the answer is “why not?”, but I’d expect to see something like this in Hollywood. Well, here’s the thing. It’s 13,000 square feet, so it’s massive. And as we all know, real estate in Manhattan and Los Angeles is extremely expensive, and this is a permanent attraction — it doesn’t move from place to place. So you’re literally walking into a one-to-one recreation of the Desilu soundstage from 55 years ago. So you have to plan it out and build it appropriately so that it stays in one place. And Ticonderoga is part of the greater Lake George region. We have a very beautiful tourist area up here in the Adirondacks so it’s a great place for it. A lot of people come through here annually and we expect that just to continue to grow.

There’s also the transporter room. Why was this something that you felt like you had to do? It’s more than the bridge and the transporter room. It’s every set that the actors worked on every day, laid out and recreated exactly the way they were when the actors worked on them. So you’re talking about the transporter room, the sick bay, the lab, Dr. McCoy’s office, Captain Kirk’s quarters, the briefing room, engineering, the entire corridor layout. It’s literally like being an actor on a time trip and going back to work on the show. I grew up with Star Trek. I was just enamored with it and never lost the passion for it. So here we are today still celebrating it.

How accurate is the set? Deadly. We worked from the original blueprints. They were given to me by the original costume designer who had them in his possession. We kept thousands of stills from the original series in high definition. We’ve sourced and located hundreds of antiques and antique furniture. We’ve rebuilt every jelly bean button. Everything is laid out, every color, proportionally. Every surviving actor from the main cast has been here, and many of the guest stars. Bill Shatner loves it so much he’s here twice a year.

(13) A WHOLE LOTTA SHAKIN’ GOING ON. “Mars probe records a big hour-and-a-half Martian quake” reports Mashable.

NASA recently reported that its InSight lander — sent to observe geologic activity beneath the Martian surface — recorded one of its biggest quakes yet on Sept. 18. The 4.2 temblor, a quake that would have been big enough for people to feel had it happened on Earth, lasted an hour-and-a-half….

(14) DROP EVERYTHING! Hypebeast says this seasonal flavor was recently spotted in a SoCal grocery store. OMG! “Kit Kat’s Pumpkin Pie-Flavored Wafers Return”.

As summer comes to an end, Kit Kat is bringing back its seasonal Pumpkin Pie creme-covered wafers. Fall is the season for turning leaves, a new NFL season, and a variety of pumpkin-flavored food and drinks such as Nissin’s “Pumpkin Spice” cup noodles and Kraft’s Pumpkin Spice mac and cheese.

While there may be mixed feelings about the flavor of the season, Kit Kat’s Pumpkin Pie is a highly sought-after rendition…. 

Meanwhile, Taste of Home promises “Gingerbread Kit Kat Bars Will Be Here for Christmas 2021”. Makes no difference if you’re naughty or nice.

…The Gingerbread Kit Kat takes your favorite breakable candy bar and jollies it up for the holidays. Instead of the classic chocolate coating, you’ll instead find yourself biting into a blanket of gingerbread-flavored creme. Ooh, yes please! 

(15) EAT ‘EM ALL. A corporation manipulating the marketplace, imagine that. Food & Wine tells why “Pokémon Oreos Are Listed on eBay for Thousands of Dollars”.

…So here’s some news Oreo probably saw coming: Earlier this month, the world’s best known cookie brand launched a collaboration with the game Pokémon, and in true “catch ’em all” fashion, each specially-branded pack was filled at random in what Oreo billed as its “first-ever cookie rarity scheme.”

In total, 16 different Pokémon characters were embossed onto the cookies, with some being harder to find than others. Oreo even stressed that “the hardest to find (Mew) is featured on an extremely limited amount of the total cookies produced!”

As a result, each pack “does not necessarily contain cookies with all 16 embossment designs.” So what’s someone who’s landed a bag full of worthless Pikachus and Bulbasaurs supposed to do? Turn to eBay, of course.

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Lise Andreasen, Bruce Gillespie, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Jerry Kaufman.]

Pixel Scroll 5/25/21 I Have No Button But I Must Correct That Typo

(1) STAR WARS AT 44. On the “realio trulio” Star Wars Day, Craig Miller posted two excerpts from his book, Star Wars Memories, on Facebook. Here’s a quote from the first part:

SAYING YES TO “STAR WARS” (FOX’S MARKET RESEARCH)

It wasn’t an easy sell to get a studio to okay production on “Star Wars”. George Lucas had made the extremely successful “American Graffiti” for Universal Studios. He had a three-picture deal with them. “American Graffiti” was the first. They wanted him to make more films for their studio. The whole purpose of a multi-picture deal, of providing on-going office space and services, is because the studio is betting that the films you make will be profitable and they want you to make those movies for them.

They turned “Star Wars” down.

The Readers Report, while generally favorable, included the phrase “Do we have faith that Mr. Lucas can pull this off?”. Obviously, Universal didn’t….

(2) TUCKERIZED TITANS. A new Teen Titans Go! episode titled ”Marv Wolfman and George Perez” will air this Saturday at 9 a.m. Pacific, featuring animated versions of their namesakes voiced by themselves. Marv and George were the co-creators of Raven, Starfire, and Cyborg, who were added to Robin and the other Titans.

(3) CORA MAKES THE PAPER AGAIN. The second of Cora Buhlert’s two local papers, the Weser-Kurier, published its coverage of her latest Hugo nomination came out today: “Cora Buhlert aus Seckenhausen ist erneut für den Hugo Award nominiert” – behind a paywall, unfortunately.

Here’s a link to a scan of the print edition, where you can actually read the whole thing, though it’s still in German: “Neue Aussichten Auf die Rakete” (“New prospects for the rocket”).

 (4) CGI ZOMBIES. What, the studio wasn’t willing to hire real zombies? “Zack Snyder Breaks Down a Zombie Heist Scene from ‘Army of the Dead’” for Vanity Fair.

In this episode of ‘Notes On A Scene,’ Director Zack Snyder breaks down a zombie heist scene from ‘Army of the Dead.’ Zack guides us through the nuances and challenges of working with CGI zombies, and explains how he was able to edit Tig Notaro into his ‘Army of the Dead’ universe.

(5) IN CASE YOU WERE IN DANGER OF FORGETTING. Reddit’s u/caeciliusinhorto explicates a very sensitive bit of recent fanhistory: “Pounded in the Butt by the 2019 Hugo Award for Best Related Work, or Who Can Call Themselves Hugo Award Winners?” The lengthy analysis begins mysteriously —

Many months ago I found myself on r/fanfiction explaining the history of the AO3 tag “Serious Human Male/Handsome Gay Living Archive”, and made a mental note that it would make a good HobbyDrama post if I wrote it up more comprehensively….

— and ends a mere 2700 words later with a link to the Tingle-esque work involved.

(6) REAR GUARD ACTION. [Item by Martin Morse Wooster.] Isaac Asimov, in his autobiography In Joy Still Felt, discusses a Star Trek convention he went to in New York City in 1975.

The climax of the convention came on Sunday the twelfth (January 12, 1975), when William Shatner (Captain Kirk) spoke before a superenthusiastic audience of more than four thousand, who filled the seats and aisles to capacity.  Shatner answered all questions with good humor and unpretentiousness and had everyone enthralled. When it was time to leave, he explained to everyone there was no way he could sign autographs for such huge a crowd and made ready to get off the stage.

At this point, the young man who organized the convention whispered in my ear, ‘Quick!  Get on the stage and hold the audience so that Shatner can get away.’

I said, ‘They’ll tear me limb from limb.’

But he was physically pushing me onto the stage while one of his henchmen was busily announcing me.

I started talking–babbling, rather.I waited for a mad, furious rush on the part of disappointed ‘Star Trek’ fanatics, but it didn’t come.  They seemed to be enjoying me, actually, and I was just beginning to relax and settle down when the organizer approached and said, ‘Shatner’s safely away.  Get off, so we can get on with the program.’  So I got off.

Talk about being used!

(7) CAN NEVER LEAVE WELL ENOUGH ALONE. James Davis Nicoll tells you about attempts to terraform Terra in “Five Stories About Alien Attempts to Reshape the Earth” at Tor.com.

All You Need Is Kill by Hiroshi Sakurazaka (Trans. Alexander O. Smith) (2004)

The aliens who dispatched the engineered lifeforms humans call Mimics did stop to consider the morality of xenoforming a world that might well be inhabited. But they concluded that xenoforming would be as ethically neutral as killing insects to make way for housing construction. No need to examine Earth before reshaping it.

Keiji Kiriya, human, thinks human needs are more important than alien schemes. Thus, his brief, glorious career in Earth’s defence forces. Thus his inevitable death the first time he encounters Mimics. His resurrection in the past—on the morning before the first battle—comes as an unexpected surprise. Alas, the results of the rerun battle are little better than the first. The same is true of the second. And the third…but by death 157, Keiji is getting the hang of the time loop in which he is trapped and well on his way to figuring out how he might save the Earth for humans.

(8) M.I.T. SF COURSE. MIT News discusses the aims of the institute’s sff course: “Inhabiting 21st-century science fiction”.

In March, literary heavyweights Kazuo Ishiguro and Neil Gaiman — a Nobel laureate, and the beloved author of “American Gods,” “Sandman,” and “Good Omens,” respectively — convened at an independent bookstore event to discuss genre and science fiction.

They arrived at twin conclusions: one, that rigid genre distinctions between literary works promote an unproductive and false hierarchy of worth, and two, that the 21st century is a very tricky time to attempt to define “science fiction” at all. Gaiman said that he increasingly feels genre “slippage where science fiction is concerned” because, he says, “the world has become science fiction.” The hacking exploits in William Gibson’s novel “Neuromancer” or the sequencing of an entire genome overnight no longer belong to the realm of fantasy.

For MIT students, the permeable relationship between reality and science fiction is often familiar territory. In their labs and research projects, students and faculty experience personally the process by which imaginative ideas turn into new techniques, possibilities, medicines, tools, and technologies. (And they learn that many such new realities actually have had their origins in speculative literature.)

Students in the MIT Literature course 21L.434 (21st Century Science Fiction), taught by Assistant Professor Laura Finch, also discover that science fiction is a powerful, useful way to think about and understand the world we currently inhabit…. 

(9) ROBOT CREDENTIALS. Katie Engelhart parses “What Robots Can—and Can’t—Do for the Old and Lonely” in The New Yorker.

It felt good to love again, in that big empty house. Virginia Kellner got the cat last November, around her ninety-second birthday, and now it’s always nearby. It keeps her company as she moves, bent over her walker, from the couch to the bathroom and back again. The walker has a pair of orange scissors hanging from the handlebar, for opening mail. Virginia likes the pet’s green eyes. She likes that it’s there in the morning, when she wakes up. Sometimes, on days when she feels sad, she sits in her soft armchair and rests the cat on her soft stomach and just lets it do its thing. Nuzzle. Stretch. Vibrate. Virginia knows that the cat is programmed to move this way; there is a motor somewhere, controlling things. Still, she can almost forget. “It makes you feel like it’s real,” Virginia told me, the first time we spoke. “I mean, mentally, I know it’s not. But—oh, it meowed again!”

She named the cat Jennie, for one of the nice ladies who work at the local Department of the Aging in Cattaraugus County, a rural area in upstate New York, bordering Pennsylvania. It was Jennie (the person) who told her that the county was giving robot pets to old people like her. Did she want one? She could have a dog or a cat. A Meals on Wheels driver brought Virginia the pet, along with her daily lunch delivery. He was so eager to show it to her that he opened the box himself, instead of letting Virginia do it. The Joy for All Companion pet was orange with a white chest and tapered whiskers. Nobody mentioned that it was part of a statewide loneliness intervention….

(10) MEDIA ANNIVERSARY.

  • May 25, 1977 — On this day in 1977, Star Wars premiered. Later retitled as Star Wars: Episode IV – A New Hope, it was written and directed by George Lucas. You know who the cast is so we’ll not list all of them here. Lucas envisioned the film as being in the tradition of Buck Rogers which he originally intended to remake but couldn’t get the rights to.  Reception by critics and fans alike alike was fantastic with IguanaCon II voting it the Best Dramatic Presentation Hugo over Close Encounters of the Third Kind. It holds a stellar ninety-six percent rating among audience reviewers at Rotten Tomatoes. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 25, 1915 – DeeDee Lavender.  Four decades an active fan with husband Roy Lavender.  Together served a term as Secretary-Treasurer of the N3F (Nat’l Fantasy Fan Fed’n).  They’re in Harlan Ellison’s forewords to his collections I Have No Mouth and I Must Scream and Angry Candy; they knew Leigh Brackett & Edmond Hamilton, and were guests at the B&H homes in Ohio and California.  They were part of a Southern California fannish social group called the Petards, named by one of Rick Sneary’s famous misspellings, hoist for host.  Here she is with Roy at a Petards meeting in 1983, and thirty years earlier in New York (L to R, Bea Mahaffey, Hannes Bok, DeeDee, Roy, Stan Skirvin).  (Died 1986) [JH]
  • Born May 25, 1916 – Charles Hornig.  Published his fanzine The Fantasy Fan in 1933, thus First Fandom (i.e. active by at least the first Worldcon, 1939), and hired, age 17, by Hugo Gernsback to edit Wonder Stories.  Founded the SF League with HG; later edited Fantasy; also Future and Science Fiction (they eventually combined); SF Quarterly.  See his notes on Nycon I, the first Worldcon, here. (Died 1999) [JH]
  • Born May 25, 1926 – Phyllis Gotlieb.  Prix Aurora for A Judgement of Dragons (note spelling; she was Canadian).  The Sunburst Award is named for her first novel.  A dozen SF novels, a score of shorter stories, eight poetry collections – the first being Who Knows One?  Among her husband’s Physics students was Cory Doctorow’s father.  (Died 2009) [JH]
  • Born May 25, 1935 — W. P. Kinsella. Best I’d say known for his novel Shoeless Joe which was adapted into the movie Field of Dreams, one of the few films that Kevin Costner is a decent actor in, ironic as the other is Bull Durham. Kinsella’s other genre novel is The Iowa Baseball Confederacy and it’s rather less well known than Shoeless Joe is but it’s excellent as well. He also edited Baseball Fantastic, an anthology of just what the title says they are. Given that he’s got eighteen collections of short stories listed on his wiki page, I’m reasonably sure his ISFDB page doesn’t come close to listing all his short stories. (Died 2016.) (CE)
  • Born May 25, 1939 — Ian McKellen, 82. Best known for being Magneto in the X-Men films, and Gandalf in The Lord of the Rings and The Hobbit trilogies. I’m fairly sure his first genre role was as Dr. Faustus in an Edinburgh production of that play in the early Seventies. He also played Macbeth at the Royal Shakespeare Theatre during that period. He’d played Captain Hook in Peter Pan at The Royal National Theatre, and was the voice of the Demon in The Exorcist in the UK tour of that production. Of course he was Dr. Reinhardt Lane in The Shadow, The Narrator in Stardust, Sherlock Holmes in Mr. Holmes, Cogsworth in Beauty and the Beast and finally he’s  the Gus the Theatre Cat in the best forgotten Cats. (CE)
  • Born May 25, 1946 — Frank Oz, 75. Actor, director including The Dark Crystal, Little Shop of Horrors and the second version of The Stepford Wives, producer and puppeteer. His career began as a puppeteer, where he performed the Muppet characters of Animal, Fozzie Bear, Miss Piggy, and oh-so-patriotic Sam Eagle in The Muppet Show, and Cookie Monster, Bert, and Grover in Sesame Street. Genre wise, he’s also known for the role of Yoda in the Star Wars franchise. An interesting Trivia note: he’s in the Blues Brothers as a Corrections Officer, and is the Warden in Blues Brothers 2000. (CE)
  • Born May 25, 1949 — Barry Windsor-Smith, 72. Illustrator and painter, mostly for Marvel Comics. Oh, his work on Conan the Barbarian in the early Seventies was amazing, truly amazing! And then there was the original Weapon X story arc involving Wolverine which still ranks among the best stories told largely because of his artwork. And let’s not forget that he and writer Roy Thomas created Red Sonja as partially based on Howard’s characters Red Sonya of Rogatino and Dark Agnes de Chastillon. (CE)
  • Born May 25, 1950 – Kathryn Daugherty.  Engineer.  Married four decades to James Stanley Daugherty.  At Bucconeer the 56th Worldcon, headed Contents of Tables; a typo made it “Contests of Tables”: in each newsletter I announced “Today’s winner is the Picnic”, “Today’s winner is the Periodic”.  Chaired Westercon LIII, a hard one: it was at Honolulu, see my report here [PDF; p. 11]. Luckily not exhausted; she and JSD were Fan Guests of Honor at Baycon 2001, Loscon 36.  OGH’s appreciation here.  (Died 2012) [JH]
  • Born May 25, 1953 – Stan Sakai, age 68.  Lettered Groo the Wanderer comics; since 1984, author of Usagi Yôjinbô comics about samurai rabbit Miyamoto Usagi, who has (wouldn’t you know it) crossed paths with the Teenage Mutant Ninja Turtles.  The rônin life is hard.  During the most recent Year of the Rabbit (2011), the Japanese-American Nat’l Museum in Los Angeles had an Usagi Yôjinbô exhibit.  Parents’ Choice award, an Inkpot, six Eisners, an Inkwell, two Harveys, two Haxturs (Spain), a Plumilla de Plata (Mexico), a Cultural Ambassador award, and a Nat’l Cartoonists Society award.  [JH]
  • Born May 25, 1966 — Vera Nazarian, 55. To date, she has written ten novels including Dreams of the Compass Rose, what I’d called a mosaic novel structured as a series of interlinked stories similar in tone to The One Thousand and One Nights that reminds me more than a bit of Valente’s The Orphans Tales. She’s the publisherof Norilana Books which publishes such works as Catherynne M. Valente’s Guide to Folktales in Fragile Dialects, Marion Zimmer Bradley’s Sword and Sorceress anthologies,and Tabitha Lee’s Lee’s Sounds and Furies. (CE)
  • Born May 25, 1982 – Bertrand Bonnet, age 39.  Six dozen reviews in Bifrost (French-language prozine; European SF Society award for Best Magazine, 2016), of Blish, Herbert, Le Guin, Pohl (with and without Kornbluth), Resnick, Strugatsky, Tolkien (including the Letters, yay).  [JH]

(12) HIS SHIP CAME IN. “Working for Marvel Comics is a dream come true for Malaysian artist Alan Quah”, and it’s not a 9-to-5 job he says in a Yahoo! profile.

What is it like being a Marvel Comics artist? For Malaysian artist Alan Quah, it is nothing short of having a wish granted.

“It is a dream come true, because I collected Marvel Comics when I was really really young. When I became a teenager I drew comics for a living, then I left the [comics] industry for 15 years to venture into advertising. Then I came back and tried my luck drawing comics for the American market again,” said Alan Quah, who became a cover artist for Marvel Comics in late January this year.

The Petaling Jaya-based artist mainly does comic book covers for Marvel Comics in a work-for-hire agreement. In the United States, comics retailers may sometimes commission a cover for an issue of a comic. These covers are known as retailer exclusive variant covers. Comics retailers will liaise with Marvel Comics to determine the requirements and specifications of the cover art. Marvel Comics will then get in touch with Quah to create the artwork, along with all the relevant stakeholders.

Since joining Marvel Comics, he has worked on covers for the following titles: Alien, The Spider’s Shadow, Venom, and The Marvels (not related to the 1994 series Marvels, which was told from the perspective of man-on-the-street Phil Sheldon)….

(13) I KNOW — YOU’RE FROM THE SIXTIES! A teaser trailer for Last Night in Soho has dropped. Opens in theaters this October.

Edgar Wright’s psychological thriller about a young girl, passionate in fashion design, who is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…

(14) FASHION SHOW. Someone on eBay is selling this UFO-themed “Space Shopping” Hermes scarf.  They want $629 – but you can pay on monthly installments! This is not something to blow your nose on.

(15) IN THE BELLY OF THE BEAST. “Body of missing man found in Spanish dinosaur statue” – the BBC reports how he got there.

Spanish police are investigating the death of a 39-year-old man whose body was found inside a dinosaur statue.

Authorities were alerted on Saturday after a father and his son noticed a smell emanating from the papier-mâché figure in Santa Coloma de Gramenet, a suburb of Barcelona.

The father then saw the corpse through a crack in the Stegosaurus’ hollow leg.

Police said the man had been reported missing by his family, and no foul play is suspected.

Three fire brigade teams were called to scene after the body was discovered, and firefighters cut open the dinosaur leg to retrieve it.

Local media report the man – who has not been named – was trying to retrieve a mobile phone he dropped inside the statue. He then fell inside the decorative figure and was left trapped upside down, unable to call for help.

(16) IT MAY BE NEWS TO YOU. “Rachel Bloom sings Season’s of Love… in Klingon!” at the 2011 Worldcon.

Rachel Bloom’s performance at Renovation, the 69th World Science Fiction Convention. She was at the convention because her song “Fuck Me Ray Bradbury” was nominated for a Hugo award. Sorry about the poor lighting. The room was set up for a disco, and Rachel gave a short performance.

(17) VIDEO OF THE DAY. In “Honest Game Trailers: Pokémon Snap”, Fandom Games says that this Pokémon movie where you take photos instead of shooting people, is the gaming equivalent of “a little amusement park ride and some photos at the end.”

[Thanks to David K.M. Klaus, N., Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, Tom Galloway, Cora Buhlert, and John Hertz for some of these stories. Title credit belongs to contributing editor of the day Cat Rambo.]