The Locus Science Fiction Foundation today announced winners of the 2024 Locus Awards during an in-person Locus Awards Ceremony in Oakland, California.
The winners are:
SCIENCE FICTION NOVEL
- System Collapse, Martha Wells (Tordotcom)
FANTASY NOVEL
- Witch King, Martha Wells (Tordotcom)
HORROR NOVEL
- A House with Good Bones, T. Kingfisher (Nightfire; Titan UK)
YOUNG ADULT NOVEL
- Promises Stronger Than Darkness, Charlie Jane Anders (Tor Teen; Titan UK)
FIRST NOVEL
- The Saint of Bright Doors, Vajra Chandrasekera (Tordotcom)
NOVELLA
- Thornhedge, T. Kingfisher (Tor; Titan UK)
NOVELETTE
- “The Rainbow Bank“, Uchechukwu Nwaka (GigaNotoSaurus 8/23)
SHORT STORY
- “How to Raise a Kraken in Your Bathtub“, P. Djèlí Clark (Uncanny 1-2/23)
ANTHOLOGY
- Out There Screaming, Jordan Peele & John Joseph Adams, eds. (Random House; Picador)
COLLECTION
- White Cat, Black Dog, Kelly Link (Random House; Ad Astra)
MAGAZINE
- Uncanny
PUBLISHER
- Tor
EDITOR
- Neil Clarke
ARTIST
- John Picacio
NON-FICTION
- Space Crone, Ursula K. Le Guin (Silver)
ILLUSTRATED AND ART BOOK
- The Culture: The Drawings, Iain M. Banks (Orbit US; Orbit UK)
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Wow, a double for Martha Wells. Congratulations to all the winners!
And a double for Oor Wombat.
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I’d really like to know what the contents of Space Crone are. I’ve an exceedingly hard time believing that the material hasn’t already been published elsewhere. The publisher doesn’t listed them on its site.
As usual Reddit comes to rescue – Table of contents for Space Crone –
* Introduction by So Mayer and Sarah Shin
* The Space Crone (1976 – nonfiction)
* Sur (1982 – fiction)
* Bryn Mawr Commencement Address (1986 – nonfiction)
* Is Gender Necessary (redux) (1976/1988 – nonfiction)
* The Fisherwoman’s Daughter (1988 – nonfiction)
* In and Out (1989 – fiction (published as part of Searoad I think))
* Texts (1990 – fiction (also part of Searoad))
* Introducing myself (1992 – nonfiction)
* Off the Page: Loud Cows, A Talk, and a Poem about reading aloud (1992 – nonfiction)
* The Sound of your Writing (1998 – nonfiction)
* Award and Gender (1999 – nonfiction)
* On Genetic Determinism (2003 – nonfiction)
* Old Body Not Writing (2003 – nonfiction)
* What It was Like (2004 – nonfiction)
* What Women Know (2010 – nonfiction)
* Disappearing Grandmothers (2011 – nonfiction)
* Learning to Write Science Fiction from Virginia Woolf (2011-nonfiction)
* Forward to Murray Bookchin’s The Next Revolution (2015 – nonfiction)
* Dangerous People (2019 – fiction, partly published in Always Coming Home)
* Afterward by Arwen Curry (extract from an interview with Le Guin in 2011
@Cat Eldridge – I found a contents list posted on Reddit:
Introduction by So Mayer and Sarah Shin
The Space Crone (1976 – nonfiction)
Sur (1982 – fiction)
Bryn Mawr Commencement Address (1986 – nonfiction)
Is Gender Necessary (redux) (1976/1988 – nonfiction)
The Fisherwoman’s Daughter (1988 – nonfiction)
In and Out (1989 – fiction (published as part of Searoad I think))
Texts (1990 – fiction (also part of Searoad))
Introducing myself (1992 – nonfiction)
Off the Page: Loud Cows, A Talk, and a Poem about reading aloud (1992 – nonfiction)
The Sound of your Writing (1998 – nonfiction)
Award and Gender (1999 – nonfiction)
On Genetic Determinism (2003 – nonfiction)
Old Body Not Writing (2003 – nonfiction)
What It was Like (2004 – nonfiction)
What Women Know (2010 – nonfiction)
Disappearing Grandmothers (2011 – nonfiction)
Learning to Write Science Fiction from Virginia Woolf (2011-nonfiction)
Forward to Murray Bookchin’s The Next Revolution (2015 – nonfiction)
Dangerous People (2019 – fiction, partly published in Always Coming Home)
Afterward by Arwen Curry (extract from an interview with Le Guin in 2011)
https://www.reddit.com/r/Fantasy/comments/14iiamu/space_crone_ursula_k_le_guin_minireview/
It’s rather noticeable that, going down the list, there’s nothing that isn’t a Tor imprint until you get to the novelette category.
Congratulations to the winners!
I just fed a generous sampling of the titles through ISFDB, Not at all to my surprise, they’d indeed been published before in such publications as her The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination and Words Are My Matter: Writings About Life and Books.As I said, I was having a hard time believing this was unpublished material.
@PhilRM
It’s a problem when one of the more influential organizations within the genre appears to be so incurious about the broader range of works that are published each year.
Regards,
Dann
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