Pixel Scroll 6/25/24 Everybody Must Get Scrolled

(1) TENNANT LENDS SUPPORT. “Doctor Who actor David Tennant wears trans rights T-shirt by Canadian designer: ‘You will have to go through me’” at Yahoo!

…In an effort to get more attention for their cause, Brocksom started sending T-shirts to creators with large followings. A friend encouraged them to send one to actor Tennant, whose child identifies as non-binary. Tennant is no stranger to allyship, often speaking up and wearing Ts and pins in supports of the LGBTQ+ community on red carpets and awards ceremonies.

Last year, at the press launch for Good Omens‘ second season, he wore a shirt that read: “Leave trans kids alone you absolute freaks.”

Brocksom’ husband found an address for Tennant’s fan mail and they mailed him a package of T-shirts with all their designs.

“I didn’t think it would go anywhere,” Brocksom tells Yahoo Canada. “I thought he’d wear one to a doctor’s appointment with his kids or something, and then the message would be out there.”

On Friday, Brocksom woke up to hundreds of T-shirt orders. Tennant’s wife, Georgia, had posted a photo of him wearing their “You will have to go through me” T-shirt on Instagram where she has more than 410,000 followers. The actor and his family attended their children’s school Pride events….

(2) BIRTHDAY HONOURS. This came out June 14 but it’s news to me! “The King’s Birthday Honours List 2024”. No sff figures listed that I can see, but Bookseller spotted a bunch of authors and other contributors to the arts.

Monica Ali, Joseph Coehlo, and Niall Ferguson were among the authors recognized on the King’s Birthday Honors List in the U.K., the Booksellerreported. …

Niall Ferguson, who was awarded a knighthood, told the Oxford Mail, “When an individual is honored by the King, implicitly his formative influences are the real recipients of the honor.” 

Children’s Laureate Coelho (OBE) was recognized for services to the arts, to children’s reading and to literature. Other authors on the honors list include Susie Dent (MBE), Rory Cellan-Jones (OBE), and Jamila Gavin (MBE).

Richard Charkin (OBE for services to literature), a recent past president of the International Publishers Association, former CEO of Macmillan Publishers, executive director of Bloomsbury from 2007 to 2018, an executive at a range of other publishers, and author of the memoir, My Back Pages

Other honorees include Jenny Brown, founder of literary agency Jenny Brown Associates, who was given an OBE for services to literature; Nicholas Poole, past CEO of the Chartered Institute of Library & Information Professionals (OBE for services to libraries, to the arts and to museums); and Di Speirs, audio executive editor for books at the BBC (MBE for services to broadcasting and to literature). 

Also honored were Sarah Hosking (MBE), who founded Hosking Houses Trust, as well as librarians Sally McInness and Julie Kay.

(3) CAT CANCEL CULTURE. At Camestros Felapton, “A Cat Reads Hyperion by Dan Simmons” begins with this howl against injustice.

[From the desk of Timothy the Talking Cat]

As the foremost editor in Science Fiction, I was once again shocked not to win the Locus Award for Best Editor despite my impressive track record of not just editing books but also editing small wildlife into a variety of interesting shapes. I immediately cancelled my subscription to Small Arms for Small Felines Monthly in protest as I don’t have a subscription to Locus but, let’s face it, they are all in on it, they are all part of the Big Magazine cabal controlling the media and if we don’t all chip in and send a message that the ordinary folk will not put up with this kind of nonsense then where will be? In my case, I’d be in the drawing room with nothing to read because those spiteful wretches at Small Arms for Small Felines Monthly refused to send me this month’s edition on the spurious grounds that I hadn’t paid them. It is cancel culture gone mad when publishers start boycotting tax-payers just for having opinions….

(4) CROWDFUNDING A LADY ASTRONAUT COLLECTION. Mary Robinette Kowal today launched a Kickstarter appeal for Silent Spaces: Tales from the Lady Astronauts, a collection of 9 short stories in the Lady Astronaut Series written by her, including one written just for this collection….

In 1952, an asteroid slammed into Washington, DC and obliterated much of the east coast of the United States, triggering a climate crisis that threatens life on Earth.

Through four novels and numerous short stories, readers follow the pioneering women who strive to save humanity. The series’ primary protagonist, Dr. Elma York, a pilot and experienced mathematician, battles misogyny and social anxiety while planting her flag as the first Lady Astronaut. She and her fellow scientists reach for the Moon and beyond, bringing lasting change for humanity.

Through the Lady Astronaut Universe, Kowal has shone a light on the real-life accomplishments of women in space science and inspired a new generation entering STEM fields.

In the opening hours the Kickstarter has already scored pledges in excess of its $30,000 goal.

(5) SF IN BULGARIA & ROMANIA. [Item by Valentin D. Ivanov.] With a friend of mine and a fan from Romania we published a paper in Locus. It is available online now: “SF in Bulgaria & Romania: How Many Dwarfs Does It Take to Match a Giant?” by Valentin D. Ivanov & Cristian Tamaș. From the June 2024 issue of Locus magazine. Locus hardly needs advertisement help, but the speculative fiction in our countries always does!

Here’s an excerpt:

Outside of the vast English-speaking fandom lies a tapestry of diverse and weakly interlinked communities from the countries with small language bases. These languages, and the nations that speak them are often – because of inertia, rather than ill intent – perceived as “minor.” Indeed, they are minor in one critical aspect: as literary markets. This circumstance has a profound effect on their literature….

Attentive readers may have noticed the careful choice of words in the title. The speculative fiction communities of “minor” countries do not want to fight the giants. We aspire to become a giant ourselves, albeit multifaceted, multilingual, and multicultural, by means of teamwork and cooperation….

(6) NEW UNITS. [Item by Jeffrey Smith.] More stuff I never knew existed. “Minotaur Sex: The Best New Smut Genre” in New York Magazine.

…Human-monster pairings are what sets monster romance apart from its close cousin, the wildly successful genre of romantasy, a genre epitomized by Sarah J. Maas’s blockbuster A Court of Thorns and Roses series. In those books, more established and more human-adjacent paranormal creatures like elves, dragons, and fae dominate the stories, and humans are reduced to bit players, if they figure into the books at all. But in monster romance, we’re usually in a world that’s vaguely similar to Earth, or at least connected to it in some way. For many readers, ACOTAR was the gateway drug to other books with nonhuman characters. Others found their way there via fanfic, where the themes that dominate these books became established over the years via an iterative, collaborative process that gradually hardened into tropes. They generate reams of conversation. In one popular TikTok, Laura Whitney at first seems to scoff at monster-romance readers by saying, “People are literally out here reading monster romance?” Then she whispers, “Which ones?” So many people appreciated the 3,712 recommendations generated in the comments that 18,900 people have bookmarked the post.

When I first told friends about the latest turn my reading had taken, I got a lot of blank stares at first but soon fell into a delightful text exchange with a friend who has a Ph.D. and who also read Morning Glory Milking Farm. She sent me a link to Hermione Granger–Draco Malfoy fanfic that she said had taught her a lot about BDSM. I started to realize that, though many of us may be out here walking around with the latest literary fiction from Riverhead or Pantheon in our tote bags, our phones runneth over with stories of men with tails and two dicks….

(7) IF ONLY IT WAS MINUS GODZILLA. Mark Roth-Whitworth warns us: “A Review of Godzilla Minus One (all spoilers).”

This was an amazing movie, and should have had more Oscar nominations. It probably would have, if a) it had been made in the West, or b) it didn’t have Godzilla in it. The acting was wonderful. All the other good things people have said about it are true. However, they all missed the, well, kaiju in the room.

This was not a monster movie….

(8) JOHN MADDOX ROBERTS (1947-2024). The SFWA Blog has posted a tribute — “In Memoriam: John Maddox Roberts”. He died May 23 at the age of 76. Here is an excerpt:

John Maddox Roberts…, also writing as Mark Ramsay, was a prolific and best-selling science fiction, fantasy, historical, and mystery writer over the course of thirty-five years.  He was the author of many novels set in ancient Rome, including Hannibal’s Children and its sequel The Seven Hills, and the SPQR series, the first of which, now titled The King’s Gambit, was an Edgar Award finalist in 1991….

(9) MEMORY LANE.

[Written by Paul Weimer.]

June 25, 1903 George Orwell. (Died 1950.)

By Paul Weimer: Big Brother. For genre fans, Orwell begins, and often ends at 1984. (Sometimes Animal Farm as well.)  Sure, Eric Arthur Blair, aka George Orwell’s contribution to letters is far greater than that.  “Shooting an Elephant”, as it turned out, was the first piece by Orwell I read, before 1984, back in High School. I had heard of 1984, but not yet read it, and so when we were assigned the story to read and discuss, I was enthusiastic to engage with a story that was post-colonial in the midst of the end of British Colonialism. 

Animal Farm isn’t serious as a speculative work. Through and through, Animal Farm is an allegory and a rather pointed one. I read that next, and I didn’t need a teacher to see just how perfect an allegory it is. You may have seen the animated movie, which had the ending changed to remove some of the bite of that inescapable allegory. Accept no substitutes, read the original.

George Orwell.

But now we come to 1984. I’ve had 1984 as a fixture in my genre life ever since I picked it up in my early 20’s. Room 101 and the rest blew me away, and I realized I had seen bits of the John Hurt movie a decade earlier and not realized what I had seen. It was a sharp blow to come across scenes in the book that my dim memory of the movie foreshadowed. It only enhanced and pressed upon me the power of the narrative of Winston Smith’s story. 

1984 has cropped up in my genre life in other forms, too, than the movie and the novel. On a rainy day exploring London before Worldcon in 2014, my traveling companion and I found ourselves by a theater that was showing an adaptation of 1984. So the idea of seeing proper London theater, featuring 1984, was irresistible. My friend and I wandered around that area of the West End, eager for evening to come to see the performance. 

It was a fascinating (if brutal) metanarrative of 1984, deconstructing the world of the Party from a future where the Party had fallen. Rapt, I bought a copy of the 1984 play after the performance.  I would also find — but not attend — the play again in 2017 in Melbourne, delighted that the dark 1984 play had “followed me” on my Down Under Fan Fund trip.  Given what I choose instead to do, perhaps I should have seen it again after all. 

I’ve read and watched and listened to other versions of 1984, from audio dramas to movies.  1984 continues to follow me in my genre life. Big Brother really is watching me.

(10) COMICS SECTION.

(11) GREEN LANTERN GETS GREEN LIGHT. (Of course I had to use that headline.) “Green Lantern Series Finally Happening at HBO” says The Hollywood Reporter.

HBO is at long last signing up with the Lantern Corps.

The premium cable outlet has given a straight-to-series order for Lanterns, based on the long-running Green Lantern characters — specifically John Stewart and Hal Jordan — from DC Comics. Chris Mundy (Ozark) will serve as showrunner on the eight-episode drama and co-write the series with Damon Lindelof (Watchmen, Lost) and Eisner Award winner Tom King, known for his work on several Batman titles, Mister Miracle and Supergirl: Woman of Tomorrow for DC Comics.

The (ahem) green light for Lanterns comes almost five years after what was then HBO Max began developing a Green Lantern series with producer Greg Berlanti — the mastermind of the DC Arrow-verse on The CW and one of the writers of the 2011 Green Lantern feature film that starred Ryan Reynolds…. 

(12) BACK TO BARBARELLA. Here’s the first trailer for the Sydney Sweeney Barbarella (2025).

A remake of the 1960s cult classic Barbarella is currently in the works with Sydney Sweeney set to star…

(13) VIDEO OF THE DAY. Maybe it’s time for another look at the “Young Frankenstein (1974) Bloopers & Outtakes”!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Paul Weimer, Valentin D. Ivanov, Dann, Mark Roth-Whitworth, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern (via Robert Zimmerman’s Rainy Day Women #12 & 35, of course).]


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29 thoughts on “Pixel Scroll 6/25/24 Everybody Must Get Scrolled

  1. I am definitely not claiming First.

    I’m simply here to see how all the Pixels are doing on this fine summer as they are out chasing fireflies. Or I think they’re fireflies… whatever they are fantastically fast and glow ever so bright.

  2. (1) Hoorah for Tennant. But then, there seem to be some shows where some, at least, of the actors stand for what the character does.
    (3) Timothy, the talking cat, foremost editor in science fiction, please, edit my next novels!
    (6) So, fiction about Ariadne?
    Memory Lane: In 12th grade, I did something I should have done years before – joined the drama club. The school I went to is still the crown jewel of the Philly public school system, and we were as good as summer stock. And that year, we did 1984. Thinking I was going to a science fair out of city, I didn’t audition. The fair was another weekend, and I wound up as prompter. How good was it? One of the two nights, as O’Brian thrusts Winston’s head into a cage of rats (hamsters, with screening in between, but you couldn’t see that offstage) someone mother in the audience started laughing. And I mean hysterical, not funny… That’s a massive production.
    (12) But does it follow the original French comic?

  3. I’m glad that trailer for Barbarella is fake, because it is pretty awful. You certainly can’t tell that Sylvia Sweeney is a good actor.

  4. (9) Orwell’s Roses, by Rebecca Solnit, starts with her reading that George Orwell planted roses at a small country cottage he was renting, in 1936. She wondered what kind of person Orwell was, that he would plant roses in such a dark time. And she wondered if the roses were still there. So she went and found out. The resulting book has fascinating chapters about Orwell as a person, and chapters about roses, and I think Orwell would have enjoyed it.

  5. OK, yes, I’m relieved to see that the Barbarella trailer is apparently entirely bogus.

  6. Jeff Smith wrote:

    I’m glad that trailer for Barbarella is fake, because it is pretty awful. You certainly can’t tell that Sylvia Sweeney is a good actor.

    Joe H. wrote:

    OK, yes, I’m relieved to see that the Barbarella trailer is apparently entirely bogus.

    I’m not sure OGH knowingly posted a fake trailer.

    mark seemingly doesn’t see it as a fake trailer.

  7. 5) SF in Eastern Europe has a long and distinguished tradition, that we in the Anglosphere don’t get to hear enough about. Somewhere, I think I still have a copy of Darko Suvin’s anthology Other Worlds, Other Seas, which does include stories by Romanian Vladimir Colin and Bulgarian Anton Donev, though it’s dominated by stories from Poland (Stanislaw Lem, natch), Russia, and Ukraine; oh, and it includes one story by Czech Josef Nesvadba, and I’m sure I don’t need to remind anyone here how much the former Czecheslovakia contributed to the genre. But Suvin’s anthology was published in 1970, so a follow-up is long overdue.

    7) Mark Roth-Witworth is right about Godzilla Minus One – in many ways, it reminded me of the 1954 movie (Godzilla or Gojira, take your pick) in which the creature is a metaphor for nuclear destruction, and in which the traumas of post-war Japan play a big part. Both films are intense, psychologically complex, and very much worth watching.

  8. 6) I recall Eric Flint’s Pyramid Power had a monstrous ariadne fall for one of the human soldiers (and vice versa). She eventually is transformed to human, though.

  9. 12) Any new Barbarella movie will be judged by how faithfully it can replicate the classic opening credits of the first one 😉

  10. To be clear, I absolutely do not think OGH knowingly posted a fake trailer — I think the channel that posted it did an entirely inadequate job of labeling it as such. You have to go into the description and scroll down a ways before seeing the notation:

    “Altered or synthetic content
    Sound or visuals were significantly edited or digitally generated. ”

    Apparently, there’s talk going around about an actual Barbarella remake with Sydney Sweeney in the title role, and they just kind of fed that into some sort of AI generator and posted the output. Well, to give them credit, I assume they did some work on the final result. But their labeling job on the final video was clearly inadequate.

  11. The Barbarella trailer is very much a fake as the film according to Paramount is in development with no writer or producer attached. Therefore no footage would’ve been shot. And I’d say 2025 is highly unlikely as a release date.

    Several sources say that the likely sale of Paramount may well mean hey a further delay of the film pending who purchases the assets.

  12. I look forward to the movie being made so we can all opine on its inferiority to the original 🙂

  13. MixMat – I didn’t look; I just automatically dislike remakes (what was wrong with the original?).

  14. mark wrote:

    MixMat – I didn’t look; I just automatically dislike remakes (what was wrong with the original?).

    Before my time, but did you watch The Thing remake or the original?

    Or the Wizard of Oz of 1910, 1925, 1933 or none? Or the most known film from 1939?

    My only point being that some remakes can be better than the original, as a young(-er) whippersnapper I don’t expect you to approve my opinion but I don’t pre-judge a remake of Barbarella.

    By the by, the last films I watched were Inside Out 2, Furiosa, Garfield, Kingdom of the Planet of the Apes; and most of them I find overlong by 1 hour or 30-40/50 minutes; or I’m getting middle-aged and fall asleep at the 40/50min./1hr mark and revive in time for the climax/finale, usually dozing for 20-40minutes, depending on tiredness/interest in the film. These were all paid cinema ticket films.

    In S.E.A. I also watch(if available in cinema) Neon Genesis Evangelion re-made(from the tv series), 3 Musketeers (film remake 2023-2024 French films) and other non-US films as well. Such as Suzume, Weathering with you and Your Name, but I expect Hayao Miyazaki to be more familiar to you(collective you of File770/US). Who I became aware of thru publicity in 2000s/1990s, but found his post-princess mononoke films not as much to my liking.

  15. Re the Barbarella trailer: People have been complaining for years that Screen Culture should have to prominently declare their work “fan made.”

  16. 12) Having read the comments, now I’m a bit bummed. Barbarella would be one movie that I’d like to see remade. I’d like a chance to finally see that story.

    But alas…

    To be honest, I had my doubts given the number of scenes where Sydney Sweeney is apparently topless in the fake preview. Such scenes don’t get made for many mass-release genre shows. That coupled with a couple of seconds that were obvious AI really had me questioning the whole thing.

    Apparently, I’m still around in 4307. For better or for worse…

    But not check box to subscribe to the comments!

    Regards,
    Dann
    Courage is being scared to death but saddling up anyway – John Wayne

  17. Recently found (via BBC4 documentary) that the animation of Animal Farm was funded by… the CIA? As an anti-Red sublim?

    Did I just dream that?

  18. @ Owen
    No you did not dream that, the 1954 animated Animal Farm was produced under the aegis of the American CIA. The CIA’s Office of Policy Coordination purchased the movie rights from Orwell’s widow and funded the production of the movie in Great Britain. It was released to theatres in 1954 when completed. It did not make back the production budget, but the CIA funded copies that were freely distributed to schools and cultural organizations in english speaking countries.

    I know, who’d have thunk it?

  19. (9) I think William Atheling, Jr. (a.k.a. James Blish) nailed it in his 1960 review of 1984:

    This proposition–the drivewheel of 1984–is only six words
    long: the purpose of power is power. Not wealth, not
    luxury, not fame, not a woman a day, and most certainly
    not the public welfare, but the naked enjoyment of power
    for its own sake. To most of the kinds of people who
    are attracted to politics, power is not a means to
    another end, but is in itself the greatest possible of
    all ends. This is a blood-curdling notion, precisely because
    so much of history seems to support it–particularly
    recent history–but not only does it shock, it commands
    attention, in a way that the rats and the torture-machines
    in the very same chapter can’t possibly do.

    I don’t recall if that particular line made it into the movie.

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