Pixel Scroll 10/31/18 Niels Pixel’s Underground Scrolls

(1) REALLY AND SINCERELY DEAD. [Item by Bill.] Harry Houdini died 92 years ago today:

The Official Houdini Seance will be held this year in Baltimore at the Jewish Museum of Maryland. The event will feature talks by Houdini experts and performances by magicians. The museum is currently home to the exhibition Inescapable: The Life and Legacy of Harry Houdini. Note: This event is SOLD OUT.

Although his fame was based on his magic and escapes, he was genre-adjacent:

  • His movie serial Master Mystery (1919) featured Q the Mechanical Man, one of the first robots on film.

  • In his film The Man from Beyond (1922), he plays a man frozen in ice in 1820 and revived in 1922.

  • He had a couple of pieces of fiction published in Weird Tales (ghost-written by H. P. Lovecraft).

(2) WEAR YOUR HALLOWEEN COSTUME TO WORK. This won the Internet today:


(3) CANDY CONVERTER. Here’s what you all are going to be looking for later tonight – from Adweek, “Reese’s Halloween Vending Machine Lets You Exchange Trash Candy for the Good Stuff”.

According to the Food Network, the machines had their maiden voyage on October 27 in Tarrytown, New York, birthplace of the Legend of Sleepy Hollow, at the town’s big annual Halloween parade. And on Halloween, October 31, Reese’s will set up a Candy Exchange Vending Machine in New York City, so New Yorkers can ditch whatever candy they’re not that into for Reese’s Peanut Butter Cups.

(4) SERIOUS SCIENTIFIC CANDY TALK. From LAist, “LAist’s Ultra Scientific Halloween Candy Ranker Proves Reese’s Is The Best Candy Bar Ever”.

(5) BLACK PANTHER ON HALLOWEEN. Michael Cavna and David Betancourt in the Washington Post ask if it’s all right for white kids to dress as characters from Black Panther for Halloween, with many white parents bothered by this but African-Americans such as director Reg Hudlin and Black Panther costume director Ruth E. Carter told him, “Yes, any kid can wear a Black Panther costume, say creators who helped shape the character”.

SINCE FEBRUARY, when Disney/Marvel’s smash “Black Panther” first captured not only audience attention but also the cultural zeitgeist, reporters have been asking the question: Which kids are permitted to don the superhero costume from the fictional African nation of Wakanda?

Or as Joshua David Stein wondered in a column at the time for Fatherly: “Should I allow my white son to dress as a black superhero?”

Jen Juneau wrote on People.com this month: “Parents of white children may want to think twice before purchasing a Black Panther Halloween costume this year.” And Steph Montgomery, writing this month for the online publication Romper, said: “I don’t think it’s appropriate for my white children to dress up as main characters T’Challa and Shuri, or the members of Dora Milaje — the badass women special forces of Wakanda.

…But in interviews with The Washington Post, several creators who have helped shape the Black Panther character, along with other prominent authors who have written characters of color, are adamant: Any kid can dress as Black Panther.

“The idea that only black kids would wear Black Panther costumes is insane to me,” said Reg Hudlin, the Oscar-nominated filmmaker who has worked on Wakanda-set projects for both the page and screen, including the animated TV miniseries “Black Panther.” “Why would anyone say that?”

…Ruth E. Carter, the Oscar-nominated costume designer (“Malcolm X,” “Amistad”), created the beautifully intricate attire for Ryan Coogler’s “Black Panther,” drawing inspiration from not only the comics but also from real-world designs in Africa.

She says the point in creating such Afrofuturistic art is to build not barriers but, rather, cultural bridges — and so fans should embrace that the world of Black Panther is “taking its royal place in the vast Comic-Con and cosplayer universe.”

So why are people posing this question over T’Challa now, Carter says rhetorically.

“The only reason we’re asking that question now is because the Black Panther is a black man. And I think that’s what’s wrong with people — that’s what’s wrong with parents,” Carter said. “Because I see kids far and wide embracing the concept of a superhero. I believe they see him as someone who is majestic and powerful and doing good, and has a kingdom and a legacy and is pretty cool. I don’t think they see a black guy — I think they see the image of a superhero,” she added, and “it happens to be the Black Panther just as it happens to be Superman.”

(6) FUTURE TENSE. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives— is publishing a story on a theme.

This month’s entry in the Future Tense Fiction series is: “Burned-Over Territory” by Lee Konstantinou.

I’m halfway through a plate of soggy risotto, giving my opinion about the Project Approval Framework, when my phone buzzes. I thought I’d muted notifications. I’m tempted to check the alert, but 30 faces are watching me, all Members, some from Zardoz House, the rest from other Houses around Rochester. We’re at a table made from reclaimed wood, which is covered with food and drink. It’s freezing. Everyone’s wearing sweaters, hats, coats, scarves, mittens; I’m in a blue blazer over a T-shirt, jeans, and leather boots. My hair is buzzed into a crew cut, and even though it makes me feel like an ass clown, I’m wearing makeup….

It was published along with a response essay, “What Problem Is Universal Basic Income Really Trying to Solve?”, by UBI advocate Sebastian Johnson.

…Many policy advocates and technologists have promoted universal basic income, or UBI, as one way to cope with the specter of joblessness wrought by advances in artificial intelligence. UBI would provide each individual with a no-strings-attached payment each month to cover basic needs and prevent individuals from falling below the poverty line. The benefits of UBI, according to proponents, would include the elimination of poverty, the fairer distribution of technologically generated wealth, and human flourishing. Critics are less sanguine, variously seeing in UBI a Trojan horse for dismantling the welfare state, an ill-considered policy that will sap humans of the self-actualization and pride derived from work, and a wholly inadequate response to the structural problems with late capitalism….

(7) WATCH THE WATCH. Deadline reports “Terry Pratchett’s ‘Discworld’ Adaptation ‘The Watch’ Lands At BBC America”.

The U.S. cable network describes the show as a “punk rock thriller” inspired by the City Watch subset of Discworld novels. The character-driven series centers on Terry Pratchett’s misfit cops as they fight to save a ramshackle city of normalized wrongness, from both the past and future in a perilous quest.

The Watch features many Discworld creations including City Watch Captain Sam Vimes, the last scion of nobility Lady Sybil Ramkin, the naïve but heroic Carrot Ironfoundersson, the mysterious Angua and the ingenious forensics expert Cheri together with Terry Pratchett’s iconic characterization of Death…

(8) KEPLER OBIT. Phys.org bids farewell to an exoplanet pioneer: “Kepler telescope dead after finding thousands of worlds”.

NASA’s elite planet-hunting spacecraft has been declared dead, just a few months shy of its 10th anniversary.

Officials announced the Kepler Space Telescope’s demise Tuesday.

Already well past its expected lifetime, the 9 1/2-year-old Kepler had been running low on fuel for months. Its ability to point at distant stars and identify possible alien worlds worsened dramatically at the beginning of October, but flight controllers still managed to retrieve its latest observations. The telescope has now gone silent, its fuel tank empty.

“Kepler opened the gate for mankind’s exploration of the cosmos,” said retired NASA scientist William Borucki, who led the original Kepler science team.

Kepler discovered 2,681 planets outside our solar system and even more potential candidates.


They were out there on Halloween 1936 to try what few people at the time had tried: lighting a liquid rocket engine. It took them four attempts to get a rocket to fire for a glorious three seconds — though an oxygen hose also broke loose and sent them scampering for safety as it thrashed around.

  • October 31, 1962The First Spaceship On Venus premiered at your local drive-in.


[Compiled by Cat Eldridge and JJ.]

  • Born October 31, 1923 – Art Saha, Writer, Editor, Conrunner, and Member of First Fandom who is credited with coining the term “Trekkies”. After becoming an editor at DAW books, he edited 8 volumes of The Year’s Best Fantasy, and, with Donald Wollheim, 19 volumes of The Annual World’s Best SF. He also edited the souvenir program book for the 1977 Worldcon and was a co-editor of the fanzine Parnassus. He was president of First Fandom and the NY Science Fiction Society (the Lunarians), chaired a number of Lunacons, and was named to the First Fandom Hall of Fame in 1992.
  • Born October 31, 1930 – Michael Collins, 88, Astronaut and Test Pilot who was the Command Module pilot for Apollo 11 while Neil Armstrong and Buzz Aldrin descended to become the first astronauts on the moon. He later served as U.S. Assistant Secretary of State for Public Affairs, then went on to be director of the National Air and Space Museum, before becoming undersecretary of the Smithsonian Institution.
  • Born October 31, 1937 – Jael, 81, Artist, Illustrator, and Fan whose work has appeared in books, magazines, and calendars. She became interested in producing speculative art after attending a symposium on contact with aliens and meeting writers C J Cherryh, Larry Niven, and Jerry Pournelle. In her 50-year career, she has created more than 38,000 paintings and images, many of which are housed in public and private collections. She has received eight Chesley Award nominations, and has been Guest of Honor at numerous conventions.
  • October 31, 1941 – Dan Alderson, Rocket Scientist and Fan who worked for NASA’s Jet Propulsion Laboratory, where he wrote the navigation software for Voyagers 1 and 2, as well as trajectory monitoring software for low-thrust craft which was used for decades. He was a member of the Los Angeles Science Fantasy Society, an Official Editor of the comic book APA CAPA-alpha, and an early member of gaming fandom. He died of complications of diabetes at the far-too-young age of 47, but has been immortalized as “Dan Forrester” in Niven and Pournelle’s Lucifer’s Hammer.
  • Born October 31, 1950 – John Franklin Candy, Actor and Comedian from Canada best known in genre circles for playing Barf in Mel Brooks’ Spaceballs, as well as appearing in Frank Oz’s Little Shop of Horrors, Splash, Heavy Metal, Boris and Natasha, and the hilarious alt-history Canadian Bacon (one of JJ’s favorites). He was the narrator of “Blumpoe the Grumpoe Meets Arnold the Cat/Millions of Cats” for Shelley Duvall’s Bedtime Stories. His talents were lost to the world far too early when he passed away in his sleep at the age of 43.
  • Born October 31, 1959 – Neal Stephenson, 59, Writer and Game Designer who is well known for doorstopper-length, award-nominated science fiction novels, including The Diamond Age, Cryptonomicon, Anathem, the Baroque Cycle trilogy, Snow Crash, and the hotly-debated Seveneves. His works have been translated into numerous languages and have won Hugo, Clarke, Prometheus, Premio Ignotus, Kurd Laßwitz, and Prix Imaginaire Awards. This year he was recognized with the Robert A. Heinlein Award, which recognizes authors who produce exceptional works promoting space exploration.
  • Born October 31, 1961 – Peter Jackson, 57, Writer, Director, and Producer from New Zealand whose most famous genre works are the spectacular Lord of the Rings and Hobbit movies, as well as The Frighteners, King Kong, The Lovely Bones, and the upcoming Mortal Engines. His use of the NZ-based Weta Workshop for his films has helped turn that firm into a computer graphics and special-effects powerhouse now known for their work on many Hollywood blockbusters.
  • Born October 31, 1982 – Justin Chatwin, 36, Actor from Canada who was the principal guest star in the rather delightful 2016 Doctor Who Christmas special “The Return of Doctor Mysterio”. He’s also been in War of The Worlds, Dragonball Evolution, and The Invisible; had recurring roles in the Orphan Black and American Gothic series; and appeared in episodes of The Listener, Lost, Smallville, Mysterious Ways, and Night Visions.
  • Born October 31, 1979 – Erica Cerra, 39, Actor from Canada who is best known for her portrayal of Deputy Jo Lupo on the Eureka series, but has extensive genre credentials which include recurring roles on Battlestar Galactica and The 100, and guest parts in episodes of Supernatural, The 4400, Smallville, The Dead Zone, Warehouse 13, iZombie, Reaper, Dead Like Me, Special Unit 2, and Sanctuary. You get to guess how many were filmed in Vancouver, BC…
  • Born October 31, 1994 – Letitia Michelle Wright, 24, Guyanese-born British Actor who, in just 8 short years, has built a substantial genre resume including a recurring role in the TV series Humans and guest parts in the Doctor Who episode “Face the Raven” and the Black Mirror episode “Black Museum”, for which she received an Emmy Award nomination. Her genre film credits include a Saturn-nominated role as Shuri in Black Panther (a character which will be the subject of a new comic book series by Hugo winner Nnedi Okorafor), Ready Player One, Avengers: Infinity War, and the upgoming Avengers sequel.

(11) WIMPY BOOK TOUR. Christina Barron in the Washington Post says that Diary of a Wimpy Kid author Jeff Kinney, rather than a traditional book tour, is having “Wimpy Kid Live: The Meltdown Show,” with “costumes, cartooning, and the chance to stump the author on Wimpy Kid trivia: “Jeff Kinney puts on a show to launch new ‘Wimpy Kid’ book”.

Considering “The Meltdown” is Number 13 in the series, you might expect Kinney’s next book to be “Diary of a Weary Writer.” But instead of slowing down, the author is changing up what he does when he meets his many fans. He’s doing a few typical talks and book signings, but Kinney is also putting on a show.

“We thought it would be really fun to change the idea of what a book signing is,” Kinney said in a recent phone conversation.

(12) AGITPROP. The Hollywood Reporter takes note when a “’Rehire James Gunn’ Billboard Appears Near Disneyland”:

On Monday, a digital billboard popped up in Garden Grove, California, at an intersection just over four miles away from Disneyland in Anaheim. The billboard, which reads “Save the Galaxy: James Gunn for Vol. 3,” was paid for via a GoFundMe campaign that has raised nearly $5,000 since launching last month. The campaign sprang from the minds of a group of fans who organized online soon after Disney fired Gunn as director of Guardians 3 on July 20, after conservative personalities resurfaced old tweets in which the filmmaker joked about rape and pedophilia.

(13) SUMMER SCARES. The Horror Writers Association announced its “Summer Scares Reading Program”.

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal, has launched a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. The goal is to introduce new authors and help librarians start conversations with readers that will extend beyond the books from each list and promote reading for years to come.

Each year, a special guest author and a committee of four librarians will select 3 recommended fiction titles in each of 3 reading levels (Middle Grade, Teen, and Adult), for a total of 9 Summer Scares selections. The goal of the program is to encourage a national conversation about the entire horror genre, across all age levels, at libraries all over the country and ultimately get more adults, teens, and children interested in reading. Official Summer Scares designated authors will also be available to appear, either virtually or in person, at public and school libraries all over the country, for free.

The committee’s final selections will be announced on February 14— National Library Lover’s Day. Some or all of the authors of those titles will appear on kickoff panels during Librarian’s Day at StokerCon each year.

(14) CIXIN LIU ADAPTATION. At The Verge, Weekend Editor Andrew Liptak seems to be taken with the teaser trailer for the Chinese film The Wandering Earth, an adaptation of a Cixin Liu story. (“The Wandering Earth could be China’s breakout sci-fi blockbuster film”) The movie appears to be the first in a proposed six-film franchise.

China isn’t typically known for its science fiction blockbusters, but a new trailer for an upcoming film called The Wandering Earth has all the hallmarks of a big, Hollywood-style genre movie: it features a dramatic story of the Earth in peril, complete with eye-popping scenes of spaceships escaping Earth.

The Wandering Earth is based on a story by Cixin Liu, the author best known for The Three-Body Problem, and, more recently, Ball Lightning. In the original story, scientists discovered that the sun is on the verge of turning into a red giant, and when it does, it’ll expand beyond the orbit of Mars, incinerating all of the solar system’s potentially habitable planets. They concoct a desperate plan to move Earth out of the solar system to a new star, Proxima Centauri.


(15) NOT GOING AT NIGHT. Popular Science raised a cheer because “NASA’s Parker Solar Probe just smashed two all-time records on its way to the sun”. The Parker Solar Probe has broken records as the fastest moving manmade object (relative to the Sun) and the closest manmade object to the Sun. Over a series of orbits, the perihelion will get progressively closer to the Sun, until the PSP dips into the solar corona.

The corona paradoxically burns millions of degrees hotter than the surface of the star itself, despite extending millions of miles into space. NASA expects that Parker will directly sample this unexplored zone on its 22nd orbit, which will take place in about six years.

Until then it will continue to best its own speed and closest approach records, which McDowell says is a fitting update to the largely overlooked legacy of Helios 1 and 2. “The great 1970s space probes, the really ambitious ones, there were three pairs: Viking, Voyager, and Helios. You’ve heard of Viking and Voyager, but you’ve never heard of Helios,” [astrophysicist Jonathon] McDowell says. Its measurements of the solar wind and magnetic field didn’t capture the public’s imagination in the same way as its camera-bearing cousins did, he suggests, but its speed record stood for nearly 42 years nonetheless.

(16) THE OLD EQUATIONS. Geek Tyrant can’t wait: “Anna Kendrick Heads To Mars in a New Sci-Fi Film Called STOWAWAY”.

Anna Kendrick is set to star in a new sci-fi thriller from XYZ Films called Stowaway. We’ve never really seen Kendrick in a sci-fi film before, so it’s cool to see her try something new.

Stowaway follows “the crew of a spaceship headed to Mars that discovers an accidental stowaway shortly after takeoff. Too far from Earth to turn back and with resources quickly dwindling, the ship’s medical researcher (Kendrick) emerges as the only dissenting voice against the group consensus that has already decided in favor of a grim outcome.”

(17) WOMEN OF THE GALAXY. A new book shows off badass female characters from the Star Wars universe (Polygon: “New art showcases the badassest women in the Star Wars universe”). The hardcover is a 30 October release from Chronicle Books and features a foreword by producer Kathleen Kennedy. It lists for $29.95.

Women of the Galaxy, a new art book examining female characters from every corner of the Star Wars universe, is exactly the kind of thing I would have read cover to cover twice in one sitting if you’d given it to me when I was nine.

From Jedi Master Aayla Secura to bounty hunter Zam Wesell, each alphabetical entry features art from a group of 18 women illustrators, as well as an explanation of the character’s history from Nerdist and StarWars.com writer Amy Ratcliffe. And with more than 70 characters in the book, there’s bound to be someone in here you’ve never heard of, but wish you had.

(18) DINO SUIT. Here’s our chance to test who are the most ferocious predators, Jurassic Park dinos or Hollywood lawyers: “‘Jurassic World’ Campaign to “Save the Dinos” Sparks $10M Lawsuit”

The Jurassic World: Fallen Kingdom campaign to “Save the Dinos” has sparked a $10 million trademark infringement and breach of contract lawsuit against producers.

Frederick Zaccheo of The Dinosaur Project claims filmmakers breached their contract with him by using the slogan on merchandise.

According to the complaint filed Tuesday in New York federal court, lawyers for Universal and Steven Spielberg’s Amblin Entertainment contacted Zaccheo requesting his consent to use his trademarked phrase. They paid him $50,000 for the right to use it in advertising for the film and promised not to use it in connection with clothing or to promote any charity, specifically animal rights, endangered species and environmental causes. They also agreed that the slogan must always be used with Jurassic Park franchise branding.

“In the months leading up to the release of Jurassic World: Fallen Kingdom, Defendants launched a multi-faceted advertising and marketing campaign centered around the theme of saving the fictional dinosaurs on the fictional island from the fictional volcano,” writes attorney Hillel Parness in the complaint. “To that end, Defendants created the ‘Dinosaur Protection Group,’ a fictional organization run by the character of Claire Dearing from the first Jurassic World film and portrayed by Bryce Dallas Howard.”

The campaign included a Dinosaur Protection Group website and social media sites and featured an Adopt-A-Dinosaur contest which offered Save the Dinos merchandise as prizes. (See the complaint below for screenshots.)

(19) ORLY? Camestros Felapton was surprised to hear the founder of Infogalactic touting it as a success: “Voxopedia Again”.

…What had caught my interest was that much of the content was actually about Voxopedia, the vanity Wikipedia project that’s just like Wikipedia but out of date and with nonsense attached. I was curious because manifestly as a project it has failed and clearly at some point it will be abandoned. I had assumed that it had already slipped into a zone of lack-of-interest as newer, shinier projects competed for attention*. But it seems not. rather Vox was holding up Voxopedia as a shining example of how he has all the experience he needs to run a social network.

Now note, currently Voxopedia has about 6-10 active editors or whom only two really are doing any work, two of whom are just feuding conspiracy theories maintaining their own separate (and incompatible) conspiracy pages, one of whom is engaged  in a personal campaign to document all things about Englebert Humperdinck (and nothing else) and one of whom is doing nothing but write hate pieces about transgender people….

(20) VIDEO OF THE DAY. In “Halloween: John Locke vs. The Zombies” on YouTube, American Enterprise Institute fellow Jonah Goldberg explains why political philosopher John Locke would support killing zombies during a zombie apocalypse.

[Thanks to Bill, John King Tarpinian, Joey Eschrich, Mike Kennedy, Chip Hitchcock, JJ, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lise Andreasen.]

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77 thoughts on “Pixel Scroll 10/31/18 Niels Pixel’s Underground Scrolls

  1. The Stanford renewal database has book renewals, but doesn’t have most periodical renewals. According to the ISFDB, “The Cold Equations” first ran in the August 1954 issue of Astounding. Copyright for that issue was renewed in 1982, as can be verified at the Copyright Office’s online database (which includes all registrations and renewals from 1978 onward): https://cocatalog.loc.gov/

    tl;dr “The Cold Equations” is still under copyright, as far as I can determine.

  2. @7: I’d love to see Pratchett video, but I’m wondering whether this will be worthwhile or just another borrow-the-names-and-write-what-someone-else-wants like what I hear of Dirk Gently’s… (which I haven’t seen, so I’ll listen to any opinions).

    @16: the etymology seems obvious, but does “sci-fi” exclude fantasy in current usage? (I note that SyFy runs fantasy, according to Wikipedia.) Kendrick was in Into the Woods, which is certainly fantasy even if it wasn’t connected to the genre. (I wonder if it got any nominations for the DP Hugo?)

  3. @John Mark Ockerbloom
    The Stanford renewal database has book renewals, but doesn’t have most periodical renewals. According to the ISFDB, “The Cold Equations” first ran in the August 1954 issue of Astounding. Copyright for that issue was renewed in 1982, as can be verified at the Copyright Office’s online database (which includes all registrations and renewals from 1978 onward): https://cocatalog.loc.gov/

    tl;dr “The Cold Equations” is still under copyright, as far as I can determine.

    Not necessarily. A copyright on an issue of a periodical is on the magazine as a whole work. If the magazine copyright lapses, but the story was copyrighted prior to submission and the story’s copyright was renewed, then the story is still in copyright. Alternatively, if the story was copyrighted prior to submission, and the story’s individual copyright lapsed, and if the magazine was copyrighted and renewed, then whether the story as a stand-alone work is still copyrighted is an issue that hasn’t been fully resolved by the courts. In the instant case, you could not reproduce the whole issue of Astounding, but you might be able to reproduce stories it contains if their individual copyrights were never renewed. (also not fully resolved: when a magazine lapses, but individual works in it have been renewed, is it a violation of the individual author’s rights to reprint [as internet archive does] the now-public-domain magazine in its entirety?)

  4. I have gone blind in one eye; I wear an eyepatch to block light from disturbing my vision.
    Some time back I was shopping in a grocery store and some five year old black kid was tugging on his lower lip, and was watching me. He asked, “Who are you?” I used my deepest voice and said, “Son, I’m Nick Fury.” His mouth opened and he said “Wow!”
    I’m white, but I made his day.

  5. @ Chip Hitchcock re: the scope of “sci-fi”

    As a fantasy writer, this is a question I regularly have to navigate, and the answer is “sometimes yes, sometimes no, sometimes it’s whimsical.” The problem with categories where the label has a default meaning but is also used as a generic for a broader scope, is that members of the broader scope who are not the default end up doing a lot of research and negotiation. See also, my blog sub-titled “Under what circumstances am I a man writing gay sci-fi?

  6. Bill: I wouldn’t take the presence of an issue on Internet Archive as evidence that it’s in the public domain. They have plenty of issues posted that have both issue and contribution copyright renewals. (Compare their holdings against my inventory of renewals at http://onlinebooks.library.upenn.edu/webbin/cinfo/astounding . It’s only complete for contributions through the 1930s, but it should give enough examples. In most cases, the contribution renewal record refers back to the registration ID for the issue, not to a separate registration for the story.)

  7. I enjoyed Dirk Gently the tv series, but it’s explicitly set after the Adams books and how related it is is… shaky. It works as its own madcap thing (when it works. Both seasons took a while to warm up, second took longer though I enjoyed the second half of the season and it needed the set up.)

    I can’t see the same thing working with Pratchett’s Guards. I think people will want to see the story start with Guards Guards or Men at Arms or a storyline that does the same “introduce all the major characters” stuff that DG skipped by having everyone except Dirk be new.

  8. Heather Rose Jones: I quite like that blog post. I have also had the related but semi-reversed experience of something that says it’s Q, or LGBT+, implying it’s open to all by its very label, but is clearly 90% or more featuring** gay/bi cis men and not making an obvious effort to increase the 10% or even advertise it overmuch. And there I wish they would use gay.

    ** I originally wrote “catering to” but there’s a subset or m/m which does not — a very significant amount of slash fiction in fandom, for instance, seems to assume an audience of mostly women and only some gay/bi men.

  9. Well, does the film mentioned have any reference to the writer of the script?
    I know the film THE CURSE was based on H.P.Lovecraft’s THE COLOUR OUT OF SPACE, but that never got mentioned in the credits. And I have a novelization of a FOOD OF THE GODS move that doesn’t mention H.G.Wells. Should we all just ignore that?

  10. @ Lenora Rose

    I know what you mean. Every once in a while there’s a Twitter-flurry of people complaining about specific individual characters being labeled “LGBTQ+” (hey, a single person can be several of those, but not all of them), or about using the acronym in contexts where it’s 90% cis gay men. For a while I was expressing a preference for “queer” in those sorts of uses because at least it isn’t false advertising, but lately I’ve been encountering more and more examples of “queer fiction” “queer romance” “queer sci-fi”, etc. where it quickly becomes obvious that any category other than cis gay men is an afterthought. If “queer” shifts to having that as a primary meaning, then we lose yet another umbrella term. But language usage is a slippery beast and tends to reflect the underlying assumptions and attitudes rather than driving them.

  11. So far, most of the people I know who do use the Q* either genuinely mean it as a catchall or mean it specifically, but for people who are non-binary or otherwise playing with the gender spectrum (rather than the sexuality one) and that’s where the word has its strongest usages, because its associations with gay men are almost all negative while its associations with trans and non-binary and genderfluid are much more positive and reclamatory.

    *trying to respect Greg’s known preference not to see/hear the word whilst discussing its actual usage as a social phenomenon is probably an exercise in pointlessness…

  12. @John Mark Ockerbloom
    Bill: I wouldn’t take the presence of an issue on Internet Archive as evidence that it’s in the public domain. They have plenty of issues posted that have both issue and contribution copyright renewals.
    I wouldn’t and I don’t. But there are pulp mags on the IA which have not (as a magazine) had their copyrights renewed, but some of the stories they contain have been renewed as individual stories. And I’m aware of authors who are PO’ed about this. I am not aware, however, of anyone who is personally affected who was motivated sufficiently to sue the IA to either have them remove the particular works, or to negotiate a license.
    I have friends who have had their currently-copyrighted works removed from the IA (small-press books uploaded by individuals) via a DMCA takedown notice.

  13. (20) I will watch that later. Fans of Jonah Goldberg’s The Remnant Podcast….like me….know that he is a big sci-fi geek. Discussions on the podcast occasionally wander away from other interests towards things fannish.

    Coincidentally, I listened to a recent episode of Conversations with Tyler where he interviewed the NYT’s Paul Krugman. Among other interesting revelations was that Mr. Krugman first got into economics due to his desire to be a psychohistorian from Asimov’s Foundation trilogy. He also deftly deals with the thorny question of Star Wars vs. Star Trek.

    (12) While there may have been some conservatives involved in an Alinskyist protest against James Gunn, most of my libertarian/conservative feed thought it was kind of messed up that they fired him over those old tweets.

    (5) Who would think to ask that question? Folks that are engaged further in identity politics than in fostering fandom.

    Basic Programmers Never Die! They just GOSUB w/o RETURN.

  14. Re. the Black Panther thing: for some reason I’m reminded of a post I saw making the rounds that said, “someone told me not to dress up as a serial killer for Halloween, because it’s appropriating White culture.” 🙂

  15. >(12) While there may have been some conservatives involved in an Alinskyist protest against James Gunn, most of my libertarian/conservative feed thought it was kind of messed up that they fired him over those old tweets

    Wasn’t Gunn immediately picked up by DC? It might end up a bidding war to get him back.

  16. Aaah, Heather, so many pieces that fell into place. Extra tax was a fantastic way of describing it. Thank you.

  17. @Dann665
    (12) While there may have been some conservatives involved in an Alinskyist protest against James Gunn, most of my libertarian/conservative feed thought it was kind of messed up that they fired him over those old tweets.

    And the conservative/libertarian feeds I follow (example) focused on a couple of things that argue against Disney/Marvel picking him back up:
    1. Disney’s reputation as a kid-oriented entertainment company demands that they have a higher standard re: pedo jokes tthan other companies might.
    1.b. Disney knowingly tolerated John Lasseter’s antics for a long time, and caught hell for doing so. The lesson that was taught to them was “fire them, the earlier the better”.
    2. Gunn was one of the ones who was all over Rosanne Barr before/after she was fired. Which reduced sympathy (especially from libertarians) that might otherwise be offered to him.

  18. @Heather Rose Jones: interesting; it’s possible you overestimate how weak early support for fantasy at Worldcon was (one of my metrics is that a deal-with-the-devil story won one of the first Hugos), but I’m not surprised that there are examples of people using “sci-fi” in mutually exclusive ways. The rest of the essay is also interesting, and regrettably unsurprising.

  19. @Lenora Rose

    *trying to respect Greg’s known preference not to see/hear the word whilst discussing its actual usage as a social phenomenon is probably an exercise in pointlessness…

    Maybe, but I did notice it and wanted you to know I appreciated it. 🙂

    Eric and I happened to be in Cincinnati on gay-pride day this year, so we watched their parade and hung out at the festival afterwards. I was pleased by the near-total absence of the Q-word. It’s not just older gay men who have a problem with it. I don’t think it’s ever been popular with men anywhere (I’ve only ever met one or two who liked it), nor with much of anyone else outside a few big cities.

    I’ve always thought the search for an umbrella term was misguided. “You can’t include people by leaving them out.” If the appeal of the Q-word was “so we don’t have to keep saying ‘lesbian’ all the time” (as more than one person has said to me), then it’s not a surprise that over time it ends up just meaning “gay men.” Which is really bad, since we hate it. 🙂

  20. Well, as I’ve mentioned before, the Q-word seem to have very different meanings in different countries. In Sweden, it is an umbrella term for people of alternative sexuality or gender that do not fit into LGBT. And it works kind of well because it has never been used in any other context before.

    I say “kind of” because when you try to fit everything alternative into one word, it can get confusing regarding who you mean. Non-binary, genderfluid, BDSMF, Asexual, Intersexual, Political Allies, Crossdressers… it becomes quite a large and diverse group. And not everyone is happy with it.

  21. Rob Thornton: I just wanted to say nice things about JJ and Cat Eldridge’s birthday. The section is really good. Thanks for your hard work.

    You are very welcome. I have really been learning a lot, and it’s fun finding strange and interesting factoids to put in that section. 🙂

  22. @Greg Hullender:

    Some of the people who are using the Q word–including me–are bisexual women, and it’s definitely not as simple as “don’t want to have to keep saying ‘lesbian,'” because that’s not the word we’d use instead. Though I don’t see how that assumption that using that word comes from not wanting to keep saying “lesbian” would lead to treating it as a synonym for “gay man” rather than as a synonym for either “lesbian” or “lesbian or bisexual woman.” I suspect that treating it as meaning “gay man” is the same process by which a (male-dominated and male-focused) culture and media have tended to ignore the B and T, and sometimes the L, while saying “LGBT.”

    Other people who use the word for themselves are nonbinary trans people. That includes an online friend of mine who tags some of their posts “not gay as in happy, but q— as in fuck you.” That’s an intersection between “not straight” and “not looking to mimic a norm of middle-class white Christian monogamy except for the gender of the person who I’m buying a home with.” [There’s nothing wrong with being any of those things–the problem is in believing everyone else should be all of them.]

    And once in a while it’s “I don’t know which of lesbian (or gay) or bisexual that person is”–that’s what the woman at the Dyke March who was talking to me and my partner mean when she referred to us casually as lesbians and then corrected with “well, you’re Q, anyway.” It’s what my partner meant when she asked “is she Q?” about the Massachusetts Attorney General, because she thought she remembered that Healy was out as either bisexual or lesbian, and which one wasn’t relevant to that specific conversation, but the AG being openly not straight was. (“Not straight” works as an adjectival phrase, but it’s not something people use as an identity label, AFAIK.)

  23. @Vicki Rosenzweig
    Ultimately, though, there is no excuse for using a hateful word that hurts millions of people who did nothing to deserve it. In fact, those of us who worked hardest for the movement back when it was dangerous to do so are the ones hurt the worst. (It’s sort of like PTSD, I think.) I do appreciate you not using it. (Triggers are stupid, by the way; the letter “Q” and the word “Quiltbag” don’t cause me any trouble at all. “LGBTQ” I handle by insisting to myself that that “Q” is for “questioning.” The word has to appear in full to bother me, and to get full effect, it needs to be a noun.)

    I also appreciate you not repeating the zany idea that the word has been “reclaimed.” That’s so far from true I wonder that Donald Trump hasn’t started saying it. 🙂

    Someone should find and promote a happy word, if an inclusive word really is needed. In the old days, we used to ask, “Is he ‘family,'” to ask whether a guy was gay. I’m sure the far-right would totally go ape shit if we tried to “hijack” the word “family.” That would be worth the price of admission just to see. 🙂

  24. In Sweden, we often use the expression “rainbow family”, but it already seems taken in the US.

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