(1) COMPLAINTS AS FANIMECON DROPS MASKING REQUIREMENT AT LAST MINUTE. [Item by Janice Gelb.] FanimeCon in San Jose made the following announcement on May 12, 12 days before the con starts, and is refusing to provide refunds to people who now don’t feel they can attend safely (not to mention travel arrangement costs and the hotel’s cancellation policy now requires them to pay for one night). “FanimeCon | Masking Policy Change”.
FanimeCon is changing our masking policy from ‘required’ to ‘strongly recommended’ due to feedback from our attendees, staff, and local health partners. Some events may require mandatory masking due space issues and bigger crowds.
The complete policy is here: “FanimeCon COVID-19 Vaccination Policy”.
(2) LIADEN UNIVERSE® IS MARCHING ON. Sharon Lee was happy with Joshua Tyler’s article “The Best Sci-Fi Read You’ve Missed Is Filled With Spies, Romance, And Massive Space Battles Stretched Over 27 Books” at GiantFreakinRobot except for one thing, which she blogged about today: “From the mail bag” at Sharon Lee, Writer.
Despite being largely positive, Mr. Tyler’s piece contains a sentence which has . . . horrified, concerned, and angered some Liaden readers and fans, and thus I find letters in my mailbox. This blog post is a blanket reply to those letters, and statements of concern.
Mr. Tyler states: “Sadly, Liaden co-author Steve Miller died suddenly on February 20, 2024. He was 73. It’s unclear if Sharon will continue writing the series without him. As a fan of the series, I hope not.” (bolding is mine)
Now, whether this is opinion or corrigendum, I can’t tell you. I am not the author of the piece. In general, it’s wise to assume that what the author wrote is what the author meant, and Mr. Tyler is, as we all are, entitled to his opinion.
What I can say is this: There are three Liaden Universe® novels now under contract with Baen Books. I am currently lead on one of those, the sequel to Ribbon Dance. In addition, before Steve’s death and the attendant dis- and re-organizations engendered by that cataclysm, I was making notes for the sequel to the sequel. Steve was lead on Trade Lanes, which had become increasingly difficult for him as his heart slowly failed him. I may or may not be able, eventually, to finish Trade Lanes. If not, another Liaden book will fill the third slot.
So, for the moment, Mr. Tyler must reside in disappointment. Sharon will be continuing the series, but, not, as he supposes, “without” Steve….
(3) TREK’S OWN STORAGE WAR. “Court is the final frontier for this lost ‘Star Trek’ model” reports the LA Times. Junot Diaz posted the text of the Times’ paywalled story on Facebook. It says in part:
In April, Heritage Auctions heralded the discovery of the original model of the U.S.S. Enterprise, the iconic starship that whooshed through the stars in the opening credits of the 1960s TV series “Star Trek” but had mysteriously disappeared around 45 years ago.
The auction house, known for its dazzling sales of movie and television props and memorabilia, announced that it was returning the 33-inch model to Eugene “Rod” Roddenberry Jr., son of series creator Gene Roddenberry. The model was kept at Heritage’s Beverly Hills office for “safekeeping,” the house proclaimed in a statement, shortly after an individual discovered it and brought it to Heritage for authentication.
“After a long journey, she’s home,” Roddenberry’s son posted on X, (formerly Twitter).
But the journey has been far from smooth. The starship model and its celebrated return is now the subject of a lawsuit alleging fraud, negligence and deceptive trade practice, highlighting the enduring value of memorabilia from the iconic sci-fi TV series.
The case was brought by Dustin Riach and Jason Rivas, longtime friends and self-described storage unit entrepreneurs who discovered the model among a stash of items they bought “sight unseen” from a lien sale at a storage locker in Van Nuys last October.
“It’s an unfortunate misunderstanding. We have a seller on one side and a buyer on the other side and Heritage is in the middle, and we are aligning the parties on both sides to get the transaction complete,” said Armen Vartian, an attorney representing the Dallas-based auction house, adding that the allegations against his client were “unfounded.”
The pair claimed that once the model was authenticated and given a value of $800,000, they agreed to consign it to an auction sale with Heritage planned for July 2024, according to the lawsuit. However, following their agreement, they allege the auction house falsely questioned their title to the model and then convinced them, instead of taking it to auction, to sell it for a low-ball $500,000 to Roddenberry Entertainment Inc. According to the suit, Eugene Roddenberry, the company’s CEO, had shown great interest in the model and could potentially provide a pipeline of memorabilia to the auction house in the future.
“They think we have a disagreement with Roddenberry,” said Dale Washington, Riach and Rivas’ attorney. “We don’t. We think they violated property law in the discharge of their fiduciary duties.”
The two men allege they have yet to receive the $500,000 payment.
For years, Riach and Rivas have made a living buying repossessed storage lockers and selling the contents online, at auction and at flea markets. In fact, Riach has appeared on the reality TV series “Storage Wars.”
“It’s a roll of dice in the dark,” Riach said of his profession bidding on storage lockers. “Sometimes you are buying a picture of a unit. When a unit goes to lien, what you see is what you get and the rest is a surprise. At a live auction you can shine a flashlight, smell and look inside to get a gauge. But online is a gamble, it’s only as good as the photo.”
Last fall, Riach said he saw a picture of a large locker in an online sale. It was 10 feet by 30 feet, and “I saw boxes hiding in the back, it was dirty, dusty, there were cobwebs and what looked like a bunch of broken furniture,” he said.
Something about it, he said, “looked interesting,” and he called Rivas and told him they should bid on it. Riach declined to say how much they paid.
There were tins of old photographs and negatives of nitrate film reels from the 1800s and 1900s. When Rivas unwrapped a trash bag that was sitting on top of furniture, he pulled out a model of a spaceship. The business card of its maker, Richard C. Datin, was affixed to the bottom of the base.
A Google search turned up that Datin had made “Star Trek” models, although the two men didn’t make the connection to the TV series.
“We buy lots of units and see models all of the time,” Riach said. He thought they would find a buyer and decided to list it on eBay with a starting price of $1,000….
(4) BALLARD’S MACHINED POETRY. The Conversation says “Novelist J.G. Ballard was experimenting with computer-generated poetry 50 years before ChatGPT was invented”.
…Listening recently to the audiobook version of Ballard’s autobiography Miracles of Life, one very short passage seemed to speak directly to these contemporary debates about generative artificial intelligence and the perceived power of so-called large language models that create content in response to prompts. Ballard, who was born in 1930 and died in 2009, reflected on how, during the very early 1970s, when he was prose editor at Ambit (a literary quarterly magazine that published from 1959 until April 2023) he became interested in computers that could write:
“I wanted more science in Ambit, since science was reshaping the world, and less poetry. After meeting Dr Christopher Evans, a psychologist who worked at the National Physical Laboratories, I asked him to contribute to Ambit. We published a remarkable series of computer generated poems which Martin said were as good as the real thing. I went further, they were the real thing.”
Ballard said nothing else about these poems in the book, nor does he reflect on how they were received at the time. Searching through Ambit back-issues issues from the 1970s I managed to locate four items that appeared to be in the series to which Ballard referred. They were all seemingly produced by computers and published between 1972 and 1977….
(5) BLEEPS WITHOUT END. Scott Lynch has a pretty clear idea about how Harlan would respond to Lincoln Michel’s question.
(6) IN A GALAXY OF SFF, ONE CONSTELLATION IS BLINKING OUT. The Verge argues that “Apple TV Plus is turning into the best place for streaming sci-fi”. The article discusses a large number of series. But one of them isn’t going to be around for long.
…More recently, the service has edged toward a darker tone. First there was the debut of Constellation earlier this year, which starred Noomi Rapace as an astronaut who returned to an Earth that’s very different than the one she left. And now we have Dark Matter based on the novel by Blake Crouch, which premieres on May 8th. It’s a multiversal story about a physicist played by Joel Edgerton who gets kidnapped by a parallel version of himself. So far, I’ve watched the first two episodes, and it manages to merge the tone of a tense thriller with the mind-bending nature of time travel, creating the kind of story that intentionally makes you feel unmoored. Also, there are some very large and impressive cubes…
Two days ago Deadline reported “’Constellation’ Canceled By Apple After One Season”.
Apple TV+ has opted not to continue with a second season of Constellation, its sci-fi psychological thriller series starring Noomi Rapace and Jonathan Banks. The news comes a month and a half after Constellation‘s eight-episode first season wrapped its quiet run on the streamer March 27.
Created and written by Peter Harness, Constellation stars Rapace as Jo – an astronaut who returns to Earth after a disaster in space – only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.
… Sci-fi is a core genre for Apple TV+ whose roster of series also includes For All Mankind, recently renewed for a fifth season alongside a pickup for a spinoff series, Star City, as well as Foundation, Severance, Invasion and Silo — all slated to return with new seasons.
Apple’s latest entry in the genre, Dark Matter, premiered this week, with Neuromancer, starring Callum Turner, and Murderbot, headlined by Alexander Skarsgard, coming up. The streamer also had an surprise entrant into the space with the mystery drama Sugar, which took an unexpected sci-fi turn last week.
(7) LEIGH EDMONDS’ AUSTRALIAN FANHISTORY. From Bruce Richard Gillespie on Facebook I learned that Norstrilia Press has published Leigh Edmonds’ fanhistory Proud and Lonely: A History of Science Fiction Fandom in Australia. Part One: 1930 – 1961
Proud and Lonely is a new history of science fiction and its fans in Australia, telling the story of its arrival in Australia in the 1920s, and the start here of a sub-culture of fans of the genre.
Historian Dr Leigh Edmonds shows how science fiction was seen as a low form of literature and didn’t get public acceptance until at least the 1970s.
Because of the frequent ridicule, fans of the genre kept quiet about their interest in public. But in private they sought out other fans, locally and overseas. They corresponded, started clubs and published amateur magazines about the genre.
They created a fascinating sub-culture that was a microcosmos of Australian life from the 1930s to the 1960s.
Norstrilia Press in its first incarnation had its major focus on science fiction, and Leigh’s history makes a significant contribution to the study of the field. It will also be of value to people interested in cultural and literary studies.
Proud and Lonely is the first of a two-part history exploring how science fiction fandom developed in Australia, from its beginnings in the 1930s to the first World Science Fiction Convention held in Australia, in 1975.
Part one deals with the early period up to 1961, when government regulations prevented most science fiction from being imported into Australia, and the seeds were sown of a gathering energy that would raise Australia’s profile in the global science fiction community.
Available from bookshops and online.
(8) FROM BROOKLYN TO ROHAN. [Item by Dann.] Mike Burke found himself in the theater department auditioning for a part in Newsies: the Musical. One of the songs from that production – “Brooklyn’s Here” — seemed to match the narrative of the riders of Rohan arriving at the Pelennor Fields. And a little filking ensued. “Rohan’s Here!” at Storytelling Skunkworks.
…We are Riders (of Rohan!)
The beacons are lit and Gondor is hurtin’
Facing total disaster for certain
That’s our cue lads, it’s time to come runnin’
Hey Minas Tirith, the calvalry’s comin’!…
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 12, 1950 — Bruce Boxleitner, 74. Let’s look at our Birthday celebrant, Bruce Boxleitner, first for the interesting work he did before that series.
One of my very favorite characters that he played was the top-level unnamed Agency operative Lee Stetson on the Scarecrow and Mrs. King which starred him and Kate Jackson as divorced housewife Amanda King and top-level Agency operative Lee Stetson as they began their unusual partnership and eventual romance after encountering one another in a train station. It ran for four seasons.
Remember Kenny Rogers’ song “The Gambler”? Well, it would afterwards become a series of Gambler movies. Boxleitner played Billy Montanain in three of five films being the sidekick to Roger’s Brady Hawkes character. He was the comic relief in those films apparently. I’ve not seen them.
He’s been on Outer Limits in “Decompression” as Senator Wyndom Brody in a twisty time travel episode that’d make Heinlein proud. Enough said of that story. He had a recurring role as another politician on the first Supergirl series as President Phillip Baker, a vain, egotistical man. He even played the President of the Planetary Union President on The Orville.
Then there’s Tron where he has the dual roles of Alan Bradley, a programmer at ENCOM Boxleitner and Tron, a security program developed by Bradley to self-monitor communications between the MCP and the real world. It’s an amazing dual for him. He’d reprise, in voice, so I supposed in spirit as well, that role in the animated Tron: Uprising series, and then in I think finally in the animated Tron: Legacy film.
So that brings us to Babylon 5 commander, Captain John Sheridan. What an amazing role it was for. Lis Carey says of him, “John Sheridan was raised in a diplomat’s family, and enlisted in the military–leading to him becoming a war hero, the only officer to win a battle against the Minbari. When he became the second commander of Babylon 5, he was not well received by the Minbari. Relations obviously improved, while the Earth Alliance was being transformed into a military dictatorship, which Sheridan opposed. In the last season, after confronting the Earth Alliance decisively, he became President of the new Interstellar Alliance, and subsequently married the Minbari ambassador, Delenn.”
Ok, it was a great role and if you haven’t seen it, go see it that’s all I have to say so. I’m ending this now. Have a good night.
(10) COMICS SECTION.
- Brewster Rockit predicts a common future lament.
- Loose Parts hears a kaiju’s plea for civic improvements.
- Candorville involves a dream.
- Crabgrass depicts the favorite memory of many a reader.
- Reality Check is a call out to rock fans.
(11) COUNT HIM IN. [Item by Steven French.] Guardian television reviewer Joel Golby becomes one of us: “Doctor Who: even the haters will find it impossible to resist Ncuti Gatwa”.
The injection of Disney cash has definitely helped – the new series looks utterly, hugely epic, but without sliding into the “CGI on top of another layer of CGI” thing that could ruin a still pleasingly British-feeling series like this – and the casting of the two new leads is inspired. If it first came out now, a show like Doctor Who – an infinite number of universes and possible monsters and possible problems and possible ancient villains – would be easy to mess up, push it so it’s too sci-fi, forget to ever come back down to Earth, have Gatwa trapped in a studio for a few months acting opposite a tennis ball. But you’ve got 60 years of lore and an army of fans guarding it and ready to email you if you mess with it too much, and I honestly think that probably helps keep Doctor Who honest. I’ll see you for the Christmas special this year. I think I’ve been converted.
(12) THE PRICE IS A HORROR, TOO. The dramatically-staged Montegrappa Universal Monsters Fountain Pen – Frankenstein edition can be yours for a mere $9,175.
Vintage Hollywood staging and mechanical mayhem are the base ingredients for an homage to a horror icon. Montegrappa’s own strain of mad science brings Frankenstein’s creation back to life, with props and special effects that revisit the magic of a 1931 cinema classic. Energy pulses through its XXL, all-brass body, with ingenious complications to re-animate the senses – bringing fun to high function.
(13) AGED IN THE CROCK, ER, CASK. Nothing to do with sff, except for all the fans who like to drink this sort of thing. And for you, we present Tasting Table’s interview, “Pappy Van Winkle’s Grandson Tells Us 10 Things You May Not Know About Old Rip Van Winkle”.
… Additionally, Van Winkle III noted the 15-year bourbon makes a great cocktail. Now, we know that for some of you, mixing any Old Rip Van Winkle whiskey into a cocktail may sound like blasphemy. But Van Winkle III believes you shouldn’t be worried about mixing high-quality alcohol into a drink. Either way, because the 15-year hits that sweet spot of flavor between younger and older whiskey expressions, Van Winkle III thinks it’s “a fun one to have.”…
I laughed because it reminds me that when LASFS’ Len Moffatt hosted a party he warned the guys that violence would ensue if he found any of us making mixed drinks with his Cutty Sark.
(14) VIDEO OF THE DAY. Ryan George invites us to step inside the Pitch Meeting that led to Rebel Moon – Part Two: The Scargiver.
[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, John J. Arkansawyer, Daniel Dern, Gary Farber, Janice Gelb, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Kevin Harkness.]
