Pixel Scroll 7/29/24 No One Scrolls Here These Days, It’s Too Pixeled

(1) TOLKIEN’S ANSWERS. “’Human stories are always about one thing – death’: Why the shadow of death and WW1 hang over The Lord of the Rings” – at BBC. Includes video of the referenced interview.

In a 1968 interview, the BBC spoke to author JRR Tolkien about his experiences during World War One, how they had a profound effect and influenced his epic fantasy novel, Lord of the Rings.

“Stories – frankly, human stories are always about one thing – death. The inevitability of death,” The Lord of the Rings author JRR Tolkien told a BBC documentary in 1968, as he tried to explain what his fantasy magnum opus was really about. 

The novel, the first volume of which was published 70 years ago this week, has enthralled readers ever since it hit the shelves in 1954. The Lord of the Rings, with its intricate world-building and detailed histories of lands populated with elves, hobbits and wizards, threatened by the malevolent Sauron, had, by the time of the interview, already become a bestseller and a cornerstone of the fantasy genre. 

To better explain what he meant by the story being about death, Tolkien reached into his jacket pocket and pulled out his wallet, which contained a newspaper clipping. He then read aloud from that article, which quoted from Simone de Beauvoir’s A Very Easy Death, her moving 1964 account of her mother’s desire to cling to life during her dying days….

(2) TOR/SCALZI PARTNERSHIP EXTENDED. With six books still owed on his previous 13-book deal, Tor has signed John Scalzi up for yet another ten books: “Tor Publishing Group and Tor UK Announce Major Multi-Book Deal for Bestselling and Award-Winning Author John Scalzi” at Reactor.

…This new deal marks another long-term commitment by Tor Publishing Group and Tor UK to the works of John Scalzi, with the first book of this new contract tentatively scheduled for 2029.

John Scalzi said of the deal, “It’s rare in publishing to get anything close to continuity—authors go from one publishing house to the next. So I’m especially proud that this contract not only extends my two-decade association with Tor Books, but gives us both an opportunity to build on what’s come before, and make what comes next even better. We have so much planned in the years ahead. I can’t wait for you all to read it.”

Patrick Nielsen Hayden commented, “It’s fantastic to know that we’ll be in the John Scalzi business for even more years to come. He’s a remarkable writer and I can’t wait to see what he does next.”… 

(3) TAFF WINNER’S ITINERARY. Trans-Atlantic Fan Fund administrator Sandra Bond today issued Taffluorescence 5, containing news of 2024 delegate Sarah Gulde’s movements and other hot news from TAFF. Gulde’s visit to the UK will take her to:

22-26 July: London… 26-29 July: Blackpool (Star Trek con)… 29 July-8 August: Inverurie… 8- 13 August: Glasgow… 13-16 August: Elgin… 16-20 August: Inverness… 20-23 August: Newcastle… 27-30 August: Stoke… 30 August-3 September: Liverpool… 3-10 September: Wrexham… 10-13 September: Neath… 13-16 September: Broadway (Give my regards… oh, that Broadway…) 16 September-11 October: London, Bath, Cornwall, Stratford.

Do not hesitate to give generously when the TAFF hat is passed.

(4) SHADOWY ENDING. The LA Times takes readers “Inside SDCC 2024 with ‘What We Do in the Shadows’ cast”. (Behind a paywall.)

…FX is going all out for “Shadows” at Comic-Con this year for their “farewell tour.” The acclaimed mockumentary comedy series — which earned eight Emmy nominations earlier this month — has announced that its upcoming sixth season will be its last. The Bayfront’s exterior is draped in a gigantic “Shadows” promotional poster, and just below the hotel is an activation area that features one designed to look like the show’s vampire mansion.

Before their panel presentation, the cast and creatives head to an area where they are greeted by fans in full cosplay despite the sweltering heat. The “Shadows” team is then shuttled to the convention center, where it listens in backstage as a packed Hall H receives a sneak peek at the Season 6 premiere. (Berry and Newacheck share a thumbs up when they hear the audience erupt in laughter after a Laszlo moment.) And after their Hall H presentation, they and the rest of their group will be chatting up fans — some in cosplay, some with “Shadows”-themed paraphernalia, all with enthusiasm — as they sign autographs and pose for selfies. As for Season 6, Simms says, “It’s exactly what we wanted to do.”

“We wanted to make a last season that was not sentimental or trying to tie up every loose end,” he says. “Just make [a season] that is super funny and at the end has a good ending, which we’re not going to tell you.”

(5) R-R-R-R MATEY! Deadpool & Wolverine made a lot of money this weekend, its $205 million domestic box office ranking as the eighth biggest opening of all time among any film and by far the biggest launch for an R-rated film, not adjusted for inflation. The first Deadpool was the previous record-holder at $133.7 million.  “Box Office: ‘Deadpool & Wolverine’ Sets Record With $205 Million Debut” at Variety.

…Disney’s superhero sequel has collected $205 million in its opening weekend, ranking as the eighth-best debut of all time ahead of 2018’s “Black Panther” ($202 million) and behind 2015’s “Jurassic World” ($208 million) and 2012’s “The Avengers” ($207 million). Only nine films in Hollywood history have crossed the $200 million milestone in their opening weekends. Ticket sales also easily surpassed 2016’s “Deadpool” ($132 million) to set the record for the biggest R-rated opening weekend ever. The 2018 sequel, “Deadpool 2,” now stands as the third-biggest R-rated debut with $125 million. Among the newest installment’s many benchmarks, “Deadpool & Wolverine” landed by far the biggest start of the year, overtaking Disney’s Pixar sequel “Inside Out 2” ($155 million debut).

Internationally, “Deadpool & Wolverine” captured $233.3 million for a staggering global tally of $438 million. After three days of release, the film, starring Ryan Reynolds and Hugh Jackman, is already the sixth-highest grossing of 2024. Disney spent about $200 million to produce and roughly another $100 million to promote the movie.

(6) DUNE DESIGN. Fonts In Use investigates “The Mystery of the Dune Font” in this 2023 article.

In the six decades since the publication of the original Dune novel in 1965, the science fiction franchise has gone through many different typographic identities. Notable examples include the use of Giorgio for the British paperbacks by NEL (c. 1968) and Albertus for David Lynch’s movie adaptation (1984). But another typeface has even stronger ties to Dune and its author. It appeared on the covers of dozens of books, including the classic Dune trilogy and its sequels, and also on other titles by – or about – Frank Herbert, from various imprints. Strangely enough, the name of this typeface is barely known even among die-hard fans….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

July 29, 1941 David Warner. (Died 2022.) Let’s consider David Warner. Where shall we start? I say with his role in Time Bandits where Warner plays Evil Genius, a malevolent being capable of twisting and warping reality. He needs the map to be able to escape the Fortress of Darkness, where he’s been imprisoned. Evil is also different because He understands technology, and in his clawed hands “The world will be different. Because I have understanding.” What’s that he has an understanding of? Digital watches. “And soon I shall have an understanding of cassette recorders and car telephones.”  A truly excellent role for him.

David Warner as Evil Genius

Next up in my estimation would be his performance as John Leslie Stevenson and Jack the Ripper in Nicholas Mayer’s exemplary Time after Time which has Malcolm McDowell as H. G. Wells.  

As Warner as Jack offhandedly says to Wells, “Ninety years ago, I was a freak. Here, I’m an amateur.”  Warner does a bang on the ear of making Jack revel in the violent nature of the present such as the ease in which one can purchase firearms and how killing has become much more efficient because of them. 

Jack says, “We don’t belong here? On the contrary, Herbert. I belong here completely and utterly. I’m home.” 

Malcolm McDowell as H.G. Wells.

So what next? That’d have to be Chancellor Gorkon in Star Trek VI: The Undiscovered Country, the chancellor of the Klingon High Council who hopes to forge a peace between his people and the Federation. 

Memory Alpha notes “Jack Palance was Nick Meyer’s original choice for the role. (Captains’ Logs: The Unauthorized Complete Trek Voyages, p. 141) However, Palance proved to be extremely costly to hire as well as slightly hesitant to accept the part.” They need a performer who fitted the script’s description of Gorkon as “savagely tall” and Warner was six feet, two inches tall.

David Warner recognized that the role was not a particularly large one, saying, “I just sat there for one scene and then got killed!  Which is fine – I don’t have a problem with that. It’s exposition, setting it all up.” (From Star Trek Magazine issue 153, p. 47) . He did a lot with what little time had do you agree?

David Warner as Chancellor Gorkon.

Those are the three performances that I think he’s most memorable in. Did he have other roles which I should note? 

He voiced in the Batman: The Animated Series a character named Ra’s al Ghul, a very long live criminal mastermind. He voices him to utter perfection as one who both respects and disdains Batman.  

That he’s a man of many roles is beyond dispute as he’s played Doctor Von Frankenstein and The Creature, Reinhard Heydrich who I can only describe as the souless monster that was responsible for the Holocaust; Bob Cratchit, a Professor Summerlee, Lord Mountbatten, The Doctor, Houdini and Professor Abraham Van Helsing. 

I’m sure that I missed some interesting performances he did, so feel free to tell me that I overlooked them as you always do. 

(8) COMICS SECTION.

(9) REYNOLDS RAP. The Hollywood Reporter gives reasons for ranking these as the “13 Best Ryan Reynolds Movies”. For example, you probably already forgot this one:

11. Detective Pikachu (2019)

The first thing you think of when you consider that famous yellow cutie that the Pokémon brand was built from probably isn’t Ryan Reynolds. His initial casting as Pikachu, for which he lent his voice and face via motion capture, was initially met with understandable confusion and a share of derision. But somehow, against all odds, it works. A gumshoe Pikachu with missing memories, teaming up with a failed Pokémon trainer, Tim Goodman (Justice Smith), and a cub reporter, Lucy Stevens (Kathryn Newton), to uncover a city-wide conspiracy is the kind of clever, special effects heavy take on the neo-noir that makes the film appealing for more than just Pokémon fans.

I couldn’t count the names of Pokémon characters I know on one hand, and I didn’t go into this movie as a fan. Yet, I found Rob Letterman’s film to be an engaging fantasy-mystery, and Reynolds’ performance to be a breezy and grounding element in a film entirely set in a lore-heavy fictional reality. As far as video game adaptations go, Detective Pikachu is one of the best, and it doesn’t get overly caught up in minutiae, instead allowing the cast and audience to simply focus on delivering a good time within the framework of a silly, but no less endearing, concept. And as for a bit of film trivia, before Reynolds accepted the role, Hugh Jackman was on WB’s shortlist to voice Pikachu — but he wasn’t quite ready to don the yellow just yet.

(10) KEEP ON DREAMING. Popverse is on hand when “Doctor Who and Star Trek showrunners announce that the two franchises are crossing over… for a mobile game”.

… During San Diego Comic-Con 2024 Star Trek: Strange New Worlds showrunner Alex Kurtzman and Doctor Who showrunner Russell T. Davies came together for a joint event titled Intergalactic Friendship Panel: Star Trek X Doctor Who. This raised some eyebrows, and the anticipation only grew after Saturday’s Star Trek panel. During the panel, Kurtzman was asked about a Doctor Who crossover, and his answer pointed to the crossover panel. “I think you should come to the panel later today and ask the same question,” Kurtzman teased.

Now, we know what that tease was referring to – a crossover between the Doctor Who: Lost in Time and Star Trek Lower Decks: The Badges Directive mobile games. It’s perhaps not the crossover fans were hoping for – we were kind of crossing out fingers for a live-action meetup, but at least one of the panelists has hope that that may happen someday. …

(11) BACK TO THE SILO. Shelf Awareness picked up this Silo news at Comic-Con.

During San Diego Comic-Con, Apple TV+ announced that the second season of the hit series Silo, which is based on Hugh Howey’s sci-fi stories–including the novellas WoolShift, and Dust–will premiere November 15 with the first episode, followed by one new episode every Friday through January 17, 2025.

Steve Zahn (The White LotusTreme) is joining the season 2 cast..

(12) THE CTHULHU IN THE HAT? H.P. Lovecraft’s Dagon for Beginning Readers by R.J. Ivankovic is a droll, Seuss-inspired parody. (No, I don’t know if the Seuss corporate lawyers have heard of it yet.)

So a warning to all,
for what it is worth:
when the monsters arise
they will conquer the earth.

The famous H.P. Lovecraft story Dagon is gracefully retold in anapestic tetrameter and illustrated in a darkly whimsical style by genius poet-artist R.J. Ivankovic.

A sailor escapes in a lifeboat after his ship is attacked by a German raider during World War I. He soon finds himself in more bizarre peril, stranded in a dark, stinking mire on the edge of a mammoth pit. Venturing into the pit, he discovers a monolith covered in weird hieroglyphics and something stranger still that crawls from the slime a creature that may be the vanguard of a vast and monstrous invading army from the depths of the sea.

(13) VIDEO OF THE DAY. It’s ultimately an ad, however, it is cute: “Sand Whiskers and Starlight: The Feline Chronicles of Dune”.

Join us on a pawsome journey as we unveil our beloved feline friends who aren’t just curled up in a cozy corner; they’re out there, backpacking across continents, camping under the stars, floating in cosmic space, time-traveling to study with art masters, seeking enlightenment on pilgrimages, commanding the seven seas and skies, and even hustling in the Big Apple!

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Sandra Bond, Bill, Jim Janney, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]


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16 thoughts on “Pixel Scroll 7/29/24 No One Scrolls Here These Days, It’s Too Pixeled

  1. Unfortunately, no. I’m not physically up for that kind of travel. Also, my hearing is so bad (even with hearing aids) there’s a question of what I can enjoy once I get there.

  2. 7) For me, the two iconic David Warner roles are Evil in Time Bandits and Dillinger/Sark/the MCP in TRON.

    (And, looking at the dates in his filmography, the first thing I may have seen him in might have been the Masada miniseries, but if so, I don’t remember him (or, in fact, much of anything else about it).)

  3. (1) I read, long ago, that by 1919, with one exception, every single one of Tolkien’s close friends were dead in the war. And he’d been wounded, more than once, IIRC.
    (2) Now, if Tor will pick me up…
    (4) My problem is I see “Shadows”, and Marvel is not what I see. I mean, as Mr. Morden asked, “What do you want?”
    (6) I get a 502, bad gateway, when I click on the link.
    Birthday: David Warner, YES. He was astounding in Time After Time – he did NOT play a Hollywood psycho, he played a real-life psycho. No ranting raves, just look at him and be scared. I didn’t see an equal to that performance until Matt Letscher in Mask of Zorro, 20 years later.
    (13) Want more…

  4. (7) I’m pretty sure the first film I saw David Warner in was The Omen (1976). He was terrific in everything he appeared in; I think my favorite performance of his is Bob Cratchit in the 1984 A Christmas Carol with George C. Scott as Scrooge.
    (12) He had me at anapestic tetrameter.

  5. You probably read that in Tolkien’s foreword to the second edition of The Lord of the Rings. “One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends were dead.”

  6. (7) I can’t think of very many roles I saw David Warner in (I think the writeup covered most of them already) but I always enjoyed his performances.

    “If I were creating the world I wouldn’t mess about with butterflies and daffodils. I would have started with lasers. 8 o’clock, day one.”

  7. (7) David Warner pretty famously started “modern” portrayals of Hamlet with his performance for the RSC. A very fine Shakespearean actor.

  8. 5) R rated in the US, but not even X-Men-rated in the UK….

    I enjoyed it well enough, but felt there was a silly plot getting in the way of all the good jokes.

  9. (7) In 2003, David Warner was cast as a one-off “unbound” incarnation of the Doctor for Big Finish’s Doctor Who audio dramas, in a story where after being forcibly regenerated by the Time Lords (The War Games), he was exiled to 1990s Hong Kong instead of 1970s England. He ended up reprising the part for a series of audio dramas over a decade later, where he travelled with the archaeologist Bernice Summerfield, played by Warner’s real-life partner, Lisa Bowerman.

    He’s great in these, really impressive. It’s one of the best performances anyone has ever given as the Doctor, to be honest. My two favorite turns from him are the story “The Angel of History,” where he keeps appearing in the life of a university professor whose world is being eroded away by fascism, and he beautifully reads some Walter Benjamin, and “Have I Told You Lately?”, where he and Benny are present at the emergence of a new life-form, and where Warner breathes real life into an old Doctor Who trope in a way I’ve never heard any other actor do.

  10. 1) And I thank the BBC for writing, of The Lord of the Rings, “The novel, the first volume of which was published 70 years ago this week,” showing that they know it’s a single novel in 3 volumes, not a 3-novel trilogy.

  11. The first role I remember seeing Warner in was a daft British movie “Morgan: A Suitable Case for Treatment” (non-genre). He played a hapless but sympathetic nutter trying to win back his ex-wife.

    That being my first impression of him, I was astonished that he so often played villains afterwards!

    He was also in the genre (-adjacent?) “Wild Palms,” a 1990s miniseries about conspiracies, prophecies, virtual realty, and a whole lot more. Angie Dickinson played a mom straight out of The Manchurian Candidate, and Warner was her ex-husband-turned-rebel. A role, now that I think about it, reminiscent in ways of his character in “Morgan”!

  12. (13) Needs more actual sand cats, though even our credentials are desert creatures. This is CGI/AI I approve of.

    My credential recently turned 18 and is still in good health.

    Huh, the File 770 time machine says I’m in 4757. Anyone seen our shoggoth and the fridge lately?

  13. @CaseyL: I’d say the denouement of Wild Palms goes full genre.

  14. 7) I think David Warner was also a member of Ken Campbell’s Science Fiction Theatre Group Of Liverpool back in the 1970s – a team which put on a 24-hour play “The Warp” at the Edinburgh Fringe Festival, and also was the first to do a stage dramatisation of “The Hitchhiker’s Guide To The Galaxy”. I could be mis-remembering.

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