(1) WHAT MONEY CAN’T BUY. ALLEGEDLY. “’Batman Is Ours Alone to Exploit.’ DC Comics Warns Against Using Its Characters in NFTs” – Yahoo! Finance has the story. (Does that headline remind you of “All These Worlds Are Yours, Except Europa. Attempt No Landing There” – or is it just me?)
Publisher DC Comics, a subsidiary of Warner Bros, itself a unit of Time Warner, is unhappy with artists using its intellectual property (IP) in the form of non-fungible tokens (NFTs) and said it has its own plans for characters.
In a letter sent to freelancers employed by the firm Thursday, Jay Kogan, DC Comics’ senior VP of legal affairs, stressed it is against company policy to sell digital images featuring DC’s IP with or without NFTs.
… Recently NFTs have become a craze with millions of dollars being spent on rare or desirable digital artworks. On Thursday, a piece of digital artwork or NFT by crypto artist Beeple was sold for a record $69.3 million by the auction house Christie’s….
What is a non-fungible token? Wikipedia says:
A Non-Fungible Token (NFT) is a digital file whose unique identity and ownership are verified on a blockchain (a digital ledger). NFTs are not mutually interchangeable (see fungibility). NFTs to things such as a digital artwork are commonly auctioned at online NFT marketplaces. The token can be bought with cryptocurrency and resold.
NFTs are used to commodify digital things, such as digital art, video game items, and music files. Access to any copy of the original file, however, is not restricted to the owner of the token.
(2) WHO STARTED THIS SUBGENRE ANYWAY? Jeff Somers goes looking for “The Untold Truth Of The Origins Of Cyberpunk” at Grunge. (Even if you lived this history, a refresher course might be helpful just the same.)
These days, the word cyberpunk conjures up images of Keanu Reeves and, per Gizmodo, terribly, horribly broken video games.
Cyberpunk, a sub-genre of science fiction that explores a counter-cultural and anti-authoritarian worldview through the lens of a dystopian, technologically-advanced, and dehumanized future, has proved to be prescient. No other genre of speculative fiction has remained as relevant and useful over the course of decades. Cyberpunk stories are as powerful as ever, and examples dating back decades remain evergreen in a way that most sci-fi can’t manage….
…In the early 1980s, two short stories clarified the fact that this wasn’t just a loose collection of themes and tropes, but rather a distinct sub-genre of science fiction. As noted by The Verge, the first was “Burning Chrome” by William Gibson, published in 1982. Not only did this story literally introduce the word “cyberspace” to our vocabulary, it’s often identified as the first true example of cyberpunk. It tells the story of two hackers who use sophisticated software to steal a criminal’s fortune, only to be left bereft and heartbroken.
The word “cyberpunk” didn’t exist yet, however. As reported by the Encyclopedia Britannica, that happened when Bruce Bethke published a short story in 1982 that (per Infinityplus) was literally titled “Cyberpunk.” According to Neon Dystopia, Bethke purposefully invented the word to describe a future generation that would combine the nihilism and violence of angry teenagers with technical proficiency….
(3) FANHISTORY ONLINE. Joe Siclari provides a roundup of the incredible number of recent additions to The Fanac Fan History Project website in Fanac Newsletter 15 [PDF file]. A big part of their work is scanning fanzines and securing permission to host them online.
…The reason for digitally archiving fanzines is to make them accessible to fans everywhere. When someone hears how wonderful a storied fanzine like Quandry or The Acolyte was, they can use the archive to read the issues instead of just wonder what they were like. Originally, in the 1990s, we started retyping issues (and hey, thanks Judy Bemis!). In the 2000s we started putting up JPGs of each page, so readers could just click their way through. Now, we’re putting up searchable PDFs. One of our projects is to replace those fanzines that were accessible in typed or JPG form with searchable PDFs. Since the last newsletter, we have replaced our complete runs of the following titles with searchable PDFs: Aporrheta (H. P. Sanderson), Bane (Vic Ryan), Double Bill (Bill Bowers and Bill Mallardi), Fanscient (Donald Day), Fantastic Worlds (Edward Ludwig and Sam Sackett), Granfalloon (Linda Bushyager), Hyphen (Walt Willis and Chuck Harris), Innuendo (Terry Carr), Mota (Terry Hughes), Slant (Walter A. Willis), Stellar (Ted White and Larry Stark), Toto (Walt Willis et al), and Void (Jim and Greg Benford, Ted White). We’ve also replaced all the issues we have of: Cry of the Nameless (134 issues, F. M. Busby, Wally Weber, et al), Outworlds (70 issues, Bill Bowers, except for a one page flyer), and Spanish Inquisition (8 issues, Jerry Kaufman and Suzle Tompkins).
The latest newsletter includes two short and rather interesting articles about applying genealogical research to answer fanhistorical questions.
- “Other people’s genealogy” by Leah Zeldes
…Transferring the list of names, I realized at least a third of the pre-reg members of Chicon, the 1940 Worldcon, were fictitious — alter egos of some of the others. Forry Ackerman accounts for at least seven of them…
- “Using Genealogical Records to Find More Information on (Mostly Dead) Fans” by Laurie Mann
… Recently, I’ve started to give Mark Olson & Leah [Zeldes] Smith a hand with research for Fancyclopedia 3. We were trying to straighten out how some attendees of the 1939 Worldcon, Nycon 1, were related. There were a few attendees with the same last name (https://fancyclopedia.org/Nycon_1_Membership_List). Were they related? Multiple Nycon 1 registrants had last names like Alberti, Racic, Sykora, & Unger. I searched in the 1930 census through ancestry.com to see what I could find….
(4) DRACULA HAS QUESTIONS. In the Washington Post, Alexandra Petri says Dracula has been a good citizen and has been hiding in his castle, but now that the vaccine is coming, he wants to know if the vaccine has garlic in it and if he flies around as a bat during the day, does he have to wear a mask? “I have not left my castle in ages, and I have some questions about post-vaccine guidelines”.
…Yes, CDC, I have been living in seclusion for some time, unable to go out and about and enjoy all the delicacies of taste that I would wish. So my questions for you are legion. First: Should I get the vaccine? The only doctor I know, Van Helsing, counseled strongly against my receiving the vaccine at all, but in the past he has tried to stab me through the heart with a sharpened wooden stake, and I fear he does not have my best interests in mind….
(5) HE DID THE MASH. “Hergé’s heirs sue artist over his Tintin/Edward Hopper mashups” – The Guardian has the story.
A French artist who imagines romantic adventures for the boy adventurer Tintin in the landscapes of Edward Hopper has been sued by the Tintin creator Hergé’s heirs, who said it was not funny to take advantage of Tintin by putting him in an erotic universe, especially as Hergé had chosen not to caricature women.
In Breton artist Xavier Marabout’s Hergé-Hopper mashupsTintin is variously painted into Hopper’s Road and Houses, scratching his head as he greets a woman in a car; looking disgruntled in a version of Hopper’s Cape Cod Evening, 1939; and kissing a girl in a car, in a spin on Hopper’s Queensborough Bridge, 1913. On his website, Marabout describes his work as “strip art”, in which he “strips distant artistic universes to merge them together” in a style where “parody [is] omnipresent”….
(6) CROWN RESTORED. “’Avatar’ once again highest-grossing film of all time at the box office” — CNBC explains how the 2009 movie regained the record.
…Over the weekend, James Cameron’s sci-fi epic was rereleased in China and garnered enough in ticket sales to overtake “Avengers: Endgame” for the record.
“Avatar” first became the top-selling global release of all time in 2010 when it usurped Cameron’s “Titanic.” In 2019, “Avengers: Endgame” won the title with a $2.797 billion box office haul.
As of Saturday, “Avatar’s” box office gross surpassed $2.802 billion, allowing it to earn back its crown…
(7) CAT WITH NO HAT. “Sam and Bucky Debate If Doctor Strange Is a Wizard in Comedic Sneak Peek” at Yahoo! Entertainment.
…In the wake of the events of Avengers: Endgame, Sam and Bucky will team up for “a global adventure that tests their abilities — and their patience.” The six-episode spinoff is set to be a “cinematic experience” in which the pair navigate a world post-Steve Rogers’ Captain America. Expect plenty of action and more pop culture references.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
- Born March 13, 1855 – Percival Lowell. Founder of the Lowell Observatory. Three books he meant as nonfiction, Mars, Mars and Its Canals, Mars as the Abode of Life; posthumously published poem “The Canals of Mars”. Honorary degrees from Amherst and from Clark. Prix Jules Janssen. Traveled in and wrote about Japan and Korea. Better data later showed his astronomical life-work was mistaken, but let us not minimize him. (Died 1916) [JH]
- Born March 13, 1911 – L. Ron Hubbard. Never aspiring to great literature, he may have achieved it with Fear; he sought to be, and was, a first-rate yarn-spinner; his stories sold, among us and in Westerns, aviation, travel, romance. So fluent he used many pseudonyms. I’ve always liked the Ole Doc Methuselah stories, comedy on the science fiction – fantasy border; look for the Edd Cartier illustrations. H toward the end of his life turned out another dozen novels in the old pulp style. Battlefield Earth, the first of them, has a hero who loves his horse more than his girl; when he’s beaten the evil aliens, we get to wonder who was behind them, which proves to be interstellar bankers – sharkmen. (Died 1986) [JH]
- Born March 13, 1928 — Douglas Rain. Though most of his work was as a stage actor, he was the voice of the HAL 9000 for 2001: A Space Odyssey and its sequel. He’s in Sleeper a few years later as the voices of the Evil Computer and Various Robot Butlers. (Died 2018.) (CE)
- Born March 13, 1932 — Richard Lawrence Purtill, He’s here because EoSF lists him as the author of Murdercon, a 1982 novel where a murder is discovered at a SF Convention. I’ve not heard of it but was wondering if y’all had heard of this work. (Died 2016.) (CE)
- Born March 13, 1933 – Diane Dillon, age 83. Widow of Leo Dillon; they worked together so intimately they sometimes said their graphic art was by a third person made of them both; anyway among our very best, likewise outside our field. A hundred sixty covers, two hundred twenty interiors for us. No. 10 here has my note on LD. More? certainly: here is Mother Goose, Numbers on the Loose; here is Le Morte d’Arthur; here is To Every Thing There Is a Season; here is The People Could Fly; here here is 20,000 Leagues Under the Sea. [JH]
- Born March 13, 1934 – Barry Hughart. Lovable for Bridge of Birds (World Fantasy Award, Mythopoeic Award) and two sequels, set in “an Ancient China that never was”, or as one of us said, “filled with Chinese legend, mostly invented by the author…. [its] verisimilitude demonstrates the care with which Hughart studied actual Chinese folklore and history”, hello Steven. Also worked on eight movies (will films pass out of use, or continue like hang up the telephone?). So far this Website can still be viewed. (Died 2019) [JH]
- Born March 13, 1944 – Bonnie Dalzell, age 77. Four covers, thirty interiors. Here is the Apr 76 Magazine of Fantasy & Science Fiction. Here is the May 77 Galaxy. Here is a Pierson’s Puppeteer; here is a bandersnatch. Official Artist at Boskone 12. Contributor to Mythologies. [JH]
- Born March 13, 1950 — William H. Macy Jr., 71. I’ll start his Birthday note by noting that he was in the superb Pleasantville as George Parker. He’s shown up in a lot of genre works including but limited to Somewhere in Time, Evolver, The Secret of NIMH 2: Timmy to the Rescue, The Night of the Headless Horseman, Jurassic Park III, Sahara and The Tale of Despereaux. (CE)
- Born March 13, 1956 — Dana Delany, 65. I’ve come today to praise her work as a voice actress. She was in a number of DCU animated films, first as Andrea Beaumont in Batman: The Mask of The Phantasm, then as Lois Lane in Superman: The Animated Series, Superman: Brainiac Attacks and Justice League: The Flashpoint Paradox. (That’s not a complete listing.) Remember that Wing Commander film? Well there was an animated series, Wing Commander Academy, in which she was Gwen Archer Bowman. And though definitely not genre or even genre related, i must single out her role in Tombstone. (CE)
- Born March 13, 1959 – Steve Davies, age 62. Chaired Eastercon 50. Member, RSFG (Reading SF Group, i.e. of Berkshire, England; it ‘has a proud tradition of not organising things’). Chaired Birmingham Univ. SF Soc. Active in the PLOKTA (Press Lots Of Keys To Abort, ‘the journal of superfluous technology’) Cabal, thus part of two Nova awards and a Hugo for Best Fanzine. Composes filksongs (linking to Fancyclopedia III although I still think the Wikipedia article with E. Bull and P. Nielsen Hayden is swell). [JH]
- Born March 13, 1966 — Alastair Reynolds, 55. As depressing as they are given what they lead up to, The Prefect Dreyfus novels are my favorite novels by him. That said, Chasm City is fascinating. The only ones by him that I absolutely failed to have any enthusiasm for is his Revenger Universe series which leaves me cold. His next novel in the Revelation Space series, Inhibitor Phase, is out this July. (CE)
- Born March 13, 1967 — Lou Anders, 54. A Hugo-winning editor. He’s has been editorial director of Prometheus Books’ SF imprint Pyr since its launch fifteen years ago. He’s a crack editor of anthologies. I’ve very fond of his Live Without a Net, Sideways in Time and FutureShocks anthologies. I note that he has a fantasy trilogy, Thrones and Bones, but I’ve not heard of it til now. (CE)
- Born March 13, 1986 – Ashley Christman, age 35. Three novels. “Grace Caldwell [is] so intimately connected with death that it frightens her…. Vampires are afraid of her and the Sidhe are confused by her…. her ex-boyfriend, FBI agent Jack Montgomery, blackmails her into helping him solve [omitted – JH].
(9) START THE PRESSES! “Marvel is going back to print on comics that sold out thanks to WandaVision craze” reports Yahoo! (In a way, Gene Wolfe would be shocked. He used to say – sarcastically – that the difference between a professional publisher and a fanzine editor is that if a faned sells out his zine he’ll print more.)
Never doubt Wanda Maximoff’s power to change reality. Her starring role in the Disney+ series WandaVision didn’t just dominate pop culture discourse for the past few months, it also has created a huge run on many of the most relevant Marvel comics featuring Scarlet Witch and the Vision.
EW has confirmed that Marvel has been going back to press for new print runs of Vision by Tom King and Gabriel Hernandez Walta, Scarlet Witch by James Robinson and various artists, and Vision and Scarlet Witch by Steve Englehart and artists like Don Heck and Bill Mantlo, among other comics. House of M, the 2005 event series in which Wanda changed the entire reality of the Marvel Universe to one where her adoptive father Magneto ruled over mankind, had its print stock depleted “almost overnight” in the wake of WandaVision‘s premiere.
(10) SECRET IDENTITIES. “This Jewish female artist from the comic book golden age was overlooked for decades” at Jewish Telegraphic Agency.
Like the comic superheroes they invented, the Jewish creators of the characters often had secret identities – at least different names. Superman creators Joe Shuster and Jerome Siegel used the pseudonyms Joe Carter and Jerry Ess. Bob Kane, born Robert Kahn, created Batman. Jack Kirby, the pen name of Jacob Kurtzenberg, concocted Captain America.
Although lesser known, the comic book heroine Señorita Rio was Hollywood starlet Rita Farrar by day and Nazi-fighting secret agent by night. The artist who drew Rio’s action-packed panels in the 1940s, and signed as L. Renee, lived a sort of double life, too.
“Everybody assumed I was a man,” artist Lily Renee Phillips has said of the fan mail she received at the time, which was always addressed to “Mr. Renee.” Fans knew neither Renee’s gender nor her incredible origin story, which rivaled the plotline of Señorita Rio.
In the New York offices of Fiction House, the comic book publishing firm where Renee worked, she was a scrappy immigrant who worked her way up from erasing pencil marks to drafting her own heroines. Outside work she was a Vienna-born Holocaust survivor who fled Austria after the 1938 Anschluss, the Nazi annexation of Austria. She escaped to England on a Kindertransport and reunited with her parents in New York in 1940….
(11) WORLDBUILDING IS CHARACTER BUILDING. In “The Mystery Is The Human Psyche: On Shakespeare, Crime, and Human Motivation” on CrimeReads, E.J. Beaton discusses how she studied Shakespeare’s use of psychology in her DAW fantasy novel The Councillor.
…If Julius Caesar were simply a retelling of political events, it wouldn’t be so compelling. The real drama lies not in how the assassination is arranged, but in why the main characters commit their crimes. Both Cassius and Brutus have feelings about Caesar as a person, and both have ideas about power and justice. One man prioritizes his envy, and the other lets his ideals override his friendship: that is where the humanity lies. We all choose between emotion and logic in our daily lives, and even high-ranking politicians question their loyalty to their leaders, oscillating between personal values and collective order….
Another dimension of Beaton’s novel is discussed in “My Favorite Bit: E.J. Beaton Talks About THE COUNCILLOR” at Mary Robinette Kowal’s blog.
…While I worked on my debut novel The Councillor, I realised that I wanted my main character, Lysande, to live in a world where being bisexual is normal. Because The Councillor is a fantasy novel, I had the chance to create a world where Lysande’s sexuality is not only accepted, but utterly unremarkable. She has a parcel of secrets to conceal, but in the realm of Elira, where the story is set, her sexuality isn’t one of those. I tried to people the story with other queer characters, and to include casual references to same-sex couples, too.
By the time I finished the novel, a word for these kinds of societies was floating around fantasy book spaces – “queernorm.” The power of that word rings in its very sound. Queerness is, by definition, strangeness, and in most societies, queer people are positioned as other to the cultural norm of straightness. So for queer to be norm sounds like a revolution. It feels like a sudden leap into full sun, hart-swift, with no going back.
(12) BE CAREFUL OUT THERE. CrimeRead’s Cynthia Pelayo says “Fairy Tales Are Dark For a Reason—They’re Trying to Warn Us About Danger”.
…It’s thought that the brothers [Grimm] kept much of the grim and gore, even heightening it a bit, because it stoked reader’s interests. Murder and mayhem sells. It’s also thought then that situations like mentions of pre-marital sex, like in Rapunzel, where her young suitor climbs into her tower, was omitted—or quickly glossed over.
So why did the brothers leave in so much terror, and I suppose why did Walt Disney find these tales suitable to adapt into childhood fantasy? Perhaps the horrible things were left in as a warning. That is all that most of us can assume right now, because in many fairy tales it is clear to interpret who is the protagonist and who is the villain. The lines are usually clearly drawn between good and evil, and in fairy tales, very often that evil is by chance—just like in life.
(13) VIDEO OF THE DAY. “System Error” from DUST.
George works at a convenience store, desperately hoping for a friend. But George is a robotic service unit, and robotic service units do not have friends. Not yet, anyway.
[Thanks to Mike Kennedy, Andrew Porter, JJ, Michael Toman, Martin Morse Wooster, John King Tarpinian, Cat Eldridge, and John Hertz for some of these stories. Title credit goes to File 770 contributing editors of the day Bill and Andrew (not Werdna).]
(8) I actually believe that L. Ron Hubbard’s Battlefield Earth could have been a fairly good novel if not for the massive amounts of bloat. It certainly had some interesting characters.
(8) It’s no longer online directly, but there is a brief interview with Barry Hughart from 2000 on the Wayback Machine.
8) The Western occult side of LRH was also particularly interesting. He was in contact with Aleister Crowley and engaged in rather outre rituals with Jet Propulsion Lab founder and occult compadre Jack Parsons.
The best place to learn about this side of LRH is in one of the Jack Parsons biographies. I haven’t read them but this biography seems promising:
I thought this episode of Dust was one of the better ones. I’d like to see more of Matt Vesely’s work.
I did read the Parsons biography linked above, when it came out more than 10 years ago. Pretty sure Heinlein turned up in it, along with Hubbard, et al. It’s one of the most entertaining biographies I’ve ever read, and I should see whether my local library has it.
Fifth again? I wasn’t even trying…
8) Thankee, JH: among the Wikipedia editors who’ve worked on the article “Filk music” are Bill Roper, Steve Silver, Laura Quilter and YHOS.
Are we trying to rehabilitate Hubbard here? Because I’m afraid that notion gets a big fat “NOPE!” from me! I’ve known too many victims of his scams. And honestly, while I’ve only read a little of his SF, I haven’t encountered any that would make me want to seek out more, even if he’d been a decent human being instead of a vile parasite on the hindquarters of society! As it is, I’m afraid y’all don’t have enough money to get me to try more! 🙂
(As for western occultism, there were far more interesting people involved with that–not least, the fascinating Mr. Parsons himself.)
I haven’t read Strange Angel (the Amazon link above). I did read Sex and Rockets: The Occult World of Jack Parsons by John Carter. I thought it was a good, well-researched biography. The short version is that Parsons was remarkably successful as a rocket scientist early on, he was a failure as an occultist, and LRH was the worst friend you could possibly have.
I’ve read quite a bit of Hubbard as part of my ongoing project to read all of Unknown, and I’m happy saying that, as a writer, he’s a cynical, lazy hack whose only virtue is the ability to deliver copy on time. Most of his stories are padded out to hell, and depend on stereotyped characters and stock plot formulas. To be fair, “Fear” represents an honest effort to break out of the formulas and do something different – it’s probably the best thing Hubbard wrote (certainly the best thing I’ve read of his), but even so, it’s not all that good.
I’ve watched the first few episodes of the TV adaptation of Strange Angel. I found them disappointingly light on both rocketry and mysticism, and declined to continue.
Thanks for pointing this out. Interesting stuff indeed.
Thanks for half a title credit.
(8) Alastair Reynolds is younger than me? Hunh.
1) WHAT MONEY CAN’T BUY. ALLEGEDLY.
Time Warner ceased to exist nearly three years ago when they sold Time Magazine off. It’s Warner Media now. I’d hope a business reporter would keep up to date on the changes in the telecommunications industry.
1) NFTs have exploded over the last week or so and I still do not get the point, at least for art. You have no guarantee that whoever put the original thing in the blockchain is the legit owner, and digital media is still copyable, so you can still get a copy of Thing even if it’s not the only copy. I saw someone suggest that perhaps it’s a money-laundering scheme. (Which garnered the response “Well, all of high-end art collecting is a money-laundering scheme” and now I want to know about that…)
2) Awfully fussed about three megabytes of stolen RAM, though.
@Andrew (not Werdna)
Likewise, thanks (but @AnW deserves much more than half credit. He was the one clever enough to make a title of it.)
(8) March 13th is also the birthday of W. O. Mitchell (b. 1914) who wrote The Black Bonspiel of Wullie MacCrimmon, one of the few Faustian dramas involving curling.
Also Al Jaffee of Mad Magazine fame turns 100. According to Guinness, Jaffee holds the record for longest career as a comics artist.
I reread the first two Master Li books at the start of the pandemic (so about a year ago) and I have to admit I grow a little uneasy reading them. I still like the characters just fine, but I’m happier if I remind myself they’re set in some China-like country.
Snappy scroll wraps for stupid pixels
Down slupps the Pixel-ma-Phone to your ear and the old Scroller’s pixels are not very clear, since they have to come down through a snergelly hose, and he sounds as if he had smallish bees up his nose.
Finally managing to read to the end and click the box…
5) Herge chose not to caricature women? What the heck is Bianca Castafiore then?
For the record, I am totally uninterested in rehabilitating Hubbard and anything I have read by him (especially the OT VIII documents) were absolutely abysmal. i just figured that we all knew about the elephant in the room.
(1) I recently saw a tweet, that these things make it easy to steal art – there is even a bot that allows you to target specific tweets -then you can put the tweets (and the art on them) on your coins. No, I dont know how that works either, but it is a try to cirvumvent copyright laws – at least until that loophole is closed.
Anthony Boucher’s Rocket to the Morgue gives us a look at Hubbard et al in the pre-WWII era, once you’ve decoded the references: “L. Ron Hubbard is D. Vance Wimpole, a garrulous charmer of dubious integrity.” ( https://www.heinleinsociety.org/2004/03/murder-suspect/ )
Heinlein’s character is pretty obvious, to fans. (I haven’t read that one in a long time. I’d have to find the box it’s in, though.)
(4) you know, I think that op-ed piece was meant to be funny. Huh.
Bianca Castafiore is definitely a caricature.
Also, the lack of female characters and general sexlessness of Belgian comics well into the 1960s was due to the strict censorship laws in overwhelminglöy Catholic Belgium. The two big Belgian comic magazines Spirou and Tintin were classified as children’s magazines, even though a lot of adults read them, too. Therefore, not even a hint of anything sexual was allowed. As a result, the comics often had hardly any female characters at all and the female characters that existed were desexualised. Hence, you get Wiske/Bobette, a pre-teen girl, and Aunt Sidonie and Bianca Castafiore, two older and usually annoying women. In 1965, Smurfette joined the boy’s club and she was initially evil.
Things changed a bit when a third big comics magazine started up with Pilote in 1959. Pilote was published in France, where rules were more relaxed, but sold in Belgium as well (France, Belgium and the Netherlands read the same comics due to Belgium’s bilingual status). The strict censorship rules were relaxed sometimes in the late 1960s or early 1970s and suddenly there were several Belgian comics with female protagonists and also hints of romance, e.g. Yoko Tsuno, Aria, Natasha, Comanche, Franka (who’s actually Dutch), etc…
So in short, Tintin was denied romantic entanglements by the law of the land. But the famously litigatious Hergé estate will sue at the drop of a hat.
Btw, I love this scroll’s title, although it’s Greek to me…
The word cyberpunk may have been coined by Gibson, but back in the day he and guys like Bruce Sterling all agreed that “City Come A-Walkin'” by John Shirley (published June 1980) was the origin of the genre.
I would not have thought that this might come in handy here, but for genealogical stuff, I use Wikitree and FamilySearch. Both are free. FamilySearch is maintained by the LDS and references a veritable treasure trove of historical records and databases.
We adore chaos because we love to produce order. – M.C. Escher
@Daniel Dern: Glad you liked it.
@Dan Steffen: Budrys’ Michelmas and Brunner’s Shockwave Rider are notable cyberpunk precursors.
Andrew (not Werdna) on March 15, 2021 at 11:19 am said:
Other works that are often suggested include Delany’s Nova and Bester’s The Stars My Destination.
OTOH, I’m reminded of a panel on cyberpunk I saw in the eighties which included some young folk and some older ones, and basically, the only thing the panel could find to agree on was that Gibson is a helluva writer! So, as the old saying goes, yer mileage may vary. 🙂
In fact the very first use of the word ‘cyberpunk’ was the title of a story by Bruce Bethke in (if memory serves) Asimov’s. It was kinda tangential to the actual development of the genre, to be sure.
I read M Hohn Harrison’s The Centauri Device recently and it seemed to me to be a cyberpunk precursor.
(8) Since nobody’s pointed it out yet, Richard Purtill is, unhappily, still dead. You did fix this last year, but somehow the wrong version was posted again this year.
As several of us commented last year, the notice omits mention of his professional scholarly work and his well-regarded fantasy novels and his critical books on Tolkien and Lewis.