(1) BOASE AWARD. The UK’s Branford Boase Award honors debut efforts in children’s books and the editors as well as authors behind them. There are three works on The Branford Boase Award 2023 Shortlist of genre interest:
- The Eternal Return of Clara Hart by Louise Finch, edited by Siobhàn Parkinson, Little Island Books YA
- Rebel Skies, Ann Sei Linn, edited by Gráinne Clear, Walker Books, 12+
- The Haunting of Tyrese Walker, JP Rose, edited by Chloe Sackur, Andersen Press 13+
The other shortlisted works are:
- The Bones of Me by Kel Duckhouse, edited by Harriet Birkinshaw, Flying Eye Books YA
- Seed by Caryl Lewis, edited by Sarah Hughes, illustrated by George Ermos, Macmillan Children’s Books 7+
- The Cats We Meet Along the Way, Nadia Mikail, edited by Bella Pearson, Guppy Books YA
- Ellie Pillai is Brown, Christine Pillainayagam, edited by Leah Thaxton, Faber 13+
- The Map of Leaves, Yarrow Townsend, edited by Rachel Leyshon, Chicken House 10+
(2) SMALL PRESS WINS AWARD WITH GENRE BOOK. “Dead Ink wins Republic of Consciousness prize with Missouri Williams’s ‘astonishing’ debut” in the Guardian.
…First awarded in 2017, the Republic of Consciousness prize is given to the best literary novel published by a small press in the UK and Ireland with fewer than five employees. Over the past seven years the prize has awarded almost £100,000 to more than 25 small presses and writers….
Dead Ink Books has won the Republic of Consciousness prize for small presses for Missouri Williams’s “astonishing” debut novel The Doloriad. Yet while Dead Ink and Williams will get the prestige of winning, the entire shortlist will receive the same reward. Each of the five books wins £1,000, split 70:30 between publisher and author, on top of the £300 awarded to the 10 longlisted titles, which was paid to the presses only.
Prague-based Williams’s novel is set in the imagined wake of a mysterious disaster that has wiped out most of humanity. One family, descended from incest, remains, ruled by a merciless woman known only as the Matriarch. When the Matriarch believes there might be more survivors she sends one of her daughters, the legless Dolores, as a marriage offering….
(3) HOW LONG? Author Hana Lee built a tool designed to calculate how many copies an author must sell to earn out an advance. [Via Publishers Weekly.]
“Earning out” means that the amount you’ve “earned” in royalties from copies sold (across all formats) equals or exceeds your advance payment.
(4) CON OR BUST AUCTION RETURNS. Dream Foundry’s Con or Bust program makes direct cash grants to creators or fans of color to assist with travel, food, registration, and other expenses associated with attending industry events. They are bringing back The Con or Bust Auction to raise money for their grants and are looking for donors for items of interest to potential auction buyers. “Think special experiences (like author Q&As), art, limited and/or special edition copies of books, ARCs for anticipated releases, etc.”
They want to have donations in by the end of June for inclusion this year. See full information on the program and how to contact them about donations here. Dream Foundry is a recognized non-profit and any donations given to us are tax deductible.
(5) ELLIOTT Q&A. Paul Weimer asks the questions in “Interview: Kate Elliott, author of Furious Heaven“ at Nerds of a Feather.
Furious Heaven, being a sequel to Unconquerable Sun, is a middle book in a series. How has the writing of this been the same, and different than other series that you have done?
My goal with each of the three books of this trilogy has been, and continues to be, to shape each individual volume as if it is a standalone. Unconquerable Sun completes several of its major plot threads and, I believe, ends at a satisfying point. If I’ve done my job right, the reader will feel they’ve read a complete story and ALSO wish to read more.
Middle volumes are peculiarly hard. It’s important, in my opinion, to avoid “adding more beads onto the string” — that is, just to add more incident without complicating or expanding on the original elements of the story. A middle volume can add layers, unexpected twists and outcomes; it can deepen the characters and guide the reader into new landscapes and unknown dangers only hinted at in book one. That’s how I worked with (for example) Shadow Gate (Crossroads), Cold Fire (Spiritwalker), and Poisoned Blade (Court of Fives), which are all second volumes in trilogies that make the story bigger and show the reader new places and new conflicts.
With Furious Heaven I specifically wanted to do my best to make the story readable by someone who hadn’t read book one, while also having it build on what had come before….
(6) DUNE 2 PREVIEW. “’Dune: Part Two’—An Exclusive First Look at the Saga’s Epic Conclusion” – Vanity Fair offers descriptions and photos, but no video.
If you want to know where Dune: Part Two will begin, just look to the ending of the 2021 original. Director Denis Villeneuve wants to make it clear that his new movie, set for release November 3, is not so much another film as a continuation of the first. “It’s important—it’s not a sequel, it’s a second part. There’s a difference,” Villeneuve tells Vanity Fair for this exclusive first look. “I wanted the movie to really open just where we left the characters. There’s no time jump. I wanted dramatic continuity with part one.”…
….Although the first part of Dune became one of the first post-pandemic blockbusters and was nominated for 10 Oscars, winning six, the filmmaker himself still fixates on what he feels he could have done better. “You have to accept your failures as an artist,” he says. “It’s a task that was almost impossible, for me to be absolutely faithful to what those childhood dreams were. But what brings a lot of peace in my heart is that I brought a lot of them to the screen, a lot of them are close to what I had imagined.”
For now, Villeneuve is keeping his head down, staying focused on his work. “I’m deep into sound design and the visual effects, and it’s a race against time,” he says. Even discussing the film for this story was taxing for him. “I’ll be very blunt, okay?” he says with a smile, deploying the most Canadian analogy imaginable. “It’s very difficult for me to start to talk about a movie when I’m doing it. It’s like asking a hockey player to describe how he will score as he is skating toward the net.”
Meanwhile, The Onion is skeptical: “’Dune: Part Two’ To Pick Up Right Where Viewers Fell Asleep During First One”.
(7) URSA MAJOR AWARDS. The group that runs the Ursa Major Awards for anthropomorphic works is asking for financial support. Contact them at the Ursa Major Awards website.
(8) MEMORY LANE.
2003 – [Compiled by Cat Eldridge.]
One of my very favorite authors is Emma Bull (she and Will are on the chocolate gifting list) and Finder: A Novel of The Borderland is a novel that I’ve read at least a half dozen times to date.
Without stating any spoilers, I think it’s safe to say that Emma created truly believable characters, from the primary ones to the ones that just exist to enhance out the story, the setting of the city itself, and a story that makes the most of the setting that Bull has fleshed out from what Terri Windling created originally in this series.
The novel is available readily for quite reasonable prices in various editions, print and digital.
And here’s the Beginning straight from the Border…
“My father he rides with your sheriffs
And I know he would never mean harm…
— Richard Thompson, “Genesis Hall”
Chapter 1. Falling Out of Paradise
I remember where I was and what I was doing when Bonnie Prince Charlie was killed. Not that I knew it at the time, of course. But while Charlie was traveling the distance from the Pigeon Cloisters belfry to High Street with all the dispatch that gravity can muster, I was sunbathing.
If the weather had held, I’d have been on the roof of my building the next day, too, spread out like a drying sweater. But it promised rain. (If the forecast had been different, would the past be, too? Would a lot of people still be here? This town is strange and has weather to match, but I never imagined it was a matter of life and death.)
So when Tick-Tick pounded on the frame of my open front door, I was in and washing dishes. She poked her head in and shouted, “I am the queen’s daughter, I come from Twelfth and Flynn, in search of Young Orient, pray God I find him!”
I lifted my hands dripping from the suds, took the herbal cigarette out of the corner of my mouth, and said, “Excuse me?”
“Well, in a manner of speaking,” said the Ticker placidly. She stalked in, the picture of elven self-possession, and picked a saucer out of the dishpan with thumb and forefinger. “Mab’s grace. So low as you’ve fallen, my precious boy.”
“I’m out of cups. Nothing else would have driven me to it.” The water had killed my cigarette. I sighed and flicked it out the window.
She dropped into my upholstered chair and swung her long legs over the arm. Her concession to summer’s heat, I noticed, was to tear the sleeves off her favorite pair of gray mechanic’s coveralls and roll the legs up to mid-calf. And still she did look rather like a queen’s daughter; but the elves usually look like royalty. When they’re trying not to, they only look like royalty in a cheap plastic disguise. Tick-Tick had a face like the bust of Nefertiti, only more daunting, and her eyes were huge and long and the gray of January ice.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born April 27, 1899 — Walter Lantz. Cartoonist, animator, producer and director who founded Walter Lantz Productions. He created the Woody Woodpecker and Chilly Willy characters among others. He received an Academy Award “for bringing joy and laughter to every part of the world through his unique animated motion pictures”. (Died 1994.)
- Born April 27, 1901 — Frank Belknap Long. John Hertz says that Long should be singled out for the “To Follow Knowledge” novelette which he lovingly discuses here. I only add that Long received the World Fantasy Award for Life Achievement. (Died 1994.)
- Born April 27, 1920 — Doris Baumgardt.Well-known and loved fan, illustrator and writer. She was a member of the Futurians, and a founding member of FAPA. She was also a member of the CPASF and the Science Fictioneers. She was one of five members of the Futurians allowed into the first World Science Fiction Convention by Sam Moskowitz — the other four were Isaac Asimov, David Kyle, Jack Robinson and Richard Wilson. She wrote three pieces of short fiction that were published in the Forties and Fifties; she contributed artwork to fanzines. (JJ) (Died 1970.)
- Born April 27, 1958 — Caroline Spector, 65. She was an Associate Editor at Amazing Stories for several years, but her main genre connection is her fiction in George R. R. Martin’s Wild Cards series where she has seven stories. She also a Shadowrun novel, Worlds Without End. (Now that was an interesting RPG!) she also has an essay, “Power and Feminism in Westeros” in James Lowder’s Beyond the Wall: Exploring George R. R. Martin’s A Song of Ice and Fire, From A “Game of Thrones” to “A Dance with Dragons
- Born April 27, 1962 — Rachel Caine. She had two ongoing endeavors, the Weather Warden series which is most excellent and the superb Great Library series. I can’t speak to the Morganville Vampires series as I don’t do vampires really. And yes, I know she’s got a number of other series, far more than can detailed be here. (Died 2020.)
- Born April 27, 1963 — Russell T. Davies, 60. Responsible for the 2005 revival on BBC One of Doctor Who. (A Whovian since the very beginning, he thinks “The Talons of Weng-Chiang” has the best dialogue in the entire series, an opinion I concur with.) Of course he’s also responsible for Torchwood and The Sarah Jane Adventures as well. (Need I note that the The Five(ish) Doctors Reboot was his idea?) Davies returned as the showrunner in October 2022 after the departure of Chris Chibnall; the first episodes of his second tenure will be the show’s sixtieth anniversary specials in 2023.
- Born April 27, 1986 — Catherine Webb, 37. She’s writes under a number of names but I only know her under her Kate Griffin name where she wrote the extraordinary London set Matthew Swift series which one of the best urban fantasy series I ever read. I’ve not read any of her fiction written as Claire North which is major other name, so if you have, do tell me how it is. As North, her book The First Fifteen Lives of Harry August won the Clarke Award and Campbell Memorial Award, and The Sudden Appearance of Hope won a World Fantasy Award. Now go read the Matthew Swift series!
(10) JOBS MAGNET. “As New York Boosts Tax Breaks for Movies, Some Critics Pan the Program” reports the New York Times.
Four years ago, Amazon pulled the plug on its plans to build a headquarters in New York City, amid left-wing outrage over a $3 billion public subsidy package. But New York has hardly cut the company off: Amazon’s film and TV arm has received more than $108 million in state tax credits since then, and the left has raised nary a peep.
The handout is part of a state program that provides hundreds of millions of dollars each year in tax incentives to producers across the film and television industry, including Amazon — helping fuel a rapid expansion of studios in Brooklyn, Queens, the Bronx and Westchester County.
Now, Gov. Kathy Hochul is pushing to expand the program by nearly 70 percent, using the proposed state budget to shower as much as $7.7 billion in tax credits on the industry over the next 11 years. As it now stands, the subsidy is the most generous of any offered by the state, according to an analysis by Reinvent Albany, a watchdog group.
The proposed expansion to $700 million a year from $420 million has drawn stern rebukes from a range of critics who argue the decades-old program has consistently been a bad deal for taxpayers. But its likely success shows what is possible when powerful political and economic forces align in Albany, and states are increasingly pitted against each other for prestige jobs.
Ms. Hochul’s team is most concerned about neighboring New Jersey, which, along with Georgia and Canada, offers its own buffet of sweeteners that threatens to siphon film projects from New York.
(11) WWII RESISTANCE WORK. “Colorful Stories for Children, With the Darkest History as Backdrop” in the New York Times. Includes many pictures from the books.
During World War II, a clutch of whimsical children’s books were published in the Netherlands under a pen name, El Pintor. One book shows children flying on the backs of sparrows. In another, they float, attached to balloons. There is a pop-up book with people and animals nestled in trees and an activity book with paper cutouts.
The books sold thousands of copies, and were popular not only in the Netherlands, which was invaded and occupied by Nazi Germany in 1940, but in Germany as well.
The books did more than entertain children during the grim days of war. Behind the pseudonym El Pintor was a Jewish couple, Galinka Ehrenfest and Jacob Kloot. They used the name El Pintor to obscure their heritage, and funneled the proceeds from their picture books to fund Dutch resistance efforts and to help Jews who were hiding from the Nazi regime.
They did so at great risk, said Linda Horn, who wrote a book published in the Netherlands about Ehrenfest’s life.
“Secrecy was very important, people couldn’t write down what they were doing,” said Horn of those who worked in the Dutch resistance. “There are barely any sources.”…
(12) TODAY’S DAY. It’s World Hyena Day today. Which is important if you’re into furry fiction.
(13) HISTORY-MAKING AMATEUR FILM CLUB. [Item by Ahrvid Enghom.] UK fan Jim Walker suddenly appears in the new documentary “A Bunch of Amateurs” (eg 37h30m in, but also later and in the credits), a film about the world’s perhaps oldest amateur film club, the Bradford Movie Makers founded in 1932.
Available here for UK viewers (Geo-blocking may be overcome by VPN or something, if you know how.) I’ve seen the film, which has been on our local SVT.
(See also e.g. “Bradford-Based Feature Documentary A Bunch Of Amateurs”) — Bradford Movie Makers. They seem to have done some skiffy flicks among their 300 productions over 90 years, e.g. a Superman parody which is shown in this documentary.
(14) OCTOTHORPE. In episode 82 of Octothorpe, “Metatextual Dinosaurs” —
John Coxon, Alison Scott and Liz Batty talk about their Hugo Award nominations. You have about four days to vote, so get your skates on! Read and watch everything we recommend! Do it now!
(15) APEX ACQUIRES KEENE BOOK. Apex Book Company has acquired first North America English trade paperback rights to the novel Island Of The Dead by Brian Keene in a deal brokered by the author.
Island Of The Dead is a horror/sword and sorcery novel in which an enslaved barbarian plots his escape from a war galley transporting soldiers and a mysterious biological weapon. But when a storm at sea leaves them shipwrecked on a mysterious island, friend and foe alike must band together against a ravenous, steadily growing horde of the undead.
Through Apex Books, Keene has written the Lost Level series of dark fantasy novels and co-authored the Rogan Chronicles series with Steven Shrewsbury.
Brian Keene is the author of over fifty books, mostly in the horror, crime, fantasy, and non-fiction genres. His 2003 novel, The Rising, is credited (along with Robert Kirkman’s The Walking Dead comic and Danny Boyle’s 28 Days Later film) with inspiring pop culture’s recurrent interest in zombies.
(16) STALKER. “A Russian ‘inspector’ satellite appears to be chasing a secret US military satellite in a game of cat and mouse” – see photos at MSN.com.
A mysterious Russian satellite and a confidential US military satellite appear to be engaged in a cat-and-mouse chase through space.
The Russian spacecraft, called Kosmos-2558, was launched into the same orbital plane as the US satellite, called USA-326, in August 2022 and has regularly passed close to the American spacecraft ever since.
The behavior of Kosmos-2558, and the lack of a formal explanation from Russia, has led space observers to believe that the probe is stalking USA-326. It’s at least the third satellite Russia has launched that appears to be an “inspector” — a spacecraft aiming to gather up-close data on another satellite….
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Ahrvid Engholm, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
(9) I read the first Great Library book for a book club in 2020 and was partway through when I learned that Caine had died, which was an unfortunate coincidence.
(2) The small press awards are nice… but the trouble is there are so many of them, and even getting your book seen, much less read, is a hit-or-miss (mostly miss) proposition.
Chengdu: Ok, as far as I’m concerned, they’re incompetent, don’t care, or the government’s stepped in. I have not been able to get to the Hugo nomination website, ever, 100% timeout. And I have gotten no reply to two emails. Given that I have no trouble getting to People’s Daily, it ain’t me.
I’m also not happy to not hear from Winnipeg about hotel rooms, after two emails. This is an unhappy year for these cons, and we were looking forward to taking the train to Winnipeg.
And for the Pixel scroll title, there is only one appropriate response: http://www.roncobb.net/cartoons.html
mark: Ron Cobb!!! He was at the first meeting in the LASFS clubhouse in nineteen-ought-seventy-three!
Y’know, about small presses: a thought struck me a few minutes ago. Has anyone ever suggested, or looked into starting an organization of small presses? Maybe they pay some nominal fee to join ($100?), and then there’s one list that can be put out annually, or quarterly, of all the books they all publish. That would pull them out of the world-wide slush pile.
Here’s a list of some one hundred and fifty small presses including submission guidelines. It’s called The Big, Big List of Indie Publishers and Small Presses.
‘E’s not a pixel! ‘E’s a very naughty Scroll!
I remember reading Ron Cobb cartoons when I was a freshman at UCSB, back in 1968-69. In the campus paper.
“Harry! I think they want us to pull over!” is one I remember vividly.
@Maytree: Great minds… 🙂
Delighted to see the above item on my old Eurocon supporting colleague Jim Walker. He has in the past often entertained us (at some UK Cons) with his movie shorts (and those usually have an SF theme)..!!