(1) BSFA AWARDS NEWS. The British Science Fiction Association released the “BSFA Awards 2024 Shortlist” today.

Congratulations to Chris M. Barkley and Jason Sanford for their article being among the finalists: “The 2023 Hugo Awards: A Report on Censorship and Exclusion” – which was simultaneously published by File 770 and Genre Grapevine, and so it would have been nicer if the BSFA announcement hadn’t failed to name File 770.

(2) ACE EDDIE AWARDS. The American Cinema Editors (ACE) announced the “ACE Eddie Winners” on March 15.  The awards recognize outstanding editing in 14 categories of film, television and documentaries. The complete list is at the link. The winners of genre interest are:

BEST EDITED FEATURE FILM (COMEDY, THEATRICAL)

Wicked
Myron Kerstein, ACE

BEST EDITED ANIMATED FEATURE FILM

The Wild Robot
Mary Blee

BEST EDITED SINGLE CAMERA COMEDY SERIES

What We Do in the Shadows (603 – Sleep Hypnosis)
Liza Cardinale, ACE
Dane McMaster, ACE

BEST EDITED ANIMATED SERIES:

X-Men ’97 (105 – Remember It)
Michelle McMillan

Also recognized were filmmaker Jon M. Chu who received the ACE Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Film editors Maysie Hoy, ACE and Paul Hirsch, ACE received Career Achievement Awards for their outstanding contributions to film editing.

(3) THIS CHARACTER WAS DEMANDED BY THE TIMES. So argues R.P. O’Donnell: “Sherlock Holmes in the World” at CrimeReads.

…To Victorian Londoners, crime was terrifying and out of control. Penny Dreadfuls, cheap pamphlets blending the lurid and the sensationalist, contributed to the feeling that violent crime was lurking behind every street corner, waiting to spring out of every shadow with a knife drawn and ready to kill. 

Jack the Ripper, with the entire city at his heels, murdered and mutilated his way through the streets of London — preying on the same underworld he seemed to spring out of. And then, suddenly and without resolution, he disappeared, and slipped back into the shadows. Ready to spring out again, at any moment. A knife held against the entire city.

And then, out of these same shadows, stepped a hero. A man of science, who brought order to a dangerous world in the throes of calamitous change. A man who obeyed only a strict moral code, rather than the letter of an unjust law. A man who not only did not obey the class structure, but openly flaunted it — in his very first adventure, he reproached a King for saying a lower-class woman was not on his level. This was a man who would help anyone in need — as long as the case was interesting enough. He had no interest in money or class; he was as happy with a king’s simple portrait as he was with the proverbial king’s ransom. He was a man who didn’t just protect the city, but even adapted some of its worst bits, such as the young and ruthless pickpockets, to help him in his quest.

That man was, of course, Sherlock Holmes. And it’s no wonder he became a sensation when he first appeared in the Strand Magazine in 1891 — emerging into the city and wider society that he did.

(Author’s note: I’m setting aside the first novels for a few reasons. But in any case, it was the Adventures that exploded in popularity, and would’ve been most readers’ first introduction to Sherlock.)…

(4) WON’T BE IN SEATTLE. Count Australian sff author Jeremy Szal among those who are checking out of attending the Seattle Worldcon.

(5) BLACK MIRROR TRAILER. “’Black Mirror’ season 7 trailer previews epic ‘USS Callister’ sequel”. Entertainment Weekly sets the frame.

The AI apocalypse is primed for an explosive launch in the Black Mirror season 7 trailer, which previews a bloody, bombastic batch of six new episodes — including the return of Cristin Milioti (The Penguin) in a sequel to 2017’s epic “USS Callister” episode.

Netflix revealed Thursday the first preview of Charlie Brooker’s beloved sci-fi anthology, which welcomes a wealth of stars to its seventh season, including Issa Rae, Tracee Ellis Ross, Awkwafina, Rashida Jones, Chris O’Dowd, Emma Corrin, Oscar-nominated actor Paul Giamatti, and Will Poulter (reprising the role of Colin Ritman from 2018’s interactive Bandersnatch movie).

In addition to teasing Milioti’s return alongside fellow “USS Callister” stars Jimmi Simpson, Paul G. Raymond, Milanka Brooks, Osy Ikhile, and Billy Magnussen, the Black Mirror season 7 trailer gives us a glimpse at a few of the new installment’s harrowing episodes….

(6) THE ELECTRIC STATE, THEIR LATEST DUD. [Item by Steven French.] A Guardian writer asks, “Why are the most expensive Netflix movies also the worst?”

Here’s the answer:

Blockbusters … have always been deceptively difficult to replicate; on some level, most of them seek some kind of overwhelming sensation, whether it’s thrills, big laughs, melodrama, spectacular visuals or some combination; these things can be faked or strung along (plenty of middling mega-movies have been big hits), but the presentation is part of that fakery, which in turn can be part of the fun. A well-crafted one can sweep you up in the moment even if what they’re doing isn’t all that clever or insightful and leaves you with empty calories; JJ Abrams owes his whole career to this phenomenon. The Netflix auteur movies, meanwhile, are made with the confidence that they will transcend their humble smaller screens (or maybe the serene knowledge that at least they’ll be shown at a lot of festivals before they make it to streaming). The most striking aspect of their mockbuster cousins is how they feel infused with the knowledge that this avenue is closed to them; it’s almost astonishing how inept they are at faking otherwise. Movies like The Electric State can throw around millions of dollars, big stars and cutting-edge effects, but they just can’t shake the bone-deep knowledge that they’re content first….

(7) CHILDREN AND FAMILY EMMY AWARDS. The Children’s & Family Emmys were presented on March 15. Animation Magazine tells who took home the honors: “’Orion and the Dark,’ ‘Moon Girl and Devil Dinosaur’ Are Among the Big Winners of Children’s & Family Emmys”.

…As previously announced, this year’s winners of the juried Outstanding Individual Achievement in Animation honors are background designer Philip Vose (Merry Little Batman), viz-dev artist Miho Tomimasu (Orion and the Dark), animation supervisor Elena Najar (Merry Little Batman), character designer Lesego Vorster (Kizazi Moto: Generation Fire), digimatte artist Lauren Zurcher (Orion and the Dark), art director Guillaume Fesquet (Merry Little Batman) and storyboard artist David Lux (Snoopy Presents: Welcome Home, Franklin)….

CAFÉ winners of genre interest included:

Children or Family Viewing Series

• Fraggle Rock: Back to the Rock (Apple TV Plus)  [The Jim Henson Company /Apple]

Fiction Special

• The Velveteen Rabbit (Apple TV Plus) [Magic Lamp Pictures/Apple]

Preschool Animated Series

• The Tiny Chef Show (Nickelodeon)

Children’s or Young Teen Animated Series

• Marvel’s Moon Girl and Devil Dinosaur (Disney+)

Animated Special

• Orion and the Dark (Netflix)

Voice Performer in a Children’s or Young Teen Program

• Eric Bauza as Daffy Duck & Bugs Bunny – Teen Titans Go! (Cartoon Network)

Younger Voice Performer in a Preschool, Children’s or Young Teen Program

• Jacob Tremblay as Orion – Orion and the Dark (Netflix)

Writing for a Children’s or Young Teen Animated Series

• “Dancing with Myself” – Marvel’s Moon Girl and Devil Dinosaur (Disney+)

(8) YOU COULD GET LOST IN HERE. “Architectural Misdirection: Seeking Out Secret Staircases and Hidden Rooms” at CrimeReads.

Mystery fans love ingenious misdirection in their plots, and novels can be even more mysterious when the setting itself adds layers of intrigue. Creepy old buildings have a long history in mystery fiction, and the novels I’m diving into today use architecture as a key part of the puzzle…. 

In the middle of this list:

The Name of the Rose – Umberto Eco

This classic novel is dominated by a medieval abbey’s labyrinthine library that’s filled with secret passageways and hidden rooms. Friar William of Baskerville and his apprentice are investigating the mysterious deaths of several monks at the abbey, and the architecture both provides clues and mirrors the deeper symbolic meaning behind the crimes. 

(9) CHRIS MOORE’S NYT OBITUARY. [Item by Daniel P. Dern.] Sff artist Chris Moore, whose passing was noted in the February 11 Scroll, has now received a detailed tribute in the New York Times. This gift link bypasses the paywall: “Chris Moore Dead: Illustrator for Classic Sci-Fi Books Was 77”.

DPD notes, Alex Williams’ obituary for Moore has a refreshing, remarkable depth (and presumed accuracy) with respect to sf stuff, e.g.:

Chris Moore, a British artist who conjured fantastical worlds with high-sheen covers for books by science-fiction masters like Philip K. Dick, Arthur C. Clarke and Alfred Bester, and who lent his artistry to albums by Rod Stewart and Fleetwood Mac, died on Feb. 7 at his home in Charmouth, on the southwestern coast of England. He was 77.

… Moore provided memorable interstellar images for various editions of notable books by Mr. Dick — including his novel “Do Androids Dream of Electric Sheep?,” the basis of the 1982 film “Blade Runner” — as well as works by Kurt Vonnegut, Isaac Asimov, Ursula K. Le Guin, H.G. Wells, Alastair Reynolds, J.G. Ballard, Stephen King and many others.

…While best known for his visual journeys through the cosmos, Mr. Moore produced a wide range of illustrations. He created the art for several album covers, including Fleetwood Mac’s “Penguin” (1973) and Mr. Stewart’s “The Vintage Years 1969-70” (1976), as well as contributing images to magazines like Omni and Asimov’s Science Fiction. And he designed wallpaper tied to the Star Wars film “The Empire Strikes Back” (1980).

…He exhibited his work for the first time in 1995, at the World Science Fiction Convention in Glasgow, where he realized that there was a market for his originals, which he began selling….

DPD adds: So I’m sure I saw those there, and for all I know, crossed paths with Moore.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

March 19, 1928 — Patrick McGoohan. (Died 2009.)

 I will not make any deals with you. I’ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own. — Number 6

I don’t how times I’ve seen the opening of The Prisoner series as it’s been separately shown from the episodes online pretty much since video came to the Internet. Not sure in what context I was watching it but it was, without doubt, one of the best openings I’ve seen.

Then there was the series. Weird, thrilling, mysterious. Eminently watchable over and over and over again. Was it SF? Or was it a spy series set in the very near future? Who knew? And then there was Number Six, the never named intelligence agent played by Patrick McGoohan. He seemed destined to play this role.

He was an American-born Irish actor, director, screenwriter, and producer. Now it turns out that The Prisoner was his creation. He was also one of the writers – there were five in fact — and he was one of four directors. In other words, he had his hand in every facet of the series and its sixteen episodes. 

Before he was that unnamed intelligence agent he was, and I’m not at all convinced that McGoohan meant this to be a coincidence, secret agent John Drake in the Danger Man espionage series. I’ve seen a few episodes, it’s well crafted.  

Danger Man (retitled Secret Agent in the United States for the revived series) was a British television series broadcast between 1960 and 1962, and again between 1964 and 1968. (A neat bit of history here: Ian Fleming was brought in to work on series development, but left before that was complete. Apparently, he didn’t like the way the secret service was to be portrayed.) 

After The Prisoner, McGoohan’s next genre endeavor was as the narrator of Journey into Darkness is a British television horror film stitching together two episodes derived from late Sixties anthology television series Journey to the Unknown.

We are now leaving genre and headed for, well the Columbo series. Why so? Because he was good friends with Peter Falk and directed five episodes of the series, four of which he appeared in, winning two Emmys in the process. McGoohan was involved with the series in some way from 1974 to 2000. 

He was said that his first appearance on Columbo was probably his favorite American role. He had top billing as Col. Lyle C. Rum, fired from a military academy, in “By Dawn’s Early Light”, one of the Columbo films that preceded the series.

His daughter Catherine McGoohan appeared with him in the episode “Ashes To Ashes” The other two Columbo episodes in which he appeared are “Identity Crisis” and “Agenda For Murder”.  

Yes, he reprised his role as Number Six for The Simpsons in “The Computer Wore Menace Shoes”.  Homer Simpson fakes a news story to make his website more popular, and he wakes up in a prison that is a holiday resort. As Number Five, he meets Number Six. 

McGoohan’s last movie role was as the voice of Billy Bones in the animated Treasure Planet.

He received the Prometheus Hall of Fame Award for The Prisoner.

The Prisoner is streaming on Prime. No, not awful remake (shudder) but the original one. 

(11) COMICS SECTION.

• Brewster Rockit seems to be accounting to DOGE.
• Dog Eat Doug doesn’t want to go to Mars.
• Rose Is Rose shows why reading only the good parts doesn’t work.
• Wizard of Id takes us back to the early history of social media “blocking”.
• Tom Gauld tells what changed the bird’s mind.

A cartoon for @theguardian.com books.

— Tom Gauld (@tomgauld.bsky.social) 2025-03-17T13:03:11.704Z

(12) THE SHADOW KNOWS. ThePulp.Net takes us from Victor Jory to Alec Baldwin and beyond in “The Shadow on film”.

As in radio, The Shadow’s film career began with him as an announcer of detective stories, not as a lead character. In 1931 — the same year that the namesake pulp began — The Shadow began introducing a series of two-reel mysteries for Universal Studios.

Frank Readick, one of the voices of The Shadow on radio’s Detective Story Hour, is credited with narrating A Burglar to the Rescue, the first of the six 15- to 23-minute films. The other film shorts included: Trapped, Sealed Lips, House of Mystery, The Red Shadow and The Circus Show-Up.

It was five years before The Shadow returned to the screen. This time silent-screen actor Rod La Rocque appeared in The Shadow Strikes for Grand National Pictures. The 1937 film featured detective Lamont “Granston,” who like Cranston in the radio program was The Shadow. In 1938, La Rocque returned, this time as Lamont Cranston, in International Crime. The Shadow isn’t the main character, but rather radio sleuth Cranston is.

The Shadow is back in the lead role in a 15-chapter Columbia serial. The Shadow starred hawk-nosed actor Victor Jory….

… Alec Baldwin is the latest to assume the role in The Shadow. The 1994 film enjoyed the trappings of a robust budget. The art direction and production were splendid, but the script was lacking. Disappointingly for pulp purists, its story, like the previous motion pictures, was an amalgam of influences from The Shadow’s past in print, radio and film. On top of that, screenwriter David Koepp or director Russell Mulcahy added several curious twists to the story, such as Margo Lane being psychic, and Lamont Cranston being police commissioner Wainwright Barth’s nephew….

(13) A SOLAR ECLIPSE… FROM THE MOON. [Item by Mark Roth-Whitworth.] Firefly Aerospace’s Blue Ghost lander, which successfully touched down in Mare Crisium on March 2, 2025 got a pic of the *Earth* eclipsing the Sun… “Private Lunar Lander Captures Stunning ‘Diamond Ring’ Eclipse from the Moon’s Surface” at Daily Galaxy. You can see the image at the link.

For the first time in history, a privately operated lunar lander has captured images of a total eclipse from the Moon’s surface. Firefly Aerospace’s Blue Ghost lander, which successfully touched down in Mare Crisium on March 2, 2025, recently transmitted breathtaking images of a “diamond ring” eclipse—a rare celestial phenomenon that occurs when the Sun emerges from behind Earth, forming a brilliant ring of light in the lunar sky….

(14) A LIGHTER FORM OF DARK MATTER. Hey, I’m not making this up! “Mysterious phenomenon at center of galaxy could reveal new kind of dark matter” at Phys.org.

A mysterious phenomenon at the centre of our galaxy could be the result of a different type of dark matter.

Dark matter, the mysterious form of unobserved matter which could make up 85% of the mass of the known universe, is one of science’s biggest manhunts.

In this first of its kind study, scientists have taken a step closer to understanding the elusive mystery matter. They believe a reimagined candidate for dark matter could be behind unexplained chemical reactions taking place in the Milky Way…

Dr. Shyam Balaji, Postdoctoral Research Fellow at King’s College London and one of the lead authors of the study explains, “At the centre of our galaxy sit huge clouds of positively charged hydrogen, a mystery to scientists for decades because normally the gas is neutral. So, what is supplying enough energy to knock the negatively charged electrons out of them?

“The energy signatures radiating from this part of our galaxy suggest that there is a constant, roiling source of energy doing just that, and our data says it might come from a much lighter form of dark matter than current models consider.”

Primary research: Pedro De la Torre Luque et al, (2025) Anomalous Ionization in the Central Molecular Zone by Sub-GeV Dark Matter, Physical Review Letters, vol. 134, 101001 

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Around tea time, about 65 million years ago, a large pebble hit the Earth, wiping out many birds with a single stone.  (I really have never forgiven the dinosaurs for what they did to Raquel Welch.) Recently there has been news of asteroid 2024 YR4 possibly hitting Earth in 2032.  It now looks like it will be a near miss, but what other dangers are there out there?  Keep watching the skies….  Over at PBS Space Time Matt O’Dowd looks at the chaotic Solar system that otherwise might puzzle Bruce Willis…

Giant space rocks are definitely going to hit the Earth again. We actually do know how to deflect them, but only if we find them and correctly assess their risk. But the solar system is a chaotic place. How is it even possible to tell if a space rock will one day collide with the Earth?

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Oscar Dunham, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]