Pixel Scroll 9/11/20 Mrs. Pixel, We’re Needed

(1) FUR STUDIES. The Dogpatch Press published a 2-part interview with a professor at Boston College specializing in classical history who teaches a course called “Beast Literature” which covers talking animal stories and gets into animation and furry fandom.

I gather that classicism is about Greek/Roman tradition and how it carries on in modern culture. How does that merge with research about Disney and similar pop culture, and how did that develop as a focus for you?

That’s right — Classics is a complicated term, but it’s shorthand for the study of the ancient Mediterranean world and its continuing significance.

As for Classics, Disney, and pop culture, I can’t say exactly how it all began merging. I’ve loved animation for as long as I can remember. VHS tapes of Disney’s Robin Hood, Bluth’s American Tail, and Vitello’s Gallavants ran non-stop in my house when I was a kid, and that interest has gotten stronger as time goes by. And I’ve been studying Classics for more than 20 years now. If you spend that long learning and thinking intensively about one area, you just can’t shut off that part of your brain. You develop a sensitivity and notice wherever it pops up, whether that’s at work or vegging out in front of the TV.

The fact that Greece and Rome exert this pervasive presence means it happens all the time, and the more you notice, the more complex and interesting those patterns become, and the deeper you want to dive. So it’s an organic mixing of two things I love and have spent a ton of time trying to learn and understand better.

(Dogpatch Press:) It was interesting that you mentioned teaching a course in talking animals. Tell me all about it! Since when, and how unique is that, and how is it being received? What sort of students are in it and what are they studying in general?

(Christopher Polt:) I love that course — the material is so fun and weird and meaningful. The basic question we ask is, “What are we doing when we speak by using animal voices, and what does that say about our attitudes towards humans, animals, and the lines we draw between them?” It’s also my chance to teach some cool, off-the-wall art and literature. We read Apuleius’ Golden Ass, which is a novel about a guy who accidentally turns himself into a donkey and goes on a journey through the Roman provinces (think The Emperor’s New Groove, but much sexier and more violent), and Nivardus’ Ysengrimus, which is the earliest major collection of stories about Reynard the fox, an archetypal animal trickster.

Sometimes I also take students on field trips to tie historical material we’re learning to lived experience. One of my favorites has been to a local pet cemetery. We spend a few days talking about how Greeks and Romans use animals to think about divinity, mortality, and the afterlife, and we look at epitaphs and funeral poems for dead pets, which are often written from the animal’s point of view. There’s a great example in the British Museum, which commemorates the life of a dog named Margarita (“Pearl” in Latin), who died while giving birth to puppies:

Another professor at U of South Florida does an animals in antiquity course that has a section on furries. 

Christopher Polt also discusses masks in ancient drama in an interesting thread that starts here.

(2) GAME OF ZONING. Ben Ashford, in the Daily Mail story “‘All it’s missing is Jon Snow and a couple of dragons!’ GoT author George R.R. Martin submits plans to build fantasy castle in his New Mexico backyard – but his neighbors aren’t bending the knee!”, says that Martin submitted plans to build a seven-story library in his backyard that looks like the tower of a castle, but the Santa Fe Historic Review Board turned him down because the keep was six feet higher than what zoning regulations permitted.

The 71-year-old creator of Dragonstone, Winterfell and the Red Keep describes his proposed Gothic-style structure as a free-standing ‘seven-sided library’ in a planning application lodged with the City of Santa Fe.

But locals say the fortress-like building, featuring imposing stone walls, battlements and a 27ft tower, is akin to something from HBO’s hit show Game of Thrones and totally out of place in a suburban neighborhood where it will spoil their views.

Martin’s architects toned down the medieval aspects in revised drawings but still need special permission from the city’s Historic Design Review Board to start work on the ‘Water Garden Keep’ because the turret is several feet higher than zoning codes allow.

(3) SUSANNA CLARKE REVIVAL. The New Yorker visits “Susanna Clarke’s Fantasy World of Interiors”. Tagline: “Fifteen years after an illness rendered her largely housebound, the best-selling writer is releasing a novel that feels like a surreal meditation on life in quarantine.”

… Often while I spoke to Clarke I could hear Greenland in the background, clinking dishes in the kitchen sink. Later, he told me that Clarke gets up much earlier than he does, and tries to write for the few hours when her energy is at its peak. By the afternoon, she needs to rest, and even in the morning her ability to participate in, say, a demanding conversation is limited to about an hour. She is very private about whatever she’s working on; in fact, she can be a little cagey about whether she’s working on anything at all. “She’s on her sofa with her laptop,” Greenland said. “And I don’t know if she’s playing a game, if she’s watching TV, if she’s writing e-mails, or if she’s working. It’s not apparent to me. She’s in her bubble. But what I do know is that, for a long while, she was too ill to write. And then, after that, she was writing fragments.”

Many of these “bits,” as Clarke calls them, have been squirrelled away for possible inclusion in some future work. “Jonathan Strange & Mr. Norrell” is partly written in a style reminiscent of John Aubrey, the British scholar best known for his “Brief Lives” series of short biographies. In the novel, these passages come complete with footnoted anecdotes that document the history of English magic with a distinctive combination of whimsy and nineteenth-century punctiliousness. One such story mentions a chick, hatched from an enchanted egg, that “grew up and later started a fire that destroyed most of Grantham.” Clarke writes, “During the conflagration it was observed bathing itself in the flames. From this circumstance, it was presumed to be a phoenix.”

Although the origins of “Piranesi” predate Clarke’s illness, she did not commence intensive work on it until her symptoms abated, a few years ago…. 

 Dan Kois’ review of Piranesi for Slate, “Susanna Clarke’s First Novel in 16 Years Is a Wonder”, begins:

How big is the House? It is limitless. Its towering rooms are the size of two soccer fields or more. Connected by passageways and staircases, the rooms extend in every direction as far as Piranesi can explore. He writes in his journals that he has traveled nearly a thousand rooms from what he believes to be the center of things and has never reached the end. Even the staircases are huge, their steps much taller than a man can comfortably climb, as if, Piranesi writes, “God had originally built the House intending to people it with Giants before inexplicably changing His Mind.”

(4) OLD PEOPLE READ OLD SFF. James Davis Nicoll reread “The Amazing Adventures of Space Cat!” for the first time since 1969. (James may not really be that old, but he is the curator of the Young People Read Old SFF series, so what else could I call it?)

…Convinced the cat is lucky (as opposed to, say, needing more supervision than it is getting), Fred insists that the cat accompany him on humanity’s very first trip to the Moon. Fred’s superiors acquiesce because they would not dream of taking away a man’s good-luck charm. When Fred leaves for the Moon on rocket ship ZQX-1, Flyball accompanies him.

(5) I, FOR ONE. In “Two Books Wonder: How Long Until You Fall in Love With a Robot?”, the New York Times’ Amanda Hess discusses Work Mate Marry Love: How Machines Shape Our Human Destiny by Debora L. Spar and Sex Robots And Vegan Meat: Adventures at the Frontier of Birth, Food, Sex, and Death by Jenny Kleeman.

“Science fiction is not about the future,” the sci-fi novelist Samuel R. Delany wrote in 1984. The future “is only a writerly convention,” he continued, one that “sets up a rich and complex dialogue with the reader’s here and now.” That is a useful way of understanding all the many pop nonfiction books that speculate about the technologies of the future, and attempt to divine their effects on human beings. Their predictions depend on how well they interpret the present.

One such interpreter is Debora L. Spar, the dean of Harvard Business School Online, who writes at the intersection of tech and gender. In her new book, “Work Mate Marry Love,” she considers an emerging wave of innovations that she believes could upend how we experience relationships, reproduction, gender expression and death. “We will fall in love with nonhuman beings,” Spar predicts in the book’s opening pages, “and find ways to extend our human lives into something that begins to approximate forever.” Spar argues that new technologies spark shifts in the most intimate of human affairs, often in unexpected ways. She casts this as a causal relationship, one imbued with a sense of inevitability. The book’s subtitle, “How Machines Shape Our Human Destiny,” gives the machines the agency.


Paul Winchell, the voice of Jerry Mahoney and Disney’s Tigger has the honor of having filed the first patent for an artificial heart: “Paul Winchell: An Amazing Inventor”.

…But what was probably most fascinating about Winchell was the fact that he was a very successful inventor. Over the course of his life, he held patents on over 30 devices, including a disposable razor, a flameless cigarette lighter, an illuminated ballpoint pen, a retractable fountain pen, an inverted novelty mask, battery-operated heated gloves, an indicator to show when frozen food had gone bad after a power outage, and the first artificial human heart. That’s right, the artificial heart.

This invention was developed through collaboration with Dr. Henry Heimlich, inventor of the Heimlich Maneuver, and held the first patent for such a device.

(7) FERRIS-YERXA OBIT. It has been leaned that author Frances Ferris-Yerxa died March 3, 2019 at the age of 101. The family notice said:

She married Le Roy Yerxa. When Le Roy passed away at an early age, she was left with four young children to raise and care for. She later married William Hamling and they had two more children. She was always oriented to the welfare of her family. She loved all her children, all her grandchildren, all her great grandchildren and great great grandchildren and nieces and nephews.

The Yerxa website notes that both Leroy (as his name was spelled on magazine covers) and Frances wrote stories for the “pulp” science fiction magazines Amazing Stories and Fantastic Adventures.

These magazines were published by Ziff-Davis out of Chicago, IL. By the early 1940s, Palmer, the managing editor of these publications, had developed a stable of local (Chicago-based) writers who could write to order, often producing stories around cover paintings by Harold McCauley, Robert Gibson Jones, or Malcolm Smith. The mainstays were Don Wilcox, Robert Moore Williams, David Wright O’Brien, William P. McGivern, Leroy Yerxa, and David Vern, plus (later in the decade) Chester S. Geier, Berkeley Livingston, and William L. Hamling.

Leroy Yerxa was among the most prolific contributors to the Ziff-Davis magazines. He was twenty-seven years old when his first story, “Death Rides at Night,” appeared under his own name in the August 1942 Amazing. In the next four years, till his untimely death in 1946, he sold more than seventy stories to Palmer for Amazing Stories and Fantastic Adventures, with many of those published pseudonymously. He is rumored to have written an entire issue of Fantastic Adventures (possibly the one for December 1943). While other writers wrote more, their output was not concentrated in such a short, intense period. Possibly Yerxa’s only rival in this regard was David Wright O’Brien, who in the five years from 1940 through 1944 sold more than a hundred stories to Palmer, not counting his collaborations with McGivern.

Palmer’s core of writers were so prolific that they could fill every issue. To avoid the frequent recurrence of names, the authors used various personal pseudonyms, some of which were later adopted by other authors. For instance, “Lee Francis” began as a pen name of Leroy Yerxa’s (which he often used when his wife Frances published a piece under her own name in the same edition), but after his death in 1946 it was used by others, including Hamling. In addition, a practice began of creating a number of “house names.” The house names were used by several writers, so that we had the authors using several names and several authors using the same name.

Leroy Yerxa died and, after a reasonable length of time, William Hamling, who had been a good friend as well as colleague, proposed to Frances Yerxa. Frances, who had already made a name for herself as a writer with her material appearing all over the place, accepted Hamling’s proposal and Hamling assumed responsibility for Yerxa’s sons Edward and Richard, and began raising them as his own. Then, Bill and Frances had two children, a daughter Debbie and Billy Jr. They lived in Evanston, the north contiguous suburb of Chicago, on Fowler Avenue in a nice, comfortable house.


September 2010  — At Aussiecon 4 a decade ago this month, China Miéville‘s The City & The City would win the Best Novel Hugo in a tie with The Windup Girl by  Paolo Bacigalupi. It would be his first, and to date only, Hugo Award. It would later win the BSFA Award for Best Novel, the Locus Award for Best Fantasy Novel, the World Fantasy Award for Best Novel and the Arthur C. Clarke Award. Impressive indeed. It was written as a gift for Miéville’s terminally ill mother, who was a fan of police procedurals. It  would be made into an audiobook narrated by John Lee who also narrates Alastair Reynolds’ Prefect Tom Dreyfus novels. A four-part television adaptation by the BBC was broadcast in 2018.


[Compiled by Cat Eldridge and John Hertz.]

  • Born September 11, 1862 – O. Henry.  Master of the short story, often with a surprise ending.  I’ve read the 1926 Complete Works with almost three hundred, poems too; perhaps half a dozen are ours.  When in Wouk’s Youngblood Hawke Jeanne Green compares YH to O. Henry and YH recoils, Wouk who is no dope means us to see YH is wrong and JG is right; YH doesn’t know his own greatness in his fog of yearning for sophistication.  Of course we’d never –  (Died 1910) [JH]
  • Born September 11, 1889 – Ann Bridge.  Alpinist, archaeologist, gardener.  Novel And Then You Came, four shorter stories, for us; a score of other novels including detective fiction, also travel, memoirs.  Praise: people, history, politics shown with truth and skill.  Blame: snooty.  Decide for yourself.  (Died 1974) [JH]
  • Born September 11, 1940 Brian De Palma, 80. Though not a lot of genre work, he has done some significant work including Carrie. Other films he’s done of interest to us are The Fury which most likely you’ve never heard of, and the first Mission: Impossible film along with Mission to Mars. Not genre, but I find it fascinating that he directed Bruce Springsteen’s Dancing in the Dark video which has a genre connection as actress Courtney Cox would be in the Misfits of Science series and the Scream horror franchise as well. (CE) 
  • Born September 11, 1941 Kirby McCauley. Literary agent and editor who as the former who represented authors such as Stephen King, George R.R. Martin and Roger Zelazny. And McCauley chaired the first World Fantasy Convention, an event he conceived with T. E. D. Klein and several others. As Editor, his works include Night Chills: Stories of Suspense, FrightsFrights 2, and Night Chills. (Died 2014.) (CE) 
  • Born September 11, 1951 Michael Goodwin, 69. Ahhh — Alan Dean Foster’s Commonwealth series. I know that I’ve read at least a half dozen of the novels there and really enjoyed them, so it doesn’t surprise that someone wrote a guide to it which is how we have Goodwin’s (with Robert Teague) A Guide to the Commonwealth: The Official Guide to Alan Dean Foster’s Humanx Commonwealth Universe. Unfortunately, like so many of these guides, it was done once and never updated. (CE) 
  • Born September 11, 1952 Sharon Lee, 68. She is the co-author with Steve Miller of the Liaden universe novels and stories which are quite excellent reading with the latest being Neogenesis. They have won Edward E. Smith Memorial Award for for lifetime contributions to science fiction, and they won The Golden Duck (the Hal Clement Young Adult Award) for their Balance of Trade novel.  They are deeply stocked at the usual digital suspects. (CE)
  • Born September 11, 1956 – Jefferson Swycaffer, 64.  Ten novels, thirty shorter stories; regular correspondent in Broken Toys; active in the N3F (Nat’l Fantasy Fan Federation), indeed winning both its Kaymar and Neffy Awards.  [JH]
  • Born September 11, 1958 Roxann Dawson, 62. Best remembered for being B’Elanna Torres on Voyager. She’s also a published genre author having written the Tenebrea trilogy with Daniel Graham. This space opera series is available from the usual digital suspects. She’s got two genre film creds, Angela Rooker in Darkman III: Die Darkman Die, and Elizabeth Summerlee in the 1998 version of The Lost World. She’s the voice of The Repair Station computer on the “Dead Stop” episode of Enterprise. (CE) 
  • Born September 11, 1960 – William Tienken.  This appreciation by Our Gracious Host beats anything I could do.  (Died 2014) [JH]
  • Born September 11, 1961 – Sally Green, 59.  Half Bad and Smoke Thieves trilogies, plus 3½ novella “Half Lies”.  Meanwhile she still runs most days despite several attempts to give it up.  [JH]
  • Born September 11, 1965 Cat Sparks, 55. Winner of an astounding fourteen Ditmar Awards for writing, editing and artwork, her most recent was in 2019 when she garnered one for “The 21st Century Catastrophe: Hyper-capitalism and Severe Climate Change in Science Fiction“.   She has just one published novel to date, Lotus Blue, though there’s an unpublished one, Effigy, listed at ISFDB. She has an amazing amount of short stories all of which are quite stellar. Lotus Blue and The Bride Price collection are both available at the usual digital suspects. (CE) 
  • Born September 11, 1976 – Lizzy Stevens, 44.  A novel and (with husband Steve Miller) five shorter stories; “A Lost Memory” an Amazon Best Seller.  Some other fellow having written Dharma Bums, LS and SM wrote about karma bums.  That Loki is always right in the way.  [JH]


(11) WINGING IT. In the Washington Post, David Betancourt says that former Marvel Comics editor Christian Cooper, famed as the Black birder accosted by a white woman in Central Park, has come out with a comic called “It’s a Bird!” that is “The first issue of ‘Represent!’ a digital series from DC Comics that will showcase writers and artists from groups underrepresented in the industry.” “Christian Cooper has written a comic book partly inspired by his viral Central Park moment”.

… “It’s a Bird” features Jules, a teenager given a pair of binoculars by his father and told to explore his surroundings. Jules, who has an encyclopedic knowledge of birds, is quickly harassed by those threatened by his presence as an unannounced Black man in an open space.

That and other moments of hostility evoke racial profiling that Cooper and other Black birders have experienced, but the story turns slightly mystical when Jules begins using his binoculars and sees images of Black people who have fallen to police violence, including Amadou Diallo, Breonna Taylor and George Floyd.

Cooper works as a senior editorial director at Health Science Communications and didn’t think he would wind up back at one of the superhero publishers so quickly, but here he is.

“I really appreciated it when [DC Comics] came to me and said do you want to do this comic, because I did have something to say,” he said in an interview. “It’s interesting how it slips into maybe this space in the DC Universe that isn’t normally occupied. It is a very magical-realist tale. There is something fantastical that happens in the course of the story. But it’s not capes. It’s not superheroes.”

(12) LEGO MY THINGO. The Drum invites readers to “Meet Bygglek: how Ikea and Lego built a creative solution to messy play”. I thought only Dr. Seuss tought up names like that.

Lego is well aware that its product encourages mess. Not that it’s necessarily a bad thing, as any decent Lego session ends with bricks and figures all over the floor. To make it easier for parents to cope without stifling creativity, Lego looked to the giants of storage, Ikea. Together they created a simple solution, aptly named ’Bygglek.’

…Løgstrup recalls how, while struggling to make the right contact at Ikea, a chance encounter at a school board meeting kickstarted the soon-to-be long-term collaboration between the two beloved Scandinavian brands. “By some coincidence, the leader from our licensing department happened to sit next to someone at Ikea and they started discussing the potential project,“ he explains.

Spurred on by this coincidence, the early courtship saw the Lego team invite Ikea to ‘come play‘ by sending them a stop motion movie to spell out the challenge Lego faced. An attractive offer that few could refuse, Ikea designer Andreas Fredriksson notes. “Of course we wanted to play. It was a yes from the beginning. It‘s the perfect match because we work with small space living at home and Lego is all about play.“

(13) MULAN OPENS QUIETLY IN CHINA. Pei Li, in the Reuters story “Disney’s ‘Mulan’ battles mixed reviews and media muzzle at Chinese launch”, says that Mulan was launched in China with “no major media buildup and no star-studded premier or red-carpet launch” with the film getting mixed reviews in China due in part to its historical anachronisms (buildings exist in the film that were built several hundred years later).

…”Mulan” has provoked a backlash on overseas social media over its star’s support of Hong Kong police and for being partly filmed in the Xinjiang region, where China’s clamp-down on ethnic Uighurs and other Muslims has been criticised by some governments and rights groups.

Chinese authorities told major media outlets not to cover the film’s release in the wake of the uproar, four people familiar with matter told Reuters, further weighing on its chances of success.

(14) MISGUIDED MISSIVE. Early Bird Books, a division of Open Road Media, sends subscribers emails with a list of e-books which are on special for the moment. Yesterday, a now-former subscriber reports they sent her an email with the subject “Message From Our Partner: Relieve Dryness & Make Intimacy Comfortable” with extensive information and endorsements about a product marketed by FemmePharma. The recipient was outraged and copied it to me.

One almost wonders if it was an act of revenge by an employee on their way out the door.

(15) VIDEO OF THE DAY. German Netflix series Dark ended this year; here’s a breakdown on its themes on nihilism and fate from the YouTube channel Wisecrack.

[Thanks to John King Tarpinian, N., Mike Kennedy, John Hertz, JJ, Cat Eldridge, Martin Morse Wooster, Michael Toman, Patch O’Furr, Frank Olynyk, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

46 thoughts on “Pixel Scroll 9/11/20 Mrs. Pixel, We’re Needed

  1. What’s obscure about The Fury? Not a blockbuster, I grant you, but a normal enough release, for its day – decent cast (Kirk Douglas and exploding John Cassavetes), no foul-ups with distribution that I’ve heard of… why shouldn’t we have heard of it? (Or, for that matter, seen it. Bit slow-moving, but generally OK, if you don’t mind people exploding.)

  2. (11) “…writers and artists from groups underrepresented in the industry”

    Would that be writers and artists whose comics people want to buy?

  3. (14) I get several newsletters from Early Bird Books, and I didn’t receive any weird spam from them. I even double checked my spam folder to be sure. (Eww, that was a thrill.) I’ve never had any issues with their newsletter, except that they show me too many bargains.

    It’s possible a spammer spoofed the Early Bird Books address so that the spam looked like it was coming from the company. That happens a LOT. So the company might not be to blame, and the outrage may be misplaced.

  4. I got the Early Bird message – yesterday evening (hadn’t noticed it before because I don’t always read the Early Bird emails right away).

  5. 1) When I was young, probably sometime in the 1970s, I saw a group of actors perform some of the Reynard the Fox stories. It was much later that I discovered that this was a medieval story cycle on par with the Matters of Britain, France, and Rome. And, apparently, why the modern French word for fox is “renard”.

  6. (1) I took a Beast Literature course freshman year at Harvard back in 1985. It fulfilled a distribution requirement. I believe it was taught by Prof. Jan Ziolkowski.

    (4) Loved the Space Cat books. The school library had the full set. I’m now the happy owner of the Dover reprints. I also own the Space Cat shirt from Out of Print.

    Out of Print has gotten way too much of my money over the years. And has recently been the recipient of more, as they have finally produced an adult sized Frog and Toad are Friends shirt.

  7. (5) Concerning falling in love with a robot: MeTV broadcast just last night the beautifully realized, very early Twilight Zone episode “The Lonely,” with Jack Warden and Jean Marsh as Corry and Alicia. Too bad for Corry that Alicia didn’t have a removable/transferable memory, as in the 1988 movie Cherry 2000… but I suppose no one would have thought such a thing possible in 1959.

    (9) Roxann Dawson is much better known as a director of TV episodes than as an actor in recent years, including a number of genre credits; check out her IMDB page.

  8. 9) My favorite Kirby McCauley anthology is Dark Forces, a late 70s original horror anthology that included the first publication of Stephen King’s The Mist (the chief reason I picked it up, TBH), plus other gems by, amongst others, Karl Edward Wagner and Edward Gorey, and one particularly nasty gem of a story (Where There’s a Will) by Richard Matheson and Richard Christian Matheson.

    It’s really a shame that a lot of these kinds of anthologies (I’m also looking at YOU, David Hartwell-edited The Dark Descent) will never be reprinted or rereleased electronically because trying to sort out the rights would be a nightmare.

  9. I also saw The Fury when it was in theaters and even read the novel that it was based on. Long time ago and I don’t remember much about them, to be sure.

  10. Re (5): This one immediately reminded me of “Helen O’Loy” (Lester Del Rey, 1938 or thereabouts) and Isaac Asimov’s “Prelude to Foundation” and “Forward the Foundation,” in which Hari Seldon falls in love with and marries the robot Dors Venabili. I believe there was also a human-robot love relationship in Asimov’s “The Robots of Dawn.”

  11. Would that be writers and artists whose comics people want to buy?

    You don’t see a Comicsgater around here very often. It’s like spotting a rare bird. That nobody wanted to see.

  12. Like Cathy upcomments I am the proud owner of a SPACE CAT t-shirt. (SPACE CAT is the very first book I remember reading, about age 6, and it clearly imprinted me on science fiction and cats ever since.)

    Just wish Out of Print would make more of their shirts 100% cotton, instead of cotton/poly. (Poly and other synthetics become intolerably itchy for me when local temperatures rise above the 80s. Basically means I can only wear the SPACE CAT shirt during winter months.)

  13. 5). I can’t wait, because shortly after this becomes a “thing”, it will be revealed that turning off “locator services” doesn’t really turn off locator services; the manufacturing companies really can and are storing every bit of data collected by their “devices” and hackers have recently taken advantage of a security flaw – check out the dedicated Youtube channel (adults only).

    Among other things, the “amateur porn” industry will tank as robot (data feeds) take over, giving an entirely new twist to the idea that the porn industry is often the first to adopt new technologies.

  14. Hmm, while horror certainly has substantial overlap with speculative fiction, I’m not sure it’s strictly a subset. For example, “slasher” films like Scream seem to lack the necessary imaginative elements. Am I being too narrow-minded?

    Time Considered as a Pixel of Semi-Precious Scrolls.

  15. Speaking of horror, and also of books originally written in Spanish (we had a brief exchange over on Cam’s blog about that) —

    Last night Scribd was pushing a book called Tender is the Flesh at me. Written by Agustina Bazterrica, an Argentinean author, originally published in Spanish in 2017. Now translated to English. It’s characterized as horror/sf-dystopian over on GR, with a 3.95 rating and 2671 ratings so far. It’s about a man working in a commercial slaughterhouse — a slaughterhouse that butchers other humans for meat.

    I don’t really “do” horror, but somehow the blurb has got me interested. Has anyone here read it or heard about it?

  16. Interesting that HowardB doesn’t respond to a request for clarification of what he meant in his original, very terse, comment–but is happy to respond to what he perceives as an insult.

  17. HowardB: Comicsgaters are right wingers who respond to all news of increased diversity in comics by insisting this hurts quality and sales, as you implied with your question. Every bit of news that these comics do well and are regarded with excitement by fans is disregarded.

    Since you previously said here that you won’t wear a mask, that’s two subjects on which you’ve picked the absolutely worst side to be on.

  18. 9) Brian De Palma’s ‘Phantom of the Paradise’ has to count as genre. It’s the Faust legend retold in the rock ‘n roll world of the 1970s.

    A bunch of his other movies seem borderline genre to me. They’re thrillers using his crazy over-the-top style that seems part of a different reality.

  19. @Xtifr: I do tend to think of horror as a subset of speculative fiction, but that may be because most of the horror I read/watch has speculative elements.

  20. @Jee Jay — Every time I see the title “Phantom of the Paradise,” I conflate it with that OTHER great 1970s rock ‘n’ roll classic, “KISS Meets the Phantom of the Park”.

  21. @Patrick Morris Miller: The short version is that Scanners is much weirder than The Fury; it’s sort of Cronenberg’s idea of what a mainstream ESP technothriller might be, but there’s only the slightest gesture toward anything like the ordinary world, there’s something really off about everyone, and I don’t think any given three minutes of it could be mistaken for any other director. The Fury has more filmmaking craft, and some really memorable imagery (Gillian’s first vision appearing in rear-projection, Robin’s final victim spinning and bleeding in midair, etc.), and the performances fit together better (even though I’m one of those who like Stephen Lack’s weird affect in Scanners). It’s a really well made version of several kinds of popular pulp of that time: if you take the paperback shelf at the airport in 1978, put it in a blender, and strain it through the brain of a good director with a great eye, that’s what you get. Scanners is simultaneously trashier and more cerebral and more personal, and sticks with me a little more vividly. I’m sure there are even more unexplored ways someone could make a movie where people explode.

  22. Xtifr said,

    Hmm, while horror certainly has substantial overlap with speculative fiction, I’m not sure it’s strictly a subset. For example, “slasher” films like Scream seem to lack the necessary imaginative elements. Am I being too narrow-minded?

    I think you are being precise. I wonder, though, if effective, frightening horror is more likely to have SFF elements. Alien v. Scream? I don’t read or watch enough mundane horror to figure this out.

  23. @Eli: You don’t think Scanners has some really memorable imagery? 😉 I remember the trailer that consisted entirely of audience reaction shots to one particular scene.

    Scanners is downright mainstream compared to Videodrome, though.

  24. 14) Early Bird Books always has an advertisement embedded in the newsletter, and as with almost all internet ads, what you see is based on a gross misunderstanding of your browsing activity.

  25. A question.I now real Doctor Who Monthly Interzone and Locus as digital publications. What else of genre interest is in digital firm and is worth checking out as adding to my reading list?

    Now playing: “Suicide is Painless” by Johnny Mandel

  26. @Cat —

    What else of genre interest is in digital firm and is worth checking out as adding to my reading list?

    Well, you probably already know that you can get the traditional sff mags (Magazine of F and SF, Analog, etc.) in Kindle format, not to mention stuff like Fiyah and so on digitally.

    Now playing: Hmmm, I haven’t had the tunes on today. I should fix that!

    edit: Now playing: “Desert Rose” by Sting

  27. Uncanny, Clarkesworld and Strange Horizons are available digitally and have some terrific stories.

  28. Jimminy — I wish you guys out west could get some of this rain. We are getting deluged right now!

    Now playing, and it’s even genre-adjacent: “Fortress Around Your Heart” by Sting

  29. I think horror isn’t so much a subset of speculative fiction as one of two circles on a Venn diagram with a fairly substantial area of overlap.

  30. Kevin Harkness on September 12, 2020 at 12:14 pm said:

    I think you are being precise. I wonder, though, if effective, frightening horror is more likely to have SFF elements. Alien v. Scream? I don’t read or watch enough mundane horror to figure this out.

    Scream is probably a bad example for such comparisons, since it’s semi-satirical. Psycho or Silence of the Lambs might be better.

    Personally, I find the most frightening flavor of horror to be psychological. But that, like horror in general, can overlap with SFF, so the question remains open.

    I asked my brother, who is a fairly big horror buff, and he’s not sure either, but doesn’t think it’s a major factor.

  31. I think I generally agree with Eli on the question of Scanners versus The FuryThe Fury is a (generally pretty well-crafted) Cold War-era techno-thriller where the “techno” part happens to be psychokinesis; Scanners is a much quirkier excursion into the weird.

  32. @PhilRM: No, I didn’t mean that as a slight on Scanners at all, though I see how it could’ve read that way. What I meant was that The Fury, despite making less of an impression on me in general, does have some visually striking things that elevate the material because de Palma (and his cinematographer Richard Kline) had a really good eye and good ideas of how to use a camera. In Scanners, the imagery is striking in different and less smooth ways: the gore effects of course, but also oddly specific material objects like the little drawing on a piece of gauze that Revok has taped to his forehead in the asylum or the big sculptures that the telepathic artist has been making… or just generally odd ideas as to what it is we’re supposed to be looking at.

  33. @Eli: Thanks. The Fury is going on my “see if the opportunity presents itself” list.

  34. Andrew (not Werdna) says Uncanny, Clarkesworld and Strange Horizons are available digitally and have some terrific stories.

    Oh Clarkesworld! That’s worth adding to my reading list. Thanks kindly!

    Now listing to Star Trek: Discovery: Die Standing. Our Emperor is not a likeable character. Interesting but nit at all likeable.

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