2024 Hugo Finalists

The Glasgow 2024 Worldcon committee today announced the finalists for this year’s Hugo Awards.

1720 valid nominating ballots were received and counted from the members of the 2023 and 2024 World Science Fiction Conventions for the 2024 Hugo Awards. Voting on the final ballot will open during April 2024.

Only Glasgow 2024 members will be able to vote on the final ballot and choose the winners for the 2024 Awards. The 2024 Hugo Awards, the Lodestar Award, and the Astounding Award will be presented on Sunday evening, August 11, 2024, at a formal ceremony at Glasgow 2024. More information about the Hugo Awards is available here.

Best Novel

  • The Adventures of Amina al-Sirafi by Shannon Chakraborty (Harper Voyager, Harper Voyager UK)
  • The Saint of Bright Doors by Vajra Chandrasekera (Tordotcom)
  • Some Desperate Glory by Emily Tesh (Tordotcom, Orbit UK)
  • Starter Villain by John Scalzi (Tor, Tor UK)
  • Translation State by Ann Leckie (Orbit US, Orbit UK)
  • Witch King by Martha Wells (Tordotcom)

1420 ballots cast for 576 nominees. Finalists range 91-172.  

Best Novella

  • “Life Does Not Allow Us to Meet”, He Xi / 人生不相见, 何夕, translated by Alex Woodend (Adventures in Space: New Short stories by Chinese & English Science Fiction Writers)
  • Mammoths at the Gates by Nghi Vo (Tordotcom)
  • The Mimicking of Known Successes by Malka Older (Tordotcom) 
  • Rose/House by Arkady Martine (Subterranean) 
  • “Seeds of Mercury”, Wang Jinkang / 水星播种, 王晋康, translated by Alex Woodend (Adventures in Space: New Short stories by Chinese & English Science Fiction Writers)
  • Thornhedge by T. Kingfisher (Tor, Titan UK) 

962 ballots cast for 187 nominees. Finalists range 106-186.  

Best Novelette  

  • I AM AI by Ai Jiang (Shortwave) 
  • “Introduction to 2181 Overture, Second Edition”, Gu Shi /〈2181序曲〉再版导言, 顾适 translated by Emily Jin (Clarkesworld, February 2023)
  • “Ivy, Angelica, Bay” by C.L. Polk (Tor.com 8 December 2023) 
  • “On the Fox Roads” by Nghi Vo (Tor.com 31 October 2023) 
  • “One Man’s Treasure” by Sarah Pinsker (Uncanny Magazine, JanuaryFebruary 2023) 
  • “The Year Without Sunshine” by Naomi Kritzer (Uncanny Magazine, November-December 2023) 

 755 ballots cast for 212 nominees. Finalists range 40-117.  

Best Short Story

  • “Answerless Journey”, Han Song / 没有答案的航程, 韩松, translated by Alex Woodend (Adventures in Space: New Short stories by Chinese & English Science Fiction Writers)
  • “Better Living Through Algorithms” by Naomi Kritzer (Clarkesworld May 2023) 
  • “How to Raise a Kraken in Your Bathtub” by P. Djèlí Clark (Uncanny Magazine, January-February 2023) 
  • “The Mausoleum’s Children” by Aliette de Bodard (Uncanny Magazine, May-June 2023)
  • “The Sound of Children Screaming” by Rachael K. Jones (Nightmare Magazine, October 2023) 
  • 美食三品 (“Tasting the Future Delicacy Three Times”), 宝树 / Baoshu (银河边缘013:黑域密室 / Galaxy’s Edge Vol. 13: Secret Room in the Black Domain

720 ballots cast for 612 nominees. Finalists range 27-69.  

Best Series  

  • The Final Architecture by Adrian Tchaikovsky (Tordotcom, Orbit UK)
  • Imperial Radch by Ann Leckie (Orbit US, Orbit UK)
  • The Last Binding by Freya Marske (Tordotcom, Tor UK)
  • The Laundry Files by Charles Stross (Tordotcom, Orbit UK)
  • October Daye by Seanan McGuire (DAW)
  • The Universe of Xuya by Aliette de Bodard (Gollancz; JABberwocky Literary Agency; Subterranean Press; Uncanny Magazine; et al.)

677 ballots cast for 228 nominees. Finalists range 79-117.  

Best Graphic Story or Comic  

  • Bea Wolf, written by Zach Weinersmith, art by Boulet (First Second)
  • Saga, Vol. 11 written by Brian K. Vaughan, art by Fiona Staples (Image Comics)
  • Shubeik Lubeik, Deena Mohamed (Pantheon); as Your Wish Is My Command (Granta)
  • 三体漫画:第一部/ The Three Body Problem, Part One, adapted from the novels by 刘慈欣 (Liu Cixin), written by 蔡劲 (Cai Jin),戈闻頔 (Ge Wendi), and 薄暮 (Bo Mu), art by 草祭九日东 (Caojijiuridong) (Zhejiang Literature and Art Publishing House) 
  • The Witches of World War II written by Paul Cornell, art by Valeria Burzo (TKO Studios LLC)
  • Wonder Woman Historia: The Amazons written by Kelly Sue DeConnick, art by Phil Jimenez, Gene Ha and Nicola Scott (DC Comics)

 457 ballots cast for 256 nominees. Finalists range 25-151.

Best Related Work  

  • All These Worlds: Reviews & Essays by Niall Harrison (Briardene Books)
  • 中国科幻口述史, 第二卷, 第三卷,(Chinese Science Fiction: An Oral History, vols 2 and 3) ed. 杨枫 / Yang Feng (8-Light Minutes Culture & Chengdu Time Press)
  • A City on Mars by Kelly Weinersmith and Zach Weinersmith (Penguin Press; Particular Books)
  • The Culture: The Drawings, by Iain M. Banks (Orbit)
  • 雨果X访谈 (Discover X), presented by 王雅婷 (Tina Wong)
  • A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, by Maureen Kincaid Speller, edited by Nina Allan (Luna Press Publishing)

775 ballots cast for 246 nominees. Finalists range 36-343.

Best Dramatic Presentation, Long Form  

  • Barbie, screenplay by Greta Gerwig and Noah Baumbach, directed by Greta Gerwig (Warner Bros. Studios)
  • Dungeons & Dragons: Honor Among Thieves, screenplay by John Francis Daley, Jonathan Goldstein and Michael Gilio, directed by John Francis Daley and Jonathan Goldstein (Paramount Pictures)
  • Nimona, screenplay by Robert L. Baird and Lloyd Taylor, directed by Nick Bruno and Troy Quane (Annapurna Animations) 
  • Poor Things, screenplay by Tony McNamara, directed by Yorgos Lanthimos (Element Pictures)
  • Spider-Man: Across the Spider-Verse, screenplay by Phil Lord, Christopher Miller and Dave Callaham, directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson (Columbia Pictures / Marvel Entertainment / Avi Arad Productions / Lord Miller / Pascal Pictures / Sony Pictures Animation)
  • 流浪地球2 / The Wandering Earth II, based on the novel by 刘慈欣 Liu Cixin, screenplay by 杨治学 Yang Zhixue, 郭帆 / Frant Gwo, 龚格尔 Gong Geer, and 叶濡畅 Ye Ruchang, script consultant 王红卫 Wang Hongwei, directed by 郭帆 / Frant Gwo (中影创意(北京)电影有限公司 / CFC Pictures Ltd, 郭帆(北京)影业有限公司 / G!Film (Beijing) Studio Co. Ltd, 北京登峰国际文化传播有限公司 / Beijing Dengfeng International Culture Communication Co, Ltd, 中国电影股份有限公司 / China Film Co. Ltd)

763 ballots cast for 189 nominees. Finalists range 69-212.

Best Dramatic Presentation, Short Form

  • Doctor Who: “The Giggle”, written by Russell T. Davies, directed by Chanya Button (Bad Wolf with BBC Studios for The BBC and Disney Branded Television)
  • Loki: “Glorious Purpose”, screenplay by Eric Martin, Michael Waldron and Katharyn Blair, directed by Justin Benson and Aaron Moorhead (Marvel / Disney+)
  • The Last of Us: “Long, Long Time”, written by Craig Mazin and Neil Druckmann, directed by Peter Hoar (Naughty Dog / Sony Pictures)
  • Star Trek: Strange New Worlds: “Those Old Scientists”, written by Kathryn Lyn and Bill Wolkoff, directed by Jonathan Frakes (CBS / Paramount+)
  • Star Trek: Strange New Worlds: “Subspace Rhapsody”, written by Dana Horgan and Bill Wolkoff, directed by Dermott Downs (CBS / Paramount+)
  • Doctor Who: “Wild Blue Yonder”, written by Russell T. Davies, directed by Tom Kingsley (Bad Wolf with BBC Studios for The BBC and Disney Branded Television)

490 ballots cast for 318 nominees. Finalists range 46-115.

Best Game or Interactive Work

  • Alan Wake 2, developed by Remedy Entertainment, published by Epic Games 
  • Baldur’s Gate 3, produced by Larian Studios
  • Chants of Sennaar, developed by Rundisc, published by Focus Entertainment
  • DREDGE, developed by Black Salt Games, published by Team17
  • The Legend of Zelda: Tears of the Kingdom, produced by Nintendo
  • Star Wars Jedi: Survivor, developed by Respawn Entertainment, published by Electronic Arts

 334 ballots cast for 165 nominees. Finalists range 26-157.  

Best Editor Short Form

  • Scott H. Andrews
  • Neil Clarke
  • 刘维佳 (Liu Weijia)
  • Jonathan Strahan 
  • Lynne M. Thomas & Michael Damian Thomas
  • 杨枫 (Yang Feng)

530 ballots cast for 179 nominees. Finalists range 40-146.

Best Editor Long Form

  • Ruoxi Chen
  • Lindsey Hall
  • Lee Harris
  • Kelly Lonesome
  • David Thomas Moore
  • 姚海军 (Yao Haijun)

254 ballots cast for 103 nominees. Finalists range 16-81.

Best Professional Artist

  • Micaela Alcaino
  • Rovina Cai
  • Galen Dara
  • Dan Dos Santos
  • Tristan Elwell
  • Alyssa Winans

270 ballots cast for 219 nominees. Finalists range 17-66.

Best Semiprozine

  • Escape Pod, editors Mur Lafferty and Valerie Valdes; assistant editors Benjamin C. Kinney, Premee Mohamed and Kevin Wabaunsee; hosts Tina Connolly and Alasdair Stuart; producers Summer Brooks and Adam Pracht; and the entire Escape Pod team 
  • FIYAH Literary Magazine, publisher and executive editor DaVaun Sanders, poetry editor B. Sharise Moore, special projects manager L. D. Lewis, art director Christian Ivey, acquiring editors Rebecca McGee, Kerine Wint, Joshua Morley, Emmalia Harrington, Genine Tyson, Tonya R. Moore, sponsor coordinator Nelson Rolon
  • GigaNotoSaurus, editor LaShawn M. Wanak, associate editors Mia Tsai and Edgard Wentz, along with the GNS Slushreaders Team
  • khōréō, produced by Aleksandra Hill, Zhui Ning Chang, Kanika Agrawal, Isabella Kestermann, Rowan Morrison, Sachiko Ragosta, Lian Xia Rose, Jenelle DeCosta, Melissa Ren, Elaine Ho, Lilivette Domínguez, Jei D. Marcade, Jeané Ridges, Isaree Thatchaichawalit, Danai Christopoulou, M. L. Krishnan, Ysabella Maglanque, Aaron Voigt, Adil Mian, Alexandra Millatmal, E. Broderick, K. S. Walker, Katarzyna Nowacka, Katie McIvor, Kelsea Yu, Marie Croke, Osahon Ize-Iyamu, Phoebe Low, S. R. Westvik, Sara S. Messenger
  • Strange Horizons, by the Strange Horizons Editorial Collective 
  • Uncanny Magazine, publishers and editors-in-chief: Lynne M. Thomas and Michael Damian Thomas; managing editor Monte Lin; nonfiction editor Meg Elison; podcast producers Erika Ensign and Steven Schapansky.

338 ballots cast for 82 nominees. Finalists range 32-159.

Best Fanzine

  • Black Nerd Problems, editors Omar Holmon and William Evans 
  • The Full Lid, written by Alasdair Stuart and edited by Marguerite Kenner
  • Idea, editor Geri Sullivan
  • Journey Planet, edited by Michael Carroll, Vincent Docherty, Sara Felix, Ann Gry, Sarah Gulde, Allison Hartman Adams, Arthur Liu, Jean Martin, Helena Nash, Pádraig Ó Méalóid, Yen Ooi, Chuck Serface, Alan Stewart, Regina Kanyu Wang, James Bacon and Christopher J. Garcia 
  • Nerds of a Feather, Flock Together, editors Roseanna Pendlebury, Arturo Serrano, Paul Weimer; senior editors Joe Sherry, Adri Joy, G. Brown, Vance Kotrla. 
  • Unofficial Hugo Book Club Blog, editors Olav Rokne and Amanda Wakaruk  

286 ballots cast for 80 nominees. Finalists range 20-70.

Best Fancast  

  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
  • Hugos There, presented by Seth Heasley
  • Octothorpe, by John Coxon, Alison Scott, and Liz Batty 
  • Publishing Rodeo, presented by Sunyi Dean and Scott Drakeford
  • 科幻Fans布玛 (Science Fiction Fans Buma), production team 布玛(Buma),刘路(Liu Lu),刘倡(Liu Chang)
  • Worldbuilding for Masochists, presented by Marshall Ryan Maresca, Rowenna Miller, Cass Morris and Natania Barron

693 ballots cast for 230 nominees. Finalists range 28-104.

Best Fan Writer

  • Bitter Karella
  • James Davis Nicoll
  • Jason Sanford
  • Alasdair Stuart
  • Paul Weimer
  • Örjan Westin

363 ballots cast for 134 nominees. Finalists range 27-134.

Best Fan Artist

  • Iain J. Clark
  • Sara Felix
  • Dante Luiz
  • Laya Rose
  • Alison Scott
  • España Sheriff

180 ballots cast for 96 nominees. Finalists range 16-43.

Lodestar Award for Best YA Book

  • Abeni’s Song by P. Djèlí Clark (Starscape)
  • Liberty’s Daughter by Naomi Kritzer (Fairwood Press)
  • Promises Stronger than Darkness by Charlie Jane Anders (Tor Teen)
  • The Sinister Booksellers of Bath by Garth Nix (Katherine Tegen Books, Gollancz and Allen & Unwin)
  • To Shape a Dragon’s Breath by Moniquill Blackgoose (Del Rey)
  • Unraveller by Frances Hardinge (Macmillan Children’s Books; eligible due to 2023 U.S. publication by Amulet)

345 ballots cast for 178 nominees. Finalists range 33-56.

Astounding Award for Best New Writer (sponsored by Dell Magazines)

  • Moniquill Blackgoose (1st year of eligibility)
  • Sunyi Dean (2nd year of eligibility)
  • Ai Jiang (2nd year of eligibility)
  • Hannah Kaner (1st year of eligibility)
  • Em X. Liu (1st year of eligibility)
  • Xiran Jay Zhao (eligibility extended at request of Dell Magazines)

349 ballots cast for 167 nominees. Finalists range 35-50.

The following nominees received enough votes to qualify for the final ballot, but declined nomination:

  • Best Novel – System Collapse, by Martha Wells
  • Best Novelette – 极北之地 (“The Far North”) by 海漄 (Hai Ya)
  • Best Related Work: Bigolas Dickolas Wolfwood’s promotional tweets for This Is How You Lose the Time War
  • Best Editor, Long Form: Natasha Bardon
  • Best Fan Writer: Camestros Felapton

The following nominees received enough votes to qualify for the final ballot, but were not eligible for specific reasons:

  • Best Novel – 天帆 (Cosmo Wings) by 江波 (Jiang Bo) – publication in 2024
  • Best Fancast (1) – 雨果X访谈 (Discover X)interviews by 王雅婷 Tina Wong – professional production; also qualified in the Best Related Work category.
  • Best Fancast (2) – 铥铥科幻电波 (Diu Diu Sci Fi Radio) – also a professional production.

[Based on a press release.]


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77 thoughts on “2024 Hugo Finalists

  1. Congratulations to all the finalists!
    (This year may be a first: I’ve read three of the best novel finalists, and have two more.)

  2. Discover X / ??X?? (aka Hugo X, which is what the Chinese title translates to, also now going under the name SF-X Interview it seems) is/was a series of promo videos for the Chengdu Worldcon, hosted by a member of the Chengdu concom and the Chengdu Hugo team. The first video was an interview with Ben Yalow, Dave McCarty and Helen Montgomery.

  3. I must criticize Discover X(Yuguo X Fangtan) immediately. I believe the producer only worked on it for the duration of Worldcon 2023 in Chengdu. They submitted and uploaded their video very slowly; even I had transported one earlier.

    They have also stopped their work. No update have appeared after 2024. They said they would have produced more, but it seems like the interview was limited in a private circle. Although they claimed their video was viewed for over 40000000 times, the statistics are very suspicious.

    News and Newspaper Summary on Science Fiction Vol.20 reported it.

    The editor’s enquiry revealed that the actual performance of the Hugo X Interview’s BiliBili account and Douyin account may not be as satisfactory as it should be. The number of video plays in the Beili account generally fluctuates from a few thousand to ten thousands, with a total of about 400,000 plays, and one of the interviews was uploaded by Hugo X Files only after another user carried the video over from another website. In Douyin account, the Hugo X Interviews long video programme playback data is relatively considerable, the best performance of one of the interview programme is Liu Cixin and Guo Fan together, playback reached more than 4 million, nine videos total playback in more than 7 million. There are more than fifty short videos, which are clips of long video programmes, and the number of likes is generally dozens, so it is impossible to check the broadcast volume. The number of fans on both video platform accounts is around three thousand, with minimal interaction such as pop-ups, comments and favourites. In a way, “40 million views” is an overstatement.

    If Hugo X Interview could be nominated, I would strongly recommend my own
    News and Newspaper Summary on Science Fiction. It’s made in China too, and it is really a fan work!

  4. I’m not sure Moniquill Blackgoose is eligible for the Astounding, have previously published under the name Monique Poirier in 2020.
    That’s why she was withdrawn/rescinded as a finalist for the Comprton Crook Award.

  5. If someone wants to start:

    Shortstory:
    Naomi Kritzer Better Living Through Algorithms:
    https://clarkesworldmagazine.com/kritzer_05_23/

    How to Raise a Kraken in Your Bathtub P. Djeli Clark
    https://www.uncannymagazine.com/article/how-to-raise-a-kraken-in-your-bathtub/

    Mausoleum’s Children, The Aliette de Bodard
    https://www.uncannymagazine.com/article/the-mausoleums-children/

    Sound of Children Screaming, The Rachael K. Jones
    https://www.nightmare-magazine.com/fiction/the-sound-of-children-screaming/

    Novelette:
    Introduction to the 2181 Overture, Second Edition Gu Shi
    https://clarkesworldmagazine.com/gu_02_23/

    Ivy, Angelica, Bay C. L. Polk
    https://reactormag.com/ivy-angelica-bay-c-l-polk-2/

    On the Fox Roads Nghi Vo
    https://reactormag.com/on-the-fox-roads-nghi-vo-2/

    One Man’s Treasure Sarah Pinsker
    https://www.uncannymagazine.com/article/one-mans-treasure/

    Year Without Sunshine, The Naomi Kritzer
    https://www.uncannymagazine.com/article/the-year-without-sunshine/

  6. @Zimozi Natsuco
    Now I’m wondering, with how sketchy the whole affair looked to Chinese fans, how the heck did Discover X get onto the ballot?

    Maybe people put it on their ballots before the full breadth of Chengdu’s corruption was revealed & didn’t think to remove it, but that article you linked is from December ’23.

  7. @cathy
    Perhaps that was a small enough publisher/print run or whatever not to count as pro publication to Dell Magazines (Astounding Award’s sponser).

  8. We are aware of publications previous to 2022 by finalists Moniquill Blackgoose and Sunyi Dean, but we determined that they do not meet the threshold of professional publication needed to start the clock of Astounding eligibility.

  9. Thanks StefanB.

    Wasn’t there a rule proposed against having the same entry in best novel and series? I feel there should be one.

  10. Moniquill Blackgoose has a pretty long list of publications under Monique Poirier, going back to 2009 at least, she definitely doesn’t qualify for the Astounding. Yeah, it’s mostly erotica, but AFAIK that still counts …

  11. I like how Glasgow gave specific, valid reasons for why the three nominees removed from the ballot were deemed “not eligible.” The reasons given seem quite legitimate.

    I also wish I could read ?? (Cosmo Wings) by ?? (Jiang Bo), which was removed from the Best Novel final ballot b/c it was published in 2024. Anyone know if an English translation is forthcoming? If not, perhaps publishers should take note.

  12. @Bookworm: We don’t have that rule.
    We had 2 finalist last year, were individual works were finalist somewhere else.
    2022 one
    2021 two
    so it is nothing new.

  13. I’ve read all of the Best Novel finalists already, and all of the English-language Novelette finalists, which clears the decks for me to catch up on a lot of other stuff. Though I shall continue to give the Best Game and Best Podcast categories a pass, because those modes just don’t work for me.

    Where are some guides to How To Weigh Best Editor?

  14. Aargh. The Chinese characters in my post above got nuked and I didn’t notice in time to edit.

    Also, with regards to Moniquill Blackgoose I believe she qualifies for the Astounding Award. The award’s FAQ defines what counts as a qualifying professional work, which is any any work of fiction in SF/F genres published in a qualifying publication.

    As for a qualifying publication, it must meet one of the following criteria:

    * Copy print run of at least 10,000

    * Publications which have a nominal pay rate, particularly those designated by the award sponsor (Dell Magazines). The nominal rate was originally taken from SFWA membership requirements, which was $0.08/word with a minimum of $80 total.

    * A published work of fiction of a minimum of 40,000 words either sold to a small press or self-published for which the author can demonstrate net income of at least $3,000 within one year. Income can be in the form of advance, royalties, or some combination thereof.

    It appears Moniquill Blackgoose only published in small press anthologies with her erotica. These books wouldn’t have had 10,000 print runs (they have almost no Amazon or Goodreads reviews, supporting low print runs). They also likely paid far less than 8 cents a word, if they paid anything. Since the criteria above weren’t met, she is eligible for the award.

  15. I am particularly happy about the decision to extend Astounding eligibility for Xiran Jay Zhao. (Presumably the different nature of the award meant Dell could make this decision on their own. And I guess I wasn’t the only person who nominated Zhao in hopes that they would consider doing so.)

  16. Bigolas Dickolas Wolfwood! I love to see that name again — and in such an amazing context.

    We’ll remember that post even though Bigolas Dickolas Wolfwood has declined the nomination.

  17. Congratulations to all.

    Very happy to see that Xirin Jay Zhao is on the ballot. A nice step to redress a wrong.

  18. I’m surprised Seanan McGuire’s October Daye series is eligible again since it was a finalist last year and the rules state that “If a Series is a finalist and does not win, it is no longer eligible until at least two more installments consisting of at least 240,000 words total appear in subsequent years.” That’s like 3 novels worth right? Did she publish that much in the series in 2023?

  19. And those two full-length October Daye novels each included a bonus novella (in the print and ebook editions, not audio), and there were also four October Daye novelettes released on her Patreon in 2023.

  20. Jason Sanford says It appears Moniquill Blackgoose only published in small press anthologies with her erotica. These books wouldn’t have had 10,000 print runs (they have almost no Amazon or Goodreads reviews, supporting low print runs). They also likely paid far less than 8 cents a word, if they paid anything. Since the criteria above weren’t met, she is eligible for the award.

    I can’t find a single review of her works out of Amazon or Goodreads on the net which is unusual, so your surmise that the print runs were small, perhaps even a great deal smaller than you suspected.

  21. Heather Rose Jones: Idea got doubled up on the previous nominee’s line. I just needed to fix the formatting.

  22. I’m not familiar with the ins and outs of the Astounding Award (I had no idea about the minimum 10k print run), but Blackgoose/Poirier’s first novel, Cygenic, definitely has some reviews on Goodreads.

  23. @Doctor Science – I tend to rank ‘best editor’ based on whose list of “stuff I was involved with last year” has the best contents.

  24. David H.: I agree Monique Poirier’s first novel in 2020 did have some readers. However, my guess is that the novel also doesn’t count against her being eligible for the Astounding Award this year.

    Cygenic was published by Riverdale Avenue Books, which isn’t a traditional publisher. Instead, Riverdale Avenue is print on demand and, while they pay royalties, they don’t pay an advance. Per their FAQ page:

    Will I receive an advance? No. We are a royalty-earning publisher with generous epub, audio, and POD royalty rates. We pay our authors quarterly for sales for which we have received royalties on during the prior quarterly period.

    Since Riverdale Avenue doesn’t pay an advance, to meet the Astounding Award criteria for a qualifying publication Poirier would have had to earn a net income from royalties on sales of the novel of at least $3,000 within one year. Since the novel only has 20 reviews on Goodreads and 7 on Amazon, odds are likely the book didn’t earn anywhere close to that.

  25. In looking up the Universe of Xuya series, it looks like it consists of 1 novel and a bunch of novellas and short stories, and also that most, if not all of them, are fairly standalone in nature? Does anyone who is more familiar with the series have a recommendation on which are the best entries to track down and what order they should be read in?

    Thanks in advance!

  26. I feel like this (Moniquill/Monique) is a situation where it would be helpful if the Hugo admin team would chime in promptly and tell us that they looked at her previous pubs and they don’t qualify and therefore she is eligible, nothing to see here, go home. I wasn’t terribly happy the last time this pseudonym thing happened in the Astounding and am still not sure that finalist was legit. It would be nice to clear the matter up quickly so we can go on with being happy for the finalists.

    (I am assuming the Hugo team, not being oblivious, has already checked this out and determined that she is eligible, but now that it’s come up for debate, they should say that.)

  27. Fiction outside of the SF/F genre does not factor in to Astounding Award eligibility. The clock on the two-year window begins with an author’s first qualifying work.

  28. Susan, I’ve had most, but by no means allof the Xuya Universe fiction. I dint believe that there’s really any order to them as there’s no connect as near as I can tell between the stories and therefore no wrong way to read them.

    The two novels, The Red Scholar’s Wake and A Fire Born of Exile are very representative of that Universe.

    I add in two short stories, “On a Red Station, Drifting “ and “The Tea Master and the Detective”, both exquisite looks at both the culture and her deft hand way of shaping a character, both human and ship mind.

  29. One thing about the Astounding is the clock starts with not first professional publications, but first SFF fiction publication. Thus, you have things like Lev Grossman being eligible for THE MAGICIANS even though he was already a well-established professional writer, or Andy Weir for THE MARTIAN because the clock didn’t start until its traditional publication, not its self-pub period, despite the self-pub selling massively.

    In other words, the Astounding can be weird sometimes.

  30. Congrats to all the finalists.

    I already wanted to read Ms. Wells’ “The Witch King”, but I am glad to have the extra prompt.

    Regards,
    Dann
    When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up. – C.S. Lewis

  31. There’s an official Glasgow 2024 response earlier in the comments which I only now was able to get authenticated.

  32. Maybe people put it on their ballots before the full breadth of Chengdu’s corruption was revealed & didn’t think to remove it, but that article you linked is from December ’23.

    I am afraid not. As I said, this is not a well-known podcast in China, most fans who attend the 2023 Worldcon might not know it at all because it wasn’t promoted widely as I have pointed out in the news report. Chinese fans may try their best to nominate fictions, games(What a pity: Honkai Startrail!) and theoretical essays. But this official achievement from a infamous company could not be accepted by fans, at least, I could not accept the nomination.
    I strongly advise to recheck nominations in this category. So weird.

  33. Jason Sanford: Since Riverdale Avenue doesn’t pay an advance, to meet the Astounding Award criteria for a qualifying publication Poirier would have had to earn a net income from royalties on sales of the novel of at least $3,000 within one year. Since the novel only has 20 reviews on Goodreads and 7 on Amazon, odds are likely the book didn’t earn anywhere close to that.

    A lot of the story publications Doctor Science linked on GoodReads were published by Circlet Press. I find it hard to believe that a press run by Cecelia Tan wasn’t paying SFWA rates, but maybe it wasn’t.

  34. @ Megan. That is correct, each story is independent and can be read in any order. My favorite is the Tea Master and the Detective.

    @Goobergunch. Thanks. Too bad.

  35. We are aware of publications previous to 2022 by finalists Moniquill Blackgoose and Sunyi Dean, but we determined that they do not meet the threshold of professional publication needed to start the clock of Astounding eligibility.

    Did anyone else cry happy tears when they saw that a Worldcon Hugo committee posted a comment in this discussion addressing public concerns?

  36. Sorry to start the “WHY WASN’T THIS NOMINATED???” conversation, but was anyone else surprised at first that Godzilla Minus One didn’t make it?

    Honestly, thinking about it: I think it was a simple lack of accessibility. I was lucky enough to catch it in theaters (in color!) but it felt like it came and went quick. Also of course, as of writing there’s still no streaming platform announced, no physical home video release in the West, and no announcement for either. A movie that gained unprecedented success in its field (and a VFX Oscar!) and there’s no legal way to watch it here. Weird.

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