Ursula Le Guin’s resignation from the Authors Guild over its acceptance of the Google book search settlement has elicited all kinds of response, not all of it positive. One of the snarkier posts has brought Taral Wayne to her defense:
By Taral Wayne: I read a blogger who ridiculed Ursula Le Guin for writing a socialist utopia, The Dispossessed, and then complained about her property rights.
Perhaps if Ms. Le Guin could walk down the street and help herself to a free meal in any restaurant of her choosing, pick out furniture in a store without charge, and order all the books she likes from Amazon.com without getting billed, then she would be content to let freeloaders read her books. Whatever convictions Ms. Le Guin has or has not, she doesn’t live in a socialist utopia. She lives in the same world we do, and has to obey the same economic realities. That being the case, I see no incongruity in her asking her novels to be paid for, just like any other product or service.
As an artist, I create and sell “intellectual property” myself. Images are the easiest form of intellectual property to take from the creator and share around the internet, and it happens to me all the time. I try to take a balanced view of it. As long as it does not undermine my income, it may do me a little good to have my work shown around. I’d like to have more control of the process, but that’s just not going to happen. On the other hand, it does me little good when art is taken and posted somewhere without credit, as does happen. And the practice of pirating art also fosters a culture of entitlement to free access to intellectual properties that may not benefit creators in the long run.
The truth is, I don’t know what to hope for. For creators, there is a good side and a bad side to the internet. Which will prevail is impossible to say. I wouldn’t like to see the great paintings of the world locked up on pay-per-view sites operated by a handful of museums, or owned by Google or the Encyclopedia Britannica. But neither do I want to see a world in which no free-lance artist is every paid for his labours.
What is the middle ground? How do we provide openness to our culture, but not drive professional creators into amateur status?