(1) UNAUTHORIZED. Marina Lostetter illustrates her points about authorship with ancient and contemporary examples in “Le Morte d’Author: on Aggregate Storytelling and Authorial Hope” at Stone Soup.
…When aggregate storytelling is done unofficially, we call it “transformative work,” of which fan fiction is a major part.
An especially intriguing example of modern-day aggregate storytelling — from both an official and unofficial standpoint — is the TV show Supernatural, about two monster-hunting brothers and the found-family they make along the way. The show has enjoyed a voracious fanbase, which kept the series alive for fifteen seasons and spawned thousands and thousands of fan works (as of this writing, there are 243,690 entries related to Supernatural on Archive of Our Own alone. This is to say nothing of Tumblr, Twitter, etc.).
Starting with the season four episode “The Monster at the End of this Book,” the show began engaging with fan reactions through self-referential stories. Sam and Dean literally read fan fiction about themselves on screen, and the characters used vernacular created by the Supernatural fanbase throughout.
The fans didn’t simply consume the story. They changed the way the story was told. It would be difficult to argue that the author(s) should be considered as good as dead in terms of critical consideration when the author(s) were still actively creating in tandem with the audience’s reception…
(2) ESCAPE POD’S BLACK FUTURE MONTH. The Escape Pod original science fiction podcast is taking submissions for Black Future Month.
Escape Pod is pleased to announce a new special project for 2021: Black Future Month, a month-long celebration of Black voices in science fiction, guest edited by Brent Lambert of FIYAH Magazine. Episodes will air in the month of October and feature two original works of short fiction as well as two reprints.
NOTE: For this special event, we are only accepting submission from authors of the African diaspora and the African continent. This is an intersectional definition of Blackness, and we strongly encourage submissions from women, members of the LGBTQIA community, and members from other underrepresented communities within the African diaspora.
Pay rate, format, and content will follow Escape Pod’s regular guidelines, with two exceptions:
- Manuscripts do not need to be anonymized for this submissions portal.
- Stories must be between 1,500 – 5,000 words.
(3) SFF POSTAGE STAMPS COMING. The UK’s Royal Mail has announced that on March 16 the Legend of King Arthur stamps will be released. This set will be followed by an April 15 issue celebrating classic science fiction. As of today, no images from either set have been posted. Norvic Philatelics speculates what might be commemorated in the Classic Science Fiction set:
This issue consists of pairs of 1st class, £1.70 and £2.55 stamps – with the usual additions of a presentation pack first day cover, and postcards.
Some research reveals that this is the 75th anniversary of the death of the author H G Wells, and the 70th anniversary of the publication of John Wyndham’s The Day of the Triffids”, so it seems likely that one of Wells’ books will feature on one stamp and Wyndham’s will appear on another.
(4) GOODBYE, MR. CHIP. The trailer dropped for HBO Max’s Made for Love. It’s sf, right? At least for another few minutes.
The classic story of boy meets girl, boy implants high-tech surveillance chip in girl’s brain… Featuring Cristin Milioti, Ray Romano, Noma Dumezweni, and Billy Magnussen, Made for Love is coming to HBO Max this April.
(5) IT’S GOING TO BE A BUMPY RIDE. Kristin Cashore shares my high opinion of this novel: “Bells and Echoes: The Craft of DOOMSDAY BOOK by Connie Willis”. The last time I praised the book here it caused an uproar. (And a few other consequences, one of which got nominated for a Hugo.)
…. Before I dive deep into Willis’s construction of parallel characters, I want to speak more generally about the potential for parallels — echoes — inside a book, when that book takes place in multiple timelines. Many books do take place in more than one timeline, of course, whether or not they involve time travel! And there’s so much you can do with that kind of structure. As you can imagine, life in Oxfordshire in 1348 is dramatically different from life in Oxford in 2054. But Willis weaves so many parallels into these two stories, big and small things, connecting them deftly, and showing us that some things never really change. I suppose the most obvious parallel in this particular book is the rise of disease. The less obvious is some of the fallout that follows the rise of disease, no matter the era: denial; fanaticism; racism and other prejudices; isolationism; depression and despair; depletion of supplies (yes, they are running out of toilet paper in 2054). She also sets these timelines in the same physical location, the Oxfords and Oxfordshires of 1348 and 2054 — the same towns, the same churches. Some of the physical objects from 1348 still exist in 2054. She sets both stories at Christmas, and we see that some of the traditions are the same. She also weaves the most beautiful web between timelines using bells, bellringers, and the significance of the sound of bells tolling.
Simply by creating two timelines, then establishing that some objects, structures, and activities are the same and that some human behaviors are the same across the timelines, she can go on and tell two divergent plots, yet create echoes between them. These echoes give the book an internal resonance….
(6) YOU ARE THERE. Follow Kevin Standlee and Lisa Hayes on their “Atomic Tour in the Nevada Outback”.
Lisa and I have been getting increasingly antsy and wanting to get out of the house and go see things, but with no sign of a vaccine being available for us mere under-65s, we wanted something that would be away from other people and was close enough to be able to get back home the same day. So we decided to go see the site of the atomic test in our backyard….
I know it’s unlikely that anyone else will come visit this spot, but if somehow your travels take you across “The Loneliest Road,” you might consider a relatively short side trip to one of the few atomic bomb test sites you can visit on your own.
(7) FREE HWA ONLINE PANEL. The Horror Writers Association will present a free Zoom webinar, “Skeleton Hour 7: Writing Horror in a Post-Covid World” on Thursday, April 8, 2021 at 6 p.m. Pacific. Panelists will include: Richard Thomas (moderator), Sarah Langan, Usman T. Malik, Josh Malerman, A.C. Wise, and Lucy A. Snyder. Register here.
(8) TIME TO TURN ON THE VACUUM OF SPACE. James Davis Nicoll sweeps together “Trashy Tales: Five Stories About Space Garbage” at Tor.com. In his collection is —
Terminal Alliance by Jim C. Hines (2017)
The Krakau found an Earth that has been overrun by the bestial survivors of a planetary plague. Still, better half a glass than an empty glass. The benevolent aliens retrieved suitable candidates from the raving hordes and applied suitable cognitive corrective measures. Lo and behold, humans were transformed from wandering monsters to trustworthy subordinates. Although perhaps not all that trustworthy. Humans are relegated to menial tasks.
Marion “Mops” Adamopoulos is in charge of Earth Mercenary Corps Ship Pufferfish’s Shipboard Hygiene and Sanitation team. Chief janitor, in other words. Not command crew. Except that an unexpected attack eliminates her Krakau commanders while most of Pufferfish’s humans revert into beasts. Mops has no choice but to take command of a ship neither she nor the remaining non-bestial humans know how to operate.
(9) DARE YA. The upcoming online classes at the Rambo Academy include one with this irresistible description: “Breaking the Rules with Rachel Swirsky”.
Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense.
Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination, or humor.
“Break the Rules” will teach you inspirations and techniques for rowing upstream of common knowledge. You can break any rule–if you do it right.
Join award-winning speculative fiction writer Rachel Swirsky for a workshop in which she teaches you how and why to break the rules. Next class date: Sunday, April 4, 2021, 1:00-3:00 PM Pacific Time.
(10) MEDIA BIRTHDAY.
- March 8, 1978 — The Hitch-Hiker’s Guide to the Galaxy was first broadcast forty-three years ago today on BBC Radio 4. It was written by Douglas Adams with some material in the first series provided by John Lloyd. It starred Simon Jones, Geoffrey McGivern, Mark Wing-Davey. Susan Sheridan and Stephen Moore. It was the only radio show ever to be nominated for a Hugo in the ‘Best Dramatic Presentation’ category finishing second that year to Superman at Seacon ‘79. It would spawn theater shows, novels, comic books, a TV series, a video game, and a feature film.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
- Born March 8, 1859 — Kenneth Grahame. Author of The Wind in the Willows which it turns out has had seven film adaptations, not all under the name The Wind in the Willows. (Did you know A.A. Milne dramatized it for the stage as Toad of Toad Hall?) Oh, and he did write one other fantasy, The Reluctant Dragon which I’ve never heard of. Have any of y’all read it? (Died 1932.) (CE)
- Born March 8, 1899 – Eric Linklater. The Wind on the Moon reached the Retro-Hugo ballot; it won the Carnegie Medal. Three more novels, nine shorter stories for us; two dozen novels all told, ten plays, three volumes of stories, two of poetry, three of memoirs, two dozen of essays & history. Served in both World Wars. Commander of the Most Excellent Order of the British Empire, Fellow of the Royal Society of Edinburgh. (Died 1974) [JH]
- Born March 8, 1922 – John Burke. Co-edited The Satellite and Moonshine (not Len Moffatt’s fanzine, another one). A score of books including novelizations of Chitty Chitty Bang Bang and Those Magnificent Men in Their Flying Machines (okay, call it adjacent), fourscore shorter stories, for us; a hundred fifty novels all told. Correspondent of The Fantast, Zenith, and at the end Relapse, which I wish Sir Peter Weston hadn’t retitled from Prolapse, but what do I know? (Died 2011) [JH]
- Born March 8, 1928 — Kate Wilhelm. Author of the Hugo–winning Where Late the Sweet Birds Sang. She also won a Hugo for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018,) (CE)
- Born March 8, 1932 – Jim Webbert, age 89. Among our better auctioneers – we raise money that way, few would pay what con memberships really cost. Collector of books, other art, model rockets. HO model railroader. Chemist. Three decades in the Army Reserve, often teaching. Often seen at LepreCon. Fan Guest of Honor at TusCon 1, CopperCon 9, Con/Fusion, Kubla Khan 20 (all with wife Doreen). [JH]
- Born March 8, 1934 — Kurt Mahr. One of the first writers of the Perry Rhodan series, considered the largest SF series of the world. He also edited a Perry Rhodan magazine, wrote Perry Rhodan chapbooks and yes, wrote many, many short stories about Perry Rhodan. He did write several other SF series. Ok, what’s the appeal of Perry Rhodan? He runs through SF as a genre but I’ve not read anything concerning him. (Died 1993.) (CE)
- Born March 8, 1939 — Peter Nicholls. Writer and editor. Creator and co-editor of The Encyclopedia of Science Fiction with John Clute which won a Hugo twice. He won another Hugo for the Science Fiction Encyclopedia. His other publications were Science Fiction at Large, The Science in Science Fiction edited by Nicholls and written by him and David Langford, and Fantastic Cinema. He became the first Administrator of the United Kingdom based Science Fiction Foundation. He was editor of its journal, Foundation: The Review of Science Fiction, from 1974 to 1978. (Died 2018.) (CE)
- Born March 8, 1948 – Jackie French Koller, age 73. Four novels, six shorter stories, for us; three dozen books all told. Watercolorist. Makes gingerbread houses. Her Website. [JH]
- Born March 8, 1973 – Daniel Griffo, age 48. Lives in La Plata (a Silver Age artist?), Argentina, with wife, son, and two pets named Indiana and Jones. I am not making this up. Comics, lettering, 3-dimensional activity books, My Visit to the Acupuncturist (I’m not; why shouldn’t there be a children’s book about that?), two about Dragon Masters – here’s one of them, Future of the Time Dragon. Website. [JH]
- Born March 8, 1976 — Freddie Prinze Jr., 45. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. (CE)
- Born March 8, 1978 – Samanta Schweblin, age 43. Another Argentine, this one living in Berlin, writing in Spanish. Two novels, two shorter stories for us; three collections. Casa de las Americas Award. Juan Rulfo Prize. Tigre Juan Award, Shirley Jackson Award for Distancia de rescate, in English Fever Dream. [JH]
(12) COMICS SECTION.
- The Far Side reveals the tragic conclusion of a nursery rhyme.
(13) FOUR-POSTER. Marvel Studios’ The Falcon and The Winter Soldier today released four new character posters for Sam Wilson (Falcon), Bucky Barnes (Winter Soldier), Sharon Carter and Helmut Zemo as they near their March 19 premiere on Disney+.
(14) ON BOARD. [Item by Martin Morse Wooster.] In the March 3 Financial Times, gaming columnist Tom Faber looks at the appeal of board games during the pandemic.
For those who fancy themselves not Victorian engineers or colonial settlers but fantasy warriors and space explorers, games such as Twilight Imperium and Terraforming Mars hold more appeal. You can learn the rules of most within an hour or two, but there are some more elaborate offerings such as dungeon crawler Gloomhaven, which weighs 10kg and currently sits at the top of the ratings on the authoritative site BoardGameGeek. Games have grown in beauty as well as sophistication–see Wingspan, with its 180 gorgeous bird illustrations and pleasing tokens in the shape of pastel-shaded eggs.
As the games themselves have become more desirable, board game cafes such as Draughts in London and Snakes and Lattes in Toronto have sprung up and help legitimise board gaming, At the same time, the internet has facilitated the discovery of new games and willing opponents, as well as enabling the rising trend of board game crowdfunding–Frosthaven, the followup to Gloomhaven, raised almost $13m on Kickstarter.”
(15) PSA FROM WJW. Walter Jon Williams has shared “My Mask Policy” on his blog:
After having endured the horrors of Oklahoma and Kentucky, I’ve decided that I should announce my mask policy. I’m not a head of state or a governor, I’m just a guy, so there is no way to enforce my preferences on the world— except, of course, by way of sarcasm and mockery.
Just remember that I’m the guy that came up with several rules for living, including Williams’ First Law: Assholes Always Advertise.
So here goes:
While there is very little scientific data about how effective mask use is in preventing COVID, the wearing of masks in public is (at the very least) a courtesy to others, particularly those most vulnerable to the disease.
So if you’re in public and not wearing a mask, I’m not going to assume that you’re a brave iconoclastic thinker challenging accepted dogma, I’m going to assume that you are a complete asshole. And not only are you an asshole, you’re advertising yourself as such.
(16) EXPLORING THE DEBRIS. At Amazing Stories, “Veronica Scott Reviews NBC’s ‘Debris’ Episode One”. BEWARE SPOILERS.
…On the positive side, I love the concept of the alien spaceship disintegrating as it enters the solar system. I’m frankly fascinated by the backstory of that, which sadly, in episode one at least, the series shows no signs of exploring, versus the “what does each piece of debris do this week” storytelling. I liked the way the program began, with the tiny shard of debris transporting an unfortunate maid from high up in a hotel to her death in the dining room, without marring any of the ceilings or floors she falls through. Grabbed my attention!
But there was very little about the alien technology or curiosity on anyone’s part about the aliens themselves or what destroyed the ship. No discussion about whether the debris is actually some kind of invasion or what might happen next. No one here seems to care if there was an FTL drive to be had. I frankly wished this was a series about going to explore what’s left of the hulk in space, rather than these cut and dried, solved in an hour individual cases….
(17) A LITTLE LIST. At the Hugo Book Club Blog, Olav Rokne has compiled a list of “Screen adaptations of Hugo-shortlisted works”. There are 47 so far. (The list excludes Retro Hugo awards as well as all Graphic Novels and comic book adaptations.)
(18) SEUSSWATCH. Adina Bresge, in the Canadian Press story “Canadian libraries reassess Dr. Seuss books pulled from publication for racist images” says that a lot of Canadian libraries are checking to see if they have the six books Dr. Seuss Enterprises has withdrawn from circulation and some of them have pulled the books from the shelves.
The scrutiny also prompted some public libraries to review their Dr. Seuss collections.
A group of librarians across Toronto Public Library’s system will evaluate the titles in question and issue recommendations, according to a spokeswoman.
“Occasionally, children’s books written some time ago are brought to our attention for review,” Ana-Maria Critchley said in an email.
“If the review determines there are racial and cultural representation concerns the committee will recommend to either withdraw the book from our library collections or move the book from children’s collections to another location, such as a reference collection for use by researchers.”
The Vancouver Public Library is also launching reviews of each of the six Dr. Seuss titles.
Scott Fraser, manager of marketing and communications, said this process is usually initiated by a request from a patron, but the library made an exception given the “extremely unusual” decision by a rights holder to suspend publication.
Copies of the books will remain on the shelves while the review is underway, Fraser said, and officials will then decide whether to keep a title in the collection, change its classification or remove it from the stacks.
Vancouver Public Library previously reviewed “If I Ran the Zoo” in 2014 in response to a complaint about stereotypical depictions of Asians. A caption in the book describes three characters as “helpers who all wear their eyes at a slant.”
The library decided to keep the book on the shelves, but stop reading it at storytime, and only promote it as an example of how cultural depictions have changed….
(19) GALE WARNING. “Scientists Discover Massive ‘Space Hurricane’ Above Earth” – Vice has the story.
…Prior to this discovery, Zhang and his research group had been pondering the possible existence of space hurricanes for years. The team’s research focus lies in the interactions between the ionosphere, an atmospheric layer that extends some 50 to 600 miles above Earth’s surface, and the magnetosphere, the region shaped by our planet’s protective magnetic field. At the poles, these interactions generate the magical and dazzling auroras that are popularly known as the Northern and Southern Lights.
Tropical hurricanes are driven in part by the movements of heavy air masses that generate strong winds; Zhang and his colleagues suspected a similar mechanism might be at work in the outer space environment close to Earth. In the case of space hurricanes, the solar wind, a stream of charged particles that flows from the Sun, slams into Earth’s upper atmosphere and transfers its energy into the ionosphere, driving the cyclone formation.
(20) VIDEO OF THE DAY. In “WandaVision Pitch Meeting” on ScreenRant, Ryan George explains that Marvel fans will be frustrated by the slow drip of revelations about how WandaVision connects to the MCU that they’ll become really frustrated by the phrase “Please Stand By.”
[Thanks to Andrew Porter, John Hertz, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
I see a very tasty First made of layers of dark chocolate, graham crackers and mint wafers. Quite ymmmmy!
(5) I liked the works inspired by your controversial comments- so thanks.
I find it very unlikely that A.A. Milne, who died in the ’50s, adapted The WInd in the Willows, or anything else, for Radio 4 in the ’70s. Indeed, Radio 4 did not exist in Milne’s lifetime…
Dan’l: Upon further review the officials have overturned the call on the field. They now rule that A.A. Milne did write a stage adaptation of The Wind in the Willows in 1929, and it was performed on Radio 4 in 1973 (you can listen to a recording on YouTube — https://www.youtube.com/watch?v=oT78tGBaP-U).
Mike: Well, good; the facts were right but the wording was misleading.
11) I’ve never read Graeme’s The Reluctant Dragon (or, for that matter, Wind in the Willows), but I did see the 1941 Disney film of the same name that did include an adaptation of the Graeme book as one of its segments.
18) “Keep it on the shelves but don’t keep reading it at storytime” strikes me as the right choice–but until the secondhand prices die down, they might want to keep them behind the desk not because of content but because they’re likely to get stolen.
(11) It’s Gary Numan’s birthday (b 1958). The Replicas, Pleasure Principle and Telekon albums are probably genre. Replicas was supposedly inspired by the works of Philip K. Dick.
I hate to ask, but are ‘scrolls’ electric?
I watched the first episode of Debris, and… liked it more than I expected to, really?
I suspect that the Monster of the Week format is how they will start, while sneaking in little bits of larger story in the background; after all, that’s the standard model these days, and it’s how they did it on Fringe, which was the most recent major genre credit of many of the writers involved in this show. As it was, the final scenes of the pilot episode made it clear that reconstructing the spaceship is a major priority of world governments, albeit with all of them appearing to want to do it secretly, apart from all the others.
6) I really enjoyed Kevin’s trip. If and when I get to his neck of the woods (well, desert), I wouldn’t mind going out there.
I also believed, the Nebulas Nominees came long before the Hugos nominationdeadline, false memory, or is this year different?
Meredith Moment of sorts: Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind is available from the usual digital suspects for a buck ninety nine. I remember reading this part as of some University course decades back. It’s an interesting thesis.
(8) Planetes is very good but very quickly stops being about orbital garbage collecting and starts getting stranger. There’s an anime based on the comic that looks like they turned it into more of a workplace comedy, but I haven’t watched it myself.
(11) I’m pretty sure I read The Reluctant Dragon when I was a much younger Rob, at least the story summary looks very familiar. Or, like Joe H., I may have seen the Disney adaption.
(3) Will Chris Costello be doing the artwork for the H. G. Wells stamp?
@Cat: I don’t think Jaynes comes anywhere near supporting his thesis, but it’s a great SF premise.
My favorite part of that book is in the introduction, when he talks about having started out as a strict behaviorist in the “there’s no such thing as consciousness” camp. He says something to the effect of: we talked that way because it seemed like an interesting position to take, but it was kind of a pose— of course I didn’t actually believe I wasn’t conscious, none of us did. Whether that’s true or not I enjoyed the blunt humor in it.
Norton Juster, who wrote “The Phantom Tollbooth”, has died at 91.
@Eli: I heard Jaynes speak once (in the 1980s). I agree that it’s a fascinating idea, and almost certainly wrong… but it’s fun to think about.
I did see that. 🙁
So the script to “Star Wars: Duel of the Fates” (which would have been episode 9) was leaked … and has a comic book adaptation:
I’ve been on The Loneliest Road. The car broke down. But I never realized that was the neighborhood of A Bomb tests. What the tourist map told us was that there were some old kilns in the area.
We could not have gone there anyway. Our car was broke down.
Andrew (not Werdna) says I heard Jaynes speak once (in the 1980s). I agree that it’s a fascinating idea, and almost certainly wrong… but it’s fun to think about.
It’s indeed a fascinating concept but completely untenable. I know that there’s at least one genre novel I read that was built off that premise but I’ll be damned if I can remember what it was now.
Jon DeCles on March 9, 2021 at 1:16 pm said:
My sympathy. The last time I drove the major length of US-50, my six-cylinder Astro turned into a five-cylinder vehicle, which made for a rather nervous drive home. (It turned out to be a simple fix, but we didn’t figure it out at the time.)
Just the one. Most of them were in the Nevada Test Site down south, where access is prohibited except for the rare (and currently suspended) tours. This was the only test made in northern Nevada. There is also one east of Tonopah that is publicly accessible.
That’s at the other end of the road, over by Ely, I think. We’ve been to Ely to ride the Nevada Northern Railroad and also spend the night in the old bunkhouse (convenient if you plan in riding the train the next day; you just walk across the rail yard). If we make another trip to Ely, we hope to make time to go visit the Ward Ovens.
PJ Evans wrote–“Norton Juster, who wrote “The Phantom Tollbooth”, has died at 91.
It’s sitting on my shelf of “Books I just can’t bear to part with” so I’m gonna take it down tonight and enjoy Milo, the Humbug and The Watchdog.
@Cat: The Jaynes society has a list of science fiction inspired by his work
6) Has the famous Kuma Bear joined a monastery? It’s a much different look than we see him in at cons.
Andrew (not Werdna) says The Jaynes society has a list of science fiction inspired by his work
Interesting. It’d been nice if they’d added a few words exposing why each novel here was inspired by that work. Now that said, the Paul Levinson PI series noted there sounds fascinating enough that I’ve added it to my Audible wish list for later listening to.
6) We were lucky to find a bunch of size 000 shirts at a now-closed shop near our home a few years ago. Kuma tries to stay comfortable when we’re not at a convention, but even a size 000 shirt is a little baggy on him.
Put a rope belt on the little guy and it’s Friar Tuck cosplay.
(16) One aspect of the Debris premise really bothers me.
According to the two exposition cards, the alien wreck was spotted three years ago and started raining debris onto Earth six months ago. That’s not supposition; it’s literally spelled out from the beginning.
But… how does that work, exactly? The most favorable path I can envision for the wreck is that it’s on the ecliptic plane and Just So Happened to approach Earth on a path that parallels its orbit for several months, relying on a broad debris field to extend the duration for a little while longer, and that’s REALLY implausible. Enough so, in fact, that people in the setting should be commenting on how precisely it was aimed at us.
And even then, unless its speed and Sol’s gravity worked just right to pull it into a curved path – either parabolic like a comet or elliptical like Earth’s – the paths ought to be diverging Real Soon Now. The parabola would buy a couple of extra months of proximity, but not enough to sustain a multiyear series by any stretch of the imagination.
Or am I missing something?
You want actual plausible scienterrific explanations on a TV series? /shocked face
@Rev Bob: Maybe the alien ship was in an Earth crossing orbit, and the Earth will keep passing through the debris field (like we pass through the Perseids). In between passages our intrepid heroes can be collecting all the junk that fell all over the Earth during the last passage, or reacting to the crises that occur each time some civilian runs across a dangerous bit of tech.
@Rev Bob: The impression I got was that all of the debris has already fallen? Haven’t watched the second episode yet to see if that’s addressed further
There’s also a test site in Mississippi. And an accessible one near Carlsbad, NM; and the Gasbuggy site in NW NM. Colorado has the Rio Blanco site and the Rulison site.
The Faultless test site is also in Nevada.
@Andrew (not Werdna): “Maybe the alien ship was in an Earth crossing orbit, and the Earth will keep passing through the debris field (like we pass through the Perseids).”
and @Ray Radlein: “The impression I got was that all of the debris has already fallen?”
No and no. The established status is that debris has been falling for the past six months and continues to do so, with newly-fallen pieces driving each new episode. There is no mention of either past breaks or any expectation of future breaks, just a constant fall with no end in sight.
I am having the darnedest time wrapping my brain around Jaynes’s theory, even via Wikipedia’s attempt to explain it to me like I’m five. However, coincidentally, I just reread “Second Person, Present Tense” by Daryl Gregory, and I feel like it’s playing in adjacent territory, somewhat. Like, on the next playground over. Where the cooler kids play. Maybe?
@Rev Bob: Then I’ve got nothing. Either it will turn out that the main characters are being misled about the circumstances of the debris fall (and we take the opening card to be a representation of “commonly accepted knowledge” in-universe rather than authorial fiat), leading to a major reveal or it will turn out that the creators messed up.
@Nicole J. LeBoeuf-Little,
thank you for the recommendation of “Second Person, Present Tense” by Daryl Gregory.