Pixel Scroll 6/21/19 No, My Toupee Isn’t Slipping, That’s My Emotional Support Tribble

(1) BE THE FIRST ON THE MOON. Apollo 11 in Real Time is a very impressive site that collates all kinds of archival mission material to simulate a real-time journey through the first landing on the Moon. You can watch the launch, you can follow what I’ll describe as a media reenactment of the entire mission.

Included real-time elements:

  • All mission control film footage
  • All TV transmissions and onboard film footage
  • 2,000 photographs
  • 11,000 hours of Mission Control audio
  • 240 hours of space-to-ground audio
  • All onboard recorder audio
  • 15,000 searchable utterances
  • Post-mission commentary
  • Astromaterials sample data

(2) TOP ART. Mark Lawrence has started a page for the 2019 Self-Published Fantasy Blog-Off cover contest – only three covers as of today, more to be added when the participating blogs make their picks.

Each year I run a cover contest for the SPFBO entrants. Each blog choses its 3 favourite covers from their pool of 30 entrants. The 30 favourites collected from the 10 blogs are then voted on in separate ballots by the bloggers and by the public.

The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.

(3) CHASTE CHUCK. Here’s a position you won’t find in the Kama Sutra:

(4) IT COULD HAPPEN. Also, there’s reason to believe that Chuck will be at CONvergence 2019 in Minneapolis over July 4th weekend.

(5) AVOID CALENDRICAL HERESEY. Steve Davidson proclaims, “Well, we FINALLY did it, and by ‘we’, I mean Kermit Woodall, Amazing Stories’ Art Director and Electronic Media Maestro and by ‘it’ I mean Amazing Stories Events Calendar!”

  • It’s gorgeous.
  • It’s clean.
  • It’s easy to navigate.
  • It has well over 500 events listed (and more regularly added).
  • It covers events World Wide.
  • It covers events from Bronycons to Middle Eastern Gaming Cons and, if there were such things as cons located off the Earth, we’d have them in there too!
  • You can export it to other calendar programs.
  • You can display it on your screens in a variety of different ways.
  • You can search it by date and by keyword, including type of event, name of event, location of event.
  • You can not only read about an event on our website, but you can click through to the event’s website right from the calendar.
  • There’s pop-outs and roll-overs and clicking for more info!
  • AND – you can add your own events.

In short, we’re now providing fans with an indispensible tool for planning their cons, one with comprehensive information and an easy to use interface.

No longer will you have to say “These aren’t the events I was looking for.”

Mini-editorial: We’ve been working towards this pretty much from the launch of the website. We’ve long believed that a comprehensive, one-stop-shopping events calendar is a must for the Fan community. Many more conventions than most realize are held every month, most of them small, intimate affairs with little to no marketing or advertising outside of a very small local footprint.

Yes, there are a few websites out there, and Erwin ‘Filthy Pierre’ Straus continues to do yeoman’s work for a couple of the print magazines (and continues to put his events rack out at conventions), but these efforts are limited in scope for a variety of legitimate reasons.

We wanted to go beyond that and we think that we’ve succeeded.


Want your convention to be seen by over 45,000 convention-going fans? Go click that button that says “Submit Your Event”, right there on the events calendar. There’s an easy to use interface that will let you add an image, set your dates and locations, contact information, website, select multiple ‘types’ of con (there’s 23 different categories and we’ll add more as needed!); you can add your own description of the event, enter costs, venue and more.

  • Check out the sample page below or visit The Events Calendar here – here.
  • And if you visit those pages and come away saying “But my event isn’t in there” – ADD IT!

(6) WHERE THE BODIES ARE BURIED. Andrew Liptak told readers of The Verge that although the movie adaptation has never been released, there may be a Three-Body Problem TV series in the works:

China’s biggest science fiction novel, The Three-Body Problem, is being developed for a potential television series, according to CX Live. If it happens, it’ll come after the massive success of another big sci-fi adaptation from the country, The Wandering Earth.

Chinese entertainment company YooZoo Entertainment holds the rights to the series, and it’s apparently working on an adaptation of the book. CX Live discovered a publicity form submitted to the Chinese government that lists the production details of the proposed series, which will apparently run for 24 episodes and could begin shooting this September.

(7) LUCASARTS. The Digital Antiquarian remembers the game “Sam and Max Hit the Road”:

Day of the Tentacle wasn’t the only splendid adventure game which LucasArts released in 1993. Some five months after that classic, just in time for Christmas, they unveiled Sam & Max Hit the Road.

At first glance, the two games may seem disarmingly, even dismayingly similar; Sam and Max is yet another cartoon comedy in an oeuvre fairly bursting with the things. Look a little harder, though, and some pronounced differences in the two games’ personalities quickly start to emerge. Day of the Tentacle is clever and funny in a mildly subversive but family-friendly way, very much of a piece with the old Warner Bros. cartoons its aesthetic presentation so consciously emulates. Sam & Max, however, is something else entirely, more in tune with an early 1990s wave of boundary-pushing prime-time cartoons for an older audience — think The Simpsons and Beavis & Butt-Head — than the Saturday morning reels of yore. Certainly there are no life lessons to be derived herein; steeped in postmodern cynicism, this game has a moral foundation that is, as its principal creator once put, “built on quicksand.” Yet it has a saving grace: it’s really, really funny. If anything, it’s even funnier than Day of the Tentacle, which is quite a high bar to clear. This is a game with some real bite to it — and I’m not just talking about the prominent incisors on Max, the violently unhinged rabbit who so often steals the show.


[Compiled by Cat Eldridge.]

  • Born June 21, 1938 Ron Ely, 81. Doc Savage in Doc Savage: The Man of Bronze, a film I saw a long time ago and remember little about. He was also, fittingly enough, Tarzan in that NBC late Sixties series. Somewhere Philip Jose Farmer is linking the two characters…  other notable genre roles included being a retired Superman from an alternate reality in a two-part episode “The Road to Hell” of the Superboy series, and playing five different characters on the original Fantasy Island which may or may not be a record. 
  • Born June 21, 1932 Lalo Schifrin, 87. Argentina-American pianist and composer of the music for the original Mission: Impossible series along with The Four Musketeers (1974 version), The Amityville Horror, The Mask of Sheba, The Hellstrom ChronicleTHX 1138The Cat from Outer Space and The Man from U.N.C.L.E. to select some of his work.
  • Born June 21, 1947 Michael Gross, 72. Ok, I’ll admit that I’ve a fondness for the Tremors franchise in which he plays the extremely well-armed graboid hunter Burt Gummer. Other than the Tremors franchise, he hasn’t done a lot of genre work as I see just an episode of The Outer Limits              where he was Professor Stan Hurst in “Inconstant Moon” (wasn’t that a Niven story?) and voicing a  few Batman Beyond and Batman: The Animated Series characters. 
  • Born June 21, 1952 David J. Skal, 67. Vampires! He’s an academic expert on them and horror in general, so he’s got a number of with his first being Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. He followed that up with a more general work, The Monster Show: A Cultural History of Horror. And then he produced The Monster Show: A Cultural History of Horror which links horror films to what is going on in culture at that time, ie AIDS. His latest book was a biography of Bram Stoker, Something in the Blood.
  • Born June 21, 1957 Berkeley Breathed, 62. ISFDB on the basis of a chapbook called Mars Needs Moms is willing to include him as genre but I’d argue that Bloom County which includes a talking penguin is genre as they are fantastic creatures. 
  • Born June 21, 1964 David Morrissey, 55. His most well-known role is playing The Governor on The Walking Dead (which is a series that I’ve not seen and have no interest in seeing) but I saw his brilliant performance as Jackson Lake, the man who who believed he was The Doctor in “The Next Doctor”, a Tenth Doctor adventure which was an amazing story. He was also Theseus in The Storyteller: Greek Myths, and played Tyador Borlú in the BBC adaption of China Mieville’s The City & The City. I’ll admit that I’m very ambivalent about seeing it as I’ve heard the novel at least a half dozen times and have my own mental image of what it should be. He has also shows up in Good Omens as Captain Vincent. 
  • Born June 21, 1965 Steve Niles, 54. Writer best- known for works such as 30 Days of Night, Criminal Macabre, Simon Dark and Batman: Gotham County Line. I’ve read his Criminal Macabre: The Complete Cal McDonald Stories and the the graphic novel — great bit of horror! Sam Raimi adapted 30 Days of Night into a film.
  • Born June 21, 1969 Christa Faust, 50. It does not appear that she’s written any original fiction save one nove with Poppy Z. Brite called Triads but she’s certainly had a lot of media tie-in work including novels set in the Final Destination, Friday the Thirteenth, FringeGabriel HuntNightmare on Elm StreetSupernatural and Twilight Zone universes. Did you know there’s an entire ecology of novels, fan fiction, a game, comics, even an encyclopedia guide, September’s Notebook — The Bishop Paradox made around Fringe? I hadn’t until I was researching her. One of the perks of doing this. 
  • Born June 21, 1979 Chris Pratt, 40. Starlord in the MCU film franchise. His first genre role was voicing Jake in the “Attack of the Terrible Trio” episode of The Batman series. After that, he’s largely confined himself to the MCU with the exception of being Owen Grady in Jurassic World: Fallen Kingdom. 


  • Speed Bump shows a UFO abductee’s priorities.
  • And Bizarro shows that if it’s not easy being green, consider the alternatives.

(10) GUNN BEARING. Dark Matter Zine has posted another Ian Gunn illo: Hollywood Cliché No. 15. See it there!

Last week we began a series of movie cliche illustrations by Ian Gunn. This week we look at villains’ habits of climbing to the highest room in the tallest tower — then falling off. And here are some of New York’s finest, puffing and panting their way in pursuit of said villain… who is climbing to the highest room in the tallest tower.

(11) STOOGE SURPLUS. Nate D. Sanders Auctions is putting “The Personal Collection of Moe Howard” up for bid from June 24-28. Featured items include “Scarce Three Stooges Agreement With Columbia From 1946 Signed by FOUR Stooges, Moe, Curly, Larry & Shemp”.

 (12) ON THE MENU. Scott Edelman urges listeners to hash it out with Kathe Koja in Episode 98 of his Eating the Fantastic podcast.

Kathe’s debut novel The Cipher, for which she won a Bram Stoker Award, had a tremendous impact on the horror field — as much of an impact on horror, in fact, as William Gibson’s first novel Neuromancer did on science fiction — a tremendously rare thing for a debut. She’s also written historical fiction, such as her Under the Poppy trilogy, as well as a number of young adult novels, starting with Straydog in 2002, and most recently Headlong. Her short stories have been published in Asimov’s, Weird Tales, Realms of Fantasy, F&SF, and many other magazines, plus anthologies such as Queen Victoria’s Book of Spells and Redshift: Extreme Visions of Speculative Fiction. She is the founder of nerve, a Detroit-based immersive theatre company.

We snuck away during StokerCon to San Chez Bistro. Not only is this tapas restaurant well-reviewed and highly rated, but they’re also amazingly sensitive to the needs of their guests, so much so they have multiple full specialized menus — not just a Vegan menu, but ones for soy allergies, tree nut allergies, citrus allergies, shellfish allergies and more. It’s one of the most accommodating restaurants I’ve ever visited when it comes to food preferences. My one regret from my trip to Grand Rapids is that time didn’t permit me to experience the full dinner menu.

We discussed her love of immersive theater (and dissected her previous night’s performance at StokerCon), why her groundbreaking debut novel The Cipher will always be The Funhole in her heart, what caused her to move into the YA world after her dark adult novels and why it’s harder to write for a younger audience, how she accidentally wrote her Under the Poppy trilogy, the allure of writing historical novels, how being in the presence of Kate Wilhelm at Clarion changed her life, what she got out of her many collaborations with Barry Malzberg and others, plus much, much more.

(13) PLOT AND PLAN. Nina Shepardson gives a quick review to Odd Adventures with Your Other Father by Norman Prentiss” at Outside of a Dog.

I did have a couple of stylistic issues with the novel. The primary one is that some of the dialogue doesn’t feel realistic. Elmore Leonard once said, “If it sounds like writing, I rewrite it,” and some of the dialogue here definitely sounds like writing.

(14) PEACES OF EIGHT. Paul Weimer applauds the result in “Microreview [book]: Children of Ruin, by Adrian Tchaikovsky” at Nerds of a Feather.

Adrian Tchaikovsky’s Children of Ruin continues the Children of Time universe in a mostly standalone braid of stories of terraforming, Uplift and first contact.

…The novel follows two strands in the web of plot. In the “past” timeline, a human exploration ship before their fall into a dark age (and subsequent revival) has come into a likely solar system looking for a planet to terraform. What they find are two candidate planets, a marginal glaciated one, Damascus,  that might be melted into terraformability, and a second inner one, Nod, that, much to their disappointment is already full of indigenous life. That strange  alien life is worth study, but it means the planet is not really suited for future colonization. But within that life on Nod is a surprise. On Damascus, in the meantime, a crew member’s idea to use octpodes to help in the colonization will have unexpected consequences.

In the present day, a Human/Portiids (Spider) exploration ship with a clone of the AI from Children of Time, has arrived in that same solar system thousands of years later, to find, to their shock and surprise, what has happened in the interim to the two planets. The humans are gone, but on both planets, their legacy and inheritors are most definitely in evidence, and much more than the explorers anticipated…

(15) THE REASONS. Ian Sales tells what he thought about “The Hugos 2019, novellas” and why at It Doesn’t Have To Be Right. This is an excerpt from his take on Binti: the Night Masquerade.

…I’m no fan of exposition, and I disagree entirely with Kim Stanley Robinson’s statement “it’s just another form of narrative”, and “streamlining exposition into the narrative” is another piece of writing advice that gets my back up… Which is not to say there’s zero info-dumping in Binti: the Night Masquerade. There’s plenty. But it’s all about Binti and her culture, or that of her male companion. The rest of the world is so sketchy it might as well have been made-up on the spot by Binti herself. I really do not rate these novellas, and I’m mystified by the love shown to them.

(16) CANCEL CULTURE. Remember that petition signed by 20,000 calling on Netflix to cancel Good Omens? Well, they did. And Amazon Prime returned the favor.

(17) BY THE YARD. The New York Times points to another Amazon Prime offering, reruns of a Fifties show with Boris Karloff.

‘Colonel March of Scotland Yard’ 
When to watch: Now, on Amazon.

This is more specimen than gem, but there aren’t that many shows from the 1950s available to stream — and this one, starring Boris Karloff in an eye patch, has a fun spookiness. Karloff plays Colonel March, who works in the “department of queer complaints,” and thus solves mysteries of all sorts. How can he do it all? one character marvels. “Because I’m a student of the major obsessions of our time: food, finance, fashion and frenzied love,” he replies. Sounds fun.

(18) TALES OF SUPER SCIENCE. You can thank a black rocket scientist from Alabama for both the Super Soaker and the Nerf Blaster. Assuming, of course, that you weren’t traumatized as a child by being blasted by either one of those at an embarrassing time (or place). Smithsonian Magazine: “The Accidental Invention of the Super Soaker”. Tagline: “A leak in a heat pump gave rocket scientist Lonnie Johnson the idea for his powerful squirt gun”

You might think it doesn’t take a rocket scientist to invent a squirt gun like the Super Soaker. But Lonnie Johnson, the inventor who devised this hugely popular toy that can drench half the neighborhood with a single pull of the trigger, actually worked on the Galileo and Cassini satellite programs and at NASA’s Jet Propulsion Laboratory, where he helped develop the B2 stealth bomber.

Johnson is a prodigious creator, holding more than 120 patents on a variety of products and processes, including designs for film lithium batteries, electrochemical conversion systems, heat pumps, therminonic generators and various items to enhance battery production, including a thin-film ceramic proton-conducting electrolyte. In addition to serious-science inventions, Johnson has also patented such versatile and amusing concepts as a hair drying curler apparatus, wet diaper detector, toy rocket launcher and Nerf Blasters. Yes, that rapid-fire system with foam darts that tempts the child in all of us to mount ambushes on unsuspecting relatives and pets.

“I’m a tinkerer,” Johnson says. “I love playing around with ideas and turning them into something useful or fun.”

(19) HERE COMES THE SUN. A day like any other day, only — “Stonehenge summer solstice: Thousands gather to cheer sunrise” (lots of pictures).

Thousands of people cheered sunrise at Stonehenge on summer solstice.

About 10,000 people gathered at the Neolithic monument to greet the start of the longest day of the year, according to Wiltshire Police.

Kate Logan, from English Heritage, said: “There was a lovely, friendly atmosphere, the sun shone and the dawn was greeted with loud cheers.”

The celebrations at Stonehenge came as people descended on sites across the UK to celebrate the first day of summer.

Glastonbury Tor in Somerset and the Avebury stone circle in Wiltshire also attracted crowds.

(20) LET THERE BE LIGHT AT NIGHT, TOO. BBC hails “The invention that saved a million ships”.

In the 1820s, Augustin Fresnel invented a new kind of lens and installed it in France’s Cordouan lighthouse. Suddenly, one lamp could light the way for sailors many miles out to sea.

Since antiquity, lighted beacons have guided ships to port. The earliest lighthouses were controlled fires on hilltops that warned vessels that they were approaching land. Over time, these signals were powered by burning coal or oil lamps backed by mirrors, which could reach navigators further out to sea. But lamp power was no match for a dark and stormy night; over centuries, broken hulls and wind-whipped sails ran aground as ships’ captains and crew perished within, unable to spot the coastline before it was too late.

All that changed in the early 1820s, when a French physicist invented a new kind of lens: a ring of crystalline prisms arranged in a faceted dome that could reflect refracted light. Augustin Fresnel installed his creation in the Phare de Cordouan, a towering lighthouse situated in France’s Gironde estuary, about 100km north of Bordeaux. Suddenly, one lamp could illuminate the way for sailors many nautical miles out to sea.

(21) BDPLF MEANS FINE TOBACCO. Steve J. Wright has completed his Hugo Best Dramatic Presentation (Long Form) finalist reviews.

Anyway.  Time for me to don my World’s Worst Film Critic hat and look at the films this year.  They’re all good, you see.  They get shown on a screen that’s bigger than my bedroom!  Nobody would do that if the films weren’t any good, right?

(22) PLAN F***. Rachel Bloom featured in a video that illustrated the host’s topical comments on state abortion laws on Jimmy Kimmel Live!

[Thanks to JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, ULTRAGOTHA, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Andrew Liptak, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

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43 thoughts on “Pixel Scroll 6/21/19 No, My Toupee Isn’t Slipping, That’s My Emotional Support Tribble

  1. (10) There’s a parasite that causes infected ants to climb to the top of grass, to be eaten so the parasite can infect the next animal in its life cycle. Perhaps villains are affected by a similar parasite that drives them to seek high places, so their evil essence can be harvested by Fortean aerial beings…

  2. 8) The original Mission Impossible theme is jn 5/4 and you just can’t get any cooler than that.

  3. (3) Not to be confused with Tingle’s highly erotic conceptual/philosophical piece, Pounded by Nothing.

  4. (8) I have a couple of Hard Case Crime paperback hardboiled crime novels by Christa Faust, which as far as I know are original fiction as opposed to tie-ins. I have to admit I haven’t read them yet, but as I recall they were well received by reviewers of that genre.

  5. (8) Breathed wrote Mars Needs Moms (not Moons), which I assume was charming (I haven’t seen it) and was adapted into an absolute debacle of a motion-capture movie that lost something like $100 million for Disney in 2011.

  6. About the coolness of Schifrin’s M:I theme: His Mannix theme (especially the arrangement used during the first three or four seasons) is perhaps even cooler, despite not being in 5/4.

    Late-night reruns of Mannix have been interesting because just about every notable guest star from Star Trek appears on it at least once in its eight seasons, and Shatner as well (both series were Desilu shows at first, and they had the same casting director); the two series even had a few screenwriters and composers in common.

  7. StephenfromOttawa says I have a couple of Hard Case Crime paperback hardboiled crime novels by Christa Faust, which as far as I know are original fiction as opposed to tie-ins. I have to admit I haven’t read them yet, but as I recall they were well received by reviewers of that genre.

    I only look for genre fiction done by authors, not all fiction. Zelazny had a mystery on Hard Case. I swear the protagonist smoked on damn every page.

  8. gottacook: His Mannix theme (especially the arrangement used during the first three or four seasons) is perhaps even cooler, despite not being in 5/4.

    I love that old Mannix theme. (It was so good, it sustained the impression that the show was still good, too, even though it rapidly tailed off after the first season.)

  9. (7) Day of the Tentacle and Sam & Max Hit the Road are probably my two favorite computer games. The computer I had when DOtT came in couldn’t handle the sound track, so I was reading character voices from on-screen text. When improvements to the home system let me hear the game, I was astonished to find I’d guessed right about George Washington sounding like Jim Backus. Must be the way they animated him. I was already a major fan of Sam & Max (and my late pal Martin Cameron once bought Steve Purcell a meal in exchange for a personal drawing of the two for me, which I treasure) and played the game frequently, though I never got to the end of it. Stalled out somewhere near the final push—not enough of a games fan to guess what to do next, I guess. I miss trying.

    (8) Vague brush with greatness: Family lore has it that we’re distantly related to Ron Ely. I was pleased when he was cast as Doc Savage, though the movie didn’t quite do it for me.

    Theme songs: My favorite drama one is still “Park Avenue Beat,” the theme from Perry Mason. That instrumental meant pure sin and evil when I was a kid and heard it on TV. People who listened to it also got divorces and smoked cigarettes. I just knew this. The Blues Brothers did a version of it. I like playing it on the piano. The sheet music is a very thorough arrangement and quite gratifying. (Favorite TV theme song ever: “This is It,” from the Bugs Bunny Show. Best showbiz song, too.)

    It’s the same scroll, but with the pixels filed off.

  10. (20) Fresnel lenses are amazing. There aren’t many in service any more, but if you ever have a chance to see one even in a museum–especially one of the big ones, the First Orders, which are over eight feet tall–do seize it. They are absolutely functional, beautiful works of art and science. My favorite comment on a First Order lens, from a book I unfortunately can’t remember much else about, is that the effective range of its light was limited “only by the curvature of the earth.”

  11. Berkeley Breathed’s Bloom County regularly featured visits by flying saucers. Which generally showed up just long enough for the pilot to hold up a snarky sign of some sort and then fly off again, but it still counts. 🙂

    (It was also quasi-genre-related because a bunch of the characters were big Star Trek nerds who rode around as a group on Cutter John’s wheelchair pretending to be in outer space.)


    It’s a nice idea, but there’s no way to see a compact list view, and I’m not going to click “Next” a couple hundred times to page through the list.

  13. 4) I’m amazed at how long Tingle has managed to keep one joke going. Also, does he have a birthday?

  14. Morning! Sun! Ice cream and meeting a Twitter friend today!

    Need to identify my next Hugo read. Which I think is technically going to be my next Lodestar read.

    Have the ARC of Jeffrey Carver’s next two Chaos Chronicles books, but I am trying to be good and use that as a motivational reward.

  15. Cora Buhlert’s article on the UFA Baron Munchhausen movie makes several good points. I don’t see an interface there to comment (which is odd, as I thought I’d seen one in the past), so I’ll take the liberty of saying it here:

    Great article, Cora! I’m partway through the movie myself and have enjoyed it without paying scrupulous attention. Erich Kaestner has been on my radar since I saw Disney’s version of EMIL AND THE DETECTIVES (Mom told me she’d seen a German version of the book once), and then read the book in translation when I was in sixth grade. I also have the Holmes movie waiting to be watched.

    Heaven help the American film industry if future generations refuse to watch anything made while Trump is in the White House.

    ps: I may be a bit scarce in the near future. Having believed fondly that this MacBook Pro was going to work, I was somewhat shaken to be disabused forcefully of the notion by a simultaneous kernel panic and yet another external drive going dark (the one with EVERYTHING on it, of course), so this afternoon I’ll be taking the elegant piece of junk back for a full refund, after which I’ll start looking for a Windows machine. I’ve been using Macs at home since 2007, so it’ll mean some adjusting for me. Let’s all hope for a smooth transition. Snrk.

  16. @Kip —

    so this afternoon I’ll be taking the elegant piece of junk back for a full refund, after which I’ll start looking for a Windows machine.

    Why give up after one dud? I’ve been a Macophile since the late 80s and my old SE30. Give Me Mac, or Give Me Death!

    (I do recommend not shelling out for new machines, though. I always buy used off ebay, never got a clunker yet. Just bought a 2015 MacBook Pro in April, love it so far.)

  17. Contrarius: The previous MacBook Pro kept me in a state of heightened awareness of its many frailties pretty near continually from about 2008 to 2011 (when Apple replaced the motherboard) to 2016 (when another drive and motherboard replacement seemed to temporarily stop its parade of screen whackiness and kernel panics). I’ve been fighting with this go-round since we bought a refurb in April and it destroyed external drives and other USB-connected devices until the Genius Bar finally said “Yup, you should have a new one” and then charged us for the difference, effectively upselling us on a new one by giving us a lemon of a refurb.

    I thought the new one, once I ironed out all the problems with semi-damaged drives that sometimes worked but wouldn’t allow being written to, was going to be stable, but last night it started doing Mac’s Greatest Hits again, so I’m through with it.

    Eggshell porcelain looks elegant as hell, but it’s not the thing to build a car out of. This is a lesson Apple may learn one day, but in the meantime, their computers will have no external jacks of any kind and will only accept data from their own cloud via their own apps. It’s not just the constant breaking down that gives me pause.

    I’ve been using Macs since 1990, and we almost bought one of the first ones in 1984. I’ve had a Mac laptop since 2005. Believe me, changing to Windows will be traumatic after that, but “Give Me Mac AND Give Me Death” is no way to go through life, I’ve decided at the age of 62.

    Hoping I can finish my client’s job on the new computer. Looking forward to once again finding all my bookmarks and re-re-re-re-re-entering all my passwords.

  18. Heh. Sorry you’ve had so much trouble!

    I’ve always had good luck with Macs, aside from adapter ports *always* breaking every year or so on the laptop models. Until April I was still using a 2012 Pro that I loved to death, and I hope this 2015 lasts me til at least 2022. I’m with you about the ports, though — that’s one big reason I bought the 2015 instead of something more recent. They are trying to narrow our options more and more!

  19. @5: I’m seeing a month-by-month display — not sure why others are having to click many “next”s. (IMO it would be better if one could jump directly to a month, but maybe that will be added.) Maybe try changing “view as”? I note Boskone doesn’t appear and have prodded the concom list for a volunteer, since Davidson’s writeup urges people to add their own events.

    @Rob Thornton: I’d say 10/8 (3+3+2+2) rather than 5/4, but it’s definitely cool, especially for the 1960’s; I remember an extended version being issued on a 45, which IIRC wasn’t common for TV themes then.

  20. (2) TOP ART. The three up there so far are quite good; the middle one’s excellent. Lawrence and the bloggers sending him their picks need to add artist (or designer) credits, though.

    (5) AVOID CALENDRICAL HERESEY. Ooh, shiny! Great job, @Steve Davidson & co.! I agree with @JJ that a flat list of everything within a given month would be useful, though. The list view is great; just a way to see all for the month in that view would be helpful.

    @Chip Hitchcock: You can use the “Events in” pop-up to pick a month, then click Find Events to the right; doing that took me to the month in question. The problem with the month view is you don’t see everything (many events on one day only show a couple and a link to see more on that day). And the list view is paged. So I get what @JJ means.

    Regardless, it’s a great resource and no doubt additional refinements will come. 🙂

    (16) CANCEL CULTURE. LOL, whatever the “fans” want, right?

    (19) HERE COMES THE SUN. Based on on my last visit and how they limit access to preserve Stonehenge, I’m surprised they allowed so many people for this event. It didn’t look like 10K people in the video, though. Also, we were warned not to touch the stones, but there’s a photo of people grasping and leaning ageinst them. Special rules on this day, I guess?!

    Mostly unrelated: Hey, BBC’s audio player’s volume slider goes up to 11. 😉

  21. (8) 30 Days of Night was adapted by Steve Niles, Stuart Beattie and Brian Nelson, David Slade directed. Sam Raimi was one of the producers, but had no other hand in its transition from page to screen.

    (17) Colonel March of Scotland Yard has played on Talking Pictures TV in the UK. Not quite genre, but Karloff is always fun.

  22. @Chip
    I’ve never seen 10/8 time, but 5/4 isn’t uncommon (I’ve met it), and 7/4 exists (I’ve met that one, also).

  23. Post TBI, I’ve been using an iPad, always named Infinite Library For pretty much everything I do as my hands work better with the virtual keyboard than they do with an actual keyboard. (Too much neurological damages alas.) I do have a 2012 MacBook Pro that stores all the music, epub and video files I’ve accumulated done the years such as the War for The Oaks short film Bull and Shetterly did.

  24. 15) Oh dear, how dare people have fun and even nominate works that gave them joy? Don’t these wrongfans having wrongfun know that reading is supposed to be painful, unpleasant and punishing?

    Also, if he doesn’t bother to nominate or vote, there is no chance that the Hugo finalists will ever match his taste.

    @Kip Williams
    Glad you liked my article (and linked it here, which saves me the trouble of sending the link to OGH). As for the lack of commenting, I’d accidentally disabled comments. But I fixed it now (and also corrected a few typos, while I was at it), so commenting should work now.

    Emil and the Detectives is a great book and one of those multi-generational children’s classics that almost every German child (and a few non-German ones, it turns out) read. Ditto for Kästner’s other classic children’s books such as The Flying Classroom, Lottie and Lisa a.k.a. The Parent Trap or Pünktchen and Anton which has been retitled Anna Louise and Anton for the English speaking world. My parents read those books, I read them, my nieces and nephews read them. I’m not sure if today’s kids are still reading them, but most of them still had film adaptations coming out in the 21st century.

    Regarding Münchhausen, if it wins, I kind of hope the trophy will go to the sole surviving castmember Marie Nejar, who is also the only person involved with any of the 1944 Retro Hugo finalists who is still alive, at least as far as I know. Though it would probably go to the Friedrich Wilhelm Murnau Foundation, the German national film archive which also holds the rights to the classic UFA movies.

  25. I went to one of Steve Niles’ signings once and we had a little mutual commiseration party over the film adaptation of 30 Days of Night breaking up the happily married couple for the sake of ~drama and messing up the emotional arc and the framing device in the process. Nice guy.

    So is the artist for 30 Days of Night, Ben Templesmith, who I missed seeing at a signing once during a, hm, tough time and frustrating/unfortunate weekend when I was a teenager and still going through the unfun diagnosis and how-do-I-cope-with-all-this-anyway merry-go-round. My mother, without telling me, wrote to him and explained the whole thing, and he sent some signed graphic novels and a little doodle. It was excrutiatingly embarrassing at the time (Mum! Now my favourite artist knows about my health stuff!) but also very kind.

  26. Chip Hitchcock: I’m seeing a month-by-month display

    That display is messy and unreadable, contains many duplicates for cons which last more than one day, and doesn’t list all cons on a given day. I’m talking about an easily-readable linear list with one line per con, which doesn’t require a bunch of clicking to see more.

  27. @P J Evans: I’ve never seen 10/8 (until I started researching for this comment I don’t think I’d seen a numerator over 9) — but a time signature is used to convey information about how the measures subdivide, so 10/8 seems logical here. (On second hearing I get 5/4 in some of the high part — at least in the original; the first hit (from one of the movies?) on “mission impossible theme” has the 10/8 leadin but sounds like it devolves to 4/4 as soon as the high part starts.) The liner notes for The Mason Williams Phonograph Record say that “Wanderlove” is in 10/4 — it’s actually a mix of 10/4 and 4/4, but writing the 10/4 as 5/4 would be misleading because it would put a note over the bar line in every pair of measures. The first two images I get when Googling “Bu?imiš sheet music” are notated 8+7/8 and 15/16 — interesting, as I’d never seen /16 before but had thought it logical when I heard the music.

  28. (8) Re Chris Pratt: The final season of Parks and Recreation was set several years in the future (and did include some futuristic touches, like delivery drones) and so is arguably genre.

    *Not, of course, that Cat is required to include or omit any people or roles — I just enjoy noting trivia. 😉

  29. Cora Buhlert on June 22, 2019 at 5:21 pm said:
    Emil and the Detectives is a great book and one of those multi-generational children’s classics that almost every German child (and a few non-German ones, it turns out) read.

    I had Emil and the Detectives read to me when I was small!

  30. Chip, I seem to remember running into something that was in 11/4. (Might have been in one of the virginal books I had at one point.) Figuring out the rhythm on that was difficult. 5/4 is easy: one two three four five one two three four five. It requires a little attention, possibly easier when you’re playing an instrument of some kind.

  31. I saw Emil and the Detectives (the Disney movie), demanded a copy of the book for Christmas, and ended up learning German when I got to high school, partially due to my love of that story.

  32. @PJ —

    Chip, I seem to remember running into something that was in 11/4.

    Yeah, try 15/16. 😉

  33. The Brubeck LP “Time in Outer Space” has 10/4 and 11/4 rhythms on it. “Countdown” is in ten, and “Eleven Four” speaks for itself.

  34. There’s a TVTropes article on musical pieces in unusual time signatures. That’s things like 9/8 and 11/16, and also works in multiple time signatures.

    Examples include a song with verses in 7/4 and choruses in 4/4, and some where the composer/band seems to shift gears almost at random: The Beatles song “Happiness Is a Warm Gun” is described as having

    alternating measures of 9/4 and 10/4 in one section, with other sections using patterns of 22 bars of 3/8 and other sections still using what can be counted as 4+2+4+5+4/4 or 19/4

    (Warning: TVTropes will eat your life, and steal valuable hours from your to-be-read stack.)

  35. @P J Evans: 5/4 may be countable as you describe — or there may be a subordinate beat that has to be placed correctly, as 5/8 would certainly require. cf the Mass by Frank Martin, in which the Pleni follows “one-and-two-and-a” with “one-and-a-two-and”; this is helpfully notated (by the editor?), but there’s no help when one chorus is finishing doing the first of those while the other is starting doing the second.

    @Contrarius: I learned the abovementioned 15/16 by ear — the clue to Bulgarian folkdance music (that was done at MIT in the 1970’s) is that one beat is 50% longer than the others — but can imagine other divisions; what did you run into?

    @Vicki Rosenzweig: I suspect the Beatles example was thrown together and shouldn’t be analyzed; cf Bierce’s definition of hash.

  36. @Chip —

    @Contrarius: I learned the abovementioned 15/16 by ear — the clue to Bulgarian folkdance music (that was done at MIT in the 1970’s) is that one beat is 50% longer than the others — but can imagine other divisions; what did you run into?

    I don’t even remember right now. It would have either been orchestral or solo flute — probably orchestral Hungarian dances or Hungarian rhapsody or some such.

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