WE APOLOGIZE IN advance for all the TV theme songs we are about to lodge back into your heads. Or maybe we should preemptively accept your thanks?
Despite periodic attempts to contract or outright eliminate them, theme songs are a crucial part of the TV-watching experience. The best ones put you in the right mindset to watch each episode of your favorite, and can be just as entertaining in their own right as any great joke, monologue, or action sequence. So we’ve decided to pick the 100 best theme songs of all time — technically 101, since there are two as inextricably linked as peanut butter and jelly — and attempted to rank them in order of greatness….
John King Tarpinian has scouted ahead and says these numbers are genre: 77, 75, 65, 54, 42, 39, 33, 29, 24, 18, 17, 11, 06.
The highest sf TV show theme is from The Twilight Zone. It lodges at number six between the themes from Fresh Prince of Bel-Air and Mister Rogers’ Neighborhood. (Speaking of number six – I’m shocked to learn that the theme from The Prisoner is not on the list at all.)
P.S. I’m sure John would want me to mention that the theme from Rachel Bloom’s TV show Crazy Ex-Girlfriend is even higher, at number four.
DANIELLE HAYDEN: So, could you please tell me a little more about the upcoming comic series, Stuff of Nightmares? And I know some of your earliest work was comics. So how does that feel?
R. L. STINE: Well, yeah, when I was nine, I did comics.
Well, yes, I just mean, like, kind of, full circle now.
You know, I’m having a lot of fun. I’m working with BOOM! Studios in Los Angeles. And I did a series of comic books for them called Just Beyond, which was sort of Twilight Zone for kids. And it became a Disney+ series. We had eight episodes. That was fun. Now I’m doing this for adults; I’m actually writing something for grown-ups. And it’s really gruesome stuff. It’s like my version of Frankenstein. And so, I’m having fun with it. Comic books are fun to write. Forces me to be more visual, you know?…
(3) CSSF VIRTUAL BOOK CLUB. The next title in the Gunn Center for the Study of SF’s (CSSF) monthly virtual book club is Sofia Samatar’s A Stranger in Olondria.This debut novel about a merchant’s journey to the distant land of Olondria where he finds himself haunted by a mysterious force is the 2014 winner of the World Fantasy Award.
…We hope it’ll be a wonderful read for folks who have ever been “the new person,” or experience homesickness or wanderlust.
Join them on December 16 at noon (Central Time) for our virtual meeting. Register here. Also, this programming is running all year, click here to see what’s in the Book Club’s future.
(4) THE WORDS THAT MAKE THE WHOLE WORLD SING. Today I learned that Chris Weber published Sentient Chili and Stranger Filk: Lyrics to 107 Songs of Science Fiction, Fantasy, and Fandom this summer. Good work!
“Filk” is the term applied to the fan music of science fiction and fantasy. Readers and viewers of the genre will find familiar faces and tales. These lyrics cover topics from movies and television to books and original stories. Much of the collection leans towards humor, while touching other emotional chords as well. The stanzas have the feel of ’80s nostalgia but are not exclusively from that era.
The collection is like the contents of the proverbial box of chocolates, bite-sized and filled with surprises.
DANIEL A. OLIVAS:The hero (or antihero, if you will) of The Devil Takes You Home is a man who has suffered unspeakable personal loss, not to mention a self-inflicted rupture in his marriage. He feels deep remorse and guilt, yet he is hopeful that one big score will restore some of what he’s lost. Could you talk about how you created Mario and what you wanted to explore through his journey?
GABINO IGLESIAS: One of the things I love the most about horror and crime fiction is that both genres share a heart: at their core are good people who are thrown into bad situations. Mario is all of us — far from perfect but not bad. He’s desperate and the system doesn’t offer him many options. Most people know what that feels like. I wrote about 45,000 words of The Devil Takes You Home while writing for various venues, teaching high school full-time, and teaching an MFA course at SNHU at night. Then I lost the high school teaching gig and my health insurance along with it, and this happened in June 2020, just as the pandemic was raging. I would read about people getting sick and then receiving astronomical medical bills. I was angry and worried, and I injected all of that into Mario. Hopefully that will make him resonate with people, especially with those who understand that good people sometimes do awful things for all the right reasons.
…The film has clearly touched a chord with audiences. It’s already earned more than $300 million in the U.S. and is expected to top the Thanksgiving weekend box office. So we wanted to talk with director and co-writer Ryan Coogler. He says the film, although about grief, shows the sort of rebirth that occurs in the face of insurmountable loss. And he began by telling me what it was like to reimagine the film’s story, which had already been written before Boseman died.
RYAN COOGLER: It was really complicated. It was difficult technically, because Joe and I had a lot of work to do to figure out what this new movie would be without him and without the character. But it was also complicated because me and everybody involved were navigating our own emotional journey, how to deal with losing our friend. So it was admittedly like the most difficult professional thing I’ve ever done and probably the most difficult personally as well….
African-Australian writer Eugen Bacon is clearly a rising star in our genre. Yet the first time I heard of her was, when I was asked to feature her novel Claiming T-Mo, published by Meerkat Press, at the Speculative Fiction Showcase back in 2019.
Eugen Bacon’s latest release is Mage of Fools, also published by the good folks of Meerkat Press. Mage of Fools is a unique science fantasy tale set in the dystopian world of Mafinga, a polluted hellhole where books, reading and imagination are forbidden by law. Protagonist Jasmin is a widowed mother of two young children as well as the owner of a forbidden story machine. Possessing such a machine is punishable by death and when Jasmin’s story machine is discovered, she faces execution. However, she gets a temporary reprieve… for a terrible price. Because the queen of Mafinga, who cannot have children of her own, wants Jasmin’s children…
Mage of Fools is a great SFF novel, that manages to be both grim and hopeful at the same time. And since Eugen Bacon is also a poet, the novel is beautifully written as well.
(9) MEMORY LANE.
1994 — [By Cat Eldridge.] Emma Bull’s Finder: A Novel of The Borderland
I sliced strawberries with all my attention. They were particularly fine ones, large and white clear through without a hint of pink. (Wild Borderland strawberries are one of the Border’s little jokes. They form bright red, and fade as they ripen. No strawberry has ever been so sweet.) — Orient in Emma Bull’s Finder: A Novel of The Borderlands
One of my frequently re-read novels is this one. It’s a comfort read in every meaning of that word. And yes, I do have a personally signed as I do of Bone Dance as well. Of course they’re on the chocolate gifting list.
Emma released this novel on Tor twenty-eight years ago. It’s one of three novels done on the shared world created by Terri Windling, a ruined city sharing a Border with the Fey. Most of the fiction here is short stories, novellas and poetry. This novel and two done by her husband, Will Shetterly, Elsewhere and Nevernever, are the only novels done. His are also excellent.
So why do I like her novel so much that I’ve read it at least a dozen times?
MAJOR SPOILERS FOLLOW. REALLY THEY DO. GO GET A DRINK IN THE DANCING FERRET.
First, it has a first-person narrator in Orient, a young male, who has the psychic ability to find anything if the right question is asked. So when his elf friend, Tick Tock, asks him to find her missing wrench in exchange for supper, little does he know that his life will become the whim of others. There are plenty of characters, all well-fleshed out, and all moving the story along.
Second, it has a compelling story weaving two apparently disparate plots that are here into a single thread that makes perfect sense. And Emma pulls no punches; bad things will happen to folks no matter how central they are to the story including what happens TO Tick Tock which made me cry. A lot of story get packed into its just over three hundred pages and it moves smartly along.
Third, Emma does the best job in this long running series of making the central setting (naturally called Bordertown) feel as if it were an actual place, a neat trick as too many such places feel not quite real. The short stories quite frankly fail at doing this as they focus more on making the characters be Really Cool.
Everything here really does feel as if you could walk down Mock Avenue, have a drink in the Dancing Ferret, and hear the Horn Dance perform as they came down the street on their magic fuelled wheeled motorcycles.
COME BACK NOW, THE HORN DANCE HAS LEFT FOR NOW.
If you like this, I suggest the newest anthology, Welcome to Bordertown: New Stories and Poems of the Borderlands, which Holly Black and Ellen Kushner edited a decade or so back, is well worth your time as are the older anthologies.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 27, 1907 — L. Sprague de Camp. The Tales from Gavagan’s Bar he wrote with Fletcher Pratt are my favorite works by him. Best novel by him? I’d say that’s Lest Darkness Fall. His only Hugo was awarded at LoneStarCon 2 for Time & Chance: An Autobiography. He got voted the First Fandom Hall of Fame Award, and he got World Fantasy Award for Lifetime Achievement. His very first Award was an IFA for Lands Beyond that he wrote with Willy Ley. (Died 2000.)
Born November 27, 1935 — Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series. Wiki has her script editing and appearing in a fan-made episode of Doctor Who called “A Happy Ending” in 2006, which is notable for the presence of Susan, played by Carole Ann Ford, the granddaughter of the First Doctor. (Died 2007.)
Born November 27, 1940 — Bruce Lee. His only genre role was as Kato in The Green Hornet which to my utter surprise only lasted for twenty-six episodes between 1966 and 1967. He also appeared on Batman in three episodes, “The Spell of Tut”, “Batman’s Satisfaction”, and “A Piece of The Action”. Despite the various weird rumors, including Triad induced curses about his death, it was quite mundane. Donald Teare, an experienced forensic scientist who had been recommended by Scotland Yard was assigned to the Lee case. His conclusion was “death by misadventure” caused by cerebral edema due to a reaction to compounds present in the combination Equagesic medication. (Died 1973.)
Born November 27, 1951 — Melinda M. Snodgrass, 71. She wrote several episodes of Next Generation while serving as the story editor during its second and third seasons. She also wrote scripts for Sliders, Strange Luck, Beyond Reality, Odyssey 5, Outer Limits and SeaQuest DSV. She’s a co-editor of and frequent story contributor to George R. R. Martin’s Wild Cards series.
Born November 27, 1957 — Michael A. Stackpole, 65. Best known for his myriad Star Wars and BattleTech books, but I’m going to single him out for the excellent Once a Hero which was nominated for a Nebula, his Conan the Barbarian novel, and the two Crown Colonies novels.
Born November 27, 1961 — Samantha Bond, 61. Best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years. She was also Mrs Wormwood in three episodes of The Sarah Jane Adventures, the spin-off of Doctor Who, and played Helga in Erik the Viking which written and directed by Terry Jones.
Born November 27, 1974 — Jennifer O’Dell, 48. Her only meaningful role to date, genre or otherwise, has been that of Veronica on Sir Arthur Conan Doyle’s The Lost World. She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield but nothing major.
In the original Star Warstrilogy, Luke Skywalker and R2-D2 have several interactions together, but it’s not entirely clear how the Jedi learned to understand what the astromech droid is saying. Droids have always been a key component of the Star Wars franchise, with some of them being so intelligent they can speak multiple languages, such as R2’s companion, protocol droid C-3PO. Artoo, however, has only ever spoken in the default droid language known as “Binary,” which contains a mixture of whistles, chirps, and beeps, both loud and quiet….
The historian, whose new book is “Silent Spring Revolution,” would also invite E.O. Wilson and Rachel Carson: “We could talk about the 11,000 bird species the Cornell Lab of Ornithology is helping to conserve in the face of climate change.”
What’s the last great book you read?
During the pandemic I was transfixed by George R. Stewart’s “Earth Abides,” perhaps the most frightening doomsday thriller of all time. Most of American civilization collapses because of a strange disease, but a Berkeley ecologist is one of the rare survivors of the epidemic. Stewart wrote the book about 75 years ago, but his description of empty cities and the power of nature unleashed seem very contemporary in a world of Covid and climate change. It holds up well, and Kim Stanley Robinson wrote a fine introduction for the 2020 edition.
…As reported by Mission Local, members of the city’s Board of Supervisors Rules Committee have been reviewing the new equipment policy for several weeks. The original version of the draft didn’t include any language surrounding robots’ use of deadly force until Aaron Peskin, the Dean of the city’s Board of Supervisors, initially added that “robots shall not be used as a Use of Force against any person.”
However, the SFPD returned the draft with a red line crossing out Peskin’s addition, replacing it with the line that gives robots the authority to kill suspects. According to Mission Local, Peskin eventually decided to accept the change because “there could be scenarios where deployment of lethal force was the only option.” San Francisco’s rules committee unanimously approved a version of the draft last week, which will face the Board of Supervisors on November 29th….
Gifaanisqatsi is outstanding. Click it and off it goes, grabbing random GIFs and setting them, with a little treatment (such as time-lapse and slow-mo) to Philip Glass’s score to Koyaanisqatsi. The result is comically nihilistic, confirming both the trivial universality of the movie’s sentiments and that the sense of the awe commanded by the filmic tone poem format is now available at zero marginal cost.
Suggestion: a “Qataaniskoysi” option that restricts the GIFs in use to cats.
…On the sixth day of the Artemis I mission, Orion made a close flyby of the Moon, passing about 81 miles (130 km) above the surface. During the close flyby, Orion’s optical navigation camera captured black-and-white images of craters on the Moon below. Orion uses the optical navigation camera to capture imagery of the Earth and the Moon at different phases and distances, providing an enhanced body of data to certify its effectiveness under different lighting conditions as a way to help orient the spacecraft on future missions with crew….
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, JJ, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]