By James Bacon: The news we’ve been waiting for… The Return of Fletcher Arrowsmith.
Astro City, Arrowsmith, Autumnlands and new story Free Agent are announced as Kurt Busiek and a host of fabulous artists work with Image Comics.
Exciting news has broken. Image announced that Kurt Busiek is returning and then blew everyone’s minds with the announcement of new stories and for this writer, new Arrowsmith.
“I’m thrilled to be back at Image” said Busiek to the sounds of fans waking up worldwide, whooping and cheering, excited like squirrels in a nut storehouse.
Image has consistently been bringing fans fabulous comics, and we’ve recognized them, Saga, Monstress, Walking Dead, Wayward, Red Star, Paper Girls — and the original series of Astro City started at Image in 1995. There have nearly been 100 comics under the title, and it is collected into seventeen volumes. New stories are welcomed.
Fellow fan Christpher Hwang commented “Astro City is my favorite comic book series of all time – and while I am incredibly excited by its return, I may be even more thrilled that we get to explore more of the world of Arrowsmith, as fans have been waiting to see more since the first series ended in 2004!”
The original six issue series of Arrowsmith by Busiek and stunning artist Carlos Pacheco was released by Cliffhanger in 2003 and immediately captured the imagination and affection of fans. It’s a powerful First World War story, set in a slightly different world, one with magic, mythical creatures, dragons, fire salamanders and fantastical beings, Hibernian Dwarfs, Lotharingian Rock Trolls, and the Central Powers have Bulgarian Vampires and Prussian Werewolves.
Fletcher Arrowsmith is our young protagonist, from the United States of Columbia, who wants to be an airman, a role that requires magic, flying with a Drogonet, and considerable mental and physical agility and we follow him as he escapes a parochial countryside small town to go to Gallia and fight. Busiek uses an epistolary story telling technique, that of letter writing, even letters that are not read or censored, but this allows us to understand the thinking and confusion and hurt that Fletcher endures, and gives us considerably more information than one might get, but it’s so well done. His journey is fraught, while there are moments of joy and friendship there are also horrendous encounters and actions, of truly horrific nature, and loss.
The portrayal of war and its impact is in no way lessened by some whimsicalness, there is a brutal honesty and thoughtfulness that allows the reader to consider the First World War in new light, it’s so beautifully done, but it is not a nice and easy story, it is not a feel good cheer-you-up story, it takes an unexpectedly hard look at the brutality of war, adding magic and fantasy to only make the murderousness of people fighting one another more thought provoking and a compelling alternative history.
The new series, jeepers, 18 years later, entitled Arrowsmith: Behind Enemy Lines, issue one to be released in January, and for those who would like it (me, me me!), there is a fully remastered hardcover of Arrowsmith, Book 1: So Smart in Their Fine Uniforms.
Of the return of Arrowsmith, Busiek said: “Stepping back into this universe at long last, and writing these characters again feels like coming home, and visiting with old friends—admittedly, old friends we do dangerous, stressful things to in the name of adventure. And the art, by Carlos, Rafael, and Jose, is just astounding. Arrowsmith fans have been very patient, but have never been shy about letting us know they want more—and I can’t wait for them to see both the new series and the re-mastered original in the kind of hardcover edition we think it deserves.”
Carlos Pacheco added: “It seems like only yesterday Kurt and I were dreaming of creating a book about WWI and magic. It’s been a long trip since then. We kept hoping to bring the world of Arrowsmith back to life, but the stars didn’t line up properly until now. And maybe the stars didn’t help, but the readers have. I feel like we’ve had an unwritten agreement with all the people who’ve supported Fletcher and Hilda since the day they both took flight, and pushed us to bring them back. We’re very happy to say here they are, after all these years.”
This is a fabulous story, one that I have always picked up when I see it, because it is an amazing gift to pass to fellow fans,
If this wasn’t enough good news, Astro City is also back. The team will be giving us a new urban-fantasy graphic novel, The Gods on Sunday Morning and then a new ongoing series will follow.
Next is Free Agents, a brand new series, and I was super pleased to see that Irish artist Stephen Mooney, whose work I love, is working with Busiek and co-writer Fabian Nicieza, details are thin, but I was chuffed to hear this and Fabian Nicieza said, “Kurt and I have always had fun working together, I’ve been waiting 30 damn years to have an Image book! Free Agents hits all our strengths and sweet spots, and Stephen and Tamra only add to my excitement.”.
“I’m thrilled to be joining such a top-notch team,” added Stephen Mooney. “Kurt and Fabian put together some incredible concepts, and I’m eager to show what Tamra and I can bring to the party. Teaming up with Image again just makes it all the sweeter.”
And the return of Autumnlands from Busiek with Benjamin Dewey and Jordie Bellaire, all planned for late 2022, a host of older stories back in print and well, Arrowsmith: Behind Enemy Lines #1 at local comic book shops on Wednesday, January 19, 2022…. marvelous.
Based on a press release – read the original here.
James noted in Drink Tank his meeting of Carlos at Dublin City Comic Con in Tara Towers, on November 17, 2008, a fab con, organized by John Hendrick:
“Carlos Pacheco who has just finished a run on Superman with Kurt Busiek was using some wonderful markers, and presenting full colour sketches for fans. He was using colour letterset pro markers, these twin tipped markers allow a transparent effect and because they are alcohol-based can be layered to produce deeper colours and with his controlled and skilled hand, images were incredible. He was pleased to mention that the second series of Arrowsmith, was on the cards, (I was incredibly excited!), a story he created with Kurt Busiek, a beautiful First World War take, where magic, mythical creatures and men flying with the aid of Dragonets exist, all to great effect. Anyhow, I think he was well pleased to meet an Arrowsmith fan and I was stunned and still cherish this image he created.”
(1) JEMISIN EVENT CONVERTED TO LIVESTREAM. N.K. Jemisin’s in-person
appearance at the Arthur C. Clarke Center
for Human Imagination has been converted to a virtual event, due to steps
being taken to protect the health of
the UC San Diego community and slow the spread of COVID-19. Use the Eventbrite
link to secure access.
N.K. Jemisin’s in-person event for The City We Became has, unfortunately, had to be canceled, but we are pleased to be able to offer you access to an exclusive virtual event streamed live. You’ll get a chance to hear about The City We Became and ask Jemisin questions. Only ticket-holders will have access-plus, you will still receive a copy of the book, with an option to sign up for a signed bookplate from Orbit during the event.
The virtual event will take place at the same time as the original event, 7pm on Friday, April 3rd. Tickets are still available through Eventbrite. If you have already purchased a ticket and would like to request a refund, you may do so through Eventbrite. However we hope you choose to join us in celebrating The City We Became! All ticket purchases help support the author, Mysterious Galaxy bookstore, the publisher, and this thing we call human imagination.
And you have to buy the magazine to see this next Jemisin-related
item. Kevin Hogan reports: “I was surprised
but pleased to see a one-page The Making of the Book segment in Entertainment
Weekly (April 2020, issue # 1586, page 90) on N.K. Jemisin and her upcoming
novel, The City We Became. It’s always nice to see genre covered in ‘popular
S. Arnold, the Balticon 54 Hotel Liaison, asks for understanding about how reservation
cancellations were sent by the hotel before the con could notify its members.
We sent a letter to the Balticon hotel asking for their opinion as to if they would be able to host Balticon this year and if they could not do so we would need to cancel the event.
The hotel management determined that it was very unlikely they would be able to host Balticon 54 and at a staff meeting on the morning of 03/18/2020 the general manager told his staff to send us an email explaining that it was unlikely they would be able to host Balticon and to cancel reservations once we confirmed we had told our people. Apparently, the head of reservations did not hear the part about waiting for us to send out notice and took immediate action by using an automated cancellation program.
Cancellations from the reservations department went out several hours before the email to us from the general manager letting us know they could not host Balticon 54 and would not attempt to collect cancellation fees and that they hope to see us next year was sent. A follow up email with apology for sending the cancellations before we told the hotel we had announced the cancellation of Balticon has already been received from the hotel. Given the stress many people are under during this pandemic I hope we can all forgive the hotel reservations department jumping the gun by a day or so.
A message concerning membership refunds (and roll-overs if you want to Balticon 55) and dealers tables refunds etc. with the process to let us know what you want to do will be sent out soon.
(3) THE MAN WHO LEARNS BETTER. “Heinlein’s Juveniles, Pt. 1” is a fine article by
Sourdough Jackson in the latest DASFAx clubzine. Click here –
then scroll down to the March (202003) issue. Starts on page 2.
…When discussing the juveniles, I’ll be taking them two books per column. The first pair are Rocket Ship Galileo(1947) and Space Cadet (1948), both products of a troubled time in the author’s life—a typhoon was blowing his marriage toward the rocks, and the prospects for his writing career weren’t much better. Among his attempts to claw off that marital and literary lee shore was a projected series of books for boys: The Young Atomic Engineers. He thought to begin with a blockbuster—a trip to the Moon.
(4) MONSTROUS DISCOVERIES. [Item by Martin Morse
Wooster.] In the March 16 Financial
Times, Simon Ings reviews “Monsters of The Deep,” a show about
giant aquatic creatures that will be at Britain’s National Maritime Museum
Back in 1893, the biologist Thomas Henry Huxley wrote in The Times: ‘There is not an a priori reason that I know of why snake-bodied reptiles, from fifty feet long and upwards, should not disport themselves to our seas as they did those of the cretaceous epoch, which, geologically speaking, is a mere yesterday.’
Palaentologist Darren Naish, who is lead curator of the Falmouth exhibition,, is willing to entertain Huxley’s theory. “His was the right attitude at the time, because the life of the deep oceans was only just being discovered. (Monsters of the Deep makes much of the ground-breaking research led by HMS Challenger, which between 1872 and 1876 discovered 4,700 species of marine life.) Large fossil dinosaurs and early whales, and amazing gigantic living animals, had been discovered only relatively recently,’ Naish pints out.’The whale shark, the world’s biggest fish, was a mid 19th century discovery.
(5) AGAINST THE LAW. [Item by Martin Morse Wooster.] In “Six
Great Novels About Crime That Aren’t Quite Crime Novels” on CrimeReads,
Mat Osman looks at six novels, two of which, China Mieville’s The City &
The City and Michael Chabon’s The Yiddish Policemen’s Union, are
Hugo winners. He also writes about Michel Faber’s Under The Skin,
noting the novel is a “very different beast” than the filmed version.
The joy of The Yiddish Policemen’s Union is the way it lures you in with the most comforting of literary tropes. It’s a hard-bitten detective story about a boozy, lovelorn policeman with a seemingly unsolvable case. There are hard-drinking cops. There are underworld kingpins. There are unspoken codes of honor. So far, so Raymond Chandler. But under the surface another kind of book is flexing its muscles. It’s a what-if novel in which the post-WWII Jewish homeland is Alaska rather than Israel and the Messiah may (or may not) be on his way. It’s a setting that lets Chabon riff on his favored themes. Tall tales are told, language is toyed with (the Alaskan Jews call themselves The Frozen Chosen) and it builds to a denouement as vast as it is unexpected.
(6) BABY YODA ON THE COVER. That made me 1000% more
interested. On sale May 26 from Titan Comics, Star Wars: The Mandalorian The
Art & Imagery–Collector’s Edition Vol.1.
This deluxe edition collects the stunning artwork from the first four chapters of the Disney+ smash hit, highlighting the characters, creatures, allies, enemies and environments of this all-new Star Wars story.
(7) TODAY IN HISTORY.
March 19, 1990 — Repo Men premiered. It was directed by Miguel Sapochnik. It starred Jude Law, Forest Whitaker, Liev Schreiber and Alice Braga. It was based on Eric Garcia’s The Repossession Mambo who co-wrote the screenplay with Garrett Lerner. It wasn’t well-received by critics at the time, nor does the audience over at Rotten Tomatoes care for it giving it a 21% rating.
March 19, 1999 — Farscape premiered on Syfy. The series was conceived by Rockne S. O’Bannon and produced by The Jim Henson Company and Hallmark Entertainment. The Jim Henson Company was responsible for the various alien make-up and prosthetics, and two regular characters, Rygel and Pilot were completely Creature Shop creations. Filmed in Australia, it would would last for four seasons ending in The Peacekeeper Wars.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 19, 1821 – Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, orientalist when that term wasn’t a curse word, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. And the translator of an unexpurgated translation of One Thousand and One Nights. Along with Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. (Died 1890.)
Born March 19, 1919 – Patricia Laffan. She was the alien Nyah in Devil Girl from Mars, a Fifties pulp film which you can see here. (Died 2014.)
Born March 19, 1926 – Joe L. Hensley. He was a First Fandom Dinosaur which is to say he was active in fandom prior to July 4, 1939 and he received the First Fandom Hall of Fame Award. He is also a published genre author with ”And Not Quite Human” in the September 1953 issue of Beyond Fantasy Fiction being his first published work, and The Black Roads being his only genre novel. It does not appear that his genre works are available in digital editions. (Died 2007.)
Born March 19, 1928 – Patrick McGoohan. Creator, along with George Markstein, of The Prisoner series with him playing the main role of Number Six. I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but does comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host. (Died 2009.)
Born March 19, 1936 – Ursula Andress, 84. I’msure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films.
Born March 19, 1945 – Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not at all clear, he founded Golden Gryphon Press which published really lovely books until it went out of existence. Too bad their original website doesn’t exist anymore, but you can still view captures at the Wayback Machine. (Died 1999.)
Born March 19, 1955 – Bruce Willis, 65. So do any of the Die Hard franchise count as genre? So even setting them aside, he has a very long genre list, to wit Death Becomes Her (bit of macabre fun), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), Looper (most excellent), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill).
Born March 19, 1964 – Marjorie Monaghan, 56. JoJo on all six episodes of Space Rangers. My brain keeps insisting it lasted much, much longer. She also was on Babylon 5 as the Mars Resistance leader during the Earth Alliance Civil War, where she was known as Number One. She’s also appeared on Quantum Leap, in the cyberpunk Nemesis film, in The Warlord: Battle for the Galaxy film, on Andromeda series, and on The Great War of Magellan film.
(9) COMICS SECTION.
Bizarro does not have the legend you’re looking for.
As the comics industry reacts to the social isolation response to the coronavirus, Image Comics publisher and CEO Eric Stephenson has released an open letter about what his company — the third-largest publisher in the U.S. market — is doing to lessen pressure on retailers struggling with reduced traffic to stores and enforced closures. He is also asking other publishers to follow suit.
In normal times, comic book stores must estimate how many issues of each comic they will sell, and pay upfront for inventory from publishers. However, as the coronavirus has dramatically shifted how many customers are coming into shops, Stephenson said Image will allow comic book stores to return orders for the next 60 days.
One of the precepts of emergency response is the title of this email: Adapt, improvise, overcome. It’s a phrase that gets mentioned several times in Machine, and I found myself thinking of it last night as I chatted with friends in various corners of the internet about the economic repercussions of the current xombie apocalypse. I see a lot of fear, and a lot of people saying “If we have to do this quarantine bullshit for 18 months the economy will never recover.”
A problem here is that we’ve been taught (by entertainment) to think of massive catastrophes as The End Of The World because that makes a better story. And I don’t want to minimize the grief and suffering that we endure in a catastrophe, be it a hurricane or an earthquake or a war or a pandemic. That is real.
….Like the best crime fiction, Chaykin’s work is well versed in the morally ambiguous protagonist, as opposed to the steel-jawed, superheroic superman.
“My work more often than not betrays that hero with a wound thing, with a protagonist who is far from morally sound—and informs my interest in telling stories without a hero who does the right thing, that right thing as defined by an audience trained to love this romantic vision of the world,” Chaykin said. “And don’t get me started with the “rich guy who had a bad day when he was eight and turns to wage war on crime” model, either.”
It’s been a pretty difficult set of weeks lately. In addition to normal life grinding to a halt, conventions and gatherings have been canceled. Galactic Journey was scheduled to present at a number of venues over the next several months. That’s all fallen by the wayside.
Thanks to the miracle of TELSTAR, SYNCOM, and RELAY, Galactic Journey can still perform for you, coming to you Live, Coast to Coast, in the comfort of your own living rooms!
That’s right — we are reviving Galactic Journey’s “Come Time Travel with Me” show, an hour-long (more or less) trip back in time exactly 55 years.
We’ll be covering science fiction, the Space Race, the recent civil rights march in Alabama, fashion, politics — you name it. And we mean YOU. After our introduction, it’ll be your questions that guide the course of the program. And the best questions will win a prize!
So come join us, March 27, 1965 (2020) at 6PM PDT. All you need is a screen and an hour. We’ll provide the rest.
NASA unsticks its Martian digging probe by whacking it with a shovel.
Every day, the InSight lander’s suite of instruments sends back data proving that the Red Planet isn’t really dead. Marsquakes rumble the seismometer. Swirling vortices register on onboard pressure sensor. And temperature sensors help track the weather and changing of the seasons.
Despite the lander’s successes, however, one gauge has met with resistance from the Martian environment while trying to carry out its mission. Something has stopped InSight’s 15-inch digging probe, dubbed “the mole” for its burrowing prowess. Instead of diving deep into the Martian sand where it could take the planet’s temperature, it’s been stuck half-buried. An intercontinental team of MacGyvers has spent a year devising successively daring plans to get the mole digging again, but still it flounders on the surface. Now their final gambit—directly pushing the mole into the soil—has shown tentative signs of success, NASA announced Friday on Twitter.
The goal of the mole, which is the measurement probe of InSight’s Heat Flow and Physical Properties Package (or HP3), is to track the temperature variations of Mars itself. This heat comes from Mars’s core, which, like Earth’s core, remains warm from the planet’s birth. By measuring it, researchers hope to learn about Mars’s formation—but from the rod-shaped mole’s current position they can get readings only of the surface temperature. Mission planners hope to ideally reach 15 feet underground to escape the warming and cooling from the Martian seasons that would interfere with reading the planet’s true temperature.
“I always thought, ‘let’s ask Mark Watney [the fictional protagonist of the book The Martian] to just go over there and just push a little bit on the mole,’” said Tilman Spohn, the HP3’s principle investigator.
But without any Martian explorers to lend a hand, Spohn and his colleagues on the “anomaly response team” have had to improvise with the only tool available—a small shovel-like “scoop” on the end of InSight’s robotic arm. Over the last year they’ve tried to punch down the walls of the hole around the mole, to fill in the hole with nearby sand, and to give the mole more purchase by pinning it against the side of the hole with the scoop. But to no avail.
China’s first journey to Mars is one of the most anticipated space missions of the year. But with parts of the country in some form of lockdown because of the coronavirus, the mission teams have had to find creative ways to continue their work. Researchers involved in the mission remain tight-lipped about its key aspects, but several reports from Chinese state media say that the outbreak will not affect the July launch — the only window for another two years…
On Tuesday, the actor and writer partook in the ancient theatrical tradition that is trying to understand the baffling, inscrutable movie-musical Cats (recently available on digital). Rogen wrote a long Twitter thread about the experience, marveling at the impossibly small cat shoes worn by several characters and wondering what the hell a “Jellicle” is, anyway. (For the record, that made-up word is a play on how posh Brits pronounce “dear little” cats).
In the process, Rogen also tweet-quoted a post from screenwriter Jack Waz, who claimed to know a visual effects artist who had been tapped to work on Cats back in November. That VFX person’s job? “To remove CGI buttholes that had been inserted a few months before,” Waz wrote. “Which means that, somewhere out there, there exists a butthole cut of Cats.”
…With The Rise of Skywalker concluding the iconic Skywalker saga and wrapping up Williams’ time in a galaxy far, far away, J.J. Abrams made sure to put Williams in front of the camera in the film. Williams has a minor Rise of Skywalker cameo, appearing in a seedy establishment on Kijimi as the Resistance heroes make their way to meet Babu Frik. Getting the opportunity to see Williams onscreen was thrilling enough for fans, but the scene also includes several nods to his unparalleled career.
The making-of documentary in the Rise of Skywalker home media release has a segment focused on Williams. In it, Abrams reveals each of the props surrounding Williams represents the 51 Oscar nominations Williams received up to that point. Examples include Indiana Jones’ whip from Raiders of the Lost Ark, the barrels from Jaws, and the iron from Home Alone….
[Thanks to Cat Eldridge, Chip Hitchcock, Martin Morse Wooster,
Michael Toman, JJ, John King Tarpinian, Mike Kennedy, Contrarius, SF
Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]