Tag Archives: Leonardo da Vinci

Pixel Scroll 5/8/23 This Is Not A Test Of The Emergency Pixel System

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(1) CLARION WEST’S EVOLVING WORKSHOP CULTURE REPORT. In 2020 Clarion West began a project to update how they run their workshops, especially the Six-Week Summer Workshop.

With project consultant Rachelle Cruz, Clarion West has finalized a report that covers what spurred this project and the conclusions they reached. S.L. Huang touched on the process in their Tor.com article last summer.

You can read the 90-page report on the Evolving Workshop Culture Project (2020-2022) here.

The Clarion West Writers Workshop was founded on the belief that writers from diverse backgrounds need an opportunity to be heard — and to experiment with new forms of storytelling. Clarion West has historically been successful in reaching women writers and LGBTQIA+ writers, and many of our graduates are actively publishing in the field. 

With 744 graduates from the Six-Week Workshop, Clarion West has played a significant role in shaping the careers of speculative fiction writers, and our work continues. As we explore our own efforts to further equity and inclusion, we see an ongoing disparity between the writers we serve and the greater community of published writers in speculative fiction who identify as Black, Indigenous, and People of Color (BIPOC), People of the Global Majority, LGBTQIA+, or disabled. As such, we are now seeking to do better at following our mission to help new and emerging voices in speculative fiction through an examination of our workshop techniques, workshop and organizational culture, community programs, and internal processes.

As a result of feedback and community forums with our alumni described in the report we’ve linked below, Clarion West has undertaken the process of making lasting structural changes that promote a Six-Week Workshop culture distinctive to Clarion West’s mission of equity, empowerment, and innovation — by providing a safer space for participants to explore concepts of race, class, nationality, disability, neurodivergence, gender, and sexual orientation within and beyond the genre of speculative fiction. We hope to expand the focus of this process to every program presented by Clarion West over the next few years.

Clarion West workshop staff and our project consultant and advisor, Rachelle Cruz, created the Overall Report on Evolving Workshop Culture, which details the changes undertaken from 2020–2022. We are excited to share our process, goals, and findings. While this part of the project is complete, we anticipate continuing to update our workshop methods and expectations for students, staff, and instructors each year.

A few findings:

  • The role of a workshop facilitator serves as an an advocate for our students and a resource to our instructors. All staff should be trained in workshop facilitation in order to help coach instructors and students in our new workshop models.
  • Elements like author statements and author-centered workshop models created excitement and engagement. One participant in testing the Lerman/Huang workshop model said: “I felt excited for a community driven toward building the story toward the author’s intent.”
  • Instructors may bring us new models that inspire us! Fonda Lee introduced a model to the 2022 Six-Week Workshop in Week 3 based on Liz Lerman’s Critical Response Process. It proved so successful we continued using it the rest of the summer. A few key elements of this model include giving authors the opportunity to briefly describe their intentions for their work and the feedback they wish to receive, allowing participants to share what they admired about the work and to ask thought-provoking questions, and creating opportunities for full-group discussion.

(2) GUARDIANS OF THE GALAXY CASHING IN. Chris Pratt (Guardians of the Galaxy Vol. 3) squared off against Chris Pratt (The Super Mario Bros. Movie) this past weekend and Chris Pratt won.

The Guardians of the Galaxy Vol. 3 broke the other film’s four-week winning streak at the box office, although The Hollywood Reporter said the domestic opening of $118.4 million is “well behind the last film in the stand-alone Marvel Studios franchise but enough to prove that the new movie is already benefiting from strong audience sentiment.”

And Variety tallied the worldwide receipts:

At the international box office, “Guardians of the Galaxy Vol. 3” added $170 million from 52 markets, bringing its global tally to $289 million. In China, which was once a huge territory for Marvel but has been increasingly hostile toward most Hollywood movies, the comic book threequel collected a better-than-expected $28 million to start.

Meanwhile, The Wrap anticipated The Super Mario Bros. Movie will pass a milestone today:

…On Monday, “The Super Mario Bros. Movie” will pass the $1.15 billion total of “Minions” to become the highest grossing animated movie not produced by Disney or Pixar and one of the Top 5 highest grossing animated movies of all time. The No. 4 spot on that list currently belongs to “Incredibles 2” with $1.24 billion grossed in 2018….

(3) EDIFICE WRECKS. Robin Anne Reid shared the Call for Papers for “Tolkien’s Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth”. Full details at the link.

Many notable scholars have probed the motif of ruins in ancient and medieval texts: Alain Schnapp, Alan Lupack, Geoffrey Ashe, and Richard Barber read the poetics of ruins in Latin poetry, the Exeter Book, and Arthuriana. Scholars working outside of the Classical Age and Middle Ages have also examined how this topos persists in literary periods up through the Renaissance, Romanticism, and to today. In short, the structural and symbolic purposes of ruins in literary texts have a long history, and the literary-critical history of engaging these poetics influences our interests in essays grounded in reading relationships between literary history and relics and ruins in Tolkien’s legendarium. It is time for a volume on the topic, and we are pleased to welcome proposals from a variety of theoretical approaches for a proposed edited collection.

Throughout J. R. R. Tolkien’s history of Middle-earth, relics and ruins appear as images that capture the mood, personality, and disposition of the characters. From the ruins of Erebor and the relics of Gondolin that appear in The Hobbit to the various images of Amon Sûl, Moria, Osgiliath, and post-war Isengard in The Lord of the Rings, Tolkien captures each character’s awareness of the glories of the past and their desires to emulate them. The important roles of relics and ruins in the history of Middle-earth create opportunity for a more formal critical discourse on the topic. This proposed collection of essays will seek to deepen the awareness and importance of relics and ruins in Tolkien’s legendarium while simultaneously focusing on how Tolkien’s vision of history functions within and outside of the Middle Ages. In this vein, we are concerned with including essays that address a greater literary history of Tolkien’s work. We are equally concerned with including pieces that explore the representation of relics or ruins not only within The Hobbit and The Lord of the Rings but, also, the larger legendarium with The History of Middle-earth series, The Silmarillion, and the texts that Christopher Tolkien edited and published after his father’s death (The Children of Húrin, Beren and Lúthien, The Fall of Gondolin, The Fall of Númenor)…. 

(4) BARD BLOOM (1963-2023). Sff writer Bard Bloom died April 29 at the age of 60 after a three-year struggle with glioblastoma. The family obituary is here.

Bard Bloom passed away at their home in Dobbs Ferry, NY on the morning of April 29, 2023, after a nearly three year struggle with glioblastoma. They were 60 years old.

Bard graduated from Washington University in St. Louis with a degree in mathematics and later earned a PhD in computer science from the Massachusetts Institute of Technology. They began their career as an academic specializing in programming languages and semantics and as a professor of computer science at Cornell University. Later, they became a software engineer with industry giants including IBM, Google, and Spotify.

Bard was a passionate writer of fantasy and science fiction, including the World Tree RPG (together with their wife Vicki) and several published novels, often featuring dragons, both inside the World Tree universe and in other original settings. Bard was also a prolific amateur potter and a skilled gamemaster who facilitated the co-creation of numerous stories with their friends.

Bard was a beloved friend to many and an advocate for their transgender and disabled peers, helping others find community, access support, and feel deeply heard. They will be remembered for their stunning intelligence, their insightful advice, their wild imagination, their snarky and occasionally surreal sense of humor, and their often unusually-colored hair….

(5) MEMORY LANE.

1983 – [Compiled by Cat Eldridge.]

My favorite Tim Powers novel is The Anubis Gates which was published forty years ago by Ace Books. I’ve read it a number of times and enjoyed it immensely each time. It’s got interesting characters, a weird story that’s among the best he’s written, and a setting that you have to read to believe. 

It won the Philip K. Dick Award and SF Chronicle Award, and was nominated for a BSFA as well.  

And now his Beginning…

PROLOGUE: 

FEBRUARY 2, 1802

Tho’ much is taken, much abides; and tho’ We are not now that strength which in old days Moved earth and heaven, that which we are, we are. . . .”

—Alfred, Lord Tennyson 

FROM BETWEEN TWO trees at the crest of the hill a very old man watched, with a nostalgic longing he thought he’d lost all capacity for, as the last group of picnickers packed up their baskets, mounted their horses, and rode away south—they moved a little hastily, for it was a good six miles back to London, and the red sun was already silhouetting the branches of the trees along the River Brent, two miles to the west. When they’d gone the old man turned around to watch the sun’s slow descent. The Boat of Millions of Years, he thought; the boat of the dying sungod Ra, tacking down the western sky to the source of the dark river that runs through the underworld from west to east, through the twelve hours of the night, at the far eastern end of which the boat will tomorrow reappear, bearing a once again youthful, newly reignited sun. Or, he thought bitterly, removed from us by a distance the universe shouldn’t even be able to encompass, it’s a vast motionless globe of burning gas, around which this little ball of a planet rolls like a pellet of dung propelled by a kephera beetle. Take your pick, he told himself as he started slowly down the hill. . . . But be willing to die for your choice.

He had to walk carefully, for his Japanese clogs were awkward on the uneven dirt and grass. Fires were already lit among the tents and wagons, and a weaving of wild odors whirled up to him on the cool evening breeze: a sharp, earthy reek from the tethered donkeys, wood smoke, and the aroma of roasting hedgehog, a dish his people particularly relished. Faintly, too, he thought he caught a whiff of stale breath from the crate that had arrived that afternoon—a musty fetor, as of perverse spices meant to elicit aversion rather than appetite, almost shockingly incongruous when carried on the clean breezes of Hampstead Heath. As he approached the cluster of tents he was met by a couple of the camp dogs; as always, they backed away from him when they recognized him, and one turned around and loped purposefully to the nearest tent; the other, with evident reluctance, escorted Amenophis Fikee into the camp. Responding to the dog’s summons, a dark man in a striped corduroy coat stepped out of the tent and strode across the grass toward Fikee. Like the dogs, he halted well short of the old man. “Good evening, rya,” he said. “Will you eat some dinner? They’ve got a hotchewitchi on the fire, smells very kushto.”

“As kushto as hotchewitchi ever does smell, I suppose,” Fikee muttered absently. “But no, thank you. You all help yourselves.”

“Not I, rya—my Bessie always loved cooked hotchewitchi; so since she mullered I don’t eat it anymore.” 

Fikee nodded, though he obviously hadn’t been listening. “Very well, Richard.” He paused as though hoping for an interruption, but none came. “When the sun is all the way down, have some of the chals carry that crate down the bank to the tent of Doctor Romany.” 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 8, 1937 — Thomas Pynchon, 87. I’ve not read him so I’m not at all sure which of his novels can be considered genre. Would y’all first enlighten to which are such, and second what I should now read. ISFDB certainly doesn’t help by listing pretty much everything of his as genre including Mason & Dixon which though post-modernist isn’t genre. Or is. 
  • Born May 8, 1940 — Peter Benchley. He’s known for writing Jaws and he co-wrote the film script with Carl Gottlieb. His novel Beast is genre and was adapted into a film, as was White Shark, which has absolutely nothing to do with sharks. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
  • Born May 8, 1947 — Ron Miller, 76. Illustrator who is quite knowledgeable about the work of astronomical artist Chesley Bonestell – his book The Art of Chesley Bonestell received a Hugo at ConJosé. The Grand Tour he did with William K. Hartmann was nominated at Chicon IV (1982) for Best Related Non-Fiction Book.
  • Born May 8, 1947 — Susan Casper. Editor and author, was married to Gardner Dozois. She was co-editor with him of the Ripper! and Jack the Ripper anthologies. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper was edited just after her death by her husband. (Died 2017.)
  • Born May 8, 1955 — Della Van Hise. A prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage. It’s available on all the usual digital suspects. (Died 2021.)
  • Born May 8, 1963 — Michel Gondry, 60. French director, screenwriter, and producer of such genre as Eternal Sunshine of the Spotless Mind (love that film), The Green Hornet, and The Science of Sleep (which I had not heard of but sounds interesting.) 
  • Born May 8, 1967 — John Hicklenton. British illustrator also known as John Deadstock. He worked on 2000 AD characters like Judge Dredd (especially the Heavy Metal Dredd series) and Nemesis the Warlock during the Eighties and Nineties. He also dipped into the Warhammer universe with “Cycles of Chaos” (with writer Andy Jones) in Warhammer Monthly No. 9. (Died 2010.)

(7) CURE FOR VIRAL. Ben Smith, editor-in-chief of Semafor, tells New York Times readers “We’re Watching the End of a Digital Media Age. It All Started With Jezebel.”

Ten years ago, a group of digital media companies thought the future belonged to us. New brands like Vice, Gawker, The Huffington Post, Business Insider and BuzzFeed News, which I helped start, had begun as blogs or something similar, outsider voices with audiences who were sick of the stuffy mainstream media. They’d grown steadily on the internet, and when Facebook arrived, they exploded with the social platform. They became expert in telling stories in a way people would like and share, and their links became omnipresent in readers’ newsfeeds. Their voices dominated the influential, sometimes toxic conversations on Twitter.

But they didn’t turn out to be the future. Gawker shut down in 2016, briefly revived and shut down again this February. Last month BuzzFeed News closed up shop. The other iconic brand of the era, Vice, is reportedly near bankruptcy and has laid off many journalists in recent weeks. On television, still America’s dominant medium, social media also helped boost a new kind of confrontational, hyperpolitical style, but that seems to be fading, too. Also last month the corporate owners of cable networks pushed out two of the defining voices of the confrontational Trump years, Tucker Carlson and Don Lemon.

Media commentators from CNN to The Financial Times are using the same phrase for this moment: “The end of an era.”

But when did this era in media begin? Where in the media did this remarkable new openness and uncontrollable anger start?

Smith goes on to explain why he thinks it started with Jezebel, a blog started in 2007, which thrived under the editorship of Anna Holmes.

(8) HELL IS HERE. Destination, Part 2 in Marc Watson’s Catching Hell duology, has been released and relaunched by Fluky Fiction.

A critical blow has been dealt to the robotic Army of the Old, but at a great price. Broken and weary, best friends Johan and Aryu have been separated while chasing forces from the distant past that they both fear.

Aryu, the man with wings, pursues the enemy while he slowly slips into the enticing magic and mystery of the Power, led by the great phoenix Nixon Ash.

Johan stands on the steps of Bankoor, a futuristic city full of wonder and mistrust. Here he must make his stand to avenge his destroyed home and find his friend.

As the gap between the brave warriors closes, the worlds of technology and magic will clash!

The book is available in paperback and ebook formats:

Marc Watson, an author of genre fiction of all lengths and styles, lives in Calgary, Alberta. He began writing at the age of 15 and continues to be a part-time writing student at Athabasca University. He has been published on flash fiction site 101words (find his stories here). Watson is a husband and proud father of two. He is an avid outdoorsman, martial artist, baseball player, and lover of all Mexican foods.

(9) POLYMATH. The immersive Leonard da Vinci experience, Leonardo: The Universal Man, is currently available in Phoenix. Buy tickets at the link.

Leonardo: The Universal Man will transport you into the Genius Mind of the original “Renaissance Man” using state of the art immersive design, light, sound, and projection technology. Experience a floor to ceiling spectacle as you embark on a visual and musical journey of da Vinci’s life including world-renowned masterpieces “The Mona Lisa” and “The Last Supper”. This fantastical journey into the many phases of Leonardo’s expansive contribution to history, art, and technology has been reimagined alongside exciting visual animations and custom soundtrack – to bring a man from the 1400s into the wondrous future of today.

(10) FOMALHAUT IS READY FOR ITS CLOSE-UP. “Webb Telescope Finds a Star Cloaked in 3 Rings of Ruined Worlds” reports the New York Times, where you can see several photos.

Fomalhaut, a star just 25 light-years away, is so dazzlingly bright that it blots out the faint light of other stars around it. Stargazers have been enraptured by its secrets for thousands of years.

Now, with the help of the James Webb Space Telescope, astronomers have documented evidence that Fomalhaut is a dynamic star wreathed in cosmic chaos. The powerful observatory’s infrared vision is letting astronomers better understand Fomalhaut’s features, including a mysterious ring unlike anything found in our solar system.

“It’s complex — there’s so much going on!” said Andras Gaspar, an astronomer at the University of Arizona and one of the authors of a study using the Webb observations that was published Monday in Nature Astronomy. “It’s the first time we’ve seen such structures in an evolved system.”…

See the NASA press release here: “Webb Looks for Fomalhaut’s Asteroid Belt and Finds Much More”.

(11) VIDEO OF THE DAY. A new trailer has dropped for Oppenheimer. Opens in theaters July 21.

Written and directed by Christopher Nolan, Oppenheimer is an IMAX®-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, N., Jae Steinbacher, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Two Neighbors

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By John Hertz: (reprinted in part from No Direction Home 18) Where were you on May 2nd? It was the 500th death-anniversary of Leonardo da Vinci (1452-1519). Did you take a cup, say a prayer, look up his work? Maybe you will yet this year. He was born near the town of Vinci; the farmhouse which is believed to be where this occurred, built in 1427, is now the Casa Natale di Leonardo, a museum, about 30 miles (50 km) west of Florence, in Tuscany, Italy.

There are celebratory exhibits at Florence, Milan, Rome; Paris; Krakow; in the United Kingdom, touring twelve cities, and at the Queen’s Gallery in London and in Edinburgh; two more were at Hamburg (first week of June) and New York (January-April).

He studied all things in nature with curiosity, patience, and care; science and art, so remarkably united in his mind, had there one origin – detailed observation [p. 199]…. indeed he was interested in everything. All postures and actions of the human body, all expressions of the face in young and old, all the organs and movements of animals and plants from the waving of wheat in the field to the flight of birds in the air, all the cyclical erosion and elevation of mountains, all the currents and eddies of water and wind, the moods of the weather, the shades of the atmosphere, and the inexhaustible kaleidoscope of the sky…. he filled thousands of pages with observation concerning them, and drawings of their myriad forms [pp. 200-01].

The subject [of The Last Supper] was superb, but from a painter’s point of view it was pitted with hazards. It had to confine itself to male figures and a modest table in a simple room … no vivid action could be brought in to set the figures into motion and convey the sense of life…. he portrayed the gathering at the tense moment Christ has prophesied that one of the Apostles will betray Him, and each is asking, in fear or horror or amazement, “Is it I?”… more than violent physical action; a searching and revelation of spirit; never again, so profoundly, has an artist revealed in one picture so many souls…. preliminary sketches … for James the Greater, Philip, Judas – are drawings of such finesse and power as only Rembrandt [1606-1669] and Michelangelo [1475-1564] have matched [p. 205].

There are several alleged portraits of him, but none before fifty [p. 214]…. He was not anxious to be read by the many. “The truth of things,” he wrote, “is a supreme food for fine intelligences, but not for wandering wits” [p. 215].

He wrote equally well on science and art, and divided his time almost evenly between them [p. 217]…. [In the Treatise on Painting] he urges: “Make figures with such action as may suffice to show what the figure has in mind.” Did he forget to do this with Mona Lisa, or did he exaggerate our ability to read the soul in the eyes and the lips? [p. 218]… It is hard for us to realize that to Ludovico [Sforza, 1452-1508], as to Caesar Borgia [1475-1507], Leonardo was primarily an engineer…. He developed a machine for cutting threads in screws … frictionless roller-bearing hand brakes…. three-speed transmission gears; an adjustable monkey wrench; a machine for rolling metal; a movable bed for a printing press; a self-locking worm gear for raising a ladder [p. 219].

Side by side with his drawings, sometimes on the same page, sometimes scrawled across a sketch of a man or a woman, a landscape or a machine, are the notes in which this insatiable mind puzzled over the laws and operations of nature…. Often the artist peered out again in the scientist; the scientific drawing might itself be a thing of beauty [p. 221]…. The anatomy of man he described not only in words but in drawings that excelled anything yet done [p. 224]…. more fertile in conception than in execution. He was not the greatest scientist or engineer or painter or sculptor or thinker of his time; he was merely the man who was all of these together and in each field rivaled the best…. not quite “the universal man”, since the qualities of statesman or administrator found no place in his variety. But, with all his limitations and incompletions, he was the fullest man [author’s emphasis] of the Renaissance, perhaps of all time [p. 217].

W. Durant, The Renaissance (1953; The Story of Civilization vol. 5)

We in the science fiction community cannot claim Leonardo. Some of his designs were not practicable in his day, which he did not know, not having carried them far enough, but he unlike e.g. Jules Verne did not purpose fiction. Conceptually he lived next door to us. The scope and quality of his imagination, and of his conjoining art and science, are inspiring.

From a 2nd to a 22nd, from a 500th to a 50th. June 22nd was the 50th death-anniversary of Judy Garland (1922-1969). Her death at age 47 ended a 45-year career; she had performed since age 2.

On the 29th Jerry Sharell on his Sinatra and Sharell program, Radio Station KKJZ, played her singing “Come Rain or Come Shine” (H. Arlen & J. Mercer, 1946) from her 23 Apr 61 Carnegie Hall concert, followed by Frank Sinatra (1915-1998) from Sinatra and Strings (1962); if you drink wine, like Corton-Charlemagne and Margaux.

That Carnegie Hall concert, to a sold-out house, was called “the greatest night in show-business history”; released as the two-record Judy at Carnegie Hall (1963) it was an RIAA-certified gold album (Recording Industry Ass’n of America; $1 million in retail sales).

Let us note, even without exploring, her spectacular work in Meet Me in St. Louis (V. Minelli dir. 1944), Easter Parade (C. Walters dir. 1948), A Star is Born (G. Cukor dir. 1954), Judgment at Nuremberg (S. Kramer dir. 1961); her last film, as it happened entitled I Could Go On Singing (R. Neame dir. 1963); her studio albums; her other record-breaking concerts in the United States and overseas.

Pertinent here is The Wizard of Oz (V. Fleming dir. 1939). Frank Baum’s book The Wonderful Wizard of Oz (1900) is a fantasy; it imagines its creatures and events to be as real as the reader. The cinema Wizard is a dream sequence – although at the end Dorothy insists it was real. Let us pass over this, however recreant, for the achievement of imagination it disavows.

In its merits it is masterly. It turns on Garland. She is the fulcrum, the linchpin. Her cogency supports the fantasy. In fact she was 16; her believability as a child is the creation of an actress. It is she whom the characters meet, who by receiving them sustains them – even the Wizard. We do not even notice that her supreme song, ”Over the Rainbow” (H. Arlen & Y. Harburg) – which won an Academy Award – as she did; which became her signature – throughout hard times, hard knocks, hard moments of irrejectable applause roaring against residues of woe – is falsified: the dreams do not come true. The song is true. She made it true – by singing it, and creating or co-creating Dorothy, with beauty and truth.

She was three-ninths into her life. She was one-ninth of her life short of age 21. She did many more things and earned much more acclaim. This picture was a great moment: it is next door to us: and it has proved, to the surprise of everyone in it, remarkably universal.

Since Our Gracious Host found this picture, you might like a close look at the letters “Wizard of Oz”. They’re by Hirschfeld.

Pixel Scroll 5/4/19 Pixellation Of The Scroll Nation

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(1) MAY THE FOURTH BE WITH YOU. John Stratman posted a 16-bit “Super Nintendo inspired version of the trailer for Star Wars Episode 9.” SYFY Wire explains —

His awesome contribution to May The 4th is a sly homage to old-school 16-bit video games of yore applied to the official trailer for Star Wars: The Rise Of Skywalker.  Stratman is notorious for his slick remastered trailers in 8-bit and 16-bit style,

(2) HE DIDN’T MEAN IT. WIRED’s “Geek’s Guide to the Galaxy” podcast hastens to reassure us that “Ian McEwan Doesn’t Hate Science Fiction”. In case you care.

In a recent interview British novelist Ian McEwan seemed to suggest that science fiction is only about “traveling at 10 times the speed of light in anti-gravity boots,” in contrast to his own novel Machines Like Me, which he says explores the “human dilemmas” involved with artificial intelligence. Science fiction fans bristled, questioning whether McEwan had ever actually read any science fiction, but McEwan now insists that he’s been misunderstood.

“I was a little taken aback at how some rather offhand remarks of mine should cause such a storm,” McEwan says in Episode 359 of the Geek’s Guide to the Galaxy podcast. “And actually I’ve read a fair amount of science fiction over a lifetime.” …

“I actually put a nod towards Blade Runner in Adam’s final speeches, after he’s been attacked by Charlie,” McEwan says. “There’s a very self-conscious nod to that famous farewell in the rain.”

And while science fiction works like Blade Runner are a definite influence on Machines Like Me, McEwan notes that there are many other influences as well. “I’d be very happy for my novel to be called science fiction, but it’s also a counterfactual novel, it’s also a historical novel, it’s also a moral dilemma novel, in a well-established traditional form within the literary novel,” he says. “I’m very happy if they want to call my novel science fiction, even honored. But it’s much else, that’s all I’m trying to say.”

(3) MARVEL CONTENT FOR LIBRARIES AND SCHOOLS. Rakuten OverDrive now offers Marvel Digital Graphic Novels to public libraries and schools.

Marvel Entertainment has teamed up with Rakuten OverDrive, the leading digital reading platform for libraries and schools, to offer 600 graphic novel and comic collection titles to public libraries and schools worldwide. Library patrons and students of participating public libraries and schools can borrow digital versions of renowned titles including Avengers, Black Panther, Amazing Spider-Man, X-Men and more. Visit overdrive.com to find a library or school near you.

Marvel Entertainment joins OverDrive’s catalog of millions of ebooks and audiobooks including over 31,000 graphic novels and comics from prominent publishers such as DC Comics, Image Comics, IDW, Valiant, Izneo and Titan Comics. Libraries and schools can select from this catalog to build their individual digital collections.

…Readers can embark on the Marvel adventure in a variety of ways. Public library patrons may download Libby or choose to read on a computer browser. Libby provides an easy, user-friendly experience and is compatible with all major devices, including iPhone®, iPad®, Android™, Windows® and “send to Kindle®” [US only]. Students of participating schools can use Sora, the student reading app, or enjoy via computer browser. Through the Sora app, students have easy access to both the school’s and local public library’s digital collections anytime, anywhere. In both cases, the title will automatically expire at the end of the lending period and there are no late fees.

Daniel Dern notes/adds:

1, Good news, free!

2, Takes a little patience. It looks like each library has a finite # of concurrent per-item licenses, so you may have to search other library systems, and hope that your credentials will let you borrow from it.

3, The price is right.

4, Like all digital comic reading, works best on a big-enough display, either your desktop, or an iPad Pro 12.9. Probably good ’nuff on slightly smaller tablets, but (I suspect) often frustrating in terms of any tiny print, etc.

(4) CINEMATOGRAPHY AS GENRE. NPR’s Mark Jenkins reviews “‘Shadow’: An Epic Tale Of Feudal China That Gradually Shades Into Fantasy”.

…While Shadow is loosely based on historical events, the story’s mythic nature is announced not by the movie’s story but by its look. The ravishing costumes and sets are all in black, white, and watery shades of gray, as if they’d been conjured from Chinese calligraphy and ink paintings.

One of Zhang’s visual signatures is a billowing sheet of brightly colored cloth, a device that dates to 1990’s Ju Dou, set in a fabric dying plant. The closest equivalents in Shadow are seen in the king’s receiving chamber, outfitted with more than a dozen large banners. They’re emblazoned with black-on-white script, its loose penmanship as traditional as Lao Zai’s spare score, composed for venerable Chinese instruments.

In the film’s first half, the only bits of color are the characters’ pinkish skin and an occasional sprig of gray-green vegetation. Later, of course, there will be blood.

Shadow doesn’t rush to battle, unlike such earlier Zhang martial-arts spectaculars as Hero and House of Flying Daggers. The movie spends about an hour sketching the backstory and observing the machinations that will lead to war….

(5) CUMBERBATCH LENDS VOICE TO TOLKIEN PROJECT. The Express reports: “Benedict Cumberbatch waives £7m fee for charity film”.

The star stepped in at no cost – and at short notice – to narrate the film about the death of the great-grandson of Hobbit creator JRR Tolkien from the devastating disease. Cumberbatch, who starred in the film version of the classic fantasy novel, commands up to £7.5million a film. But after hearing from Royd Tolkien, whose brother Mike died aged 39, he waived his fee in a secret deal.

The film portrays Mike’s battle with the neurodegenerative disease and the bucket list he left for actor and film maker Royd, 49, which included a canyon swing tied to a chair.

“Benedict made the most noble, private and breathtaking tribute to my brother,” Royd said. “On his deathbed [Mike] told me he’d left a secret list with 50 challenges I had to complete around the world.

“We made a film of my journey and the detailed narration is a key part.

“The budget was finished and I was devastated. It needed a big name, but I felt Mike’s spirit and just rolled the dice.

“Benedict is my favourite actor so I simply emailed to ask a colossal and free favour.

“I was on urgent deadline and realistically expected nothing in return.”

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 4, 1858 — E. Nesbit. She wrote or collaborated on more than 60 books, forty of which were children’s literature, at least some of which are fantasy or supernatural horror. I strongly recommend The Complete Book Of Dragons, the 1975 edition which collection previously unpublished material, and Man and Maid which collects most of her short story horror. (Died 1924.)
  • Born May 4, 1940 — Robin Cook, 79. Well he is genre, isn’t he? Or at least genre adjacent? I’ve never actually read any of his best selling books so one of y’all that has will need tell to me how truly genre friendly he is. 
  • Born May 4, 1943 — Erwin Strauss, 76. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself. Created the Voodoo message board system used at a number of early cons and published an APA, the Connection, that ran for at least thirty years. Tell me about him. 
  • Born May 4, 1949 — Kim Mohan, 70. Editor and author of the Cyborg Command RPG based on an outline by Gary Gygax. He was Editor of TSR’s The Dragon magazine for several years which led to his becoming editor of Amazing Stories from 1991 to 2000. 
  • Born May 4, 1974 — James Bacon, 45. Editor along with more folk than I can possibly mention here of the Hugo-winning Journey Planet magazine from 2009 to the present. Also editor of Exhibition Hall, a Steampunk Zine he edited with Christopher J. Garcia and Ariane Wolfe for some years. 
  • Born May 4, 1977 — Gail Carriger, 43. Ahhhh, lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moirai Cook does a delightful job of the audiobooks by the way. I also the two novellas in her Supernatural Society series as well. 
  • Born May 4, 1995 — Shameik Moore, 24. He voices Miles Morales, the teen-ager who would become Spider-Man in Spider-Man: Into the Spider-Verse which I review here.  It’s by far the best film I’ve seen this year and I urge you to go see it now. 

(7) COMICS SECTION.

  • Off the Mark remembers that Star Wars speed record a little differently.

(8) ISS BECOMES A GAS STATION. “Nasa instrument heads to space station to map CO2” – BBC has the story.

Nasa has sent up an instrument to the International Space Station (ISS) to help track carbon dioxide on Earth.

OCO-3, as the observer is called, was launched on a Falcon rocket from Florida in the early hours of Saturday.

The instrument is made from the spare components left over after the assembly of a satellite, OCO-2, which was put in orbit to do the same job in 2014.

(9) LIGO. Apparently there’s an app for that — “Gravitational waves hunt now in overdrive”.

…The alert on Mansi Kasliwal’s phone went off at two in the morning. Shrugging off the sleep, she squinted at the message. It was from LIGO, the Nobel Prize-winning scientific collaboration that operates gravitational wave detectors.

A far-off violent event had sent ripples in space-time through the Universe, to be picked up by LIGO’s sensor in Louisiana, and it looked from the data like there should be visible “fireworks”, too.

Thanks to the smartphone revolution, she could react without leaving her bed. A few taps on the screen, and the Zwicky Transient Facility, a robotic telescope on Mount Palomar, was reprogrammed to start the hunt.

LIGO, the Laser Interferometer Gravitational-Wave Observatory, and its European counterpart, VIRGO, have just completed upgrades that mean they should be spotting space-distorting events several times each week – collisions of black holes, of neutron stars, and even more exotic phenomena.

And since they started running again at the start of April, expectations are holding up: two in the second week; three last week.

(10) MONOLITH. “How Avengers put Disney at the top of the charts” – and Chip Hitchcock wants to know, “Will Endgame take the title for all-time inflation-adjusted gross from Gone With the Wind?”

Avengers: Endgame broke all box office records last weekend and has confirmed Disney’s dominance in global cinema.

More than 90% of the value of all tickets sold in UK cinemas last weekend was for Avengers: Endgame.

Within five days it had become the fastest film to break the $1bn sales barrier worldwide.

(11) EVERMORE. It may not be quite as hot a ticket as Avengers:Endgame, but the Utah theme park is making sales says David Doering: “While some suggested the park opening would be delayed, they are now selling tix for opening day on Saturday, May 25th. The show, called World of Mythos, sells regularly for $29/adult, $16/child )<14).on Saturdays,  $19 and $9 on Thursdays and Fridays. Mondays are discount day with $14/adults, $9 for kids.”

(12) SLOW HAND. Did he hurt the hand he painted with? Just which hand was that anyway? Analysts speculate that “Leonardo’s ‘claw hand’ stopped him painting”.

Leonardo da Vinci could have experienced nerve damage in a fall, impeding his ability to paint in later life, Italian doctors suggest.

They diagnosed ulnar palsy, or “claw hand”, by analysing the depiction of his right hand in two artworks.

It had been suggested that Leonardo’s hand impairment was caused by a stroke.

But in the Journal of the Royal Society of Medicine, the doctors suggest it was nerve damage that meant he could no longer hold a palette and brush.

Leonardo da Vinci, who lived from 1452-1519, was an artist and inventor whose talents included architecture, anatomy, engineering and sculpture, as well as painting.

But art historians have debated which hand he used to draw and paint with.

Analysis of his drawing shows shading sloping from the upper left to lower right, suggesting left-handedness. But all historical biographical documents suggest Leonardo used his right hand when he was creating other kinds of works.

(13) SHOUT OUT/BLOT OUT. Vanity Fair: “Mike Pence Got an Insane Game of Thrones Shout-Out During the Battle of Winterfell”.

[…] co-creator/showrunner D.B. Weiss […] shared with Jimmy Kimmel some of the challenges of their extensive production [of “The Long Night” episode]. In particular, Weiss revealed the long hours and night-shoots took a toll on series star Jacob Anderson (Grey Worm), whose usual fluency with the “High Valyrian” language was reduced to improvising gibberish among his fellow Unsullied.

“At one point, Miguel [Sapochnik], the director, starts yelling at Jacob to improvise something in Valyrian … yell to your troops in Valyrian,” Weiss explained. “And Jacob was so tired and so delirious and so out of it that all he could think to yell was, ‘Mike Pence! Mike Pence! Mike Pence!’ So in one of those scenes when Jacob is yelling and pointing—whatever he was saying was dubbed over—but what he was actually saying was ‘Mike Pence! Mike Pence!’”

Not only were Anderson’s lines understandably dubbed in post, but Weiss noted the mask over Anderson’s mouth prevents any recognition of the “Mike Pence!” chant regardless. Probably for the best—Game of Thrones has a history of riling up Washington. […]

(14) COP ON A STICK. A new invention, still in development, promises to make the interaction between police and motorists they pull over safer for both sides. Gizmodo: “Imagine Getting Pulled Over By This Tablet on a Stick”.

Every year, millions of drivers are pulled over and during those stops thousands of assaults and physical altercations happen, resulting in injuries and even deaths to both police officers and suspects. On top of that, there’s also the risk from other vehicles when a stop is made on the side of a busy road. Reuben Brewer […] cobbled together [the first versions] in his garage, [but] he’s now developing his police robot for SRI International in the company’s Applied Technologies and Science Department.

[…] When officers pull over a vehicle,] the robot will help create a safe distance between suspects and the police while they both remain in their vehicles during testing. It’s a telepresence robot that extends on a long arm from a police cruiser to the suspect’s vehicle, facilitating two-way video and audio communications.

[… T]he robot is […] equipped with a barcode reader allowing a driver’s license to be quickly scanned, while a thermal printer can churn out tickets and citations that drivers can tear off like a receipt. As the robot moves alongside a vehicle it also subtly deploys a spike strip under the car, so should a suspect decide to flee, they’ll shred at least one tire in the process. […]

(15) KAMERON HURLEY. Paul Weimer considers the “genre conversation” that leads to Hurley’s new novel in “Microreview [book]: The Light Brigade by Kameron Hurley” at Nerds of a Feather.

A future world where Corporations dominate the globe, have in effect become the superpowers that rule a rather tired Earth. For the lower classes, those who are not citizens, it’s a rather rough and precarious life. Dietz (who never gets a first name, and in a bit of ledgerdemain their gender is kept relatively unstated and understated) goes from a future and poor Sao Paulo, to fighting Martians on Mars, in what was once Canada, and far beyond. There’s just one problem: The lightspeed technology to move soldiers around has a strange effect on Dietz, and in short order starts to learn they are experiencing her future all out of order. Worse, thar futuie is a dark one in which the war they signed up for is far more terrible than they can imagine.

(16) GENRE IN NIGERIA. Charles Payseur visits a new frontier of sff in “Quick Sips – Strange Horizons 04/29/2019”.

It’s a special release from Strange Horizons to close out April, featuring two short stories and three poems celebrating Nigerian SFF. The works bring a fresh feel to fantasy that weaves magic and creation, persecution and resistance. It finds characters who just want to be free to live their lives being pulled into plots and intrigues that they want no part of but that threaten them all the same. And only through connecting to their power, their families, and the people they have chosen to surround themselves with can they fight back and perhaps fully embrace their potential. It’s a wonderful batch of short SFF, and a treat for readers hungry for more international SFF, so I’ll get right to the reviews!

(17) BEWARE SPOILERS. ScreenRant invites you to step inside the pitch meeting that led to Avengers: Endgame. (“Oh, it’s like Fanservice: The Movie!”) While amusing the viewers Ryan George pretty much gives everything away so BEWARE SPOILERS!

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Chris M. Barkley, Carl Slaughter, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]