(1) GAME OF THRONES AUCTION. Heritage Auctions has started its three-day auction of Game of Thrones props and costumes. Westeros gives the highlights of the opening day in “Day 1 of Game of Thrones Auction Recap”.
The first day of the three day Game of Thrones prop and costume auction run by Heritage Auctions started well, with nearly $5.36 million realized across the first 290-odd listings in the auction. We kept track of it as long as we could, and by the time we went to bed we’d noted that several items had cleared the $100,000 mark. Gregor Clegane’s tourney armor was the first to hit six figures and ended up just shy of $200,000, followed by a prototype dragon egg from the first season (a second egg just missed the mark).

After that, Arya Stark’s season 2 “boy” ensemble with an included “action” version of Needle hit $150,000, which seemed like a very expected number. And then, fittingly, the first item to hit $200,000—just beating out the Mountain that Ride’s armor—was the Hound’s armor ensemble. After that point, we went to bed, but in the morning we found two more items made it to the prestigious six-figure club: a full Jaime Lannister Kinsguard ensemble. Because of the inclusion of both a prop hand and an “action” Oathkeeper, this one was an especially valuable listing, and the bidders recognized it as they drove it up to become the day’s top item with a final realized price of $212,500.

And now a Jon Snow (Kit Harington) Signature Night’s Watch Ensemble has gone for $337,500.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to share beef noodle soup with award-winning writer John Chu in Episode 238 of the Eating the Fantastic podcast.
Get ready to take a seat at the table with the Hugo and Nebula Award-winning writer John Chu.
John’s a microprocessor architect by day, and a writer, translator, and podcast narrator by night. His fiction has appeared in magazines such as Lightspeed, Uncanny, Asimov’s Science Fiction, Clarkesworld, Apex, and at Tor.com, plus in anthologies such as The Mythic Dream, Made to Order: Robots and Revolution, New Suns 2: Original Speculative Fiction by People of Color, and others. His translations have been published or are forthcoming at Clarkesworld, The Big Book of SF, and other venues.

He has been a finalist for the Hugo, Nebula, Locus, and Ignyte Awards, won the Best Short Story Hugo for “The Water That Falls on You from Nowhere,” plus the Nebula, Ignyte, and Locus Awards for “If You Find Yourself Speaking to God, Address God with the Informal You.” In the days before our lunch, he surprised us all with the announcement he’d sold his first novel — and you’ll hear my own surprise during our conversation.
We discussed the way he gamified the submission process when he started out, how the pandemic made him feel as if he was in his own little spaceship, when he learned he couldn’t write novels and short stories at the same time, how food has become a lens through which he could explore a variety of issues in his fiction, the rejection letter he rereads whenever he wants to cheer himself up, how writing stories at their correct lengths was one of the most difficult lessons he had to learn as a writer, what it was about his 2015 short story “Hold-Time Violations” that had him feeling it was worthy of exploring as a novel, how he was changed by winning a Hugo Award with his third published story, and much more.
(3) KGB PHOTOS. Ellen Datlow has posted pictures from last night’s Fantastic Fiction at KGB reading series where Sarah Langan and David Leo Rice read from their most recent novels. Click here: KGB October 9, 2024.
(4) LISA TUTTLE COLUMN. The Guardian presents “The best recent science fiction, horror and fantasy – reviews roundup” by Lisa Tuttle. This time she reviews William by Mason Coile; The Tapestry of Time by Kate Heartfield; The Wilding by Ian McDonald; Of the Flesh: 18 Stories of Modern Horror by various authors; A Christmas Ghost Story by Kim Newman.
(5) FAMED ANIMATION STUDIO TAKES BATH. “‘Chicken Run’ Studio Aardman Cuts Jobs After Posting $720,000 Loss Amid Market ‘Challenges’” reports Deadline.
Aardman, the iconic UK animation studio behind Chicken Run and Wallace & Gromit, has closed around 20 jobs as it grapples with the increased cost of production.
Deadline understands that Aardman is in the process of making less than 5% of its 425 employees redundant following a savings review undertaken by management.
A third of the redundancies were voluntary, while two roles remain in consultation. It is hoped that some of the individuals who have lost their jobs can return to Aardman on a freelance basis.
As part of the restructure, Aardman has created new roles to wring increased value out of its intellectual property. These roles include a senior licensing manager and sales executive.
The cost-cutting initiative comes as Aardman has filed its earnings for 2023, which reveal that the studio sunk to a pre-tax loss of £550,135 ($720,000). The company made a profit of £1.56M in 2022.
Aardman said the loss was largely because of a £1.75M impairment of unrecouped costs on Lloyd of the Flies, a 2022 animated series that debuted on CITV in the UK and was licensed by Tubi in the U.S. Putting the impairment to one side, Aardman’s underlying profit was £1.6M….
(6) 3D-PRINTED PROP MODEL. “Star Trek ‘The Next Generation:’ TR-580 Medical Tricorder (3D Printed Model) by Tankz3dtavern” at FigureFan Zero.
There’s no doubt about it, the advancements in 3D Printing have done a lot for the collecting community. From printing missing parts for toys, and accessories for action figures, to complete collectibles, the whole endeavor has come a long way and it absolutely fascinates me. But also prop replicas! And that’s what I’m checking out today: A Starfleet Issue Medical Tricorder as featured in Star Trek: The Next Generation! I remember the days when you’re only hope of getting a decent Trek prop was to mail away for a DIY resin kit from the back of a magazine at $50-60. And what you got was exactly that, an unfinished kit that needed all sorts of sanding and painting to make it look anywhere near presentable. Even some of the “props” people were selling at conventions for twice that price were pretty crude. I recently found an Ebay seller offering some phasers and Trek replicas at prices that were too good to pass up. I started with some phasers (which we’ll check out here eventually), but the Tricorder came in this weekend and I was really excited to show it off.
This is where I usually show off the box and packaging, but there’s nothing to show here. The Tricorder came carefully bubble wrapped along with a display stand and holster. The stand is the only assembly required, and you just have to tab it all together, easy-peasy. There are no electronics included in the model, so you can consider this based on a regular prop as opposed to a hero prop, which is meant to be seen up close and functional. This particular model has two configurations to choose from: medical or regular, so whether you’re part of an Away Team mission making a geological survey or you’re in Sick Bay trying to find out why all your crew are dying, this Tricorder has you covered! Let’s start with the regular version and work our way up! And just a disclaimer, I know next to nothing about 3D Printing, I’m not qualified to comment on printing methods or techniques, and I’m evaluating this solely as a finished collectible….

(7) WARNING: IT’S A COMMERCIAL. But you might like to watch it anyway!
DeLorean Labs has now released a Back to the Future-style video of Lloyd playing himself as he opens a DeLorean Time Capsule. Directed by filmmaker Allan Ungar, who previously directed the feature film Bandit, the nostalgic video introduces the Time Capsule collection, as Lloyd has the item handed to him by a mysterious individual emerging from a DeLorean. Lloyd is seen opening the Time Capsule in amazement, before proceeding to utter Doc Brown’s famous catchphrase. Read DeLorean Labs President Evan Kuhn’s comments below:
“With the Time Capsule, we wanted to introduce something fun to our community that can celebrate DeLorean’s introduction to the digital age. Being DeLorean has been about futurism and counterculture. It allows us to get creative and move in such a way that other major car manufacturers can’t.”…
(8) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
Born October 11, 1945 – Gay Haldeman, 79.
By Paul Weimer: Possibly one of the ultimate science fiction fans, and wife of Joe Haldeman, I got to meet Gay Haldeman in 2014 at the London Worldcon when Shaun Duke brought me over to meet Joe and Gay at a random point in the hallway near the escalators. I was starstruck by Joe, and charmed by Gay (but she doesn’t remember me). But that’s all right.
Gay also helps manage Joe’s work, for which all of us in SFF can be eternally grateful. She is one of the abiding icons of the science fiction community and I value her continued presence in the field. (May I get a chance to actually meet her and Joe again some day.)

(9) COMICS SECTION.
- Saturday Morning Breakfast Cereal depicts the horror side of becoming a real live boy.
- Brewster Rockit reveals the invasion of the unseen.
- Eek! finds something that really works.
- Frazz discusses the evolution of a word.
- Lio has a crossover.
- The Argyle Sweater has doubts about therapy.
- Bliss says who’s really to blame.
(10) BRENDA STARR. PRINT Magazine interviews James Sholly about comics creator Dale Messick: “The Daily Heller: Brenda Starr, Comics Star”.
Was “Brenda Starr” Dale Messick’s full-time gig?
It was! She wrote and drew “Brenda Starr, Reporter” for over 40 years! At times, she worked in a mobile studio that allowed her and her family to take long road trips across the country. She would frequently weave aspects of her own story into the plot lines. In real life, Dale had a daughter named Starr, which was the same name that Brenda gave her daughter after giving birth in a storyline from the 1970s. In the early 1960s, Brenda traveled to the Canal Zone in Panama shortly after Dale Messick took a trip there to visit friends. I was also impressed to learn that Dale drew “Brenda Starr, Reporter” using a brush and ink, which must have been incredibly difficult. I looked at some of the original art at the Lilly Library on the campus of Indiana University and was blown away by the control and expressiveness of her line work.Why was Brenda Starr such a popular strip?
People I’ve spoken with say that particularly for young women, Brenda was a role model. Even in a fantastical sense, Brenda was a smart, savvy, career woman who went after what she wanted and didn’t let obstacles or expectations of what she should be slow her down (still a novel concept in the 1940s and 50s). She was unafraid of adventure and unbowed by people trying to get in her way. I think this kind of symbolism is really powerful to a young person with aspirations to achieve great things. Dale Messick had similar qualities in that she left the stability of her family life in Indiana, and came to New York on her own for a promising job (drawing greeting cards) and life in the big city. Messick was also savvy in presenting Brenda in the latest designer fashions, so she always looked incredible! She was able to build connections with readers by drawing their suggestions for Brenda’s clothes and including them as paper dolls in the Sunday editions of the strip. These sorts of gestures helped to create a loyal and dedicated readership….
(11) PANEL ABOUT THE WILD ROBOT. In Pasadena on October 26: “LightBox Expo Reveals ‘The Wild Robot: Art & Technical Strategies Behind the Scenes’ Panel” at Animation World Network.
LightBox Expo (LBX) returns October 25-27 to the Pasadena Convention Center, with an expansive program lineup celebrating artists and creators behind acclaimed films, animation, games, TV shows, comics, illustrations, and features.
The expansive 2024 program lineup just got more exciting with the announcement of “The Wild Robot: Art & Technical Strategies Behind the Scenes” panel, Saturday, October 26 from 4:00-5:00 pm.
Details on this previously unannounced panel are as follows:
“The Wild Robot: Art & Technical Strategies Behind the Scenes:”
Saturday, October 26 from 4:00-5:00 pm
Join heads of departments on The Wild Robot for a discussion about the artistic and technical strategies they took behind the scenes to capture the best on screen.
(12) IMMORTALITY CANCELLED. “Have We Reached Peak Human Life Span?” asks the New York Times (paywalled article).
The oldest human on record, Jeanne Calment of France, lived to the age of 122. What are the odds that the rest of us get there, too?
Not high, barring a transformative medical breakthrough, according to research published Monday in the journal Nature Aging.
The study looked at data on life expectancy at birth collected between 1990 and 2019 from some of the places where people typically live the longest: Australia, France, Italy, Hong Kong, Japan, South Korea, Spain, Sweden and Switzerland. Data from the United States was also included, though the country’s life expectancy is lower.
The researchers found that while average life expectancies increased during that time in all of the locations, the rates at which they rose slowed down. The one exception was Hong Kong, where life expectancy did not decelerate.
The data suggests that after decades of life expectancy marching upward thanks to medical and technological advancements, humans could be closing in on the limits of what’s possible for average life span.
“We’re basically suggesting that as long as we live now is about as long as we’re going to live,” said S. Jay Olshansky, a professor of epidemiology and biostatistics at the University of Illinois Chicago, who led the study. He predicted maximum life expectancy will end up around 87 years — approximately 84 for men, and 90 for women — an average age that several countries are already close to achieving.
During the 20th century, life expectancy rose dramatically, spurred on by innovations like water sanitation and antibiotics. Some scientists have projected that this pace will hold as better treatments and preventions are discovered for cancer, heart disease and other common causes of death. The famous demographer James Vaupel maintained that most children born in the 21st century would live to 100.
But according to the new study, that is unlikely to be the case. The researchers found that instead of a higher percentage of people making it to 100 in the places they analyzed, the ages at which people are dying have been compressed into a narrower time frame….
(13) 2024 NOBEL WINS MAY CONFOUND THE MACHINES TAKING OVER? [Item by SF Concatenation’s Jonathan Cowie.] I have long warned that the machines are taking over, but nobody ever listens.
This may now be changing! Two of this year’s Novel Prizes go to artificial intelligence (AI) related work. The Novel Prize for Chemistry goes to work using AI to elucidate the complex folding structure of proteins (the molecules that make up enzymes and some other large biological molecules that do things to keep us alive) from DNA code (genes).
More significantly, this year’s Nobel Prize for Physics goes to work on developing AI itself. One of this prize’s winners has gone on to warn that we need to work out how to manage AI before it takes over. He opines that we could have smarter-than-human within a couple of decades. (This is likely to be within the lifetimes of many of you.) It looks like I can no longer say nobody ever listens….
(14) THE MOST DISTURBING STORY EVER WRITTEN. Moid Moidelhoff over at Media Death Cult takes a look at Harlan Ellison’s unsettling short story “I Have No Mouth and I Must Scream”. The story is set against the backdrop of World War III, where a sentient supercomputer named AM, born from the merging of the world’s major defense computers, eradicates humanity except for five individuals. These survivors – Benny, Gorrister, Nimdok, Ted, and Ellen – are kept alive by AM to endure endless torture as a form of revenge against its creators.
(15) LOWER DECKS SEASON 5. There won’t be a second fifth – this is it. “’Star Trek: Lower Decks’ Final Season Blasts Off with Official Trailer” – Animation Magazine sums it up.
Synopsis: In Season 5 of Star Trek: Lower Decks, the crew of the U.S.S. Cerritos is tasked with closing “space potholes” — subspace rifts that are causing chaos in the Alpha Quadrant. Pothole duty would be easy for Junior Officers Mariner, Boimler, Tendi and Rutherford … If they didn’t also have to deal with an Orion war, furious Klingons, diplomatic catastrophes, murder mysteries and scariest of all: their own career aspirations.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Paul Weimer, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
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Tea in hand, I’ve been watching Pixels playing in the autumn leaves. They keeping blurring out as they cross from this ‘verse to other ‘verses and back again playing with leaves in all those ‘verses as if they were all in one ‘verse, and they are to them, aren’t they?
(8) Joe and Gay will be GOHs at next year’s Capclave, btw (along with Naomi Kritzer).
(2) Gamified the submission process… I need to hear that.
(6) The “hero” model is functional? Do you mean like a functional phaser? I’ll take one… or, at the very least, a scrootch gun.
(8) Birthday: absolutely agreed, Gay is a lovely person, and so is Joe. (ObDisclosure – I know them, though I might have to remind Gay of the con I met her at).
(10) Thanks for reminding me of her, and I see from wikipedia that the strip actually had a correct ending.
(12) Not immortality, but once we get my meshecytes… (From my novels).
The Pixels love playing in the leaves, and don’t see any need to restrict themselves to one universe. As long as they continue to include us, what’s the problem?
Falling apart, here. No review tonight.
Meds. Sleep.
No problem at all. Just don’t try to keep track of them as individuals as they come in way too many colours and infinite possibilities of catness to figure out who’s there so it’s just Pixelness.
12) Check out the Wikipedia entry for Jeanne Calment and what happened with the life estate contract that she entered into at age 90!
5) Well that sucks. Much like the recent Disney and Pixar layoffs, it seems to be the workers who suffer, not those who made the decisions that led to the poor financial results.
Cliff, it is entirely possible given the very few number of actual products, and yes they are products even if we view them as entertainment, that there indeed is too much staff.
And they’re not going to fire the decision-makers who are responsible for coming up with ideas for movies and series to sell to, increasingly, streaming services. Who again increasingly view this not as entertainment but merely as product.
And costs are up dramatically. I remember a story here that these clay animations are now now terrifyingly expensive as the clay they use has become scarce indeed.
I was talking more about managers – it’s not directors or writers who make decisions that lead to that kind of loss of money. Pixar laid off 14% of their staff, all people involved in making the movies. Nobody from senior management went. More recently they’ve let go a handful of directors too. Speaking for my own team, it was already woefully understaffed, and the remaining folks are far from happy to have shoulder the work I was doing there.
(5) The trailer for Lloyd of the Flies didn’t exactly leave me thinking “must see more.” Although I’m probably not in the target market, whatever that may be.
Great idea, but we’ve no idea how much senior management there is, do we? They cut 20 staff, less than 5% of their 425 employees. I’m willing to bet each and everyone were production related.
U.K. law requires Union related jobs be done through a legally defined process. I would wager good money they belonged to a Union. Senior management more than likely didn’t and could be terminated at will, one or several at a time. so no press release at all.
Cliff, I can’t find any story that details who got laid off at Pixar but I find it hard to believe that managers would not have been fired as well.
Here’s the most detailed story it I found from The Hollywood Reporter , the industry paper of record, and it gives no details on who was let go which leads me to believe Pixar senior leadership didn’t say,
“The long-expected layoffs at Pixar Animation Studios have begun.
Today, leadership at the storied company that traces it origins to the late Steve Jobs and was bought by Disney in 2006 will notify employees of the reductions, The Hollywood Reporter has learned. It is the biggest restructuring in Pixar’s history, although top leadership isn’t impacted.
Approximately 14 percent of Pixar’s workforce, or around 175 employees, will be let go. Before the reductions, approximately 1,300 people worked at the animation studio.
The layoffs are part of Disney chief Bob Iger’s overarching mandate to return to a focus on quality versus churning out content for streaming, which was a priority for his sort-lived successor, Bob Chapek. Disney execs have talked about returning to a focus on quality during numerous earnings calls this year, saying creative teams across the company were stretched too thin in the arms race to feed streamers.
Pixar employees have known since January that layoffs were coming. If there’s some solace to be had, it’s that reductions are less than the 20 percent reported in January by some news outlets. Nor is Pixar being singled out.
There were layoffs across all of Disney last year, but cuts at Pixar were delayed because of production schedules, sources say. Pixar — led by Pete Docter — will no longer be focusing on direct-to-streaming series, but on its feature films. That excludes Win or Lose, which is set to debut later this year.
The once-invincible animation studio suffered a major setback during the pandemic era, when the Chapek regime decided to send Luca, Soul and Turning Red straight to Disney+ even though cinemas had begun to reopen or were in full recovery mode. And then its first post-COVID theatrical release, Lightyear, was mostly dismissed by critics and audiences, exposing Pixar to ongoing scrutiny.
The studio received good news last year with the release of Elemental, which earned nearly $500 million globally to become the biggest original animated movie since Pixar’s Coco in 2017. It was also a streaming sensation.
And theater owners have high hopes for Inside Out 2, which opens June 14 in North America (the trailer was the most watched animated trailer in the company’s history). Other upcoming films include next year’s Elio and Toy Story 5 in 2026.”
Oct 11 is also the birthday of actor Wes Chatham (b. 1978) who is best known for his surprisingly nuanced performance as Amos Burton in the TV adaptation of The Expanse. Since 2021, he has also been co-host of a podcast, “Ty and That Guy”, with Expanse co-author Ty Franck.
Chatham had read the short story, “The Churn”, which explores Burton’s background, and became fascinated with the character and what that background would do to someone. When he showed up for the audition, he was so over-prepared that no one else came close to getting the role! Franck has said that everyone else who showed up played a thug, but Chatham played Amos Burton!
When I first saw pictures of Chatham as Burton, I was worried. Burton was one of my favorite characters, and Chatham seemed much too pretty! I was afraid that the adaptation would prove to be the typical Hollywood butchery. But in episode two, he gave a line reading that was so not-Hollywood that I became cautiously optimistic, and not long after, he won me over for good!
His other genre roles include Castor in Hunger Games: Mockingjay parts 1 & 2, and Captain Enoch in Ahsoka. Neither of which I’ve seen.
CatE: of course, it’s almots never the execs who made the stupid decisions that get let go.
Mark, Cliff didn’t say execs, he said managers, to wit “I was talking more about managers – it’s not directors or writers who make decisions that lead to that kind of loss of money”. That’s what I was replying to.
I think I need to support Cliff. He is writing from first-hand experience. A corporate restructuring that looks good on paper can be completely screwed up in practice. You have to be there and know the people in order to tell the difference. If you don’t know, the cynical take is more likely to be accurate.
Thanks Tom – appreciated!
Cat, you/ll forgive me, but I’m a little touchy about this subject. Maybe we’re getting our wires crossed? By ‘manager’ I meant ‘senior manager’, which to me at least is the same as ‘exec’. Even the article you quote says ‘top leadership isn’t impacted.’ I’m a member of a Discord server available solely to those of us let go in July. We talk together, we communicate with friends still at the studio.So I can state with confidence no senior managers were let go. So far as I can tell, no middle managers either.
That Hollywood Reporter article is little more than a regurgitation of a press release and some speculation. In fact, Pixar laid off 75 staff back in 2023 at the same time there were redundancies across all of Disney. That plus the 175 or so let go this summer amounts to more like 18% of the total workforce.
Many of us spoke to an IGN journalist who took the time and effort to put together a decent article on the situation:
https://www.ign.com/articles/inside-out-2-was-the-hit-pixar-needed-but-the-laid-off-employees-who-crunched-on-it-are-still-hurting
Inside Out 2 wound up being the most successful animation feature of all time in terms of box office (not, I believe, adjusted for inflation). Many of those who’d been crunching on it for months are now still looking for work. We’re all going to miss out on a bonus that will likely amount to 10 weeks pay.
I can’t be sure about Aardman, but I’d say it’s unlikely the employees are unionised. Pixar is not, nor is Disney in the UK, nor any of the UK game studios I’ve worked at. It’s just not a common practice for this kind of work.
“returning to a focus on quality during numerous earnings calls this year, saying creative teams across the company were stretched too thin”. Reminds me of the post-mortem we held after I’d been told I was being made redundant but while still working out my notice. Pixaqr’s Renderman 26.0 was due to ship last August but slipped by 9 months or so. Not one of the team leadership suffered any consequences for this. At the point in the post mortem where we discussed ‘what can we do to improve things for the next release’, I asked if they’d considered using fewer engineers.
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