Pixel Scroll 4/7/25 That Sound? Either The Music Of The Spheres, Or Of An Infinity Of Pixels

(1) HUGO VOTE TOTAL UPDATE. Today Hugo Administrator Nicholas Whyte issued a correction. The correct number of total Hugo Award nominating votes is 1,338.

(2) MURDERBOT PRODUCTION NEWS. Martha Wells is posting photos taken by Troyce on the Murderbot set at Bluesky. That’s in addition to the “First Look” photos in the following article which she warns is “spoilery”.

“’Murderbot’ Would Hate You—But That’s Why You’ll Love It” promises Vanity Fair.

… While the title might make the show sound like a hard-edged thriller, it’s more like a workplace comedy about hating what you’re good at. Skarsgård’s character is the unwitting straight man—or rather, straight…thing. (Though it looks like a man, Murderbot prefers the neutral pronoun because it is proud to be an object rather than a person.) It regards the small group of interplanetary scientists it must protect with the same enthusiasm as W.C. Fields babysitting a room full of toddlers. “It just doesn’t get humans at all,” Skarsgård says. “It’s not a deep hatred, it’s just zero amount of curiosity. It’s confused by humans and wants to get away from them.”…

… Murderbot’s devotion to a futuristic TV series called The Rise and Fall of Sanctuary Moon also evokes real people on the spectrum, who can develop a phenomenon called hyperfixation. Murderbot studies the fictional melodrama for cues about how to behave in emotional situations. The show-within-a-show stars John ChoJack McBrayerClark Gregg, and DeWanda Wise, sporting outrageous hairstyles and costumes that make the stylings of A Flock of Seagulls look like business casual…

(3) SF TITLES PULLED FROM NAVAL ACADEMY LIBRARY. [Item by F. Brett Cox.] The Nimitz Library at the U.S. Naval Academy has removed 381 books in response to the current administration’s policies. The list includes What Are We Fighting For?, nonfiction by Joanna Russ, as well as the following works of contemporary science fiction and fantasy literature: Ryka Aoki, Light from Uncommon Stars; Becky Chambers, A Psalm for the Wild-Built; Mohsin Hamid, The Last White Man; Rivers Solomon, Sorrowland; Neon Yang, The Genesis of Misery. This has been reported in multiple outlets, including CNN, the NY Times, the AP, and CBS News.  Link to full list: “250404-List of Removed Books from Nimitz Library.xlsx” at Defense.gov.

(4) THE YEAR IN LIBRARY BOOK CHALLENGES. “ALA Releases Top 10 Most Challenged Books of 2024” reports Publishers Weekly.

The American Library Association kicked off National Library Week 2025 with its annual report on the state of the nation’s libraries, including the top 10 most challenged books of 2024. All Boys Aren’t Blue, George M. Johnson’s YA memoir about growing up Black and queer, surpassed Maia Kobabe’s Gender-Queer, which had topped the list two years in a row, as the most challenged title of last year….

…[The] ALA stressed the new stakes, in a statement: “This year, as library funding is under attack, ALA encourages every library advocate to Show Up for Our Libraries by telling Congress to protect federal support for libraries.”

In its report, the ALA documented 821 attempts to censor materials and services at libraries, schools, and universities in 2024—a notable drop from the 1,247 attempts recorded in 2023. Moreover, the ALA 2,452 unique titles that were challenged or banned last year, marking a decrease from the record-breaking 4,240 titles targeted in 2023.

However, Caldwell-Stone noted that while the trend is a positive one, 2024 still marked “the third-highest number of book challenges recorded by ALA’s Office for Intellectual Freedom since it began documenting library censorship in 1990.” She added that the data is just one part of the picture.

“Not reflected in these numbers are the relentless attacks on library workers, educators, and community members who stand up to the censors and defend the freedom to read,” Caldwell-Stone wrote. “These attacks are creating an environment of fear in which library workers are afraid to buy books or report censorship.”…

(5) R. E. BURKE PROFILE. British comics creator R. E. Burke is “working on a comic that will tell the story of what happened to her, and the women she shared 19 days with, based on the drawings, notes and official documents she managed to take out of the detention centre. Becky still doesn’t know why she was incarcerated for so long.” “’I was a British tourist trying to leave the US. Then I was detained, shackled and sent to an immigration detention centre’” in the Guardian.

…Workaway warns users that they “will need the correct visa for any country that you visit”, and that it is the user’s responsibility to get one, but it doesn’t stipulate what the correct visa is for the kind of arrangements it facilitates in any given country. Becky had always travelled with a tourist visa in the past – including to the US in 2022 – without any problems. She checked that work visas were only required for paid work in Canada. She had had months to plan her trip, and would have applied for a work visa if it was necessary, she says.

But the Canadian officials told Becky they’d determined she needed a work visa. She could apply for one from the US and come back, they said. Two officers escorted her to the American side of the border. They talked to the US officials. Becky doesn’t know what was said.

After six hours of waiting – and watching dozens of people being refused entry to the US and made to return to Canada – Becky began to feel frightened. Then she was called into an interrogation room, and questioned about what she had been doing during her seven weeks in the US. Had she been paid? Was there a contract? Would she have lost her accommodation if she could no longer provide services? Becky answered no to everything. She was a tourist, she said.

An hour later, Becky was handed a transcript of her interview to sign. She was alone, with no legal advice. “It was really long, loads of pages.” As she flicked through it, she saw the officer had summarised everything she told him about what she had been doing in the US as just “work in exchange for accommodation”. “I remember thinking, I should ask him to edit that.” But the official was impatient and irritable, she says, and she was exhausted and dizzy – she hadn’t eaten all day. “I just thought, if I sign this, I’ll be free. And I didn’t want to stay there any longer.” So she signed.

Then she was told she had violated her tourist visa by working in the US. They took her fingerprints, seized her phone and bags, cut the laces off her trainers, frisked her, and put her in a cell. “I heard the door lock, and I instantly threw up.”

At 11pm, Becky was allowed to call her family. Her father asked what was going to happen next. “I looked at the officer and he said, ‘We’re going to take you to a facility where you’ll wait for your flight. You’ll be there one or two days – just while we get you on the next flight home.’”…

But of course, she wasn’t.

… On her first day in the facility, Becky asked for a scrap of paper and a pen, and began to draw the inmates on the table next to her. She was immediately inundated with portrait requests. A Mexican woman called Lopez, who had a photo of her children stored on one of the iPads, told Becky she would buy her some paper and colouring pencils from the commissary if Becky drew her kids. She soon became the dorm’s unofficial artist-in-residence, with women huddling around the dirty mirrors to make themselves look presentable before they sat for her. They would decorate their cells with Becky’s drawings, or send them to their families. Lopez declared herself Becky’s manager. “She kept saying, ‘Becky, you need to ask for stuff in exchange. Ask for popcorn.’ And I’d be like, ‘Lopez, I don’t need anything.’ I thought, I’m here briefly, you’re stuck here a long time. I’m not going to take your food away from you.”…

… Becky had arrived in the detention centre on a Thursday. She soon realised she would not be out of it before the end of the weekend. No one ever replied to the message she sent to Ice on the iPad; she found out the Ice officer assigned to her case had gone on annual leave. The following Monday, Paul contacted the Foreign Office in London, and the British consulate in San Francisco. “They were doing the diplomatic bit,” he tells me. “But, after seven days, I could see it wasn’t really working. My perception is the British consulate couldn’t get Ice people to respond to them. There was no end in sight.”

After Becky had been incarcerated for more than 10 days, Paul decided to go to the media…

(6) OLIVIER AWARDS 2025. The Guardian names the winners of the awards that celebrate London theatre: “Olivier awards 2025: Giant, Benjamin Button and Fiddler on the Roof triumph”.

…The play Giant, which portrays children’s author Roald Dahl amid an outcry about his antisemitism, has triumphed at the Olivier awards on a star-studded night at the Royal Albert Hall in London.

US star John Lithgow took home the best actor prize for his performance as Dahl, Elliot Levey won best supporting actor (for playing publisher Tom Maschler) and Mark Rosenblatt received the award for best new play.

Giant is Rosenblatt’s debut as a playwright and brought him a double victory at the Critics’ Circle theatre awards in March, where he won for most promising playwright and best new play. Giant ran last year at the Royal Court in London and will transfer to the West End later this month, with Lithgow and Levey resuming their roles.

Lithgow thanked the audience for “welcoming me to England” and said “it’s not always easy when you welcome an American into your midst”, highlighting that this moment was “more complicated than usual” for relations between the US and the UK….

(7) REMEMBERING THE INKLINGS. Brenton Dickieson revisits “The First Meeting of the Inklings, with George Sayer” at A Pilgrim in Narnia.

I wrote last week about all the literary groups that formed some of the greatest writers of the 20th century, and how L.M. Montgomery was alone. One of those was the Inklings, which made C.S. Lewis and J.R.R. Tolkien into the writers that they were. Without the daring possibilities in Tolkien’s work and the intelligent conversation of the Inklings, Lewis may never have turned to popular fiction and cultural criticism. Without Lewis’ persistent support and criticism and the company of other mythopoeic writers, Tolkien may never have completed that grand project of turning his mythology into popular story, lyric, and epic. I don’t think that the Inklings were more important to English literature than the Paris Expats or the Bloomsbury Set or the Detection Club, but in terms of the development of fantasy literature, the Inklings created new worlds.

Dickieson quotes from George Sayer’s Jack: C.S. Lewis and His Times (1988; 1994; 2005). 

…I don’t know if Sayer ever attended an official Inklings event, but his description of how the Inklings emerged and what happened there is a great introduction both to this Oxford literary circle and to Sayer’s biography.

“For years no regular event delighted Jack more than the Thursday evening meetings of the little group of friends called the Inklings. His was the second group to use this name. Its predecessor was founded in about 1930 by a University College undergraduate named Tangye Lean. Members met in each other’s rooms to read aloud their poems and other work. There would be discussion, criticism, encouragement, and frivolity, all washed down with wine or beer. Lean’s group consisted mainly of students, but a few sympathetic dons were invited to join, including Tolkien and Jack, who may have been Lean’s tutor. Lean graduated in June 1933, and that autumn Jack first used the name the Inklings to describe the group that had already begun to meet in his rooms.

“It was always utterly informal. There were no rules, no officers, and certainly no agenda. To become a member, one had to be invited, usually by Jack. Nearly all members were his friends….

“…The ritual never varied. When most of the expected members had arrived (and maybe only three or four would come), Warren would brew a pot of strong tea, the smokers would light their pipes, and Jack would say, ‘Well, has nobody got anything to read us?’ …”

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Quark series (1978)

Forty-six years ago, a series called Quark aired as mid-season replacement on NBC. It surprised me that it only lasted eight episodes as I swear, I remember it lasting longer than that, then I often think that of series such as the Space Rangers which lasted six episodes and Nightmare Cafe which, oh guess, lasted six episodes as well. Surely, they lasted longer, didn’t they? 

It was created by Buck Henry, co-creator along with Mel Brooks of Get Smart. It was co-produced by David Gerber who had been responsible for the series version of The Ghost & Mrs. Muir (try not to hold that against him) and Mace Neufield who after being a talent agent for such acts as The Captain and Tennille and became responsible for The Omen as its producer. That film is effing scary.

(I tried rewatching Get Smart! a few years ago. Unlike The Man from U.N.C.L.E which held very splendidly when we watched it again, Get Smart! caused the Suck Fairy to visibly cringe when we watched it. I just thought it was bad, really bad.)

The cast was Richard Benjamin, Tim Thomerson Richard Kelton, Cyb and Tricia Barnstable, Conrad Janis, Alan Caillou and Bobby Porter. The Barnstable twins got a lot of press, mostly for the fact that they didn’t wear much by the standards of the day and really, really could not act. They previously appeared as the Doublemint Twins often with identical canines. I kid you not. 

Interesting note: they still live in their hometown of Louisville, Kentucky and are the hostesses of the annual Kentucky Derby Eve party which they founded in 1989. There were no Kentucky Derby parties before that as Tricia notes here, “It was astonishing that there really weren’t any celebrations at that time in Louisville,” Tricia says. “We started with about 500 people. We invited James Garner. Dixie Carter. Lots of stars. And they came!” The party which now draws thousands is a fundraiser for diabetes research as the maternal side has a history of that disease. 

Ok, so how is the reception? Oh, you have to ask? Seriously? One reviewer summed it up this way: “Only lasting eight episodes, it is eight episodes too many. The idea of spoofing science fiction is a given and there are only a handful that get it right, but this is a spectacularly awful show.” 

And another said succinctly that “A viewer seeking something a little different may find the series entertaining, but low expectations are a must.” 

Doesn’t most television SF comedy require low expectations? Most I said, not all.

It has no rating at Rotten Tomatoes. It might be streaming on Crackle and Philo, two services that I’ve never heard of. It might not be. Telling what is there is almost impossible as the major streaming tracking services don’t bother such services.

Yes, there are full episodes on YouTube. As it is very much still under copyright, those are definitely bootleg, so not provide links to them as they will be removed. As the Board Chair in Robocop 2 said, “Gentlemen, behave yourselves!”

(9) COMICS SECTION.

(10) JMS’ NEXT SPIDER-MAN. This July, writer J. Michael Straczynski closes out his series of “unlikely duo one-shots” with Spider-Man Vs. The Sinister Sixteen, featuring art by Phil Noto. For more information, visit Marvel.com.

 Over the last few months, prolific writer J. Michael Straczynski has been spotlighting unlikely character pairings in a series of action packed one-shots. These timeless and standalone stories have co-starred two Marvel icons of Straczynski’s choosing—either in unexpected team-ups or thrilling showdowns—from Doctor Doom & Rocket Raccoon to Nick Fury Vs. Fin Fang Foom. This July, Straczynski closes out the series with a collision course of heroes and villains from every corner of the Marvel Universe in SPIDER-MAN VS. THE SINISTER SIXTEEN #1.

…On what inspired the tale, Straczynski explained, “One of the most common tropes in the super hero world is that of the amount of destruction that comes when heroes and villains lock horns. We all accept that it just happens. This led to thinking: What if the owner of a popular restaurant has run it into the ground and needs the place to be destroyed for the insurance money, and invites a ton of heroes and villains to dine all at the same time in the hope that a fight breaks out? What if initially everyone tries to stay calm to enjoy the experience, but sooner or later, with that roster…the storm comes.”

(11) DIRE STRAITS. “’Game of Thrones’ Dire Wolves Return in De-Extinction Breakthrough”The Hollywood Reporter mashes up science and show-biz insights.

Immortalized in Game of Thrones and on the crest of House Stark, the dire wolf is walking the Earth again and even howling after going extinct nearly 10,000 years ago.

As announced today by genetic engineering company Colossal Biosciences, the long-extinct canine — or at least a very close approximation of it — has been successfully brought back to life. The process was accomplished via DNA extracted from two fossils as well as 20 edits of the genetic code of a gray wolf, the species’ closest living relative, according to research carried out by Colossal, sometimes known as the De-Extinction Company.

Colossal says it has whelped three dire wolves and — using CRISPR technology — decided to select fluffy white fur for their coats, based on its new analysis that the original species had snow-colored fur. (A previous study, published in Nature in 2021, found evidence that dire wolves were not closely related to gray wolves.)

The Colossal company has named its two new male dire wolves — a pair of six-month old adolescents — Romulus and Remus, after the mythological twin founders of Rome, who were said to have been raised by a wolf. And in an homage to Game of Thrones’ Daenerys Targaryen, it’s christened a female puppy Khaleesi.

The trio are now living in an enclosed preserve of more than 2,000 acres at an undisclosed location. They are expected to mature at 130 to 150 pounds — by contrast, a typical gray wolf clocks in at about 80 to 100 pounds.

 “Our team took DNA from a 13,000-year-old tooth and a 72,000-year-old skull and made healthy dire wolf puppies,” says Colossal CEO and co-founder Ben Lamm in a statement. “It was once said, ‘any sufficiently advanced technology is indistinguishable from magic.’ Today, our team gets to unveil some of the magic they are working on and its broader impact on conservation.”…

… Colossal reached out to [George R.R.] Martin after it started work on its dire wolf de-extinction project. Not only did he sign on as a Colossal Biosciences cultural adviser and investor, Martin also flew to meet Romulus and Remus at their private preserve (which Colossal says has been certified by the American Humane Society).

Says Martin, in a statement, “Many people view dire wolves as mythical creatures that only exist in a fantasy world, but in reality, they have a rich history of contributing to the American ecosystem.”

While many fans of Game of Thrones likely think that dire wolves as fantasy beasts, they are in fact an actual animal that lived in the Americas and likely went extinct due to the disappearance of the large herbivores on which they preyed. At L.A.’s famed La Brea Tar Pits, fossil remains from more than 3,600 dire wolves have been discovered and the adjacent museum devotes an entire wall to displaying around 400 dire wolf skulls….

(12) FUSION IN SPAAAAACE, [Item by Mark Roth-Whitworth.] Actually, this makes *perfect* sense. In my novels, before we discover complete conversion, this is how we get around the solar system.

There will, of course, be idiots against it, I mean, let’s ignore the humongous fusion reactor in the middle of the solar system… “Nuclear-powered rocket concept could cut journey time to Mars in half” at CNN.

… With funding from the UK Space Agency, British startup Pulsar Fusion has unveiled Sunbird, a space rocket concept designed to meet spacecraft in orbit, attach to them, and carry them to their destination at breakneck speed using nuclear fusion.

“It’s very unnatural to do fusion on Earth,” says Richard Dinan, founder and CEO of Pulsar. “Fusion doesn’t want to work in an atmosphere. Space is a far more logical, sensible place to do fusion, because that’s where it wants to happen anyway.”

For now, Sunbird is in the very early stages of construction and it has exceptional engineering challenges to overcome, but Pulsar says it hopes to achieve fusion in orbit for the first time in 2027. If the rocket ever becomes operational, it could one day cut the journey time of a potential mission to Mars in half….

(13) CUDDLY KEN PASSED 30 YEARS AGO THIS MONTH, [Item by SF Concatenation’s Jonathan Cowie.] Kenny Everett, one of Britain’s all-time top two disc jockey’s, died 30 years ago this month.  In addition to radio, he was known for The Kenny Everett TV Show: it was all in the best possible taste.. His humour was decidedly wacky and occasionally SF-adjacent if not, as with Captain Kremmen full-blown Sci-Fi.  And so…

Front shields on. Krill tray in position. Booster one. Booster two. Booster three. My mission, to camply go where no hand has set foot, to explore new vistas, quash new monsters and make space a safe place for the human race…  Yes, he’s so hunky… Muscles of steel, legs like a gazelle, thighs like tug boats, x-ray eyes, bionic blood, bulging biceps, a lock of tousled hair falling over a bronzed forehead, saviour of the Universe… Cue the music…

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, F. Brett Cox, Lis Carey, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/23/25 Sometimes, Scrolls Just… Break, Their Pixels Spraying Everywhere, Like Beads In A Bottle, Just More Cluesome

(1) COMIC CREATOR BURKE’S ICE ORDEAL. From downthetubes.net: “Comic Creator RE Burke: Her Visa Story”.

The family of comic creator RE Burke, aka Becky Burke, have issued a detailed statement about her recent detention nightmare in the United States, asking for it to be shared so that the many thousands who offered support after her family’s appeal for Becky’s return can see it.

“We want everyone to know how grateful we are for their support, prayers and help in raising the profile. It is the reason she is home with us now, thank you,” they explain.

As we previously reported, comic creator RE Burke, aka Becky Burke, is home after her detention nightmare in the United States, detained by the United States by U.S. Immigration and Customs Enforcement (ICE) for over two weeks for travelling with wrong visa. She is now back in the UK.

Becky, 28, was denied entry into Washington State after US immigration officials accused her of travelling on the wrong visa, her plight prompting a massive campaign to free her, which we reported here.

A GoFundMe campagn fund raised over £9000 to cover legal Becky’s costs. No more donations are being taken. Any surplus will be donated to charities in the Seattle area helping people in similar situations….

After 19 harrowing days in ICE detention due to a visa mix-up, our daughter Becky has finally returned home to the UK. Instead of allowing her to take an immediate flight back, Homeland Security detained her in handcuffs at a Tacoma, WA facility under harsh conditions. The current immigration crackdown and systemic delays exacerbated her ordeal, worsened by a shortage of immigration judges. Becky’s nightmare ended on March 18th, and she is now beginning to recover….

Did she overstay the 90 day limit on the ESTA tourist visa?

No. She had only been in the USA for 50 days when she had planned to travel by bus to Canada, she was planning to spend 2 months in Canada and then fly home to the UK.

Did she break the rules of the ESTA?

The ESTA is for tourists only. For work or study a specific visa is required. Becky did a lot of research before she went and what she had planned was classed as tourism. This was accepted when she entered the US on 7th January. It was also accepted in 2023 when she spent two weeks in San Francisco, with a host family. On the 26th February, US border officers suddenly decided staying with host families and joining in with household chores was now classed as work. Our US Immigration Lawyer said they got their definition of work wrong.

Was she given a chance to return to the UK at her own cost?

No, this was not offered at the border despite this being the usual protocol for tourists. ICE had the chance to offer this at any stage during her detention, her parents even had a flight home booked for her at one point, in the hope they would let her take it, but they didn’t.

Does she have a criminal record?

No. She also has many people who testify to her good character and her gentle soul.

Was she allowed to let family know when she was being deported?

No. One of the other detainees had to call us to say she had left. Even the British Consulate were not told that she had boarded the flight. We were only certain when she arrived at Heathrow.

Was she treated with ‘dignity and respect’ as written in ICE policy.

No. She was handcuffed when she was transferred from the border to the facility. When inside the facility ICE did not communicate where she was in the process, all her possessions were confiscated, lights were on 24/7 and there were four head counts each day during which they were forced stay on their bunk for at least an hour. When she was eventually transferred to Seattle airport to fly home she was taken in leg and waist chains and handcuffs, and was escorted to the plane.

We wish Becky and her family well after this ordeal….

(2) BEING ORWELL’S SON. [Item by Steven French.] On the 80th anniversary of 1984, the Guardian has an illuminating interview with Orwell’s son Richard Blair on his father’s attitude towards women, his antisemitism and his (Blair’s) mother: “George Orwell and me: Richard Blair on life with his extraordinary father”.

…Most memorable was the time Orwell misread the tide when they were out in the hazardous Gulf of Corryvreckan, home to one of the world’s biggest whirlpools. Their dinghy overturned and they almost drowned. Did that shock Orwell? “I think it gave him a hell of a shock, yes, absolutely.” Was his father as reckless with you as with himself? Blair smiles. “Well, health and safety didn’t really rear its ugly head in those days, did it? And yet we survived.”

There was one precaution Orwell did take. “He said I had to have a pair of decent, stout boots, because of the snakes. Jura has got a lot of adders. They’re not desperately poisonous, but he had a thing about snakes, probably because of his days in Burma.” Was he scared of them? “Yes, to a degree, but not scared enough that he wouldn’t stamp on them and kill them.” Orwell treated his son as a mini-adult, perhaps not surprisingly, as he had little experience of children and there were no other kids around….

(3) FRENCH BOOKSTORE RESISTANCE. “Mutiny brews in French bookshops over Hachette owner’s media grip” — the Guardian has the story.

A conservative Catholic billionaire and media owner is facing an independent bookshop rebellion in France over his influence in the publishing world.

Dozens of independent booksellers are trying to counter the growing influence of Vincent Bolloré, whose vast cultural empire includes television, radio, the Sunday paper Le Journal du Dimanche, and also, since 2023, the biggest book publishing and distribution conglomerate in France, Hachette Livre.

“Books matter,” said Thibaut Willems, owner of Le Pied à Terre independent bookshop in Paris’s 18th arrondissement and one of the booksellers taking a stand by limiting their orders of Hachette Livre books and placing them on lower shelves….

… As well as the moves by some booksellers, protest groups on the left have started a “bookmark rebellion”, where individuals hide bookmarks inside paperbacks in large commercial stores with messages such as “boycott Hachette”, detailing the scale of the Bolloré empire….

(4) ART DIRECTOR SWINGS AND MISSES. Michael Whelan analyzes an example of “When the Client Gets It Wrong”.

Preliminary concepts for THE DEMON OF SCATTERY

The Cover and What Could Have Been

ME: There’s one concept that stood out to me for The Demon of Scattery—one of my all-time favorite prelims—and I’ve always been curious how the AD passed on choosing it because the composition is so dynamic. It would have been a slam dunk of a cover.

MRW: I couldn’t agree more!

Back then I felt that it was on me to offer comps that would generate a good cover for a book, and if any of them didn’t make for a good painting that was my fault for not realizing the full potential of the original concept.

In retrospect, I often find myself asking a variation of the same question you posed: “Why on Earth did I submit any other options when THIS concept is so obviously the best of the bunch?”

The answer, of course, is that it wasn’t obvious to me at the time.

Also, as a cover artist I felt it incumbent on me to present a range of options, attempting to reflect what the publisher [and occasionally, even the author ????] wanted emphasized in the image. The editors called the shots more often than not, and being human, they often made regrettable decisions.

And on more occasions than I would like, the people who really called the shots were marketing idiots who thought THEY knew better than anyone else what the public would be looking for. Most of the banal or downright crappy covers one sees are the result of that aspect of the corporate bookselling machine.

While a few of the concepts submitted were strong, my favorite is pictured above—and not simply because it was the most polished of the lot. The composition is sinuous and alive with action.

There are so many subtle points of connection that bring eyes where they need to be. Placed off-center right, the warrior provides an easy entry point with the lines of his body directing attention to the serpent and the sorceress. The curve of the rocks forms a bowl, a solid foundation to leap into the image.

(5) NO AI. The Ursa Major Awards has posted a “Temporary notice regarding AI content”.

…We’ve been asked about our AI policies, which is the purpose of my message today!

Our current statement, although not final, is that AI/LLM generated content is not allowed. This includes art, text, and covers for things like books or music. The only exception is an event where an author has an AI generated image attributed to their work by their publisher without their permission. I’ve been told this does happen!

Regarding this year’s content, to the best of my awareness, none of the accepted entries break this rule. Should that not be the case, please do not hesitate to talk to me about it!

(6) ALIEN ROMANCE AND TEA. Clarion West will host “Steamy in Seattle 2025” on May 10. Tickets available here.

Meet authors Ann Aguirre and Elizabeth Stephens as they discuss the alien romance genre, science fiction and fantasy worlds, and what writing romance has taught them! Paranormal romance author Jasmine Silvera to moderate. 

Join us at Seattle’s beautiful Nordic Museum for a traditional high tea, featuring a delightful selection of savory finger sandwiches, scones, salad, and delectable sweet treats catered by Lovely Night Catering — and a custom tea blend provided by Friday Afternoon Tea

Time to pick out your favorite fascinators and elegant gowns to wear or get your fedora ready in preparation for this utterly romantic opportunity to support the literary arts! 

This event is not just a fundraiser; it’s a celebration of emerging and underrepresented writers — particularly women in the field of speculative fiction. Steamy in Seattle raises money for our annual programs, sliding scale tuition, and scholarship programs. 

(7) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

March 23, 1904H. Beam Piper. (Died 1964.)

By Cora Buhlert: Content warning: Discussion of suicide

 Considering how well regarded he was and still is as an author, we know surprisingly little about him. For example, we don’t know whether the H stands for Henry, Horace or Herbert. And while we know how he died, we don’t know exactly when or why.

H. Beam Piper never received a formal higher education, because he considered the college experience unpleasant, but instead educated himself in science, engineering and history. He worked as a laborer and later as a night watchman at the railroad yard in his hometown.

H. Beam Piper

At some point, Piper began to write and in 1947 at age 43 he sold his first story “Time and Time Again” to John W. Campbell at Astounding Science Fiction. More stories followed, both for Astounding and other magazines. In 1961, finally, Piper published his first novel, the juvenile Four-Day-Planet. On the planet Fenris, a year is only four days long, but each of those days lasts four thousand hours with extreme temperatures. Giant whale-like creatures roam the seas of Fenris and are hunted for their valuable tallow wax, which makes for excellent radiation shielding. Protagonist Walt Boyd is a seventeen-year-old boy reporter, who gets entangled in a conflict between the whalers guild and the corrupt mayor of Fenris and some equally corrupt business people. Basically, this is Tintin and the Space Whalers with a bonus message about the importance of formal education, which is ironic considering Piper’s own life. I have read Four-Day-Planet and enjoyed it quite a bit as a fun science fiction adventure.

However, my introduction to Piper’s work was not Four-Day-Planet, but what is probably his best known work, the 1962 novel Little Fuzzy. I discovered the book as a teenager at Storm, the one bookshop in town with an extensive foreign language section. Most of that foreign language section actually consisted of dictionaries. There was also a table where one could peruse the huge Books-in-Print catalogues as well as a special order desk, where you could order any book listed in those giant catalogues. That special order desk was always busy with university students ordering otherwise unavailable textbooks and literature. Annoyingly, those students also kept staring at me, especially the male ones, and I was sure that they were judging my reading choices. Yes, I was quite dense.

The foreign language section at Storm also has two spinner racks with mass market paperbacks. The paperbacks in those spinner racks were almost entirely genre fiction. Romance, crime and mystery and of course science fiction, fantasy and horror. Whenever I was in the city center, I would stop at Storm (which still exists, though much diminished), head up to the foreign language section on the first floor and check out the spinner racks for anything that caught my eye, all the while dodging annoying male students staring at me. I discovered a lot of great authors and books in those spinner racks. And one day, I discovered Little Fuzzy, the 1980s Ace Books edition with the Michael Whelan cover of protagonist Jack Holloway surrounded by Fuzzies. The books caught my eye at once, because the Fuzzies were not only cute, but they looked just like the Ewoks from Return of the Jedi. Indeed, Little Fuzzy is widely considered to be the inspiration for the Ewoks and the parallels are quite obvious. The cover intrigued me enough that I plopped down my hard earned pocket money to buy the book. And English language mass market paperbacks were expensive in the 1980s due to the bad exchange rate and high import duties.

On the planet Zarathustra, prospector Jack Holloway discovers a furry alien creature he names Little Fuzzy. Little Fuzzy takes Jack to meet the rest of his tribe and Jack realizes that the Fuzzies are intelligent. This causes a problem for the mining company that has set up shop on Zarathustra to exploit the planet’s natural resources, because if the Fuzzies are declared an intelligent species, they and their habitat will be protected by law and the company will lose their mining rights. Being an unscrupulous company in a science fiction novel, they will of course do everything to prevent this, up to and including murder.

My teen self enjoyed Little Fuzzy a whole lot and it’s easy to see why. The plight of the furry aliens and their human protector against the big bad mining company is highly compelling. Though I never read any of the sequels, neither Piper’s own nor those by other authors, mostly because I didn’t know they existed.

One H. Beam Piper novel I did read, though several years later, was Space Viking, which was serialized in Analog from November 1962 to February 1963 and then appeared as a paperback in 1963. Once again, it was the cover – a glorious Michael Whelan cover with the titular space Vikings in front of a bright purple background – which attracted me along with, “Oh, it’s by H. Beam Piper. Cool. I liked Little Fuzzy.”

The protagonist of Space Viking is Lucas Trask, an aristocrat from the planet Gram. Trask is about to marry Lady Elaine, when a spurned former suitor of Elaine’s crashes the wedding and proceeds to gun down the wedding party (shades of the Red Wedding from A Song of Ice and Fire and the Moldavian wedding massacre from Dynasty, though Space Viking predates them both). Elaine is killed but Trask survives and vows revenge. He joins the Space Vikings, a group of space-faring raiders, to go after the killer, who has escaped aboard a stolen spaceship. In the process, Trask winds up establishing a little galactic empire of his own and also finds a new love. And yes, he gets his man, too, in the end. 

I enjoyed Space Viking, though not nearly as much as Little Fuzzy. Part of the reason may simply be that I was older when I read Space Viking and more critical. The novel offered plenty of adventure and thrills, but also some irritating politics, including a very American view of emigration and colonization that is common, but also plain wrong. In fact, I remember wondering at the time, “Was Piper always like this and I just didn’t notice?”

Little FuzzyFour-Day-Planet and Space Viking are all part of a future history series called the Terro-Human Future History along with the 1963 novel The Cosmic Computer and several pieces of short fiction. The Terro-Human Future History chronicles the rise and fall and rebirth of a galactic civilization and was clearly influenced by the Foundation series by Isaac Asimov. 

Piper also wrote the Paratime series, which chronicles the adventures of the Paratime Police who can move between timelines and alternate histories. The Paratime series consists of several pieces of short fiction and one novel, Lord Kalvan of Otherwhen, which was published in 1965 and would be Piper’s final novel. 

This brings us to the sad part of this birthday note, namely Piper’s untimely death. It is widely known that Piper committed suicide, but both the reason and the exact date of his death are not known. 

What is known is that Piper dated the last entry in his diary November 5, 1964. On November 8, his body was found. Piper had apparently shut off the power and water to his apartment, covered the walls and floors with tarp and shot himself with a handgun from his extensive collection. He left behind a note saying “I don’t like to leave messes when I go away, but if I could have cleaned up any of this mess, I wouldn’t be going away.”

What mess precisely Piper was referring to is not known. The most common explanation is that Piper had financial problems. He had just gone through a painful and costly divorce and his agent was not replying to his letters and calls – due to having died – so Piper assumed his writing career was over. Another explanation is that Piper wanted to prevent his ex-wife from collecting his life insurance payment, so he took his own life to make sure that the insurance company would not pay. Most likely, the reason for his death was a combination of these factors.

More than sixty years after Piper’s death, the legacy that remains is a remarkable body of work, much of which is not only still in print, but is still receiving sequels and prequels written by other authors to this day.

(8) COMICS SECTION.

(9) AT THE SHOW. The boys were whoopin’ it up in the Malamute Saloon – er, the Glendale Civic Auditorium – during today’s LA Vintage Paperback Show. Photos by John King Tarpinian.

About 20 minutes before opening.
Ten minutes after opening.

(10) DO YOU KNOW THE WAY TO MILTON KEYNES? [Item by Steven French.] A sci-fi graphic novel from ten years ago is reissued and reviewed (by someone who seems to hold, sadly, some rather stereotypical attitudes towards the genre): “There’s No Time Like the Present by Paul B Rainey review – a funny, unpredictable and wild comic” in the Guardian.

People who enjoy science fiction love to imagine the future: time travel, spaceships, something wobbly with a green face. But what if those fans really had access to it – the future, I mean – courtesy of something very similar to the internet? This is the possibility Paul B Rainey floats in There’s No Time Like the Present, in which a crowd of misfits from Milton Keynes (once the future itself) are able, if not to visit Mars, then at least to watch episodes of Doctor Who that have not yet been screened.

Mordant and misanthropic in almost equal measure, Rainey’s book has three central characters, each one somewhat stuck, unable fully to escape their childhood. Barry, an obnoxious lazybones, still lives at home with his parents; he makes his living selling bootleg recordings of TV shows he has lifted from the “ultranet”, which provides entry to the future. Cliff, Barry’s friend, and a yoghurt-addicted woman called Kelly live together in her new house, but they’re not a couple; while he secretly pines for her, he’s only her tenant. In the evenings, they watch, with varying degrees of guilt, future episodes of their favourite series (Doctor Who in his case, Emmerdale in hers): tapes pressed on them by the grisly Barry….

(11) BRICKS GALORE. “Huge LEGO ‘Game of Thrones’ The Wall Has 200,000 Pieces – Is Very, Very Cool” according to Bell of Lost Souls.

The Wall is maybe the most iconic setting in Game of Thrones. Constructed by Bran the Builder in the Age of Heroes, it marks the northern border of the Seven Kingdoms. Some three hundred miles long and several hundred feet high in most places, it is one of the wonders of the world. Of course, the wall is no normal wall; it is built of ice and carries potent magical protections.

Originally meant to keep the Others out of the Realms of Men, for most of its history, it instead kept the Wildlings of the North out of the Seven Kingdoms. The Wall is home to The Night’s Watch. This order of men sworn to defend the Wall and the Realms of Men has built a number of castles into the Wall. Along with the Red Keep, it is one of the major setting locations of the story.

The Wall has now been rendered in stunning detail in LEGO. Done by the talented Anuradha Pehrson (you can find their Flickr here), this immersive build has over 200,000 pieces. It’s a truly massive build and includes several sections of The Wall and vignettes combined into one. The model takes up a full 5 ft x 5 ft square and is about 4.5 ft tall. Due to having several elements and scenes, it is not consistent on one scale….

(12) A WHIFF OF HOLINESS. Smithsonian Magazine says“Ancient Greek and Roman Statues Were Not Only Beautiful, but Also Smelled Nice, Too”.

In ancient Greece and Rome, statues not only looked beautiful—they smelled good, too.

That’s the conclusion of a new study published this month in the Oxford Journal of ArchaeologyCecilie Brøns, who authored the study and works as an archaeologist and curator at the Glyptotek art museum in Copenhagen, finds that Greco-Roman statues were often perfumed with enticing scents like rose, olive oil and beeswax…

… While reading ancient Greco-Roman texts, Brøns noticed a handful of references to sweet-smelling statues. She was intrigued, so she decided to go looking for even more mentions of scented sculptures.

Brøns was surprised to find lots of evidence in texts by Cicero, Callimachus, Vitruvius, Pliny the Elder and Pausanias, among other writers. Several of these texts mentioned anointing statues of Greek and Roman deities—including one depicting Artemis, the Greek goddess of wild animals, in Sicily. Statues of rulers, such as Egypt’s Berenice II, were also perfumed, Brøns finds.

The statues were anointed in different ways. In some instances, they were covered in a mixture of waxes and oils through a process known as “ganosis.” In others, they were coated in olive oil as part of a process called “kosmesis,” which was meant to help protect the sculptures from the elements…

(13) DON’T LOOK UP. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Nature more on space junk… “Space debris is falling from the skies. We need to tackle this growing danger”.

At 3 p.m. on 30 December last year, residents of Mukuku village in Makueni county, Kenya, were startled by a loud crash. In the middle of a field lay a mysterious, smouldering metal ring, 2.5 metres across and weighing nearly 500 kilograms. Elsewhere, in western Uganda in May 2023, villagers reported seeing streaks of fire in the sky before debris rained down, scattering wreckage across a 40-kilometre-wide area. These were no ordinary meteorites — they were remnants of a defunct satellite and spent rocket stage, returning to Earth without warning.

These events are not isolated. Across the world, from Texas to Saudi Arabia, from Cape Town to the Amazon rainforest, objects launched into low Earth orbit (LEO) are now falling back to Earth. Some burn up harmlessly in the atmosphere, but others — especially those made of titanium and heat-resistant space-age alloys — survive re-entry and slam into the ground, sometimes in populated areas. The problem is getting worse. With the rapid expansion of commercial space flight, thousands of satellites are being launched each year. Yet few owners have plans to remove them from orbit in a controlled way….

(14) WILL WE SURVIVE THE FUTURE? [Item by SF Concatenation’s Jonathan Cowie.] Look, the dinosaurs didn’t survive (and I have never really forgiven them for what they did to Raquel Welch)  and I keep on telling people that the machines are taking over, but no-one ever listens…  All of which begs the question as to whether we will survive the future…?

Well, over at PBS Eons  they have been asking just that…

Just because our ancestors have made it through every major period of upheaval in the Earth’s history so far doesn’t mean that our survival through future changes is guaranteed. Humans have become a force of nature, but will we survive ourselves?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]