Pixel Scroll 11/7/23 Pixel Scrollightly Seems Like A Good Character Name

(1) PHILADELPHIA SCIENCE FICTION SOCIETY CONTEST GOES INTERNATIONAL. [Item by Lew Wolkoff.] For the past 25 years the Philadelphia Science Fiction Society (PSFS) has run a Young Writers’ Contest for students in grades 5-8 and grades 9-12. Winners receive a cash prize and two free memberships (winner and parent or guardian) to the Philadelphia Science Fiction Conference (Philcon). This year, Philcon will be November 17-19 at the Doubletree by Hilton in Cherry Hill, NJ.

The contest is open to any student in the grades mentioned, but in past years, most submissions have been from the greater Philadelphia area. This year, things were different. The contest was mentioned in some Asian scholastic magazines, and there were submissions from India, Nepal, and Afghanistan. The second place winner in the High School category was, in fact, B.S. Raagul of Tasmil Nadu, India.

Some of the winning stories may be posted on the PSFS or Philcon website after Philcon is over says Lew Wolkoff, Contest Committee Chair.

(2) NORWESCON LOVES TERRY BROOKS. Seattle Met’s profile  “Terry Brooks Has Found a Family in Seattle’s Fantasy Scene” includes a quote from Norwescon chair SunnyJim Morgan.

… It’s safe to say that Brooks—who now splits his time between Seattle and Cannon Beach, Oregon—made the right choice. If you’re a fantasy fan, you might know that Brooks has written 23 New York Times bestsellers and sold over 25 million novels worldwide. Sister of Starlit Seas, the third book in his Viridian Deep fantasy series hits shelves on November 14.

It didn’t take long for the Emerald City to embrace Brooks when he first moved here in 1986. Nearly 38 years later, Brooks is still repaying the support that galvanized his career, regularly communicating with the huge fantasy and sci-fi community in Seattle and trying to inspire the next generation of writers in the genre. Later this month he’ll take part in a speaking tour across the Pacific Northwest, visiting Spokane, Seattle, and Tukwila, before heading out of state.

“He is a fan favorite,” says SunnyJim Morgan, the chair for Norwescon, Seattle’s annual science fiction and fantasy convention that has run continuously since 1978 and attracts up to 2,300 fantasy and sci-fi fans every year. “He’s one of those A-list, top-tier genre authors that we would love to have come every year. But they often can’t make it because they’re so overwhelmed with requests.”…

(3) 2025 WESTERCON NEEDS YOU TO FILL IN THE BLANK. In a post at Westercon.org, Kevin Standlee announces that the Westercon 77 (2025) Site Selection Ballot has been released. However, because there are no filed bids for 2025 he goes into some detail about how the fate of the convention will be decided.

The ballot to select the site of the 77th West Coast Science Fantasy Conference (Westercon 75) to be held in 2025 is now available online at http://www.westercon.org/wp-content/uploads/2023/11/Westercon-75-Site-Selection-Ballot-for-Westercon-77.pdf. No bids filed to host Westercon 77 by the filing deadline for the ballot, nor have any write-in bids files as of the date of this posting. The final deadline to file a bid as a valid write-in is the close of voting at Westercon 75 (Loscon 49) on Friday, November 24, 2024 at 6:00 pm Pacific Standard Time. The results of voting will be announced at the Westercon 75 Business Meeting on the morning of Saturday, November 25, 2024. Should no valid bid win the election, the Westercon Business Meeting will determine the site of Westercon 77 per the provisions of the Westercon Bylaws.

There is a site for the 2024 convention — Westercon 76. It will be held in Salt Lake City, UT from July 4-7.

(4) SAG-AFTRA STRIKE PROGRESS. Note: the main articles at the links mainly discuss Monday’s negotiations, with some updates from Tuesday’s session.

“Actors Strike: SAG-AFTRA & Studios End Talks For Night; Guild Responds To Offer” reports Deadline.

…As has been the case for months, AI remains one of the major issues that divides the two sides. The studios are looking to seal the deal with what one source called “an expanded version of what the WGA agreed to,” while the guild wants project-specific protections on scans of performers and re-use of their likenesses. Well-positioned sources on both sides admit that part of the problem is coming up with effective guardrails for a technology that is evolving in leaps and bounds….

The Hollywood Reporter adds, “As SAG-AFTRA Responds to Studio Offer, AI Protections for High-Earning Members Remain Sticking Point”.

… Multiple sources familiar with the state of the negotiations tell The Hollywood Reporter that SAG-AFTRA has pushed back on an AI clause that is included in the studios’ latest offer. The Alliance of Motion Picture and Television Producers is seeking to secure AI scans for Schedule F performers — guild members who earn more than the minimum for series regulars ($32,000 per TV episode) and feature films ($60,000). The companies’ suggested clause would require studios and streamers to pay to scan the likeness of Schedule F performers. SAG-AFTRA is seeking to attach compensation for the reuse of AI scans, as AMPTP member companies would also need to secure consent from the performer. The language in the AMPTP’s offer would see the studios and streamers secure the right to use scans of deceased performers without the consent of their estate or SAG-AFTRA, according to a union-side source….

(5) UNLISTED NUMBERS FROM NOW ON. “The ‘Wall Street Journal’ Drops Its Bestseller Lists”Publishers Weekly tells why.

The Wall Street Journal has stopped running its weekly bestseller lists. The final lists were carried in the past weekend’s editions. The paper ran a total of six fiction and nonfiction lists, as well as a hardcover business list. All were powered by Circana BookScan.

The fiction and nonfiction categories were both divided into hardcover, e-book, and combined lists. In something of a unique feature, the lists combined adult and children’s titles on one list. Thus, last week’s top-selling hardcover fiction book was Jeff Kinney’s No Brainer, while The Woman in Me by Britney Spears was number one in all three nonfiction categories, including the e-book/print combined list.

Paul Gigot, editorial page editor at the WSJ, said that the company’s contract with Circana expired, “and we are not renewing it.” He added that all other aspects of the paper’s book coverage will “continue as usual.”

(6) TOTALING THE UNACCOUNTABLE. The New York Times’ Ian Wang reviews Naomi Alderman’s new novel, The Future: “In ‘The Future,’ Earth Barrels Toward Fiery Destruction”.

There are few figures in the Bible more cruelly evocative than Lot’s wife, who is transfigured into a pillar of salt for looking back at Sodom. The poet Anna Akhmatova mourned “her swift legs rooted to the ground”; Kurt Vonnegut wrote of her backward glance, “I love her for that, because it was so human.” Naomi Alderman’s “The Future,” like much great science fiction, turns the symbolic into tangible, chemical reality. Early in her novel, a woman is frozen to death with a chemical refrigerant made of paramagnetic salts: a Lot’s wife for the Information Age.

Alderman’s Sodom is our own polarized, plutocratic world. Some names have been changed — instead of Bezos or Musk, we have Lenk Sketlish, Zimri Nommik and Ellen Bywater as our unsavory tech tyrants — but the pressure points are the same: A.I., algorithms, deadly pandemics and the existential threat of climate change, all bound up with the rise of an increasingly unaccountable billionaire class. Whether by divine will or not, “The Future” finds the earth barreling toward fiery destruction….

(7) THE MEASURE OF AMERICANS AND THEIR BOOKS. Book Riot attempts to answer a question with the help of two studies: “What Are The Book-Owning and Book-Reading Habits of Americans? Two New Reports Shed Insight”.

The poll from YouGov includes this information:

  • 20% of Americans own between one and ten books;
  • 14% own between 11 and 25 books; and
  • 13% between 26 and 50.

There are more interesting numbers related to book ownership, too. Only 9% state that they own no physical books, while 69% own fewer than 100. Some 6% have no idea how many books they own. For those of you thinking that you’re now among the percentage of Americans who own a lot of books, you might be right: 4% of Americans claim to own between 500 and 1,000 books, while 3% claim to own more than 1,000 books. These numbers represent physical books, which remain the most common type of book for Americans to own. About 50% of Americans own an ebook, while 9% claim to own at least 100 ebooks…

The article also covers results of a survey by the National Endowment for the Arts.

(8) IF AND ONLY IF. When Worlds of IF is revived the staff will include Robert Silverberg as contributing editor. And bonus content is already being posted to the website.

Worlds of IF is pleased to welcome science fiction legend Robert Silverberg as contributing editor. A multiple winner of both Hugo and Nebula Awards, a member of the Science Fiction and Fantasy Hall of Fame, and a Grand Master of SF, his input and stories will be a welcome addition to the revival of the magazine.

In addition to finalizing the editorial staff and acquisitions for the inaugural issue, Worlds of IF is rolling out bonus content on the website with new features added frequently including “An Interview with Gideon Marcus of Galactic Journey, multiple time Hugo Finalist, and audio adaptations of classic stories from the pages of IF, most recently “Double Take” by Wilson Parks Griffith from 1955 and “Communication” by Charles Fontenay from 1956.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 7, 1910 Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. At age thirty-six, she died of a sudden massive cerebral hemorrhage while visiting her husband in New York. (Died 1947.)
  • Born November 7, 1914 R. A. Lafferty. Writer known for somewhat eccentric usage of language.  His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards as novels but not winning either though he won a Hugo short story for “Eurema’s Dam”. He had received a World Fantasy Lifetime Achievement Award, and was honored with the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
  • Born November 7, 1950 Lindsay Duncan, 73. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood on Sherlock in “His Last Vow,” “The Six Thatchers,” and “The Lying Detective”. She’s also been in Black MirrorA Discovery of WitchesFrankensteinThe Storyteller: Greek MythsMission: 2110 and one of my favorite series, The New Avengers.
  • Born November 7, 1954 Guy Gavriel Kay, 69. So the story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was then a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? Kay’s own Finovar trilogy is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise somewhat resembles Renaissance Italy . My favorite work by him is Ysabel which strangely enough is called an urban fantasy when it isn’t. It won a World Fantasy Award. 
  • Born November 7, 1960 Linda Nagata, 63. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech SuccessionStories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award for Best Science Fiction Novel. Her site is here.
  • Born November 7, 1974 Carl Steven. He appeared in Star Trek III: The Search for Spock as a young Spock, thereby becoming the first actor other than Leonard Nimoy to play the role in a live action setting. Genre one-offs included Weird ScienceTeen Wolf and Superman.  He provided the voice of a young Fred Jones for four seasons worth of A Pup Named Scooby-Doo which can be construed as genre. Let’s just say his life didn’t end well and leave it at that. (Died 2011.)

(10) COMICS SECTION.

  • The Far Side demonstrates that aliens need anger management too.

(11) LOST RELIC OF THE LIGHTER-THAN-AIR AGE. Any number of times I drove past this structure just to soak up the history. Gone now. “Fire destroys second world war-era blimp hangar in California” – the Guardian has the story.  

A giant second world war-era wooden hangar that was built to house military blimps based in southern California was destroyed on Tuesday in a raging fire that authorities expect could continue burning for days.

Firefighters responded to the blaze just before 1am, the Orange county fire authority said, and found the hangar “fully engulfed” with flames tearing through the roof. The ferocity of the fire brought more than 70 firefighters to the scene and prompted authorities to make the unusual decision of deploying helicopters typically used to fight wildfires in an effort to slow the blaze.

Crews were unable to stop it from within the hangar due to the “dynamic nature” of the fire and the collapse risk, fire chief Brian Fennessy said at a news conference on Tuesday morning. Officials determined the only way to fight the fire was to allow the landmark to collapse.

“It’s a sad day for the city of Tustin and all of Orange county,” Fennessy said.

Fennessy said no injuries were reported. The blaze could continue burning for hours, or even days, he said.

The historic hangar was one of two built in 1942 for the US navy in the city of Tustin, about 35 miles south-east of Los Angeles. At the time, the navy used lighter-than-air ships for patrol and antisubmarine defense.

According to the city, the hangars are 17 stories high, more than 1,000ft long and 300ft wide, putting them among the largest wooden structures ever built. The burning structure was known as the north hangar….

(12) A BRIEF HISTORY OF MUSIC FOR THE MOVIES (2011), AND FILM COMPOSERS ROUNDTABLE DISCUSSION. Steve Vertlieb invites you to read “Vertlieb’s Views: Tribute to Film Music” at The Thunder Child.

“A Brief History Of Music For The Movies! (2011)”

Much of the most profoundly beautiful music of the twentieth century was composed for films. From the earliest days of sound with scores by Max Steiner for both RKO Radio and Warner Bros, Erich Wolfgang Korngold at Warners, Alfred Newman at Fox, and Victor Young at Paramount, this distinctively Western art form would evolve and mature into some of the most significant, and influential symphonic scoring of the last century.

As the late thirties and early nineteen forties arrived, composers such as Max Steiner, Erich Wolfgang Korngold, Miklos Rozsa, Bernard Herrmann, Alfred Newman, and Victor Young would dominate the soundtrack of the American motion picture screen, while Arthur Bliss and others would favor British films with their own original music.

Hugo Friedhofer’s sublime score for William Wyler’s “The Best Years of Our Lives” pervasively influenced the sounds of post war America, while Dimitri Tiomkin, Franz Waxman, Elmer Bernstein, Leonard Bernstein, Alex North, John Green, Henry Mancini, Ernest Gold, William Alwyn, Phillip Sainton, Jerry Goldsmith, John Barry, James Horner, Ennio Morricone, David Amram, Lee Holdridge, James Bernard and, of course, John Williams would both transform and reinvent the soundtrack of our lives.

Steve also recommends viewing this three hour “live” lecture commissioned by writer/director Robert Tinnell for his film class at The Factory Digital Filmmaking Program on May 4th, 2011, presenting a significantly compressed overview of the history of motion picture music.

It was never intended as definitive but, rather, an understandably simplified evening’s exploration for a then youthful audience of the significance and enduring importance of a century of original film scoring.

A FILM COMPOSERS ROUNDTABLE

This remarkable roundtable of composers and orchestrators assembled ten years ago for a sequence in the unfinished feature length motion picture documentary “The Man Who ‘Saved’ The Movies.”

Below: Pictured from left to right are acclaimed motion picture orchestrator Patrick Russ, Erwin Vertlieb, Emmy winning film and television composer/conductor Lee Holdridge, writer/film score musicologist Steve Vertlieb, and one of the most brilliant composers working in film today, the marvelous Mark McKenzie.

(13) PICKLE FLAVOR TRENDING. Reviewer Angela L. Pagán uses her tastebuds to put the product to the test: “Here’s What the New Heinz Pickle Ketchup Tastes Like” in The Takeout.

…As both an advocate for all applications of ketchup and an ardent pickle lover, I have a lot riding on this new condiment. I’ve chosen to try the ketchup innovation on the perfect blank canvas: a fresh batch of French fries, hot out of the fryer. Two of my favorite items have finally come together as one, but are they truly a match?

Well, as with any real relationship, the pairing isn’t perfect.

One dip of the fries into the new ketchup and the answer is immediately clear. The ketchup tastes like classic Heinz ketchup, full of sweet tang, blended with a dill scent and such a light dill note at the end that you might miss it if you don’t get enough ketchup on your fry.

This isn’t to say that Heinz is pulling a fast one on consumers by not delivering on what the product says it contains (as some brands have lately). Heinz Pickle Ketchup is clearly labeled as containing “pickle seasoning,” which is exactly what it tastes like—a sprinkle of dill flavor mixed into a whole lot of ketchup.

Unfortunately, since this is meant to do justice to pickle fans, the ketchup falls just a bit short of that goal. For a brand that touts its pickle prowess profusely (say that five times fast) in the announcement of this new release, it seems to have fallen victim to the same mistake many other brands make when it comes to pickle products. There’s not enough pickle flavor in this Pickle Ketchup for my taste….

(14) VIDEO OF THE DAY. Ryan George sells himself on the idea in “Five Nights at Freddy’s Pitch Meeting”.

 [Thanks to Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, Lise Andreasen, Lew Wolkoff, Steve Vertlieb, Jean-Paul L. Garnier, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]


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33 thoughts on “Pixel Scroll 11/7/23 Pixel Scrollightly Seems Like A Good Character Name

  1. (9) Lafferty’s “Slow Tuesday Night” blew me away when I was in my own personal Golden Age

  2. (2) Whatever you think of The Sword of Shannara (people on rec.arts.sf.written used to complain about Shannara and other popular series), Terry Brooks seems cool. 🙂 He interacts with fans regularly on social media — both on his own and through his “WebDruid,” Shawn Speakman. I also enjoyed his memoir, “Sometimes the Magic Works: Lessons from a Writing Life,” as it gave me new perspectives on his writing.

    (5) Another best-seller list gone — blame the beancounters. This really sucks. Many writers have pointed out that this means indie authors no longer have a real chance of making the big best-seller lists. (It’s too hard for indies to make the NYT lists.)

  3. Camestros Felapton: You probably don’t get the broadcast of the Macy’s Thanksgiving Day Parade in your neighborhood, but that’s where I’d look for monster blimps.

  4. (7) “About 50% of Americans own an ebook”
    You don’t own an ebook, you possess it at the sufferance of the publisher.

  5. @MIke Glyer
    The other place I’d look is the Albuquerque Balloon Festival. They have some fairly unusual balloons.

  6. @P J Evans: I don’t recall ever seeing an ape, but they’ve got a Darth Vader head pretty much every year.

    (My house has a pretty good, if distant, view of the airspace over the Balloon Fiesta grounds. (Calling it a Festival will probably draw tsks; it will certainly mark one as an out-of-towner.))

  7. (7) I suppose most Filers are in the 3%? I try hard to keep my book collection under 2,000, and was recently amazed to see how many e-books I’ve managed to acquire.

  8. I roughly estimate 10,000 books in our house. I’ve been giving some away, though. I gave 200 or so away to Filers here a couple years ago, and now that Baltimore’s Book Thing is open one day a month, I take 100-150 to them each month. A drop in the bucket, but at least I’m getting rid of more than I’m acquiring.

  9. So bill proclaims “About 50% of Americans own an ebook”
    You don’t own an ebook, you possess it at the sufferance of the publisher.

    Not true as I just downloaded the first volume of The Collected Works of Roger Zelazny yesterday afternoon from NESFA. Not only can I make five copies which I can store across multiple devices, but it’s DRM free. There’s no way for NESFA to recall that work even if they wanted to.

    And despite your paranoia, that’s true of books from every publisher, major and minor. I’ve had a glitch happen on Apple Books where a title wasn’t temporarily available but they corrected that as it was a technical issue, not something not the publisher did.

  10. @Cat Eldridge “And despite your paranoia, that’s true of books from every publisher, major and minor. ”

    Tell that to the people who lost their books when Microsoft closed their ebook store. Or the Kobo customers who lost their libraries. Forums are replete with examples of Amazon deleting previously “purchased” ebooks.

    From the Terms of Service, “Kindle content is licensed, not sold, to you by the Content Provider.” Apple books “may be removed from the Services (for instance, because the provider removed it) and become unavailable for further download or access from Apple.” Google Play Store tells us that “Google may remove from your Device or cease providing you with access to certain Content that you have purchased.”

    It ain’t paranoia if it’s real.

  11. @Bill: Project Gutenberg doesn’t have access to my device, so it can’t delete anything. StoryBundle can’t get to my device either.

    Amazon and Google can delete things from my online library, but not the DRM-free files I’ve downloaded and saved to a separate location (Amazon just made downloading much more difficult, so I’m buying from Google instead – if Google starts to make like difficult, then I’ll find another ebook seller).

  12. My device was stolen in the middle of a move to a new location, causing me to lose access to the Amazon account where I had imagined my books were all thoughtfully backed up for my convenience, and the company refused to restore it despite months of shall we say extremely time-consuming attempts to reason with them, ultimately telling me: this account has not been logged into for a long time, so we are no longer able to take any action. I am permanently prevented from accessing any of my amassed library of paid ebooks. I was going to sue just on principle, but who has the time or money to sue Amazon. I sure as hell am never going to do business with any such company again.

  13. My guess at what happened (it’s not like they were going to tell me) is Amazon flagged me for suspected identity theft (maybe due to a new location?). For the first time in the history of my relationship with Amazon, I was prevented from using email addresses I had on file with them to authenticate a new device. The only authentication they would accept was to receive a call on the last phone number used on the account; not phone number used for over a decade previously to that which I had in my possession, but solely the now-stolen number that I would have to fly to another country to replace. By the time I was able to replace it, I had already committed the cardinal internet sin of not logging in frequently enough. I’ll never buy drm again, for any purpose, ever.

  14. 3) Not for nothing, but I hear that Chengdu has a brand spanking new convention/event center that is reportedly both ‘unparalleled’ and ‘beyond imagination.’ Although in that case, WesterCon might find themselves having gone so far west that they’ve become EasterCon. At which point they could have a rabbit with a basket of eggs for their mascot.

    9) Pearl Argyle. Same thing happened to a girl I went to high school with. She came home for fall break freshman year and BAM! dropped dead in the doorway walking in to her father’s house.

    13) As big a fan of both capitalism and pickled things as I am, I’m not convinced that this is a product that needs to exist.

  15. @Brian Z. That’s awful. Early in my ebook days I bought a few DRMed files, but never again.

  16. I lost a bunch of non-drm’d too. I thought in return for giving them ten bucks for some ones and zeroes, they kept my copy in the cloud.

  17. There are plenty of reasons not to trust Amazon’s Kindle system, which I don’t.

    I own several ebooks–none purchased from Amazon, Apple or Kobo and all DRM-free. There is no way for some corporate entity to deny me access to them.

  18. 7) I probably have about 300-400 physical books and another 100+ ebooks.

    9) “The Lions of Al-Rassan” is my favorite Guy Gavriel Kay. I also really liked “The Last Light of the Sun.”

  19. Now bill, you should have reproduced the entire paragraph from Apple: Purchased Content will generally remain available for you to download, redownload, or otherwise access from Apple. Though it is unlikely, subsequent to your purchase, Content may be removed from the Services (for instance, because the provider removed it) and become unavailable for further download or access from Apple. To ensure your ability to continue enjoying Content, we encourage you to download all purchased Content to a device in your possession and to back it up.

    Apple is not deleting your content, it is your content, period. They are encouraging you, as anyone here would tell you to do, to back it up.

    I just keep all my files in the iCloud. That said I’ve never had a single purchased item, book, music or video, removed from the Apple media services by the companies that provided them. And I’ve probably over a thousand of them at this point.

  20. About 4,200 physical books (per what I’ve put into LibraryThing), some of which date back to high school and are still unread; and some unknown number of eBooks on my Kindle, again, many of which are still unread. Someday.

  21. more than 1500 e-books, and probably a thousand physical books.
    When we moved when I was in HS, we moved 36 apple-boxes of books, not as big as a medium moving box, but still good sized, and bigger than a file box.

  22. @Cat Eldridge — So Apple tells us that they probably won’t delete your stuff. Very reassuring. I suppose that this never happened, then.

  23. The other day I realised that around 50% of the tunes I’d downloaded to my iPhone via iTunes or AppleMusic (or whatever it’s currently called) were never being played. When I looked, it turns out they’re ‘not available in my region’ or similar. I bought them when I lived in the US, and they just silently disappeared when I moved to the UK.

  24. Apple’s lawyers don’t say you should keep backups of your files… something even I do. They tell you to perform a device backup of a device upon which which Apple’s most recent software is being used to store the content files locally. What device could that be? Why, the most recent generation Apple device, running the most recent OS update, or, in a pinch, a device controlled by the most recent Windows OS only (currently, one dated May 2019 or later). Use Linux, Android, or an older Apple or Windows device, and you are shit out of luck.

    What the lawyer speak means is: If you want to “keep” these books you must “keep doing business with our company,” forever jumping through hoops, updating your personal information for our benefit, agreeing to as yet unforeseeable terms and conditions, paying for shit we still haven’t dreamed up, continually buying hardware from an approved vendor and installing our new spyware on it, until you’re dead, at which point you’ll have no cherished books to pass on to loved ones but we’ll have all your data which we can still find ways to abuse, trust us… and by the way, you may still be prevented from accessing any content at any time for any reason.

    I can’t say I “trusted” Amazon, but I’d somehow thought this stuff only happens if your band name is Alex Jones and the Cybercriminals. It was upsetting to find out it is routine even when you’ve done nothing remotely wrong and weren’t careless.

  25. Re Westercon 76, there’s a site, but no venue or guests, and only one committee member name on the website, which does not seem to have been updated since 2022. A bit worrying 8 months out.

  26. Lee Whiteside on November 9, 2023 at 6:21 pm said:

    Re Westercon 76, there’s a site, but no venue or guests, and only one committee member name on the website, which does not seem to have been updated since 2022. A bit worrying 8 months out.

    Westercon 76’s chair Charles Galway is supposed to be attending Westercon 75 (Loscon 49) and will be on a panel with me about future Westercons on the first day of the convention. (This meets a Westercon Bylaws requirement about giving bids at least 15 minutes of programming time on the first day of the convention, but also gives us an opportunity to talk about all future Westercons.)

  27. Kevin Standlee- good to know. I posted about this elsewhere, and he was tagged but has not responded. I hope it happens. Good to know who the chair is at least. Thanks.

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