Could any fan who lived through the 1950s fail to cherish the memory of theaters packed with people wearing those red-and-green 3-D glasses to watch It Came From Outer Space or House on Haunted Hill?
Whether or not Roger Ebert had warm, fuzzy feelings about 3-D in those days, he’s given readers of Newsweek a long list of reasons not to like it today in “Why I Hate 3-D.” My favorite is:
When you look at a 2-D movie, it’s already in 3-D as far as your mind is concerned. When you see Lawrence of Arabia growing from a speck as he rides toward you across the desert, are you thinking, “Look how slowly he grows against the horizon” or “I wish this were 3D?”
Our minds use the principle of perspective to provide the third dimension. Adding one artificially can make the illusion less convincing.
Fans of the famous 3-D moviegoers photo you run here, snapped by J.R. Eyerman in 1952, might like to see what I did with it: