(1) SNARKY CLAUS. Naomi Kritzer recommends “Gifts for People You Hate, 2024” at Will Tell Stories For Food. This really is an amazing/appalling assortment.

Once again, the holidays are upon us, and once again, people are telling me that in this trying time, the one thing I have to offer that they truly need is a hand-picked selection of the absolute worst possible gifts that they can give their brother-in-law. You know which brother-in-law…

…Using my guide, you can carefully select a gift to present with wide-eyed faux sincerity while knowing he’ll take it home and think, “what the hell am I supposed to do with this?” (Bonus points if the nephew thinks it’s awesome.)…

Here’s the kind of thing she’s talking about –

… So this one is actually kind of cool: it’s a whiskey decanter shaped like a Star Wars Storm Trooper’s head (with two glasses that are molded on the inside so that if you pour in whiskey or some other beverage that isn’t clear, it’ll look like you’re drinking your whiskey out of Storm Trooper heads. Like Ewoks.) However, you have to pour quite a lot of whiskey into the decanter to make it look cool (which means if you’re not drinking it quickly, and want to store it properly, you’ll have to pour it back into the bottle). It’s bulky to store and not dishwasher safe. It’s solidly in the sweet spot of “too nifty to just toss so it’ll take up cabinet space for years.”…

(2) YEAR’S TOP HORROR BOOKS. New York Times columnist Gabino Iglesias shared a gift link to “The Best Horror Books of 2024”. His list of 10 books includes:

Model Home

By Rivers Solomon

Solomon’s novel takes a new approach to the “evil house” trope. The novel is about three sisters forced to return to their haunted childhood home after the mysterious deaths of their parents. Solomon puts the malevolent building in the back seat and focuses instead on a plethora of topics like depression, motherhood, sexuality, gender, trauma and growing up in a hostile environment with a strong, demanding mother. The result is a wonderfully surprising haunted house story that is also a sharp excavation of the human issues that plague us all.

(3) ALEX SEGURA Q&A. “The End as the Beginning: Alex Segura on his Continuing Adventures in Comic Book Noir” at CrimeReads.

JBV: As with Secret Identity’s Carmen Valdez, this book has a trailblazing hero in Annie Bustamante, who is both an icon of the arts and entertainment world and a fiercely devoted single mom. In what ways did you want to honor the complexities of modern life (and womanhood) – both professionally and personally? How is this an extension of Carmen’s experiences without being a retread of them?

AS: I wanted Annie to feel three-dimensional, and that meant pushing back on some of the narrative tropes of crime fiction – like the untethered protagonist. Annie is a parent with a job, she’s also in recovery and isn’t afraid to speak her mind. She felt real to me, and though it made the writing more logistically challenging from a plot perspective, I felt like giving readers time to get to know Annie, her life, and most importantly, her past, created a more layered character and better story. Like Carmen, I wanted to be friends with Annie by the end of the story. 

I think the unifying thing between Carmen and Annie is that both are presented their dream creative opportunity – and are forced to realize that these dreams are often laced with poison. Carmen is asked to create a superhero for a comic book publisher, something she’s hoped for since she was a kid. But when she does it, it’s anonymous, and she has to claw and fight to reclaim that credit. On the flipside, Annie has to pinch herself when she’s asked to write and draw a new Legendary Lynx comic – based on the character that made her a comic fan. But when she finds that the people running the company that purports to own the Lynx don’t understand the property they control, Annie has to ask herself if it’s worth the artistic expense. Both characters find their dreams crashing down to reality, but that also creates a sense of fearlessness and freedom that propels both books….

(4) COMICS EDITOR’S DAYBOOK TO AUCTION. NateSanders.com is auctioning items from the Chic Young Estate (creator of Blondie) and others.

One lot has “Sheldon Mayer’s 1946 Day Planner as Editor of All-American Publications — Nearly Every Day Filled-in With Dozens of Artists & Strips Like Flash & Green Lantern — With Idea of Wonder Woman as a Girl”.

Sheldon Mayer’s personal day planner from 1946 when Mayer was editing and creating content for All-American Publications, one of the companies that would ultimately form DC Comics. Mayer filled-in nearly every day of this planner, mentioning almost all the characters and titles in the AA canon, including Flash, Green Lantern, Wonder Woman, Mr. Terrific, Boy Blue, 3 Mousketeers, J. Rufus Lion, Wildcat, Molly Pitcher, Funny Stuff, Sargon [the Sorcerer], All Star [Comics], Willy Nilly, Black Pirate, Joey Kangaroo, Bulldog Drumhead, Ghost Patrol, Nutsy Squirrel, Foney Fairy Tales and more. Almost every day Mayer lists various comic artists, pairing them with the title, including the issue number and pages. He also sometimes notes payment details for the artist, recording mailing checks and other details such as ”Get raise for [Woody] Gelman”, which appears on 8 March 1946.

Interestingly, Mayer appeared to explore the possibility of expanding ”Wonder Woman” with an additional storyline or comic book with the character as a young girl. On 12 August 1946 Mayer writes a note to himself, ”See Jack re W.W. as a girl.” He seemed to get the idea on 2 August when he writes to himself, ”Wonder Girl?”. Other notes include a funny doodle of a man’s head that he draws on 25 March. There’s even a note slipped in by another person named Ted (likely Ted Udall) on Friday 26 June 1946 reading, ”I’ll see you Monday – BOO! / Ted”.

Some of the comic artists that Mayer mentions in the 1946 day planner include Joe Kubert, Harry Lampert, Ronald Santi, Jack Adler, Larry Nadle, Martin Naydel, Stookie Allen, Ed Wheelan, Moe Worthman, Paul Reinman, Howard Purcell, Rube Grossman, Bill Hudson, Joe Rosen, Ewald Ludwig, and Marin Nodell, sometimes with references to pay, and assigning artists to specific strips. A few notes are also tucked into the book. The day planner ends on 31 December, but with additional memoranda pages filled in after that, including one with entries for specific strips and prices. Most entries written in pencil, with a few in fountain pen. Planner measures 5” x 7.875”, with each page assigned to one calendar day. Bound in red boards with gold lettering. Some cocking to spine and light wear, overall in very good condition. A treasure trove detailing the inner workings of the comic industry during its Golden Age. From the Sheldon Mayer estate.

(5) JULES BURT NAMES ‘BEYOND THE VOID’ BOOK OF THE YEAR 2024. Popular YouTube channel presenter Jules Burt has named his book of the year: Steve Holland’s Beyond The Void: The Remarkable Story Of Badger Books.

Published by Bear Alley Books, this full-colour softback charts the history of the British paperback publisher, notorious for publishing the science fiction and horror stories of the Reverend Lionel Fanthorpe and John S. Glasby, who wrote over 400 novels and short story collections for the firm… some written over a weekend.

Beyond The Void covers the origins of Badger Books, when, as John Spencer & Co., they began producing slim magazines in the late 1940s, before turning to science fiction magazines in 1950, their four titles—Futuristic Science Fiction, Worlds of Fantasy, Tales of Tomorrow and Wonders of  the Spaceways—infamous for publishing some of the worst sf stories ever written.

The collapse of the market for original novels in 1954 led most publishers to experiment with reprints. Not so Badger Books, the imprint adopted in 1959, who continued to publish mostly original works, paid for at the rate of 10 shillings a thousand words—$75 for a full-length novel, all rights—well into the 1960s.

Steve Holland says: “To have the book recognised by Jules as his favourite title of 2024 is an honour given the quality of the books BEYOND THE VOID was up against, ironic as BEYOND celebrates a company and its notoriously terrible output. But exploring the authors and artists turns up some gems that I wanted to share with fans… and if you’re new to Badger, the interviews and over 500 covers illustrated will hopefully make you want to explore further.”

Beyond the Void: The Remarkable History of Badger Books is available at the link.  

(6) EYE THE JURY. In “another online conference” at Kalimac’s Corner, David Bratman discusses a paper presented last weekend at a virtual conference hosted by the Tolkien Society (UK-based) and the Tolkien Society of Serbia. He ends with a very hooky comment:

…It’s true that Tolkien experimented with writing stories that were factually unreliable within the fictive universe, but I think you can tell which ones those are, and while there are small points in The Lord of the Rings which are unknown or unanswered, the oft-used trope of claiming Sauron as the hero and depicting the book as a giant libel on him does not, I think, fall into that category. I mean, you can write that, but don’t claim Tolkien’s imprimatur on it….

(7) HANDMADE FANZINES. First Fandom Experience introduces us to a Chinese-American fan artist who wrote to Forrest J Ackerman in the Thirties: “Howard Low and the Junior Science Correspondence Club”.

…Although dated “Sol 23, 1947,” this remarkable Martian newspaper of the future was penned in January 1932 by one “Howard Lowe.” At the time of our 2020 post, we admitted that we knew nothing further about Lowe or his work.

We’ve learned a lot since then.

Stephen Howard Lowe (later, Low) was born on April 19 1917 in Portland Oregon. In 1930, he was 13 years old and living in New York City. During that year, he began a correspondence with Forrest J Ackerman, then 14. The first known example of the teenagers’ exchange dates to January 18 1931, where Lowe says, “I feel as if I’ve known you for a long time but really its been only about six or seven months.”…

(8) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: December 9, 2002 — Star Trek Nemesis (2002)

By Paul Weimer: Be prepared, this one is not going to be a fun look back.  

I had had high hopes for what would turn out to be the last of the Star Trek TNG movies, Star Trek Nemesis. It features Tom Hardy (in an early role) as the villain, a clone of Picard that wreaks havoc on the Romulan Empire. Themes of identity, cloning, technology and more were promised. What’s not to love?

Just about everything. There is little I can say that is good about this movie, and it would be folly for me to try, except maybe the confrontations between Shinzon and Picard. There is some actual good stuff there. But it’s cut to merry hell.

And I do think it was the bad editing that really kills the movie’s room to breathe. The original run time of 2 hours and 40 minutes may have been too much, but cutting it down to two hours means that a lot of character development and space for the characters just winds up on the cutting room floor, and it feels like a “this way to the egress” with a lot of scenes and subplots unexplained and undercooked. Just take Deanna and Riker’s marriage, with Wesley somehow coming back to say hi. What was that? 

And don’t get me started on Data and B-4.  The frustrating thing is, in the final cut, the existence of B-4, Data’s earlier model, there is absolutely, positively no consideration of the existence of Lore, Data’s original “twin”, who featured on multiple episodes of ST: TNG. As far as this movie concerned, and the way characters act and react to B-4…Lore might as well never have existed, which is a crying shame. And having Data be sacrificed at the end but his memories downloaded into B-4…that feels like an identity erasure of B-4, quite frankly.  I left the movie with a very foul taste in my mouth, and I didn’t even rewatch any TNG related stuff for a couple of years afterwards. 

(9) COMICS SECTION.

• Baldo looks behind the scene.
• Bizarro tentatively adds to the roll call of superheroes.
• Free Range mocks our cryptid interest.
• Working Daze knows why internet research doesn’t get finished.

(10) INDELIBLE PURPLE. “’Generation Barney’ explores one dinosaur’s enduring legacy”, NPR reminds us that PBS intended to quit on Barney after its first season. Here’s how he avoided extinction.

…HERRERA: When it debuted on PBS on April 6, 1992, “Barney & Friends” was a hit, but Barney was competing against two worthy opponents.

(SOUNDBITE OF BELL RINGING)

HERRERA: In one quarter, “Lamb Chop,” and in the other, “Thomas The Tank Engine.”

(SOUNDBITE OF BELL RINGING)

HERRERA: About a month later, PBS broke some bad news. It was moving forward with the other two shows. There wouldn’t be a second season of “Barney & Friends.”

RIFKIN: I was crestfallen. I was devastated, as you can imagine, because there was a lot of personal reputation on the line.

(SOUNDBITE OF MUSIC)

HERRERA: This is where Barney’s story could have ended. But Larry didn’t go quietly into the night.

(SOUNDBITE OF RICHARD AITKEN AND ANDREW GANNON’S “CYLINDERS AND BANK VAULTS”)

HERRERA: He had a plan to save Barney from extinction that included bending a few rules. First, Larry worked Barney into CPTV’s fundraising drives. Technically, you couldn’t use a character like Barney to ask viewers for money, so Larry came up with a workaround. He would make the financial ask with Barney in studio spreading messages of love and kindness, you know, his specialty….

(11) SOUNDS LIKE YOUNG INDY. “Indiana Jones Chooses Wisely: The Biggest Voice in Gaming” – a New York Times profile. (Paywalled.) “Troy Baker, the industry’s go-to voice actor, channels a young Harrison Ford in the action-adventure Indiana Jones and the Great Circle.”

When Todd Howard heard the name Troy Baker, he could not help but roll his eyes.

For months, the team behind Indiana Jones and the Great Circle, a first-person action-adventure video game based on the film franchise, had been discussing who to cast as the charismatic archaeologist. (The 82-year-old Harrison Ford, it was decided early on, would not be reprising the role.) The game’s performance director was pushing for Baker. But Howard, who is its executive producer and previously led several Elder Scrolls and Fallout games, was unconvinced.

“I’m not putting Troy Baker in my game,” Howard told the team, “just because that’s what you do.”

Baker, a veteran voice actor with more than 150 video game credits, is sympathetic to this perspective. He is one of the industry’s most recognizable names, turning up in multiplayer shooters, comic book fighting games, online battle royale hits and Japanese role-playing games.

Indiana Jones and the Great Circle uses a young Harrison Ford’s likeness, but Baker provided the motion capture for the character.

He earned enthusiastic acclaim playing Joel Miller, the morally conflicted hero of the postapocalyptic drama The Last of Us, and won legions of fans as the voice of Booker DeWitt, the disgraced Pinkerton agent turned class liberator in the steampunk BioShock Infinite. He has played Batman, Superman, the Joker and Robin, each in a different game. He has played countless numbers of soldiers, aliens and demons in franchises like Call of Duty, Final Fantasy and Mortal Kombat. If you have played a video game in the past two decades, you have probably heard him speak.

He is aware that it is a lot….

(12) BODY OF LITERATURE. “Scientists Think a Skeleton Found in a Well Is the Same Man Described in an 800-Year-Old Norse Text” reports Smithsonian Magazine.

More than 800 years ago, raiders threw a dead body into a well outside a Norwegian castle. The incident is chronicled in a medieval Norse text, which suggests that the men hoped to poison the area’s water supply. Known as the Sverris Saga, the tale is named for King Sverre Sigurdsson, who was battling enemies affiliated with the Roman Catholic Church.

In 1938, archaeologists excavated the well—and found a skeleton. Now, by analyzing the DNA extracted from the skeleton’s tooth, researchers have learned new information about the physical characteristics and lineage of the so-called “Well Man,” according to a recent study published in the journal iScience.

“This is the first time that the remains of a person or character described in a Norse saga has been positively identified,” co-author Michael Martin, an evolutionary genomicist at the Norwegian University of Science and Technology, tells the New York Times’ Franz Lidz. “It is also the oldest case in which we have retrieved the complete genome sequence from a specific person mentioned in a medieval text.”

The well is located near the ruined Sverresborg Castle outside the city of Trondheim in central Norway. During a period of political instability in the 12th century, Sverre insisted he had a claim to the throne, but he faced opposition from the archbishop. The 182-verse Sverris Saga, which Sverre ordered one of his associates to write, describes battles between the new king and his opposition, though historians don’t know whether these accounts are accurate. According to one passage, Roman Catholic “Baglers”—from the Norse for “bishop’s wand”—raided Sverresborg Castle while Sverre was out of town in 1197.

The Baglers didn’t harm the castle’s inhabitants, “but they completely destroyed the castle,” co-author Anna Petersén, an archaeologist at the Norwegian Institute for Cultural Heritage Research, tells NPR’s Ari Daniel. “They burned all the houses.”

After that, she adds, “the archbishop’s people wanted to do something nasty.”

Per the saga, the Baglers “took a dead man and cast him into the well headfirst, and then filled it up with stones.” Scholars have long assumed the man was connected to the king, and that the Baglers dumped his body in that spot to taint the water and perhaps humiliate Sverre. The text includes “nothing about who this dead man was, where he came from, what group he belonged to,” says Petersén…

(13) BACK TO THREE MILE DESERT ISLAND. “Artificial Intelligence wants to go nuclear. Will it work?” asks NPR.

… But since the advent of AI, power consumption has been rising rapidly.

Training and using AI requires significantly more computational power than conventional computing, and “that corresponds to energy use,” Strubell says. Strubell and other experts expect emissions will skyrocket as AI becomes more common.

Nuclear power offers a way out: plants like Three Mile Island can deliver hundreds of megawatts of power without producing greenhouse gas emissions. New nuclear plants could do still more, powering data centers using the latest technology.

But Silicon Valley’s ethos is to go fast and break things. Nuclear power, on the other hand, has a reputation for moving extremely slowly, because nothing can ever break….

(14) TENSION HEADACHE. [Item by Mike Kennedy.] The “Hubble Tension” is still there, giving cosmologists headaches.

Initial studies of the Webb telescope data had failed to resolve the Tension. But some people hoped that further study would illuminate conflicting observations for the rate at which the universe is expanding. Nope. A new analysis of a whopping third of data from the Webb still show about an 8% discrepancy (plus or minus a few percentage points) in the expansion rate of the universe based on the ancient universe versus the current universe.  “Webb telescope confirms the universe is expanding at an unexpected rate” at Reuters.

Fresh corroboration of the perplexing observation that the universe is expanding more rapidly than expected has scientists pondering the cause – perhaps some unknown factor involving the mysterious cosmic components dark energy and dark matter.

Two years of data from NASA’s James Webb Space Telescope have now validated the Hubble Space Telescope’s earlier finding that the rate of the universe’s expansion is faster – by about 8% – than would be expected based on what astrophysicists know of the initial conditions in the cosmos and its evolution over billions of years. The discrepancy is called the Hubble Tension.

The observations by Webb, the most capable space telescope ever deployed, appear to rule out the notion that the data from its forerunner Hubble was somehow flawed due to instrument error.

“This is the largest sample of Webb Telescope data – its first two years in space – and it confirms the puzzling finding from the Hubble Space Telescope that we have been wrestling with for a decade – the universe is now expanding faster than our best theories can explain,” said astrophysicist Adam Riess of Johns Hopkins University in Maryland, lead author of the study published on Monday in the Astrophysical Journal, opens new tab….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, David Ritter, Steve Badger, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]