I’m still digesting everything I saw, but it was pretty amazing. It was like a strange fever dream. [But] not audience friendly AT ALL. An ambiguous ending and not one likable character. And without any ‘milkshake’ lines, it probably won’t have the breakthrough that There Will Be Blood had… There are three or four scenes between Phoenix and Hoffman that are barn burners. It also contains the best work Amy Adams has ever done…
In The Master Philip Seymour Hoffman plays a World War II vet haunted by his experiences who forms his own religion. Joaquin Phoenix plays a drifter who becomes The Master’s right-hand man.
While many Golden Age and New Wave sf writers have been the subjects of documentaries, they have rarely inspired big screen dramatics. Besides The Master, I can only think of Empire of the Sun (1984), about J.G. Ballard’s childhood years in a Shanghai internment camp, Shadowlands (1993), based loosely on C.S.Lewis’ relationship with Joy Davidman Gresham, and Martian Child (2007), taken from David Gerrold’s story about adopting a son. Have I missed any?
[Thanks to David Klaus for the story.]