(1) DOCTOR WHO’S SHORE THING. “Doctor Who spin-off gets update as ‘filming start date revealed’” notes RadioTimes. (It’s actually a short series.)
The long-rumoured Doctor Who spin-off, The War Between the Land and the Sea, is set to start filming in September, it’s been reported…
The information comes from the end of a long Deadline article about the series: “’Doctor Who: Disney Deal, Ncuti Gatwa & Russell T Davies In Spotlight”.
…All eyes now on the upcoming season, which is in the can and due to launch next year, along with a long-rumored set of spin-offs that comprise the new ‘Whoniverse’ including The War Between the Land and the Sea. Fans were delighted when this spin-off was alluded to in the ’73 Yards’ episode of the latest season and Deadline is told that shooting will commence in September.
One of our sources close to the production believes Disney will “need to make a decision” on its future relationship with the show soon after The War Between the Land and the Sea wraps, and this could have a bearing on how long the in-demand Gatwa — who will lead a West End production of The Importance of Being Earnest at the end of this year — remains Doctor. Although the next season has wrapped, this source predicts the final episode has been left open-ended, with the possibility remaining that Gatwa could regenerate into his successor if he chooses to exit. Gatwa’s agents hadn’t responded to Deadline’s request for comment by press time.
(2) WHAT’S THE MATTER. “Constellation and Dark Matter: the TV series that could change your view of quantum mechanics” in the opinion of Physics World.
… A fundamental principle of the many-worlds interpretation is that any contact between the different worlds is impossible. But a fundamental principle of popular culture is that it’s not, physics be damned. The beauty of using parallel worlds in fiction is that it can neatly exploit our human anxiety over the consequences of taking and having taken actions. In a sense, it reveals the God-like, world-shaping power of the human ability to choose and the depth of our innate desire to live our lives again.
As Brit Marling, co-author and star of Another Earth, told an interviewer: “Sometimes in science fiction you can get closer to the truth than if you had followed all the rules.”…
…Quantum-inspired fictional worlds are back in the spotlight after featuring in two Apple TV+ dramas this year – Constellation and Dark Matter. Both use superposition as a device for allowing characters to take forking paths. The former was cancelled after one season, while the latter finished its season in June. The two shows illustrate what’s problematic about the genre….
(3) JMS DEFENDS THE DISCLAIMER. J. Michael Straczynski says he’s gotten sharp criticism for beginning the new edition of Harlan Ellison’s Greatest Hits with this disclaimer.
“Harlan Ellison’s work epitomized and reshaped the speculative, science fiction, and horror genres across decades. Ellison’s stories and novellas have been an inspiration to subsequent writers, and his impact can still be seen in contemporary television, culture, and literature.
“However, while these stories are outstanding works across multiple genres, they may contain outdated cultural representations and language. We present the works as originally published. We hope that you enjoy discovering, or rediscovering these stories.”
The other day in a public comment on Facebook’s Harlan Ellison group JMS defended that choice (and others) in a long post of which this is an excerpt:
Several folks here have used terms like “disgraceful” and “shameful” to discuss the disclaimer at the front of Harlan Ellison’s Greatest Hits, and the decision not to use the original computer tape images in I Have No Mouth. Let me address these frankly, and in that order.
When the disclaimer was first brought up by the publisher, I bristled at it. (And that part is literally just one sentence inside of one paragraph.) But it was explained to me that having that one sentence in that one paragraph meant that nothing in the stories themselves would have to be changed or edited. The book could go out without so much as a misplaced comma. Just as importantly, it meant the book could be sold into high school and college bookstores, school and public libraries, and curricula without impediment.
The fellow who did the YouTube video posted twice here made the observation, on this topic, that he basically didn’t give a shit if the book was available to high schools and universities, even though most everyone reading this discovered Harlan’s work at around that age. All he cared about was having the book of stories he’d already read and owned be readily available in a bookstore so he could buy one more edition of it, new readers be damned. (And it’s nearly impossible to get enough copies into print to be in stores without being able to sell the book into schools, libraries and the like.) So yes, I pulled the trigger on that, and I’d do it all over again given how this has worked out.
Jumping to the computer tape issue…what folks need to understand is that while Greatest Hits is certainly a wonderful opportunity for fans to collect some of Harlan’s best work in one place, that’s not the primary target of this book. Everybody reading this already has all or most of those stories, in the original books and in some cases even the original magazines. It’s not one more fan service compilation.
Greatest Hits is a primer of Harlan’s work for newcomers. As such, the whole point is to make the book as accessible as possible to new readers, many of whom had never previously even heard of Harlan Ellison. It’s not so much that I wanted folks to want to buy the book, I wanted to make sure there was nothing that could prompt them to *not* buy the book.
The disclaimer was part of that decision. So was removing the computer tape image and substituting the actual words themselves, especially given the current technological state of things. Corollary: You’re watching the latest Dune movie, and one of the main characters goes to a highly sophisticated computer system to give it instructions on the next issue by loading in a mountain of 3 inch floppy disks. It would get a laugh.
Computer tapes, *outside of their original historical context* (about which more in a second), would have the same effect on a modern reader. It’s being offered as a story right now to a modern readership, at a time when such tapes aren’t used anymore, and folks either wouldn’t know what it was (and some say “well, let them do their homework” but that’s a self-defeating line of reasoning when the whole point is to get the work out to that new readership) or they would know and it would break the illusion and be considered laughable.
So yes, I pulled the trigger on that as well. Because again: this is a primer, by definition an accessible introduction to a writer’s work.
As a result of all this, at a time when so many writers are having their words altered, softened or otherwise bastardized in order to be allowed into the marketplace, Harlan’s stories went out intact.
…The first print run of the regular edition Greatest Hits sold out before it was even formally published. There was another print run of that edition, and two print runs of the exclusive edition.
As I write these words, there are now roughly *sixty thousand copies of Harlan Ellison’s Greatest Hits in print*….
(4) HELLO, DALI! “You can now ask Salvador Dali questions (sort of), as part of an AI installation” at NPR.
…The surrealist artist Salvador Dali was known for art featuring melting clocks, bizarre landscapes and dreamlike imagery. He died in 1989, but visitors at the Dali Museum in St. Petersburg, Fla., can ask him questions about his art or anything else. NPR’s Chloe Veltman reports that Ask Dali uses generative AI to bring the artist back to life.
CHLOE VELTMAN, BYLINE: The question – why are the clocks in your paintings melting? – provokes a long, poetical response from Ask Dali. Here’s a snippet.
(SOUNDBITE OF ARCHIVED RECORDING)
AI-GENERATED VOICE: (As Salvador Dali) My dear questioner, think not of the clocks as merely melting. Picture them as a vast dream caressing consciousness.
VELTMAN: Museum visitors just pick up the lobster-shaped receiver on a replica of Dali’s famous telephone sculpture to speak with him. The museum says the artificial intelligence Dali has responded to well over 30,000 questions since the installation launched in mid-April. People ask about things like the artist’s famous curling moustache…
(5) BEAR MAKEOVER. “’Drunk’ Disney bear cancelled over ‘derogatory and offensive’ name” reports Yahoo!
A drunk animatronic bear who was a Disney World fixture for over 50 years has reportedly been cancelled over concerns he could offend alcoholics.
Liver Lips McGrowl did not make an appearance when the “Country Bear Jamboree” – one of the final attractions designed by Walt Disney before his death – returned on Wednesday following a seven-month refurbishment.
The attraction, which features 18 animatronic bears performing country-style Disney songs, first opened its doors in 1971 and has been a mainstay of the theme park for decades.
Disney decided to cancel the character because the phrase “liver lips” could be offensive to alcoholics, according to the Disney Inside the Magic blog.
“The decision to remove Liver Lips McGrowl was driven by concerns over the character’s name. The term “liver lips” is considered derogatory and offensive,” it reported….
… The bear has been replaced by Romeo McGrowl, who looks identical to his predecessor – including his protruding lips – but sports a sky-blue jumpsuit and blonde quiff….
(6) BOB NEWHART (1929-2024). [Item by Mike Kennedy.] The one and only Bob Newhart is gone. A quick glance at his credits on IMDb might give the impression that his contributions to entertainment were modest. That would be utterly false.
If you’re young enough to be unfamiliar with his work, I urge you to investigate not only his genre appearances, but his entire body of work. So much of it has what might be called sfnal sensibilities. For instance, the entire run of Newhart (his 1982–90 TV show) was just skew enough to our mundane world that you could be convinced it was deliberately set in an alternate reality. So, too, were many of the standup comedy routines he was beloved for before he ever set foot on a soundstage.
His contributions to specifically genre media were also significant. They include: On a Clear Day You Can See Forever, The Rescuers and The Rescuers Down Under, The Simpsons (as himself), Rudolph the Red Nose Reindeer: The Movie, Elf, The Librarian(s) series (3 TV movies & a TV series), and two appearances on Svengoolie (one as himself).
Rolling Stone’s tribute is here: “Bob Newhart, Groundbreaking Stand-Up Comic and TV Sitcom Legend, Dead at 94”.
…Understated in his delivery and physically small of stature — he looked like the former accountant that he was — Newhart nonetheless left a sizable footprint on comedy. His first album, 1960’s The Button-Down Mind of Bob Newhart, was a blockbuster; featuring his trademark one-sided conversations, the album won multiple Grammys including Album of the Year and achieved the commercial success of a huge pop album….
…Some of his most popular bits — marketing executives advising Abraham Lincoln, the Wright Brothers and a harried driving instructor — were included on The Button-Down Mind. (“What’s the problem?” Lincoln’s publicist is overheard saying to him before the Gettysburg Address. ” … You’re thinking of shaving it off? … Um, Abe, don’t you see that’s part of the image?”)…
…He gained a new legion of fans after appearing as Will Ferrell’s tiny North Pole dad in Elf and he guest-starred in several episodes of The Big Bang Theory as Professor Proton, the host of Leonard and Sheldon’s childhood-favorite TV science show. Those appearances led to Newhart finally winning an Emmy in 2013 (for “Outstanding Guest Actor”) after seven previous nominations….
(7) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
July 17, 1967 – Paul Cornell, 57.
By Paul Weimer: I came to Cornell different. Not thanks to all of his excellent and groundbreaking work with Doctor Who (his DW novels were and are groundbreaking, and elements of those novels have made their way into multiple episodes of the rebooted shot. Nor was it for all of his work in television, from Coronation Street to Robin Hood, and much more. I didn’t even come to Cornell thanks to his extensive work in comics, from Captain Britain to Wolverine to Demon Knight. I was not aware of any of that vast oeuvre…at first.
I came to Cornell’s work first thanks to the SF Squeecast. SF Squeecast was one of the high-water marks of professionals being fans and doing fannish things that was a major source of controversy back in the early 2010’s. I remember the discussions at Loncon in 2014, whether such productions such as Squeecast should really be “eligible” for fan awards, since they were “Stacked with pros”. But I knew, and personally knew, some of the people on the SF Squeecast, so I began listening to it, and discovering the work of people I didn’t know.
Just like Paul Cornell.
So I got in on the ground floor when Cornell announced his Shadow Police novel, London Falling, and I gave it a try (and even managed to get an ARC). I enjoyed it highly. It was part of a trend of Magical London novels out at that time — Ben Aaronovich, and others explored this as well. I highly enjoyed London Falling, and its two sequels, and so my reading of Cornell began in earnest. I started reading his Doctor Who work (The Discontinuity Guide in particular, was a revelation) and have continued to read him ever since.
Cornell’s wide oeuvre and styles continue to amaze. I also particularly like his switch from urban London to the more pastoral rural fantasy of the Witches of Lychford novellas. And again here, like the London novels, he has counterparts in work such as that of Juliet McKenna. I like to think of Cornell’s work as an amplifier and booster of themes and subgenres and ideas, adding his voices to a chorus and making his work, and the subgenre he works in, stronger and better.
Oh, and one last bit. For a number of years, Cornell came to Convergence, a local big con here in Minneapolis. Every year, Cornell had a special panel, where he would go out to a parking lot and teach us poor Americans how cricket works. These demonstrations were fun, entertaining, and I always came away feeling that I better understood the game. His absolute fun and joy in showing us the game is the takeaway and mental image I have of Paul.
(8) COMICS SECTION.
- Saturday Morning Breakfast Cereal demonstrates AI limitations.
- Frank and Ernest ponder early coding.
- Free Range explains an eponymous pool game.
- Glasbergen sets a goal that requires a flying sauer.
- Moderately Confused can’t pass this test.
- Reality Check’s test is even harder.
- Wallace the Brave knows about a new superhero.
- Rhymes with Orange shows a specialized legal practice.
(9) WHAT HAPPENED TO THE BATTLE OF ENDOR’S MOST COURAGEOUS WARRIORS? This October, Steve Orlando, Álvaro López, and Laura Braga’s Star Wars: Ewoks tell a new saga set directly after the events of Return of the Jedi. For more information, visit Marvel.com.
This year marks the 40th anniversary of the Ewoks’ continued adventures beyond the Star Wars films. The Ewok Adventure, also known as Caravan of Courage, followed up on the popularity of the adorable—but formidable—creatures who secured the Rebellion’s victory during the Battle of Endor in Return of the Jedi. To celebrate the anniversary and the Ewok’s mighty legacy, they’ll star in a new 4-issue limited comic series this October—STAR WARS: EWOKS!
A team of Imperial-led bounty hunters and scavengers arrive on the Forest Moon of Endor searching for a secret cache of Imperial weaponry! Are they prepared to face off against the battle-ready Ewoks who took down so many of their ranks? Who is the mysterious new warrior Ewok returning to Bright Tree village, and what is their connection to Wicket W. Warrick?
STAR WARS: EWOKS #1 (OF 4): Written by STEVE ORLANDO; Art by ÁLVARO LÓPEZ & LAURA BRAGA
COVER BY PETE WOODS
VARIANT COVER BY DAVID LOPEZ
ACTION FIGURE VARIANT COVER BY JOHN TYLER CHRISTOPHER
(10) UNHAPPY LANDING. “Halo Canceled At Paramount+ After 2 Seasons” reports Deadline.
Paramount+ has cancelled Halo.
The news comes a few months after Season 2 of the live-action video game adaptation premiered on the streamer in February. Amblin Television, Xbox and 343 Industries are currently shopping Halo in hopes of finding it a new home, Deadline understands….
(11) THE BUCKET WARS CONTINUE. [Item by Mike Kennedy.] Red fuming nitric acid, um I mean popcorn “butter” is optional. Gizmodo says, “Step Aside, Deadpool & Wolverine, the Real Heir to the Dune Popcorn Bucket Is Here”.
(12) BACK IN THE CAN. Rather like what Warner Bros. has done to a couple of finished movies, NASA has done to a moon rover: “NASA cancels $450 million VIPER moon rover due to budget concerns” at Space.com.
NASA has cancelled its VIPER moon rover program due to rising costs.
VIPER, short for Volatiles Investigating Polar Exploration Rover, was a robotic mission intended to land near the moon’s south pole and spend 100 days scouting for lunar ice deposits. The rover was slated to launch in 2025 to the moon aboard an Astrobotic Griffin lander as part of NASA’s Commercial Lunar Payload Services initiative (CLPS). Now, it appears VIPER will be scrapped for parts or potentially sold to industry. The decision to axe the VIPER mission was announced today (July 17) in a teleconference; cancelling the program is expected to save the agency an additional $84 million in development costs. NASA has spent about $450 million on the program so far, not including launch costs.
…At the time of its cancellation, the car-sized VIPER was completely assembled and undergoing environmental testing to ensure the rover could handle the physical stresses of launch and the harsh environment of space.
NASA is now looking to “potentially de-integrate and reuse VIPER scientific instruments and components for future moon missions” Kearns said today, but will first ask both U.S. and international industry partners for any interest in using the rover as-is….
(13) YOU NEVER KNOW. “Signs of two gases in clouds of Venus could indicate life, scientists say” in the Guardian.
Hot enough to melt metal and blanketed by a toxic, crushing atmosphere, Venus ranks among the most hostile locations in the solar system. But astronomers have reported the detection of two gases that could point to the presence of life forms lurking in the Venusian clouds.
Findings presented at the national astronomy meeting in Hull on Wednesday bolster evidence for a pungent gas, phosphine, whose presence on Venus has been fiercely disputed.
A separate team revealed the tentative detection of ammonia, which on Earth is primarily produced by biological activity and industrial processes, and whose presence on Venus scientists said could not readily be explained by known atmospheric or geological phenomena.
The so-called biosignature gases are not a smoking gun for extraterrestrial life. But the observation will intensify interest in Venus and raise the possibility of life having emerged and even flourished in the planet’s more temperate past and lingered on to today in pockets of the atmosphere….
(14) BONES AWAY! “Stegosaurus skeleton, nicknamed ‘Apex,’ sells for record $44.6M at Sotheby’s auction” reports Yahoo!
A nearly complete stegosaurus skeleton sold at a Sotheby’s auction in New York on Wednesday for a record $44.6 million — the most ever paid for a fossil.
The dinosaur, nicknamed “Apex” — which lived between 146 and 161 million years ago in the Late Jurassic Period — was originally expected to sell for between $4 million and $6 million, according to the auction house.
Sotheby’s has said Apex is the “most complete and best-preserved Stegosaurus specimen of its size ever discovered.”
(15) KEEP WATCHING THE SKIES. “Rare ‘daytime fireball’ spotted as meteor falls to Earth over New York City” at Space.com.
A meteor crashed into Earth’s atmosphere over New York City yesterday (July 16), putting on quite the show for spectators throughout the region.
The meteor created a rare daytime fireball that traveled west into New Jersey at speeds of up to 38,000 mph (61,000 km/h) according to NASA Meteor Watch.The American Meteor Society received several reports of a daytime fireball on July 16, 2024 over New York, New Jersey, Connecticut, Delaware, Maryland, Rhode Island and Pennsylvania. Dramatic fireball footage was captured over Wayne, New Jersey and Northford, Connecticut….
(16) VIDEO OF THE DAY. Ryan George lets us eavesdrop on the “Independence Day: Resurgence”. As a commenter says, “Forgetting this movie existed was super easy, barely an inconvenience.”
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “he’s a marvel” Dern.]
Discover more from File 770
Subscribe to get the latest posts sent to your email.
(3) JMS got heat for that disclaimer?! It’s straightforward, correct, and doesn’t diss anyone!
What’s the problem with providing the reader with information they might want to know before reading? Getting the info doesn’t mean you won’t read it. For me, it means I am prepared for some stuff I’d want to know going in.
(3) I agree. What’s the alternative, something Harlan would have ripped someone a new one if they changed ONE WORD?
(5) I’m sort of confused by “might insult an alcoholic”. From what I know, most alcoholics don’t even consider themselves alcoholic (such as my late ex).
Birthday: a friend of mine, a Candian, once sent me an explanation of cricket that made perfect sense. That being 20 or so years ago, I don’t remember it.
(11) Can we add hydrazine? (My late ex was an engineer at the Cape, and her specialty were hypergols.)
(14) That’s appalling. Some rich asshole puts it in a room, rather than a museum, and he’s Special, and only his Special Friends get to see it, rather than, say, a 10 yr old looking at the allosaur and the stegosaurus in the NY Museum of Natural History…
(3) I agree with Lis, that is a pretty anodyne disclaimer, and by adding such a disclaimer if that means that the book can be sold to the Library and School book buyers, then all the better. Better to have the book available to the widest audience and have it inspire readers to seek out more Science Fiction and Fantasy than to not have it at all. Whatever his faults, and Harlan had alot of them, he was a good writer and his works have had an influence on later writers.
And may have influence on future readers and writers.
(5) I think the problem with the bear, despite what the article says, is not so much the name, but the fact that it portrays a drunken bear. That hardly seems like an appropriate Disney character.
(3) What I don’t understand is why the disclaimer doesn’t justify using the computer tapes.
Jeff Smith: I suppose it would have, except JMS thought the reasons not to use the images of the computer tapes were compelling, to him.
3) “Highly sophisticated computer system”? Has JMS actually read Dune?
6) And on For All Mankind, a group of astronauts pulling a months-long tour on the Moon have a videotape of a single episode of The Bob Newhart Show (Hollywood decided they didn’t want hoi polloi to know tapes existed, so they stopped supplying them after the first), which they watch way too many times.
@Patrick Morris Miller: Hi Bob.
6) Don’t forget the Bob Newhart clips in For All Mankind.
edit: Patrick Morris Miller beat me to the punch.
@Iphinome: Hi Bob.
(3) agreeing with Lis (as one often does).
(6) My favourite Newhart sketch is his little piece of alt-history on Walter Raleigh trying to sell the humble spud: https://youtu.be/_XDxAzVEbN4
@Mike Kennedy: Hi Bob.
(6) I’m Pixel, this is my brother Scroll, and this is my other brother Scroll.
7) I first met Paul Cornell at the Dublin Worldcon, already a huge fan of his because of the Lychford novels, with my wife being a huge fan of “Falling London.” He was a wonderful, nice man who did a selfie for her. We always hope to run into him and chat at the major cons. His graphic novel “Witches of WWII” is great and on my Hugo list.
5) I’ve seen elsewhere that “Liver Lips” could be considered a racial slur and that’s the reason behind Mr. McGrowl’s name change.
3) I suspect the objection boils down to “Wait, if Ellison calling people those things back then is inappropriate, then maybe MY calling people those things NOW will be considered inappropriate! And that’s just wrong”
@Lis Carey
“I think the problem with the bear, despite what the article says, is not so much the name, but the fact that it portrays a drunken bear. That hardly seems like an appropriate Disney character.”
I dunno — drunk bears are pretty funny.
@Andrew (not Werdna) – Excellent title!
(13) Does anybody remember the National Geographic book Our Universe from the early ’80s? It had a few pages with fanciful pictures of life on other planets (or moons), and I found out only a few months ago that those pictures were painted by the great SFF cover artist Michael Whelan.
Here’s his picture of some Venusians; one of them is snacking on a doomed Venera lander and I can’t remember what the other is doing. Were they jet-propelled, or is it just bouncing?
https://www.michaelwhelan.com/galleries/our-universe-venusians/
Thank you, Bill.
Mmm… re the sad passing of Newhart (he did live quite a while): my mega favourite quip is when he is in conversation with Walter Raleigh. And it is not (ye might assume -my being an Irishman) re the potato, but re tobacco…” you roll it up, set fire to it and then let’s see, put it in your ear??”..
(13) From the linked article:
Yes, that is our very own long-standing UK fan and sf writer Dave Clements.
3) I am totally confused by this. On the one hand, JMS says “We present the works as originally published” and “nothing in the stories themselves would have to be changed or edited.” But then he says he took out the computer tapes from “I Have No Mouth” because today they would be unintentionally hilariously obsolete. OK, he can do that, and it might even be a wise decision when presenting the stories to new readers, but it’s entirely contradictory to the assurances quoted above. He also talks about assuring school and library sales, which usually means deleting controversial material, again contradicting the above.
10) Well poop.
14) Maybe the buyer will lend it to some public institution, like that triceratops that is on long term loan to a children’s museum.
“Maybe the buyer will lend it to some public institution, like that triceratops that is on long term loan to a children’s museum.”
Apparently he intends to. This WSJ article is paywalled, so I can’t read it, but Matt Levine talks about it in his newsletter and excerpts the following, which I feel free to pass on
The WSJ article about the buyer of the Stegosaurus also says:
So shame on mark for just assuming the worst about him because he’s able to afford to buy a dinosaur fossil.
My assumption was that “as originally published” referred to the text of the stories and the images of the computer tapes were considered distinct from that and thus able to be excluded.
That WSJ article in part as reprinting in whole is a violation of copyright law:
Ken Griffin Pays $45 Million for a Stegosaurus
Hedge-fund billionaire Kenneth Griffin paid $44.6 million for a nearly complete Stegosaurus skeleton at Sotheby’s on Wednesday, the most ever paid for a fossil at auction….
Griffin, the 55-year-old founder and chief executive of Citadel, said he aims to lend “Apex” to a museum in the U.S. “Apex was born in America and is going to stay in America,” he said after the sale.
Griffin has a history of splurging on trophy pieces. In 2021, Griffin said he outbid a group of cryptocurrency investors to win a $43.2 million first-edition copy of the U.S. Constitution in part so he could be certain it stayed in the country. He later lent it to the Crystal Bridges Museum of American Art.
rcade: If so, that would be misleading hairsplitting at the very least. The tapes were published in the original printing, and not as a separable item like illustrations, and they’ve been in every printing that I know of since. Harlan specified what they were to say, and they’re an essential part of the story: proved even by JMS removing them, because what did he put in their place? A transcription of what the tapes say!
It’s an essential part of the story. If you change it, you’re altering the story. You can do that, but don’t claim you aren’t.
(3) JMS said “So was removing the computer tape image and substituting the actual words themselves, ”
There are a few places in the story (in the editions I’ve read) where there is an image of an old paper punch tape (formerly used to encode ASCII characters, like the old punch cards) running across the page. I’ve always just interpreted them as illustration, and never bothered to try and figure out what characters were being encoded.
Is JMS saying, by reference to “the actual words themselves”, that the characters that the tapes encoded had meaning relevant to the text of the story? (DB’s post above seems to say so.) What did they say?
If this is the case then I’m sure I’m not the only reader who has missed out, because I just checked several different books which included the story and they have different images of the tapes, with different punch patterns and they (presumably) encoded different messages.
Maybe I don’t know the story well enough, but I don’t regard the illustrations as sacrosanct. There are only a small number of illustrations I regard as essential to a story or book — most notably Kurt Vonnegut’s asshole in Breakfast of Champions.