Pixel Scroll 5/4/19 Pixellation Of The Scroll Nation

(1) MAY THE FOURTH BE WITH YOU. John Stratman posted a 16-bit “Super Nintendo inspired version of the trailer for Star Wars Episode 9.” SYFY Wire explains

His awesome contribution to May The 4th is a sly homage to old-school 16-bit video games of yore applied to the official trailer for Star Wars: The Rise Of Skywalker.  Stratman is notorious for his slick remastered trailers in 8-bit and 16-bit style,

(2) HE DIDN’T MEAN IT. WIRED’s “Geek’s Guide to the Galaxy” podcast hastens to reassure us that “Ian McEwan Doesn’t Hate Science Fiction”. In case you care.

In a recent interview British novelist Ian McEwan seemed to suggest that science fiction is only about “traveling at 10 times the speed of light in anti-gravity boots,” in contrast to his own novel Machines Like Me, which he says explores the “human dilemmas” involved with artificial intelligence. Science fiction fans bristled, questioning whether McEwan had ever actually read any science fiction, but McEwan now insists that he’s been misunderstood.

“I was a little taken aback at how some rather offhand remarks of mine should cause such a storm,” McEwan says in Episode 359 of the Geek’s Guide to the Galaxy podcast. “And actually I’ve read a fair amount of science fiction over a lifetime.” …

“I actually put a nod towards Blade Runner in Adam’s final speeches, after he’s been attacked by Charlie,” McEwan says. “There’s a very self-conscious nod to that famous farewell in the rain.”

And while science fiction works like Blade Runner are a definite influence on Machines Like Me, McEwan notes that there are many other influences as well. “I’d be very happy for my novel to be called science fiction, but it’s also a counterfactual novel, it’s also a historical novel, it’s also a moral dilemma novel, in a well-established traditional form within the literary novel,” he says. “I’m very happy if they want to call my novel science fiction, even honored. But it’s much else, that’s all I’m trying to say.”

(3) MARVEL CONTENT FOR LIBRARIES AND SCHOOLS. Rakuten OverDrive now offers Marvel Digital Graphic Novels to public libraries and schools.

Marvel Entertainment has teamed up with Rakuten OverDrive, the leading digital reading platform for libraries and schools, to offer 600 graphic novel and comic collection titles to public libraries and schools worldwide. Library patrons and students of participating public libraries and schools can borrow digital versions of renowned titles including Avengers, Black Panther, Amazing Spider-Man, X-Men and more. Visit overdrive.com to find a library or school near you.

Marvel Entertainment joins OverDrive’s catalog of millions of ebooks and audiobooks including over 31,000 graphic novels and comics from prominent publishers such as DC Comics, Image Comics, IDW, Valiant, Izneo and Titan Comics. Libraries and schools can select from this catalog to build their individual digital collections.

…Readers can embark on the Marvel adventure in a variety of ways. Public library patrons may download Libby or choose to read on a computer browser. Libby provides an easy, user-friendly experience and is compatible with all major devices, including iPhone®, iPad®, Android™, Windows® and “send to Kindle®” [US only]. Students of participating schools can use Sora, the student reading app, or enjoy via computer browser. Through the Sora app, students have easy access to both the school’s and local public library’s digital collections anytime, anywhere. In both cases, the title will automatically expire at the end of the lending period and there are no late fees.

Daniel Dern notes/adds:

1, Good news, free!

2, Takes a little patience. It looks like each library has a finite # of concurrent per-item licenses, so you may have to search other library systems, and hope that your credentials will let you borrow from it.

3, The price is right.

4, Like all digital comic reading, works best on a big-enough display, either your desktop, or an iPad Pro 12.9. Probably good ’nuff on slightly smaller tablets, but (I suspect) often frustrating in terms of any tiny print, etc.

(4) CINEMATOGRAPHY AS GENRE. NPR’s Mark Jenkins reviews “‘Shadow’: An Epic Tale Of Feudal China That Gradually Shades Into Fantasy”.

…While Shadow is loosely based on historical events, the story’s mythic nature is announced not by the movie’s story but by its look. The ravishing costumes and sets are all in black, white, and watery shades of gray, as if they’d been conjured from Chinese calligraphy and ink paintings.

One of Zhang’s visual signatures is a billowing sheet of brightly colored cloth, a device that dates to 1990’s Ju Dou, set in a fabric dying plant. The closest equivalents in Shadow are seen in the king’s receiving chamber, outfitted with more than a dozen large banners. They’re emblazoned with black-on-white script, its loose penmanship as traditional as Lao Zai’s spare score, composed for venerable Chinese instruments.

In the film’s first half, the only bits of color are the characters’ pinkish skin and an occasional sprig of gray-green vegetation. Later, of course, there will be blood.

Shadow doesn’t rush to battle, unlike such earlier Zhang martial-arts spectaculars as Hero and House of Flying Daggers. The movie spends about an hour sketching the backstory and observing the machinations that will lead to war….

(5) CUMBERBATCH LENDS VOICE TO TOLKIEN PROJECT. The Express reports: “Benedict Cumberbatch waives £7m fee for charity film”.

The star stepped in at no cost – and at short notice – to narrate the film about the death of the great-grandson of Hobbit creator JRR Tolkien from the devastating disease. Cumberbatch, who starred in the film version of the classic fantasy novel, commands up to £7.5million a film. But after hearing from Royd Tolkien, whose brother Mike died aged 39, he waived his fee in a secret deal.

The film portrays Mike’s battle with the neurodegenerative disease and the bucket list he left for actor and film maker Royd, 49, which included a canyon swing tied to a chair.

“Benedict made the most noble, private and breathtaking tribute to my brother,” Royd said. “On his deathbed [Mike] told me he’d left a secret list with 50 challenges I had to complete around the world.

“We made a film of my journey and the detailed narration is a key part.

“The budget was finished and I was devastated. It needed a big name, but I felt Mike’s spirit and just rolled the dice.

“Benedict is my favourite actor so I simply emailed to ask a colossal and free favour.

“I was on urgent deadline and realistically expected nothing in return.”


[Compiled by Cat Eldridge.]

  • Born May 4, 1858 E. Nesbit. She wrote or collaborated on more than 60 books, forty of which were children’s literature, at least some of which are fantasy or supernatural horror. I strongly recommend The Complete Book Of Dragons, the 1975 edition which collection previously unpublished material, and Man and Maid which collects most of her short story horror. (Died 1924.)
  • Born May 4, 1940 Robin Cook, 79. Well he is genre, isn’t he? Or at least genre adjacent? I’ve never actually read any of his best selling books so one of y’all that has will need tell to me how truly genre friendly he is. 
  • Born May 4, 1943 Erwin Strauss, 76. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, the Connection, that ran for at least thirty years. Tell me about him. 
  • Born May 4, 1949 Kim Mohan, 70. Editor and author of the Cyborg Command RPG based on an outline by Gary Gygax. He was Editor of TSR’s The Dragon magazine for several years which led to his becoming editor of Amazing Stories from 1991 to 2000. 
  • Born May 4, 1974 James Bacon, 45. Editor along with more folk than I can possibly mention here of the Hugo-winning Journey Planet magazine from 2009 to the present. Also editor of Exhibition Hall, a Steampunk Zine he edited with Christopher J. Garcia and Ariane Wolfe for some years. 
  • Born May 4, 1977 Gail Carriger, 43. Ahhhh, lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moirai Cook does a delightful job of the audiobooks by the way. I also the two novellas in her Supernatural Society series as well. 
  • Born May 4, 1995 Shameik Moore, 24. He voices Miles Morales, the teen-ager who would become Spider-Man in Spider-Man: Into the Spider-Verse which I review here.  It’s by far the best film I’ve seen this year and I urge you to go see it now. 


  • Off the Mark remembers that Star Wars speed record a little differently.

(8) ISS BECOMES A GAS STATION. “Nasa instrument heads to space station to map CO2” – BBC has the story.

Nasa has sent up an instrument to the International Space Station (ISS) to help track carbon dioxide on Earth.

OCO-3, as the observer is called, was launched on a Falcon rocket from Florida in the early hours of Saturday.

The instrument is made from the spare components left over after the assembly of a satellite, OCO-2, which was put in orbit to do the same job in 2014.

(9) LIGO. Apparently there’s an app for that — “Gravitational waves hunt now in overdrive”.

…The alert on Mansi Kasliwal’s phone went off at two in the morning. Shrugging off the sleep, she squinted at the message. It was from LIGO, the Nobel Prize-winning scientific collaboration that operates gravitational wave detectors.

A far-off violent event had sent ripples in space-time through the Universe, to be picked up by LIGO’s sensor in Louisiana, and it looked from the data like there should be visible “fireworks”, too.

Thanks to the smartphone revolution, she could react without leaving her bed. A few taps on the screen, and the Zwicky Transient Facility, a robotic telescope on Mount Palomar, was reprogrammed to start the hunt.

LIGO, the Laser Interferometer Gravitational-Wave Observatory, and its European counterpart, VIRGO, have just completed upgrades that mean they should be spotting space-distorting events several times each week – collisions of black holes, of neutron stars, and even more exotic phenomena.

And since they started running again at the start of April, expectations are holding up: two in the second week; three last week.

(10) MONOLITH. “How Avengers put Disney at the top of the charts” – and Chip Hitchcock wants to know, “Will Endgame take the title for all-time inflation-adjusted gross from Gone With the Wind?”

Avengers: Endgame broke all box office records last weekend and has confirmed Disney’s dominance in global cinema.

More than 90% of the value of all tickets sold in UK cinemas last weekend was for Avengers: Endgame.

Within five days it had become the fastest film to break the $1bn sales barrier worldwide.

(11) EVERMORE. It may not be quite as hot a ticket as Avengers:Endgame, but the Utah theme park is making sales says David Doering: “While some suggested the park opening would be delayed, they are now selling tix for opening day on Saturday, May 25th. The show, called World of Mythos, sells regularly for $29/adult, $16/child )<14).on Saturdays,  $19 and $9 on Thursdays and Fridays. Mondays are discount day with $14/adults, $9 for kids.”

(12) SLOW HAND. Did he hurt the hand he painted with? Just which hand was that anyway? Analysts speculate that “Leonardo’s ‘claw hand’ stopped him painting”.

Leonardo da Vinci could have experienced nerve damage in a fall, impeding his ability to paint in later life, Italian doctors suggest.

They diagnosed ulnar palsy, or “claw hand”, by analysing the depiction of his right hand in two artworks.

It had been suggested that Leonardo’s hand impairment was caused by a stroke.

But in the Journal of the Royal Society of Medicine, the doctors suggest it was nerve damage that meant he could no longer hold a palette and brush.

Leonardo da Vinci, who lived from 1452-1519, was an artist and inventor whose talents included architecture, anatomy, engineering and sculpture, as well as painting.

But art historians have debated which hand he used to draw and paint with.

Analysis of his drawing shows shading sloping from the upper left to lower right, suggesting left-handedness. But all historical biographical documents suggest Leonardo used his right hand when he was creating other kinds of works.

(13) SHOUT OUT/BLOT OUT. Vanity Fair: “Mike Pence Got an Insane Game of Thrones Shout-Out During the Battle of Winterfell”.

[…] co-creator/showrunner D.B. Weiss […] shared with Jimmy Kimmel some of the challenges of their extensive production [of “The Long Night” episode]. In particular, Weiss revealed the long hours and night-shoots took a toll on series star Jacob Anderson (Grey Worm), whose usual fluency with the “High Valyrian” language was reduced to improvising gibberish among his fellow Unsullied.

“At one point, Miguel [Sapochnik], the director, starts yelling at Jacob to improvise something in Valyrian … yell to your troops in Valyrian,” Weiss explained. “And Jacob was so tired and so delirious and so out of it that all he could think to yell was, ‘Mike Pence! Mike Pence! Mike Pence!’ So in one of those scenes when Jacob is yelling and pointing—whatever he was saying was dubbed over—but what he was actually saying was ‘Mike Pence! Mike Pence!’”

Not only were Anderson’s lines understandably dubbed in post, but Weiss noted the mask over Anderson’s mouth prevents any recognition of the “Mike Pence!” chant regardless. Probably for the best—Game of Thrones has a history of riling up Washington. […]

(14) COP ON A STICK. A new invention, still in development, promises to make the interaction between police and motorists they pull over safer for both sides. Gizmodo: “Imagine Getting Pulled Over By This Tablet on a Stick”.

Every year, millions of drivers are pulled over and during those stops thousands of assaults and physical altercations happen, resulting in injuries and even deaths to both police officers and suspects. On top of that, there’s also the risk from other vehicles when a stop is made on the side of a busy road. Reuben Brewer […] cobbled together [the first versions] in his garage, [but] he’s now developing his police robot for SRI International in the company’s Applied Technologies and Science Department.

[…] When officers pull over a vehicle,] the robot will help create a safe distance between suspects and the police while they both remain in their vehicles during testing. It’s a telepresence robot that extends on a long arm from a police cruiser to the suspect’s vehicle, facilitating two-way video and audio communications.

[… T]he robot is […] equipped with a barcode reader allowing a driver’s license to be quickly scanned, while a thermal printer can churn out tickets and citations that drivers can tear off like a receipt. As the robot moves alongside a vehicle it also subtly deploys a spike strip under the car, so should a suspect decide to flee, they’ll shred at least one tire in the process. […]

(15) KAMERON HURLEY. Paul Weimer considers the “genre conversation” that leads to Hurley’s new novel in “Microreview [book]: The Light Brigade by Kameron Hurley” at Nerds of a Feather.

A future world where Corporations dominate the globe, have in effect become the superpowers that rule a rather tired Earth. For the lower classes, those who are not citizens, it’s a rather rough and precarious life. Dietz (who never gets a first name, and in a bit of ledgerdemain their gender is kept relatively unstated and understated) goes from a future and poor Sao Paulo, to fighting Martians on Mars, in what was once Canada, and far beyond. There’s just one problem: The lightspeed technology to move soldiers around has a strange effect on Dietz, and in short order starts to learn they are experiencing her future all out of order. Worse, thar futuie is a dark one in which the war they signed up for is far more terrible than they can imagine.

(16) GENRE IN NIGERIA. Charles Payseur visits a new frontier of sff in “Quick Sips – Strange Horizons 04/29/2019”.

It’s a special release from Strange Horizons to close out April, featuring two short stories and three poems celebrating Nigerian SFF. The works bring a fresh feel to fantasy that weaves magic and creation, persecution and resistance. It finds characters who just want to be free to live their lives being pulled into plots and intrigues that they want no part of but that threaten them all the same. And only through connecting to their power, their families, and the people they have chosen to surround themselves with can they fight back and perhaps fully embrace their potential. It’s a wonderful batch of short SFF, and a treat for readers hungry for more international SFF, so I’ll get right to the reviews!

(17) BEWARE SPOILERS. ScreenRant invites you to step inside the pitch meeting that led to Avengers: Endgame. (“Oh, it’s like Fanservice: The Movie!”) While amusing the viewers Ryan George pretty much gives everything away so BEWARE SPOILERS!

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Chris M. Barkley, Carl Slaughter, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

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29 thoughts on “Pixel Scroll 5/4/19 Pixellation Of The Scroll Nation

  1. (6): I don’t think I’ve ever been to a convention that “Filthy Pierre” hasn’t been at, too, playing his music and being friendly to all.

  2. (6) My tired brain is telling me that Filthy was also involved with a “Space War” board game, where each square on the board had gravitational paparmeters.

  3. @6 re Strauss: the Voodoo Message Board was used at more than “early conventions”; it was dropped, after considerable discussion, for the 2015 Worldcon, but was used in 2013. (I did those floor plans, so I can attest there; also (in an opt-in form) at Wiscon through at least 2014 (my last — dunno if it’s still used). I haven’t been to any regionals outside Boston in a while, so if I’m missing your favorite use speak up.) The nickname was reportedly because he didn’t do laundry for a very long time as a freshman, simply putting on whatever was most slowly crawling away from the heap of previously-worn clothing (slight exaggeration there). His MIT career was … mixed; however, his fannish career was such that he got both the worldconcom’s one special award and the Big Heart Award in 2004. From my PoV as a con setup/teardown person, he’s noted both for showing up early and late to help, and for devising flyer display racks that are a touch tricky to assemble but (a) hold a lot of flyers in a small space and (b) store flat (quick guestimate: parts for racks that hold well over 100 flyers fit in a large suitcase); these substantially control the mess that freebie tables usually become. (He has made enough of these to organize all the flyers of a Worldcon, and then some.)

  4. 4th on the 4th!

    15) Hey I am a scroll item!

    6) Ack, missed it was Gail’s birthday.

  5. Buddy, you’re a pixel, just a little dot
    Flickin’ on the screen, be an item someday
    You got wrong type face, you big disgrace
    Tickin’ that box all over the place, filin’
    We will, we will scroll you
    (Scroll you!)
    We will, we will scroll you
    (Scroll you!)

  6. (2) HE DIDN’T MEAN IT.

    Dude, nobody gives a shit whether or not you like science fiction. The problem is you claiming that your novel full of tired, hackneyed SF tropes treads untrodden ground. 🙄

  7. (15) Actually, Dietz does get a first name in the book. Vg’f Tvan. Vg’f ba cntr 351, jurer fur tbrf onpx va gvzr sbe gur ynfg gvzr naq zrrgf hc jvgu ure qrnq tveysevraq, whfg orsber fur Oyvaxf njnl Fnb Cnhyb. Nyfb, gur orgjrra-puncgre Vagreivrjf vf jurer vg’f erirnyrq gung Qvrgm vf srznyr. (Cntr 147, jurer gur vagreivrjre/gbeghere fnlf, “Fgevat ure onpx hc.”)

  8. Oops, sorry. I got too caught up in being persnickety to remember to do that.

  9. Robin Cook has lots of genre credentials, though the medical sf is superior to his one actual sf novel, titled ‘Invasion’, about an alien invasion. Subject of a TV mini series in 2007 which was less successful than the book!

    Currently enjoying ‘Europe at Midnight’, as the Mistral blows in Provence.

    The Revolution will not be Pixelated.

  10. A bit before in the time zones here. So.

    May the fifth be with you. Twice.

  11. Ok, the topic of SF and sport has come up a few times here, and when it has, I’ve usually mentioned Geo. Alec Effinger’s SF/sports story collection, Idle Pleasures. Well, I’ve just discovered a new fantasy anthology, Games Creatures Play, edited by Charlaine Harris and Toni LP Kelner. It’s a little broader than just sports, but the majority of stories involve one sport or another. Might be interesting to some of the folks here–even some who aren’t sports fans.

    Authors include Harris and Kelner (of course), plus Seanan McGuire, Adam-Troy Castro, Brandon Sanderson, Joe R Lansdale, Ellen Kushner, Mercedes Lackey, and more.

    (Yet some people still try to claim that SF fans don’t overlap with sports fans.) :rolleyes:

  12. May 4th is Pia Zadora’s birthday. Her name sounds like it should be grenre and of course she was in Santa Claus Conquers The Martians. Hooray for Santa Claus!

    It’s also Will Arnett’s birthday, so Happy Cinco de Cuatro to him.

    It Takes a Nation of Pixels to Scroll Us Back

  13. @Jack Lint: “I’ve made a huge mistake.”

    How many Scrolls does it take to get to the center of a Pixel Roll?

    Endgamesters of TriPixelion

  14. I saw Avengers: Endgame this weekend. It’s pretty much what I expected: A huge glorious mess that I enjoyed immensely. It’s got plot holes you could drive a Chitauri cruiser through, immense contradictions of time and space, and metric assloads of fan service. Even when I went “Hmm…nah” I was having a great time hmm…nahing.

    Spiderman: Into the Spider-Verse is still the best comic book movie ever.

  15. John A Arkansawyer says Spiderman: Into the Spider-Verse is still the best comic book movie ever.

    Yeah so it was. It’s got a sequel planned, plus a series as well. Both should be a lot of fun.

  16. Well, I saw AVENGERS: ENDGAME so I got all the jokes Ryan George made. He’s a funny guy and you should run more of his videos.

  17. @2, McEwan doesn’t seem to understand that quite a lot… I daresay a majority… of SF is “also a counterfactual novel, it’s also a historical novel, it’s also a moral dilemma novel, in a well-established traditional form within the literary novel,” That’s basically what SF does. And if he doesn’t understand that, he doesn’t understand SF at all.

    “This isn’t just a painting; it’s pigment! On canvas! That makes an image!” <eyeroll>

  18. Andrew: Endgamesters of TriPixelion

    Now there’s a fascinating mashup.

  19. #2: “I was a little taken aback at how some rather offhand remarks of mine should cause such a storm,”….”I’m very happy if they want to call my novel science fiction, even honored. But it’s much else, that’s all I’m trying to say.”

    Lol, this is such a 1970’s market ethos. It’s not science fiction he’s dissing. It’s science fiction fans, whom McEwan believes have no interest in any of the “other” things he says his novel contains, things that are regularly in science fiction, including plenty of classic literary science fiction novels he borrowed from. Because we’re swamp creature plebians who read paperbacks, as far as he can remember from fifty years back. “I didn’t say that science fiction is bad, I said that you were for liking it, off-handedly” is quite an appeasement statement.

    Also, it’s “Do Androids Dream of Electric Sheep?,” not Blade Runner, so it seems unlikely McEwan has done more than watch the movie version, which was made forty years ago, rather than read Dick’s actual work and understand its themes and structures when he was making a “tribute”. You’d think The Guardian would have caught it, but apparently they didn’t read the original story either. At least it’s fun material for Ansible.

    Way to cut off a very large word of mouth audience and entire media community for your new novel, McEwan.

  20. To be fair, there was at least one edition of Do Android’s Dream… which was published as Blade Runner. There’s a faint chance that was what McEwan actually read. But that’s about as much fairness as I can muster for McEwan’s ignorant and idiotic non-apology.

    Gosh, it’s so nice to have a straight white man finally do what Le Guin and Delaney were doing back in the seventies! 🙂

  21. Book Identification Mystery for Filers:

    A Grim Reaper drives
    A waggon of bones, pulled by
    A skeletal horse.

    This #haiku is a literal description of a book cover I’ve been trying to find for decades. It all goes back to that book cover, sometime in the mid 60s. I keep asking dealers…

  22. Tie-in editions are still Dick’s work in content, not the film script. And McEwan in his “I think SF fans are dumb and limited” tour specifically referenced that he was in his novel honoring the “tears in the rain” monologue which does not come from the novel, but was instead written by David Peoples and refined by actor Rutger Hauer for the film. Dick apparently liked the monologue and it’s based on stuff from the novel, but it’s not technically in the novel.

    So clearly McEwan has only seen the film. And did not particularly understand the depth of the film either. His understanding of what he himself is writing is superficial, which doesn’t bode well for his novel to have any real depth to it, a dreary thing with an author whose whole drawing point is supposed to be depth in his writing.

    The “I have reinvented the wheel” marketing strategy of selling literary stylists (usually white men,) has thankfully decreased greatly in the last two decades. But it still comes up sometimes and it always means that the publisher loses potential audience instead of gains it. Of course, that may not matter for the Booker, etc., which means that McEwan can sneer at science fiction readers all he likes. But he’s myopic, so my interest in the work is low.

  23. I’m reminded of Philip Roth’s The Plot Against America – which appears to have been written as if no one had ever conceived of an alternate history before, with an appendix summarizing the true history, which he evidently felt to be necessary. (Nonetheless I’m interested to see what David Simon does with his miniseries adaptation for HBO.)

  24. @gottacook: “I’m reminded of Philip Roth’s The Plot Against America – which appears to have been written as if no one had ever conceived of an alternate history before”

    Perhaps that’s the right way to write an alternate history for a mass market?

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