Warner Holme Review: Call Me Joe by Poul Anderson

Call Me Joe (The Collected Short Works of Poul Anderson)
NESFA Press, 2009

Review by Warner Holme: Call Me Joe by Poul Anderson strongly starts off a NESFA Press series of volumes covering the work of one of the key 20th century writers of Science Fiction, Poul Anderson.

In the introduction, the editor, Rick Katze, states “This is the first in a multi-volume collection of Poul Anderson stories. The stories are not in any discernible pattern…” The pieces of fiction are an eclectic mix of early works in his oeuvre, mixed with poetry and verse that range across his entire career.

The contents include: Call Me Joe, Prayer in War, Tomorrow’s Children, Kinnison’s Band, The Helping Hand, Wildcat, Clausius’ Chaos, Journey’s End, Heinlein’s Stories, Logic, Time Patrol, The First Love, The Double-Dyed Villains, To a Tavern Wench, The Immortal Game, Upon the Occasion of Being Asked to Argue That Love and Marriage are Incompatible, Backwardness, Haiku, Genius, There Will Be Other Times, The Live Coward, Ballade of an Artificial Satellite, Time Lag, The Man Who Came Early, Autumn, Turning Point, Honesty, The Alien Enemy, Eventide, Enough Rope, The Sharing of Flesh, Barbarous Allen, Welcome,Flight to Forever, Sea Burial, Barnacle Bull, To Jack Williamson, Time Heals, MacCannon, The Martian Crown Jewels, Then Death Will Come, Prophecy, Einstein’s Distress, Kings Who Die, Ochlan and Starfog.

The introduction is not quite correct, in that the reader can find resonances between stories, sometimes in stories back to back. There are plenty of threads, and a fan of Anderson and his Nordic viewpoint might call it a skein, a tangled skein of fictional ideas, themes, ideas and characters. The same introduction notes that a lot of the furniture of science fiction can be found in early forms here, as Anderson being one of those authors who have made them what they were for successive writers. In many cases, then, it is not the freshness of the ideas that one reads these stories for, but the deep writing, themes, characters and language that put Anderson in a class of his own.

The titular story, for example, Call Me Joe, leads off the volume. It is a story of virtual reality in one of its earliest forms, about Man trying to reach and be part of a world he cannot otherwise interact with. Watchers of the movie Avatar will be immediately struck by the story and how much that movie relies on this story’s core assumptions and ideas. But the story is much more than the ideas. It’s about the poetry of Anderson’s writing. His main character, Anglesey, is physically challenged (sound familiar). But as a pseudoJovian, he doesn’t have to be and he can experience a world unlike any on Earth:

Anglesey’s tone grew remote, as if he spoke to himself. “Imagine walking under a glowing violet sky, where great flashing clouds sweep the earth with shadow and rain strides beneath them. Imagine walking on the slopes of a mountain like polished metal, with a clean red flame exploding above you and thunder laughing in the ground. Imagine a cool wild stream, and low trees with dark coppery flowers, and a waterfall—methanefall, whatever you like—leaping off a cliff, and the strong live wind shakes its mane full of rainbows! Imagine a whole forest, dark and breathing, and here and there you glimpse a pale-red wavering will-o’-the-wisp, which is the life radiation of some fleet, shy animal, and…and…”

Anglesey croaked into silence. He stared down at his clenched fists then he closed his eyes tight and tears ran out between the lids, “Imagine being strong!”

 Reader, I was moved.

That’s only part of the genius of Anderson’s work shown here. Anderson has many strings in his harp and this volume plays many of those chords.

There is the strong, dark tragedy of “The Man who Came Early” which is in genre conversation with L Sprague De Camp’s “Lest Darkness Fall” and shows an American soldier, circa 1943, thrown back to 11th century Iceland and, pace Martin Padway, doing rather badly in the Dark Ages. Poul Anderson is much better well known for his future history that runs from the Polesotechnic League on through the Galactic Empire of Dominic Flandry, but this volume has three stories of his other future galactic civilization, where Wing Alak manages a much looser and less restrictive galactic polity, dealing with bellicose problems by rather clever and indirect means.

 And then there is his time travel tales. Time Patrol introduces us to the entire Time Patrol cycle and Manse Everard’s first mission. I’ve read plenty of his stories over the years, but this first outing had escaped me, so it was a real delight to see “where it all began”. A wildcat has oil drillers in the Cretaceous and a slowly unfolding mystery leads to a sting in the tail about the fragility of their society.  And then there is one of my favorite Poul Anderson stories, period, the poetic and tragic and moving “Flight to Forever”, with a one way trip to the future, with highs, lows, tragedies, loss and a sweeping look at man’s future. It still moves me.

And space. Of course we go to space.  From the relativistic invasion of “Time-Lag” to the far future of “Starfog” and “The Sharing of Flesh”, Anderson was laying down his ideas on space opera and space adventure here in these early stories that still hold up today. “Time-Lag’s” slow burn of a captive who works to save her planet through cycles of invasion and attack, through the ultimate tragedy of “Starfog” as lost explorers from a far flung colony seek their home, to the “Sharing of Flesh”, which makes a strong point about assumptions in local cultures, and provides an anthropological mystery in the bargain. “Kings Who Die” is an interesting bit of cat and mouse with a lot of double dealing espionage with a prisoner aboard a spacecraft.

Finally, I had known that Anderson was strongly into verse and poetry for years, but really had never encountered it in situ. This volume corrects that gap in my reading, with a variety of verse that is at turns, moving, poetic, and sometimes extremely funny. The placing of these bits of verse between the prose stories makes for excellent palette cleansers to not only show the range of Anderson’s work, but also clear the decks for the next story.

The last thing I should make clear for readers who might be wondering if this volume truly is for them to is to go back to the beginning of this piece. This volume, and its subsequent volumes, are not a single or even multivolume “best of Poul Anderson”. This is a book, first in a series, that is meant to be a comprehensive collection of Poul Anderson. This is not the book or even a series to pick up if you just want the best of the best of a seminal writer of 20th century science fiction. This volume (and I strongly suspect the subsequent ones) is the volume you want if you want to start a deep dive into his works in all their myriad and many forms. There is a fair amount from the end of the Pulp Era here, and for me it was not all of the same quality. I think all of the stories are worthy but some show they are early in his career, and his craft does and will improve from this point.  While for me stories like the titular Call Me Joe, “Flight to Forever”, “The Man Who Came Early”, and the devastating “Prophecy” are among my favorite Poul Anderson stories, the very best of Poul Anderson is yet to come.

(NESFA, 2009)

Often shy and retiring Warner Holme has worn many hats over the years. He has worked in fields ranging from the medical to advertising, but always finds himself most at home among stories and words. He can usually be found in the mid-south, caring for some person or animal, and is almost never more than a meter away from a few books.

10 thoughts on “Warner Holme Review: Call Me Joe by Poul Anderson

  1. Yes! I found the diversity of work in this volumes to be illuminating. I came for the stories, stayed for the poetry!

  2. I’m surprised to see that NESFA Press made the common mistake of inserting an apostrophe in “Journeys End.”

  3. @Cat Eldridge posted (in the comments to yesterday’s Pixel scroll)

    Cat Eldridge on July 12, 2023 at 9:11 am said:
    Jeff Smith says I’m surprised to see that NESFA Press made the common mistake of inserting an apostrophe in “Journeys End.”

    It’s not a mistake and if you’d bothered to check ISFDB, you’d know that.

    Here’s the ISFDB entry:

    Journey’s End • (1958) • short story by Poul Anderson (variant of Journeys End 1957

    The story was originally published without the apostrophe.

    It has been reprinted with and without the apostrophe.

    I don’t know which way Anderson preferred; this is the sort of change that editors sometimes make without input or approval from authors.

  4. “Journeys End” was reprinted in the Anderson collection Going for Infinity. In the introduction to the story, Anderson says that F&SF editor Anthony Boucher (who originally published it) “told me what a struggle he had with copy editors and proofs to keep an apostrophe out of the title, which shows what kind of line editor he was.” I take this to mean that Anderson wrote the title without the apostrophe, Boucher kept it that way in the magazine, and later editors put one in thinking they were correcting a mistake. I seem to remember Anderson said somewhere else that the title was taken from a line in Shakespeare’s Twelfth Night: “Journeys end in lovers meeting.”

  5. Cat:

    It’s not a mistake and if you’d bothered to check ISFDB, you’d know that.

    Don’t be so snarky. In fact, I knew the title was not supposed to have the apostrophe for the same reasons Rusty did. And I did check ISFDB just to be sure, and the original appearance and all collections by Poul have no apostrophe. (The NESFA Press one was put together after his death.)

    Don’t hurt yourself climbing down from that high horse.

  6. “Call Me Joe” is a terrific story – my only complaint is that for years I was trying to find a story I read as a kid, and it also featured a “Joe” in the title, and whenever I searched, I found references to “Call Me Joe.” Eventually, I found “You Were Right, Joe” (https://en.wikipedia.org/wiki/You_Were_Right,_Joe) by J. T. McIntosh.

    I wonder if Vinge’s title *Rainbows End” was influenced by “Journeys End” (Vinge is clearly influenced by Anderson in general).

  7. Lots of good stories there. As I may have mentioned before, “Kings Who Die” considers a two way brain-computer interface and the possibility that this could lead to a completely new kind of consciousness.

  8. As a long-time Poul Anderson fan–and the translator of some his books–I welcomed these NESFA books, but there are some caveats:
    –there is no rationale about the order and presentation of the stories: the reader has to connect the dots, and, for some story-cycles–“Time Patrol”, “Technic Civilization”, others…–the author-approved editions are best;
    –when given the choice, the NESFA editors went for the first publication (mostly in magazines), which Anderson restored for the book editions, so “caveat lector”;
    –unfortunately, the books are typo-ridden.
    Still, it’s better than nothing, I suppose.

  9. “Journeys end in lovers meeting” is the touchstone refrain in Shirley Jackson’s “The Haunting of Hill House,” where it has a very special context.

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