(1) IT’S ABOUT TIME. The Sun tells about the actor’s latest project — “Tom Baker is back playing Doctor Who nearly 40 years after originally playing the Time Lord”.
He recorded final scenes for Shada, written by Hitchhiker’s Guide To The Galaxy creator Douglas Adams.
It was meant to be a six-episode tale for Tom’s fourth incarnation of the Doctor in 1979-80.
But production was wrecked by a BBC technicians’ strike and only half was filmed before it was shelved.
Tom and other members of the original cast — including Lalla Ward, 66, as companion Romana — returned for the recording in Uxbridge, West London.
They are voicing animated sequences that will replace the unfilmed material.
(2) NEXT LARA CROFT. Rick Marshall on Digital Trends has “First ‘Tomb Raider’ trailer introduces Alicia Vikander as the new Lara Croft”.
Two films based on Lara Croft’s adventures preceded the upcoming Tomb Raider reboot film: 2001’s Lara Croft: Tomb Raider and 2003’s Lara Croft Tomb Raider: The Cradle of Life. Both films cast Angelina Jolie as Lara Croft and collectively earned $432 million at the worldwide box office, making the series one of the highest-grossing film franchises based on a video game property.
Tomb Raider hits theaters March 16, 2018.
(3) THE SPIRIT OF SFF. Although I’ve become inured to this phrase being code for “more nutty nuggets, please,” author Joseph Brassey has only the original meaning in mind when he talks about “Keeping the Fun in Science Fiction” at Fantasy-Faction.
I firmly believe, however, that a story should be able to confront real problems without losing its soul, its sense of fun, and this is found in the conviction that things can always be better. It is in an explicit rejection of a tone of cynicism, because work that grapples with darkness doesn’t need to assume it is in the nature of our most misanthropic, derisive qualities to prevail. Hope is not a method, but it is the precursor of methods. The spark that ignites action and turns talk of change into moving feet and hands grasping for actions of worth. Hope is not the fire. It is the lighter of fires.
The human element is everything. Where the fantastical meets the machine. Where the magic meets the skycraft. Where the sword turns aside the crackling bolt of gunfire and the pilot spins the wheel to take her ship from the roaring path of the dragon’s breath. Where conflict assails the human spirit and we find our noblest qualities in the face of ravening hate, violent authoritarianism, and bone-chilling fear.
It is in the wonder that reaches for stars, responds to fury with mercy, hatred with love, having the courage to peer beyond a terrible present to embrace a future awash with a thousand hues of color.
(4) GENRE WALK WITH ME. Abigail Nussbaum delves into her psychology as a viewer, the history of a particular show, and generational changes in the television medium in “That Gum You Like: Scattered Thoughts on Twin Peaks: The Return” at Asking the Wrong Question.
My third try with Twin Peaks was just a few months ago, when, in preparation for the upcoming revival series, I mainlined the entire 30 episodes of the show, plus Fire Walk With Me, over a long weekend. It was strange experiencing the show this way, simultaneously a newcomer and someone who knew quite a bit about it, including the major turns of plot. What was even stranger was how much the existence of The Return changed the meaning and significance of the original Twin Peaks, even before a single frame of it had aired. From a failed experiment, it became merely a chapter in a story, whose later installments might yet redeem it. Watching Twin Peaks was suddenly no longer an exercise in nostalgia and self-flagellation, but that venerable Peak TV practice of binge-watching the previous seasons before the new episodes start. I ended up enjoying this rewatch much more than I was expecting (Fire Walk With Me, in particular, turns out to be a great deal more rewarding than I’d been led to believe), but I wonder if I would have felt the same if I didn’t know that another chapter in the saga was just around the corner.
(5) YOUR HOST, BORIS KARLOFF. It’s 1962 in England and a wonderful sf anthology series has just completed its run: “[Sep. 20, 1962] Out of this World (the British Summer SF hit!)”. Galactic Journey’s Ashley R. Pollard delivers mini-reviews of all the episodes.
As I mentioned before, this series was launched with Dumb Martian shown as part of the Armchair Theatre series. The new series has a very spooky theme tune called The Concerto to the Stars, composed by Eric Siday, which plays against a background of moving microscopic tentacles that sets the tone for the show. For those who are interested, Tony Hatch has expanded the theme tune into very catchy 45 record, available from all good record stores.
The format of the show has each episode introduced by Boris Karloff, who is disarmingly charming with his bon mots about the story to come. There are two breaks for adverts, which is annoying, but this is commercial TV, so it is to be expected. Then Mr. Karloff signs off the story with an announcement of the cast.
(6) LAWYER LETTERS GO GENRE. Adweek has the story: “Netflix Sent the Best Cease-and-Desist Letter to This Unauthorized Stranger Things Bar”.
Evidence for this comes from Chicago, where an unauthorized Stranger Things bar recently opened and has since become quite popular. Naturally, Netflix wasn’t OK with this. But instead of firing off a nasty, sharply worded missive, it sent a quite adorable letter to the owners in the style of the Stranger Things universe.
“Danny and Doug,” the letter started out…
My walkie talkie is busted so I had to write this note instead. I heard you launched a Stranger Things pop-up bar at your Logan Square location. Look, I don’t want you to think I’m a total wastoid, and I love how much you guys love the show. (Just wait until you see Season 2!) But unless I’m living in the Upside Down, I don’t think we did a deal with you for this pop-up. You’re obviously creative types, so I’m sure you can appreciate that it’s important to us to have a say in how our fans encounter the worlds we build.
We’re not going to go full Dr. Brenner on you, but we ask that you please (1) not extend the pop-up beyond its 6 week run ending in September, and (2) reach out to us for permission if you plan to do something like this again. Let me know as soon as possible that you agree to these requests.
We love our fans more than anything, but you should know the Demogorgon is not always as forgiving. So please don’t make us call your mom.
(7) THE TRUTH IS OUT THERE. Early in Honest Trailers’ take on Wonder Woman comes this line:
Now, Patty Jenkins bravely asks the question, “What if a female-led superhero movie wasn’t absolute garbage from beginning to end, and had a powerful message for girls: Save the world, look flawless doing it, be a literal god, then men might begrudgingly half-tolerate your presence?”
“I pretty much howled,” says Rick Moen, who sent the link, “Fair cop.”
(8) VOICE OF OUR FRIENDS. Last night a thousand people paid tribute to the late June Foray. From The Hollywood Reporter, “Veteran Voice Actress June Foray Remembered by Lily Tomlin, More at Packed Event”.
Billed as “Hokey Smokes! A June Foray Celebration,” the grand gala was produced by animation veterans Mark Evanier, Jerry Beck, Bob Bergen, Howard Green and Tom Sito and ably hosted by Evanier, who was June’s longtime friend and sometime employer.
Among the many eager to pay personal and professional tribute were Nancy Cartwright (the voice of Bart Simpson), Bill Mumy (who spoke of June’s guest appearance on an episode of Lost in Space), animation historian Charles Solomon, Teresa Ganzel (The Duck Factory) and a surprise guest — Lily Tomlin — who won a voiceover Emmy in 2013 the same night June received the Governors Award. Tomlin said of Foray, “The characters she played were so much more than cartoons; they were our friends.” …
Foray was also saluted for her tireless efforts to engender more respect for the world of animation as a founding member of the American branch of ASIFA (Association International du Film d’Animation), which produces the annual Annie Awards, and she is credited with helping to establish the Academy Award category for best animated feature film.
As a grand finale, Evanier invited a number of animation actresses who had been inspired by Foray’s pioneering work to come up onstage and pose for a sort of “class photo” (below) flanking a large portrait of Foray in her natural habitat — seated at a microphone….
Evanier remarked that Foray’s career began in the Golden Age of Radio in the 1930s and continued up to and including video games.
(9) TODAY IN HISTORY
- September 20, 1979 – The theatrical release was edited down as the pilot episode for TV’s Buck Rogers in the 25th Century
- September 20, 1985 — Morons From Outer Space premiered theatrically on this day.
- September 20, 1987 — Captain Power and the Soldiers of the Future premiered its first and only season.
- September 20, 2002 – Firefly premiered.
(10) TODAY’S BIRTHDAY BOY
- Born September 20, 1948 – George R.R. Martin
(11) MALTIN ON ELLISON BIO. Leonard Maltin approves “A LIT FUSE: THE PROVOCATIVE LIFE OF HARLAN ELLISON: AN EXPLORATION WITH EXTENSIVE INTERVIEWS by Nat Segaloff (Nesfa Press)” which is more than I can say ‘til I read it. And maybe then.
Harlan Ellison is one of the most fascinating people I’ve ever met. An author, activist, and professional provocateur, he is incapable of being dull, which makes this book a page-turner almost by definition. His fame in the field of science-fiction obscures other facets of his career, including writing for television and movies. It’s all chronicled in this highly readable profile by a longtime friend and follower. No single book could cover the entirety of Ellison’s life, or reproduce every one of his memorable rants, but Segaloff makes a healthy start in that direction.
(12) QUARTER CENTURY MARK. SyFy Wire continues to celebrate the channel’s 25th anniversary with lists – today “25 people we really miss”.
In the last 25 years, we’ve had some amazing new creators of science fiction, fantasy, and horror emerge – but we’ve lost many true legends in the field along the way, as well. These writers, artists, actors, and visionaries helped to make our world a richer place with the power of their imaginations and continue to inspire us long after they’re gone.
How often are you going to see David Bowie on a list sandwiched between Isaac Asimov and Ray Bradbury?
(13) LOTS TO TALK ABOUT. Amal El-Mohtar sees strengths and weaknesses in Annalee Newitz’ Autonomous: “In A Future Ruled By Big Pharma, A Robot Tentatively Explores Freedom — And Sex: ‘Autonomous'”.
I rarely dog-ear the books I read for review, trusting myself to remember their most notable aspects. I dog-eared enough of Autonomous‘ pages to almost double its thickness, such was the granularity of things I wanted to highlight, praise, and discuss. From startling insights to delicately turned prose to whole passages of unbearably tender musings on the intimate desires of artificial intelligence, there’s much more than I can feasibly talk about here. But here’s some highlights.
Autonomous‘ main interest is the danger our late capitalist modernity poses to personhood, and the intricacies of what it means to be free – from ownership, from programming, from the circumstances of one’s birth. But the parts that enthralled and moved me most – to laughter, to tears – were the musings on sexuality, and the contrast between Jack and Paladin’s respective experiences. Throughout most of the novel, Jack’s relationship to sexuality is written in clinical, chemical terms, a physical means to a physical end; Paladin’s, meanwhile, is explored in intimate, puzzled probings, often starkly contrasted with the extreme violence for which Paladin was built. I loved the contrast between seeing a woman treat sex as casually as an itch to scratch, and a genderless robot building romance and sexuality from first principles, through internet searches, conversations with other AIs, and awkward, fumbling experiments.
(14) BUGS M ‘LADY: Sophia Spencer and Morgan Jackson co-wrote a scientific paper on Twitter, entomology and women in science, after a tweet about Sophia’s love for bugs went viral: “Once Teased For Her Love Of Bugs, 8-Year-Old Co-Authors Scientific Paper”
“We were hoping that we could find an entomologist or two, perhaps, that would be willing to talk to Sophie and share a little bit about their backstory,” he said. “We were blown away with the number of people who came charging to help Sophia.” The organization received more than a thousand replies and more than 130 direct messages.
(15) WOMEN IN POP CULTURE. Alexandra Heller-Nicholas takes a victory lap in “Hard Corps: Women in power and the politics of taking action”.
This same toxicity has recently riddled science fiction and fantasy literature as well. In 2015 and 2016, alt-right trolls took aim at the prestigious Hugo Awards and what they perceived as a leftist bias. Women, of course, have long had a forceful presence in this literary domain, particularly those driven by strong ideological motivations: Ursula Le Guin, Margaret Atwood and Octavia Butler to name but a few. And in film, directors including Kristina Buozyte, Kate Chaplin, Kathryn Bigelow, Jennifer Phang and Lizzie Borden have each used science fiction codes and conventions in profound and often diverse ways.
But it is in front of the camera that the genre’s history of strong, active women is the most visible and diverse. Heroine Maria and her evil gynoid doppelga?nger in Fritz Lang’s Metropolis, aggressive sex bomb Jane Fonda as the title character in Roger Vadim’s Barbarella, turbo-mum Sarah Connor from the Terminator franchise, resourceful Katniss Everdeen in The Hunger Games, and – of course – the iconic image of the no-shit-taking woman, Sigourney Weaver’s Ripley from the Alien movies. For starters.
But if we’re going to lift the lid off of this particular Pandora’s Box, it’s worth doing it properly. Representations of strong women in cinema bleed outwards across eras, production contexts and the often blurry lines of film genre itself. Any prehistory of women characters in the recent Star Wars movies – Rey (Daisy Ridley) from The Force Awakens and Jyn Erso (Felicity Jones) from Rogue One – must necessarily look far beyond the terrain of sci-fi itself.
(16) TERMINATOR WILL RETURN. Borys Kit’s Hollywood Reporter story “Linda Hamilton Set to Return to ‘Terminator’ Franchise”, says that James Cameron is producing a new Terminator film, to be directed by Deadpool director Tim Miller.
After waving hasta la vista, baby, more than 25 years ago, Linda Hamilton is returning to the world of Terminator, reuniting with James Cameron, the creator of the sci-fi franchise, for the new installment being made by Skydance and Paramount.
Cameron made the announcement at a private event celebrating the storied franchise, saying, “As meaningful as she was to gender and action stars everywhere back then, it’s going to make a huge statement to have that seasoned warrior that she’s become return.”
With Hamilton’s return, Cameron hopes to once again make a statement on gender roles in action movies.
“There are 50-year-old, 60-year-old guys out there killing bad guys,” he said, referring to aging male actors still anchoring movies, “but there isn’t an example of that for women.”
(17) G AS IN GEEZER. Meanwhile, an octagenarian male hero gets the glory in William Shatner’s Zero-G: Green Space, released September `9.
In the second installment of William Shatner’s Zero-G series, Director Samuel Lord must identify a mole sabotaging the top-secret NASA project aboard the US space station Empyrean, while also fighting a fast-replicating virus that threatens humanity. In the year 2050, the United States sends the FBI to govern its space station, The Empyrean. Under the command of suave, eighty-year-old director Samuel Lord, the “Zero-G” men are in charge of investigating terrorism, crime, corruption, and espionage, keeping an eye on the rival Chinese and Russian stations as well….
(18) PUNISHER. Nextflix has a new trailer up for the Punisher.
[Thanks to JJ, Meredith, Cat Eldridge, John King Tarpinian, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
And Annalee Newitz’ Autonomous has go to the top of my To Read list.
News of the weird: Hubble has identified an object in the asteroid belt as a binary asteroid…with comet-like features. It apparently split in two about 5000 years ago.
Hep A Outbreak
I thought this was interesting, based on the conversation the other day from a puppy yapping at Ursula LeGuin and her projections of diseases.
14) Everytime I think twitter is the worst, something shows me twitter is the best.
Great title today. I hummed the tune for a few minutes, but now all that’s in my head is “Eat the ice cream.” (We don’t do unchanged titles, but nonetheless I’m nominating “Eat the ice cream” as a title.)
If anyone else would like to be as freaked out by “Eat the ice cream” as I am, click on the link in (6) to the Adweek article on Stranger Things, and look at one of the other articles, on Halo Top Ice Cream. Play the video. Eat the ice cream.
Congratulations young Panda, but that is but the first of the many challenges you must face. Only the truly enlightened can attain the coveted fifth.
3) Dang. How is his book going to live up to that?
12) On the other hand, seeing Bob Kane next to Jack Kirby is a “which of these things does not belong” moment. And Siegel and Schuster get one joint entry?
6) There are geeks everywhere…
3) I have read Skyfarer. It is indeed a lot of fun. And indeed, judging from the book, definitely NOT Puppy code.
My review here: https://skiffyandfanty.com/2017/09/13/reviewskyfarerbrassey/
1: As a pedantic ex-broadcast engineer who joined the BBC a few months after the Shada strike…
Technically speaking filming of Shada was complete, what was lost was most of the studio time for interior scenes and the post-production time. Christmas was coming and plans for the Moscow Olympics were beginning to take up resources.
Standard procedure then was that studio work was all electronic, outside work was shot on 16mm film. Edited film sequences would then be transferred to tape for the final edit along with the studio recordings.
Merry Christmas VT!
Being lost is the best thing to happen to Shada. If it had been completed, it would have been a so-so story. Now, we’ve gotten a VHS reconstruction (where Tom narrates the missing sequences), an animated webcast starring Paul McGann, a deluxe hardcover novelization by Gareth Roberts (with an audio reading by Lalla Ward and John Leeson), and now this. Probably something else I’m forgetting.
@Steve Mollmann Probably something else I’m forgetting.
Audience participation showings with chant-along narration in my university SF Soc, back in the day. Although I’m not entirely sure that was a positive.
Woke up this morning with this idea:
“Muad’dib and the Amazing Mono-Colored Stillsuit”
Sample lyrics include “His eyes were blue on blue on blue on blue!” and
” I dreamed that in the sand one night,
The Worm gave me a sign
Your eleven maker hooks
All turned and bowed to mine”
Or they could skip all those extra steps…
Get Andrew Lloyd Webber on the phone, stat!
(1) Tom Baker has been playing the Doctor for the last six years in productions for Big Finish.
Reading: I finished K.J. Parker’s The Company, which I quite enjoyed, read Lord Dunsany’s Book of Wonder, which was a very short collection containing a number of his best stories (The Hoard of the Gibbelins, e.g.), and am now about 1/4 of the way through Guy Gavriel Kay’s Children of Earth and Sky and wishing I had time to just kind of sit down and inhale it wholesale.
Only one episode of OUT OF THIS WORLD survives whole, that being “The Little Lost Robot”, from an Isaac Asimov story. Another “thank you BBC” story.
I’m familiar with Leonard Maltin, the shill for Disney and the guy who hires other people to write reviews under his name.. Are you sure the for real Leonard Maltin.wrote this?
There’s an arguable typo in the title: Bester spelled teleportation “jaunte” (possibly to make clear that this was no ordinary jaunt).
@1: Baker and Ward are lucky to have kept their voices well enough to be used in the animation almost 4 decades later; some people’s just wear out. (For various values of “wear out” — Kiri Te Kanawa recently said she was quitting because she didn’t like the sound she was making, but I bet she’s still at least in the 1% of the 1%.)
@6: 10/10 for style — and that much also for good thinking.
@7: the quoted opening isn’t quite fair — we don’t know much about reactions after she has saved the world — but rest is wonderful snark. I wonder whether Jenkins and the writers deliberately gave us stereotypes extreme enough to choke on, since they’re in period for this piece.
@8: Wonderful story
@12: that’s quite a list, although with the usual nits. (e.g., L’Engle used folded space but didn’t originate it — that goes back at least to Have Spacesuit, Will Travel, which probably influenced at least as many SF writers; I don’t think “tesseract” (which she … repurposed …) became widely used as a term.) The pic opposite Carrie Fisher’s writeup is a role I don’t know; there are several possibles in IMDB but nothing conclusive. Can anyone identify?
Didn’t I provide a couple of items? (I figure other people will beat me to links, but the headline of @13 also matches.)
@ Robert Whitaker Sirignano. Except in this case the culprit was ITV. I still remember the boot crushing the tiny spaceship at the end of “Pictures Don’t Lie” and Dinsdale Landen landing the starship in “Target Generation”. Enough to help turn a 12 year old into an SF fan.
3) I remember the reactions of late-1960s students to the readings in a course on modern literature (meaning early-to-mid-twentieth-century, emphasis on “modernism”). There was a lot of dark and technically challenging stuff there–Joyce, Faulkner, Eliot, Auden, Beckett, Pirandello, O’Connor (Flannery, not Frank), and so on. Not a lot of “fun” in the amusement-park sense, nor the kind of uplift Brassy seems to value, so I heard a good bit of grumbling about downers and difficulty. (Even including Shaw in the mix didn’t help much, since his blend of satire and earnestness didn’t register strongly on kids unfamiliar with the conventions being satirized.)
Seems to me that Brassy has set up a false dichotomy rooted in feelings similar to those of my long-ago students.
If I wouldnt have planned to watch the punisher before, I would now. Putting One as the score of the trailer was genius.
All that I scroll
I cannot tick
I cannot click
Tickbox my holding cell
12) @Chip Hitchcock: I think Heinlein first used it in Starman Jones. I’m not sure if that’s the first use or not…wait. He used it in “…And He Built A Crooked House”, via a tesseract. That’s 1941. So there’s one mark in the sand.
I’m pretty sure my first introduction to the tesseract was in Dad’s copy of Fantasia Mathematica, which included “…And He Built a Crooked House” in addition to a number of other first-rate stories. (I was always partial to the one where a mathematician tried to calculate the physical size of the universal library.)
I thought the “Honest Trailer” on WONDER WOMAN was funny and good criticism. best line: Wonder Woman as “Amazon Prime.”
Not news, more appropriate to say it’s olds seeing as it’s from August 27th, but I just did my quarterly google for “Graydon Saunders” (I really need to find an RSS aggregator I like and make things easier), and saw that he’s nearly done with the next in the Commonweal series, has what sounds like a very long non-Commonweal fantasy novel near publication, and has a horror novel in the works (set in the world of the Commonweal, but not from the PoV of any Commonweal characters). The horror novel sounds particularly intriguing, seeing as the world of the Commonweal is basically a horror world, but the people of the Commonweal are basically simultaneously egalitarian and salt-of-the-earth types.
All that olds found here:
Sadly, I came to a slow halt less than a quarter through Safely You Deliver (book 3). My problem was a combination of looong novel, lots of Hugo reading to do, a gigantic, always-beckoning Mt. Tsundoku, and that the plot felt like it was repeating itself or A Succession of Bad Days at times. This news raises Safely You Deliver up a few notches in my TBR list. EDIT: TBC list?
Have you seen this? The late Chris Cornell singing One to the tune of another One
Gobsmacked. Thanks for sharing.
Slate‘s Marissa Martinelli on how Star Wars and Star Trek maintain continuity.
@John A, thanks for that, a surprisingly good article from a mainstream news source on a nerdy topic. But maybe the point of it is that nerdy canon-keeping is mainstream now!
Chip Hitchcock: The pic opposite Carrie Fisher’s writeup is a role I don’t know; there are several possibles in IMDB but nothing conclusive. Can anyone identify?
It’s from one of Dirck Halstead’s photo essays in LIFE magazine; so from a photo shoot, rather than a film.
Encoding glitch? “doppelga?nger” has a ? in it. The page says it’s using UTF-8.
Arkansawyer, Joe H: I think you’re mixing the proper use of “tesseract” (4D extension of a cube) with L’Engle’s misuse (space folding). RAH did suggest in …House that the folding that would reduce an expanded hypercube to its 4D form would also link far-apart places (LA to Joshua Tree National Park), but not that it would be a usable way of getting where you wanted to go. I can believe folding was used for travel in Jones (5 years before Spacesuit), but the only detail I remember is the ~Maguffin of books of navigation data; did anyone actually say “tesseract”? (I’m sure the later work just said “folds”.)
@Jamoche: it’s a-umlaut (one character) in the original; possibly the original did ‘a’ followed by no-space (compounding?) umlaut (I \think/ Unicode does that), which got munged in cut-and-paste, rather than the single-character a+umlaut which normally carries.
Unicode tends to do that when it’s copied to UTF-8 pages. (I’ve seen it a lot.)
@Chip HItchcock: I’m pretty sure Heinlein only uses tesseract in “…And He Built A Crooked House”. In Starman Jones, Max uses a scarf to show how instantaneous travel between two points works by folding the cloth. I’m almost certain he doesn’t mention tesseracts.
All this talk about tesseracts reminds me that Heinlein’s high school yearbook said of him “He thinks in terms of the Fifth dimension, never stopping at the Fourth.”
P.S. “How many Scrolls does it take to get to the center of a Pixel-Pop?”
Power out to Arecibo facility. I can’t quite tell from this if the radio telescope is up or not:
Kathodus, regarding RSS readers, if you were a fan of the old Google Reader, I’ve found “Inoreader” to be roughly similar in form and function (I remember flipping between Inoreader & The Old Reader and eventually deciding on Inoreader). Sites like Feedly were too flashy for me.
One is the loniest pixel.
Might need another letter there. “Looniest” works for me, but we all know how good my copyediting is.
@David H – Thanks! I hate Feedly! I used it for several months, but it seemed to be a huge resource hog, and the interface slowly became more and more crappy. I’m not sure what exactly they were aiming for, but it was exactly what I don’t want. I’ll check out Inoreader.
Shows again how important it is that I dont type on my phone…
Wel, ad any leter yu lik
(The song uses loneliest though)
@Arkansawyer: interesting — L’Engle uses the same folded-cloth demo, although with a skirt rather than a scarf. (IIRC the original actually had line drawings illustrating an ant’s progress, but they’re not in my cheap pb.) I wonder whether they were both repeating an earlier analogy (e.g., did Gamow use this in One, Two, Three, … Infinity (1947)?); I don’t think of L’Engle as having had enough background in genre to have read a 2nd-rate Heinlein (and at that a YA published when she was ~35), but I haven’t seen any reliable discussion about why she turned to genre after a series of mimetic novels.
@JJ: thanks for IDing that. I wonder what the setup was — but given that it was for a photo essay, it may have been about the essayist rather than the subject.
@kathodus, Yay, three new Graydon Saunders novels. Great news. I will certainly buy them all, although reading 320 k words long novel written in Graydon’s style surely seems daunting task.
Yes. I love his style and voice, but the reading is not quick or easy.
@Chip Hitchcock: I would take issue with Starman Jones being “2nd-rate Heinlein”.
Thanks for the comments about RSS readers. I tried to find one when Google’s Reader went under and couldn’t find one I liked enough.
The Old Reader is a perfect fit! I’m glad you mentioned it.