(1) WHEN THE ‘NEW WAVE’ WAS CONTROVERSIAL. Joachim Boaz’ new Simak-related post about the author’s Worldcon 1971 Guest of Honor speech contains a timeless message: “Exploration Log 6: Clifford D. Simak’s 1971 Worldcon Guest of Honor Speech” at Science Fiction and Other Suspect Ruminations.

In an August 1967 editorial in Galaxy titled “S.F. as a Stepping Stone”, Isaac Asimov (1920-1992) voiced his extreme disapproval of the New Wave movement as “‘mainstream’ with just enough of a tang of the not-quite-now and the not-quite-here to qualify it for inclusion in the genre” (4). He concludes: “I hope that when the New Wave has deposited its froth and receded, the vast and solid shore of science fiction will appear once more and continue to serve the good of humanity” (6). The implication is clear: there is a Platonic science fiction form that exists (and that he writes) that must be rediscovered.

Fellow “classic” author Clifford D. Simak (1904-1988) offered a different, and far more inclusive, take at his Guest of Honor speech at Norescon 1 (Worldcon 1971). In an environment of “shrill” disagreement between various New Wave and anti-New Wave camps, Simak celebrated science fiction as a “forum of ideas” open to all voices (148)….

Fanac.org has posted an audio recording of Simak’s speech on YouTube. He begins speaking at the 28:00-minute mark: “Noreascon (1971) Worldcon – Guest of Honor Speeches – Clifford Simak and Harry Warner, Jr.”

(2) BITE ME. At Black Gate, Neil Baker happily tells readers what’s lacking in this bunch of simply jaw-ful movies: “Jumping the Shark, Part I”. First on his list:

Apex Predators (2021) Prime

What kind of shark? Stock footage and a rubber dorsal fin.

How deep is the plot? There is no plot.

Anyone famous get eaten? No

Let me preface this by saying I have a lot of respect for anyone who tries to make a feature film (having tried myself), however, I have not one ounce of respect for Dustin Ferguson, who wrote, directed and edited this utter shit show.

Everything about it is dire, an utter waste of time, and let’s talk about that time. It has a run time of 74 mins. I like a film that keeps its runtime down and packs it full of action and plot. However, this film contains approximately 18 minutes of action and/or ‘plot’. The rest of the time is padded out with stock footage of fish, or shots of characters walking along doing fuck all….

(3) MURDERBOT GIVES CHARITY A BOOST. Martha Wells has pointed readers at the sale of authored Murderbot merch from Worldbuilders, which raises funds for charities like Heifer International, Mercy Corps, First Book etc. Here’s the link: Worldbuilders Market. Wells says, “This is the ONLY licensed Murderbot seller.” The things available include Murderbot pins, a Sanctuary Moon t-shirt, and signed books.

Here’s one of the pins available ($16).

(4) CURSED CHOW? Eater commentator Jaya Saxena, in “We Don’t Have to Do a Harry Potter Baking Show”, contends that “By creating ‘Harry Potter: Wizards of Baking,’ Food Network is condoning its creator’s transphobia. It’s also just plain lazy.”

The Food Network has produced yet another formulaic competition show, but this is not news. This is what the channel has been reduced to at this point — for every Chopped, which still holds its charm, there seem to be dozens of one-off holiday challenges and pumpkin carving competitions to serve as background noise for whoever fell asleep while Netflix was running.

But Harry Potter: Wizards of Baking is different. Premiering last week, the competition features all things Harry Potter. It’s hosted by James and Oliver Phelps, who played the Weasley twins in the films, and features cameos by a host of other secondary characters. It’s shot on the original sets of the films. And competitors are expected to make fantastical creations inspired by the series, for the opportunity to win a Wizards of Baking Cup and appear in a forthcoming Harry Potter cookbook. Carla Hall is there too.

This sucks.

Food Network could have made a generic wizard-themed baking show — no one owns the concept of magic. But being an official Harry Potter property means the show was licensed in some way by its creator, J.K. Rowling, a woman who has so thoroughly dedicated her public persona to promoting transphobia that even Elon Musk is telling her to cool it….

(5) JEOPARDY! [Item by David Goldfarb.] Wednesday’s episode of Jeopardy! had a whole SFF category in the Double Jeopardy round, entitled “The Worlds of TV”. The contestants went through the category in order, top to bottom:

$400: Even though it sounds like the Ewok planet, this show is named for Diego Luna’s character
Challenger Drew Wheeler was able to come up with “What is Andor?”

$800 (accompanied by a picture all filtered in red of a hazy figure among frightening spikes, with a jet of fire in the background): It’s the name of the menacing dimension on Stranger Things
Returning champion Kevin Laskowski replied, “What is the Upside Down?”

$1200: According to Gene Roddenberry, this home planet of a USS Enterprise officer orbits a star called 40 Eridani A
Drew knew it was Vulcan.

$1600: On a SyFy miniseries, James Hook finds a magical orb that takes him, Peter, and the Lost Boys to this one-word title world
Julia Schan guessed “What is Neverland?” and was correct.

$2000: Geralt of Rivia travels across a landmass simply known as The Continent on this show
Kevin got “What is The Witcher?”

(6) BIRD IS THE WORD. George R.R. Martin reports “Dodos Take Pittsburgh” at Not A Blog.

Winners have just been announced for this year’s Pittsburgh Shorts Film Festival (November 21-24), and we’re pleased and proud  to announce that THE UGLY CHICKENS  took home the Jury Award for Best Live Action Short Film.

Mark Raso was in Pittsburgh to represent us, and accept the prize of behalf of our cast and crew and dodo lovers everywhere.  Felicia Day starred in the film, while Mark directed.   Michael Cassutt wrote the script, adapted from Howard Waldrop’s classic short story, winner of the Nebula and World Fantasy Award in 1980-1981.

Pittsburgh Shorts is one of the premiere short film venues in the country, and the competition is always tough.   It is a real honor take home the trophy, and I know Howard would have been thrilled as well.

(7) WHY NOT SAY WHAT HAPPENED?  Scott Edelman tells “Why Captain Marvel Caused Me to Reach Out to Robert De Niro” in episode 9 of the Why Not Say What Happened podcast. (Here’s the link to the whole series.)

Mulling over whether 2024 me agrees with what 1984 me thought about 1974 me reminded me getting the gig to write Marvel’s Bullpen Bulletins Page was both the best and worst thing that ever could have happened, why my willingness to burn bridges by writing an Ethics column for The Comics Journal shouldn’t be confused with bravery, which comic book art recently caused me to reach out to Robert De Niro, Stan Lee’s all-caps cover critique, the day Larry Hama verified Tony Isabella was right and I was wrong, and more.

Below is an installment of Scott’s ethics column. (Click for larger images.)

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Nutcracker: The Motion Picture (1986)

Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara in E.T. Hoffman’s The Nutcracker

So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, it was produced thirty-eight years ago by the Pacific Northwest Ballet.

What makes this one worth knowing about? Two words that form an oh-so-wonderful name: Maurice Sendak. 

Choreographer Kent Stowell, the artistic director of the Pacific Northwest Ballet, had invited author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.  

(I saw those his creations when they were stored away when I was in Seattle.  Quite amazing even just there.)

Sendak initially rejected Stowell’s invitation, later explaining why he did so:  

The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.

He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years. 

For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close. 

Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of the original designs underwent revision, and Sendak created additional ones from scratch.

It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.

(9) TODAY’S BIRTHDAY.

[Written by JJ.]

Born November 30, 1952 — Jill Eastlake, 72.

By JJ: Jill Eastlake is an IT Manager, Costumer, Conrunner, and Fan who is known for her elaborate and fantastical costume designs; her costume group won “Best in Show” at the 2004 Worldcon.  

A member of fandom for more than 50 years, she belonged to her high school’s SF club, then became an early member of NESFA, the Boston-area fan club, and served as its president for 4 years. 

She has served on the committees for numerous Worldcons and regional conventions, co-chaired a Costume-Con, and chaired two Boskones. 

She was the Hugo Award ceremony coordinator for the 1992 Worldcon, and has run the Masquerade for numerous conventions. 

Her extensive contributions were honored when she was named a Fellow of NESFA in 1976, and in 2011 the International Costumer’s Guild presented her with their Lifetime Achievement Award. 

She and her fan husband Don (who is irrationally fond of running WSFS Business Meetings) were Fan Guests of Honor at Rivercon.

(9b) TODAY’S OTHER BIRTHDAY.

[Written by Cat Eldridge.]

Born November 30, 1906 — John Dickson Carr. (Died 1977.)

As you know, we don’t do just sff genre Birthdays here and so it is that we have here one of my favorite mystery writers, John Dickson Carr.  Indeed, I’ve listened to The Hollow Man, one of his Gideon Fell mysteries, and it’s quite superb.

He who wrote some of the best British mysteries ever done was not British himself, being American. Oh the horror. He did live there for much of the Thirties and Forties, marrying a British woman. 

Dr. Fell, an Englishman, lived in the London suburbs. Carr wrote twenty-seven novels with him as the detective. I’m listening to The Hollow Man because it’s considered one of the best locked room mysteries ever done. Indeed, Dr. Fell’s discourse on locked room mysteries in a chapter has been reprinted as a stand-alone essay in its own right.

All of the Fell novels are wonderful mysteries. The detective himself? Think of a beer-drinking Nero Wolfe who’s a lot more outgoing. Almost all of the novels concern his unraveling of locked room mysteries or what he calls impossible crimes.  Of these novels, I’ve read quite a number and they’re all excellent.

Now let’s talk about Sir Henry Merrivale, created by “Carter Dickson”, a pen name of John Dickson Carr. (Not sure why he bothered with such a thinly-veiled pen name though.) Merrivale was like Fell an amateur detective who started who being serious but, and I’m not fond of the later novels for this, became terribly comic in the later novels. Let me note that Carr was really prolific as there were twenty-two novels with him starting in the Thirties over a thirty-year period. One of the finest is The White Priory Murders which was a Wodehousian country weekend with yet another locked room mystery in it. 

He also, as did other writers of British mysteries, created a French detective, one by the name of Henri Bencolin, a magistrate in the Paris judicial system. (Though I’ve not mentioned it, all of his mysteries are set in the Twenties onward.) Carr interestingly has an American writer Jeff Marle narrating the stories here and he describes Bencolin as looking and feeling Satanic. His methods are certainly not those of the other two detectives as he’s quite rough when need be to get a case solved. 

There are but four short stories and five novels of which I think The Last Gallows is the best. 

With Adrian Conan Doyle, the youngest son of Arthur Conan Doyle, Carr wrote some Sherlock Holmes stories that were published in The Exploits of Sherlock Holmes collection. Not in-print but used copies available reasonably from the usual suspects. 

He was also chosen by the estate of Sir Arthur Conan Doyle in 1949 to write the biography of the writer. That work, The Life of Sir Arthur Conan Doyle, is in-print in a trade paper edition.

(10) COMICS SECTION.

• Dog Eat Doug finds more than one team on a planet leads to a dramatic problem.
• Free Range discovers the relatives of Edvard Munch’s subject.
• Rhymes with Orange chooses the wrong brand.

(11) TOP COVERS. GamesRadar+ calls these “The 25 Best Marvel Comics covers ever”.

The best Marvel Comics covers of all time may be a matter of personal taste – but there are all-time classic illustrations which are instantly recognizable, and which evoke a specific time and place in the Marvel Universe.

We’ve pored over decades of covers dating back to the ’30s, and while it’s impossible to include every great and memorable cover in Marvel Comics history, these are the 25 that we feel best represent the Marvel Universe.Our criteria include a cover’s quality, its recognizability, and its influence, including how many other covers and artists have paid homage to it, like with these recent Fantastic Four variant covers that recreate other classic Marvel images….

In first place is –

1. X-Men #1 – Jim Lee and Scott Williams

If there’s one single cover, one magnum opus image that sums up everything Marvel Comics is about, it has to be Jim Lee’s timeless cover for 1991’s X-Men #1, which draws on classic influences going all the way back to Jack Kirby’s Uncanny X-Men #1 cover and pulls them into a thoroughly modern piece of superhero art. This cover not only sums up decades of previous art and storytelling into one evocative drawing, it has become so definitive that it has itself informed decades of covers since – including more recreations and homages than you can shake your adamantium claws at.

(12) TO GET KIDS READING. [Item by Steven French.] Includes a number of genre related recommendations such as Steve Jackson’s House of Hell! Advice from the Guardian: “’Relax your rules, let them pick what they want’: 10 page-turners to get kids reading”.

The news from the National Literacy Trust this month was bleak. Their annual report revealed that just one in three eight- to 18-year-olds enjoy reading in their free time – the lowest level in almost two decades of research. Boys and young people in secondary school in particular are turning away from books, with steep declines in reading recorded for both groups….

…So, how do we get children back to books and turning those pages again? We have to give them ways to discover the joy of reading in ways that matter to them. Let your children read what they want – within reason, without pressure. Please don’t tell them you were reading weighty tomes at their age, it’s not helping. Resist that urge, relax your rules, let them read….

(13) BEWARE OF NUCLEAR WASTE. It’s going to be around for a long time. One group wants to learn “HOW TO SEND A MESSAGE 10,000 YEARS INTO THE FUTURE” that will warn people long after our languages and cultures have expired.

This is The Ray Cat Solution:

1. Engineer cats that change colour in response to radiation.

2. Create the culture/legend/history that if your cat changes colour, you should move some place else.

At the link view The Ray Cat Solution video (2015) on Vimeo.

And, of course, buy the merch for everyone you know. For example, one of these t-shirts.

Fascinated by the problem of designing warnings for people 10,000 years in the future, New Hampshire Institute of Art’s Type 1 class has joined forces with Bricobio and The Raycat Solution to help insert Raycats into the cultural vocabulary.  While Bricobio works towards genetically altering cats so they change color when in the presence of radioactive material, the NHIA Type 1 class is working to insert the idea that if a cat changes color, that space might be dangerous to others. 

(14) GAMING BUSINESS. [Item by Steven French.] From this week’s gaming newsletter in the Guardian:“How Sony could reclaim handheld gaming from Nintendo and the smartphone”.

A report from Bloomberg this week suggests that Sony is working on a new portable PlayStation device. As someone who still has a PlayStation Vita languishing in my desk drawer because I can’t quite bear to put it in the attic, this is an exciting prospect. It has been almost 13 years since Sony released the Vita, its last portable console, and it’s such a wonder of a thing, with its big crisp screen and dinky little sticks. I wish more people had made games for it – paper-craft adventure Tearaway and topsy-turvy platform-puzzler Gravity Rush remain underrated.

Actually, apart from the lovely and extremely niche Playdate, nobody has bothered to release a dedicated handheld games console in over a decade. Both the Nintendo Switch and Valve’s Steam Deck are hybrids that can be played handheld and connected to a big screen.

There’s a reason for this: firstly, smartphones have snapped up almost the entire market for portable games, offering endless free or cheap games on a device that everybody already has. And secondly: having handheld and home consoles on the market once would split development resources. Only Nintendo was successful enough at selling handhelds to weather several generations of splitting its talent between creating games for the DS and the Wii, or the 3DS and Wii U, which has led to the Switch being a contender for the cleverest business decision of its history.

(15) STEP BACK IN TIME. Gizmodo reports “Remarkable Fossil Footprints Show Two Hominin Species Coexisting 1.5 Million Years Ago”. See a photo of the fossilized marks at the link.

Approximately 1.5 million years ago, two human relatives belonging to two distinct species made their way along the shore of an ancient lake. Researchers know this because the hominins’ footprints fossilized in the mud, alongside the prints of giant birds that occupied the paleoenvironment….

…The footprints were made by Homo erectus and Paranthropus boisei, long-extinct species that shared eastern Africa in the ancient past. Together, the footprints are a remarkable window into the lives of our nearest relatives and ancestors. The prints show how hominins overlapped as they eked out existence in ancient Africa; according to the research team, if the hominins who made the prints didn’t overlap at the site, they crossed it within hours of one another. The team’s research was published today in Science….

(16) A BOOST FOR THE HOLIDAYS. NASA has created the “Rocket Engine Fireplace” to give you warm holiday thoughts – for eight hours!

Just what you need for the holidays… the coziness of a crackling and roaring rocket engine! Technically, this fireplace packs the heat of the SLS rocket’s four RS-25 engines and a pair of solid rocket boosters – just enough to get you to the Moon! (And get through the holidays with your in-laws.) This glowing mood-setter is brought to you by the SLS (Space Launch System) rocket that launched Artemis I on its mission around the Moon and back on Nov. 16, 2022. 8.8 million pounds of total thrust – and a couple glasses of eggnog – might just be enough to make your holidays merry.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, David Goldfarb, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]