Pixel Scroll 5/10/16 Who Scrolls There?

(1) GO RIGHT TO THE SOURCE. Joe Hill will bring his comic series to the air — see “Locke & Key TV Show Happening with Original Creator Joe Hill” at MovieWeb.

IDW Entertainment (IDWE) announced today that the award-winning, fan-favorite property Locke & Key is being developed as a television series. Author/creator Joe Hill will be writing the pilot and serving as an executive producer. Locke & Key has garnered both awards and acclaim during its five-year run.

Following the titular Locke family as they encounter magic beyond belief and evils beyond redemption, Locke & Key quickly won over readers and has since become a staple in introducing new readers to the medium. With the series adapted in dozens of languages across the globe, and more than a million copies sold worldwide, Locke & Key is an obvious choice to make the transition to the screen. New York Times bestselling author, Joe Hill, has continually captivated readers through his gripping novels and award-winning comic series.

(2) DIG HERE. According to The Independent, a 15-year-old boy believes he has discovered a forgotten Mayan city using satellite photos and Mayan astronomy

William Gadoury, from Quebec, came up with the theory that the Maya civilization chose the location of its towns and cities according to its star constellations.

He found Mayan cities lined up exactly with stars in the civilization’s major constellations.

Studying the star map further, he discovered one city was missing from a constellation of three stars.

Using satellite images provided by the Canadian Space Agency and then mapped on to Google Earth, he discovered the city where the third star of the constellation suggested it would be….

(3) DISABILITY METAPHORS. The Our Words launch included reposting “Corinne Duyvis on Minding Your Metaphors”, which first appeared on SF Signal in 2014.

I’m a co-founder of the website Disability in Kidlit as well as an author who regularly writes disabled characters; both my recently published fantasy novel Otherbound and my upcoming sci-fi novel On the Edge of Gone feature disabled protagonists. On top of that, I’m disabled myself. It’s pretty safe to say I’m a huge fan of disability representation. Specifically, I’m a fan of accurate, respectful, and textual disability representation.

However, when writing science fiction and fantasy, it doesn’t just stop at featuring textually disabled characters. Many SFF stories contain disability metaphors. These span a wide range—from purposeful to unintentional, from obvious to subtle, and from well-done to inadvertently offensive.

(4) SWIRSKY ASKS. Rachel Swirsky conducts a “Silly interview with Spencer Ellsworth whose bedpost notches are real people”.

…Every time I see Spencer, I always ask the same question. You see, several years ago when Ann Leckie was running Giganotosaurus, I sometimes did first-round reading for her. And while Ann and I have very similar taste, we don’t have identical taste. So once in a while we’d come up against a story that I was jazzed about, but that didn’t quite cross her threshold. So every time I see Spencer, I ask about that one story that got away…

(5) PKD COMES TO TV. io9 has the story: “Philip K. Dick Is Getting an Anthology Show, Courtesy of Bryan Cranston and Ronald D. Moore”.

“Ronald D. Moore, Bryan Cranston, and Philip K. Dick” are three names you probably never expected to see in the same sentence together. But that’s what’s happening as the longtime scifi producer and the acclaimed actor are teaming up to bring the legendary writer’s work to TV in a new anthology series for the UK.

Electric Dreams: The World of Philip K. Dick will be a 10-part miniseries written by Moore, who will executively produce alongside Michael Dinner (Justified, Masters of Sex) and Bryan Cranston, who will also star in the series itself. Each episode will be a standalone story that illustrates Dick’s “prophetic vision” and “[celebrates] the enduring appeal” of the writer’s past work. Isa Dick Hackett, whose past work includes The Adjustment Bureau and The Man in the High Castle and is Dick’s daughter, will also produce the show.

(6) WILLIAM SCHALLERT OBIT. His best known role was as the dad in The Patty Duke Show, but William Schallert appeared in dozens of series in a career that spanned eight decades (1947-2014). He passed away May 8.

Most fans would consider the peak of his sf career to be playing Nilz Baris, under secretary in charge of agricultural affairs for the United Federation of Planets, in Star Trek’s “The Trouble with Tribbles” episode.

Schallert on Star Trek

His genre work started with many bit parts, like the uncredited Gas Station Attendant in Mighty Joe Young (1949), and most of the time he was a supporting actor. IMDB shows he was in The Man From Planet X (1951), Space Patrol (1951-52), Invasion U.S.A. (1952), Gog (1954), Them! (1954), Tobor the Great (1954), Commando Cody, Sky Marshal of the Universe (1955), The Incredible Shrinking Man (1957), The Monolith Monsters (1957), Men into Space (1960), The Twilight Zone (1960), One Step Beyond (1959), The Wild, Wild West (1967-69), Land of the Giants (1969), Colossus: The Forbin Project (1970), The Six Million Dollar Man (1974), The Bionic Woman (1976), Legends of the Superheroes (1979), Twilight Zone: The Movie (1983), The Twilight Zone (revived series) (1986), Quantum Leap (1989), Star Trek: Deep Space Nine (1993), and Lois and Clark: The New Adventures of Superman (1994).

Schallert recorded this promo for MeTV in April 2014 when he was 91 years old.

Schallert featured in one of the Patty Duke Show themed PSA’s the Social Security Administration put online in 2010.

(7) SLATE THOUGHTS. Gary Denton of the Nightly Nerd News said as part of a long comment on Facebook:

I agree that slates violate the intention of the Hugo Awards that individuals should only nominate what they enjoyed and thought worthy of an award for best of the year. I also believe all elections eventually come to be dominated by parties and people have a right to oppose parties or support parties. Just don’t vote blindly folks, have an opinion on each item, don’t follow orders.

I believe that E Pluribus Hugo will only lessen the problem with slates, 20% of voters all following orders on how to vote even with votes on each ballots fractionalized will still allow disciplined Fascists treating this as a show of strength to dominate the ballot. Fascist is the correct term here, they are blindly following orders on what to vote for.

A digression, I dislike the editor nominations. Samples of what they actually did that year need to be included and that seems problematic. On all awards you need to have samples if not the whole thing to cast an informed vote, otherwise it is a popularity contest. If I can’t determine what they worked on last year and make a guess at how well they did they won’t get a vote from me. It is easier with short form editors. Wow, that magazine or anthology had a lot of amazing stories, that editor deserves an award…

(8) IT AIN’T ME. Max Florschutz processes a conflict some young writers have: “Being A Better Writer: Author Morals and Character Morals” at Unusual Things.

…Think about the last book that you read or movie that you watched that has a dangerous, unstable, or otherwise alarming character in it. Maybe they were a sleazy scumbag, or maybe a serial killer. A ruthless businessman, or an unscrupulous social worker. Basically, a character that was dangerous, alarming, or perhaps just unstable.

Now think about that character in relation to the author. And here’s where today’s topic comes into play. Do you think that because the author created a character like that, it means that they are, in some way, like that character?

The obvious—and correct—answer is no. I’ll say that again for emphasis, no, it does not. And this is where we run once more back into the question that plagues so many young writers: how can they write characters like that despite being nothing like them?

The trick is that for many this is not a question of being able to write good characters or filling their pages with creative prose. That’s not the consideration at all.

No, what a lot of these young writers are asking is how you deal with writing a character that’s not just different from themselves, but is different in a way that they find morally objectionable….

Yeah, some of you might be chuckling right now or even laughing and shaking your heads, but this is a real barrier that a lot of young writers run into. There’s a real question of where they stand on their own feet while writing characters that may hold different views than the, attitudes, or morals than them….

These characters are not you. They will swear. They will fight. They will make poor choices and good ones. As the author writing these characters, separate what they believe from what you believe because, unless you’re writing self-inserts (common enough), these characters are going to be as different from you as anyone else you meet in your life, and their emotions, thoughts, and other assorted things are theirs, not yours. That distinction is important. Your morals, ethics, and concepts, the stuff that makes you a person is not the same as theirs.

For instance, I am not a sociopath serial killer who stalks young couples. But one of my characters, Amacitia Varay, is. That doesn’t mean that I agree at all with her mentality, or the things that she says, or at all in any way what she does (all of which you can read about in the pages of Unusual Events). But I wrote the story … and it was her story, from her perspective and about her beliefs.

(9) MEET THE NEIGHBORS. Nerd & Tie’s Trae Dorn has learned Anime Midwest (July 8-10) will be sharing space with a porn convention:

In a bizarre coincidence, this year Anime Midwest will end up sharing the Donald E. Stephens Convention Center [in Rosemont, IL] with the Exxxotica Expo, a touring convention for “Adult Entertainment.” Exxxotica bills itself as “the Largest Adult Event in the USA Dedicated to Love & Sex.”

While Anime Midwest’s management (I’m just guessing) probably wants to distance themselves from Exxxotica publicly, Exxxotica management has embraced the proximity between events. Apparently, anyone with an Anime Midwest badge is being offered discounted admission to the porn expo and is planning “adult anime” events including a cosplay contest and “sexy anime seminars.”

You can’t make this stuff up.

This is… probably terrible? Pretty sure this is terrible. Frankly, many anime convention attendees are under the age of 18, and the idea that these underage attendees are going to be in immediate proximity of this kind of event doesn’t really do anyone any good. There are a list of bad things happen from the merely uncomfortable to the dangerous that are racing through my head.

I want to be clear that this is patently not Anime Midwest’s fault. It’s not a big enough event to rent the entirety of the Stephens Convention Center (which also is the home to the much larger Anime Central), and they cannot control what the owners of the site do with the space they don’t have under contract. We’re not huge fans of AnimeCon.org around here (for both obvious and not so obvious reasons), but honest to god there is no way they could have seen this coming.

(10) HOGWARTS. Costume sketches from Harry Potter and the Cursed Child.

(11) WILLIS, WHITE, AND IAN MCDONALD. Visual Artists Ireland says Richard Howard will speak about The Secret History of Northern Irish Science Fiction at the Centre for Contemporary Art Derry~Londonderry on May 19 at 7:30 p.m.

Using the exhibition Scissors Cut Paper Wrap Stone (ending May 21st, info here) as a point of departure, this talk will sketch the history of a science fiction tradition in Northern Ireland. Beginning in the late nineteenth century with Robert Cromie, it will trace the development of this tradition in the region, a tradition solidified by Belfast natives Walt Willis and James White, who instigated the Irish Fandom science fiction group in the 1940s and produced the fanzines Slant and Hyphen. Willis and White were eventually joined by Bob Shaw, one of the most prolific science fiction authors the region has produced. Shaw and White’s own efforts in the genre from the mid-twentieth century to its end will also be discussed; short stories and novels that were received in the context of the international science fiction community, but that extrapolated from and estranged the material conditions of Northern Irish society. As the latest iteration of the tradition, there are many schisms within the genre that separates the work of Ian McDonald from those that came before him. The paper will nevertheless attempt to propose a unified theory of Northern Irish science fiction, if only to detect the remainders and contradictions that might answer the questions: to whom is Northern Irish science fiction a secret and why?

(12) IS CAPTAIN JACK COMING BACK? Den of Geek speculates whether Captain Jack will be appearing on Doctor Who.

After he brought back Alex Kingston’s River Song for last year’s Doctor Who Christmas special, it’s starting to look like Steven Moffat may repeat the trick this year by bringing back another long-time absentee from the supporting cast for a festive reprive.

John Barrowman has teased that he has work in Cardiff in the near future, which has led the internet to suggest that he could be appearing in the 2016 Doctor Who Christmas special. Or maybe even the spin-off series, Class.

For the record, all Barrowman said – while promoting his new book in a Welsh Waterstones – was that “I will be back in Cardiff in about a week and a half… but I’m not telling you what for!”

That’s enough to get a rumour started, since the Welsh capital is synonymous with the production of Doctor Who at this stage. Perhaps it’s a bit soon to get excited, but the idea of Captain Jack Harkness bantering with Peter Capaldi’s Doctor is a tantalising proposition, isn’t it?

(13) LONDON ROBOT EXHIBIT NEXT YEAR. The London Science Museum’s 2017 show about robots in the Daily Mail is accompanied by a small photo gallery.

Throughout history, artists and scientists have sought to understand what it means to be human and create machines in our own image.

Soon, a new exhibition will explore our obsession to recreate ourselves, revealing the remarkable 500-year history of humanoid robots.

The forthcoming show at London’s Science Museum will include a collection of more than 100 robots from a 16th-century mechanical monk to robots from science fiction and modern-day research lab.

Set in five different periods and places, this exhibition will explore how robots and society have been shaped by religious belief, the industrial revolution, 20th century popular culture and dreams about the future.

As well as celebrating machines of the past, the exhibition will examine scientists’ quest to build ever more complex and human-like robots that are able to learn from their mistakes and express emotions.

Ian Blatchford, Director of the Science Museum Group said: ‘This exhibition explores the uniquely human obsession of recreating ourselves, not through paint or marble but in metal.

Seeing robots through the eyes of those who built or gazed in awe at them reveals much about humanity’s hopes, fears and dreams.’ …

The Science Museum has also launched a Kickstarter campaign that will pay to rebuild Eric, the UK’s first robot.

Originally built in 1928 by Captain Richards and AH Reffell, Eric was one of the world’s first robots and travelled the world to amaze curious crowds in the UK, US and Europe before disappearing.

If the full £35,000 ($50,596 is raised, the historic replica will become part of the museum’s permanent collection, as well as featuring in the Robots exhibition. It will also travel the world as part of the exhibition’s international tour, just like the original Eric did 90 years ago.

[Thanks to John King Tarpinian, Will R., James H. Burns, JJ, and Hampus Eckerman for some of these stories. Title credit goes to File 770 contributing editor of the day Peace Is My Middle Name.]


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227 thoughts on “Pixel Scroll 5/10/16 Who Scrolls There?

  1. #9 is worse than the years-ago con that shared space with a Rotary International convention….

  2. (2) is being denied by several anthropologists, who say the square area is a milpa, a disused cornfield, according to reports in io9..

  3. (9) Obligatory art-imitates-life reference: The Futurological Congress, where the title event is sharing a hotel with a get-together for the Publishers of Liberated Literature.

  4. (6) Also in the movie-within-a-movie, MANT! in “Matinee”.

    (12) Never gonna happen. Current mgmt. seems to have a hate-on for Jack.

  5. in addition to that collection of genre related credits, Schallert was also in two of the “Dexter Riley” movies – The Computer Wore Tennis Shoes and The Strongest Man in the World, which are both science fictiony enough in their own particular Disney way that they helped make me into a genre fan.

  6. @Bonnie McDaniel: The link in (7) works if you are already logged in to Facebook, but if you aren’t, you get a message that says, “Sorry, this page isn’t available. The link you followed may be broken, or the page may have been removed.”

    That seems like a bad user interface to me; it would make much more sense for Facebook to say, “Sorry, you must be logged in to Facebook to view this page” rather than to suggest that the page doesn’t exist.

  7. This just in: Honest Trailers – Deadpool (feat. Deadpool). Yes, the comic world’s most notorious four-wall-breaker breaks the fourth wall to comment on the commentary about his own movie!

    (This is Honest Trailers, not the much-disliked Cinema Sins. And yes, it’s Ryan Reynolds as Deadpool commenting on commenting on Deadpool.)

  8. Regarding 9, a few years ago, I was at a motorbike show that shared its exhibition space with a wedding/bridal show. Hilarity ensued. I was also kind of offended that when I bought my ticket, people assumed I was there for the bridal and not the motorbike show. Because women obviously only care about overpriced weddings and never about motorbikes.

  9. I know it’s not a typical fannish venue, but if any other filers are planning to be at the Medieval Congress in Kalamazoo this week, I’d be happy for us to try to bump into each other. (I’ll be there starting Friday afternoon, as the girlfriend and I will be spending my birthday in Chicago on Thursday.)

  10. (6) WILLIAM SCHALLERT OBIT left out his appearance in Innerspace as the doctor treating Martin Short’s character.

  11. William Schallert: One of the best pieces of Star Trek tie-in fiction is the novella “Honor in the Night” from the collection The Myriad Universes: Shattered Light. It centers on a rather uncomfortable point — Schallert’s character is absolutely right to be concerned about Klingons’s poisoning the grain, but Kirk dismisses him out of hand just because he’s a bureaucrat — and the audience is supposed to side with Kirk! Sure, Barris’s assistant is the real saboteur, but that’s hardly Barris’s fault. If Cyrano Jones hadn’t brought tribbles to the station, Kirk would’ve let the poison grain get shipped to Sherman’s Planet and thousands of colonists would’ve died.

    No, what a lot of these young writers are asking is how you deal with writing a character that’s not just different from themselves, but is different in a way that they find morally objectionable….

    I would posit that any writer who believes a morally objectionable character should be different from themselves is missing the point of literature.

  12. Sean O’Hara: One of the best pieces of Star Trek tie-in fiction is the novella “Honor in the Night” from the collection The Myriad Universes: Shattered Light.

    My library has that. I’ve ordered it.

    * shakes fist at Sean Tsundoku *

  13. A couple things.

    This weekend was not friendly to me between familial health emergencies, relatives coming to visit, and the traditional Mother’s Birth Day Weekend. So I have been lax in responding to comments the other day, and I wanted to say thanks to all of you for your kind words of encouragement.

    Specifically for Tasha — no hard feelings here. You gave me the opportunity to clarify my thoughts on the matter, which I do appreciate.

    Anyway, my other question: I’m going to get the opportunity to ask a couple teenage girls about how they see and participate in fandom. I’ve got some idea of questions to ask them, but is there anything any of you folks might be interested in seeing discussed? I’m asking because it’s often useful to get other minds besides my own because I know I have blind spots.

    And obligatory Scroll reference: The digression about editors in (7) is why I put Toni Weisskopf and Jim Minz under No Award last year. Handing me a link to Baen without any idea of what value you’re adding to the process doesn’t exactly help me any. The Baeniacs might know, but I don’t really follow much of Baen’s oeuvre so I’m somewhat helpless on the matter.

  14. katster: I put Toni Weisskopf and Jim Minz under No Award last year. Handing me a link to Baen without any idea of what value you’re adding to the process doesn’t exactly help me any. The Baeniacs might know, but I don’t really follow much of Baen’s oeuvre so I’m somewhat helpless on the matter.

    I did the same — and I read half a dozen Baen books every year, so theoretically I should have been much more au courant than you on their credentials — but I wasn’t.

    Between the rampant spelling and grammar errors in their books, the horribly horrible covers, the absolutely appallingly deficient forewords and afterwords being appended to classic Heinlein works, and those editors’ refusal to provide any evidence whatsoever of their editing work for the year, I did that with a clear conscience — and I will do so again this year.

  15. What they said. Also also the inability to say “FFS Weber, this is book 15 of a series. Get to the point! You do not need 300 pages of recap, hardly anyone’s going to pick this up as their first book.”

  16. To be fair to Baen, Weber’s Safehold books at Tor aren’t exactly tightly edited.

  17. @ nickpheas
    That’s one reason why I checked out of the Honorverse; the other was the fact that nobody could legitimately disagree with any military person established as a good guy; any civilian opponent was by definition a bad guy. I still have the early books, though.

  18. rob_matic: To be fair to Baen, Weber’s Safehold books at Tor aren’t exactly tightly edited.

    To be fair to Honorverse lovers like me, Weber’s Honorverse books at Baen are definitely not tightly-edited.

    I mean, seriously, I enjoy those books immensely — whether they’re Weber’s new installments in the series, or the peripheral anthologies in the same universe. But when he goes into the “1,766 missiles were issued, and 1,372 of them met their targets” bullshit, I flip pages until the story gets back to something meaningful.

    Weber is Exhibit A for “To Big To Edit”.

  19. I seem to have stopped reading the Safeholds, not because I wasn’t enjoying them, but because it came to a point I had no clue which one I’d read to. Perhaps I read the first three, perhaps the first four. Either way I seem to remember the penultimate one setting up a big cataclysmic fight, and the final one meandering all over the place and by the end there was a big cataclysmic fight looming.

    Thinks: Wonders why the puppies have fixated on Jim Butcher as THE author who really deserves a rocket and Weber’s never come up. Do they respect him enough not to try and make a tool out of him? Does Voxman respect anyone like that?

  20. @Nickpheas. That’s a good question. Why Butcher and not Weber? Flip of a coin, and now thanks to the founder effect, Butcher is the go to “popular author who should get a Hugo”?

  21. I feel both msb and JJ’s pain on the Honorverse. The awful poitics and naval battles being replaced with spreadhseets of missile volumes and veolicities killed all interest in the series for me.

    RE: 11. Whether you call that city Derry or Londonderry, someone’s gonna want to kill you for it! I kinda wish I could make it up for the talk but it’s the day before pay day!

  22. Big news from VOXMAN: There is a new Heinlein in town, and he’s writing message-fiction for today’s kids!

    Rod Walker is the New New Heinlein, and Mutiny in Space marks a first step in the long-awaited, much-needed return of science fiction to its classical form and historical heights. Written in the style and tradition of Robert Heinlein’s 12 classic juvenile novels published by Scribner, Mutiny in Space is an exciting tale of space, technology, courage, independence, and the indomitable spirit of Man.

    This book, and others in this series, will be edited by the once-and-future second fifth placed Hugo finalist himself!

  23. @hypnotsov This will work, I think, as well as the previous attempts to explicitly write more Heinlein juveniles. To try and rewrite those is a nutty nugget holy grail, but its not going to happen.

  24. @Paul Weimer
    I don’t think it’s going to amount to anything, but I do wonder who “Rod Walker” is. Could it be a famous author hiding behind a pseudonym, because he is contractually bound to a single publisher for the foreseeable future?

  25. Wow, yet another facet to VD’s Scalzi obsession. Just because someone used the ‘New Heinlein’ label…

  26. @Heather Rose Jones: I will be there as a Tolkienist not a medievalist though. Would love a meet up.

  27. 9) Lord forbid that we prevent those precious, precious anime children from sharing a space with people who like porn. What would happen if children find out that porn exists?

    Even worse, what if children find out that the pornstars are REAL PEOPLE ?! The horrors. THE HORRORS.

    @Hypnotosov

    I guess we’ll know if those juveniles come out and it looks like someone spilled a thesaurus in them.

    @Jim Henley,

    Is that an Orange is the New Black reference?

  28. “Lord forbid that we prevent those precious, precious anime children from sharing a space with people who like porn. What would happen if children find out that porn exists?”

    I’m more scared that those going to the Anime Midwest will be harassed by those going to the porno fair and think the cosplayers are part of the entertainment for their fair.

  29. rob_matic on May 11, 2016 at 3:57 am said:
    Wow, yet another facet to VD’s Scalzi obsession. Just because someone used the ‘New Heinlein’ label…

    I find it’s much more convenient to say Rod Walker is “the New John Scalzi” than “the New New Heinlein”.

    @alexvdl the Amazon sample suggests the writing is far to restrained for that. It also doesn’t seem very good, so I’m already pencilling this in below No Award on next year’s ballot 😉

  30. When the radical revolutionaries of the Social Party prevent his attendance at university …

    The first rule of marketing – Appeal straight to your demographic.

  31. Only 5 mentions of Heinlein. Needs more references to Heinlein to reinforce the message that Walker is the new Heinlein, otherwise people might miss the Heinlein about Heinlein Heinlein.

  32. I mean, if they’re going to use a psuedonym like “Rod Walker” why didn’t they go with Robert H. Walker? Really… Heinlein it up a bit

  33. “Pounded in the Butt by A Harsh Mistress”. A new exciting book by the new new new Heinlein, Jubal Harshaw.

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