By Danny Sichel: [Reprinted from the Winter 2021/2022 issue of WARP.]The latest Clarkesworld is out, and it includes “The Cold Calculations” by Aimee Ogden, most recent in a string of answer stories to Tom Godwin’s 1954 “The Cold Equations” – from “The Cold Solution” (Don Sakers, 1991), to “The Cold Crowdfunding Campaign” (Cora Buhlert, 2020), and many others with less obvious titles.
“The Cold Equations” — also known as the “throw the girl out the airlock” story — has long been criticized for multiple shortcomings, in both its themes and its content. The situation is contrived! The society is broken! The EDS is bad engineering! There are other things Barton could have thrown out! Many people have complained about this last one, incidentally. There are indeed items on board that could very well have been sacrificed (including, as in Sakers’ story, the legs of both the pilot and the stowaway, which Sakers’ pilot assumed could be re-grown); apparently Damon Knight came up with a whole list.
Lately, though, a far more common criticism has been that “The Cold Equations” isn’t the story that Tom Godwin wanted to write. When Godwin sold the story to John W. Campbell for publication in Astounding Science Fiction, Campbell sent the story back for rewrites three times, because — in the words of Joseph L. Green, who spent five days with Campbell in 1970 — “Godwin kept coming up with ingenious ways to save the girl!” The moral of the story is often seen as being “space is dangerous”. This may be the case, but as Campbell biographer Alec Nevala-Lee found in a letter Campbell wrote to a friend, the story was also written as a “gimmick on the proposition ‘Human sacrifice is absolutely unacceptable.’” The situation in “The Cold Equations” is intended to force the reader to agree that human sacrifice can be not just acceptable, but necessary. As a result, you can definitely see a lot of places where Campbell’s thumb is on the scale, and remnants of earlier versions.
There are a lot of things wrong with “The Cold Equations”, and therefore I choose my words very carefully when I say: Campbell’s interference made the story better, but not for the reasons he thought.
What makes “The Cold Equations” special, what makes it an enduring classic, is that it’s about failure. Given the grossly negligent environment in which Marilyn was able to stow away in the first place (per Richard Harter, “there is a word for pilots who short cut their preflight checklist. They are called dead.”), without which the story couldn’t have happened in the first place, and the complete lack of margin for error, and, really, all the other factors that Godwin-under-Campbell’s-guidance used to make the story possible… given all that, if Barton had been able to jettison the pilot’s chair, or whatever “ingenious” thing Godwin had originally intended as the basis for a happy ending, then today… no one would remember it. It would have been Just Another Puzzle Story.
It’s more than that, though. I first read “The Cold Equations” in the early ’90s, in the same general span of time that I read “The Old Man and the Sea”, which is also about failure in some very important ways, and which may have nudged my thinking in certain directions. As is typical, I was aghast by the story’s conclusion, especially because there were so many possibilities as to how it could have been resolved without a death. But, I thought, that was the whole point.
I saw “The Cold Equations” as a classic not because the tragedy was unavoidable, but because it wasn’t.
This is what makes literature, isn’t it? Characters who aren’t perfect. They have flaws. That’s why the whole concept of the “tragic flaw” exists.
Barton was in a puzzle story. A life was on the line. All the pieces of the solution were there. And… he didn’t put them together. He wasn’t insightful or creative or educated enough to see the solution. He wasn’t bold or confident or stubborn enough to go against regulations. The pressure was on… and he didn’t make the right decision at the right moment. He wasn’t good enough.
He wasn’t the hero. He was only the protagonist.
“I didn’t do anything,” Marilyn says at the end, as she goes out the airlock to die. “I didn’t do anything.”
And neither did Barton.
And that’s why, despite everything, the story works.
Pasadena is set to get another independent bookstore: Octavia’s Bookshelf. Owner Nikki High said she hopes to highlight authors who are Black, Indigenous, and other people of color.
High chose the name as a tribute to Pasadena native, science-fiction author and MacArthur fellow Octavia Butler who died in 2006….
“She was the first Black sci-fi writer that I read, and it was the first time that I saw Black people in the future,” High said.
… Octavia’s Bookshelf is scheduled to open by mid-to-late February. The bookstore will be located north of the 210 Freeway at 1361 North Hill Avenue.
(2) HUNGARY’S BEST SF. [Item by Bence Pintér.] I was happy to find this English review about the best Hungarian SF novel of 2021: “A Sci-fi Built on Linguistics” at Hungarian Literature Online.
Katalin Baráth took risks on several levels with her new novel Aphasia. First, she didn’t continue the story of Veron Dávid, the saleswoman from Ókanizsa (The Black Piano, The Turquoise Violin, The Ember Harp, The Golden Cimbalom), with which she had built up her considerable fan base, though she had already broken up that series with the thriller Archangel in the Night. Second, she didn’t go with traditional hard science fiction, say nuclear physics, but with a soft sci-fi to which she can more easily relate, a sci-fi built on linguistics, like China Miéville’s Embassytown. And third, she centered the Hungarian language itself; Baráth didn’t use a made-up or artificial language, but elevated the Hungarian language to a cult status in her fictional universe….
… “The Hopkins Manuscript” opens with a foreword by the Imperial Research Press of Addis Ababa, which states that the text that follows was discovered in a thermos flask “in the ruins of Notting Hill.” More than 800 years have passed since an unspecified cataclysm caused the end of Western civilization, and all records of Britain since the time of Julius Caesar have been lost, apart from a few stray fragments, such as a tablet commemorating the dedication of a public swimming pool in North London. Scholars of ancient history, the foreword notes, hoped that the manuscript would shed light on England’s final days, but they were disappointed to find nothing but the testament of “a man of such unquenchable self-esteem and limited vision that his narrative becomes almost valueless to the scientist and historian.”
As the story begins, the reader has little reason to question this statement. Edgar Hopkins is a retired schoolmaster in his early 50s who lives on an estate near the village of Beadle, where he breeds chickens for poultry shows. As an associate member of the British Lunar Society, he is among the first to hear the news that the moon is expected to collide with the earth in just under seven months. The science of the looming disaster is left deliberately vague — the moon’s departure from its habitual orbit is attributed to “some gigantic force” — and Hopkins is unable to believe that anything bad will really occur: “My vanity persuaded me that God would never permit the world to end until I personally had finished with it.”…
Other countries including the U.S., U.K., India, Japan and several European nations have announced tougher COVID-19 measures on travelers from China amid concerns over a lack of data on infections in China and fears of the possibility that new variants may emerge….
In his first post to social media since he was run over by his snowplow on New Year’s Day, Marvel actor Jeremy Renner thanked fans and friends for their support in the wake of what authorities called “a tragic accident.” On Instagram, the 51-year-old posted a photo of himself in a hospital bed sporting visible facial injuries, including scrapes and a swollen eye. “Thank you all for your kind words,” he wrote in the accompanying caption. “Im too messed up now to type. But I send love to you all.” A representative for the Hawkeye star confirmed on Tuesday afternoon that Renner was “making positive progress and is awake, talking and in good spirits,” reiterating that he remained in the intensive care unit in critical but stable condition. “He is overwhelmed by the showing of love and support,” the spokesperson continued. “The family asks for your continued thoughts while he heals with his close loved ones.” The Washoe County Sheriff provided more details on the incident on Tuesday, saying that Renner had just rescued a stranded family member when his 14,330-pound snowcat began to roll as he tried to climb back inside the driver’s cab. Sheriff Darin Balaam emphasized that Renner was not “impaired” at the time of the incident.
A Sherlock Holmes collection, the first film to win the Oscars’ top prize and a classic ditty by Irving Berlin are among the thousands of books, films and musical compositions entering the US public domain in 2023.
When a piece of art enters the public domain, it means no one holds the copyright to it. Anyone can broadcast, consume or reimagine these works without having to pay royalties. Books, films and artworks in the public domain are also often more easily distributed and sometimes free to consume.
Among the most famous of this year’s crop are “The Case-Book of Sherlock Holmes,” which decisively ends a decades-long saga of Arthur Conan Doyle’s estate attempting to curb use of the character by other authors, the wartime romance “Wings” and Berlin’s “Puttin’ On the Ritz.”…
(7) HEAR FROM AUTHOR NEVAIR. Space Cowboy Books will host an online reading and interview with Jonathan Nevair, author of Stellar Instinct, on Tuesday, January 24 at 6:00 p.m. Pacific. Register for free here. Get your copy of Stellar Instincthere.
A secret agent. A gaming mastermind. Two players in a dangerous competition blurring the boundaries of entertainment and reality. Mysterious signals pulse from an icy planet in a remote star system. GAM-OPs wants answers. Enter Lilline Renault, secret agent extraordinaire. To ordinary citizens she’s Keely Larkin, an adventure company guide with a flair for the daring and a penchant for writing trite poetry. Lilline’s at the top of the spy game, but publishing her literary work is proving harder than saving the galaxy. When the mission uncovers a dastardly plan threatening billions of lives, Lilline leaps into action. Verses flow as she rockets through space, dons cunning disguises, and infiltrates enemy territory with an arsenal of secret gadgets. But to prevent the whims of a self-obsessed entrepreneur from turning the galaxy into a deadly playground means beating him at his own game. Lilline will need her best weapon to stand a fighting chance: her instinct. STELLAR INSTINCT: A spy-fi thriller set in space.
…The Apollo 7 mission launched in 1968 and lasted roughly 11 days, sending the crew on a journey into orbit that amounted to a test flight that could demonstrate the Apollo capsule’s ability to rendezvous with another spacecraft in orbit and pave the way for future exploration deeper into space. It was also notable for featuring in the first live TV broadcast of Americans from space, according to NASA.
Cunningham was the last surviving member of the Apollo 7 crew, which also included astronauts Wally Schirra and Donn Eisele….
(9) MEMORY LANE.
[Compiled by Cat Eldridge.]
“Now we are all here!” said Gandalf, looking at the row of thirteen hoods—the best detachable party hoods—and his own hat hanging on the pegs. “Quite a merry gathering! I hope there is something left for the late-comers to eat and drink! What’s that? Tea! No thank you! A little red wine, I think for me.” “And for me,” said Thorin. “And raspberry jam and apple-tart,” said Bifur. “And mince-pies and cheese,” said Bofur. “And pork-pie and salad,” said Bombur. “And more cakes—and ale—and coffee, if you don’t mind,” called the other dwarves through the door. “Put on a few eggs, there’s a good fellow!” Gandalf called after him, as the hobbit stumped off to the pantries. “And just bring out the cold chicken and pickles!” “Seems to know as much about the inside of my larders as I do myself!”
— J.R. Tolkien’s The Hobbit
Our author tells us that Hobbits are fond of six meals a day, including two dinners, if they can get it, while in the Prologue to The Lord of the Rings, he notes, they “eat, and drink, often and heartily, and growing food and eating it occupied most of their time.”
These meals are Breakfast at 7 a.m., Second Breakfast at 9 a.m., Elevenses at 11 a.m., Luncheon at 1 p.m., Afternoon Tea at 3 p.m., Dinner at 6 p.m., and finally Supper at 9 p.m.
Jackson’s The Fellowship of The Ring film for no reason what-so-ever mentions that second breakfast exists, saying that hobbits eat seven meals throughout each day. Why they did this is unknown. Another example of Jackson messing with Tolkien’s writings for no damn good reason.
Fans of the books have recreated these meals included the elevenses. One site had this for its menu — Elven lembas bread, Bread pudding with cinnamon, Lavender and lemon muffins, Strawberry shortcake with cream, caraway seed cake and lemon tea cake. And lots of tea with heavy cream of course.
As Thorin said, “If more of us valued food and cheer and song above hoarded gold, it would be a merrier world. But, sad or merry, I must leave it now. Farewell.”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 3, 1892 — J.R.R. Tolkien. So what was the first work by him you read? For me, it was The Hobbit which I fell in love with and still find terribly engaging in a way that I don’t, and no throwing rocks please, find The Lord of The Rings. I think it’s that it’s far me easier to lose myself in the work and enjoy what happens than struggle through the story of the latter. I’m also fond of The Road Goes Ever On, a song cycle taken from The Lord of The Rings, The Father Christmas Letters which a local Theater group enacted one year, and The Monsters and the Critics, and Other Essays. (Died 1973.)
Born January 3, 1937 — Glen A. Larson. Triple hitter as a producer, writer and director. Involved in Battlestar Galactica, Galactica 1980, The Six Million Dollar Man, Manimal (no, really don’t ask), Buck Rogers in the 25th Century, and Knight Rider. He also was responsible for Magnum, P.I. which I love but I’ll be damned if I can figure anyway to claim that’s even genre adjacent thought I think one of you will figure a way. He also did a lot of BattlestarGalactica novels, some with Ron Goulart. (Died 2014.)
Born January 3, 1940 — Kinuko Y. Craft,83. She is a Japanese-born American painter, illustrator and fantasy artist. True enough. So why is she here? Because she had an amazing run of illustrating the covers of the Patricia McKillip novels until quite recently. I’m linking here to our review at Green Man of The Bards of Bone Plainfor a favorite cover of mine she did. There’s a slim volume on Imaginosis called Drawings & Paintings which collects some of her work which Green Man reviews here. She was a guest of honor of the 2016 Worldcon.
Born January 3, 1975 — Danica McKellar, 48. From 2010–2013 and since 2018, she’s voiced Miss Martian in the Young Justice series. It’s just completed its fourth season and it’s most excellent! She’s done far, far more voice work than I can list here, so if you’ve got something you like that she’s done, do mention it.
Born January 3, 1976 — Charles Yu, 47. Taiwanese American writer. Author of the most excellent How to Live Safely in a Science Fictional Universe and the short-story collections, Sorry Please Thank You and Third Class Superhero. His novel was ranked the year’s second-best science fiction novel by the Center for the Study of Science Fiction at the University of Kansas — runner up for the Campbell Memorial Award.
Born January 3, 1984 — Brooke Williams, 39. For recurring roles, she’s been Catania in The Shannara Chronicles and Hannah in 12 Monkeys. She had a recurring also as Jennsen Rahl on Legend of the Seeker which is off novels by Terry Goodkind. She also played Hermia in A Midsummer Night’s Dream at the Globe Theatre In London. Remember we agreed this was fantasy. Indeed she’s been in Sleeping Beauty and Jack and the Beanstalk, both in New Zealand productions!
…This is James Daunt’s super power: He loves books.
“Staff are now in control of their own shops,” he explained. “Hopefully they’re enjoying their work more. They’re creating something very different in each store.”
This crazy strategy proved so successful at Waterstones, that returns fell almost to zero—97% of the books placed on the shelves were purchased by customers. That’s an amazing figure in the book business.
On the basis of this success, Daunt was put in charge of Barnes & Noble in August 2019. But could he really bring that dinosaur, on the brink of extinction, back to life?
The timing was awful. The COVID pandemic hurt all retailing, especially for discretionary items like books. Even worse, the Barnes & Noble stores were, in Daunt’s own words, “crucifyingly boring.”
But Daunt used the pandemic as an opportunity to “weed out the rubbish” in the stores. He asked employees in the outlets to take every book off the shelf, and re-evaluate whether it should stay. Every section of the store needed to be refreshed and made appealing.
As this example makes clear, Daunt started giving more power to the stores. But publishers complained bitterly. They now had to make more sales calls, and convince local bookbuyers—and that’s hard work. Even worse, when a new book doesn’t live up to expectations, the local workers see this immediately. Books are expected to appeal to readers—and just convincing a head buyer at headquarters was no longer enough.
Daunt also refused to dumb-down the store offerings. The key challenge, he claimed was to “create an environment that’s intellectually satisfying—and not in a snobbish way, but in the sense of feeding your mind.”
That’s an extraordinary thing to hear from a corporate CEO. Daunt wanted to run a bookstore that was “intellectually satisfying” and “feeds your mind.” The first time I heard an interview with him, I decided I trusted James Daunt. I wanted him to succeed. But the odds seemed stacked against him.
Then it started to happen—book sales at Barnes & Noble began rising again….
… And then: The woman they were waiting for arrived.
“It is me, Celine Dion,” said Marla Mindelle, one of the writers and stars of the “Titanic” musical parody show “Titanique,” casting aside a black garbage bag cloak to reveal a shimmering gold gown — a nod to the witch’s entrance from “Into the Woods” — and sashaying her way to the stage to a tidal wave of applause….
…Part of the appeal, said Ty Hanes, 29, a musical theater actor who has gone 13 times, is that no two performances are the same. He looks forward to seeing what Mindelle will do in the five-minute scene between Rose and Jack that she improvises every night (some of his favorites: a bit about a toenail falling off and a riff on Spam, the tinned pork product).
“You can tell they just have a blast changing stuff up a bit every night,” he said.
“Sometimes it really works, and sometimes it doesn’t,” Mindelle said.
“No, it does,” Rousouli said. “It always lands.”
Unlike a Broadway musical like “Wicked,” in which the script does not change after the show opens, Rousouli said, they tweak the show weekly — sometimes daily — to stay current on pop culture moments and TikTok trends. On a recent night, a joke featuring a Patti LuPone cardboard cutout drew loud laughs (“You can’t even be here, this is a union gig!”), and a line originally uttered by Jennifer Coolidge’s character in the Season 2 finale of the HBO satire “The White Lotus” (“These gays, they’re trying to murder me.”), now spoken by Russell Daniels performing in drag as Rose’s mother, received a mid-show standing ovation.
“People feel like they’re part of something special every night,” Rousouli said….
(13) OATH TAKING. Democratic congressman-elect from California Robert Garcia shared three symbolic items that will be part of his swearing-in ceremony.
It took Neil Gaiman 30 years to get a proper adaptation of “The Sandman” made, and what felt like 30 more years (to fans who adored the final product, at least) for Netflix to renew the fantasy epic following its August premiere.
In reality, it was just three months, but those were a long three months for viewers who watched “The Sandman” hold steady on Netflix’s Top 10 English-language titles list week after week (and receive a bump when its top-secret 11th episode dropped two weeks after the first batch launched).
“We wanted to spend the time to get creatively aligned around what would be the next, best experience with ‘The Sandman,’” Netflix’s head of UCAN scripted TV Peter Friedlander told Variety. “And because of that, we wanted to spend the time with [showrunner Allan Heinberg] and Neil and really talk through and be thoughtful about what the approach should be — because Season 1 is also very thoughtful and intentional. So that was really what took the extra time, is to get our ducks in a row.”…
[Thanks to Cat Eldridge, Mike Kennedy, Daniel Dern, Scott Edelman, Bence Pintér, Alec Nevala-Lee, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
(1) WSFS BUSINESS MEETING AGENDA UPDATE. Chicon 8 has released an expanded Business Meeting agenda — 2022-WSFS-Agenda as of 20220807. One of the many items added since the first draft came out in July is a motion to create a Best Game or Interactive Work Hugo.
(2) NEVALA-LEE’S LATEST. Pradeep Niroula deconstructs the figure at the center of Alec Nevala-Lee’s Inventor of the Future: The Visionary Life of Buckminster Fuller, who “became a counterculture icon while entrenched in the very things that betrayed its spirit” in “The Making of a Prophet” for LA Review of Books.
HOW DO YOU write a biography of a man who lived like a demigod? A man for whom the vocabulary and syntax of the English language was so inadequate that he had to invent words, including “synergy,” “ephemeralization,” and “livingry” (a spiritual antithesis to weaponry, which, of course, leads to “killingry”), to articulate his ideas. A man who wore three wristwatches set to three different time zones to organize his day and who angrily banged his fists if you dared ask him for his address (“Young man, I live on Planet Earth!”). A man who believed that it fell to him to save the planet….
Why should SFF fans in general and Hugo voters in particular read this book?
In short, it’s a history of fandom as a community — not just the capital F literary traditions/community, but of the wider history of fandom and how it’s evolved and changed over the decades.
This was a particularly fascinating thing to watch as I interviewed folks or pored over documents from Fanac.org: how did the act of costuming become an institution within the worldcon scene, and how did it grow out and fracture as fandom expanded and Balkanized as science fiction and fantasy entertainment began to take over movie theaters, television sets, and video game consoles? It’s a really fascinating evolution, and one that I think is well worth paying attention to, culturally.
It’s a high-level overview of the larger fan world, one that touches on a bunch of these various tribes. I wanted to make sure that it was approachable to folks who have been fans for decades, long-time costumers/cosplayers/makers, and to folks who were just casual fans or who wanted to learn a little more. Hopefully, it’s a good entry point to understand the larger cosplay — and fan — world.
(4) FROM ORION TO APOLLO. The Compact Ella Parkeris the latest addition to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy the book, a donation to TAFF is a fine way to express your appreciation:
Ella Parker was a prominent, London-based British fan of the 1950s and 1960s who published the highly regarded fanzine Orion from 1958 to 1962 and the later Compact in 1963-1964. Which should explain the ebook title The Compact Ella Parker. She was a founder member of the Science Fiction Club of London and of the British Science Fiction Association.
As a follow-up to his presentation of her 1961 North American trip report with third-party fannish commentary as The Harpy Stateside (2021), Rob Hansen has compiled this selection of Ella Parker’s other fan writing both before and after the famous excursion. As he writes in his Foreword, “I wasn’t sure that Ella – never the most prolific of fanwriters – had written enough to warrant such a volume but, happily, I was wrong. Taken together, the pieces she produced are the best account that we have of London fandom as it was in the first half of the 1960s. They also offer an interesting look into the larger fannish politics and convention issues of that period.” As a bonus there’s a long report, crammed with sense of wonder, of her attendance at the launch of Apollo 16 in 1972.
Sword-and-sorcery continues to show stirrings, and life. Outlets like Tales from the Magician’s Skull, DMR Books, new projects like Whetstone, New Edge, etc., are publishing new authors and new stories that embrace its old forms and conventions. Obviously the genre ain’t what it used to be circa 1970, but who knows what the future may hold for us aging diehards.
I speculate on some of the reasons why S&S died off in Flame and Crimson (which, by the way, just surpassed 100 ratings on Amazon—thank you to everyone who took the time to rate or review the book, as these help with visibility in some arcane, Amazon protected manner). I won’t rehash them all here, they are available in the book.
What I haven’t written as much about is why Grimdark filled the void, what makes that genre popular with modern readers, and what we might have to learn from this transition.
First, I am of the opinion that Grimdark is the spiritual successor to S&S. One of them, at least. I agree with the main thrust of this article by John Fultz. S&S has many spiritual successors, from heavy metal bands to video games to Dungeons and Dragons. But in terms of literature, the works of Richard Morgan, Joe Abercrombie, and George R.R. Martin, bear some of the hallmarks of S&S, while also being something markedly different….
(7) ROLAND J. GREEN (1944-2021). Author Roland J. Green died on April 20, 2021. File 770 just became aware of his passing. Green wrote many books under his own name, and 28 books in the Richard Blade series published under the pen name “Jeffrey Lord.”
His first novel, Wandor’s Ride, was a sword & sorcery tale published in 1973
His alternate history short story “The King of Poland’s Foot Cavalry” from Alternate Tyrants was a Sidewise Award nominee in 1998.
…Roland became an established science fiction/fantasy writer after his first novel was published in 1973, writing more than 60 works in his 30+ year writing career.
He was involved in historical re-enactments and could brilliantly spout off historical trivia. He enjoyed reading (favoring maritime history), drawing, and a good pun. When working or during leisure time you could always find one of his cats curled up next to him. Most of all he cherished and loved being a family man….
He is survived by his wife, Freida, a daughter, and a grandchild.
(8) MEDIA BIRTHDAY.
1981 – [By Cat Eldridge.] Forty-two years ago on a very hot summer day not dissimilar to this one, I saw the Heavy Metal film which premiered today. I was familiar with the Heavy Metal magazine being an on-and-off reader of it. The illustrations were quite good and occasionally the stories were brilliant as well.
The film was directed by Gerald Potterton who previously done animation on Yellow Submarine which was nominated for a Hugo at St. Louiscon. (Now there’s a film I hadn’t thought of as being genre.)
As it was an anthology, a lot of folk were responsible for the source material: there was original art and stories by Richard Corben, Angus McKie, Dan O’Bannon (doesn’t he show up in the most interesting places?), Thomas Warkentin and Bernie Wrightson.
It was produced by Ivan Reitman, known for his comedy work such as Stripes which I really liked and Ghostbusters II which I thought wasn’t nearly as good as the first film was, and Leonard Mogel who, well did pretty much this and nothing else. The screenplay was written by Daniel Goldberg, who also wrote the Stripes screenplay and Len Blum, who did the same.
It had a big voice cast which frankly I don’t recognize outside of John Candy and Harold Ramis.
I’m not going to discuss the film itself as it has far too many stories to do so, nor will I talk about the more controversial aspects of it in the form of the nudity, sex, and graphic violence, though the critics below will. I liked some of it but thought most of it was just badly done. I certainly haven’t had any reason to go see it again. There was a sequel, Heavy Metal 2000, which I’ve no desire to see.
The reception among critics at the time was, to say the least, was mixed. Gene Siskel of the Chicago Tribune really liked it but criticized it for being sexist and overly violent. And Sheila Benson of the Los Angeles Times condemned it for its explicit sadism. Reading through the reviews, a common note was that they thought the animation was really poor. And almost everyone criticized it for being overly sexist and way too violent.
It probably broke even as it cost very little to make, nine million, and made twenty million. It has, as many a site notes, a cult following now.
Audience reviewers at Rotten Tomatoes currently give it a rather excellent sixty-seven percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 7, 1884 — Billie Burke. This Birthday is new this year as she popped up on a list I subscribe to. Her best remembered role was as the Glinda the Good Witch of the North in oh-so-stellar The Wizard of Oz. But she did have some other genre roles. She is also remembered for her appearances in the Topper film series as Clara Topper, not altogether a favorable role but memorable none the less. She also starred in a version of “Dr. Heidegger’s Experiment” about a search for the Fountain of Youth on the TV’s Lights Out. (Died 1970.)
Born August 7, 1918 — Jane Adams. Actress who showed in the Forties Batman and Robin film as Vickie Vale, Girl Reporter. (That’s how she’s listed at the time.) Other genre credits were House of Dracula, Tarzan’s Magic Fountain, Master Minds (eat too much sugar and you can see the future — it was sponsored by a cereal company) and the Adventures of Superman series. (Died 2014.)
Born August 7, 1944 — John Glover, 78. He’s got a wealth of genre roles, so I’m going to be highly selective. (Go ahead and complain.) He was Brice Cummings in the Bill Murray fronted Scrooged, and he voiced a great Edward Nygma who was The Riddler in Batman: The Animated Series, in Brimstone, he was both The Devil and The Angel, and he was Daniel Clamp in the second Gremlins film.
Born August 7, 1933 — Jerry Pournelle. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called, errrr, Moties. It’s much better than The Gripping Hand was. His best novel is of course The Mote in God’s Eye which he wrote with with Niven. And yes, I’ve read a lot of his military space opera when I was a lot younger. At that age, I liked it. I expect the Suck Fairy with her steel toe boots wouldn’t be kind to it now if I read any of it, so I won’t. I see though he hasn’t won any Hugos, that he has a number of nominations starting at Torcon II for “The Mercenary” novella followed by a nomination at DisCon II for his “ He Fell into a Dark Hole” novelette. The next year at the first Aussiecon, The Mote in God’s Eye got nominated and his Extreme Prejudice novel also got a nod. MidAmericaCon saw Inferno by him and Niven get nominated and his “Tinker” novelette also was on the ballot. Lucifer’s Hammer with Niven got on the ballot at IgunaCon II and his final nomination was at ConFederation for Footfall with Niven. Oh and at MidAmericaCon II, he got a nomination for Best Editor, Short Form. And yes, I was a devoted reader of his Byte column. (Died 2017.)
Born August 7, 1957 — Paul Dini, 65. First, he is largely responsible for the existence of Batman: The Animated Series, Superman: The Animated Series, The New Batman/Superman Adventures, Batman Beyond, and yes Duck Dodgers And Tiny Toons as well. He’s recently been writing for the Ultimate Spider-Man series which is quite good. He co-authored with Pat Cadigan, Harley Quinn: Mad Love. He’s responsible for the single best animated Batman film, Batman Beyond: Return of the Joker, as he wrote it. If you see it, see the R rated version.
Born August 7, 1957 — Lis Carey, 65. A prolific reader whose reviews fill the shelves at Lis Carey’s Library. She is also a frequent Filer, contributor of numerous cat photos and even more book reviews. She is a longtime member of NESFA, and chaired Boskone 46 in 2009. (OGH)
Born August 7, 1960 — Melissa Scott, 62. I think the first work I read by her was Trouble and Her Friends which holds up well even now. I’m also fond of Night Sky Mine and The Jazz. I see that she has an entire series set in the Stargate Atlantis universe. She won the Astounding Award for Best New Writer, and four Lambda Awards, the first for Trouble and Her Friends, a second for Shadow Man, a third for Point of Dreams and a fourth for Death by Silver.
Eighth Tower is proud to reprint the rare and long time out of stock compilation “Nyarlathotep – A Tribute To Howard Phillips Lovecraft”, originally released in 1997 by the label KADATH. With this remastered release Eighth Tower brings to light a jewel of the Portuguese post-industrial tape culture, featuring some of the most interesting projects from the late 90’s Portuguese, Italian and French underground.
(11) D&D&B. Chris Barkley passed this along with a comment that “This is fandom at its BEST.” Thread starts here.
The latest stage of the Smithsonian National Air and Space Museum’s renovations may have the museum temporarily closed, but Trekkies will have something to look forward to when it reopens on October 14: The Enterprise studio model used in Star Trek: The Original Series. The Museum is reintroducing the popular display as a part of its reopening later in the fall, unveiling 8 new galleries in the transformed space….
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Steven H Silver, Cora Buhlert, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]
Remember, you have only over one week left to vote for for the 2022 Hugo Awards, the Lodestar Award for best Young Adult Book, and the Astounding Award for Best New Writer!
All ballots must be received by 11 August 2022, 11:59 pm PDT (UTC-7). Access our website link [above] for information on how to access the voters packet, how to vote online, or how to vote by mail.
(2) APPEAL FOR CWCF. Yesterday the Chicon 8 committee also asked for donations for the Chicago Worldcon Community Fund.
The Chicago Worldcon Community Fund (CWCF) needs another $5000 to meet the needs of our community! Can you contribute?
The CWCF is a special fund to help defray the expenses of attending Chicon 8 for non-white fans or program participants, LGBTQIA+ fans or program participants, and local Chicago area fans of limited means.
You can give directly to the fund or even donate a membership you may not use. Even $5 goes a long way!
For donation information or how to apply to the fund, visit our site at the link [above].
A very long article about the Jumi Bello plagiarism scandal has come out from AirMail. In brief, if you aren’t familiar with the story: a debut author had her book canceled by the publisher because it contained a significant amount of plagiarism.
The article, which is about what happened and its antecedents and aftermath, is… not great. The journalist focuses on odd, salacious details, fails to draw some obvious points, and misses big questions about the commodification of marginalized identities, the responsibility of due diligence from agents, editors, and publications, how authors often take the fall for systemic industry failures, and the lack of education around the ethics of influence and inspiration1.
I’m not going to address any of those points, though I hope someone does because I think they’re important. But I do think there is something hugely instructive to be taken from this incident—something that teachers of writing and emerging writers alike can learn from—about the business of publishing and the fragility of the creative life.
…This is a story about plagiarism, yes, but it’s also a story about something I see so much of—in my capacity as a teacher, a mentor, and just someone who gets asked about publishing literally constantly. That is, how easy it is to let the desire to be published (and by extension obsessed over by name-brand agents, editors, and publishing houses) completely outstrip the act of writing a good book.
… I was lucky. Jesus was I lucky. Because there’s an alternate universe where I was writing a (more obviously) commercially viable book in grad school and agents fought over me and I published something not done, something closer to my thesis, which had the seeds of a good book but was not, in and of itself, a good book. Instead, I was forced to sit with Her Body and Other Parties until it was ready. I am so fucking grateful that I got to write the book I needed to, even if I resisted that process at every turn….
Oghenechovwe Donald Ekpeki is an African speculative fiction writer and editor in Nigeria. He has won the Nommo award for Best Speculative Fiction by an African twice, both for Short Story and Novella, as well as the Otherwise and British Fantasy Awards. He is the first African to have won the Nebula Award for Best Novelette with his climate fiction story “O2 Arena,” for which he is also a BSFA, BFA and Nommo Award finalist, and the first African to be a Hugo Award Best Novelette finalist. He is the first African editor to be a finalist in the Hugo Award Best Editor categories and the first BIPOC editor to be a finalist in both the Hugo Award Editing and Fiction categories in the same year. He is the founder of Jembefola Press and the Emeka Walter Dinjos Memorial Award for Disability in Speculative Fiction. He is the first African-born Black writer and the youngest writer to be Guest of Honor at the International Conference for the Fantastic in the Arts.
Guest Scholar – Dr. Isiah Lavender III
Isiah Lavender III is Sterling-Goodman Professor of English at the University of Georgia, where he researches and teaches courses in African American literature and science fiction. His books include Race in American Science Fiction (Indiana UP, 2011), Black and Brown Planets: The Politics of Race in Science Fiction and Dis-Orienting Planets: Racial Representations of Asia in Science Fiction (UP of Mississippi, 2014 and 2017 respectively), Afrofuturism Rising: The Literary Prehistory of a Movement (Ohio State UP, 2019), and Literary Afrofuturism in the Twenty-First Century (Ohio State UP, 2020), co-edited with Lisa Yaszek. His interview collection Conversations with Nalo Hopkinson is forthcoming from UP of Mississippi in early 2023. He is currently hard at work on The Routledge Handbook of CoFuturisms, co-edited with Bodhisattva Chattopadhyay, Grace Dillon, and Taryne Jade Taylor as well as his manuscript-in-progress Critical Race Theory and Science Fiction. If you would like to know more about Dr. Lavender, check out https://narrativeencounters.aau.at/how-reading-shapes-us-isiah-lavender/
The title of Dr. Lavender’s ICFA Guest Scholar presentation shall be “Imaginary Amendments and Executive Orders: Race in United States Science Fiction.”
Oscar winners Charlize Theron and Alfonso Cuarón are partnering for Jane, an Amazon feature project based on the personal life of beloved science fiction author Philip K. Dick from his daughter Isa Hackett.
The genre-bending project is based on the relationship between Dick and his twin sister, Jane, who died six weeks after birth. The death affected Dick personally, and also influenced his creative work.
Jane, according to the project’s description, is “a moving, suspenseful and darkly humorous story about a woman’s unique relationship with her brilliant, but troubled twin, who also happens to be the celebrated novelist Philip K. Dick. While attempting to rescue her brother from predicaments both real and imagined, Jane plunges deeper and deeper into a fascinating world of his creation.”…
“The story of Jane has been with me for as long as I can remember,” said Hackett. “Jane, my father’s twin sister who died a few weeks after birth, was at the center of his universe. Befitting a man of his unique imagination, this film will defy the conventions of a biopic and embrace the alternate reality Philip K. Dick so desperately desired—one in which his beloved sister survived beyond six weeks of age. It is her story we will tell, her lens through which we will see him and his imagination. There is no better way to honor him than to grant him his wish, if only for the screen.”
(6) NEW FROM NEVALA-LEE. Cora Buhlert interviewed Alec Nevala-Lee about his brand-new book Inventor of the Future: The Visionary Life of Buckminster Fuller for her “Non-Fiction Spotlight” feature.
Biographies of prominent SFF and SFF-adjacent people are quite common on the Hugo ballot and today’s featured non-fiction book is just such a biography.
I’ve been interested since high school in Fuller, whom I first encountered in the pages of the Whole Earth Catalog. After Astounding, I was looking to expand the range of subjects that I could cover as a writer, and Fuller was an obvious choice—his life expresses many of the themes that I’ve explored in my earlier work, and until now, there’s never been a reliable biography that covered his entire career using the best available sources. I hoped that writing it would be a real intellectual adventure, and it was.
…Anthologies are books that collect short stories by multiple authors, often under a common theme. Because these volumes contain tales by different voices, the work of the editor is extremely important. Not only does the anthologist have to solicit and select the titles to include, but they also have to edit and arrange said stories into a cohesive tome. The very best anthologists are able to expertly walk that line, offering different voices that when expertly brought together, create a unified whole, a single book that readers will enjoy from cover to cover.
Anthologies are also the best way for readers to survey the landscape of a genre, to see a wide variety of styles and voices writing under one umbrella. They also provide a tasting menu of voices familiar and brand new. And if the editor does their job well, readers will finish the book having learned of a few new writers who will be added to their personal to-read pile….
(8) HOW TO SELL A BOOK BY ITS COVER. Sarah A. Hoyt is starting a series about cover creation for indie authors at Mad Genius Club: “The Great Cover Up”.
… Which means this year alone, I’ve laid out a thousand for covers I just couldn’t seem to get right. There are now reasonably priced artists and at the end of the series I’ll give you names and contacts. Also places to buy ready-made and/or decent graphics just needing the lettering. But here is the thing: you still have to know what the cover is supposed To do and what it can do. And what in a cover matters or doesn’t
I guarantee 90% of what you think matters in a cover doesn’t. And vice-versa. And you must know what matters and what a cover is supposed to be, because when that artist/designer hands you Hamlet, you’ll have to explain why it won’t sell cornflakes and why he must prostitute his art to give you a jingle….
Why did Warner Bros scrapBatgirl and Scoob! Holiday Haunt?
The cancellation by Warner Bros of two made-for-HBO Max streaming movies came as a shock to the town. There are several threads here, but the move amounts to an emphatic rejection of past WarnerMedia CEO Jason Kilar’s strategy to make original $70 million live-action and animated films directly for the streaming site.
The makers of the live-action Batgirl and the animated Scoob! learned today that those films were being stopped in their tracks. The timing was particularly awkward for Batgirl co-directors Adil El Arbi and Billal Fallah. Both are in Morocco for El Arbi’s wedding — some wedding present — and they expected to return to the cutting room and continue work on the film that stars Leslie Grace, J.K. Simmons, Brendan Fraser and Michael Keaton.
There were initial cries that the scrapping of Batgirl carried bad optics because the title role is played by a Latina. But there were reasons for the move. In both cases, the filmmakers were told that it came down to a “purchase accounting” maneuver available to Warner Bros Discovery because the company has changed hands, and also changed strategy from the previous regime. This opportunity expires in mid-August, said sources, and it allows WBD to not have to carry the losses on its books at a time when the studio is trying to pare down $3 billion in debt across its divisions.
There has been much speculation on why Batgirl was canceled, having to do with it being a bad movie. …
It’s pretty well known and even darkly joked about across all the visual-effects houses that working on Marvel shows is really hard. When I worked on one movie, it was almost six months of overtime every day. I was working seven days a week, averaging 64 hours a week on a good week. Marvel genuinely works you really hard. I’ve had co-workers sit next to me, break down, and start crying. I’ve had people having anxiety attacks on the phone.
The studio has a lot of power over the effects houses, just because it has so many blockbuster movies coming out one after the other. If you upset Marvel in any way, there’s a very high chance you’re not going to get those projects in the future. So the effects houses are trying to bend over backward to keep Marvel happy.
To get work, the houses bid on a project; they are all trying to come in right under one another’s bids. With Marvel, the bids will typically come in quite a bit under, and Marvel is happy with that relationship, because it saves it money. But what ends up happening is that all Marvel projects tend to be understaffed. Where I would usually have a team of ten VFX artists on a non-Marvel movie, on one Marvel movie, I got two including myself. So every person is doing more work than they need to.
The other thing with Marvel is it’s famous for asking for lots of changes throughout the process. So you’re already overworked, but then Marvel’s asking for regular changes way in excess of what any other client does. And some of those changes are really major.…
The Emperor needs necromancers, and this is your chance to align with one of the Nine Houses!
SPOILERS THRU THE END OF HARROW THE NINTH YOU HAVE BEEN WARNED
(12) MEMORY LANE.
1995 – [By Cat Eldridge.] Back in in 1995 Charles Vess self-published a biannual series of illustrated ballads entitled The Book of Ballads and Sagas in a series of four chapbooks, through his Green Man Press. In this series Vess illustrated adaptations of traditional Scottish and English ballads written by a variety of contributors, including Emma Bull, Charles de Lint, Neil Gaiman, Sharyn McCrumb, Jeff Smith, and Jane Yolen.
Debbie Skolnik reviewed it for Green Man and she noted there that “The ballads are English and Scottish; the sagas are, as their name implies, Norse in origin. There are more ballads than sagas. Actually, there’s only one saga: Skade. Being enthralled by the English and Scottish ballads myself, I am quite familiar with all the stories. Norse mythology, however, I know very little about, so I did a little bit of quick research to familiarize myself with the basic story.”
I read when it came out as I got them sent to me by Vess before I sent them unto Debbie for review. Of course the illustrations by Vess were stellar as everything by Vess is. (I’m writing this under the artwork for the art for the cover art for de Lint’s A Circle of Cats.) So how were the stories?
If you liked of the tale of Thomas The Rhymer, Ellen Kushner has done an excellent version of the story in her book of the same name. Here she retells the tale in a much-shortened version.
Charles de Lint took up the matter in “Twa Corbies” (Two Crows) which deals with the death of a Knight and the Corbies telling his tale. Twa Corbies will become part of his Newford characters in the firm of Maida and Zia, the Crow Girls who are immortal.
Vess himself does Tam Lin and it is one of the best pieces here. The depiction of the cursed Tam Lin turning into various creatures is quite amazing.
I have barely scratched the surface of what is offered here. If you like this sort of ballads and sagas, I’m sure you’ll love this.
Debbie notes in her review that “Careful readers will note that Steeleye Span has recorded a version of almost all the ballads in this series of books.” That’s certainly true and Vess has acknowledged that he was strongly influenced by that band in selecting the tales here.
The chapbooks were later printed in a hardcover edition in 2004 by Tor books with some additional material.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 3, 1861 — Michel Jean Pierre Verne. Son of Jules Verne who we now know rewrote some of his father’s later novels. These novels have since been restored using the original manuscripts which were preserved. He also wrote and published short stories using his father’s name. None of these are the major works Jules is now known for. (Died 1925.)
Born August 3, 1904 — Clifford Simak. I was trying to remember the first novel by him I read. I’m reasonably sure it was Way Station though it could’ve been City which just won a well-deserved Retro Hugo. I’m fond of Cemetery World and A Choice of Gods as well. By the way I’m puzzled by the Horror Writers Association making him one of their three inaugural winners of the Bram Stoker Award for Lifetime Achievement. What of his is truly horror? I really can’t think of anything by him that’s truly horror. (Died 1988.)
Born August 3, 1920 — P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?” Made into a film which she said she really liked despite it being substantially different than her novel. I like authors who can do that. ISFDB lists her as having done a short story called “Murder, 1986” which they say is genre but I’ve not read it. (Died 2014.)
Born August 3, 1940 — Martin Sheen, 82. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie.
Born August 3, 1946 — John DeChancie, 76, A native of Pittsburgh, he is best known for his Castle fantasy series, and his SF Skyway series. He’s fairly prolific even having done a Witchblade novel. So who here has read him? Opinions please. And no, I didn’t know there were Witchblade novels.
Born August 3, 1950 — John Landis, 72. He’d make this Birthday List if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which is the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. Neat fact: he was the puppeteer for Grover in The Muppet Movie, and he later played Leonard Winsop in The Muppets Take Manhattan.
Born August 3, 1972 — Brigid Brannagh, 50. Also credited as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish red headed colleen in a genre role? Well she apparently would do. She shows up in Kindred: The Embrace, American Gothic, Sliders, Enterprise (as a bartender in one episode), Roar, Touched by an Angel, Charmed, Early Edition, Angel (as Virginia Bryce in a recurring role), Grimm, Supernatural and she had a run in Runaways in the main role of Stacey Yorkes.
… Fast-forward to this month, when one Instagram account alone — “LittleMissNotesApp” — has attracted nearly 2 million followers by posting the Hargreaves’ characters beneath such captions as, “Little Miss Lexapro,” “Mr. Vape Cloud” and “Little Miss Aggressive Drunk.” The account gives credit to the user “Juulpuppy,” who last spring began posting such art updates as “Little Miss Weed Psychosis.”…
Asbestos Was Overused, Making It An Unintentional Joke Years Later.
In the Golden Age, Marvel’s Human Torch seemed unstoppable, so criminals, Nazis, and other villains resorted to asbestos, a material that became popular for its resistance to fire. In the 1970s, it also became known for causing cancer.
While the use of asbestos was not originally played for humor, the best-known example of this is Asbestos Lady, who clothed herself head-to-toe in the carcinogenic material. However, the funniest example comes from All-Winners Comics #11, where a villain known as the Hawk traps the Human Torch and Toro in an airtight, asbestos-lined dungeon. The Torch’s hyperbole call the sealed room “a death trap.” Time has made this an unintentional joke.
For the last five or six years, we’ve been living through what feels like almost unfathomable turmoil, and I think a lot of people see this period as an unprecedented chapter in the human story. But when it comes to stories, I basically believe in Ecclesiastes’ “There is nothing new under the sun.” So my question to you is whether you think we are living in a new story — or is it just new to us?
This reminds me of something that happened after the Sept. 11 attacks. When we could fly again, I flew to Trieste, Italy, for a conference. I remember going into a display of Robert Capa photographs taken in that area during World War II. Until that moment, I had regarded World War II as being unimaginably distant in time. It was this thing that had happened in history, that had happened to my family — basically all of them were killed; a couple of outliers made it to England — but that was history. That happened then. But there was something very strange about looking at those Robert Capa photos post-9/11, because they made me go, Those people are us. I feel the same way today. History is now. But I’m also getting more obsessive about human beings over huge swaths of time. Part of that came out of being on the Isle of Skye during the serious U.K. lockdown. On Skye, if there’s a rock somewhere, it’s probably because somebody put it there. I realized that the rock that I was using to keep the lid on my dustbin was a stone that had been dragged around. People have been in this place for thousands and thousands of years, and in this bay I’m living in, they’ve left behind rocks! Realizing that about the rocks makes you take the long view. Which is that the human race is mostly people just trying to live their lives, and that bad [expletive] is going to happen. That then moves you into other territory….
The James Webb Space Telescope has caught a glimpse of the most distant star known in the universe, which had been announced by scientists using Webb’s predecessor the Hubble Space Telescope only a few months ago.
The original Hubble image provides some guidance as to where to look through the zoomed-in cut-out. Essentially, Earendel, is the tiny whitish dot below a cluster of distant galaxies. By comparing the Hubble image with that captured by Webb, you can find the elusive Earendel….
Social media is awash with theories about the origin and purpose of a strange, smooth, solid object, which landed on a tree in Veracruz, Mexico, the night of July 31.
Isidro Cano Luna, a television meteorologist reporting on the mystery, says locals described the sphere making a sound as it fell, but releasing no fire. He posted several messages to his more than 132,000 followers about the object, along with photos of what appears to be a dull, yellow sphere the size of a large beach ball perched atop a tree.
… Luna describes the sphere in all caps in his posts. It seems to be made of “A VERY HARD PLASTIC OR AN ALLOY OF VARIOUS METALS,” and “APPARENTLY IT HAS AN ANTENNA,” he says. Luna wonders if it could be a former chunk of a Chinese rocket that crashed back to Earth and landed in the Indian Ocean over the weekend. Perhaps it could be radioactive, he writes, warning people who see it not to get too close. There’s no apparent way to get inside the orb, either. It has a a code visible on its exterior, he says in an August 1 post. “NOTICE SMALL HOLES THAT ARE A KIND OF [INDECIPHERABLE] CODES.”
(20) GOING VIRAL. [Item by Martin Morse Wooster.] The BBC explains a computer virus in this report from March 1992.
(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George reveals that a time traveler from 2022 has a very hard time explaining Elon Musk to the people of 1996.
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Brian Z., Michael J. Walsh, Todd Mason, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) GRRM’S NEW PROJECT. George R.R. Martin is one of the executive producers of the forthcoming Dark Winds series based on the books by Tony Hillerman. The Hollywood Reporter lists the others:
…The series is created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan) and stars Zahn McClarnon (Fargo), who is also an executive producer, and Kiowa Gordon (The Red Road). Vince Calandra (Castle Rock) is the showrunner and also an executive producer. Chris Eyre (Smoke Signals) will direct the pilot and executive produce. Other executive producers include George R.R. Martin, Robert Redford, Tina Elmo and Vince Gerardis. In a rare move, the production has secured permission to film on tribal lands in New Mexico….
…I am thrilled to report, Joe Leaphorn and Jim Chee are returning to television.
We just got word from AMC that they are greenlighting DARK WINDS, based on Tony’s novels about the two Navajo tribal policemen. The first season will be six episodes long, adapted (largely) from LISTENING WOMAN, one of my favorite books in the series. If we get the viewers. more seasons will follow, and more books will be adapted.
…DARK WINDS will be filmed in and around Santa Fe and Gallup, and on the Navajo reservation, and based out of the Native-owned Camel Rock Studios (the former Camel Rock Casino), right here in the Land of Enchantment. Filming will begin in August, and continue — we hope — for many years.
Bob Redford and Chris Eyre have put together a great team (with a little help from yours truly), and we hope to make a great show, one that truly captures the magic of this very special place. Look for DARK WINDS on AMC in 2022.
In the course of researching my book Astounding, I got to know the author Barry N. Malzberg, who by any estimation has had one of the most singular careers in all of science fiction. Over the course of three sessions in July 2019, I interviewed Barry about his life and work in a conversation that ended up lasting close to two hours, which I’ve finally put online. We spoke about his influences and early career; his time at the Scott Meredith Literary Agency; the rise and fall of the softcore erotica market; his friendships with Dean Koontz and Bill Pronzini; his brief stint as editor of Amazing Stories magazine; his encounter with the editor John W. Campbell; and the origins, legacy, and “bad karma” of his novel Beyond Apollo. I think there’s some good stuff there, so enjoy! (If you get the chance, you might also want to check out my recent interview with the science fiction podcaster Mikel J. Wisler, in which we discuss a similarly broad range of topics, including my New York Times review of Project Hail Mary by Andy Weir.)
(3) BUHLERT ONLINE READING. Cora Buhlert will be taking part in the monthly Flash Fiction Night organized by Space Cowboy Books in Joshua Tree, California on Tuesday, July 13 at 6:00 p.m. Pacific US Time. It’s a free online event — register here.
I’ll be reading some science fiction flash fiction together with Andy Dibble and Douglas A. Blanc. It’s already the third Flash Fiction Night and you can watch recordings of the first two on the Space Cowboy Books YouTube channel.
(4) THE FUTURE’S NOT FAR AWAY. [Item by Martin Morse Wooster.] Kim Stanley Robinson took part in a forum about climate change moderated by Ezra Klein in the June 27 New York Times Magazine. Other panelists include Saul Griffith, Rhinna Gunn-Wright, and Shilela Jasanoff. Klein appeared pretty familiar with The Ministry of the Future. “What if American Democracy Fails the Climate Crisis?”
Klein: Stan, imagining outside the current context is your specialty as a science-fiction novelist, so I’m wondering what you think the weaknesses of our current systems are.
Kim Stanley Robinson: Well, we are stuck in an international system of nation-states, and we don’t have time to invent and institute any kind of alternative world governance, so we have to use what we’ve got. But we also have the Paris agreement, and climate equity was written into it so that developed rich nations were tasked with paying more and doing more and helping the historically disadvantaged and even colonized nations. Executing all that is, of course, a different story.
In 1973 Ursula Le Guin was phoned by publisher and science fiction fan Andrew I Porter, trying to persuade her to write about herself in his magazine Algol. “Andy kept saying things like, ‘Tell the readers about yourself,’ and I kept saying things like, ‘How? Why?’” Standing in her hallway, with a child and a cat circling her legs, it seemed impossible to explain over the crackling connection that “the Jungian spectrum of introvert/extrovert can be applied not only to human beings but also to authors”. Le Guin knew that at one end of the spectrum there are authors such as Norman Mailer, who talk about themselves, and at the other, authors who, like her, need privacy….
A long-lost dress worn by Judy Garland in The Wizard of Oz has been found decades later in a box at a university in Washington, D.C.
Catholic University announced in a news release that the dress, which was gifted to the school nearly 50 years ago by actress Mercedes McCambridge while she was serving as the drama department’s artist-in-residence, was found by drama department lecturer Matt Ripa in a box placed atop some mail slots near his desk.
Ripa said he had often gone searching for the dress during his free time after hearing about the long-lost item in 2014, but he was apparently beaten to the discovery by Thomas Donahue, a now-retired drama professor, who had placed the box in Ripa’s office before leaving the school last year.
Ripa said the box must have been placed atop the mail slots by someone, causing it to evade his notice until last month.
“As soon as I popped the top off the box, I knew what it was,” Ripa told The Washington Post. “I saw that blue gingham and I just started laughing and laughing. I mean, I’m still laughing. Because I was shocked, holding a piece of Hollywood history right in my hands.”
The school contacted Ryan Lintelman, entertainment curator at the Smithsonian’s Museum of American History, to verify whether the dress was authentic. Lintelman and two colleagues examined the garment and determined that it appears to be the real deal.
Andy Serkis is going back to Middle Earth – but not in the way you might think. The actor, who has lent his voice to Gollum in The Lord of the Rings trilogy and the first Hobbit film, will be narrating J.R.R Tolkien’s work in a brand new series of audiobooks.
Another interesting aspect about “For All Mankind” is that the show includes women as equal characters with equal time in the show’s narrative. That probably owes to the show’s “Star Trek” heritage. But the show doesn’t really start out that way in season one: it begins with the Soviets beating the US to the punch, and shows how the US astronaut cadre responds to this defeat. By this point in the show’s timeline, women aren’t astronauts, so we see the show’s Deke Slayton imploring his men to “get mad,” “kick the dog,” and let loose during the weekend after the Soviet landing.
This is when we get to meet Ed Baldwin and Gordo Stevens, who were just mere kilometers from the lunar surface weeks before. At The Outpost, an astronaut hangout modeled on a long-gone bar not far from Johnson Space Center, the astronauts have an insane, alcohol-soaked party, which culminates in a group singalong to Jimmy Ruffin’s “What Becomes of the Brokenhearted?” In my mind, I think this was shown to compare how men coped with defeat and heartbreak versus how women—in the upcoming narrative—would cope with similar stressful situations. Ed Baldwin even briefly kneecapped his own career by opening up about his frustrations with NASA to a reporter. At any rate, by this point, women were wives and mothers in the “For All Mankind” universe, not astronauts or management.
Yeah, that’s a good observation. Initially, it’s all machismo. It’s brave men and heroes. But that’s about to change very fast. And that makes the show’s title a bit ironic—it’s not about “man” after the first episode.
After the Soviet Union beats America to the Moon, the Americans respond by landing Apollo 11, which in this alternative timeline, nearly ends in failure. But the Soviets then follow up with another significant first when they land a woman on the Moon. We see one of the female characters—a young Mexican girl named Aleida—smile when she sees that a woman is on the Moon.
(9) MEMORY LANE.
1981 — Forty years ago, John Carpenter’s Escape from New York premiered. (That was how it was shown on-screen.) Starring Kurt Russell as Snake Plissken, this film was written by John Carpenter and Nick Castle. It was directed by John Carpenter, and produced by Larry Franco and Debra Hill. Supporting cast was Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton. The film received generally positive reviews with Russell in particular finding strong favor with the critics; it did very well at the box office earning far more than it cost to produce; and audience reviewers at Rotten Tomatoes give it a seventy-seven percent rating which is far better than the thirty-nine percent rating the the Escape from L.A. sequel gets. It did not get a Hugo nomination at Chicon IV.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 10, 1903 — John Wyndham. His best known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
Born July 10, 1929 — George Clayton Johnson, He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool,” “Kick the Can,” “Nothing in the Dark,” and “A Penny for Your Thoughts,” and the first telecast episode of the original Star Trek, “The Man Trap.” (Died 2015.)
Born July 10, 1931 — Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the Bodiless, Diamond Mask and Magnificat. She was inducted into the First Fandom Hall of Fame at Sasquan. (Died 2017.)
Born July 10, 1941 — David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”. I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy andYear’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
Born July 10, 1941 — Susan Seddon Boulet. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.)
Born July 10, 1945 — Ron Glass. Probably best known genre-wise as Shepherd Book in the Firefly series and its sequel Serenity. His first genre role was as Jerry Merris in Jerry Merris, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)
Born July 10, 1953 — Hans Beimler, 68. He was co-executive producer, director, and writer on TekWar before co-producing a number of Next Gen episodes. He was involved in over a hundred episodes of Deep Space Nine in a numberof production roles too complicated to describe here. And he was one of the executive producers of the short-lived Dresden Files.
Born July 10, 1970 — John Simm, 51. The second of the modern Masters on Doctor Who. He appeared in the final three episodes of the Time of the Tenth Doctor: “Utopia,” “The Sound of Drums,” and “Last of the Time Lords.” He also played Sam Tyler in the most excellent Life on Mars. And he played Macbeth atChichester Festival Theatre.
Set in the futuristic year of 1990, Rosel George Brown’s Sibyl Sue Blue takes place in a world both like and unlike today’s world of 1966. Sibyl is a tenacious and smart detective working for the city’s homicide department. When a series of bizarre ‘suicides’ start plaguing the city’s youth, she’s called in to investigate. As she follows the clues, she’s drawn into increasingly strange events, from trying alien drugs to being invited to join a spacefaring millionaire on an off-world jaunt.
Sounds like fun, right? Yet when Judith Merril told me the other day that she’ll be reviewing it in an upcoming issue of Fantasy and Science Fiction, she mentioned that “…under all the froth and fun and furious action, there is more acute comment on contemporary society than you are likely to find in any half dozen deadly serious social novels.”
…The Jungle Cruise will officially reopen on July 16, with some changes, the park announced Friday. The ride, which takes passengers through Asia, Africa and South America, had been closed since the park itself reopened April 30, after being shutdown because the pandemic.
The company had announced in January that it would remove “negative depictions” of native people and pledged to make further changes to “reflect and value the diversity of the world around us.”
The ride, which originally opened in 1955, has been criticized, for example, for depicting the locals as headhunters.
“We’re excited to be building on the story of the Jungle Cruise to include new adventures that stay true to the experience we know and love, while adding more humor, more wildlife, and an interconnected story,” Chris Beatty, an Imagineer who worked on the renovations, said in a news release. “As part of creative development, we’ve also introduced characters from around the world and took a thoughtful approach to ensure accurate representation of cultures in our story.”
Beatty explained in behind-the-scenes video of the upgrade that one of the team’s goals was to “bring a sense of inclusivity” to the project. “We want to make sure that everyone that rides the Jungle Cruise can see themselves in the characters and in this experience.”
They also wanted to keep it classic and to highlight the “skippers,” the Disney cast members who make jokes while leading the faux tour of the area.
As part of the new storyline, chimpanzees have taken over a wrecked boat and the tourists have climbed up a tree in search of safety….
…However, a recent NASA announcement suggests a glimmer of hope: The agency tweeted on Thursday that it had successfully tested a procedure that would switch parts of the telescope’s hardware to their back-up components.
This could pave the way for the payload computer to come back online, leading to the restart of Hubble’s scientific observations.
NASA reported the procedure could happen as early as next week, following additional preparations and reviews. The telescope and the scientific instruments on board remain in working condition.
But the switch will be “risky,” according to NASA astrophysics division director Paul Hertz.
“You can’t actually put your hands on and change hardware or take a voltage, so that does make it very challenging,” he told New Scientist.
…On June 30, NASA announced it had figured out that the source of the payload computer problem was in Hubble’s Science Instrument Command and Data Handling unit (SI C&DH for short), where the computer resides.
“A few hardware pieces on the SI C&DH could be the culprit(s),” NASA said.
Backup pieces of hardware are pre-installed on the telescope. So it’s just a matter of switching over to that redundant hardware. But before attempting the tricky switch from Earth, engineers have to practice in a simulator, the agency added.
NASA has rebooted Hubble using this type of operation in the past. In 2008, after a computer crash took the telescope offline for two weeks, engineers successfully switched over to redundant hardware. A year later, astronauts repaired two broken instruments while in-orbit – Hubble’s fifth and final reservicing operation. (NASA does not currently have a way to launch astronauts to the space telescope.)
[Thanks to Martin Morse Wooster, JJ, Michael Toman, Tony Gleeson, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day John A Arkansawyer.]
…The 20-stamp set features ten images that celebrate the science behind NASA’s ongoing exploration of our nearest star. The images display common events on the Sun, such as solar flares, sunspots and coronal loops. SDO has kept a constant eye on the Sun for over a decade. Outfitted with equipment to capture images of the Sun in multiple wavelengths of visible, ultraviolet, and extreme ultraviolet light, SDO has gathered hundreds of millions of images during its tenure to help scientists learn about how our star works and how its constantly churning magnetic fields create the solar activity we see.
“Just don’t stare at them directly,” says Daniel Dern.
How did the idea of The Devourers, your last novel, take shape?During my undergraduate years, I attended a baul mela in Kolkata, and, while intoxicated, had a vision (not quite literally, but almost) while protecting a kitten in the mela ground from a circling pack of dogs, of being in the same spot hundreds of years earlier, listening to minstrels around a campfire in the dark wilderness, while monsters hunted us. When I returned from winter break to college, I turned that into a short story in a Creative Writing class, which eventually turned into the first chapter of The Devourers a while later, when I was in grad school.
…Alone, but not: It’s a theme that courses through King’s sweeping body of work, and it returns for several characters across layers of time and space in “Lisey’s Story,” which begins Friday on Apple TV+. Julianne Moore stars as Lisey Landon, the widow of Scott Landon, a famous novelist (played by Clive Owen) whose childhood traumas drove him to forge a connection to a transdimensional world called Boo’ya Moon.
As vividly depicted in the show, Boo’ya Moon is a place of tranquil beauty, like a Pre-Raphaelite wonderland. But it’s also menacing terrain, where cloaked figures sit silently inside a massive amphitheater awaiting resolutions to earthly traumas…
… Even among the many other King adaptations that have recently emerged or are set to arrive in the near future, the Apple TV+ series based on King’s 2006 novel feels especially important, because King himself has said so. He counts Lisey’s Story among his personal favorite works, and holds it so dear that he took it upon himself to script all eight episodes of the miniseries for director Pablo Larrain (Jackie)….
Hear King himself speak about it on today’s CBS Sunday Morning.
(4) LIFE IN THE UNIVERSE. Hear author of Light of the Stars Adam Frank in a free webinar co-sponsored by the Arthur C. Clarke Center for Human Imagination – register and maybe win a book: Adam Frank Webinar & Giveaway.
The search for life in the Universe is undergoing a profound renewal. Thanks to the discovery of thousands of planets orbiting other stars, the introduction of new observing technologies, and increased support from both public and private sectors, a new science of searching for “techno-signatures” is emerging.
In this talk Dr. Frank will unpack this frontier area, discussing what counts as a techno-signature; how to be systematic in thinking about exo-civilizations and their evolution; what techno-signatures can tell us about our own future. He believes that within the next few decades we will likely have actual data relevant to the question life, perhaps even the intelligent kind, in the Universe.
Dr. Adam Frank is a leading expert on the final stages in the evolution for stars like the Sun, but his current work also focuses on life in the universe. His research group at the University of Rochester has developed advanced supercomputer tools for studying how stars form and how planets evolve. His most recent book is Light of the Stars: Alien Worlds and the Fate of the Earth, which won the 2019 Phi Beta Kappa Award for Science. He has written two other books, The Constant Fire: Beyond the Religion and Science Debate, and About Time: Cosmology and Culture at the Twilight of the Big Bang. He is the co-founder of the blog 13.8 on BigThink.com and an on-air commentator for NPR’s All Things Considered.
We’re celebrating 5 years tonight of Murray Horwitz as host of The Big Broadcast! Join us for some of our favorites, including Orson Welles, Fred Allen, Lucille Ball and The Whistler — as well as our usual Dragnet, Yours Truly Johnny Dollar and Gunsmoke….
7:30 p.m. Dimension X “Martian Chronicles” (Original air date August 18, 1950. NBC network.) (Running time 30:19)
Can science fiction save the world? Author and filmmaker, Mikel J. Wisler, explores the themes and ideas presented in a wide range of sci-fi movies and books from various time periods. Convinced that sci-fi is the most naturally philosophical genre, Wisler invites everyone from die-hard fans to casual observers to dive into meaningful conversations about how sci-fi helps us think about our future, brings up challenging scenarios, and forces us to ask big questions.
Astounding author Alec Nevala-Lee is interviewed in Episode 25.
(7) NED BEATTY (1937-2021). Actor Ned Beatty died June 13 at the age of 83. Best known for his work in Deliverance and Network, his genre roles included Lex Luthor’s (Gene Hackman) bumbling sidekick Otis in Superman (1978) and its 1980 sequel. He was in Exorcist II: The Heretic (1977). He voiced Lotso in Toy Story 3 (2010) and The Mayor in Rango (2011). And he has another two dozen lesser genre credits.
(8) MEDIA BIRTHDAY.
June 13, 1980 — On this date in 1980, The Girl, the Gold Watch & Everything premiered in syndication as distributed by Paramount Television. Based on the John D. MacDonald novel of the same name, it was written by George Zateslo and directed by William Wiard. Myrl A. Schreibman Was the producer. It starred Robert Hays, Pam Dawber, Zohra Lampert, Jill Ireland, Ed Nelson and Maurice Evans.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 13, 1892 — Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
Born June 13, 1893 — Dorothy Sayers. ISFDB often surprises me, and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957.)
Born June 13, 1903 — Frederick Stephani. Screenwriter and film director who is best remembered for co-writing and directing the 13-chapter Flash Gordon serial in 1936. He directed Johnny Weissmuller‘s Tarzan’s New York Adventure (aka Tarzan Against the World). He was also an uncredited writer on 1932’s Dracula. (Died 1962.)
Born June 13, 1943 — Malcolm McDowell, 78. My favourite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course his most infamous role was Alex in A Clockwork Orange. Scary film that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series.
Born June 13, 1949 — Simon Callow, 72. English actor, musician, writer, and theatre director. So what’s he doing here? Well he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”, an Eleventh Doctor story. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the series. How is this series? He was also The Duke of Sandringham in the first season of Outlander.
Born June 13, 1953 — Tim Allen, 68. Jason Nesmith in the much beloved Galaxy Quest. (Which of course won a much deserved Hugo Award for Best Dramatic Presentation at Chicon 2000.) He actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in what would become a long-running film franchise.
Born June 13, 1963 — Audrey Niffenegger, 58. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film as only the characters in the novels are hers. Good for her. Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performed at the Royal Opera House.
Born June 13, 1969 — Cayetana Guillén Cuervo, 52. She’s got the role of Irene Larra in El Ministerio del Tiempo (The Ministry of Time), a Spanish SF series which sounds fascinating but which I’ve not seen. Anyone here seen it? Not fond of captioning, but I’d put up with it to see this.
…Sojourner “Jo” Mullein’s impact is not defined by the fact that she’s the first Black, queer woman to ever hold the mantle of Green Lantern. Or by the fact that N.K. Jemisin, Jamal Campbell and Deron Bennett are one of the first all-Black creative teams to helm a Green Lantern title. Those are huge factors in just what makes the book special, of course, but what truly makes Far Sector and its hero feel so groundbreaking is the imaginative exploration of what it means to be a Green Lantern and the innate understanding of how that very imagination is at the core of what makes the hero great. Where some Green Lantern stories feel stymied by a lack of the thing that gives the Power Ring its magic, Far Sector pulses with imagination on every page….
The J.R.R. Tolkien franchise is heading back to the big screen in a fresh New Line and Warner Animation anime title The Lord of the Rings: The War of the Rohirrim. I’m told that the Oscar-winning feature architects Peter Jackson and Fran Walsh are not involved with the project as we speak, but that will be determined down the road. Oscar-winning Lord of the Rings: Return of the King scribe Philippa Boyens will be a consultant on the new project directed by Kenji Kamiyama. The pic is being fast-tracked with animation work done by Sola Entertainment. Voice casting is currently underway. Pic will be distributed around the globe by Warner Bros. Pictures.
The War of the Rohirrim focuses on a character from the book’s appendix, the mighty King of Rohan, Helm Hammerhand, and a legendary battle which helped shaped Middle-earth heading into LOTR. The anime pic will expand the untold story behind the fortress of Helm’s Deep, delving into the life and bloodsoaked times of Hammerhand. Overall, the movie is a companion piece to New Line’s LOTR trilogy and is set roughly 250 years before that movie during the third age (Note Amazon’s upcoming Lord of the Rings mini-series is set during the second age).
Kamiyama has been behind such anime projects as Blade Runner: Black Lotus and the TV series Ghost in the Shell: Stand Alone Complex. Joseph Chou (Blade Runner: Black Lotus) will produce. Jeffrey Addiss and Will Matthews (The Dark Crystal: Age of Resistance) are writing….
“This will be yet another epic portrayal of J.R.R. Tolkien’s world that has never been told before. We’re honored to partner with much of the incredible talent behind both film trilogies, along with new creative luminaries to tell this story,” said Sam Register, President of Warner Bros. Animation. “And so it begins.”
(13) TOURISTS, ASSEMBLE! See a replay of the Avengers Campus Opening Ceremony from Disney California Adventure park.
[Thanks to JJ, Michael Toman, John King Tarpinian, Daniel Dern, Rich Lynch, Darrah Chavey, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
Nadine Bach noticed a package of ham waving at her from inside the grocery store. November was one of those months when the choice was between paying rent and buying food, and she hadn’t planned to stop by during her daily walk—but this ham was proclaiming that it was free.
Having prospective meals wave at her was hardly unexpected—Mixed Reality was finally maturing past the flying-whale stage of visual grab-assery, and was settling into the predictable role of being yet another advertising medium….
In more than 100 countries, citizens have clear constitutional rights to a healthy environment. The United States is not one of them. Nevertheless, for the past few decades or more, people have argued through the courts that the U.S. has an obligation to provide a healthy environment, including addressing climate change, as the Juliana v. United States youth lawsuit has insisted. But simultaneously, an emerging movement is focusing on the rights of nature itself: to grant personhood status to lakes, rivers, and plant species so they might have legal standing in court to defend their rights to exist and persist. If laws are an assertion of a nation’s values, what does it say that the U.S. grants personhood to corporations, but not nature?…
The now-famous “monolith” structure that was discovered last week by a Utah Department of Public Safety helicopter crew during a count of bighorn sheep in southeastern Utah has been removed — but not by government officials.
Riccardo Marino posted on Instagram that he and Sierra Van Meter went to the spot, located south of Moab and just east of Canyonlands National Park, late Friday night to get some photos. But when they arrived, it was no longer there.
Marino said they saw a pickup truck with a large object in its bed driving in the opposite direction shortly before they got there.
Marino and Van Meter also saw that someone had written “Bye B****!” and appeared to have urinated at the spot where the piece, believed by most to be abstract art, formerly stood.
(3) NEW ZOOM INTO FAN HISTORY. Joe Siclari of FANAC.org invites you to “Get ready for a trip to fannish London!”
We are planning a series of Zoom Interactive Fan History Sessions, and for our first session, Rob Hansen is going to give us an historic tour of fannish Holborn, London. Rob is probably the most accomplished fan historian writing these days. As most of you know, he has written the history of English fandom, Then and has put together a number of books covering various aspects of British fandom. Find many of them at https://taff.org.uk/ebooks.php. Reserve the date: Saturday, December 19, 2020 at 11AM EDT.
Despite the pandemic, Rob has done video recordings around London, and with historic photos and live description will give us a tour that covers some household fannish names and places. He has worked with Edie over the past several months to provide an interesting and fairly detailed coverage of London’s fan heritage. This one hour session is based on tours which Rob has given to individual fans and also developed as a group tour after the last London Worldcon. Even if you have been on one of these tours, you will find some fresh sights and insights. Of course, Rob will be live on Zoom with additional material and to answer questions. Please send your RSVP to [email protected], as our Zoom service is limited to 100 participants.
Worth 5 million Swedish kronor, the world’s largest cash prize for children’s literature is given to authors, illustrators, oral storytellers and reading promoters for work “of the highest artistic quality” featuring the “humanistic values” of the late Pippi Longstocking author, for whom the award is named. Lindgren died in 2002 at the age of 94.
The 2021 ALMA laureate will be announced on April 13, 2021.
(5) PROWSE OBIT. Actor Dave Prowse, the original Darth Vader, has died aged 85 reports The Guardian. He was a 6’6″ weightlifter who’d made a name for himself in England as The Green Cross man, a traffic safety figure in PSAs before being invited by George Lucas to audition for the roles of Vader and Chewbacca. He chose Vader and when asked why, replied: “Everyone remembers the villain.”
(6) MEDIA ANNIVERSARY.
1990 — Thirty years ago, the sort of horror novel Angel of Darkness by Samuel M. Key was first published by Jove Books. The author had a short career having just three novels credited to him, the others being From a Whisper to a Scream and I’ll Be Watching You. Now that would be the end of the story if it hadn’t turned out that this was the pen name for Charles de Lint who recently won a World Fantasy Award for Lifetime Achievement, a rare honor indeed. Amusingly enough, Samuel M. Key was the name of the small monkey puppet that graced the top of his computer at that time. All three novels are now available from the usual digital suspects under the name of de Lint.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 29, 1832 – Louisa May Alcott. Besides Little Women, Little Men, and more outside our field, she wrote A Modern Mephistopheles and five dozen shorter ghost stories, fairy tales, and other fantasies. Active abolitionist and feminist. (Died 1888) [JH]
Born November 29, 1898 — C.S. Lewis. There are no doubt folks here who are far more literate on him than I am. I read The Screwtape Letters for a college course decades ago and thoroughly enjoyed The Chronicles ofNarnia also many years back but that’s it for my personal acquaintance with him. I know individuals that have loved The Space Trilogy and I’ve known ones who loathed it. So what do you like or dislike about him? (Died 1963.) (CE)
Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time and its sequels: A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. One of her non-genre works that I recommend strongly is the Katherine Forrester Vigneras series. (Died 2007.) (CE)
Born November 29, 1925 – Leigh Couch. Science teacher. First Fandom. Active fan, as were her husband and their children including Lesleigh Luttrell. LC had letters in The Alien Critic, Janus, SF Commentary, and Analog. Guest of Honor at Archon 1 – as LL was at Archon 3. (Died 1998) [JH]
Born November 29, 1950 — Kevin O’Donnell Jr. Writer who produced a number of genre novels and more than seventy short fiction works. He was chair of the Nebula Award Committee for nearly a decade, and business manager for the SFWA Bulletin for several years; he also chaired for 7 years, SFWA’s Grievance Committee, which advocates for authors who experience difficulties in dealing with editors, publishers, agents, and other entities. He received the Service to SFWA Award in 2005, and after his death, the award was renamed in his honor. (Died 2012.) (CE)
Born November 29, 1952 – Doug Beekman, age 68. A hundred covers, ninety interiors. Also comics, collectible cards, agenting; outside our field, advertising. Spectrum Gold Award for comics, Silver for advertising. Here is Time Out of Joint. Here is The Drawing of the Dark. Here is Spinneret. Here is The Stars at War. Here is an ink drawing for Homecoming Earth (and see DB’s comments here). [JH]
Born November 29, 1956 – Mark Ferrari, age 64. Having for years taken our breath away with colored-pencil images like these he was struck by a truck while riding his mountain bike, recovering but not enough to perpetuate his Prismacolor perfection. He wrote The Book of Joby, by which time technology could take him to giving good graphics again. Now he can make this and this. Do see his Website. [JH]
Born November 29, 1969 — Greg Rucka, 51. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseriesas someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central. (CE)
Born November 29, 1971 — Naoko Mori, 49. Torchwood is really the genre appearance she’s remembered for and I see that she popped up first in Doctor Who playing her Torchwood character of Doctor Sato in the Ninth Doctor story, “Aliens of London”. She also voiced Nagisa Kisaragi in Gerry Anderson’s Firestorm, and she had the role of Asako Nakayama in the second season of The Terror series which is based off the Dan Simmons novel. (CE)
Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther alias Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say. And he even appeared on Fringe in the “Subject 9” episode asMark Little / Cameron James. (Died 2020.) (CE)
Born November 29, 1981 – Jon Klassen, age 39. First person to win both the Caldecott (U.S.) and the Greenaway (U.K.) for illustration with the same book, which he wrote too. Both This Is Not My Hat and predecessor I Want My Hat Back were NY Times Best-Sellers, jointly selling over a million copies. Previously the Governor General’s Award for English-language children’s illustration (Canada; Cats’ Night Out). Among other things JK illustrated Mac Barnett’s Circle. [JH]
Born November 29, 2001 – Mckenzie Wagner, age 19. Five books, the first published when she was 7. Maybe anything can’t happen, but lots of things can. You start whenever you start. [JH]
…Cynan Jones’s climate-crisis novel “Stillicide,” which was originally written as a BBC Radio series, arrives just as the bar has been raised for world-building. We want speculative fiction to unfold against a complex background, without getting bogged down in incidental facts that an average person would take for granted. Yet noticing the uncanny details of our lives is all we seem to do lately, and few authors can compete with the strangeness of the real world.
Over the course of several excellent short novels, Jones, who lives in Wales, has figured out a formula that seems to rise to the challenge. His favorite strategy is to build a story around a single clearly defined thread — in his devastating debut, “The Long Dry,” it’s a lost cow — that provides a structure for a series of intensely observed vignettes. This frees him to move between time frames and perspectives, and he often focuses on people on the margins.
In “Stillicide,” the through-line is an iceberg headed for London. The novel opens many years after Britain has entered an extended drought, and enough time has passed for one phase of responses to yield to the next. After becoming a target for terrorists, a pipeline to the city has been replaced by a train that carries millions of gallons of water from a distant reservoir, equipped with automatic guns to mow down any moving object near the tracks. Another plan involves towing a giant iceberg to the dry Thames, which will displace entire neighborhoods….
…Sweet Harmony follows Harmony, a young woman living in a world in which nanotechnology (nanos) can not only improve your health, but your libido, mentality, and physicality. Harmony’s surrounded by people obsessed with superficiality, and the more she is deemed unworthy by them, the more insecure she becomes. She becomes beholden to nanos, with almost all of her expenditures dedicated to keeping her esteemed beauty. But that obsession comes with a price.
This novella tackles domestic abuse, unattainable beauty standards, familial conflict, selfishness warring with selflessness, and vocational biases. Not one of those themes is undercooked or scattered. The secret is that Claire North uses the nanotechnology as an underpinning to all these themes. The story spotlights Harmony’s experience and growing dependency on the nanos and touches all the themes along the way, never losing focus because as it moves from idea to idea, it’s always grounded in a center.
(10) VIDEO OF THE DAY. In “Posten–Santa” on Vimeo, Santa’s feeling pretty grumpy because the icebergs at the North Pole are melting and the Norwegian Postal Service is improving its deliveries!
[Thanks to John King Tarpinian, Mike Kennedy, Michael Toman, JJ, Martin Morse Wooster, Cat Eldridge, John Hertz, Joe Siclari, David Doering, Michael J. Walsh and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
(2) SPFBO SAMPLER AVAILABLE. Fantasy Book Critic announces
SPFBO Sampler Available Now!” (SPFBO
is the Self-Published Fantasy Blog-Off, an annual competition hosted by Mark
Today we’re thrilled to announce the official launch of The SPFBO Sampler! Looking to dive into the world of indie fantasy novels, but don’t know where to start? Here’s the perfect place to get a taste of the works of over 70 self-published authors from all around the world. Go get your copy today, and let all these incredible authors transport you into their worlds and beyond.
This huge undertaking has been organized by indie author Jon Auerbach, its gorgeous cover created by indie author and cover artist and designer Luke Tarzian, and includes a foreword by the accomplished and best-selling SFF author Mark Lawrence. This is one you surely cannot miss.
(3) TONOPAH GOING UP. Membership rates for the 2021
Westercon in Tonopah, NV will rise
on March 1.
The cost of an attending membership in Westercon 74 will increase to $50 effective March 1, 2020. In addition, the $10 conversion-to-attending rate for those people who voted in the 2021 Westercon Site Selection in Utah expires at the end of February 2020. Membership rates for Young Adult and Child members remain unchanged.
(4) EREWHON LIT SALON. Louis
Evans and Sarah Pinsker will be the readers at the Erewhon Literary Salon on January
9. The event takes place in the office of Erewhon Books in the Flatiron/NoMad
district of Manhattan. For full information and policies, and to RSVP, click here. Event address and information will be emailed to those who
have RSVPed a few days before the event.
LOUIS EVANS is a writer recently returned to his native NYC from a half-decade spent in the SF Bay. His work has been published in Analog SF&F, Escape Pod, The Toast, Third Flatiron Anthologies, and Write Ahead/The Future Looms. He’s a two-time winner of Zach Weinersmith’s Bad Ad-hoc Hypothesis Festival and the Shipwreck SF bad erotic fanfiction competition. He is a founding co-producer of Cliterary Salon, a feminist and queer literary show in the SF Bay.
SARAH PINSKER is the author of over fifty works of short fiction, including the novelette “Our Lady of the Open Road,” winner of the Nebula Award in 2016. Her novelette “In Joy, Knowing the Abyss Behind,” was the Sturgeon Award winner in 2014. Her fiction has been published in magazines including Asimov’s, Strange Horizons, Fantasy & Science Fiction, Lightspeed, and Uncanny and in numerous anthologies and year’s bests. Her stories have been translated into Chinese, Spanish, French, and Italian, among other languages, and have been nominated for the Nebula, Hugo, Locus, Eugie, and World Fantasy Awards.Sarah’s first collection, Sooner or Later Everything Falls Into the Sea: Stories was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019.
…The mainstream media has historically painted furries as sex-crazed, socially maladjusted freaks who enjoy rubbing up against each other in giant bunny costumes. This is essentially false. Like most subcultures, the furry fandom is a largely internet-driven phenomenon, providing a label for a preexisting feeling that has always lived, dormant and unnamed, inside a select number of people. While there is a contingent of furries who do derive sexual pleasure from the subculture, the fanbase is much more broad than that.
Maybe you really liked drawing wolves during eighth-grade homeroom. Maybe you’ve always felt an inexplicable affinity with Tony the Tiger. Maybe you’ve long thought it would be rad to buy a $10,000 curvy hippo costume and enter a breakdancing competition. If you fall into any of these categories, then furries are your kind of people, and FurFest the place to unleash the human-sized sergal (a fictional rabbit/shark/wolf amalgam) within. As the voiceover to an intro presentation for FurFest sonorously boomed over a dubstep beat, “You know you are more than a human…now you are the beast that slept inside your mind.”
MFF is widely touted as the biggest furry con in the world, and its attendance has increased exponentially in recent years: While the con only saw about 1,000 attendees in 2005, it reported more than 10,900 guests in 2018, and Matt Berger, media relations lead for MFF, estimates that 12,000 were in attendance this year. That’s in part due to the increasing number of younger children and their families who are gravitating to furry culture — during my time at Midwest FurFest, I saw children as young as seven attending dance competitions and meet-and-greets accompanied by their parents, having stumbled on the fandom via YouTube or TikTok.
In so keeping with its increasingly family-friendly image, the fandom has become intent on promoting itself as a beacon of acceptance and inclusivity, and MFF is no exception….
…In the end, however, another number might turn out to be equally meaningful. Over the course of many decades, Asimov groped or engaged in other forms of unwanted touching with countless women, often at conventions, but also privately and in the workplace. Within the science fiction community, this is common knowledge, and whenever I bring it up in a room of older fans, the response is usually a series of nods. The number of such incidents is unknown, but it can be plausibly estimated in the hundreds, and thus may match or exceed the long list of books that Asimov wrote.
“An unpreserved Vesuvius, an overnight ruin” — that’s how Sean Adams describes Los Verticalés, the fictional setting of his engrossing debut novel The Heap. Adams is not speaking figuratively. Los Verticalés, nicknamed The Vert, was once a leviathan 500-story building, erected in the American desert, that housed an entire metropolis’ worth of apartments, residents, and businesses. But years ago it suddenly collapsed, leaving a gargantuan pile of rubble and bodies called The Heap. That “overnight ruin” is now surrounded by a loose community of mobile homes called CamperTown, and the denizens of CamperTown dig through the debris, searching for the dead and whatever modest treasure might be salvaged.
One of these Dig Hands, as they’re known, has a higher motivation: Orville Anders is the brother of Bernard Anders, a radio personality who is the last known survivor of The Vert’s collapse. Bernard, however, is still trapped beneath the rubble, miraculously alive and broadcasting his daily radio talk show from somewhere in the bowels of The Vert’s vast corpse. Bernard, living in darkness, subsists on rats and a trickle of water coming down a wall; Orville digs desperately every day in search of his buried-alive, increasingly unstable brother, keeping in touch by calling in to his radio show every day, hoping not only to find Bernard but to strengthen a fraternal bond that’s grown frayed and distant over the years. It’s a numbing, heartbreaking task, and it’s made all the more difficult when Sundial Media — the owner of WVRT, the radio station that Bernard is still technically employed by — saddles Bernard with a moral dilemma: Would he be willing to brand and commercialize his exchanges with his brother as a kind of podcast-meets-reality-show?
Adams’ imaginative scope is staggering. The intricately wrought details of The Vert serve as the substructure of The Heap, contained in interstitial chapters that sketch a blueprint of the fallen building as a monument to modern technology as well as a chilling social experiment. The Vert’s inner core of apartments comprised the lower classes, since they were isolated from the outside of the building and therefore didn’t have windows; in their place, UV screens broadcast moving images of the real world as a kind of analogy of Plato’s cave wall. Reality began to warp inside The Vert as friction grew between The Windowed and The Windowless, to the point where the building’s physical collapse is symbolic of its civic collapse.
I’ve come to an agreement with Jack Vance’s son, John, that I will be writing a sequel to Jack Vance’s iconic Demon Princes series. A contract is being drawn up.
I’m not an outliner, but I’ve sketched out an idea for the story: a young person, not sure yet if it’s male or female, returns to the world called Providence and the community of Mount Pleasant. This was the site of a slave-taking raid by the five megacriminals known collectively as the Demon Princes, whom Kirth Gersen devoted his life to tracking down and killing.
The returnee has escaped from slavery and come to reclaim the family property – as well as something precious buried there.
But the ghost town has been repopulated by sinister people – I’m thinking maybe a cult or some kind of radical political organization. So my underdog has to undergo trials and tribulations.
I’m very much looking forward to this.
(9) TODAY IN HISTORY.
January 7, 1961 — ITV premiered The Avengers. Original cast was Ian Hendry and Patrick Macnee. Hendry left after the first series; Steed with becoming the primary male character, partnered with a succession of female partners. The series would last for six seasons and one hundred and one episodes. We of course have our favorite female partner but that’s not for us to say here. After it ended in 1969, John Steed would be paired with two new partners on The New Avengers, a series that ran for two seasons in the mid-Seventies.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 7, 1912 — Charles Addams. Illustrator best known for the Addams Family which he first drew in 1932 and kept drawing until his death. Needless to say there has been a number of films using these characters of which The Addams Family is my favorite. (Died 1988.)
Born January 7, 1924 — Eugene Lee Coon. Showrunner on Trek for much of the first and second seasons. Responsible in some part for thirteen scripts for the show. Outside of this show, he had little in the genre save writing one episode each of The Wild Wild West and The Immortal, and later scripting The Questor Tapes. (Died 1973.)
Born January 7, 1926 — Graham Stone. Australian fan, bibliographer, collector, and small press publisher. Founder of the Australian Science Fiction Society and member, as well, of the Futurian Society of Sydney. He wrote with his co-author Royce Williams, Zero Equals Nothing. Winner of an A. Bertram Chandler Award. (Died 2013.)
Born January 7, 1928 — William Peter Blatty. Novelist and screenwriter best known for The Exorcist though he was also the same for Exorcist III. The former is by no means the only genre work that he would write as his literary career would go on for forty years after this novel and would include Demons Five, Exorcists Nothing: A Fable which he renamed Demons Five, Exorcists Nothing: A Hollywood Christmas Carol and The Exorcist for the 21st Century, his final work. (Died 2017.)
Born January 7, 1950 — Erin Gray, 70. She’s best known as Colonel Wilma Deering Buck Rogers in the 25th Century series. Would it surprise you that she shows up in as Commander Grey in Star Trek Continues, one of those video Trek fanfics
Born January 7, 1955 — Karen Haber, 65. Wife of Robert Silverberg. I fondly remember reading her Meditations on Middle Earth anthology. And the three Universe anthologies she did with her husband are most excellent. I don’t remember reading any of her novels but that’s hardly a certainty that I didn’t as even when my memory was a lot better than it is now I hardly remembered all the genre fiction I read.
Born January 7, 1957 — Nicholson Baker, 63. Ok ISFDB lists him as having two SFF novels, The Fermata and House of Holes. The Wiki page him lists those as being two out of the three erotic novels that he’s written. Not having read them, are they indeed erotic SFF? I see that ESF say they’re indeed SFF and yes are erotic. H’h.
Born January 7, 1961 — Mark Allen Shepherd, 59. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety-three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. He’s also an abstract painter whose work was used frequently on DS9 sets.
Born January 7, 1966 — Heidi Elizabeth Yolen Stemple, 54. Daughter of Jane Yolen, sibling of Adam Stemple. She and Yolen co-wrote the Mirror, Mirror: Forty Folktales for Mothers and Daughters to Share anthology. ISFDBsays they did two chapbooks as well, A Kite for Moon and Monster Academy.
Born January 7, 1971 — Jeremy Renner, 49. You know him as Hawkeye in those MCU films but he’s also in a number of other SFF film including Hansel and Gretel: Witch Hunters, Mission: Impossible – Ghost Protocol, Mission: Impossible – Rogue Nation and Arrival.
Born January 7, 1980 — Tom Harper, 40. Director of such British series as Demons, Misfits and Philip K. Dick’s Electric Dreams. He’s also done some SFF film work such as The Woman in Black: Angel of Death and The Borrowers.
Born January 7, 1983 — Ruth Negga, 37. She was Raina in Agents of S.H.I.E.L.D. but she left that show as she got a leading role being Tulip O’Hare in the Preacher series. She was also Nikki in Misfits, Queen Taria In Warcraft and a WHO Doctor In World War Z.
(11) COMICS SECTION.
Bizarro suggests one of Stan Lee’s mottos was a bit naïve.
Grant Snider’s Incidental Comics is about Beginning,
Who is the most popular Star Trek captain of all time? This age-old — and extremely fraught — Trekkie debate has arguably been settled. The impending release of Star Trek: Picard seems to prove that, overwhelmingly, fans love Captain Jean-Luc Picard more than any other Trek captain ever. Yes, hardcore Trekkies will tell you they celebrate all captains equally (even Scott Bakula), but the zeitgeist seems to tell a different story.
We love Picard a lot, and surely, we love him more than Captain James T. Kirk. This wasn’t always the case, but we’ve been living in a Picard-first world for a long time now. Here’s when it happened….
WOMAN. The Warner Bros. UK Twitter account has dropped four
pics from the upcoming June 5 release Wonder Woman 1984:
“Travel back to 1984 with these new stills from #WW84.” They include
scenes set both on The Mall and in a mall.
Who? – You! We need outgoing, creative, friendly, enthusiastic, graduating college seniors who have an appetite for adventure and are willing to see the country through the windshield of the Oscar Mayer Wienermobile. Applicants should have a BA or BS, preferably in public relations, journalism, communications, advertising, or marketing, though applicants are not limited to these degrees.
Anneliese Nielsen, who owns a cannabis brand in Los Angeles, used a strain of weed calibrated for relaxation, but found herself unable to relax in a dark theatre illuminated by the ghastly cat face of Corden. ‘I’m 35 and announced, ‘I’m scared!’ to my fellow moviegoers at least seven times,’ says Nielsen, who called the film ‘a special kind of evil.’
The Alamo Drafthouse chain has special ‘rowdy’ showings of CATS where patrons are encouraged to consume adult beverages and loudly comment on the film.
Facebook has announced it will remove videos modified by artificial intelligence, known as deepfakes, from its platform.
Deepfakes are computer-generated clips that are designed to look real.
The social media company said in a blog that these videos distort reality and present a “significant challenge” for the technology industry.
While deepfakes are still relatively uncommon on the internet, they are becoming more prevalent.
AI software creates deepfakes of people – often politicians or celebrities – by merging, replacing, or superimposing content on to a video in a way that makes it look real.
Facebook said it would remove videos if it realised they had been edited in ways that weren’t obvious to an average person, or if they misled a viewer into thinking that a person in a video said words they did not actually say.
“There are people who engage in media manipulation in order to mislead,” wrote Monika Bickert, vice president of global policy management at Facebook in the blog.
Facebook staff and independent fact-checkers will be used to judge a video’s authenticity.
(17) VIDEO OF THE DAY. “Looney Tunes–Behind The Lines: A Conversation With Tex
Avery” on YouTube is an interview with the great animator Tex Avery that
is undated, but probably from the late 1970s.
[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Andrew Porter, N.,
Mike Kennedy, John King Tarpinian, Olav Rokne, and Chip Hitchcock for some of
these stories. Title credit goes to File 770 contributing editor of the day Daniel
The John W. Campbell Award for Best New Writer has been presented at the Worldcon since 1973, two years after Campbell’s death. The 47th winner was Jeannette Ng. Will there be a 48th? Many are responding to her acceptance remarks with a call to change the name of the award.
Although voting is administered by the Worldcon, the award belongs to Dell Magazines, publisher of Analog. It was named for him because Campbell edited Astounding/Analog for 34 years and in his early years at the helm he introduced Heinlein, Asimov, and many other important sf writers, reigning over what was called by the time of his death the Golden Age of SF. That cemented his legend as a discoverer of talent (regardless that in later years he passed on submissions from any number of talented newcomers incuding Samuel R. Delany and Larry Niven).
Jeannette Ng’s speech was exactly the speech our field needs to hear. And the fact that she devoted the bulk of it to solidarity with the Hong Kong protesters is especially significant, because of the growing importance of Chinese audiences and fandom in sf, which exposes writers to potential career retaliation from an important translation market. There is a group of (excellent, devoted) Chinese fans who have been making noises about a Chinese Worldcon for years, and speeches like Ng’s have to make you wonder: if that ever comes to pass, will she be able to get a visa to attend?
Back when the misogynist/white supremacist wing of SF started to publicly organize to purge the field of the wrong kind of fan and the wrong kind of writer, they were talking about people like Ng. I think that this is ample evidence that she is in exactly the right place, at the right time, saying the right thing.
… When Ng took the mic and told the truth about his legacy, she wasn’t downplaying his importance: she was acknowledging it. Campbell’s odious ideas matter because he was important, a giant in the field who left an enduring mark on it. No one disagrees about that. What we want to talk about today is what that mark is, and what it means.
… You can claim the John W. Campbell Award without revering John W. Campbell, or paying him lip service, and you can criticize him, based on what you see of his track record and your interpretation of it. The award is about the writing, not about John W. Campbell, and that is a solid fact. If a recipient of the Campbell Award can’t do these things, or we want to argue that they shouldn’t, then probably we should have a conversation about whether we should change the name of the award. It wouldn’t be the first time an award in the genre has been materially changed in the fallout of someone calling out the problems with the award’s imagery. The World Fantasy Award was changed in part because Nnedi Okorafor and Sofia Samatar were public (Samatar in her acceptance speech!) about the issue of having a grotesque of blatant racist HP Lovecraft as the trophy for the award. There was a lot of grousing and complaining and whining about political correctness then, too. And yet, the award survives, and the new trophy, for what it’s worth, is gorgeous. So, yes, if this means we have to consider whether it’s time to divorce Campbell from the award, let’s have that discussion.
Now, here’s a real thing: Part of the reaction to Ng’s speech is people being genuinely hurt. There are still people in our community who knew Campbell personally, and many many others one step removed, who idolize and respect the writers Campbell took under his wing. And there are people — and once again I raise my hand — who are in the field because the way Campbell shaped it as a place where they could thrive. Many if not most of these folks know about his flaws, but even so it’s hard to see someone with no allegiance to him, either personally or professionally, point them out both forcefully and unapologetically. They see Campbell and his legacy abstractly, and also as an obstacle to be overcome. That’s deeply uncomfortable.
It’s also a reality. Nearly five decades separate us today from Campbell. It’s impossible for new writers today to have the same relationship to him as their predecessors in the field did, even if the influence he had on the field works to their advantage….
…Ng’s assessment of Campbell is undoubtedly informed by Campbell’s personal politics and beliefs and those who have written about him. Campbell argued that African-Americans were “barbarians” deserving of police brutality during the 1965 Watts Riots, as “the “brutal” actions of police consist of punishing criminal behavior.” His unpublished story All featured such racist elements that author Robert Heinlein, who built upon Campbell’s original story for his own work titled Sixth Column, had to “reslant” the story before publishing it. In the aftermath of the Kent State massacre, when speaking of the demonstrators murdered by the Ohio National Guard, Campbell stated that “I’m not interested in victims. I’m interested in heroes.” While difficult to presume where Campbell’s beliefs would place him in modern politics, it is apparent that Campbell would disagree with many of the beliefs held by modern America.
Ng’s speech unsurprisingly caused backlash and outrage among some members of the literary community, with some claiming that Ng should have withheld from insulting the man whose award she was receiving.
…I was one of the people madly cheering this speech. I posted a meme on Facebook as she was still speaking: “Jeannette Ng is AWESOME!!!!!” Moments later, swept up in the moment, I posted another meme, “I’m just gonna say it: The Name of the John W. Campbell Award SHOULD BE F***KING CHANGED!”
To clamor atop a soapbox for a moment; NO, I am not advocating that the life and work of John W. Campbell, Jr. be scrubbed from history. But neither should we turn a blind, uncritical eye to his transgressions. When the winners of such a prestigious award start getting angry because the person behind it is viewed to be so vile and reprehensible, that ought to be acknowledged as well….
For a brief period a few years ago, my byline was prominently associated with the John W. Campbell Award for Best New Writer. This was not because I’d ever won such an award, or even appeared on the ballot (I was never a nominee), but rather because I assembled anthologies for the purpose of showcasing new writers during their two-year window of eligibility, as an exercise in public awareness of writing that, despite potential merit, might not have received sufficient reviews to garner an audience among the Worldcon membership at large.
In that context, someone asked me to defend Campbell because of the acceptance speech given by this year’s recipient.
This was an uncomfortable request. The more I’ve learned about Campbell over the years, the more certain I’ve become that I wouldn’t have even wanted to share an elevator with him, much less try to sell him a story… and I say that despite having learned any number of his storytelling and editing techniques by way of hand-me-down tutelage….
Amazing Stories’ Steve Davidson was
mainly concerned that Ng’s remarks were bad for the brand – i.e., Ng mistakenly
identified Campbell as an editor of his magazine instead of Astounding/Analog.
…A couple of days ago we watched and updated our post covering the 2019 Hugo Awards; we were a bit surprised at Jeannette Ng’s acceptance where she made some connections between fascism in the SF field, fascism in the US and the events taking place in Hong Kong right now. Hong Kong is Ms. Ng’s home base and we are absolutely and completely in sympathy with her and the protesters who are braving arrest, and possibly worse, as they try to maintain their freedoms.
We entirely missed the misattributions of Ms. Ng’s speech; what she wanted to do was identify John W. Campbell Jr., the editor of Astounding Stories, as a fascist. She ended up naming Jospeph Campbell as the editor of Amazing Stories….
I am sure she is tired, chuffed, overwhelmed and, perhaps even a bit embarrassed over having misnamed Campbell and the magazine he was associated with in front of an audience and a community that knows this history without even thinking about it.
But the internet being what it is, disrespect for facts being what they are these days, I can not allow the idea that John W. Campbell – racist, anti-semite, fascist, misogynist, whatever – was associated with Amazing Stories to go unchallenged….
Ng has issued a correction:
Swedish Fan Ahrvid Engholm today
sent two fannish listservs copies of a complaint he has filed with the Dublin
2019 committee that Ng’s speech violated the convention’s Code of Conduct.
…One may wonder what a Code of Conduct is worth, if it isn’t respected by those who have all eyes upon them on the big stage, during the highlight of a convention, such as the awards ceremonies witnessed by thousands.
I therefore want to report, as a breach of the Code of Conduct during Dublin 2019, the intimidation and personal attacks in Jeannette Ng’s Campbell Award speech, of which the very lows are wordings like:
“John W. Campbell…was a fascist” and he was “setting a tone” she claims “haunts” us as “Sterile. Male. White.” glorifying “imperialists” etc.
“Everyone involved with Dublin 2019 is expected to show respect towards…the various communities associated with the convention. …Dublin 2019 is dedicated to provide a harassment-free convention experience for all Attendees regardless of…gender…race…We do not tolerate harassment of convention attendees in any form” /which includes:/ * Comments intended to belittle, offend or cause discomfort”
Most if not all would find being called a “fascist” offending, surely causing discomfort.
And it’s especially deplorable when the person belittled this way has passed away and thus can’t defend himself. It is reported that John W Campbell’s grandson John Campbell Harrmond was present at the convention that branded his grandfather a “fascist”. John W Campbell was the leading sf magazine editor of his era (of Astounding SF, not Amazing Stories as this far from well-founded speech said) and have many admirers who also have cause to feel offended. If you like Campbell, the claim he is a “fascist” surely splashes on you too – you’d be “fascist sympathiser”.
Ms Ng continues to harass whole categories of convention Attendees, those who are “male” and “white”. They are “sterile” and the negative “tone” claimed being “set” in the sf genre. It must be noted that the CoC is explicitly against slurs regarding race and gender. (And in these circumstances “white” indicates race and “male” gender.) The CoC further says it won’t be tolerated “in any form”, which surely must also include the form of a speech from a big stage.
It is too late now do do anything about this regrettable episode, but those making reports are asked to state what they would like to happen next. What I simply want is to get it confirmed that the event reported indeed IS a breach of the CoC, because that could be important for the future.
–Ahrvid Engholm sf con-goer since 1976 (of Worldcons since 1979)
Scott Edelman supported Ng in several comments, describing his deep unhappiness with some of Campbell’s opinions at the time the were originally published 50 years ago. He also quoted this anecdote from the autobiography of William Tenn / Phil Klass:
(1) HELP IS ON THE WAY. Jimmy Kimmel Live plugs the “Game of Thrones Hotline for Confused
There is a lot going on in “Game of Thrones,” and it can be difficult to keep track of what’s what and who’s who. But fortunately help is on the way. Cast members Sophie Turner, Lena Headey, John Bradley, Joe Dempsie, Maisie Williams, Kristian Nairn, Iwan Rheon & Liam Cunningham host a new hotline to assist their confused fans.
…So in this light, in the context of authors who actively avoid a novel of theirs being described as ‘science fiction’, and given the latest instance of Ian McEwan distancing himself from said label, I’d like to humbly offer a way in which one can tell if it’s an SF novel or not. “Whether a novel is science fiction—or not—depends on who the author is and who reviews it”.
As an advertising professional who has spent almost 20 years in the marketing business and who knows a thing or three about positioning and target audiences, this is perhaps the best description that I think we can arrive at. But where does this leave the reader?
It is up to the individual reader to decide whether he/she/they would rather go by convenient labels than follow interests or read what he/she/they would like to. As a reader – and not just of SF – I am in agreement with the author of Cloud Atlas and The Bone Clocks, the writer David Mitchell who says that genre snobbery is a bizarre act of self-mutilation because, “It’s convenient to have a science fiction and fantasy section, it’s convenient to have a mainstream literary fiction section, but these should only be guides, they shouldn’t be demarcated territories where one type of reader belongs and another type of reader does not belong…What a shame. All those great books that you’re cutting yourself off from.”
(4) WEIMER DOUBLE-HEADER. Paul
Weimer told Facebook readers:
If you thought “Self, I want to hear @PrinceJvstin on a podcast”, today is YOUR day.
Hello, Rangers! We’re back with everyone’s favorite Space Nancy Drew in Komarr! This time Stina, Paul, and Trish sit around the campfire to talk about women’s agency, budding relationships, whether or not Miles is “dad” material, how good intentions can go horribly, horribly wrong, the politics of isolationism, and more!
(5) KNOWING CAMPBELL. Stanley
Schmidt’s guest editorial for Analog“John and
Me” takes off from the “The Astounding John W. Campbell, Jr.” panel at
last year’s Worldcon moderated by Alec Nevala-Lee. Schmidt’s views of Campbell’s
work are very different than those of fellow panelist Robert Silverberg, and he
says in closing —
…As for what kind of editing John was doing in his last years, my experience indicates that he was still doing the kinds of things he was famous for, and still doing them very well. It’s unfortunate that some of his personal idiosyncrasies drove away some of his best writers, but that’s a separate question from the quality of his work. Maybe I was fortunate that I didn’t know him personally before I started writing for him, or I might have found it harder, too—though I hope I wouldn’t have let my disagreements with him, even on big issues, make me reject him entirely as a person. I did disagree with his editorials more often in those years than I had earlier, but as far as I knew he was just doing the professional argument-baiting he had always done. Even if I had known that he really held beliefs that I found highly objectionable, I doubt that I would have found that adequate reason to sever all contact with him and his work. A lot of people hold misguided beliefs, but my experience, I think, is a good example of how it’s possible to work productively with somebody, and respect some of his qualities, even while sharply disagreeing with some of his views. Maybe that’s a lesson that a whole lot of people need to relearn about now.
(6) SLF READINGS. The Speculative
Literature Foundation’s Deep Dish Reading Series in Chicago resumes on May 9.
(7) DOC WEIR AWARD. The Doc Weir Award is voted on by attendees at the Eastercon and is presented to a fan who has worked hard behind the scenes at conventions or in fandom and deserves recognition. As Fandom.com explains —
The award consists of a silver cup (which must be returned the following year) and a certificate (if someone remembers to create one!)
The cup is engraved with the names of the previous winners, and in fine fannish tradition, it is up to each year’s winner to have their own name engraved at their own cost!
Jamie Scott is the
Bill Burns of eFanzines has more
info on the Doc Weir Award, and a list of all winners from 1963 to 2018 here.
(8) 71ST EASTERCON. Next
year’s UK Eastercon, called Concentric, will be in Birmingham at the Hilton
I’m Eneasz Brodski. I produce the Methods of Rationality podcast. It began as me, in my bedroom, with a lot of enthusiasm and a handheld mic after a few hours of research. As of this writing it’s been 6.5 years since I started. I’ve spent over 10,000 hours working on this podcast, I’ve produced over ninety hours of audio fiction spread across 185 episodes, totaling almost 4.5 million downloads. I’ve been a finalist for the Parsec Awards three times. I’ve never done professional audio work, but I have some idea of how to get an amateur podcast going.
…News of Wolfe’s passing spread on the internet on Monday morning, as the first images of the fire at Notre-Dame also started circulating. Many Wolfe fans were struck by the coincidence. “Gene Wolfe is dead and Notre-Dame is engulfed in flames,” the writer Michael Swanwick tweeted. “This is the Devil’s own day.” Swanwick’s grief is understandable. Yet Wolfe himself might offer more consoling counsel. Death and life, his work often showed, are not so much opposites but partners, with the passing of the old being the precondition for the birth of the new. Cathedrals can burn but they can also be rebuilt, and in fact all cathedrals are in a constant state of maintenance and repair….
(11) MARTIN BÖTTCHER OBIT. German film composer Martin Böttcher
(1927–2019) died April 19. Cora Buhlert pays tribute — “In Memoriam Martin Böttcher”.
…But Böttcher’s most famous film score would be the one he composed for Horst Wendlandt’s other series, the Winnetou movies of the 1960s, based on Karl May’s adventure novels. Ironically, Martin Böttcher himself had never read a single Winnetou novel, which must make him one of the very few Germans of his generation who did not read Karl May. When someone asked him why he didn’t read the novels, Böttcher answered, “I’ve seen every single Winnetou movie dozens of times. I know how the story goes. I don’t need to read it.”
Born April 22, 1916 — Virginia Heinlein. Editor of Grumbles from the Grave. Also allowed Tramp Royale to be published after her husband’s death. And for some reason allowed longer versions of previously published works Stranger in a Strange Land, The Puppet Masters, and Red Planet to be published. Anyone read these? Used bookstores here frequently had copies of Stranger in a Strange Land so buyers didn’t hold on to it… (Died 2003.)
Born April 22, 1934 — Sheldon Jaffery. Bibliographer who was a fan of Weird Tales, Arkham House books, pulps, and pretty much anything in that area. Among his publications are Collector’s Index to Weird Tales (co-written with Fred Cook), Future and Fantastic Worlds: A Bibliographical Retrospective of DAW Books (1972-1987) and Horrors and Unpleasantries: A Bibliographical History and Collector’s Price Guide to Arkham House. He also edited three anthologies which Bowling Green Press printed, to wit Sensuous Science Fiction from the Weird and Spicy Pulps, Selected Tales of Grim and Grue from the Horror Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps. (Died 2003.)
Born April 22, 1937 — Jack Nicholson, 82. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim Burton’s The Batman. I watched the last one, was not impressed.
Born April 22, 1946 — John Waters, 73. Yes, he did horror films, lots of them. Shall we list them? There’s Multiple Maniacs, Suburban Gothic, Excision, Blood Feast 2: All U Can Eat and Seed of Chucky. The latter described as a “supernatural black comedy horror film” on Wiki. He also narrates Of Dolls and Murder, a documentary film about a collection of dollhouse crime scenes created in the Forties and society’s collective fascination with death.
Born April 22, 1950 — Robert Elswit, 69. Cinematographer. An early short film he worked on was a 1982 TV adaptation of the Ray Bradbury short story “All Summer in a Day.” He began his career as a visual effects camera operator working on films like Star Trek: The Motion Picture, The Empire Strikes Back, and E.T. the Extra-Terrestrial. He worked on Mission: Impossible – Ghost Protocol and Mission: Impossible – Rogue Nation.
Born April 22, 1959 — Brian Taves, 60. Author of The Jules Verne Encyclopedia and Hollywood Presents Jules Verne: The Father of Science Fiction on Screen. He also wrote Talbot Mundy, Philosopher of Adventure: A Critical Biography. Mundy is the author of the Jimgrim / Ramsden stories, a fantasy series.
Born April 22, 1966 — Jeffrey Dean Morgan,53. He’s best known for his roles as Dr. Edward Marcase in The Burning Zone, John Winchester on Supernatural, the Comedian in Watchmen, Negan on The Walking Dead and Harvey Russell in Rampage. He also played Jeb Turnbull in Jonah Hex. And was Thomas Wayne in Batman v. Superman though he was uncredited for it.
Born April 22, 1984 — Michelle Ryan, 35. She appeared as the evil sorceress Nimueh in Merlin, and as Lady Christina de Souza in the Doctor Who episode “Planet of the Dead” in the era of the Tenth Doctor. She was also in the comedy film Cockneys vs Zombies as Katy,and played Elanor in Andron. And yes, they rebooted the Bionic Woman series in which she played the lead character Jaime Sommers. It lasted nine episodes. Points to who remembers the original actress without looking her up.
There’s at least one inexpensive TV-bundling service: Philo TV. At $16 a month for three simultaneous streams of 45 popular channels, it’s a steal. But, if you can live with commercials, there are at least 10 good free streaming services to try.
(16) COMMEMORATIVES. These
BrexitStamps are over a year old – but news to me!
(17) NAVIGATING BY THE PUPPY CONSTELLATION. Lou Antonelli has launched a semiprozine for original sff, Sirius Science Fiction, which offers $25 for each original story upon publication.
WHO WE ARE
Sirius Science Fiction is an on-line web site dedicated to publishing original speculative fiction – science fiction, fantasy, alternate history and horror. We like stories with a sense of wonder and excitement.
In a time when mainstream speculative fiction has been overrun by political correctness and identity politics, we offer a venue free of pretension and ideological litmus tests.
Sirius Science Fiction publishes one original short story a week, plus occasional reprints. Original stories are posted every Friday.
On a bright Sunday afternoon in early March, the Tamir River in the steppes of Mongola becomes a bowling alley. Two dozen Mongolian herdsmen have gathered to play musun shagai, known as “ice shooting.” Right now, the ice on the river is perfect. Clear and smooth. The players are cheerful and focused.
Their goal? To send a small copper puck called a zakh down a 93-yard stretch of ice and knock over several cow ankle bones, painted red, none bigger than a golf ball, at the other end. Extra points for hitting the biggest target, made of cow skin.
Together, the targets form a line of tiny red dots that are difficult to see, let alone hit. When that happens, players know because the spectators raise a boisterous cheer.
…This competition, originally scheduled for mid-March, was bumped up by two weeks. “The river was already melting,” Gurvantamir said.
In the fictional world of Marvel’s Black Panther, the Afro-futurist utopia of Wakanda has a secret, almost magical resource: a metal called vibranium. Its mythic ability to store energy elevated vibranium to a central role in the fictional nation’s culture and the metal became part of Wakandan technology, fashion and ceremony.
Of course vibranium isn’t real. But one metal has held a similarly mythic role for over 2,000 years in many cultures across the African continent: iron.
African blacksmiths have been crafting agricultural tools, musical instruments, weapons and symbols of power and prestige out of the raw material for ages. “Striking Iron: The Art of African Blacksmiths,” a new exhibit at the National Museum of African Art in Washington, D.C. showcases Africa’s rich history of ironworking through 225 tools, weapons and adornments from over 100 ethnic groups across Africa.
SpaceX has confirmed that its Crew Dragon capsule suffered an “anomaly” during routine engine tests in Florida.
A US Air Force spokesperson told local press the incident, at Cape Canaveral Air Force Station, had been contained and no-one had been injured.
An unmanned Crew Dragon successfully flew for the first time last month.
This latest incident, however, could delay plans to launch a manned mission to the International Space Station later this year.
Not since the end of the Space Shuttle programme in 2011 has the US been able to send its own astronauts into orbit. It has had to rely instead on Russia and its Soyuz spacecraft.
(23) A ‘STAN LEE’ MOMENT.
Daniel Dern asks:
Wanna get caught up on the Avengers: Endgame related comics… or just overload your eyeballs and brain in general?
Try a month of the Marvel Unlimited streaming comic service for $4.99 (normall $9.99/month, jumps to that if you don’t cancel). ~ 25,000 digitized Marvel comics (ranging from from-the-beginning-of-time through at-least-six-months-old).
Best on, sigh, a tablet that can view a comic full size, like the non-cheap iPad Pro 12.9. (which is why I bought one a year or so ago).
Even before the lushly designed curtain rises on Taylor Mac’s Gary: A Sequel to Titus Andronicus, which opens Sunday night on Broadway (at the Booth Theatre, to Aug. 4), the fluids start shooting forth.
A woman appears and begins to spurt blood from her slashed neck. The blood flies out sporadically, and this looks a little precarious if you are in the front two rows. The woman, inevitably raspy of voice given her injury, muses on the nature of sequels and revenge.
Then the curtain rises on one of the great stage designs of this Broadway season. The sight of hundreds of human bodies immediately confronts the audience….
In this banqueting hall turned charnel house, there is the prosaically named Gary (Nathan Lane), a former clown now turned laborer, here to do some tidying up of bodies before the inauguration of a new leader the next day. “Bit more of them than I was expecting,” he says of the bodies. His voice is Cockney. Lane—orbiting in his brilliant way from shy to showman, naughty schoolboy to moral fulcrum—at first seems like a mischief-maker, bored on the job and up for fun.
The fourth wall stays permeable throughout; the actors stare out at us, puzzled at our applause….
(25) DERAILERS. ScreenRant shares “10 Superhero Deleted Scenes That Could
Have Changed Everything.”
Deleted scenes in movies are fun to watch but they are even more fun to watch when they are from superhero films. Instead of arguing over which Universe you enjoy more, DC or Marvel, sit back and watch these deleted scenes and let us know what you think in the comments below. Let’s take a look at Screen Rant’s video, ten Superhero Deleted Scenes That Could Have Changed Everything. And we have the plot holes from some of your favorite movies including the X-Men series, Marvel’s Iron Man, the Hugh Jackman film Logan, Batman V Superman: Dawn of Justice plus many more.
JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, World
Weary, Daniel Dern, Mike Kennedy, Daniel Dern, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Rob Thornton.]