Pixel Scroll 3/19/20 Using The Robotic Arm To Push The Mole

(1) JEMISIN EVENT CONVERTED TO LIVESTREAM. N.K. Jemisin’s in-person appearance at the Arthur C. Clarke Center for Human Imagination has been converted to a virtual event, due to steps being taken to protect the health of the UC San Diego community and slow the spread of COVID-19. Use the Eventbrite link to secure access.

N.K. Jemisin’s in-person event for The City We Became has, unfortunately, had to be canceled, but we are pleased to be able to offer you access to an exclusive virtual event streamed live. You’ll get a chance to hear about The City We Became and ask Jemisin questions. Only ticket-holders will have access-plus, you will still receive a copy of the book, with an option to sign up for a signed bookplate from Orbit during the event.

The virtual event will take place at the same time as the original event, 7pm on Friday, April 3rd. Tickets are still available through Eventbrite. If you have already purchased a ticket and would like to request a refund, you may do so through Eventbrite. However we hope you choose to join us in celebrating The City We Became! All ticket purchases help support the author, Mysterious Galaxy bookstore, the publisher, and this thing we call human imagination.

And you have to buy the magazine to see this next Jemisin-related item. Kevin Hogan reports: “I was surprised but pleased to see a one-page The Making of the Book segment in Entertainment Weekly (April 2020, issue # 1586, page 90) on N.K. Jemisin and her upcoming novel, The City We Became. It’s always nice to see genre covered in ‘popular media’-type publications.”

(2) BALTICON NEWS. Dale S. Arnold, the Balticon 54 Hotel Liaison, asks for understanding about how reservation cancellations were sent by the hotel before the con could notify its members.

We sent a letter to the Balticon hotel asking for their opinion as to if they would be able to host Balticon this year and if they could not do so we would need to cancel the event.

The hotel management determined that it was very unlikely they would be able to host Balticon 54 and at a staff meeting on the morning of 03/18/2020 the general manager told his staff to send us an email explaining that it was unlikely they would be able to host Balticon and to cancel reservations once we confirmed we had told our people. Apparently, the head of reservations did not hear the part about waiting for us to send out notice and took immediate action by using an automated cancellation program.

Cancellations from the reservations department went out several hours before the email to us from the general manager letting us know they could not host Balticon 54 and would not attempt to collect cancellation fees and that they hope to see us next year was sent. A follow up email with apology for sending the cancellations before we told the hotel we had announced the cancellation of Balticon has already been received from the hotel. Given the stress many people are under during this pandemic I hope we can all forgive the hotel reservations department jumping the gun by a day or so.

A message concerning membership refunds (and roll-overs if you want to Balticon 55) and dealers tables refunds  etc. with the process to let us know what you want to do will be sent out soon.

(3) THE MAN WHO LEARNS BETTER. “Heinlein’s Juveniles, Pt. 1” is a fine article by Sourdough Jackson in the latest DASFAx clubzine. Click here – then scroll down to the March (202003) issue. Starts on page 2.

…When discussing the juveniles, I’ll be taking them two books per column. The first pair are Rocket Ship Galileo(1947) and Space Cadet (1948), both products of a troubled time in the author’s life—a typhoon was blowing his marriage toward the rocks, and the prospects for his writing career weren’t much better. Among his attempts to claw off that marital and literary lee shore was a projected series of books for boys: The Young Atomic Engineers. He thought to begin with a blockbuster—a trip to the Moon.

(4) MONSTROUS DISCOVERIES. [Item by Martin Morse Wooster.] In the March 16 Financial Times, Simon Ings reviews “Monsters of The Deep,” a show about giant aquatic creatures that will be at Britain’s National Maritime Museum through January.

Back in 1893, the biologist Thomas Henry Huxley wrote in The Times:  ‘There is not an a priori reason that I know of why snake-bodied reptiles, from fifty feet long and upwards, should not disport themselves to our seas as they did those of the cretaceous epoch, which, geologically speaking, is a mere yesterday.’

Palaentologist Darren Naish, who is lead curator of the Falmouth exhibition,, is willing to entertain Huxley’s theory.  “His was the right attitude at the time, because the life of the deep oceans was only just being discovered. (Monsters of the Deep makes much of the ground-breaking research led by HMS Challenger, which between 1872 and 1876 discovered 4,700 species of marine life.) Large fossil dinosaurs and early whales, and amazing gigantic living animals, had been discovered only relatively recently,’ Naish pints out.’The whale shark, the world’s biggest fish, was a mid 19th century discovery.

(5) AGAINST THE LAW. [Item by Martin Morse Wooster.] In “Six Great Novels About Crime That Aren’t Quite Crime Novels” on CrimeReads, Mat Osman looks at six novels, two of which, China Mieville’s The City & The City and Michael Chabon’s The Yiddish Policemen’s Union, are Hugo winners.  He also writes about Michel Faber’s Under The Skin, noting the novel is a “very different beast” than the filmed version.

The joy of The Yiddish Policemen’s Union is the way it lures you in with the most comforting of literary tropes. It’s a hard-bitten detective story about a boozy, lovelorn policeman with a seemingly unsolvable case. There are hard-drinking cops. There are underworld kingpins. There are unspoken codes of honor. So far, so Raymond Chandler. But under the surface another kind of book is flexing its muscles. It’s a what-if novel in which the post-WWII Jewish homeland is Alaska rather than Israel and the Messiah may (or may not) be on his way. It’s a setting that lets Chabon riff on his favored themes. Tall tales are told, language is toyed with (the Alaskan Jews call themselves The Frozen Chosen) and it builds to a denouement as vast as it is unexpected.

(6) BABY YODA ON THE COVER. That made me 1000% more interested. On sale May 26 from Titan Comics, Star Wars: The Mandalorian The Art & Imagery–Collector’s Edition Vol.1.

This deluxe edition collects the stunning artwork from the first four chapters of the Disney+ smash hit, highlighting the characters, creatures, allies, enemies and environments of this all-new Star Wars story.

(7) TODAY IN HISTORY.

  • March 19, 1990 Repo Men premiered. It was directed by Miguel Sapochnik. It starred Jude Law, Forest Whitaker, Liev Schreiber and Alice Braga. It was based on Eric Garcia’s The Repossession Mambo who co-wrote the screenplay with Garrett Lerner. It wasn’t well-received by critics at the time, nor does the audience over at Rotten Tomatoes care for it giving it a 21% rating.
  • March 19, 1999 Farscape premiered on Syfy. The series was conceived by Rockne S. O’Bannon and produced by The Jim Henson Company and Hallmark Entertainment.  The Jim Henson Company was responsible for the various alien make-up and prosthetics, and two regular characters, Rygel and Pilot were completely Creature Shop creations. Filmed in Australia, it would would last for four seasons ending in The Peacekeeper Wars.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 19, 1821 Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, orientalist when that term wasn’t a curse word, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. And the translator of an unexpurgated translation of One Thousand and One Nights. Along with Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. (Died 1890.)
  • Born March 19, 1919 Patricia Laffan. She was the alien Nyah in Devil Girl from Mars, a Fifties pulp film which you can see here. (Died 2014.)
  • Born March 19, 1926 Joe L. Hensley. He was a First Fandom Dinosaur which is to say he was  active in fandom prior to July 4, 1939 and he received the First Fandom Hall of Fame Award. He is also a published genre author with ”And Not Quite Human” in the September 1953 issue of Beyond Fantasy Fiction being his first published work, and The Black Roads being his only genre novel. It does not appear that his genre works are available in digital editions. (Died 2007.)
  • Born March 19, 1928 Patrick McGoohan. Creator, along with George Markstein, of The Prisoner series with him playing the main role of Number Six. I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird.  Other genre credits do not include Danger Man but does comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host. (Died 2009.)
  • Born March 19, 1936 Ursula Andress, 84. I’msure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal GodThe Fifth MusketeerClash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films. 
  • Born March 19, 1945 Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not at all clear, he founded Golden Gryphon Press which published really lovely books until it went out of existence. Too bad their original website doesn’t exist anymore, but you can still view captures at the Wayback Machine. (Died 1999.)
  • Born March 19, 1955 Bruce Willis, 65. So do any of the Die Hard franchise count as genre? So even setting them aside, he has a very long  genre list, to wit Death Becomes Her (bit of macabre fun), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down),  Looper (most excellent), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill). 
  • Born March 19, 1964 Marjorie Monaghan, 56. JoJo on all six episodes of Space Rangers. My brain keeps insisting it lasted much, much longer. She also was on Babylon 5 as the Mars Resistance leader during the Earth Alliance Civil War, where she was known as Number One. She’s also appeared on Quantum Leap, in the cyberpunk Nemesis film, in The Warlord: Battle for the Galaxy film, on Andromeda series, and on The Great War of Magellan film. 

(9) COMICS SECTION.

(10) CORONAVIRUS IMPACT ON COMICS MARKETING. “Image Comics Publisher Asks for Retailer Relief Amid Coronavirus Pandemic”. The Hollywood Reporter explains the new returns strategy adopted by the publisher of Saga, The Walking Dead, Monstress and many other famous titles.

As the comics industry reacts to the social isolation response to the coronavirus, Image Comics publisher and CEO Eric Stephenson has released an open letter about what his company — the third-largest publisher in the U.S. market — is doing to lessen pressure on retailers struggling with reduced traffic to stores and enforced closures. He is also asking other publishers to follow suit.

In normal times, comic book stores must estimate how many issues of each comic they will sell, and pay upfront for inventory from publishers. However, as the coronavirus has dramatically shifted how many customers are coming into shops, Stephenson said Image will allow comic book stores to return orders for the next 60 days. 

(11) THE WAY THROUGH. Elizabeth Bear, in her latest newsletter, looks for the tunnel that has the light at the end of it: “Adapt, improvise, overcome. And some strategies for coping with that cabinet full of shelf-stable STUFF.”

One of the precepts of emergency response is the title of this email: Adapt, improvise, overcome. It’s a phrase that gets mentioned several times in Machine, and I found myself thinking of it last night as I chatted with friends in various corners of the internet about the economic repercussions of the current xombie apocalypse. I see a lot of fear, and a lot of people saying “If we have to do this quarantine bullshit for 18 months the economy will never recover.”

A problem here is that we’ve been taught (by entertainment) to think of massive catastrophes as The End Of The World because that makes a better story. And I don’t want to minimize the grief and suffering that we endure in a catastrophe, be it a hurricane or an earthquake or a war or a pandemic. That is real.

But it’s also true that we adapt….

(12) AS CHAYKIN SEES IT. “Graphic Content: At The Intersection Of Comics And Crime With Howard Chaykin” is a fascinating profile by CrimeReads’ Alex Segura.

….Like the best crime fiction, Chaykin’s work is well versed in the morally ambiguous protagonist, as opposed to the steel-jawed, superheroic superman.

“My work more often than not betrays that hero with a wound thing, with a protagonist who is far from morally sound—and informs my interest in telling stories without a hero who does the right thing, that right thing as defined by an audience trained to love this romantic vision of the world,” Chaykin said. “And don’t get me started with the “rich guy who had a bad day when he was eight and turns to wage war on crime” model, either.”

(13) COME TIME TRAVEL WITH ME. Galactic Journey’s Gideon Marcus will be doing a “Come Time Travel with Me” show on March 27. Sign up online.

It’s been a pretty difficult set of weeks lately.  In addition to normal life grinding to a halt, conventions and gatherings have been canceled.  Galactic Journey was scheduled to present at a number of venues over the next several months.  That’s all fallen by the wayside.

But!

Thanks to the miracle of TELSTAR, SYNCOM, and RELAY, Galactic Journey can still perform for you, coming to you Live, Coast to Coast, in the comfort of your own living rooms!

That’s right — we are reviving Galactic Journey’s “Come Time Travel with Me” show, an hour-long (more or less) trip back in time exactly 55 years.

We’ll be covering science fiction, the Space Race, the recent civil rights march in Alabama, fashion, politics — you name it.  And we mean YOU.  After our introduction, it’ll be your questions that guide the course of the program.  And the best questions will win a prize!

So come join us, March 27, 1965 (2020) at 6PM PDT.  All you need is a screen and an hour.  We’ll provide the rest.

See you there!

(14) IT FEELS SO GOOD WHEN I STOP. “At long last, NASA’s probe finally digs in on Mars” – the PopSci version.

NASA unsticks its Martian digging probe by whacking it with a shovel.

Every day, the InSight lander’s suite of instruments sends back data proving that the Red Planet isn’t really dead. Marsquakes rumble the seismometer. Swirling vortices register on onboard pressure sensor. And temperature sensors help track the weather and changing of the seasons.

Despite the lander’s successes, however, one gauge has met with resistance from the Martian environment while trying to carry out its mission. Something has stopped InSight’s 15-inch digging probe, dubbed “the mole” for its burrowing prowess. Instead of diving deep into the Martian sand where it could take the planet’s temperature, it’s been stuck half-buried. An intercontinental team of MacGyvers has spent a year devising successively daring plans to get the mole digging again, but still it flounders on the surface. Now their final gambit—directly pushing the mole into the soil—has shown tentative signs of success, NASA announced Friday on Twitter.

The goal of the mole, which is the measurement probe of InSight’s Heat Flow and Physical Properties Package (or HP3), is to track the temperature variations of Mars itself. This heat comes from Mars’s core, which, like Earth’s core, remains warm from the planet’s birth. By measuring it, researchers hope to learn about Mars’s formation—but from the rod-shaped mole’s current position they can get readings only of the surface temperature. Mission planners hope to ideally reach 15 feet underground to escape the warming and cooling from the Martian seasons that would interfere with reading the planet’s true temperature.

“I always thought, ‘let’s ask Mark Watney [the fictional protagonist of the book The Martian] to just go over there and just push a little bit on the mole,’” said Tilman Spohn, the HP3’s principle investigator.

But without any Martian explorers to lend a hand, Spohn and his colleagues on the “anomaly response team” have had to improvise with the only tool available—a small shovel-like “scoop” on the end of InSight’s robotic arm. Over the last year they’ve tried to punch down the walls of the hole around the mole, to fill in the hole with nearby sand, and to give the mole more purchase by pinning it against the side of the hole with the scoop. But to no avail.

(15) UNDER DEADLINE. Nature reports “How China is planning to go to Mars amid the coronavirus outbreak”.

China’s first journey to Mars is one of the most anticipated space missions of the year. But with parts of the country in some form of lockdown because of the coronavirus, the mission teams have had to find creative ways to continue their work. Researchers involved in the mission remain tight-lipped about its key aspects, but several reports from Chinese state media say that the outbreak will not affect the July launch — the only window for another two years…

(16) BEHIND THE SCENES. “We Spent 24 Hours Searching for the Elusive ‘Butthole Cut’ of Cats”. You probably don’t really need the Vanity Fair article – you intuited the whole story immediately.

You can blame—or thank—Seth Rogen.

On Tuesday, the actor and writer partook in the ancient theatrical tradition that is trying to understand the baffling, inscrutable movie-musical Cats (recently available on digital). Rogen wrote a long Twitter thread about the experience, marveling at the impossibly small cat shoes worn by several characters and wondering what the hell a “Jellicle” is, anyway. (For the record, that made-up word is a play on how posh Brits pronounce “dear little” cats).

In the process, Rogen also tweet-quoted a post from screenwriter Jack Waz, who claimed to know a visual effects artist who had been tapped to work on Cats back in November. That VFX person’s job? “To remove CGI buttholes that had been inserted a few months before,” Waz wrote. “Which means that, somewhere out there, there exists a butthole cut of Cats.”

(17) AREA 51. “Rise of Skywalker Has An Awesome John Williams Easter Egg You Missed”ScreenRant points the way.

…With The Rise of Skywalker concluding the iconic Skywalker saga and wrapping up Williams’ time in a galaxy far, far away, J.J. Abrams made sure to put Williams in front of the camera in the film. Williams has a minor Rise of Skywalker cameo, appearing in a seedy establishment on Kijimi as the Resistance heroes make their way to meet Babu Frik. Getting the opportunity to see Williams onscreen was thrilling enough for fans, but the scene also includes several nods to his unparalleled career.

The making-of documentary in the Rise of Skywalker home media release has a segment focused on Williams. In it, Abrams reveals each of the props surrounding Williams represents the 51 Oscar nominations Williams received up to that point. Examples include Indiana Jones’ whip from Raiders of the Lost Ark, the barrels from Jaws, and the iron from Home Alone….

[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Michael Toman, JJ, John King Tarpinian, Mike Kennedy, Contrarius, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

23 thoughts on “Pixel Scroll 3/19/20 Using The Robotic Arm To Push The Mole

  1. (2) Definitely understandable (and forgivable).

    (8) Richard Burton also had numerous adventures on the endless River, often with Alice Liddle.

  2. For me, the strangest thing about the Covid-19 shutdown is how little my life has been affected in the details. I’m doing my regular job from home with very little change. (Meetings even run more smoothly when people have to unmute their mics to chime in with pointless comments in the online meeting.) I tend to be a bit of a hermit under normal circumstances, though I usually do my hermiting in coffee shops on the weekend, which is no longer possible. The time I save from commuting is being spent doing yard work and actually cooking interesting meals. Annoyingly, I’ve so far failed to organize my daily schedule such as to get more writing in. But I was able to drop a pre-existing (but unpublished) story into the Decameron 2020 project, imagined into being by Maya Chhabra and woven into shape by Jo Walton. My queer Arthurian story “All is Silence” will be featured tomorrow, for those who are interested. https://www.patreon.com/projectdecameron/posts

  3. 7) What I remember best about Repo Man is the very fine punk rock soundtrack. From what I remember, it wasn’t always easy to get punk rock in the 80s because almost none of the music was on major labels and distribution was always spotty in the little stores that tried to carry punk rock.

    The Repo soundtrack was a nice little collection featuring punk/hardcore powerhouses and lesser-known acts, and it was easy to find in big record chains because it was on MCA.

  4. (16) Snopes has fact checked the butt edition of Cats. They rate the story as unproven.

    (8) I mainly remember Honey Rider in Dr. No because her education came from reading the encyclopedia. Well, that and the bikini with the knife. As for Vesper Lind, Casino Royale was such a mess, I don’t think I could ever keep the characters straight. The Tenth Victim was one of those things I read about before seeing and the most famous scene didn’t really live up to my mental image.

    Bruce Willis also appeared in the first episode of the second go at The Twilight Zone in 1985. He was in an adaptation of Shatterday that was directed by Wes Craven.

  5. @Rob Thornton: Are you confusing this 1990 Repo Men with the 1984 Repo Man? That one’s got a 98% fresh on Rotten Tomatoes, much better than the 21% reported here.

  6. @ David Goldfarb – Indeed I was thinking about the original Repo Men. Mea culpa, that’s what I get for posting just before bed!

  7. My home office is Zoom friendly now, so I can interact with the world, and my home internet is actually way faster than office internet. As for the rest of it, this is basically how I was living last year when I was unemployed. My default setting is “stay in the house and try to make art.” Except now there are spreadsheets and paychecks, and I’m cool with both of those.

    I’m really glad I got to spend my last couple months of The World Before working in my own office in a cool skyscraper with a bakery in the lobby where they sold guava strudel.

  8. Meredith Moment – Publisher Edition:

    Angry Robot Books is going into “Shelf Isolation” (get it?) (hey, it’s their joke!); they’re selling ebooks directly at 50% off for the next two weeks. Use the code SHELFISOLATION at check-out. They provide EPUB and MOBI, though I forget if you get both or you have to pick one.

    BTW Angry Robot’s ebooks are DRM-free only when bought directly from them. I’ve bought from them a few times in the past and they occasionally have sales on specific titles, but this is obviously not a regular sale.

  9. 8) Live Free or Die Hard (the fourth in the franchise) is at least genre-adjacent in a Tom Clancyish sort of way.

  10. Born March 19, 1955 – Bruce Willis, 65. […]Armageddon (eight tentacles down)

    Oh, cmon, that movie is great. It’s just so much what it is, ya gotta appreciate it for being true to itself! 😉

  11. Was just coming to report the Angry Robot sale and find Kendall has beaten me to it. One copy of Sixteeth Watch going onto my Kindle as soon as I get back home.

  12. Thanks for the tips on Angry Robot. I was thinking just a couple of days ago that if I were a publisher, I’d discount all my ebooks. Social empathy and loads of cash: the American way, surely.

    Though you were wrong about which movie, Rob Thornton, you were right about the right movie. One of the all-time great anthology soundtracks in Repo Man. The movie itself is also one of my favorites. It’s no Atomic Bride, or Dark Star, or Death Race 2000, but it’s almost nearly as good as those worthies.

    @Charon Dunn

    Guava strudel sounds delicious. I wish I had some right now. Does it work with coffee? It seems like it wouldn’t. Maybe tea instead.

  13. @9: McGoohan died just before one of the Arisias held in the Hyatt Aztec; the ~18 flights of stairs between the art show and the rest of the convention were decorated with relevant quotes, although I have no idea how many members recognized them. I knew of him first from The Prisoner , then from Scanners, and was surprised to read in his credits in the Pack of Lies program that most of his roles were ~establishment (as in that play) rather than rebel — so it’s less surprising that he played Edward I in Braveheart.

    @17: that sounds seriously cool; I’ve always thought Williams was a huge part of the SWverse. Now I have to think about whether to drop stupid money on the home-media release…

  14. @Chip, I first saw McGoohan in Disney’s The Scarecrow Of Romney Marsh where he played a great rebel. And don’t forget Ice Station Zebra where we are kept guessing if he is a good guy or bad guy. He is one of my favorite actors

  15. @BGrandrath: I don’t think I’ve seen The Scarecrow since I was ten years old – and yet the theme song just instantly started playing in my head. As I recall, the Scarecrow’s alter ego was Dr. Syn, the vicar of Dimchurch.

  16. Repo Men is more like Repo! The Genetic Opera than it is like Repo Man. But it’s also far and away the worst of the three. (And Repo Man, far and away the best.)

    (14) Percussive maintenance triumphs again!

    (16) The story I heard is that the movie had issues with the cat costumes occasionally having folds that looked like buttholes or female genitalia, and that these were what was digitally edited out. So, there may be a Butthole Cut out there somewhere, but it wasn’t done deliberately (which would be fairly silly). Nobody was ever paid to add buttholes, as far as I know. (Which is actually not very far, but this version at least makes sense.)

  17. Meredith Digital Movie Moment:

    FYI U.S. folks (at least), there’s a “Women of Sci-Fi” sale at iTunes (uses DRM) this weekend. 34 SFF movies with female leads/co-leads (I presume) are on sale for $4.99 each, which is only $1 more then renting.

    A lot seem somewhat recent, like Annihilation, Arrival, and Jupiter Ascending. Then there’re older ones like Contact, Brainstorm, and . . . Attack of the 50 Ft. Woman! Most are SF, with a few fantasy and horror thrown in and at least one animated (the original Ghost in the Shell).

    I don’t normally buy movies without physical media, but “Annihilation” never made it to Netflix, so I may actually get that.

    ETA: I found this accidentally. In iTunes, in the Movies section, the carousel at the top has a promo/link for it, in case you’re wondering where it is.

  18. asa Prisoner fan…I do want to visit Portmeirion one day.

    I had thoughts that if I could make Dublin Worldcon, I could swing over to Wales but I couldn’t get off of work, so that plan fell flat

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