Pixel Scroll 10/6/24 In Nomine Pixelis, Et Fileii, Et Scrollius Godstalkii

(1) LEARNING CURVE. “5 Dark Academia Novels from the World of Dark Fantasy”CrimeRead’s Victory Witherkeigh on sub-genre of the school novel.

…What is it about school-setting stories that make us as readers sink into the world so much faster? Is it our nostalgia for a time when life seemed much more straightforward than our lives as working adults? We’ve seen it across the tales of boy wizards, lightning thieves, and even young women writing love letters. As a dark fantasy/horror author and fan, there’s something about school being a nightmare that just sings to my penchant for the spooky season of fall…

Ninth House by Leigh Bardugo – What is it about the secret societies of the Ivy League schools that are so interesting? Is it our own hunger for conspiracy theories when dealing with the institutions that have produced several of the United States’ most notorious leaders? Follow Galaxy “Alex” Stern as she navigates her first year at Yale University as the occult apprentice of a missing mentor trying to handle school and the varying power dynamics of the illegal occult use of the secret societies. This is the first book in a two-part Bardugo series that will make you snuggle in your college sweatshirt tighter….

(2) WHY HORROR? Nobel Prize-winning author Olga Tokarczuk tells the Guardian why she chose to write a horror novel:

“I adore horror. But I realised, too, that only the tools of that genre could portray the topic I wanted to portray – the hidden violence, the misogyny that is rife in the entirety of our culture, which we live with like some sort of constant illness, like a predator that is always present and emerges from time to time to attack us.”

(3) FOUNDATIONS OF CONTEMPORARY FANTASY. “Gods who make worlds” in The Christian Century.

Three decades ago, Tad Williams published the final volume in the best epic fantasy trilogy written in English since The Lord of the Rings. Called Memory, Sorrow, and Thorn, the series ran from 1988 to 1993 and totaled over a million words. Half of those words came in the final book—one of the longest books ever to make it onto the New York Times bestseller list….

…Why have these books sold well but never set the world on fire?

Three reasons come to mind. First, while Williams may mark a certain transition away from the never-ending half-lives of J. R. R. Tolkien imitations, his stories do not belong to the grimdark turn of contemporary fantasy (a turn recently pilloried by Sebastian Milbank as “grimdull”). They are not gritty. Whether the topic is sex or violence, there’s nothing pornographic on display. Williams is a romantic at heart. His stories are not sadistic. Subversion, when and where it happens, is subtle, thematic, and stylistic; the narratives are not oedipal, with Tolkien or C. S. Lewis or Christian morals as the fated father. For readers or viewers exhausted by the teetering nihilism of Game of Thrones and its many peers, Williams is a breath of fresh air.

Second, Williams puts the “slow” in “slow burn.” He is a master plotter, and you may be confident that every single narrative thread, no matter how small, will come together by the end. But there’s no hand-holding and no artificial fireworks to keep your attention. I know only two kinds of people who have picked up Memory, Sorrow, and Thorn: those who put it down after about 200 pages, bored to tears and wondering what all the fuss was about, and those who kept going all the way to the end, falling in love in the meantime. There is no third group.

Finally, the world and history and happenings of Osten Ard are colored by a deep melancholy. (One character is startled to find a timeworn but intact statue: “She had never seen an ancient city of her people that was not in ruins.” A different character wonders to himself: “Is all we have—all we are—only a memorial of what we failed to save?”) Williams’s prose is among the best in fantasy, and its distinguishing character is a kind of plangent lyricism. In the dedication of the third volume, he calls the book “a little world of heartbreak and joy.”…

(4) COPYRIGHTUS INFRINGIO! “Warner Bros pulls plug on Harry Potter events at library” reports the Jackson Hole (Wyo.) News and Guide.

After eight years, Teton County Library has been forced to cancel its free Harry Potter-inspired programming for children and adults.

This year’s events — A Night at Hogwarts, Harry Potter Trivia for Adults and Harry Potter Family Day — had all been scheduled for later this month.

The library said in a press release Thursday that it acted in response to a cease-and-desist letter from legal representatives of Warner Bros. Entertainment Inc., the owner of copyright and other intellectual property rights related to the films featuring child wizard Harry Potter.

Before receiving the letter, the library’s staff “was unaware that this free educational event was a copyright infringement,” the release said. “In the past, libraries had been encouraged to hold Harry Potter-themed events to promote the books as they were released.”…

Boing Boing snarkily says:

…In the past the company has encouraged such activities, but it’s rebooting Harry Potter and wants to make sure the decks are cleared of deauthorized content and all the little brains wiped and ready for their new Vision for the Franchise….

(5) TODAY’S THING TO WORRY ABOUT. Military.com reports “Troops at Colorado Space Force Base Will Have to Bring Their Own To-Go Boxes for Dining Hall”.

… “As of 15 October 2024, the Schriever SFB DFAC will no longer provide takeout containers for patrons,” the spokesman said. “This initiative is part of our ongoing efforts to reduce waste and minimize our environmental impact. Individuals who wish to take their food to go are welcome to bring their own reusable containers.”

Schriever Space Force Base near Colorado Springs is home to numerous around-the-clock missions ranging from GPS operations, missile detection and warning, satellite communications and high-level surveillance missions.

As a result of those daunting and time-consuming missions, many of the 8,000 Guardians, airmen and civilian employees on base are often in a hurry and take their meals or leftovers from the DFAC — fittingly called the Satellite Dish Dining Facility — to go.

The news was not well-received on the Space Force subreddit.

“So, if you’re on crew at Schriever, or are simply one of those people who doesn’t have time for a real lunch break and prefers (like me) to take a meal back to your desk and do working lunches, consider this your heads up to go buy a bunch of food containers,” one commenter wrote.

“I’m always impressed about how the negative-morale field around Schriever is able to warp reality into ever more depressing states, but this one takes the cake,” the commenter added.

The Space Base Delta 1 spokesperson said Guardians can bring their own from home or can also buy their own takeout containers from the on-base coffee shop — also fittingly named the “Bean Me Up Cafe.”

Additionally, Guardians can choose to sit and eat their meal entirely at the dining hall….

(6) MIESEL ART AUCTION RESULTS. [Item by Andrew Porter.] Here are screencaps showing the final sale prices of Sandra Miesel’s sff art put up for sale at Ripley Auctions. (Only the sff art, none of the other items.) Click for larger images.

(7) STILL IN SEARCH OF (DIGITAL) BOMINABLE. [Item by Daniel Dern.] Following up on my item “(8) TERRY QUERY: WHERE’S ARNOLD?” in the September 24 Scroll (and some back-and-forth with a non-Filer PTerryphile), regarding the “recentlly ‘unlost’ story “Arnold, The Bominable Snowman,” which was, according to that scroll, “is/was supposed to be published online [in September 2024]:

The story is (now) available in an updated paperback version of Terry Pratchett’s (posthumous) collection, A Stroke of the Pen: The Lost Stories… but not (based on my web search of my library’s e-holdings) Hoopla; Amazon/Kindle (and Amazon general search); nor a general web search), available online (yet).

If anybody knows more (ideally, when/e-where), my friend (via me) would like to know, as, no doubt, will many Filers.

(One guess is that it’s online in some UK site, outside of where my searches are searching.)

(Yes, I know, one could buy the new version or borrow/request it from one’s library. Or switch to Linux and LibreOffice–oh wait, wrong discussion…)

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 6, 1950 — David Brin, 74.

By Paul Weimer: It’s Kevin Costner’s fault that the work of David Brin came to my attention. When the adaptation of The Postman, warts and all, came to the screen, I discovered to my surprise I had not at that time read any of the work of David Brin. I set to rectify that, starting with The Postman…which, to my mystified surprise, I found I preferred the plot of the movie in many respects.  Undeterred, I hit my stride with reading his Uplift novels, revelling in the grand SF idea of species across the galaxy raising others to sentience–but who raised Humanity?  

But my favorite David Brin novel is probably Kiln People. Ostensibly a mystery novel, the big damn idea of Kiln People, being able to make copies of yourself to do various tasks and functions, is such a compelling one that I felt myself propelled on the strength of the premise and its implications for work, humanity, mortality and much more. Even more than the Uplift novels, it embodies the good of Brin’s fiction and thought. 

But Brin is an author whom I can disagree with, especially when it comes to Star Wars. I find Brin’s criticism and denigration of Star Wars to be, I think, way way too much. Sure, it’s a Campbellian monomyth hero chosen one narrative. But I think his criticism is way overpowered (and goes to far too much length) for the arguments he is making. I do get they come from a place of passion and sincere belief, but it is not one that I share. 

David Brin

(9) COMICS SECTION.

(10) TYPEWRITER COMEBACK. [Item by Andrew Porter.] PBS News Weekend tells “Why typewriters are having a renaissance in the digital age”

…Take a look inside this South Philadelphia shop called Philly Typewriter and you’ll see the renaissance of something many consider a relic of the past. And now it’s gotten a boost from a 21st century icon. Singer Taylor Swift using a vintage Royal 10 typewriter in the video Fortnight, the chart topping single off her latest album, the Tortured Poets Department….

Andrew Porter remembers:

I used to use a Royal portable that my father used when he was going to school in the 1930s. It came in a big case with a carrying handle. Used it for many years. 

Then my stepfather swiped an Underwood office machine from his office for me (he was the publisher, could get away with that) that I used for ALGOL and other stuff, until I bought my Selectric directly from IBM in 1968. They said I was the first person who’d ever bought one from them who didn’t work in an office. $105 down and $35 a month payment until it was paid off.

As I’ve posted before, when I got a computer, I had my Selectric serviced, then it went into the closet, and ultimately I gave it to Curt for his wife.

I think local doctors still use them, for filling out forms in triplicate.

My desk in 1974, exactly where I’m typing this now (and mailing labels: I remember them, too!):

(11) SECRETS OF HIGHLY SUCCESSFUL BUGS. “The Oldest Termite Mound? 34,000 Years and Counting” — an unlocked article in the New York Times.

… Her appreciation for termites stems from a project that she recently oversaw in Namaqualand, a region of desert scrubland along the west coast of South Africa and into Namibia. There, some 27 percent of the landscape is covered with low, sandy mounds that were built by the southern harvester termite, Microhodotermes viator. Inside the mounds are vast labyrinths of chambers, tunnels and nests that extend up to 11 feet underground. The locals call them heuweltjies, which means “little hills” in Afrikaans.

Three years ago, Dr. Francis and her field research team set out to find why the groundwater along the Buffels River in Namaqualand was saline. “The groundwater salinity seemed to be specifically related to the location of these heuweltjies,” she said. The investigators reasoned that radiocarbon dating could pinpoint when the minerals stored in the termite mounds had seeped into the groundwater.

The investigators were surprised to find that the heuweltjies were far older than any active termite structures known to exist. As detailed in a paper that the researchers published this spring in the journal Science of the Total Environment, one of the three mounds selected for dating has been continually occupied by termite colonies for 34,000 years. It is more than 30,000 years older than the previous record-holder, a mound in Brazil built by a different termite species….

(12) GOING DEEP. “NASA’s laser comms demo makes deep space record, completes first phase” at Phys.org.

…NASA’s Deep Space Optical Communications technology demonstration broke yet another record for laser communications this summer by sending a laser signal from Earth to NASA’s Psyche spacecraft about 290 million miles (460 million kilometers) away. That’s the same distance between our planet and Mars when the two planets are farthest apart.

Soon after reaching that milestone on July 29, the technology demonstration concluded the first phase of its operations since launching aboard Psyche on Oct. 13, 2023….

(13) LET’S TREAD BOLDLY 2 — SPACE TRAVEL RADIATION. [Item by SF Concatenation’s Jonathan Cowie.] Going into space is fraught with dangers: you can get stuck in orbit (Marooned); have a critical computer glitch (2001); have your crew quarters destroyed (Dark Star); encounter a meteor shower (Pitch Black); have mental issues (Forbidden Planet); get left behind (The Martian), get a blocked toilet due to the Russian, potato-heavy diet (The Big Bang Theory); encounter rogue space junk (Gravity)… among much else.  Among the ‘much else’ are the radiation belts surrounding the Earth.  These are caused by the Earth’s magnetic field trapping solar wind positive and negative particles, accelerating them to the poles where they enter the Earth’s upper atmosphere to the visual delight of spectators. Associated risks include cancer, cataracts, degenerative diseases and tissue reactions which makes space travel far more hazardous than being at a convention after the bar has run dry. (Honest!) So, what to do?

Well, for the International Space Station there is little problem as its orbit is below the inner Van Allen belt.  But if you want to go anywhere more interesting, you have to go through the Van Allen belts.  Here the recent Artemis mission with the unmanned Orion capsule that went around the Moon (how I remember the run-up to Christmas with Apollo 8) took detailed measurements from various place inside the craft.

This research has just been published.  The Orion craft traversed both the lower (more proton rich) and higher (more electron rich) belts. They report on radiation measurements at differing shielding locations inside the vehicle, a fourfold difference in dose rates from differently located detectors was observed during proton-belt passes that are similar to large, reference solar-particle events encountered in interplanetary travel. Interplanetary cosmic-ray dose equivalent rates in Orion were as much as 60% lower than previous observations from the Apollo missions. Furthermore, a change in orientation of the spacecraft during the proton-belt transit resulted in a reduction of radiation dose rates of around 50%. These measurements validate the Orion for future crewed exploration and inform future human spaceflight mission design. What happens in the future will depend heavily on shielding, trajectory, the Solar cycle and severity of Solar particle events. The problem is that manned interplanetary missions have good reasons to prefer long missions in light vehicles. (Lighter vehicles and short missions use less fuel and short missions shorten exposure.) So radiation risks will remain a key challenge for human space exploration.

The primary research is George, S. P., et al (2024) “Space radiation measurements during the Artemis I lunar mission”. Nature, vol. 634, p48-52.

(14) GOING WITH THE FLOW. [Item by N.] This info comes a little late, but on closer inspection, this film has fantastical elements! Good, because it looks and sounds stunning. Set for a limited release in NY and LA on November 22 and a wide release in the rest of the US on December 6. (Those in France get it earlier on October 30). “’Flow,’ An Edge-Of-Your-Seat Survival Film, Gets U.S. Trailer, Release Date” at Cartoon Brew.

A wondrous journey, through realms natural and mystical, Flow follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara, a lemur, a bird, and a dog to navigate a boat in search of dry land, they must rely on trust, courage, and wits to survive the perils of a newly aquatic planet. From the boundless imagination of the award-winning Gints Zilbalodis (Away) comes a thrilling animated spectacle as well as a profound meditation on the fragility of the environment and the spirit of friendship and community. Steeped in the soaring possibilities of visual storytelling, Flow is a feast for the senses and a treasure for the heart.

(15) VIDEO OF THE DAY. [Item by Mike Kennedy.] Hmm. Seems genre adjacent. Or perhaps adjacent to genre adjacent: Ryan George’s “How Psychics Argue”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Paul Weimer, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]


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27 thoughts on “Pixel Scroll 10/6/24 In Nomine Pixelis, Et Fileii, Et Scrollius Godstalkii

  1. First!

    Still listening to Schwab’s Darker Shade of Magic series which continues to be most excellent. That’ll be followed by the Cat Rambo novel that just came out whose name eludes me right now.

  2. 4) I have an idea as to why Warner Brothers is so gung ho to remake the Harry Potter movies. It all comes down to money & control. Prior to the purchase of Warner Media by Discovery and prior to Warner’s deciding to launch HBOMax which is now just Max, Warners sold the streaming rights to the Harry Potter movies to Universal for their streaming service, Peacock. When Warner Brothers/Discovery decided to launch a streaming service themselves they found that they didn’t have the streaming rights to the Harry Potter movies and Universal wouldn’t sell them back, they would however RENT the rights back to WB/D for a limited time. Which they did. It has galled WB/D and their head Zaslav that they have to PAY someone else to show something they own. So since Universal has the streaming rights locked up for the forseeable future, what better to make do than to remake the movies for their own service and they can promote the hell out of it.

    (Peacock also managed to get the exclusive streaming rights to a Paramount production called “Yellowstone” and much to Paramount’s chagrin when the show became a surprise hit on cable’s Paramount Network, the Only place to stream it is on Peacock. And it’s one of the most streamed programs on Peacock)

  3. (10) I grew up with a Royal office machine that dated to the mid-1920s; it had been retired by the USPS sometime before 1940 (my mother’s father worked there). Red/black ribbon, plus a stencil setting. And, like most typers of that vintage, no 1/! key!The fun part was setting the tabs – they were on a rail behind the paper guide. It was very reliable, though, and had glass windows on the back and both sides, entertaining for children..

  4. Thomas the Red says Peacock also managed to get the exclusive streaming rights to a Paramount production called “Yellowstone” and much to Paramount’s chagrin when the show became a surprise hit on cable’s Paramount Network, the Only place to stream it is on Peacock. And it’s one of the most streamed programs on Peacock)

    Paramount+ is weird. I’m doing a rewatch of Jag which finished its ten year on CBS after its first year being on NBC. It’s on Paramount+ but is missing seasons and even those seasons are missing episodes, so I’m watching on Prime that has a complete run of it.

    On the other hand, Peacock has pull all of the new Law and Order off its streaming service even though it has full rights to them since it’s an NBC series. No idea who will be streaming them.

  5. (10) In bygone days (when I was in my 20s), I adored the IBM Selectric II, with the correction tape built in and the disco-ball font balls. Best keyboard ever, too. No computer keyboard comes close.

  6. 10). Smartest thing I did in high school was take 2 years of typing (2nd year you got to use electrics). Fast typing became soooo helpful in my IT career. I still have the large manual Royal typewriter my aunt gave me when I went to college. Elite, rather than Pica (meaning 12, not 10 characters per inch. Elite was designed for typing captions of illustrations). Still have it and it still works, though I need a new ribbon. I used both IBM Selectrics and Royal Electric typewriters in high school. Much preferred the tactile feel of the Royals compared to IBM. Though I admit the correction ribbons on Selectric IIs were nice.

  7. @Troyce
    True! I “taught” myself by hunting and pecking at college, and later worked up to using 7 fingers. If I’d known I’d spend my whole adult life typing, I’d have taken a course.

  8. @Troyce
    I got typing in HS because my math grades weren’t good enough for that school’s chemistry class. I got up to 35wpm on a manual typer.
    I don’t regret it. (I got chemistry later on.)

  9. (1-2) I just don’t like horror. If I want horror, I can outdo any of that. Just look up, say, “Islamic State” on wikipedia, and go down the rabbit hole of what they did to the Yezidis.
    (4) They’re going to relaunch Harry Potter? This is after whatsit is “on pause” due to allegations against Gaiman?
    (6) sigh I could almost have afforded one of those.
    (9) Fantastic Four… so, the head of lettuce isn’t one?
    (10) There was a long time I’d have killed for a Selectric II. And yes, its keyboard is better than any computer keyboard I’ve used, though the early IBM PC keyboards came close. As a teen, I found an old book from my sister (much older) on touch typing. When I started using computers, I remembered that, and worked to get to ten fingers, and put everything where it belonged. And I did not look at my keyboard as I’m typing this.
    (13) I’m still waiting for anyone to try generating a magnetic field around the ship, and see if you could use that to cut radiation.

    And maybe some high-tech could fix jetpack…

  10. (5) Yes, I totally believe not providing take-out containers will reduce waste. Sure thing.

    (10) When I was in high school, the local Noxious Industries (they were noxious, we all knew it, and were duly grateful for the way they kept city services well funded while residential property taxes stayed low) decided our high school needed enough IBM Selectrics that everyone could learn to type on them. And we did. I think it’s the only time I’ve fallen in love with a machine.

  11. I took a typing class in summer school and on a manual typewriter at home got up to 45 wpm. Which was fast enough to qualify for a part-time clerical job when I went to college. But they used Selectrics — and I was pleasantly surprised to discover I could type 70 wpm on them. They were really nice!

  12. (14) Yes, we saw the trailer for that last week, and immediately put it on our list.

  13. 2) Tokarczuk’s Drive Your Plow Over the Bones of the Dead was excellent! I will have to add The Empusium to the TBR pile, somewhere near the top.

    14) Flow looks absolutely stunning! And the article states that the director created the movie in Blender, which is blowing my mind.

    The trailer brought to mind Glory At Sea, a short film by Benh Zeitlin, who went on to direct Beasts of the Southern Wild.

  14. (8) I’ve enjoyed almost every bit of Brin I’ve read, starting with “Coexistence” (aka “The River of Time”) in Asimov’s in 1982.

    (10) Took typing in high school back when carriage return was a dramatic gesture. Did not do well (the lowest possible pass), but I’m still glad I did it, since I’m currently touchtyping this.

    P.S. In Stephen Barr’s “I am A Nucleus”, a touchtyper cursed by very weird luck, this happens:

    While I waited, I thought I might try getting down a few paragraphs of my novel—perhaps something would come now. It did, but as I came to a point where I was about to put down the word “agurgling,” I decided it was too reminiscent of Gilbert and Sullivan, and stopped at the letter “R.” Then I saw that I had unaccountably hit all four keys one step to the side of the correct ones, and tore out the page, with my face red.

    which may be only understandable to touch-typers

  15. I taught myself to touch-type on my dad’s old Olivetti portable, which I still have, and which I wrote my first two novels on (they will never be seen by mortal man, not if I can help it, but, considered solely as typing, they’re something of an achievement.)

    One of my plans for confounding the supposedly intelligent machinery, should I ever be asked to do a Turing test, is to type s;; yjr eptfd om ,u om[iy ;olr yjod. Because anyone, machine or human, can reply “I don’t understand that,” but it would take a human being to say, “dude, you’re typing with your fingers on the wrong keys.”

    … which I have done, in my time. As Mr. Barr’s typist, above, might say: agur happens.

  16. (0) Titleus Maximumus Fabulosum Est [proper adjective/adverbial conjugation not guaranteed]

    @Andrew – an error harder to replicate for those of us on ergonomic split keyboards, at least for this one 🙂

  17. The only F I ever received in 25 years of official education was in high-school typing. Nevertheless, I took a nice Royal portable to college and grad school and we eventually bought a second-hand Selectric I on which my wife and I wrote seminar papers and our dissertations. (The final copy of my dissertation was input and formatted on a System 370 and printed out on the last Selectric terminal on campus. After a look at the result, the graduate dean’s secretary declared that computer-formatted dissertations and theses were no longer welcome.)

    But my typing only really took off when I started using word processing–no more correction tape/fluid, and the freedom to make serious structural revisions without cutting up and then retyping a MS. (One of my early freshman comp demos involved showing the class a cut-up-and-stapled-together draft of an essay–revising operations that word-processing software embodied and streamlined.)

    That Selectric is a lovely piece of machinery, and we still have it and even some of the proprietary single-pass ribbons, but it’s been untouched for more than 40 years. And most of what we write doesn’t even see hard copy until it’s published somewhere.

  18. My dad could touch-type–I’m not exactly sure how he learned it–and it saved him a lot of time in the ’70s because he could send his own Telex messages (a teletype system used to send messages between offices in the days before fax machines and email) instead of waiting for his secretaries to take his dictation and send the messages for him.

    So when home computers came around in the early ’80s he read the writing on the wall and made sure my brother and I knew how to type. And you know what? He was 100% correct, it’s turned out to be INCREDIBLY useful.

  19. I forgot to add that I gave Curt (Phillips; his last name wasn’t in the original comment) my batch of Selectric golfball type elements, plus unused mylar ribbons, when I gave him the machine. And, we’ll always have Paris…

  20. The piece on Memory, Sorrow, and Thorn was well timed for me. I had read the series when it first came out and, just in the last few weeks, I have bee thinking about rereading it again and perhaps read the sequels.

  21. I slowly built up my typing speed. Let me say, though, that there were limits to speed… the month I worked for my mother’s boss in the mid-seventies, when I was punching Addressograph plates – it could only go so fast wham. Ditto on card punches. Once we got terminals, it went faster…Now, I have gotten up to 40-45 wpm (I think – haven’t timed myself in years).
    My first ex… went from secretary to typesetting. A (late) friend once told me that when she’s been working with my ex, she could do about 90 wpm correctly… but it didn’t matter – my ex was so fast she’d back up, and correct, and stilldo about 135wpm.
    And no, I don’t understand any of those typing errors – I, of course, don’t make mistakes… although I will admit my fingers do have an accent.
    – nsrk

  22. I enrolled in a typing course in my first year of high school. I then managed to break my arm in a PE class playing flag football a few weeks later, meaning I was out for four weeks. (OTOH, I ended up doing a lot of one-handed typing as it was easier to do my homework than by trying to write with my “off” hand.) However, I somehow rebounded from that sufficiently after the cast came off that in the next semester (I took the advanced course) I was selected as one of three students from Bishop Union High School in Bishop CA to go to the Inyo County Schools typing competition. (I did not do well there.) And it was really useful having worked my way up to typing 70 wpm when I got a job in college doing data entry. On top of that, the job I have now started in 1994 when I was hired to do data entry for three days, and I impressed them so much with how I automated it using my programming skills that they brought me back a day later; I’m now a Senior Solutions Engineer, and yes, that means I’ve been working for my employer for almost thirty years. They never would have hired me with a degree in Computer Science, but being able to type fast? That was the ticket.

  23. Apologies if this was posted earlier and I just missed it, but I think this is good enough to risk a repeat: PBS did a short piece on Judy-Lynn del Rey for their American Masters series, which is now available through their YouTube channel.

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