Would I sound crazy if I claimed the closing credits were the best part of Buckaroo Banzai? Probably. Besides, unless someone has watched the whole movie the credits just look like another 1980s men’s fashion commercial. But they are the best part, just the same.
Moviefone interviewed director W. D. Richter about the credits in 2011
Moviefone: To this day, the end credits of ‘Buckaroo Banzai’ make me very happy. Where did the idea for the end credits even come from?
W.D. Richter: Well, actually, an unlikely source was [producer] David Begelman, who was really our enemy for the entire movie. He was the guy who said, “Go ahead, you can make this movie,” but he never got it on any level. And so, when it ended just with a kiss, he said, “it needs something else.” And we had no money, at all, at that point. And he said, “I’m going to pop for some sort of choreographed ending that we can talk about.” We got a choreographer in because there was no way I would know how to movie around all of those people. So it kind of emerged from the end of the postproduction.
My high opinion of the credits was simply based on the music, the choreography, and ultimately, my desire to see more of these characters.
But once I started replaying this video over and over, like a favorite old 45, I noticed a couple of things for the first time —
(1) Seven characters meet at the base of the dam and start marching. Penny Priddy and John Bigbooté join them. That’s nine. Then there’s a cut, everybody turns left at the wall — and suddenly there are 16 or 17 people marching!
(2) Also Perfect Tommy comes out of the left turn wearing a completely different outfit. (Perhaps one that’s more perfect for walking in front of walls?)
Another character’s change in appearance requires no magical explanation because we see him shucking off his jacket.
Heaven only knows what else I’m missing.
[Thanks to John King Tarpinian for the story.]