Pixel Scroll 7/8/19 Mike Has Some Little Pixels, He Makes Them Into Files, And When We Come To Read Them, The Comments Scroll For Miles

(1) GUESS WHO’S COMING TO HOLODINNER? Ryan Britt conducts an engaging thought experiment at Tor.com – Star Trek: Picard — Ranking the 25 Most Likely Next Gen Cameos”.

It seems likely that at least some characters from Picard’s past might show up on our screens again—here are 25 Next Generation characters ranked from least likely to most likely that they’ll beam-in and hang out with Jean-Luc.

(2) DOTS NICE. Edmund Schluessel shares his experiences at Finncon 2019, which took place this past weekend in a place with lots of dots in the name in Finland.

…Finncon 2019 took place 5-7 July in Jyväskylä, which as a town hardly seems like a place — the city, center is just a half dozen square blocks. Nonetheless the University of Jyväskylä is a major center of learning in Finland and their hosting of the Con afforded a good venue eerily devoid of students in the high summer. The Con ran seven or eight program items at once, spread across three floors, and filled many of them up to the fire limit. As is the norm for Finnish conventions, there was no registration fee and many people simply arrived as they pleased.

…The con boasted four guests of honor, author Charles Stross, editor Cheryl Morgan, translator Kersti Juva and professor Raine Koskimaa who headed up the academic track. This lineup underlines one of the things that sets Finnish conventions apart and allies them more closely with Eastern European and Continental fandom: conventions in Finland are seen as not just fandom events but literary events, where people attend not just to enjoy and appreciate genre works but discuss them and their cultural contexts seriously and to examine the process of creating them….

(3) BLISH 1970 GOH TALK. A photo-illustrated 38-minute audio recording of James Blish’s GoH speech at Sci-Con 70, the 1970 British Eastercon, has been uploaded to Fanac.org’s YouTube channel.

An interesting talk tracing the history of science fiction from well accepted general literature to a literary ghetto and back to general respectability. With wit, insight and quiet passion, James Blish (who was also the respected critic William Atheling Jr.) talks about science fiction before the debut of Amazing ,and his perceptions of the malign influence of the specialty magazine. Jim discusses the impact of technology on society’s attitude towards science fiction, and where we might go from here. Audio recording enhanced with 40 images. Recording and photos provided by Bill Burns, who was part of the Sci-Con 70 committee.

(4) POP CULTURAL ABUNDANCE. Alasdair Stuart is back with a refill: “The Full Lid 5th July 2019”. “This week, we go to Glastonbury for Stormzy and Lizzo, to Steven Universe for Sarah Gailey’s extraordinary comics debut, The Walking Dead 193 for the end of the line and Spider-Man: Far From Home for life after Endgame. And then, we tie them all together.” Here’s the beginning of the Steven Universe segment —  

After another successful mission, Amethyst hits a sad spell. The other Crystal Gems know to leave well alone but Steven, worried about his friend, sets out to cheer her up.

This comic needs to be taught in schools and workplaces. Not just because it’s a great piece of visual storytelling, it is. Sarah Gailey‘s script maps onto the big action, fast moving and weirdly peaceful world of the series and its characters beautifully. Rii Arbrego’s art is expressive, kinetic and kind. Whitney Cogar’s colours and Mike Fiorentino’s letters nail the feel and pace of the world to a tee. If you love the show, you’ll love this book.

But that’s not the reason this one hit me between the eyes. It did that because this is a story about depression, living with it and living with people with depression. One that uses the vehicle of the show to communicate clearly and directly a vital message that gets lost far too often.

(5) MULAN TRAILER. Disney has dropped a teaser trailer for its live action version of Mulan.

When the Emperor of China issues a decree that one man per family must serve in the Imperial Army to defend the country from Northern invaders, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. Masquerading as a man, Hua Jun, she is tested every step of the way and must harness her inner-strength and embrace her true potential. It is an epic journey that will transform her into an honored warrior and earn her the respect of a grateful nation…and a proud father.

However, fans have noticed a couple of major omissions from this production:

(6) ICE CREAM GRIDLOCK. John King Tarpinian heard a lot of folks are accepting the invitation to Step Inside Scoops Ahoy – Baskin-Robbins’ tribute to Stranger Things’ new season: “A friend drove by yesterday.  She said the line of people was around the block and the queue of cars wanting to enter was equally as long.”

Step Inside Scoops Ahoy

Sail on over to our Burbank, CA location*, where Scoops Ahoy has been recreated exactly as the Hawkins gang would have experienced it over 30 years ago. It will feel like you’ve stepped right into the show – but it won’t be here for long!

*Scoops Ahoy Address: 1201 S Victory Blvd, Burbank, CA 91502. Open July 2 –16.

(7) MORE ON GERMAN SFF FILMS. Cora Buhlert jumped back to 1964 to contribute another post to Galactic Journey, this time about the Dr. Mabuse movies: “[July 8, 1964] The Immortal Supervillain: The Remarkable Forty-Two Year Career of Dr. Mabuse”.

Last month, I talked about the successful German film series based on the novels of British thriller writer Edgar Wallace as well as the many imitators they inspired. The most interesting of those imitators and the only one that is unambiguously science fiction is the Dr. Mabuse series.

Dr. Mabuse is not a new character. His roots lie in the Weimar Republic and he first appeared on screen in 1922 in Fritz Lang’s Dr. Mabuse – The Gambler, based on the eponymous novel by Luxembourgian writer Norbert Jacques.

(8) BRAUNER OBIT. Cora Buhlert adds, “And by sheer coincidence, Artur Brauner, the man who produced the postwar Mabuse movies, died yesterday at the age of 100.” – The Hollywood Reporter has the story “Artur Brauner, Holocaust Survivor and German Film Producer, Dies at 100”.

Buhlert adds:

Brauner was a fascinating person, a Holocaust survivor who went on to produce more than a hundred movies, ranging from forgettable softcore erotica to Academy Award winners. Most of the official obituaries focus on his serious Holocaust and WWII movies, but he did so much more. His genre contributions include the Mabuse movies, the 1966/67 two part fantasy epic The Nibelungs and the 1959 science fiction film Moon Wolf.

My own tribute to Brauner listing some of my personal favourites of his many movies is here: “Remembering Artur Brauner and Dr. Mabuse”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 8, 1942 Otto Penzler, 77. He’s proprietor of The Mysterious Bookshop in New York City who edits anthologies. Oh, does he edit them, over fifty that I know of, some of genre interest including The Big Book of Sherlock Holmes Stories, Zombies! Zombies! Zombies! and The Black Lizard Big Book of Black Mask Stories which an original Lester Dent story in it.
  • Born July 8, 1951 Anjelica Huston, 68. I’m going to single her out for her performance as The Grand High Witch of All The World, or Eva Ernst in The Witches, a most delicious film. She was also wonderful as Morticia Addams in both of the Addams Family films, and made an interesting Viviane, Lady of the Lake in The Mists of Avalon miniseries. 
  • Born July 8, 1914 Hans Stefan Santesson. Trifecta of editor, writer, and reviewer. He edited Fantastic Universe from 1956 to 1960, and the US edition of the British New Worlds Science Fiction. In the Sixties, he edited a lot of anthologies including The Fantastic Universe OmnibusThe Mighty Barbarians: Great Sword and Sorcery Heroes and Crime Prevention in the 30th Century. As a writer, he had a handful of short fiction, none of which is available digitally. His reviews appear to be all in Fantastic Universe in the Fifties. (Died 1975.)
  • Born July 8, 1955 Susan Price, 64. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and In The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans. 
  • Born July 8, 1958 Kevin Bacon, 61. The role I best remember him in isValentine “Val” McKee in Tremors. He also played Sebastian Shaw, Jack Burrell in Friday the 13th, David Labraccio in the most excellent Flatliners and Sebastian Caine in the utterly disgusting Hollow Man. 
  • Born July 8, 1958 Billy Crudup, 61. William “Will” Bloom in Big Fish is a most wonderful role. His take on Doctor Manhattan in Watchmen is quite amazing. And he’s in Christopher Oram in Alien: Covenant, a film I’ve no interest in seeing as that series as it’s run far too long. 
  • Born July 8, 1978 George Mann, 41. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favorite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. 

(10) SPORTS SECTION. Exactly.

(11) MOON MISSION? Mary Robinette Kowal noted an anomaly about a new commemorative Lego figure. (Hamilton did this a few years later.)

(12) DUMPING ON LUNA. FastCompany’s Apollo 11 retrospective series asks a rhetorical question: “How do you explore the Moon without ruining it?”.

In March 1966, a group of 14 scientists, working on behalf of NASA, produced an astonishing report about a delicate topic: How to go to the Moon without polluting the Moon.

The conclusion: You can’t.

Simply landing a spaceship and astronauts on the Moon was going to bring with it an astonishing fog of alien pollution.

The lunar module’s rocket engine, hovering the spaceship down from orbit and running until the moment the lunar module touched the surface, was burning almost 1,000 pounds of fuel every 30 seconds, and spraying its exhaust across the Moon nonstop.

The lunar module itself vented both gases and water vapor, and when the astronauts got ready to leave for a Moon walk, they emptied the entire cabin—humidity, air, any particles floating in the atmosphere—right out onto the Moon.

When the lunar module blasted off to head for orbit, the ascent engine would again spray the surface of the Moon with chemicals.

(13) A CLEAN SWEEPDOWN FORE AND AFT. And what if the Moon tried to return the favor? At least that’s what the Independent says was in danger of happening: “Apollo 11 moon landing could have infected the Earth with lunar germs, say astronauts”.  Quoting astronaut Michael Collins:

“Look at it this way,” he said. “Suppose there were germs on the moon. There are germs on the moon, we come back, the command module is full of lunar germs. The command module lands in the Pacific Ocean, and what do they do? Open the hatch. You got to open the hatch! All the damn germs come out!”

Buzz Aldrin made a similar point as footage showed the astronauts being disinfected as they were on a raft next to the spacecraft they’d splashed down to Earth on.

He said that the rescuers had cleaned him down with a rag – and then thrown that same rag straight into the water….

(14) E PLURIBUS SPACE. Live in the US? NASA now has an interactive map to let you know what your state’s contribution to their mission is. Zoom in and click away — NASA in the 50 States.

(15) FINAL EXAMINER. Bonnie McDaniel reveals her favorite at the end of “Hugo Reading 2019: Best Short Story”.

1) “A Witch’s Guide To Escape: A Practical Compendium of Portal Fantasies,” Alix E. Harrow

This does have a plot, one that’s heartbreaking and hopeful at the same time: a librarian/witch who gives a broken foster kid the Book he needs most, and with it the means to escape his life into another world. The fact that the author uses examples of real books (Harry Potter, et al) to illustrate her story’s points give it real power, and is one of the reasons I couldn’t forget it. When you can’t get a story out of your head, no matter how much reading you’ve done since, that makes a story award-worthy. As I said, I would be happy if just about any of these stories won…but I’m pulling for this one.

(16) A BIT TOO RETRO. Steven J. Wright reviews “Retro Hugo Category: Best Dramatic Presentation (Short Form)” and pronounces the finalists mostly dubious and unimpressive.

I’ll begin with a bit of an ongoing gripe: once again, the actual home of short-form dramas in the 1940s – the ubiquitous and very popular radio shows – has been ignored in favour of cartoon shorts and movies which aren’t quite long enough to reach the Long Form cut-off point.  Harrumph, say I, harrumph.

(17) OH WHAT A WEB THEY WEAVE. What has 24 legs and catches flies? In “Spider-Man vs. Spider-Man vs. Spider-Man”, SYFY Wire looks at the first solo films for each of the three tries at Spider-Man in the last decade plus. Let’s just say the article expresses strong preferences.

…When Tobey Maguire was cast as Peter Parker, Spidey fans had all but given up hope ever to see the webhead on the big screen. Rights issues and development hell had besieged the character for years, so when Spider-Man finally made it to theaters, audiences were thrilled. That goodwill extended through Spider-Man 2, but when Spider-Man 3 came around in 2007 … there was some frustration. Five years later, Andrew Garfield swung into our collective conscious as the Amazing Spider-Man. Then, in 2014, Amazing Spider-Man 2 came out, and the less said about that one the better. Finally, Marvel Studios got their most popular character back to make a home in the MCU, and in 2017 Tom Holland made his solo debut in Spider-Man: Homecoming.

(18) TONIGHT’S JEOPARDY! Andrew Porter on the game show beat files this report:

The category: Fictional Languages; contestants had to guess who created them.

Answer: Valyrian, Braavosi.

No one got: Who is George R.R. Martin?

(19) SPOUSAL DISPUTE. Amanda Palmer and Neil Gaiman disagree whether Neil used to sport a mullet. There is a photo…

(20) FAUX JAVA. NPR pursues the rhetorical question, “A Bitter End For Regular Joe? Scientists Engineer A Smooth Beanless Coffee”.

Before Jarret Stopforth takes his first sip of coffee, he adds cream and sugar to mask the bitterness.

But then, he thought, why settle for a regular cup of joe? So the food scientist decided to re-engineer coffee, brewing it without the bitterness — or the bean. “I started thinking, we have to be able to break coffee down to its core components and look at how to optimize it,” he explains.

Stopforth, who has worked with other food brands like Chobani, Kettle & Fire and Soylent, partnered with entrepreneur Andy Kleitsch to launch Atomo. The pair turned a Seattle garage into a brewing lab, and spent four months running green beans, roasted beans and brewed coffee through gas and liquid chromatography to separate and catalog more than 1,000 compounds in coffee to create a product that had the same color, aroma, flavor and mouthfeel as coffee.

“As we got deeper into the process, we learned more about the threats to the coffee world as a whole — threats to the environment from deforestation, global warming and [a devastating fungus called] rust, and we were even more committed to making a consistently great coffee that was also better for the environment,” Stopforth says.

The future of coffee is uncertain. The amount of land suitable for growing coffee is expected to shrink by an estimated 50 percent by 2050, according to a report by the International Center for Tropical Agriculture.

(21) THE SPLASH AT THE BOTTOM OF THE WELL. Translate tweet: “I’m so grateful when anybody pays attention to me. Thank you! Please don’t stop!” You’re welcome, Richard.

(22) ROBERT MCCAMMON RAP VIDEO. Bestselling author Robert McCammon wrote a song about his creations and worked with filmmaker Chuck Hartsell to produce a music video that features some of them.

[Thanks to JJ, John King Tarpinian, Edmund Schluessel, Cat Eldridge, Chip Hitchcock, Soon Lee, Martin Morse Wooster, Mike Kennedy, Carl Slaughter and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

62 thoughts on “Pixel Scroll 7/8/19 Mike Has Some Little Pixels, He Makes Them Into Files, And When We Come To Read Them, The Comments Scroll For Miles

  1. The dynamic that drives the development of art, popular or high, is generally more complicated than “X invented Y” or other founding-hero myths. Gernsback, like George Lucas, recognized the appeal of existing materials and packaged and promoted them and developed an audience/creator community that proved to be self-sustaining (with the help of magazine publishers happy to have a customer base to address). This commercial/social view of the machinery of popular art in no way diminishes Uncle Hugo’s place in SF history, but it does recognize the significance of a pre-existing body of work that could be seen as related–as belonging to a category, which is to say a genre–whether or not it already had a handy label and a marketing strategy.

    Because writers, like musicians, listen to each other, no matter what the audience might be doing. Eventually, the audience might listen in the same way as well, and eventually somebody will come up with a name, if only so they can ask for some more. A striking example is the development of bop from dance-centric swing. The musicians started out doing it for themselves and a portion of the audience eventually followed them. This was an organic, evolutionary process that eventually got a name for the music and attracted its own stable audience and thus promoters and record companies.

  2. The entire notion that something doesn’t exist until academics formally recognize it is, I suspect, a view found almost exclusively among academics.

    Science fiction clearly existed before the label existed–otherwise there would have been no need to invent the label.

    And this has nothing to do with seeking “lit’rary acceptance”. Frankenstein and gothic fiction in general was still looked down upon by the literary crowd when I was young.

  3. As far as I can tell, Gernsback, the actual coiner of the term ‘scientifiction’ (later science fiction) certainly didn’t claim he was inventing the genre, only classifying something that had already existed under a new label. As per Wikipedia, his Amazing Stories reprinted Wells and Verne, and even before that, he called Wells a “a master of scientifiction.”

  4. Mighty Meredith Moment (iTunes Edition): Apple is selling the complete Cowboy Bebop series (26 episodes) for a mere $4.99.

  5. Regarding NG: it’s not a mullet. The picture clearly shows party in the back AND front. I grew up in a trailer park and I know the difference.

  6. @Vicki Rosenzweig: “Martian sounds plausible, since Mars is a planet inhabited entirely by robots. (How stfnal can you get?)” – LOL.

    @Mark (Kitteh): Thanks for the comment about Redemption’s Blade. I’ll try the sample tonight!

  7. @steve davidson: All – read Westfahl’s argument before opining on it. In other words, you can’t summarize?

  8. @ Russell – I really like that point of view.

    This struck me in particular:
    “I suspect that the strongest driver in this interaction is the artists’ desire to make something new/interesting/saleable, whether in response to audience (“write another one like the other one”) or other artists (“I can do that, too–and better)–or, of course, because the artist sees a possibility that would be interesting to explore on its own merits.”

    It strikes me that motivation a) – “write one like the other” – very much puts the author in the camp of genre. Motivation b) – “I can do that better” – could go either way (the recent Ian McEwan, perhaps), and c) is literary, at least in ambition (Ulysses, for example.)

  9. Looks to me less like a mullet and more like long hair with bangs, but long hair with bangs kind of got mixed in with mullets in many peoples’ opinion because in the era I grew up in, it was okay for men to wear all their hair long (At least if they were rockers or hippies or otherwise counterculture), and okay to have a mullet (rockstars, pop stars, teenagers), but bangs were “Girly” *. Curly hair also messes with categories easy to define when the hair is straight and you can see for sure what was cut to what length.

    In case it isn’t clear, this describes A prevailing attitude of the time, but is not a Given Truth, and it does not reflect my opinions or opinions as they have grown and changed in the years since. Although I have the guilty confession that I am STILL of the opinion that *some mullet cuts look good. Some were just weird even then, but some are nice.

  10. I’ve read Westfahl’s work and while I find it interesting, I’m not convinced that his editorial interventions construct the basis for the genre of science fiction. I think you can make the argument that he creates the conditions for fandom and that it would be difficult to imagine having the conversation that we are having without Gernsback, but the genre is already congealing together without him and I think the genre still owes a great deal more aesthetically to Wells, Verne, and Shelley than Gernsback. On the other hand, Westfahl isn’t arguing that science fiction isn’t a genre without some sort of academic recognition, which has been brought up a few times. He’s arguing that Gernsback launches the genre with his aesthetic and editorial decisions, and Gernsback isn’t an academic. The focus on academic recognition feels like a bit of a misreading of Westfahl.

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