Pixel Scroll 2/14/22 Our Files Are Protected By Mutual Assured Pixellation

(1) PENGUIN RANDOM HOUSE ASKS INTERNET ARCHIVE TO REMOVE MAUS. Chris Freeland, a librarian and Director of the Internet Archive’s Open Libraries program, advocates for his work at ZDNet: “Librarian’s lament: Digital books are not fireproof”.

The disturbing trend of school boards and lawmakers banning books from libraries and public schools is accelerating across the country. In response, Jason Perlow made a strong case last week for what he calls a “Freedom Archive,” a digital repository of banned books. Such an archive is the right antidote to book banning because, he contended, “You can’t burn a digital book.” The trouble is, you can.

A few days ago, Penguin Random House, the publisher of Maus, Art Spiegelman’s Pulitzer Prize-winning graphic novel about the Holocaust, demanded that the Internet Archive remove the book from our lending library. Why? Because, in their words, “consumer interest in ‘Maus’ has soared” as the result of a Tennessee school board’s decision to ban teaching the book. By its own admission, to maximize profits, a Goliath of the publishing industry is forbidding our non-profit library from lending a banned book to our patrons: a real live digital book-burning.

We are the library of last resort, where anyone can get access to books that may be controversial wherever they happen to live — an existing version of Perlow’s proposed “Freedom Archive.” Today, the Internet Archive lends a large selection of other banned books, including Animal FarmWinnie the PoohThe Call of the Wild, and the Junie B. Jones and Goosebumps children’s book series. But all of these books are also in danger of being destroyed.

In the summer of 2020, four of the largest publishers in the U.S. — Penguin Random House among them — sued to force our library to destroy the more than 1.4 million digital books in our collection. In their pending lawsuit, the publishers are using copyright law as a battering ram to assert corporate control over the public good. In this instance, that means destroying freely available books and other materials that people rely on to become productive and discerning participants in the country’s civic, economic, and social life…. 

(2) SUPER BOWL COMMERCIALS WITH A TOUCH OF SFF. Thanks to Cora Buhlert for flagging several of these in a comment yesterday on the “The Lord of the Rings: The Rings of Power – Teaser Trailer” post. Besides the ones I’ve embedded below, there’s a “Planet Fitness – What’s Gotten into Lindsay?” spot with a cameo and narration by William Shatner, and astronaut Matthew McConaughey headlining the “’The New Frontier’ Salesforce Super Bowl Ad” (“while the others look to the metaverse and Mars, lets stay here and restore ours…”).

Enter a new dimension of Strange. Watch the official trailer for Marvel Studios’ Doctor Strange in the Multiverse of Madness. Only in theaters May 6. In Marvel Studios’ “Doctor Strange in the Multiverse of Madness,” the MCU unlocks the Multiverse and pushes its boundaries further than ever before. Journey into the unknown with Doctor Strange, who, with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.

See the all-new Big Game TV Spot for Marvel Studios’ #MoonKnight ?, an Original series streaming March 30, only on Disney+. The story follows Steven Grant, a mild-mannered gift-shop employee, who becomes plagued with blackouts and memories of another life. Steven discovers he has dissociative identity disorder and shares a body with mercenary Marc Spector. As Steven/Marc’s enemies converge upon them, they must navigate their complex identities while thrust into a deadly mystery among the powerful gods of Egypt.

In a competitive home buying market, Barbie was able to find and finance her dream house with some help from Rocket Homes??, Rocket Mortgage® and Anna Kendrick.

Retiring from Mount Olympus to Palm Springs, Zeus is underwhelmed by all earthly electric things and becomes a shell of his former self. But right when we think all hope is lost, his wife, Hera, introduces him to the all-electric BMW iX and helps mighty Zeus reclaim his spark.

(3) THE SIXTIES CONAN REDISCOVERY. At Galactic Journey, Cora Buhlert continues her overview of the Lancer Conan reprints with Conan the Warrior, which includes two of the best Conan stories “and no L. Sprague de Camp mucking about”: “[February 14, 1967] Three Facets of Conan: Conan the Warrior by Robert E. Howard”.

…Valeria is a marvellous character, a warrior woman who is Conan’s equal in many ways. “Why won’t men let me live a man’s life?” Valeria laments at one point. “That’s obvious,” Conan replies with an appreciative look at Valeria’s body. Robert E. Howard is usually considered a writer of masculine fiction and Conan is clearly a man’s man, but I was pleasantly surprised by the variety and competence of the female characters in these stories. Not every women in these stories is as impressive as Valeria or Yasmina from “The People of the Black Circle”, but they are all characters with personalities and lives of their own and every one of them is given a chance to shine….

(4) IT’S TIME FOR TRIVIA. Clarion West’s third annual speculative fiction trivia night fundraiser welcomes anyone to join this celebration of all things speculative. The event takes place March 20 from 5:00 p.m.-7:30 p.m. Pacific. Purchase tickets here – most options are $15.

Quizmaster Seanan McGuire will host us on Sunday, March 20th at 5pm PT for a night of science fiction, fantasy, and horror-themed rivalry. We’re also excited to welcome celebrity team captains Tananarive Due & Steven Barnes, A.T. Greenblatt, Greg & Astrid Bear, Cat Rambo, Andy Duncan, Brooks Peck, Julia Rios, and Curtis C. Chen!

Clarion West began running Speculative Fiction Trivia Night as an in-person fundraiser in 2019. It’s been such a hit that we’ve kept it going online for our global community. We enjoy bringing everyone together for this annual event, keeping it easy to run (with lots of volunteer power), and low cost to join! Ticket sales support Clarion West, the time and efforts of our staff, and our wonderful quizmaster Seanan McGuire!

You can join as an individual and be placed on a team, bring your own team, or join a team led by one of our amazing celebrity team captains (these fill quickly)!

Learn more about Trivia Night, our Celebrity Team Captains, and other details here.

(5) HIDDEN GEMS. G.W. Thomas remembers the adventures of Thula, a little known 1970s sword and sorcery heroine by Pat McIntosh, whose stories only appeared in an obscure British fanzine and Lin Carter’s Year’s Best Fantasy collections: “The Adventures of Thula” at Dark Worlds Quarterly.

 The Adventures of Thula was a series of five Sword & Sorcery tales featured in Lin Carter’s The Year’s Best Fantasy Stories 1-5Pat McIntosh, the Scottish author of these tales, was a mystery to me. Her stories appeared first in John Martin’s British fanzine Anduril but nowhere else. She was an obvious favorite of Lin’s, along with other women writers such as Tanith Lee, C. J. Cherryh and Janet Fox. He called McIntosh “…a new British writer bound to go places in the years to come!”…

(6) NOPE TRAILER. “Jordan Peele’s ‘Nope’ Trailer Sees a UFO Terrorize Keke Palmer, Daniel Kaluuya and Steven Yeun”. Yahoo!’s preview explains, “One day, a UFO appears in the sky, causing all matter of chaos for those at the ranch and its neighboring town. In one eye-catching scene in the trailer, we see Kaluuya on horseback trying to outrun the UFO; in another, a gooey alien creature stalks its prey.”

(7) IVAN REITMAN (1946-2022). A prolific Hollywood producer and director, Ivan Reitman died February 13 at the age of 75. He worked on many famous non-sf films, but the Ghostbusters movies were his best-known. As a producer or executive producer he had a hand in genre films Heavy Metal (1981), Spacehunters: Adventures in the Forbidden Zone (1983), Ghostbusters (1984), Ghostbusters II (1989), and the reboots Ghostbusters (2016) and Ghostbusters: Afterlife (2021), Space Jam (1996), Evolution (2001), A Babysitters Guide to Monster Hunting (2020), and also two animated TV series Mummies Alive (1997) and Alienators: Evolution Continues (2001), plus a recurring segment of the Atom TV series (2008).

The Guardian’s Hadley Freeman found Ivan Reitman impressive: “I finally met Ivan Reitman three months ago – my Hollywood hero was a truly lovely man”.

As the Guardian’s official 80s movies correspondent, I talked to Reitman multiple times over the years, beginning with a phone interview for the last film he directed, 2014’s Draft Day. When I contacted him again a few weeks later to ask if I could interview him for a book I was working on about 80s movies, he immediately agreed, and talked to me for over an hour, reminiscing about films people had been asking him to reminisce about for over 30 years. He never showed boredom or irritation. If I ever needed a quote, or just had a question, I could email him and he’d reply immediately. Does it really need saying that this kind of behaviour from a genuine Hollywood powerhouse is not exactly typical?

(8) MEDIA BIRTHDAY.

1964 [Item by Cat Eldridge] James Elwood: master programmer. In charge of Mark 502-741, commonly known as Agnes, the world’s most advanced electronic computer. Machines are made by men for man’s benefit and progress, but when man ceases to control the products of his ingenuity and imagination, he not only risks losing the benefit, but he takes a long and unpredictable step into… The Twilight Zone.”

Fifty-eight years ago this evening, Twilight Zone’s “From Agnes—With Love” episode first aired. The twentieth episode of Season Five, it tells the rather silly story of a meek computer programmer who has Agnes, the world’s most advanced computer, loving him. And what ends she’ll go to make sure no end else wins his hand. 

It was directed by Richard Donner who went to fame by directing The Omen and the 1978 Superman. It was written by Bernard Cutner Schoenfeld who had done mostly crime noir before this including Phantom Lady and The Dark Lady though he did write the screenplay for The Space Children, a film currently holding a fourteen percent rating among audience reviewers at Rotten Tomatoes. You can see it here.

The cast of this series was: Wally Cox as James Elwood, Sue Randall as Millie, Raymond Bailey as Supervisor,  Ralph Taeger as Walter Holmes, Don Keefer as Fred Danziger, Byron Kane as Assistant  and Nan Peterson as A Secretary. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 14, 1925 J. T. McIntosh. Scottish writer at his best according to Clute in his early work such as World Out of Mind and One in Three Hundred. He’s deeply stocked at the usual suspects at very reasonable rates, indeed most as Meredith Moments. (Died 2008.)
  • Born February 14, 1942 Andrew Robinson, 80. Elim Garak on Deep Space Nine. He wrote a novel based on his character, A Stitch in Time, and a novella, “The Calling,” which can be found in Prophecy and Change, a DS9 anthology edited by Marco Palmieri. Other genre credits include Larry Cotton in Hellraiser, appearing in The Puppet Masters as Hawthorne and playing John F. Kennedy on the The New Twilight Zone.
  • Born February 14, 1948 Teller, 74. Performed on Babylon 5 in the episode scripted by Neil Gaiman titled “Day of The Dead” as part of Penn & Teller who portrayed comedians Rebo and Zooty. It’s one of my favorite episodes of the series. Harlan Ellison provided his voice there. Now available on HBO Max. 
  • Born February 14, 1952 Gwyneth Jones, 70. Interesting person that she is, let’s start with her thoughts on chestnuts she did when she was Winter Queen at Green Man. Just because I can. Now regarding her fiction, I’d strongly recommend her Bold As Love series of a Britain that went to pieces as it now certainly is, and her twenty-year-old Deconstructing the Starships: Science, Fiction and Reality polemic is still worth reading. 
  • Born February 14, 1952 Paula M. Block, 70. Star Trek author and editor; but primarily known for working in Paramount Pictures’ consumer licensing division and then with CBS Consumer Products. Remember that novel I noted by Andrew Robinson? Yeah, that’s her bailiwick. She’s also written with her husband Terry J. Erdmann, Star Trek: Deep Space Nine Companion and Star Trek: Costumes: Five Decades of Fashion from the Final Frontier. It looks like she did some Trek fanfic as well including “The Girl Who Controlled Gene Kelly’s Feet”.
  • Born February 14, 1963 Enrico Colantoni, 59. Any excuse to mention Galaxy Quest I’ll gladly take. He played a delightful Mathesar on that film, and that was his first genre role, lucky bastard. Up next for him was A.I. Artificial Intelligence as The Murderer followed by appearing in the most excellent animated Justice League Dark as the voice of Felix Faust where his fate was very, very bad. He had an amazing role on Person of Interest as Charlie Burton / Carl Elias. Not genre, but his acting as Sgt. Gregory Parker on Flashpointa Canadian police drama television series is worth noting as it that excellent series. 
  • Born February 14, 1964 Zach Galligan, 58. You’ll no doubt recognize him best as Billy Peltzer in Gremlins and Gremlins 2: The New Batch. He did some really forgettable films after that including Waxwork II: Lost in TimeWarlock: The Armageddon and Cyborg 3: The Recycler even if the star of the latter was Malcolm McDowell. He did show on Voyager on as Ensign David Gentry in the “In the Flesh” episode. 
  • Born February 14, 1970 Simon Pegg, 52. Best known for playing Montgomery Scott in the sort of ongoing Star Trek franchise. His first foray into the genre was Shaun of the Dead which he co-wrote and had an acting role in. Late genre roles include Land of the Dead where he’s a Photo Booth Zombie, Diary of the Dead where he has a cameo as a Newsreader, and he portrays Benji Dunn in the ongoing Mission: Impossible franchise.

(10) COMICS SECTION.

  • Bizarro has a cringeworthy joke for the holiday.  [Link worked earlier; right now it appears none of Comics Kingdom’s comics will load for some reason.]

(11) TUBERS IN SPACE. Nerdist gives us fair warning when “Mr. Potato Head Joins STAR WARS with The Yamdalorian Toy”. (See it at Hasbro.com.)

…Bring some space saga to your kid’s toy chest with Hasbro’s newest Star Wars plaything. This intergalactic version of Mr. Potato Head is ready to carry Grogu, in this case known as the Tot, everywhere he goes. Even in his stomach. The Yamdalorian features a 5-and-a-half inch body and comes with 14 parts to make him into the greatest bounty spud in the universe. That includes a Mandalorian helmet, armor, and cape. As well a base with feet, eyes, two arms, two ears, nose, and mustache. And his adopted son can also fit inside his pouch…

(12) FUN FACT. [Item by Sam Long.] I was looking up the word “god” in the Online Etymological Dictionary, and found that it could be derived from the Proto-Indo-European (PIE) word ghu-to, to pour a libation (as of bheer).  Apparently fandom–or at least the fannish “h”–dates back five thousand years or more.

“Bloomin’ idol o’ egoboo,

Wot they call the ghreat ghod Ghu!

(Plucky lot she cared for idols when I gave her some corflu.”

          –On the Road to Fandalay

(13) IMPRISONED ALIENS. Some aliens may never be able to leave their world due to things like high gravity or self-generated orbital debris. Isaac Arthur considers “The Fermi Paradox: Imprisoned Planets”.

(14) VIDEO OF THE DAY. As one commenter calls it, “The all-Boston crossover you never expected, but deserved.” “Your Cousin From Boston (Dynamics)”.

While working security at the Boston Dynamics robotics lab, Your Cousin From Boston gives a robot a Sam Adams. At least he brought a Wicked IPA Party Pack to share!

[Thanks to JJ, John King Tarpinian, Andrew Porter, Cora Buhlert, Bill, Sam Long, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kevin Harkness.]

56 thoughts on “Pixel Scroll 2/14/22 Our Files Are Protected By Mutual Assured Pixellation

  1. @Paul King,

    the “lending limits for libraries” on digital copies is entirely artificial and created by publishers, since they can no longer rely on the decay of a physical book to force libraries to buy certain books again.

    There is nothing in copyright itself that suggests that a legally acquired copy in some way must deteriorate or must be time-limited to require replacement, or must not be lent to someone else more than a certain number of times.

  2. @Christian Brunschen–In the US, the Digital Millennium Copyright Act (DMCA) makes it illegal to defeat DRM used by the publisher, even for otherwise clear “fair use” purposes. I can rage on as much as I, or you, or Xtifr like, about how wrong and outrageous this is, but it is, unfortunately, the law.

    Xtifr–

    Librarians are generally sympathetic to the woes of publishers, since they depend on publishers.

    You know absolutely fucking nothing about librarians’ values, professional standards, and general or individual viewpoints.

    We have to deal with publishers, and some of what they do is absolutely enraging. Including artificially low limits on the number of times a digital item can circulate based on an insanely low estimate of how many times a print item will circulate before, as the publishers fondly imagine, disintegrating into dust. And as Christian said, there’s no reason, objectively or in the law outside of the DMCA, for a limit on the number of times a digital item can circulate.

    But.

    Controlled Digital Lending isn’t intended to allow turning a readily available print item into a digital item, for the purpose of having a digital item that you can then lend without the limitations of the publisher’s terms and DMCA. It’s intended to ensure that rare and/or fragile items remain accessible.

    The DMCA should be changed; parts of it should be repealed. Publishers should be made to stop this shit of limiting digital circulation based on the fantastical notion that physical books fall apart after 26 or 52 checkouts.

    But pretending that Maus is about to disappear from availability if the Internet Archive doesn’t make its own digital copies to evade the rights of the publisher and the author, who is a real, living, human writer, is not reasonable, not ethical, and not a useful blow struck in that battle.

    And the IA is run by librarians, even if they’re somewhat radical and idealistic ones.

    What they did with the “National Emergency Library,” “lending” unlimited numbers of digital copies of books without any concern for the number of print copies they had, was not “idealistic.” It was straight up theft of intellectual property from authors for whom the pittance they get in royalties is really important. The Internet Archive talks about publishers in this, because that lets them present themselves as Robin Hood, but the living authors they’re stealing from are not the Sheriff of Nottingham, or Prince John. Most of them are the hardworking peasants. And if Art Spiegelman is a wealthy master craftsman rather than a poor peasant, he still worked very hard to get there, and doesn’t deserve to be stolen from.

  3. @Lis Carey

    What they did with the “National Emergency Library,” “lending” unlimited numbers of digital copies of books without any concern for the number of print copies they had, was not “idealistic.”

    That is a strong argument against the National Emergency Library, a program the IA used for a few months in 2020, and since ceased.
    It is not an argument against Controlled Digital Lending.

  4. @Christian Brunschen

    I understand that the limit is artificial. That doesn’t really change the fact that the “format shifting” argument doesn’t work. Indeed, I might equally well argue that copyright does give the publishers the right to determine the terms and conditions on which they sell to libraries. Which seems rather more to the point. (Personally I think that a royalty system with a small payment for each loan might be better, but that’s not where we are).

    Now I’ll agree that the copyright system is a bit of a mess, but it seems to me that piecemeal tinkering – this is legal, therefore that should be legal, this is artificial so it shouldn’t be legal – isn’t likely to change that. If anything it seems likely to make a bigger mess.

  5. @bill–You are once again being dishonest about what others have said. It’s tiresome.

    I haven’t been arguing against Controlled Digital Lending. You know that. I’m arguing against the Internet Archive’s dishonest and unethical exploit of it.

    I was clear and explicit about it.

    CDL is intended to keep rare and/or fragile works available. It’s not intended as a means to prevent author and publisher from benefitting from an upsurge in demand.

    Also, weren’t you arguing that Maus hasn’t been banned in McMinn County, TN, and therefore there’s no obstacle to anyone getting it easily?

    And of course, there’s the other thing you want to ignore–the “National Emergency Library,” which you now seem to concede was a serious violation, isn’t an unrelated irrelevance. It’s a major reason for both authors and publishers to trust the intentions and future behavior of the Internet Archive with respect to the authors’ intellectual property.

  6. @Lis Carey

    I haven’t been arguing against Controlled Digital Lending.

    Every time I’ve seen you post about CDL, it’s in a negative context. I don’t believe I’ve ever seen you say you approve of the concept. If you have, I’ve missed it, and I retract any implication you are against CDL.

    CDL is intended to keep rare and/or fragile works available.

    That’s your interpretation. It is not the position of a large number of libraries and librarians who’ve signed a Position Statement on CDL. They see CDL as an alternative to physical lending; nothing more, nothing less. The do not suggest that it only be used as an alternative to physical lending of rare or fragile works.

    the “National Emergency Library,” which you now seem to concede was a serious violation,

    I have, since the very first mention of the National Emergency Library on File770, been aware that it goes beyond CDL and the arguments that justify it. (“I think, though, that they are on thin ice . . .”). So don’t suggest that I’m only now coming around. It’s tiresome when you are dishonest about what others have said.

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