Pixel Scroll 4/9/16 Little Old Lady Got Nominated Late Last Night

(1) HERE’S THE PLOT. Ursula Vernon cultivates history in her garden. Read “Sowing History: A Gardener’s Tale” at Tor.com.

When people think of gardeners, many of them tend to picture little old ladies in straw hats with bright green gloves, pottering among the roses.

When people think of gardeners who are also children’s book authors, they go straight to Beatrix Potter and assume that not only are these little old ladies in straw hats pottering among the roses, but they are also greeting the friendly woodland creatures by name—“Hello, Mister Robin! You’re looking very feathery today!” “Why, Missus Tiggywinkle, how have you been?” “Oh dear, that naughty little cottontail has been at my lettuces again!”

Well, I am a gardener and a children’s book author. I am also under forty, tattooed, and the owner of a mostly black wardrobe, and when I greet a happy woodland creature by name, there is an excellent chance that the sentence will end with “touch that and I will end you.”

(2) THE FIRST STAR WARS FANS. The Skywalking Through Neverland podcast discusses “The Early Days of Star Wars Fandom with Craig Miller”.

Our spe­cial guest Craig Miller was the Pub­li­cist and Direc­tor of Fan Rela­tions for Lucas­film dur­ing the hey-day of the 70’s and 80’s. Ever won­der how fans knew what was going on in fan­dom before social media? Whose job was it to tell the world about this new movie called Star Wars? Craig shares some awe­some stories.

 

episod116square Craig Miller

(3) KAMERON HURLEY. Asked where his inspiration came from, lyricist Sammy Cahn said “When the check arrives.” Kameron Hurley’s check has arrived, but she explains what else she needs besides, in “Kameron Hurley: Cultivating Inspiration on Deadline” at Locus Online.

Instead of spending all that time feeling guilty about what I wasn’t doing and scrolling through Twitter, I needed to release myself from the ‘‘I should be writing’’ mentality and let my brain start connect­ing things on its own. I found that the more I actively thought about plot problems, the less my brain wanted to fix them. It kept trying to avoid the problems I’d put to it. For instance, instead of fixing a plot problem on my current book, my brain recently offered up a solution to a subplot problem in the next book I’ll be working on. At some point I have to give in and let my brain make the connections it needs to make, without getting in its way. More and more, I have to let my brain go more than I’m used to, or it just retreads the same old story paths.

I would like to tell you that giving up everything to write is the only way to write. I enjoy spouting that whole ‘‘fall on your sword’’ advice time and time again. Giving up activities that waste your time while you should be writing is beneficial, but I can only burn hard like I have for so long before the flame gutters out. I don’t want to be that writer who just writes the same story over and over again.

(4) A LECKIE FANTASY. Rachel Swirsky’s April 8 Friday Fiction Recommendation is “Marsh Gods” by Ann Leckie.

I’m a fan of Ann’s fantasy universe in which gods must be careful to speak the truth, lest they lose their power. I hope we get longer work in it someday, or at least more. (Publishers: Hint, hint.)

Read “Marsh Gods” at Strange Horizons, or listen at PodCastle.

(5) WRITERS OF THE FUTURE. There was a bit of drama during “Day 5 – Writers of the Future Volume 32 Workshop”.

First up was Liza Trombi from Locus Magazine, the foremost professional publication in science fiction and fantasy literature. She discussed Locus, and then moved on to the vagaries of self-publishing, traditional publishing, and going hybrid. Liza recommended trying traditional publishing before attempting self-publishing. She also mentioned that publishing your first novel is rare, and that the best thing you can do for your future writing career is to always be writing a new book.

Robert J. Sawyer was up after Liza. With fresh copies of Locus in the winner’s hands, Robert took the opportunity to point out that his latest book, while having been well reviewed by Publisher’s Weekly and the Washington Post, was disliked by Locus. And while the book is doing extremely well, the reality is that someone will always dislike your work. He stressed that you should never write to please everyone because you never will. Your job, he says, is to identify what it is you do. You should know what your brand is as a writer, and write to please those people.

(6) WRITERS OF THE PRESENT. The bestselling authors are walking between the raindrops at the Los Angeles Times Festival of Books this weekend.

Stan Lee kept dry.

Other ornaments to our genre were on hand.

No Scalzi food photo today, but it played an important part on the program.

He also found time to practice his starship hijacking skills, on a modest scale.

(7) BINDER FULL OF LETTERS. Doug Ellis shares a few more historic letters in his post “Otto Binder on H.P. Lovecraft and Robert E. Howard” at Black Gate.

In late December 1935, science fiction author Otto Binder moved from Chicago to NYC to represent Otis Adelbert Kline’s literary agency. Among the authors he represented for Kline’s agency was Robert E. Howard. Binder had been to NYC previously, in late June and early July 1935, with his friends Clifford Kornoelje (better known in SF circles as Jack Darrow) and Bill Dellenback.

As I’ve mentioned before, back in 2001 I bought a few boxes of correspondence from Darrow’s estate, including dozens of letters that Binder had written to Darrow over the course of many decades. In going through them last month, I pulled this one and thought I’d post it today.

Once in NYC, Otto quickly resumed his friendships with Mort Weisinger and Charles Hornig, and rapidly met more figures involved in the local science fiction community. Less than two weeks after he’d arrived, he was invited to a gathering at Frank Belknap Long’s place, which was held on Friday, January 3, 1936. Binder and Long were fellow Weird Tales authors, with Binder and his brother, Earl, having sold WT some stories under their Eando Binder penname.

Among the others at the party were Donald and Howard Wandrei, Kenneth Sterling and, most interestingly of all, H.P. Lovecraft. Lovecraft impressed Binder greatly, as he relates in this letter to Darrow dated January 12, 1936. That would have been some gathering to attend!

(8) HAMPUS, IS THAT YOU? Not a toll-free call! CNN has the story: “The Swedish Number: Random Swedes are waiting to hear from you”.

Are you there, Sweden? It’s us, the world.

To mark the 250th anniversary of Sweden’s abolition of censorship, the Swedish Tourist Association has launched a phone number connecting global callers with random Swedes.

Think Chatroulette meets the United Nations.

Sweden’s new ambassadors don’t receive any training and their time is voluntary. They simply download the Swedish Number app, register their number, and signal their availability by switching themselves on or off.

As for the cost of ringing up, it’s charged as an international call so check with your provider before chatting with your new Swedish buddies late into the night.

There have been nearly 14,000 calls since the service launched on April 6, with nearly a third coming from the U.S. and a fifth from Turkey.

(9) GAME MAKER YIELDS. Crave reports “Baldur’s Gate Developer States They Will Change Trans Character and Remove GamerGate Joke”.

After an inexplicable amount of press was placed upon their team by angry gamers, Baldur’s Gate: Siege of Dragonspear‘s developer Beamdog has stated that they will be altering the dialogue of transgender character Mizhena in a future update, along with removing a reference to GamerGate.

In the game, which is an expansion to the original Baldur’s Gate, there is a line of dialogue in which minor NPC Mizhena explains the origins of her name, revealing to the player that although being born a boy, she and her parents “came to understand [she] was truly a woman” later in life. This entire exchange, which is limited to four sentences, led to the game being bombarded with negative user reviews online, despite critical reviews of the game being positive. Another point of contention for its detractors was a line at the expense of GamerGate, in which popular character Minsc says “really, it’s all about ethics in heroic adventuring.”

(10) CARPENTER ON GALAKTIKA PAYMENT OFFER. Anna Grace Carpenter, who surfaced the story (“Galaktika Magazine: Theft on a Massive Scale”) expresses her views about Galaktika’s response in “Galaktika Magazine: By Way of Explanation”.

Let me pause for a moment and say that the offer of compensation is a step in the right direction. However, neither Mr. Burger or Mr. Németh have addressed the underlying issue.

This is a chronic and widespread issue of theft. It is not just the stories published in 2015 (of which there are many), but work that was published as far back as 2008….

This pattern is more than a lack of diligence or caution or speed on the part of the publishing staff at Galaktika. It is not an occasional oversight or misunderstanding of previous contracts. This is habitual theft.

Remember that the vast majority of these authors never submitted their work for consideration, there was no implication of giving their permission for the translation and publication of their stories in Galaktika. Rather, their work was copied from other, paying publications online without any attempt to contact the original publisher, editor or author, and then printed for profit in Galaktika. That is not a mistake, that is theft.

Cat Rambo, current president of SFWA, said she is still trying to obtain a copy of István Burger’s statement in English and there are still questions to be answered. (How soon can authors expect to receive payment? Will authors be able to request their work be pulled from Galaktika? Will Galaktika contact all those involved to arrange compensation or will they put the responsibility on the individual to contact them and make a claim?)

And the question remains, what will Mr. Burger and Mr. Németh do going forward?

(11) DRAGON AWARDS DISCUSSION CONTINUES.

Deby Fredericks on “The Dragon Awards” at Wyrmflight.

One of the distinctions I believe Dragon Con is trying to make, is that the existing prestigious awards are decided by a limited number of people — a jury, members of a particular convention or group — while the Dragon Awards will be nominated and voted by all fans. This sounds fair and noble, but I’m remembering that time when DC let fans vote on whether Robin should be killed by the Joker. They were aghast that fans wanted Robin dead. Was the outcome fair? Perhaps. But was it noble?

Already, some in the community responsible for the Hugo Awards Kerfluffle have been heard to gloat that now they will win because no bunch of snobs can vote them down. As you probably can tell, I’m a little tired of hearing privileged majorities play the dismartyrdom card. We’ll all find out in time.

I don’t necessarily agree that SF/media/everything needs another set of awards. However, I do believe Dragon Con is a large enough and inclusive enough organization to credibly present such an award. It will be interesting to see the outcome, and where it aligns or doesn’t align with the other awards.

Brian K. Lowe posted about “The Dragon Awards” at Graffiti on the Walls of Time.

“Another trophy,” you say, possibly enthusiastically, perhaps dismissively, maybe with a touch of boredom. Or maybe you say it with an appraising tone, as do we authors who think, “Hey, there’s another award I can aspire to (and probably never win)…” Regardless of your personal reaction, the awards are here and presumably they’re going to stick around a while. (America’s thirst for awards ceremonies is almost as impossible to slake as its thirst for reality shows, or sleazy political drama. If it ain’t a competition, we’re not interested.)

All of these reactions are quite understandable. What I don’t understand is those who believe that this development somehow spells trouble for the Hugo Awards given out every year by the aforementioned Worldcon.

Cirsova takes the whole thing rather less than completely seriously in “Genrefication and Dragon Awards”.

This isn’t a victory, unless your aim is creating genre ghettos.

In response, I propose an alternative.  If I ever get the reach to make such an endeavor feasible, I will give you the Brackett Awards:

  • Categories will include, but are not limited to, in Long and Short Form:
  • Best Space Princess/Classiest Dame
  • Most Dashing Swordsman/Gunman
  • Creepiest Monster/Alien
  • Most Exotic/Erotic Xeno-hominid
  • Best Explosion
  • Coolest Spaceship
  • Best Empire (domineering, crumbling or otherwise)

Will these categories end up punishing certain books under the SFF umbrella?  Probably, but not the most awesome ones.

Ian Mond says live and let live at Hysterical Hamster.

And a day or so ago Dragon Con launched its own genre awards.  To reflect the size of the con there’s about fifty billion categories ranging from best Apocalyptic fiction (my personal favourite) to Best episode in a continuing science fiction or fantasy series, TV or internet (take a deep breath).  I don’t begrudge any organisation, individual or entity organising and administering their own awards.  More power to them.  Personally though, I think I’ll give this one a miss.

Martin C. Wilsey’s sentiments about “The Dragon Awards” are shorter but not as sweet.

Well it was bound to happen. The Hugo Awards process corruption scandal has finally led to the inevitable conclusion. A new award that has fairness baked in. The Dragon Awards.

–Let’s hope that this award is all about quality of the fiction.

(12) RECAP. I don’t watch Sleepy Hollow so it’s hard to explain how I got sucked into reading this spoiler-filled recap of the final episode. This paragraph will give you the gist of what SciFi4Me felt about it:

Bloody Hell. I don’t know what they are thinking. And I don’t know how a show based on such a flimsy premise could jump the shark, but they did.

(13) DEAN KAMEN. The inventor of the Segway is the son of E.C. Comics’ Jack Kamen. Read about “Inventor Dean Kamen’s Big Ideas” in the Wall Street Journal.

Mr. Kamen, 65, is known for coming up with the Segway (the two-wheeled electric vehicle), the iBot (a stair-climbing wheelchair) and a portable dialysis machine. He considers the First Robotics Competition, now in its 25th season, one of his best ideas yet…

In the competition, teams of students have six weeks to build a robot from scratch. The robots must then complete various tasks, working in teams. In this year’s challenge, they have to get through their opponents’ fortifications and take over territory in a space set up to look like a medieval battlefield with castles and towers. More than 400,000 students are competing this year, up from about 100 in 1992. “More and more, kids are starting to see that technology is cool. It’s not for nerds,” he says.

Mr. Kamen grew up a self-described nerd in New York’s Long Island, the son of a comic-book illustrator and a teacher. His engineering career started early; in high school, he earned more than $50,000 a year for designing and installing light and sound systems for musicians and museums.

Mr. Kamen, who is unmarried and doesn’t have children, spends most of his time working. “I get up in the morning, and I start working, then I keep working until I can’t work anymore, then I fall asleep,” he says. His idea of a vacation is going from one project to another when he’s stuck.

(14) TODAY IN HISTORY

  • April 9, 1833: First tax-supported U.S. public library founded, Peterborough, New Hampshire
  • April 9, 1959: NASA introduced first seven astronauts to press.

(15) TODAY’S BIRTHDAY BOY

  • Born April 9, 1926 – Hugh Hefner.

(16) KEEPING THE HARD IN HADRON. Ladies and gentlemen, the LEGO Particle Accelerator! JK Brickworks says —

This is a working particle accelerator built using LEGO bricks. I call it the LBC (Large Brick Collider). It can accelerate a LEGO soccer ball to just over 12.5 kilometers per hour.

 

(17) A CASE OF PHYSLEXIA. As most of you already guessed, I picked the previous item’s headnote because it references a typo that made news this week.

The BBC get overexcited by the world’s largest atom smasher.

 

(18) ATARI FLASHBACK. RPF Pulse brings us “The Art of ATARI Book Preview Images”.

Co-written by Robert V. Conte and Tim Lapetino, The Art of Atari includes a comprehensive retrospective collecting game production and concept artwork, photos, marketing art, with insight from key people involved in Atari’s rich history, and behind-the-scenes details on how dozens of games featured within were conceived, illustrated, approved (or rejected), and brought to life!

Includes a special Foreword by New York Times bestseller Ernst Cline, author of Armada and Ready Player One, soon to be a motion picture directed by Steven Spielberg.

Atari is a touchstone for many people. Their games and game system exposed many to video games for the first time. Whether you’re a fan, collector, enthusiast, or new to the world of Atari, this book offers the most complete collection of Atari artwork ever produced!

[Thanks to John King Tarpinian, JJ,and Soon Lee for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]


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217 thoughts on “Pixel Scroll 4/9/16 Little Old Lady Got Nominated Late Last Night

  1. @nickpheas Me too, but I read this as a victory for the forces of not-completely-awful.

  2. @Laura (et al): the MIT Musical Theater Guild didn’t do lots of awards, but the ones they did were … different. The most enduring was the Eliot(sp?) Moss Memorial Brownie Award, for Technical Sabotage with the Best of Intentions; it was started by a production of Company in which he gimmicked the first-scena brownies so they wouldn’t be noshed to a few by the time they got on stage — but didn’t warn the person who had to eat one in front of an audience. There were always contenders for this award, as producing serious musicals in a non-theater (Kresge “Auditorium”) was a challenge.

  3. Mark: I appear to have both started and finished Gentleman Jole and The Red Queen last night, which is a testament to how I’d read LMB’s shopping list if she published it. I’m glad I was very firmly clued in that there was absolutely no action, conspiracy or other external excitement in the plot, otherwise I might have spoiled the enjoyment of pure character by wondering what was coming.

    It’s a lovely, purely enjoyable story and character study, isn’t it?

    I really like the way that, even though they are all set in the same universe, and fit together and mostly tell a sequential story, the Vorkosigan books each explore different plot themes. It takes a rare and special skill to do that.

    Catherine Asaro’s Saga of the Skolian Empire books do that, too.

  4. @Ghostbird Seeing your handle inspires me to say I’m halfway through Authority and am hoping the series never ends, as it’s unsettling in the best way.

  5. @Will R Oddly, I didn’t really get on with Authority(*) but I found the name resonated with me on some intuitive personal level. So it’s simultaneously a reference and not a reference in a way that seems vaguely appropriate.

    (*) As opposed to not getting on with authority, which no one who knows me would find odd.

    (*) It’s good writing, but not the kind of unsettling I prefer.

  6. @ghostbird Yes–that sounds like a completely appropriate use of it! I can see where the books wouldn’t be everyone’s cup of tea. I’ve just always been fond of unanswerable mysteries a la The Prisoner or Lost or the X-Files (before those latter two gave in and started settling questions). But I also couldn’t handle everything being that way.

  7. Re: 12
    I don’t watch Sleepy Hollow, but a number in my circles do, and I didn’t see any of them who weren’t absolutely pissed off by the season finale.

    Re9: If they really are changing the character’s gender identity, eff those people, as Jim said upstream. Devil is in the details, but it sure looks like they are giving into the Gaters

  8. (1) Gardening stories – obviously part of TOR’s new plot to turn the Hugos into awards for Better Homes & Gardens. Seriously, though, congrats to our resident Wombat.
    I must also pass on some love from my daughter – We bought her the Hamster Princess books for her 7th birthday and she adores them.

    (4) Leckie should be careful not to begin any of these books in a snowy tavern, lest she confuse a certain reader into thinking it’s a SF novel.

    (9) Initially disappointing, but I’m not about to heap scorn on the developers yet.

  9. Speaking of cupcakes vs. muffins, did some of the descriptions in All the Birds in the Sky feel a bit Vancean? Like if you took some of Jack Vance’s descriptions of food/culture and redid them for the modern tech meritocracy. (Used to say Silicon Valley or dot com. Not sure what we say now.) I enjoyed the background descriptions of places like the egg restaurant or the high end coffee shop whose customer base had moved on.

  10. lurkertype
    In “Where’s Charley?”, our genius director decided that the slapstick scene in which I am attempting to seduce a man disguised as a woman (which devolves into all-out struggle) should take place upon a pouffe. Not merely a circular couch, but one which, it was revealed, revolved. This lent itself. To say the least. The thing is, though, that it was a homemade piece of furniture, and, much like the disintegrating coffin I remember from a high school show (with the star inside), wasn’t made to OSHA specs. A wheel came off. Comparing the nights before, after, and during the first time it came off, I can state with certainty that the audience found it even funnier in its damaged state, though the actors found it somewhat perilous.

    Laura Resnick
    I enjoyed watching an outdoor performance of “The Physicists” in which a gust of wind blew a flat over. Alone on the stage, Fraulein Doktor moved her shoulders reflexively about three quarters of an inch without spilling her tea, said, “These old villas!” with an unconcerned smile, and that was pretty much the extent of attention given. I hope it didn’t happen at every performance.
    One nice touch bears mentioning: they used Dürrenmatt’s manifesto on farce as part of the program and printed the whole thing on a Möbius band.

  11. At a piano recital by Janet Ahlquist in Cambridge, the pedal block cracked right off. The piano was removed and a different one brought onstage. She gamely started playing again. It was an old building and the instrument hadn’t been chocked sufficiently. The piano began slowly rolling away from her.
    At that point she sat on the edge of the stage and swapped jokes with the audience for a while. A THIRD piano was brought in and she finished the program. It wasn’t her best performance and the final instrument was ever so slightly out of tune, but she got rapturous ovations anyway for being such a trooper.

  12. John Arkansawyer:

    A collection of Margo Skinner’s poems “As Green as Emeraude” was published in 1990 with an introduction by Fritz Leiber. Amongst other things Skinner was a Fulbright lecturer in the Philippines in 1953 but her grant was revoked because of her political opinions and she became a case for the ACLU. Just to prove this wasn’t a one off she was deported from India in 1961. She later fell into the San Francisco orbit of Donald Sidney-Fryer who contributed to “As Green as Emeraude”. When Leiber first moved to San Francisco after his wife’s death, he lived for some time with Sidney-Fryer (who would be fictionalised in “Our Lady of Darkness). Skinner and Leiber had poems in Sidney-Fryer’s 1971 “Songs and Sonnets Atlantean”

  13. @KipW:

    I had a memorable moment on stage with prop functioning. It was my job to pull a ring of keys out of my pocket to open an imaginary jail cell door (as Sam Staples).

    Did you play Sam in The Night Thoreau Spent in Jail?! I played Sam in The Night Thoreau Spent in Jail! It was my first ever theatrical role, in 11th grade.

  14. John A Arkansawyer on April 10, 2016 at 7:04 am said:

    Matthew: Good to know! I’ll be looking for that book now. Along with that Fritz Leiber biography the world owes us.

    Currently there are two copies listed on abebooks.com.

    As for a bio of Leiber, there’s this collection of autobiographical writings: “Fafhrd & Me”

    And perhaps the Modern Masters of Science Fiction series from University of Illinois Press might eventually include one.

  15. 9) Beamdog ahs stated that they’re getting away from the “poorly written” part by giving the character a much deeper backstory, with a lot more options in the discussion tree. So… really they’re throwing gater criticism back in their face and doubling down on representation. The taking out the anti-gater line is hilarious to me because now it’s an easy thing to point at and show how hypocritical gaters are. Plus they’ve stated that they’ll continue to back their employees.

    As for KJA, I will never be ashamed of my intense love for Star Wars: Darksaber. Bring it.

    In what I’m reading news, I’m enjoying the snot out of Battlemage by Stephen Aryan. It’s got some of the soldier/war stuff I like, it’s got some political intrigue stuff going on, and it’s got great powerful mages battling. It is really working for me. I especially like how it shows mages as a great weapon of war, that’s mostly cancelled out by the enemy having mages as well, making it an effective parallel thinks like ironclads in the civil war, and aircraft carriers in the WWII. It all comes down to the tactics used, rather than who has the biggest gun.

  16. I once worked stage crew for a production of 42nd Street. The director had staged the play essentially using two groups of cast members, who would alternate numbers on stage. Several of the numbers took place in front of the curtain, so that behind the curtain the stage crew could set up for the next scene. In practice this meant that we could only work when action was happening on stage, because otherwise moving some of the large and heavy pieces of the set would create enough noise to be heard by the audience.

    During one of the shows, several cameras were set up to record it, with the intent of cutting together a reasonably professional video. One of the cameras was a static camera that recorded everything from a rear angle, to get back shots of some of the numbers. Because this recorded the entire show, it also captured us changing sets behind the curtain. When this was played during the cast party, many of the cast members saw us doing this for the first time, and thought it was hilarious how we looked like we were choreographed to the music, since we would stop what we were doing and stand still when there was no music, and start moving things when it started up again.

  17. I was in a production of Blithe Spirit. Right at the end I’m addressing my ghostly wives, and they’re beginning to make their displeasure known, causing one of the pictures to sort of hop on the wall. A 10 or 11 year old girl right at the front let out a huge roar of JESUS CHRIST!

  18. ok, on stage faux pas confession time. In college I was tapped to play Harding in a production of One Flew Over the Cuckoo’s Nest. (Some say I was typecast…)
    Anyway, my costume was pajamas and an untied bathrobe.
    On the night of the performance in question, I was, due to this and that, running late and had no chance to hit the dorm room to change…I really needed to as I’d gone commando that day.
    I had two rants to deliver during the show. On this particular performance, I found the audience unusually attentive.
    Stupid PJs!
    All I can really say is that most everyone in the audience that night had no trouble believing that my character belonged in a looney bin…and my character belonged in one as well….

  19. (1) Gardening stories – obviously part of TOR’s new plot to turn the Hugos into awards for Better Homes & Gardens.

    Just imagine me sitting in a darkened room, stroking a small pile of mulch…

    (Seriously, though, thank you all!)

  20. @Steve Davidson – oooh, that’s a wardrobe malfunction. I would literally have to flee the planet, setting fire to it as I went, just to be sure.

  21. Re (8) HAMPUS, IS THAT YOU? CBC reporter phoned the random Swede live on radio. He said the noise in the background was because he was at an ABBA party, but it sounded more like traffic. Asked if he used IKEA furniture, he responded that no, he didn’t, not since his student days.

  22. One of my favorite moments in live theater happened at a high-school production (15 to 18 year olds) of a Sherlock Holmes play. The daughter of a friend was playing Moriarty*, so naturally we went. There was a scene where the Evil Minions are onstage (Moriarty hiding onstage as well, behind props, so as to be ready for his, erm, her, appearance after the scenechange). Two of them are talking to each other as the curtain rises, and the third comes out of the wings. “Did you bring the bomb?” the center-stage plotters ask. The plotter from the wings stops, gobsmacked. “No. No, I did not. I’ll be right back.” She hurries offstage to grab the forgotten prop, while the onstage plotters vamp “She’d forget her head if it weren’t nailed on” and suchlike. She returns with the bomb and the play continues. Moriarty, meanwhile, was laughing so hard (silently) that she was afraid she was going to a) be heard by the audience or b) knock over the flat she was hiding behind with her shaking shoulders.

    One of the best recoveries I’ve seen in theater, amateur or professional. It wasn’t entirely clear to the audience that this wasn’t supposed to happen.

    *In high school theater girls typically outnumber boys about five to one.

  23. As far as wardrobe malfunctions go, I was playing in La Ronde as the prostitute, lying on the bed, and stretched, popping out of my costume.

    I was a new high school teacher at the time, and several of my students were in the audience.

    I did manage to stay in character.

  24. @RedWombat: That was awesome, and your books are all on my When I Get A New Job Celebratory Buying Stuff List.

    In re: 9: I now want to put an “it’s actually about ethics in X” line in everything I write forever.

  25. Jim Henley
    Comrade! Yes, I played the character when I was 46; perhaps the only time in my stage career that I played someone who was demonstrably my own age. They were darkening my beard and then streaking it, until I realized they should just darken around the white parts and it would look just right. The actor who had the toughest part was our Bailey, who had to pretend to be asleep most of the time without actually falling asleep.
    Pretty sure I got the part on the basis of a pause and brief searching glance in the audition, when I read, “I can understand how a man could forget—bein’ as busy as you are—out there—uh—writin’ about them birds and talkin’ to the fish and whatever else it is you do out there ( * ) by yourself.”

    Cassy B.
    One time in my younger theatrical days, they gave the cue for my entrance a whole scene early. It was “Lo, here at hand is lawyer Tedious J. Impossible,” so I couldn’t really ignore it. I came on and we did my part, and I left. Then, five minutes later, they said it again, so I came on, made up a scene, and left again. They didn’t cue me a third time.

  26. Another one: My husband is the official photographer for three different local community theaters. (He gets paid in tickets; did I mention I see a LOT of plays…?)

    He was slated to take the lobby photo for “True West”. Just a cast photo on the set, to memorialize the play and be hung in the lobby for the next ten years. We got there early, but it turns out one actor doesn’t appear until the second act, and the director forgot to tell the actor that there was a photo call. So we couldn’t take the shot pre-show. “No problem,” my husband said. “We’re staying for the show anyway; we’ll take it afterwards.” “Um, no, you can’t do that,” said the director.

    We found out why.

    During the show, one of the cast members goes berserk on the set, overturning furniture and generally creating a mess. In this case, he overdid it; he actually broke the table, meaning that in the second act the writer was sitting on the floor with his typewriter on a chair seat….

    (We came back the next day to shoot the lobby photo. I sympathize with the crew on that show; that must have taken hours to reset every night, even without broken furniture…)

  27. (9) GAME MAKER YIELDS.

    Because when you spit in the coffee right before you hand it to the customer, people generally react with passion.

  28. “Waiter! Waiter! What’s this tr*nny doing in my coffee?”

    “Looks like she’s being murdered by transphobic gamers, sir.”

    TO WORLD PEACE!
    (but all I have to drink is Tim Horton’s coffee. Blech.)

  29. Because when you spit in the coffee right before you hand it to the customer, people generally react with passion.

    Or because they are spectacularly oversenstive and humourless about things that are gamergatecally incorrect.

  30. @Dawn Incognito

    TO WORLD PEACE!

    As the sun is well over the yardarm here, I’m going to drink a negroni to world peace, because it looks and tastes like bitter, bitter tears.

  31. So transgender people are the equivalent of phlegm in food to The Phantom?

    …oooookay then. Not actually surprising, given what I’ve seen, but still a pretty creepy attitude to express openly.

  32. How would a trans character upset such open-minded people? And why would they take offense at a paraphrase of one of their own popular expressions? That’s joshing, not spitting.
    Now quit your kidding before one of us humorless types takes you seriously.

  33. Because when you spit in the coffee right before you hand it to the customer, people generally react with passion.

    You know, it would just be quicker if you told everyone up front that you’re a complete asshole. Thus far, there hasn’t been a comment from you in which you haven’t demonstrated that through your actions and attitudes. So why beat around the bush? Just announce it right from the start. You don’t even need to say anything else.

  34. So Phantom, what is the spitting here?

    The joke about Gamergating? The transgender person in the game? Or is it both that is the spit in the coffee as you term it?

    If its the former, then someone needs to get a sense of humor. At this point, “Ethics…” IS a joking meme, mainly because of how ridiculous it sounds. And if its the latter, too bad, transgender people exist. Or is this a case of “We can have dark elves, and tieflings and aasimar and dragonborn, but there is no evidence of transgender people in the Forgotten Realms!” In which case, well, bollocks to that.

  35. @Magewolf:

    Much belated thanks here for outlining some of the bugs and other gameplay-related issues with the Baldurs Gate expansion.

    (I have Opinions about games being released with poor play testing or QA because they can just be patched later. Or fixed with mods by the dedicated players.)

    Too bad the Gator noise has drowned that out.

  36. I once saw Jerry Lewis in a performance of Damn Yankees. He was supposed to appear in a poof of smoke. Instead, there was a pop and a fizzle and a wee little fire on a railing. Jerry Lewis gazed at it for a moment then reached out with his arm and tapped the fire out. Then he looked to the audience and said, very dryly, “Live theater.”

    I was also lucky enough to see Debbie Reynolds and Harve Presnell in The Unsinkable Molly Brown. In Denver, no less. (It was the performance that led my husband and I to get star power. Debbie Reynolds held that audience in the palm of her hand the entire night). There’s a moment where Johnny Brown sweeps Molly into his arms and spins her around. Very romantic. Except Harve Presnell lost his balance and staggered while still holding her and then set her down hard. Reynolds made a big deal of staggering across the stage and then looked over to him and said, “It gets harder every night, doesn’t it?” The audience roared.

    There’s nothing like live theater. Pure magic.

  37. Oh. I forgot to mention…

    I did have a vague sense that something was wrong during the delivery of my first soliloquy (a cast member backstage informed me between acts) but I would like to think that I continued on in the best tradition of ‘the show must go on’. Even if I had temporarily turned Kesey into Chip-n-Dales.

    This performance, btw, also informed me that acting was not for me; I’d wake up in the middle of the night screaming my lines and was told by many that I had definitely gone full Harding even when off stage. Maybe that’s a gift for some actors, but I’m already missing a good handful of screws. They’re a weird hybrid of standard and metric, no longer manufactured and unlikely to ever be found again….

  38. It’s censorship to remove something from a game due to social media outcry unless it offends Gamergate. Then it’s just respecting the desire of the customer, because they’re the only customers or something *eyeroll*

    The statement from Beamdog didn’t say they were removing the transgender character only they they felt they could’ve done better with the dialogue options and plan on expanding the character if anything. Along with saying the support their writers and creative team 100%:

    While we appreciate all feedback we receive from our fans, both positive as well as negative, some of the negative feedback has focused not on Siege of Dragonspear but on individual developers at Beamdog — to the point of online threats and harassment.

    I just want to make it crystal clear that Beamdog does not condone this behavior, and moreover that it will not have the desired effect as we stand behind all our developers 100%. We created the game as a group, and moving forward we’ll work on the game’s issues as a group, which I believe is exactly as it should be.

    I don’t see how that’s yielding and thing and I’m glad they’re standing with their team.

  39. 9
    This is really, really silly. It’s also really sad. They are so bereft of all the joys and pleasures of the world that a trans character in a game is enough to reduce them to hysterical squealing; that’s pitiful.

    Maybe it would help if they all took up gardening; from RedWombat’s comments thereon it appears that there is a fascinating variety of activities by which things grow, and it would certainly broaden their minds, as well as their shoulders – hefting spades will do that – though there might be problems on the where do butterflies come from front. Baby steps, baby steps…

  40. Arkansawyer mentioned the classic meme that you can’t just grow squash, you always grow too much squash.

    Well… perhaps I should forbear mentioning that I can’t grow zucchini to save my life.

    No, really. Every time I’ve tried to grow it in the garden, the zucchini fruit grows to about the length of my little finger, then turns yellow and withers away. I don’t have problems with anything else I’ve tried to grow (tomatoes, eggplants, onions, various greens), but that damn zucchini dies on me every time. This is ZUCCHINI we’re talking about here, folks! I’ve never been able to figure out why it happens.

    Perhaps an enemy has carved a mature zucchini into my likeness, and proceeded to stick pins into it, only to have the curse work its voodoo will on the poor zucchini instead of me.

    (The current iteration of the garden has some patty-pan squash plants, rather than traditional straight zucchini. The developing fruit — the largest is about the width of my thumb right now — has shown no signs of withering yet. Maybe I’ll get some actual edibles off them this time?)

    – – – – –

    Recommended reading/listening: “Among the Living” by John Markley, on Escape Pod. High-intensity thrill ride of a story; a future fireman is trapped in a burning, collapsing megastructure, struggling to bring himself and a young victim to safety.

  41. You know, it would just be quicker if you told everyone up front that you’re a complete asshole.

    @Aaron, I think that @Phantom is just displaying his mastery of an old narrative technique: Show, don’t tell.

    @Magewolf, @ Dawn – Worth keeping in mind that similar to to the brigading of Chuck Wendig’s Star Wars novel, the various bugs from BG: Dragonspear are both being blown out of proportion, and being used as a cover by the usual suspects. The game has bugs, but (so far) there doesn’t seem to be any that are game-breaking. Multi player and mod support is affected, but those tend to be quite common.

    Also, re:Opinions – One day when I put together my collection of swear words from across the world, I’ll share my views on Day 1 patches.

  42. Sweet
    When we did Damn Yankees around ’76, we were trying to figure out how I was supposed to make flashy lit cigarettes appear. “Flash paper,” somebody said, conveniently ignoring that flash paper needs something to light it (I’d already played with flash paper a lot around that time). Eventually, our Joe had a flash of insight, as it were, and said to jam a kitchen match into the cig so that the head poked out, and just have a striking surface under the lapel of my jacket.
    This worked great, about two thirds of the time. The surface was never very firmly anchored, and sometimes all I came up with was… a cigarette in my hand. Amazing!
    Well, it was amazing to “Joe,” anyway. He always responded as if I’d done a miracle before his eyes. “How do you DO that?” I sometimes try to recall whether the actor played it even harder when the thing didn’t ignite, because he was the sort of trickster who made faces at other actors when his back was to the audience. At those times, I felt like you could have lit a smoke from my face, but it didn’t seem to show.
    Flash paper. Heh. A novelty shop opened up in town, and I bought a box of the stuff. I had an ash tray on the counter at the comic shop I managed, and would sometimes roll up a little ball of it and just leave it there. The first guy to set it off actually seemed to be aiming at it for some reason, but was very surprised. He may have been the fellow who told me about rolling a joint with flash paper for an unsuspecting friend (didn’t put anything good in it, he said).

  43. @Matt Y: it’s yielding in the same sense that puppies won the Hugo Awards last year, and the same sense that there’s an all powerful cabal that is making their lives a miserable hell.

    “Quite an experience to live in fear, isn’t it?”

  44. “They’re a weird hybrid of standard and metric….”

    Comrade! I learned all my measurements in metric and had to learn imperial later. Then American standard, which id its own thing. Lots of time spent in on-the-fly conversions, and many mishaps–especially while cooking.

  45. My favorite improv’d-line-to-deal-with-a-set-disaster was a play I had a part in which used the “high school student throwing a party at his house while his parents are away” plot. In the middle of one scene, an entire wall of the house collapsed with a resounding crash.

    One actor, without missing a beat, turned to the guy throwing the party and said, “Dude. Your parents are going to notice that.”

  46. Bruce: if the yellowing starts at the blossom end it’s probably poor pollination. You can help things along by using a small paintbrush to transfer pollen from male to female pollen.
    I also find that my summer squash have an early adolescence period where there are more female flowers interested in pollinating than male flowers.

  47. As @Sweet shows, goofs aren’t limited to amateurs — but pros sometimes cover them better. I saw the Karamazovs in The Comedy of Errors (also featuring Avner the Eccentric) on an afternoon when the stage team didn’t quite have it together to open a trapdoor and toss a cane into the hot-tempered Adriana’s waiting hand; she stamped on the door and snarled “It’s about time!” so perfectly in character that I thought the delay was intended.
    Oh, you didn’t think tCoE used canes? It did in this production — and acrobats, and knife-throwing, and….

  48. Because when you spit in the coffee right before you hand it to the customer, people generally react with passion.

    Ooo, look! It’s Chief Inarguable, Truth Kicker Extraordinaire, here to inflict his breathless wit upon us once again!

    Tell us, kind sir, what “facts” you have pulled out of your colon for us this time?

    (By the way, in real life I’m a pharmacy technician. I can get you a substantial discount on all the Preparation H you’ll need, seeing as you’re extracting said “facts” from such a delicate orifice.)

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