Pixel Scroll 5/19/24 Come For The Chocolate, Stay For The Pixels

(1) SMALL WONDERS IS KICKSTARTING YEAR 2. Cislyn Smith and Stephen Granade have launched a Kickstarter to fund the year two of Small Wonders, a monthly online SFF magazine for flash fiction and poetry.

For the past year, Small Wonders has published original and reprint flash fiction and narrative poetry, all tinged with the wonder of other worlds both science fictional and fantastic. Now the magazine is raising funds to cover Year Two, with an initial goal of $11,000. Stretch goals include publishing a Best of Year One collection, an issue guest edited by Premee Mohamed and Chimedum Ohaegbu, and more. Backers can get discounted yearly subscriptions; a Kickstarter-only mini issue with new works by Nino Cipri, Myna Chang, Jennifer Mace, Avra Margariti, and more; and pins and stickers themed to stories and poems from Year One. The Kickstarter runs through June 3.

Each issue of Small Wonders contains three original pieces of flash fiction, three new poems, and three re-printed flash fiction stories. Issues are published as ebooks (mobi, epub, and pdf) at the first of the month, and subscribers can receive every story and poem in their inboxes as they’re published on the website.

The first year of Small Wonders succeeded beyond Cislyn and Stephen’s expectations. It published new authors and poets as well as familiar names such as John Wiswell, Ali Trotta, Premee Mohamed, and Mary Soon Lee. and included multiple Rhysling-nominated poems. They’re excited to see what year two will bring, and hope you’ll be a part of it through the Kickstarter.

(2) VOTE FOR BEST FRENCH SFF SHORT STORY OF 2022. SFSF Boréal invited readers during the month of March to nominate the best French-speaking sff short stories that were published in 2022 in Canada. The four finalists for the Prix Aurora-Boréal have been announced. Members of SFSF Boréal are invited to vote for the best story at this link. Votes must be cast by June 1. The finalists are:

  • Blouin, Geneviève, “La Vie secrète des carapaces” (Solaris 223)
  • Côté, Philippe-Aubert, “À l’Ère des Jumeaux errants” (Les Six Brumes)
  • Kurtness, J.D., “Bienvenue, Alyson” (Hannenorak)
  • Vonarburg, Élisabeth, “Into White”, (Les Six Brumes)

The Congrès Boréal will be held in Montréal, Québec from September 20-22.

(3) THE N-WORD. Wrath James White gives his conclusive answer to using the n-word in dialog: “Make It Make Sense” at Words of Wrath.

Wrath James White

I have been asked several times lately about non-Black authors using the n-word when writing character dialog. Because I am, frankly, weary of answering this question, I decided to answer it here, once and for all. 

So, here’s my answer. It is appropriate for a White author to put the n-word in a character’s mouth if it isn’t done gratuitously (ala Quinton Tarantino) where the word is just shoehorned in unnecessarily to sound cool or edgy. If the dialog feels natural and non stereotypical. If the characters themselves aren’t one dimensional caricatures and are the type of people who would use the word as part of their everyday vernacular. If it’s the appropriate word to use in the moment and another word wouldn’t work just as well, then by all means do it. Wherever another word would be just as effective, don’t do it. 

For example, if your story takes place in the 90s or early oughts, then “dog”, “playa”, “gangsta”, “playboy”, “sistah” and “bruh” would all work just as well in most situations where one Black person is talking to another. Using the n-word in place of these words is a choice and the author should definitely question their motives for making that choice. That is unless you are writing a racist character. 

Obviously, it would be absurd to have a racist character avoid using the n-word unless he’s a closeted racist. Still, even a racist doesn’t use the word in every sentence, and might even use other more creative pejoratives. And, most racists are not blatant in their racism….

…The bottom line, I can’t grant you a pass to use the n-word. Nothing I have said above will guarantee that you won’t get the taste slapped out of your mouth for including it in yourwriting. But, if you do find it necessary to use it, just like I said in a previous article about grossout and gore, make it make sense. Make it feel natural and not like a teenager or adolescent trying to shock their parents. If you don’t think you can pull that off, use another word.

(4) LEFT BEHIND? “Some fight change, while others adapt. It’s a Toy Story sort of deal,” says Ronald Kelly in “Woody, Buzz, & the Changing of the Guard” at Fear County Chronicle.

Lately, I’ve been thinking about my place in an ever-growing, ever-changing horror genre. How it once was, how it is now, and if Ol’ Ron has the willpower and stamina to hang in there and keep up the pace with all the new and wildly talented authors who are flooding a market that was once relatively small and limited, both in ranks and growth. I’ve also been thinking a lot about the Pixar movie Toy Story….

You see, I’m Woody. Most of us veteran horror authors are. Woody is old-fashioned, leery of change, and a little hesitant to hand over the reins to anyone else because he likes the position he’s held for so long (Andy’s favorite and the leader of the toys). Deep down inside, he believes that he deserves to retain that position, perhaps indefinitely. Could be that he was pretty special and popular in the past, along with some of his peers (Woody’s Roundup stars Jessie, Bullseye, and even Stinky Pete in Toy Story 2). Woody likes how it is in Andy’s Room because it’s familiar, comfortable, and safe. He feels like he’s the head honcho there… not necessarily giving the orders but holding some measure of respect and authority among those around him. Even the mouthy and cantankerous Mister Potato Head looks to him for stability and guidance….

…Truthfully, very few veteran writers feel contempt and suspicion toward the swell of new storytellers bursting on the scene, but unfortunately some do. They feel challenged by progress and diversity and aren’t receptive to those who want a piece of the action. They also don’t approve of how the rules have changed, and how the dynamic of the writing world is evolving at a rapid pace. The mere thought of the Changing of the Guard horrifies them. We’ve seen it happen in social media in the past few years; an old-dog author bristles at the sudden influx of new talent in the genre and cries foul, sometimes in very volatile and unflattering ways. Some have even gone as far as losing all respect in the genre they helped trailblaze and end up being cast from the ranks for their nearsightedness, prejudice, and insolence….

(5) IN THE BEGINNING. “A Closer Look At Great Animated Title Sequences” at CartoonBrew.

In honor of Saul Bass’s birthday this month, we’re taking a look at some of the greatest animated title sequences from live-action movies (the topic of great credits sequences in animated movies is a subject for another time)….

… As Walt Disney suggested above, opening credits in the early days of movies tended to be straightforwardly informational, often created quickly by in-house art departments superimposing text over static background paintings. Even so, there are a handful of movies from the 1930s and ’40s that contain brief bits of animation during the credits. One great example is the cartoon opening of Abbott and Costello Meet Frankenstein (1948). This scene is frequently attributed to Walter Lantz, but was actually directed by Dave Fleischer….

… Maybe the all-time classic title sequence comes from The Pink Panther (1963), by DePatie-Freleng Enterprises, which not only introduced a cartoon star but also introduced one of the best movie themes ever composed (by Henry Mancini). Looney Tunes director Friz Freleng supervised the sequence, while Freleng’s longtime layout artist Hawley Pratt designed the panther and Ken Harris primarily animated him. Producer David DePatie remembered the movie’s premiere: “The memories of that night will remain with me forever. The projector started to roll and as the Panther first appeared there was a ripple of laughter from the audience which quickly became whistles and roars of approval as the Panther toyed with the various titles. At the conclusion of the main title, the crowd went bananas.”…

(6) REESE WITHERSPOON, LITERARY TASTEMAKER. “When her career hit a wall, the Oscar-winning actor built a ladder made of books — for herself, and for others.” Link bypasses Paywall, courtesy Brad Verter: “Inside Reese Witherspoon’s Literary Empire”

…First and foremost, she wants books by women, with women at the center of the action who save themselves. “Because that’s what women do,” she said. “No one’s coming to save us.”

Witherspoon, 48, has now been a presence in the book world for a decade. Her productions of novels like “Big Little Lies,” “Little Fires Everywhere” and “The Last Thing He Told Me” are foundations of the binge-watching canon. Her book club picks reliably land on the best-seller list for weeks, months or, in the case of “Where the Crawdads Sing,” years. In 2023, print sales for the club’s selections outpaced those of Oprah’s Book Club and Read With Jenna, according to Circana Bookscan, adding up to 2.3 million copies sold.

So how did an actor who dropped out of college (fine, Stanford) become one of the most influential people in an industry known for being intractable and slightly tweedy?

It started with Witherspoon’s frustration over the film industry’s skimpy representation of women onscreen — especially seasoned, strong, smart, brave, mysterious, complicated and, yes, dangerous women…

(7) PUBLIC FROCKING. Attention 18th-century re-enactors! “You Can’t Live in the Past, Even in a Period-Accurate Frock” contends the New York Times, although they know where you can get one.

In 2012, not long after he decided to dedicate his professional life to 18th-century wares, Casey Samson spent a weekend at a colonial-era fair in Bardstown, Ky., selling leather mugs out of a tent.

On his first night there, Mr. Samson sat alone by a crackling campfire, smelled the wood smoke and felt as if he had been transported to a different time. He knew then, he said, that he had made the right choice.

Today, Mr. Samson and his wife, Abbie, own and operate Samson Historical, a three-story business that doubles as a pseudo-museum on the downtown square in Lebanon, Ind., about 30 miles northwest of Indianapolis.

On a recent morning, Mr. Samson, 32, walked into a small warehouse tucked behind the retail space and waxed poetic about the shop’s “great wall of waistcoats.” But there was more: “These are original sugar dippers.” And: “One of Abbie’s passions is clay pipes.” And: “All right, so: gun flints.”

There were breeches and bonnets, frocks and cloaks, candles and lanterns, hip kidneys (for extra support) and bum rolls (for that perfect silhouette). And while Samson Historical has 10 full-time employees and manufactures its own merchandise, it also works with about 40 artisans from trades that are teetering on the edge of extinction: blacksmiths, woodworkers, glass blowers, horners. A fifth-generation pipe maker from Germany handcrafts the store’s pipes.

“A lot of what we do,” Mr. Samson said, “is trying to help keep these things alive.”…

(8) MAYBE YOU WONDERED. “How the ‘B Movie’ Got Its Name” at MSN.com.

When the legendary filmmaker Roger Corman died on May 9 at the age of 98, obituaries dubbed him “the King of the B Movies”—or, even more snappily, “King of the B’s.” He earned that sobriquet by churning out hundreds of low-budget productions, often sensationalistic “exploitation films” or genre fare like horror or science fiction….

In the silent era, motion picture studios began using a tiered approach to categorize productions. When Adolph Zukor founded his Famous Players film company in 1912, he used a three-way classification. As Gerald Mast recounted in his 1971 book “A Short History Of The Movies,” Zukor initially divided his pictures into “Class A (with stage stars and stage properties, the artsy films); Class B (with established screen players); and Class C (cheap, quick features).” Mary Pickford started as a “B” actress in 1914, but her movies quickly proved more popular than Zukor’s “Class A” productions.

A two-tiered system with “Class A” and “Class B” films became the industry standard, catching on during the Great Depression when the “double feature” offered two-for-one pricing to attract customers. The main feature would have the prestigious stars and high production values, while the “B” feature would be an inexpensive, quickly produced genre film like a Western. Studios set up “B units” to produce second features, and the slapdash “B movies” were aptly nicknamed “quickies” or “cheapies.”…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born May 19, 1946 André the Giant.  (Died 1993.) This Birthday for André René Roussimoffwho performed as André the Giant came about because (a) I really, really like The Princess Bride film and have seen it way too many times, and (b) I thought that he was charming in it as Fezzik. That said, I knew nothing about him and all his other performances, or his life story, at all.

He was a French professional wrestler of impressive height, seven feet and four inches to be precise. He would wrestle his entire life right up until he died at age forty-six of congestive heart failure after an apparent heart attack in his sleep in the Paris hotel he was staying at in order to attend his father’s funeral. It was likely associated with his untreated acromegaly which had been diagnosed some twenty-five years earlier.

His first genre role was being Bigfoot on The Six Million Dollar Man on “The Secret of Bigfoot, Part 1” and “The Secret of Bigfoot Part 2”. Naturally I’m giving you a photo of him in that role. 

Next up is being the Monster in “Heaven Is in Your Genes” on Greatest American Hero. Monster, just Monster? So, what did he look like there? Ahhh…. They apparently didn’t a budget for creating a monster which explains the generic name. I’m giving you a photo anyway so you can see what he looked like sans makeup. 

Andre the Giant on Greatest American Hero

He got to be in a film with Arnold Schwarzenegger, Conan the Destroyer. He played Dagoth the Dreaming God, the main antagonist of Conan. For some reason, he was uncredited. Considering what he looks like in the film, it was easy for him to go uncredited. 

Andre the Giant as Dagoth

And that brings us to his best and last genre role, that of Fezzik, the giant in The Princess Bride. He’s played as Goldman describes him in his novel, “Fezzik. The timid, large-hearted and obedient giant who accompanies Vizzini. Fezzik loves rhymes and his friend Inigo, and he is excellent at lifting heavy things.”  

Not a long career, but an interesting one I’d say. 

(10) COMICS SECTION.

Tom Gauld shared his latest:

(11) SAURON TURNS HIS EYE TO YOUR WALLET. [Item by Mike Kennedy.] Palantír viewing room included. Hopefully without a working Palantír just in case Melkor find a way to open the Door of Night. I mean, if you thought Sauron was bad news, you sure don’t want to deal with the OG baddy. “$460, 5,471-piece Lego Barad-dûr set comes for LOTR fans’ wallets in June” at Ars Technica. (See the set in detail at the LEGO® Icons website.)

…Sauron, Base Master of Treachery, will keep his Eye on you from atop the tower, which will actually glow thanks to a built-in light brick. The tower includes a minifig of Sauron himself, plus the Mouth of Sauron, Gollum, and a handful of Orcs.

The Lego Barad-dûr set will launch on June 1 for Lego Insiders and June 4 for everybody else. If you buy it between June 1 and June 7, you’ll also get the “Fell Beast” bonus set, with pose-able wings and a Nazgûl minifig. It doesn’t seem as though this bonus set will be sold separately, making it much harder to buy the nine Nazgûl you would need to make your collection story-accurate….

(12) SPACE AT LAST. “90-year-old Ed Dwight, 5 others blast into space aboard Blue Origin rocket”NPR has the story. (This was Blue Origin’s 25th mission to space. The New Shepard Mission NS-25 Webcast replay is on YouTube.)

Ed Dwight, the man who six decades ago nearly became America’s first Black astronaut, made his first trip into space at age 90 on Sunday along with five crewmates aboard Blue Origin’s New Shepard rocket.

The flawless liftoff from a West Texas launch site marked the first passenger flight in nearly two years for the commercial space venture run by billionaire Jeff Bezos. The approximately 10-minute suborbital flight put Dwight in the history books as the oldest person ever to reach space. He beat out Star Trek actor William Shatner for that honor by just a few months. Shatner was a few months younger when he went up on a New Shepard rocket in 2021.

(13) INDIA’S NEXT MARS MISSION. Space.com says “India’s ambitious 2nd Mars mission to include a rover, helicopter, sky crane and a supersonic parachute”.

India is preparing to launch a family of seemingly sci-fi robots to Mars, perhaps as soon as late 2024.

The Mars Orbiter Mission-2 (MOM-2), or Mangalyaan-2 (Hindi for “Mars Craft”), is set to include a rover and a helicopter, like a robotic NASA duo already on Mars — the Perseverance rover and now-grounded Ingenuity. A supersonic parachute and a sky crane that will lower the rover onto the Martian surface will also be part of Mangalyaan-2, Indian Space Research Organisation (ISRO) officials said last week during a presentation at the Space Applications Centre in Gujarat, India Today reported….

Media reports from late last year suggest that Mangalyaan-2 will have at least four science instruments designed to study the early history of Mars, analyze its leaking atmosphere, and look for a hypothesized dust ring around the planet generated by its two moons, Phobos and Deimos….

(14) SPEEDING UP TRAVEL TO MARS. “NASA-funded pulsed plasma rocket concept aims to send astronauts to Mars in 2 months” reports Space.com.

An innovative rocket system could revolutionize future deep space missions to Mars, reducing travel time to the Red Planet to just a few months. 

The goal of landing humans on Mars has presented a myriad of challenges, including the need to quickly transport large payloads to and from the distant planet, which, depending on the positions of Earth and Mars, would take almost two years for a round trip using current propulsion technology.The Pulsed Plasma Rocket (PPR), under development by Howe Industries, is a propulsion system designed to be far more efficient than current methods of deep space propulsion, enabling the trip between Earth and the Red Planet to be made in just two months. Specifically, the rocket will have a high specific impulse or Isp, a measure of how efficiently an engine generates thrust. This technology could therefore enable astronauts and cargo to travel to and from Mars more efficiently and rapidly than existing spacecraft, according to a statement from NASA…

(15) THE FINEST SUPERNATURAL TALE IN ENGLISH LITERATURE? [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff over at the Media Death Cult YouTube Channel invites us to consider Algernon Blackwood’s 1907 novelette, ‘The Willows’, as a contender for the grand chief fountainhead of the insidious order.  It did though inspire the likes of H. P. Lovecraft.  You don’t have to buy in to the pronunciation of Danube as ‘dan-noob’ but it is the Moidelhoff way…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Daniel Dern, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/28/23 Pixels Yearning To Be Running With The Wild Things

(1) LINK Q&A. “Kelly Link Can’t Write Narrative Before 3pm: And Other Tips For Purposeful Writing” at Literary Hub.

What time of day do you write?
I’ve spent a lot of time trying to figure out why I hate writing so much, when it’s also the thing that I want most to do—it turns out a large piece of this is that I mostly hate writing when I’m attempting to do it between waking up to around 2 pm. For a long time, I thought that real writers settled down to do their work first thing, and so I must be a dilettante not to be able to get anything done without finding it excruciating.

Finally, after lots of experimenting, I’ve realized that before 2 pm I can’t really make much headway, and that at some point between 2 and 3 in the afternoon some little switch in my brain flips, and I can think about narrative. And so now, on days when I’m going to write (including important emails), in the morning I do dishes, play games on my phone, and even watch some TV. From 3 pm to around 1 am, given the freedom to just write, I can get a lot of work done….

(2) OBVIOUSLY WRITTEN AFTER 3 P.M. And The New Yorker has a review of Link’s new collection White Cat, Black Dog: “A Shape-Shifting Short-Story Collection Defies Categorization”.

…One thing that fairy tales teach us, of course, is that it’s wise not to examine such magic too closely—better to accept the gift gratefully than to inquire into its provenance. Still, at the risk of incurring the magician’s wrath, we might look more closely at one of these stories and see if we can figure out how it works. “Prince Hat Underground” is the second story in the new collection, and the only one that’s previously unpublished. It begins in a very un-fairy-tale-like fashion, in medias res: “And who, exactly, is Prince Hat?” This isn’t as familiar an opening as “Once upon a time,” but it does point down a well-trodden path in literary fiction—that is, toward a character portrait. “Gary, who has lived with Prince Hat for over three decades, still sometimes wonders,” Link continues. And so the plot becomes even more familiar: this is the story of a marriage, and, more particularly, a story of the secrets that persist even in long-term relationships. Already we have, in two lines, a thumbnail sketch of this relationship, between staid, reliable Gary and the boyish, fanciful Prince Hat….

(3) SMALL WONDERS KICKSTARTER NEARS FINISH LINE. Stephen Granade reports, “We’re in the final day-and-a-half of the Small Wonders Kickstarter and are tantalizingly close to funding. We’ve passed 75% funded so got to release a new story from Nebula winner John Wiswell.”

Read “Irresponsibly Human” at the link.

I already got a body. Infiltrating their planet was easy after that; theirs is a simple culture, so unevolved that social media is still legal. Give me a week of using this body and the culture’s tech, and I’ll have enough experiential data to synthesize a whole army. They won’t even know we’re here until we’ve won. I’m going to be the first person to conquer another planet as a senior thesis project….

Granade adds, “When we reach 90% we’ll release a new poem by Beth Cato, and we’ve got a new story from Premee Mohamed as a reward for us fully funding.” 

(4) YOUR NAME THERE. NASA continues to invite people to “Send Your Name to Mars” on a “Future Mars Mission” whenever that may be. In the meantime, you can download a lovely Boarding Pass. My name went to Mars with Perseverance.

(5) DIAL TIME. Do you have Indiana Jones in Cannes? Well, let him out! “Indiana Jones and the Dial of Destiny to Debut at Cannes” and The Hollywood Reporter has details.

…The French fest runs May 16-27, with Dial of Destiny eying a day two or day three debut.

It is a homecoming of sorts for the pulpy hero. Fifteen years ago, Indiana Jones and the Kingdom of the Crystal Skull debuted at the fest, which has been a launching ground for tentpoles in recent years…. 

(6) NO RESPECT. Ed Power demands to know, “This Mormon sci-fi author made $55m last year. So why isn’t he taken seriously?” The article, about WIRED’s hit job on Sanderson, is behind a paywall at The Telegraph.

From tipping the barman to pre-teen beauty pageants, America is no stranger to bizarre rituals. One of the weirdest is the glossy magazine “hit piece”. This involves a journalist pretending to be friends with a famous person and then demolishing them over 2,000 words or so. Make that 4,000 in the case of a new Wired magazine “profile” of fantasy author Brandon Sanderson, in which the best-selling writer is subjected to a thorough biffing-up….

(7) PUBLISHING NIGHTMARE AVOIDS PRISON. “Book fraudster Filippo Bernardini spared jail” – the Guardian says he will be deported instead.

…Filippo Bernardini, who worked as a rights coordinator, pleaded guilty to one count of wire fraud in New York in January.

He was yesterday sentenced by judge Colleen McMahon to time served, meaning he will not be imprisoned, according to the Bookseller. He has agreed to pay $88,000 (£72,700) to Penguin Random House to cover the legal and expert fees the company paid as a result of his scheme.

Bernardini has also been sentenced to three years of supervised release, and will be deported from the US to the UK or Italy, where he grew up….

(8) MEMORY LANE.

1992[Compiled by Cat Eldridge.]

Great secondary characters are a must in any ongoing series. So it is with Sharyn McCrumb’s Ballad series, mysteries set in her native Appalachian region. And here we get the story of Nora Bonesteel. 

The one that is our Beginning this Scroll is from The Hangman’s Beautiful Daughter which was published by Scribner in 1992. It was the second in the series after the debut novel, If Ever I Return, Pretty Peggy-O. To date, there are thirteen Ballad novels and some shorter works. 

The Appalachian Writers Association gave The Hangman’s Beautiful Daughter its Award for Best Novel. 

As per our policy here of absolutely no spoilers, I won’t say anything this novel or anything explicit about the series. I’ll only say that the author has a deft hand at writing interesting characters set in what seems to be authentic Appalachian settings with interesting stories. 

PROLOGUE 

Summer for the living, 
Winter for the dead—

The rule for solstice alignment 
of standing stones 
in pre-christian britain 

Nora Bonesteel was the first one to know about the Underhill family. Death was no stranger to Dark Hollow, Tennessee, but Nora Bonesteel was the only one who could see it coming. 

She was well past seventy, and she lived alone in a white frame house up on the part of Ashe Mountain that had been Bonesteel land since 1793. Across the patchwork of field and forest, eye to eye with the Bonesteel house, was the outcrop of rock called Hangman, looking down on the holler with a less benevolent eye than Nora Bonesteel’s. They perched on their respective summits, the granite man and the parchment woman, in a standoff older than the pines that edged the meadows. 

She seldom left her mountain fastness except to walk down the gravel road to church on Sunday morning, but she had a goodly number of visitors—mostly people wanting advice—but they’d come bringing homemade blackberry jelly or the latest picture of the grandbaby so as not to seem pushy about it. Folks said that no matter how early you reached her house of a morning with a piece of bad news, she’d meet you on the porch with a mug of fresh-brewed chicory coffee, already knowing what it was you’d come about. 

Nora Bonesteel did not gossip. The telephone company had never got around to stringing the lines up Ashe Mountain. She just knew. 

Dark Hollow folk, most of them kin to her, anyhow, took it for granted, but it made some of the townspeople down in Hamelin afraid, the way she sat up there on the mountain and kept track of all the doings in the valley; sat up there with her weaving, and her pet groundhog, and her visions. 

The night that Garrett Webster died in that wreck on the road to Asheville, Nora had the carrot cake baked to take to the funeral by the time somebody stopped in the next morning to tell her about the accident. She had a dream, she said, while she was sleeping in that old iron bedstead with the hollow pipes at the head and foot of it. Suddenly, she had heard a clang and felt the bed vibrate, as if somebody had hit those footboard pipes with the point of a sword. She’d sat up in bed, looking to see what woke her, and there was Garrett Webster standing at the foot of her bed, smiling at her from inside a glow of white light. When he saw that she’d seen him and knew who he was, he faded away, and the room was dark again. It was eight minutes past five, Nora said, and she got up right then to start fixing that cake for Esther Webster and her boys. The state trooper’s report said that the wreck between Garrett Webster’s car and a semi on Route 58 had occurred at 5: 08 that morning. It also stated that Webster never knew what hit him, but Nora Bonesteel reckoned he had. 

She knew other things, too. Who was pregnant, when to cover your tomato plants for frost, and where your missing wedding ring would turn up. She could cure nosebleeds by quoting the sixteenth chapter of Ezekiel, sixth verse; and she knew how to gauge the coming winter by the bands on a woolly worm. But that was nothing to marvel at. Every family had somebody with the simple gifts; even ones who knew when there had been a death within their family, but what made Nora Bonesteel different from others with the Sight was that for her it wasn’t only a matter of knowing about close kin. The fate of the whole community seemed as open to her as the weekly newspaper. Even newcomers, like the Underhills, outsiders who had bought an old farm and had come as strangers to settle between the mountains, were within the range of her visions. 

Nobody in Dark Hollow ever mistook her for a witch. She taught Sunday school to the early teens, and she kept her place in an old leather King James Bible with the feather of a redbird’s wing. Nora Bonesteel never wished harm, never tried to profit by her knowledge. Most times, she wouldn’t even tell people things if it was bad news that couldn’t be avoided. And if she did impart a warning, she’d look away while she told it, and say what she had to in a sorrowful way that was nobody’s idea of a curse. She just knew things, that’s all. In the east Tennessee hills, there had always been people who knew things. Most people felt a little sorry for her, and were glad they could go through life with the hope that comes from not seeing the future through well-polished glass.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 28, 1912 A. Bertram Chandler. Did you ever hear of popcorn literature? Well the Australian-tinged space opera that was the universe of the Rim World and John Grimes was such. A very good starting place is the Baen Books omnibus To The Galactic Rim which contains three novels and seven stories. If there’s a counterpart to him, it’d be I think Dominic Flandry who appeared in Anderson’s Technic History series. Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t. (Died 1984.)
  • Born March 28, 1928 Ron Soble. He played Wyatt Earp in the Trek episode, “Spectre of The Gun”.  During his career, he showed up on a huge number of genre series that included Mission: ImpossibleThe Six Million Dollar ManShazamPlanet of The ApesFantasy IslandSalvage 1 and Knight Rider. His last genre role, weirdly enough, was playing Pablo Picasso in Pterodactyl Woman from Beverly Hills. (Died 2002.)
  • Born March 28, 1933 J. R. Hammond. Looking for companionable guides to H.G. Wells? Clute at EoSF has the scholar for you. He wrote three works that he recommends as being rather good (H G Wells: A Comprehensive Bibliography, Herbert George Wells: An Annotated Bibliography of his Works and An H G Wells Companion: A Guide to the Novels, Romances and Short Stories). Clute says that his “tendency to provide sympathetic overviews, now as much as ever, is welcome.” (Died 2018.)
  • Born March 28, 1942 Mike Newell, 81. Director whose genre work Includes The Awakening, Photographing Fairies (amazing story, stellar film), Harry Potter and the Goblet of Fire (popcorn film — less filling, mostly tasty), Prince of Persia: The Sands of Time and two episodes of The Young Indiana Jones Chronicles, to wit “Masks of Evil” and “The Perils of Cupid”.
  • Born March 28, 1944 Ellen R. Weil. Wife of  Gary K. Wolfe. She wrote a number of works with him including the non-fiction study, Harlan Ellison: The Edge of Forever. They wrote a fascinating essay, “The Annihilation of Time: Science Fiction; Consumed by Shadows: Ellison and Hollywood,” which can be found in Harlan Ellison: Critical Insights. (Died 2000.)
  • Born March 28, 1946 Julia Jarman, 77. Author of a  children’s book series I like a lot, of which I’ll single out Time-Travelling Cat And The Egyptian GoddessThe Time-Travelling Cat and the Tudor Treasure and The Time-Travelling cat and the Viking Terror as the ones I like the best. There’s more to that series but those are my favorites. I see no indication that the cats are available from the usual suspects alas. 
  • Born March 28, 1972 Nick Frost, 51. Yes, he really is named Nick Frost as he was born Nicholas John Frost. Befitting that, he was cast as Santa Claus in two Twelfth Doctor stories, “Death in Heaven” and “Last Christmas”. He’s done far more genre acting than I can retell here starting with the Spaced series and Shaun of The Dead (he’s close friends with Simon Pegg) to the superb Snow White and The Huntsman. He’s currently Gus in the Truth Seekers, a sort of low-budget comic ghost hunter series 

(10) FANAC’S FANNISH FEMINISM PANEL. Fanac.org hosted a two-part presentation about “Feminism in 1970s/80s Fandom” with Janice Bogstad, Jeanne Gomoll, and Lucy Huntzinger.

Fandom in the 70s/80s saw real influence from people with a feminist perspective, from the creation of Wiscon to fanzines like Janus and Rude Bitch, and to raising awareness of the reality women experienced.  What were the beginnings? How did Wiscon get started? Was fandom following popular culture or leading it? 

Part 1 – Panelists Janice Bogstad and Jeanne Gomoll tell us about the creation of Janus, Wiscon and the Madison nexus of feminist thought in 70s fandom, and Lucy Huntzinger brings us into the 80s with the lamentably short-run Rude Bitch, and her other experiences in fandom as a feminist.  Moderated by Edie Stern, FANAC.org webmaster, this intriguing panel reveals the unusual origins of Janus (and how the editor found out it was a fanzine!), the academic background brought to the discussions of women in science fiction, and some of the factors that made Madison the hotbed of feminist thought in fandom. 

These personal histories trace the growth of feminist discussion in broader fandom, and explore why fandom felt like a safe space for women. The panelists also discuss the sometimes negative reactions received…Wound through with personal anecdotes (“Will the real James Tiptree please stand up!”, and the production of “The Emperor Norton Science Fiction Hour”), the discussion provides a window on an important area of science fiction fan history.

Part 2 –  Panelists Jeanne, Lucy and Janice continue here with more on the reactions they received from others, and with the differences in being a feminist in fandom in the 70s and in the 80s…Part 2 has stories about dating approaches in fandom, the wonderful origins of Corflu, and a number of anecdotes (both serious and constructive as well as personal and funny) about well known women writers. There are charming anecdotes about Octavia E. Butler, Connie Willis, Sheri Tepper (and her rousing call to action on population growth), and Ursula K. Le Guin. 

You’ll also hear about the origins and early days of the Tiptree Award, and its novel funding mechanism. Finally, there are audience comments and reminiscences including a true story about the Minneapolis chicken hat…This session is lots of fun, with a serious thread underlying it. 

(11) FLIGHT HISTORY SUFFERS FIRE DAMAGE. The New York Times reports “Wright Brothers’ Airplane Factory Is Badly Damaged in Fire”.

A fire that broke out at a building complex in Dayton, Ohio, on Sunday damaged a factory founded by Wilbur and Orville Wright, the brothers who were the first people to successfully fly an airplane.

The fire throws into doubt the future of the factory, where the brothers built planes starting in the 1910s. It became part of the National Park Service’s group of aviation-related sites in Dayton in 2009.

The factory is a monument not just to the brothers and their consequential invention, but also to the role of leading industrialists of the day in giving birth to the age of commercial aviation. The factory was built shortly after Wilbur Wright visited New York in 1909 and “got buttonholed by the Vanderbilts, the Colliers, J.P. Morgan, folks like that,” said Dean Alexander, who was the park service superintendent in Dayton when the site was added. “The first thing they paid for was building that factory,” Mr. Alexander said.

The Dayton Fire Department said that it is investigating the cause of the fire, which started at 2:28 a.m. Sunday and damaged the roof and interior of buildings in the complex. No one was injured, the department said….

(12) LUCAS MUSEUM OF NARRATIVE ART. “Lucas Museum in Los Angeles Slated to Open in 2025” says the New York Times.

In the spring of 2018, after years of bidding wars, shifting proposals and changing plans, the Lucas Museum of Narrative Art broke ground in South Los Angeles.

And despite many subsequent delays, pandemic-related and otherwise, the enormous scope of the project by the “Star Wars” filmmaker George Lucas is finally coming into focus, and the museum is slated to open sometime in 2025, my colleague Adam Nagourney recently reported in The New York Times.

That may come as a surprise.

“My sense from the response to this story is that many people here were unaware of how far along the museum has come, and how big it is,” Adam, who is based in Los Angeles, told me.

As a refresher, Lucas considered building his billion-dollar museum in Chicago or San Francisco, but settled on Los Angeles, where officials were more aggressive in courting the project, which was expected to bring with it prestige and thousands of construction and museum jobs. The futuristic building, reminiscent of a low-flying spaceship, is being built on what were once parking lots in Exposition Park, across the street from the University of Southern California, Lucas’s alma mater.

The Lucas, designed by Ma Yansong, one of China’s most prominent architects, is part of a recent wave of museum construction in Los Angeles. The Academy Museum of Motion Pictures opened in 2021, and the Hammer Museum this month completed yearslong renovations. The Los Angeles County Museum of Art is also in the midst of a major overhaul….

(13) BALANCE OF POWER. “Would building a Dyson sphere be worth it? We ran the numbers” says Ars Technica. Daniel Dern posits, “If you have to ask, you can’t afford it.”

… For these and many other reasons, a Dyson sphere costs energy. So we’re going to see how long it will take to recoup the energy investment of building one and what the optimal design might be to minimize the initial investment.

To get at some numbers, we’re going to make a lot of assumptions. People like to poke fun at physicists for simplifying complex problems, sometimes beyond recognition. The old joke goes that dairy farmers reached out to a nearby university to help understand why milk production was low, and the response from the physicists began by assuming that the cows were spherical.

But there is something powerful about this simplifying approach, which is why physicists are trained in it from day one. First, it lets us answer questions when we’re not interested in precise numbers at the outset. Here, we just want a general sense of feasibility—will building a Dyson sphere take a (relatively) small, medium, or extreme amount of energy? Second, simplifying the problem helps cover up mistakes (either in calculations or our starting assumptions). If all we’re going after is a general ballpark, then a factor-of-two mistake (or even 10 or 100) won’t really change the overall intuitions our calculations enable….

Also: How about instead making a Ringworld-scale Dyson vacuum cleaner? (to suck up all that dark matter and other clutter…?)

(14) VERSE OF THE DAY. Too long to use as a title, however, it deserves Scroll honors. By Randall M:

One File makes you pixel
And one File makes you scroll
And the ones Mike Glyer sends you
Don’t go anywhere at all
Go ask Jetpack
When it’s on a roll

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Andrew (not Werdna), Randall M., Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

New SFF Magazine “Small Wonders” Launches Kickstarter

Cislyn Smith and Stephen Granade have launched a Kickstarter to fund the first year of Small Wonders, a new monthly online SFF magazine for flash fiction and poetry.

Small Wonders magazine will be publishing original and reprint flash fiction and narrative poetry, all tinged with the wonder of other worlds both science fictional and fantastic. Subscribers will be able to receive their wonders in the medium they prefer: web, ebook, or delivered straight to their inbox on a regular schedule. Read examples of what the magazine will publish for free right now in Issue 0.

Issue 0 includes stories and poems by Beth Cato, Saswati Chatterjee, Mary Soon Lee, Preemee Mohamed, Wendy Nikel, Charles Payseur, Ali Trotta, Moses Ose Utomi, and John Wiswell. The Kickstarter will fund issues 1 through 12: three original flash pieces, three new poems, and three reprinted flash pieces every month, all taken from an open submission slush pile. Issues will be delivered to subscribers at the first of the month and made free to read on the web as the month progresses, though only subscribers will receive extras – author interviews, behind-the-scenes sneak peeks, editorial notes, and commentaries.

Kickstarter backers can get discounted subscriptions, swag including ribbon bookmarks, the one-time-only printed copy of Issue 0, and (in limited quantities) a thirty-minute chat with authors Premee Mohamed or Alex White.

The Kickstarter will run for one month (until March 28), with new stories and poems from Issue 0 being released throughout.

[Based on a press release.]

Is This Practice Unreal or Unfit? It’s Both

Unreal and Unfit magazines use Thinkerbeat Reader to “chart… the authors that we thought did really well with a story submission.” But these are not stories they bought – six days ago they tweeted out a link to the list of stories they rejected. The page had names, titles, and a rating between one and five stars. One problem: none of the authors had given them permission to do so.

As we read the stories we rank them. For 1 star, not shown on the list, please try again. For 5 stars, we buy them, also not shown on the list. For 2 to 4 stars, we think you deserve recognition and have created this list to say thank you.

Benjamin Kinney called out the practice in “Writer Warning: Unfit / Unreal / Thinkerbeat Reader”.

If you’re an author out there submitting short stories, you should be aware of the things that the magazine Unfit and Unreal (via their portal Thinkerbeat Reader) are doing without your permission.

Here’s a screenshot from the page where they publish the authors, titles, and ratings for some stories they’ve rejected….

…I’ve edited the screenshot to only reveal the information of authors who’ve given me consent to share. I’m not providing links because there are dozens more authors on that page, who presumably never wanted this information publicized. Nothing in the website’s guidelines warns an author that their story may be publicly named & rated. In fact, their privacy policy states that they will not share your information with anyone.

(Yes, public. This page is visible to everyone, not only Thinkerbeat readers.)

…Maybe some authors are willing to have their rejections named & rated. I certainly wouldn’t be, but that’s your choice to make. But it’s DEFINITELY not okay to share information about individual submissions without asking permission. None of the authors in my screenshot were aware of this until I told them.…

After some subtweeting (see here for an example), Jason Sanford broke the news on Twitter. His thread about Kinney’s post has received numerous responses from editors and writers. Starts here.

Stephen Granade writes: “I was one of the authors on the list, and chose to out myself, as the editor hadn’t asked permission” – see his tweet here.

Interestingly enough, the magazines claim they won’t use your data in any way — see screencap of their policy in this tweet by Erin M. Hartshorn.

To add to this lack of professionalism, when Benjamin Kinney asked about this practice, the editor of the magazines replied simply, “Grow up.”

Victoria Strauss has added a warning to her followers about not submitting to those sites:

Alasdair Stuart, as usual, has cogent thoughts on the matter. Thread starts here.

[Thanks to Stephen Granade for the story.]