(1) JULY 4, 1939: Julius Schwartz ditched the last day of the first World Science Fiction Convention and went with Mort Weisinger and Otto Binder to see a ballgame at Yankee Stadium. Here’s what happened next: “On This Day In History 7/4”.

(2) ORAL HISTORY OF XENA. The Guardian talks to the people who made the show: “’I was attacked by a bloody rabbit’: how we made Xena: Warrior Princess”.

… Steven L Sears, writer and co-executive producer: …People called Xena a sword and sorcery show, even though our universe had swords but no magic. There were mythological creatures and entities with powers, but those powers had restrictions. Most of the gods echoed the pettiness of mankind, with all their egos and desires.

Back then, the studio was very hesitant about suggesting Xena and Gabrielle were in a romantic relationship. They even objected to a moment in the title sequence where Xena is seen walking seductively towards the warlord Draco, because he was shot from the back and had long hair, so could be mistaken for a woman. But as time went on, they decided to look the other way and just let us get on with it. Somebody once asked me if Xena and Gabrielle ever had sex. I said: “It’s none of my damn business. They do social and domestic duties together, they have fought for each other and died for each other. If you’re defining the relationship just on sex, you’re really missing the whole point.”…

(3) IN AND OUT OF DISGUISE. “Superman, Frodo and Star Wars: the stunning life of Kiran Shah – the world’s smallest stuntman” in the Guardian.

It was 1976 when Kiran Shah saw the advert that would change his life. “It was a sci-fi film looking for a little guy,” he says. Shah turned up at Elstree Studios in Hertfordshire and was introduced to a nervous young man named George Lucas. “He said: ‘Can you get in that dustbin thing?’ I was a bit too tall for it but I got in, they put the lid on, and he said: ‘Can you look left, look right?’” Shah didn’t realise he was auditioning for the role of R2-D2 in Star Wars. He didn’t get the job – it went to Kenny Baker – but Lucas’s casting director liked Shah, and got him an agent, which set him on the path of an almost 50-year career as “the world’s shortest stuntman”…

There are very few blockbusters Shah has not been in. You might not recognise him – he is often doubling for another character or he’s disguised under prosthetics as a mythical creature. But he has played more Star Wars characters than he can count, doubled for every hobbit in The Lord of the Rings movies, did Christopher Reeve’s stunts in the Superman movies, and played every single child in Titanic (which is even more impressive given that he can’t swim)….

(4) THREE-BODY EFFECTS. “Imagine Engine Shares ‘3 Body Problem’ VFX Breakdown Reel” at Animation World Network.

Image Engine shared a VFX breakdown reel and case study for its work contributing 137 shots to Netflix’s sci-fi drama, 3 Body Problem. The studio’s attention to detail, from replicating the vastness of the Neutrino Observatory to breathing life into a photoreal chimpanzee animation, resulted in a world of remarkable visuals.

Beginning with the first episode, the studio’s craft is on display, when scientist Dr. Vera Ye enters the Cherenkov tank, walks out onto a platform, and jumps into a shallow pool of water below.

Compositing supervisor Matt Yeoman explained, “Vera’s plate element of her walking along a suspended walkway needed to be integrated into the Neutrino Observatory, which was a full CG environment render. The main objective of this shot was to create a sense of scale for her very unique and mysterious surroundings.”…

(5) OCTOTHORPE. In Episode 113 of Octothorpe, “I Realised Too Late What I Had Done” John Coxon, Alison Scott, and Liz Batty discuss a variety of things, “including but not limited to: the country of Sweden; haggises; the processing of peaches; listener statistics; the way that Los Angeles is gearing up for the Olympics; and Scrabble. We also discuss something called a ‘Worldcon’, in a first for us.” An uncorrected transcript is available here.

(6) DOCTOR WHO WILL TREAD THE BOARDS. Collider says watch the London stage in September: “Paul McGann’s ‘Doctor Who’ Is Making a Comeback — But Not the Way You’re Expecting”

Doctor Who is making its way to the stage for the first time in over 20 years. Last performed live in 1989, the Doctor will be appearing in front of a live audience in celebration of 25 years of audio adventures by Big Finish Productions. The live show will see Paul McGann’s Eighth Doctor in a new live-recorded audio drama, titled “The Stuff of Legend,” written by Robert Valentine and directed by Barnaby Edwards. McGann will star alongside India Fisher as his companion Charley Pollard, who’s been around since the beginning of Big Finish’s Doctor Who dramas, in this exciting new venture for the Whoniverse. McGann and Fisher will be joined on stage by Alex Macqueen as the Master — who featured in the Eighth Doctor Adventures series Dark Eyes — and Nicholas Briggs as the voice of the Daleks.

The drama will be performed live to audiences for one night only, at London’s Cadogan Hall on Saturday, September 14, 2024, with a studio version of the same story releasing on the same day. Although this is not the first time that Doctor Who has been performed to a live audience, it is the very first time that one of the show’s audio plays will be performed on stage. The announcement comes just weeks after the end of Season 1 of Doctor Who’s Disney revamp, which saw Ncuti Gatwa’s Doctor and Millie Gibson’s companion Ruby Sunday face off against classic Who villain Sutekh (Gabriel Woolf)….

(7) THE TARDIS RETURNS THE FAVOR. And Playbill lists “Thespians Turned Whovians: All the Broadway Stars in Disney’s Regeneration of Doctor Who”. Spoilers at the link.

Whovians and theatre fans, did you spot some familiar faces in this season of Doctor Who? The 14th season of Doctor Who has just concluded on Disney+, and a few Broadway stars made guest appearances. The BBC staple, which has been running for over 60 years, has always had a rich relationship with the stage. 

Many stars and guest stars of Doctor Who have connections to the theatre, including The First Doctor, William Hartnel, who was a prolific Shakespearean actor before ever stepping into the TARDIS. The 10th (and 14th) Doctor (played by David Tennant, who has been in countless theatrical productions) once landed his TARDIS inside The Globe to fight off witches with Shakespeare himself. That episode was filmed at Shakespeare’s Globe in London—where the current 15th Doctor, played by Ncuti Gatwa, starred as Demetrius in A Midsummer Night’s Dream in 2016….

(8) COMPREHENDING PKD. David Agranoff has written a highly interesting review of “Postcards from a Dying World: Philip K. Dick: Essays of the Here and Now David Sandner (Editor), Series Editors: Donald E. Palumbo, C.W. Sullivan III”. Here’s his comment about one of the articles.

…Umberto Rossi’s ‘From Soft Totalitarianism to TV: Philip Kindred Dick and The Tube,’ was of course an enlightening read. I am aware that David Gill believes Rossi’s writing on PKD to be some of, if not the most important analysis of the work. I admit I am late to get to his work, but this is an excellent piece.  I also had the weird experience of reading Rossi writing about the bible hypertext in The Divine Invasion while a woman on the plane (I was taking to the PKD fest) was reading the bible on her phone….

(9) ROBERT TOWNE (1935-2024). Best known for his Oscar-winning Chinatown screenplay, Robert Towne died July 1 at the age of 89. There’s some genre work among the credits listed in Deadline’s tribute.

…Towne also earned BAFTA, Golden Globe and WGA awards for Chinatown, the L.A.-set 1974 thriller starring Jack Nicholson and Faye Dunaway. It was one of three Writers Guild Awards he won during his career, along with Shampoo and the drama series Mad Men, on which he was a consulting producer during the final seventh season. He also was nominated for The Last Detail (1973) and Greystoke: The Legend of Tarzan, Lord of the Apes (1985). He was honored with the guild’s Laurel Award for Screenwriting Achievement in 1997.

Born on November 23, 1934, Towne got his start with his screenplay for 1960’s Last Woman on Earth before writing for … early-’60s TV series The Outer Limits, [and] The Man from U.N.C.L.E. He went on to work with Roger Corman on films including The Tomb of Ligeia (1964)… 

During the 1970s, Towne also did script-doctor work on Beatty’s directorial debut Heaven Can Wait.

Towne … wrote the screenplay for the 1984 Tarzan tale Greystoke, starring Christopher Lambert, with an eye to direct. But the poor financial showing of Personal Best led Warner Bros to hand the helming reins to Hugh Hudson, who was hot off Best Picture Oscar winner Chariots of Fire.

Towne was angered by the move and had his name taken off the Greystoke screenplay — opting instead to credit the script to P.H. Vazak, his sheepdog. It went on to score an Adapted Screenplay Oscar nom for Vazak, making him the only canine ever to be so honored. It also was the first Academy Award nom for any Tarzan film….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

July 4, 1996 — Independence Day film. We’re celebrating Independence Day tonight. Now not that one, but the film of that name which premiered twenty-eight years ago this coming weekend, but I thought it should be written up on this day. (Indeed, sites think it premiered today with more than a few individuals remember seeing it today.) 

So let’s talk about Independence Day. It came out twenty-eight years ago. Now it’s a franchise as Independence Day Resurgence would come twenty years later. Well, a franchise unlikely to see a third film, as Independence Day Resurgence was financial failure unlike Independence Day which, well, I’ll note later.

It was directed by Roland Emmerich, written by Emmerich and Dean Devlin. Now if you think that you know Emmerich and Devlin, that’s not at all surprising as both had a major success in a genre film as Emmerich directed Stargate and Devlin co-wrote that script with Emmerich. 

Ok, any Filer who has not seen should, well, skip to the rest of of the Scroll as I cannot avoid spoilers. I really can’t. SPOILERS. INCREDIBLY LARGE SPOILERS HERE.

Emmerich wanted to write an alien invasion on a massive scale rather than on the personal scale of the Fifties films, wreaking destruction those didn’t, and having the aliens hidden until they get revealed late in the film. 

Each ship is fifteen miles across! And he had those ships destroy entire cities, be it New York or London, though the destruction of the White House is one of my favorite scenes in the film. President Thomas J. Whitmore, the former fighter pilot and Gulf War veteran, as played Bill Pullman, is one of the best secondary characters here.

The primary cast is Will Smith as Captain Steven Hiller, a Marine F/A-18 pilot: Jeff Goldblum as David Levinson, an all-around technological expert; and Judd Hirsch as Julius Levinson, David Levinson’s father (the character was based on one of Dean Devlin’s uncles). All are stellar in their roles. Same applies to the many other characters such as Randy Quaid as Russell Casse, an, alcoholic former fighter pilot and Vietnam War veteran insists that he was abducted by the aliens, and Brent Spiner as Dr. Brackish Okun, the scientist in charge of research at Area 51.

Now let’s talk about creating the look at the film. I can’t possible cover everything that made this film look fantastic, and one might assume that since shows like Babylon 5 were made intensively using CGI that most of this film was likewise. There over five thousand special effects shots required to make this film but and over ninety-five percent were practical in nature. That’s a lot of models, a massive number, many of which are now in collectors hands. And they fetched very nice prices. 

So they built an actual White House, as Vogel Engel, effects supervisor, said in an interview, “Our pyrotechnician, the late Joe Viskocil, and our miniature supervisor Mike Joyce did a fantastic job in preparing a 15-feet wide and 5-feet high miniature of the building — basically a plaster shell attached to a metal body, with individual floors and a lot of furniture and other details on the inside.”  And then they blew it up in the desert outside Vegas with the press looking on with only one chance to get it right. And they absolutely did.

A outstanding script, a fantastic cast and special effects that are still considered cutting edge according to be among the best ever done. 

Next let’s talk what the critics thought. They mostly really liked it and Duane Bryge of the Hollywood Reporter is typical: “20th Century Fox’s Independence Day is a blast — a sci-fi disaster film about an alien force that attacks Earth on Fourth of July weekend. A generic juggernaut, as well as a story of appealing human dimension, Independence Day should set off box-office fireworks worldwide.”

So, want to know about well it did? Well, it didn’t cost that much to make back then, just seventy-five million. Oh, that was a good investment considering that it would go in to gross eight hundred and seventeen million. One knows that it went well over a billion with a secondary run, cassette and DVD sales, television and streaming fees. 

The sequel made as I note above half as much and Emmerich blamed that largely on the absence of Will Smith who declined to take part. Emmerich stated in an interview with Collider magazine that his originally intended script in which Steven Hiller was alive during the film was “much better” and that Smith’s absence from the film forced him to use an alternative script.

(11) COMICS SECTION.

• Close to Home shows zombies who love a party.
• F Minus has a strange idea about faithfulness.
• The Argyle Sweater knows what happened to a premature invention.
• Tom Gauld would hate to interrupt:

My latest @newscientist cartoon #science pic.twitter.com/nPoribcwOI

— Tom Gauld (@tomgauld) June 30, 2024

(12) HOW MANY HOLES DOES IT TAKE TO FILL THE ALBERT HALL. “Researchers Make Breakthrough in Study of Mysterious 2000-Year-Old Computer Found in Shipwreck” – Futurism has an update about the Antikythera mechanism.

Well over a century after its discovery, researchers at the University of Glasgow say they’ve used statistical modeling techniques, originally designed to analyze gravitational waves — ripples in spacetime caused by major celestial events such as two black holes merging — to suggest that the Antikythera mechanism was likely used to track the Greek lunar year.

In short, it’s a fascinating collision between modern-day science and the mysteries of an ancient artifact.

In a 2021 paper, researchers found that previously discovered and regularly spaced holes in a “calendar ring” were marked to describe the “motions of the sun, Moon, and all five planets known in antiquity and how they were displayed at the front as an ancient Greek cosmos.”

Now, in a new study published in the Oficial Journal of the British Horological Institute, University of Glasgow gravitational wave researcher Graham Woan and research associate Joseph Bayley suggest that the ring was likely perforated with 354 holes, which happens to be the number of days in a lunar year.

The researchers ruled out the possibility of it measuring a solar year.

“A ring of 360 holes is strongly disfavoured, and one of 365 holes is not plausible, given our model assumptions,” their paper reads….

(13) CLIFF NOTES. A commenter on the Daytonian in Manhattan’s post“The Cliff Dwelling – 240-243 Riverside Drive” tells us: “L. Ron Hubbard lived here 1939–40, writing — with a radically customized, continuous-feed typewriter beneath a low-glare blue lightbulb — several of his most celebrated stories before moving to Washington, DC.”

…According to The New York Times columnist Christopher Gray…, [the building’s designer Herman Lee] Meader “was intensely interested in Mayan and Aztec architecture and made regular expeditions to Chichén Itzá in the Yucatán and other sites.”  Meader’s fascination with South America melded with Palmer’s terra cotta interests to create a unique design.  Completed in 1914, the Cliff Dwelling was 12 stories tall and faced in orange brick.  Meader lavished his Arts & Crafts style structure with Western motifs like cattle skulls, spears, and mountain lions, and Aztec- or Mayan-inspired designs….

(14) SO, YOU WRITE SF. DO YOU GET WRITERS BLOCK? [Item by SF Concatenation’s Jonathan Cowie.] “Twelve Scientist-Endorsed Tips To Get Over Writer’s Block” in Nature gives tips to scientists facing writing block. Some of these may be transferable to fiction writers (?)….

• Know thy enemy
• Create routines
• Clarify the message
• Plan first
• Eliminate the blank page
• Visualise
• Write out of order
• Give yourself extra time
• Embrace collaboration
• Take the pressure off
• It might get easier, but don’t expect it to get easy
• Know you are not alone

(15) LOOKING FOR SOMEWHERE TO PARK. For those of you who feel your place needs more clutter, we recommend the “Optimus Prime Human-Size Statue” from the Spec Fiction Shop. Only $18,549!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Michael J. Walsh, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]