(1) THE BLURB REVOLUTION. “Book blurbs: Authors hate them. Publishers love them. They’re often made-up” says Slate’s Imogen West-Knights.
Whip-smart, unputdownable, lyrical, dazzling, pitch-perfect. Taut, tender, a tour de force. A triumph. Unflinching, stunning, mesmerizing, evocative. You will have seen a book—probably many, many books—with some of these words, what one might call blurbiage, if one were being annoying, on its cover. Often, these quotes will be just that one word. But the process by which those single words are acquired is a fraught one. So much so that last week, one top editor at a major publisher, Sean Manning at Simon & Schuster, made an unusual and attention-grabbing announcement about them. In his eight years at the company, he wrote in an essay for Publishers Weekly, “it has been tacitly expected that authors—with the help of their agents and editors—do everything in their power to obtain blurbs to use on their book cover and in promotional material.” No longer. Under his leadership, authors won’t be “required” to spend “an excessive amount of time” getting blurbs for their books….
…Debut authors also told me that it had “taken over their lives” sending out “begging letters” for blurbs, and more established ones said their lives had been taken over by the barrage of unsolicited proofs to blurb that they were receiving. “A lot of publicists are probably paid too poorly to really sit and consider which authors might genuinely like which book,” one novelist said, “but I wish this meant they just sent out less requests in general instead of taking this scatter-gun spam-bot approach.”
So many book proofs are getting sent out, and authors are being pursued so relentlessly for comment, that it has become common enough practice to blurb a book without having actually read it. “I was really horrified the first time someone said I should just make something up for them to approve,” said one debut nonfiction writer, who had a book out last year. This happens all the time, people told me.
Much of the blurb game is built on existing acquaintances. There is enormous social pressure to blurb books for people you sort of know. So people either lie about liking a book, because they don’t want things to be awkward, or end up ghosting the requests, or blurb it positively because they are “blinded by affection,” one nonfiction author told me. “The only time I’ve heard of someone having the balls to say ‘I haven’t blurbed your book because I didn’t actually like it’ is Sarah Schulman,” she added. According to another novelist, “It turns the entire industry into this fucking Regency-era tea party, where we all just owe each other favors and there’s actually no meritocracy or peer review or even admiration going on.”…
(2) ALL THAT TROUBLE, SO ARE THEY WORTH ANYTHING? The New York Times has also reacted to the Simon & Schuster announcement in “What Are Book Blurbs, and How Much Do They Matter in Publishing?” (link bypasses the paywall.)
…Do blurbs really help sell books?
The truth is, no one can say for sure.
“I don’t know if blurbs have ever worked,” Manning said. “There’s no metric to tell.”
Victoria Ford, the owner of Comma, a bookstore in Minneapolis, said, “My initial reaction was that blurbs don’t matter at all.” She’d rather read a thorough summary on the back of a book, or a lively description on the flyleaf, than rely on a few beats from an established author who might have a personal relationship with the author in question.
As for her customers, Ford went on: “I have not noticed readers paying a lot of attention to blurbs, with a few exceptions. I’ve definitely sold books because a customer was browsing and saw a book Ann Patchett had blurbed. Readers trust her.”…
(3) COSTUME DESIGNERS GUILD AWARDS. The 2025 Costume Designers Guild Awards winners include two in categories devoted to sff, and a third in the Period Film category.
Excellence in Sci-Fi/Fantasy Film
- Wicked; Paul Tazewell, CDG
Excellence in Sci-Fi/Fantasy Television
- Dune: Prophecy; “The Hidden Hand”; Bojana Nikitovic
Excellence in Period Film
- Nosferatu; Linda Muir, Costume Designer, Alima Meyboom, ACD; Anna Munro, ACD
(4) CLASSIC ELLISON SHORT FICTION CONSIDERED. A Deep Look by Dave Hook devotes its closest attention to “’Deathbird Stories’, by Harlan Ellison, 1975 Harper & Row”.
…Ellison starts by trying, perhaps to link this collection and its contents to literature and SF, with the quotation of a letter (I assume) from George Bernard Shaw to Count Leo Tolstoy, followed by quotes from Voltaire, Ovid, and Robert A. Heinlein. These are all about gods in some way.
He adds this Caveat Lector, a Latin Phrase for “let the reader beware“:
“It is suggested that the reader not attempt to read this book at one sitting. The emotional content of these stories, taken without break, may be extremely upsetting. This note is intended most sincerely, and not as hyperbole. H.E.”
I take this both ways, as an honest warning and part of his hyperbole….
(5) ALTERNATE HISTORY TV SPINOFF. “’Star City’: Anna Maxwell Martin Joins ‘For All Mankind’ Spinoff” reports Deadline.
BAFTA Award-winner Anna Maxwell Martin (Motherland) is set as a lead opposite Rhys Ifans in Apple TV+‘s upcoming series Star City, a spinoff from the streamer’s space race drama For All Mankind.
Created by Ben Nedivi, Matt Wolpert and Ronald D. Moore, Star City is another alt-history retelling of the space race – when the Soviet Union became the first nation to put a man on the moon. But this time, we explore the story from behind the Iron Curtain, showing the lives of the cosmonauts, the engineers, and the intelligence officers embedded among them in the Soviet space program, and the risks they all took to propel humanity forward…
(6) IN MEMORIAM. Steven H Silver’s list of members of the sff community who died in 2024 is available at Amazing Stories: “In Memoriam 2024”.
(7) BUT THE MEMORY LINGERS ON. Amazing Stories’ Steve Davidson at “Where Is It Safe To Host A Worldcon?” provides a new map of where he approves for the Worldcon to be held. Can you guess which country between Canada and Mexico has recently fallen off the map? Hint: It’s hosting the next two Worldcons.
…It it supremely ironic that one of the counter-arguments to the protest against the Chengdu bid was a stated belief that exposing the citizens of a repressive regime to the openness and diversity of Fandom would offer an alternative example and somehow inspire governmental change. Instead, the repressive regime has now come to the home of Fandom, the United States, which will have hosted 59 of the 83 Worldcons held by the end of this year. (Leeds excepted.)
It is, therefore, not just appropriate, but necessary, to amend the map that illustrates the relative appropriateness of Worldcon hosting.
This year, Worldcon will be hosted in a country whose government has enacted or intends to enact policies that are both repressive and dangerous to members of Fandom. It will be doing so in the name of all of its citizens as it is a duly and legally elected government (for now), because that is how representative democracies work.
Owing to prior bidding, next year’s Worldcon will also be held in a country that is dangerous to Fans and their beliefs. Three times in four years is a trend that I don’t want to see continue. I hope that the majority of Bid voters agree with me….
(8) MORT KÜNSTLER (1931-2025). [Item by Artie Fenner.] Artist Morton (Mort) Künstler died. Mostly known for his Civil War gallery paintings today, he did plenty of painted covers for comics and men’s adventure magazines back in the day. Early in his career he and James Bama shared a studio and modeled for each other’s illustrations. The Daily Cartoonist paid tribute: “Mort Künstler – RIP”.
…Künstler would go on to paint about 4,000 magazine covers, movie ads and canvases for NASA, the U.S. Postal Service (a depiction of Black soldiers in the Indian Wars in 1994), institutions and private collectors. His paintings are in the permanent collection of more than 50 museums and his work has been featured in more than 20 books. He was the subject of an A&E documentary in 1993.
His specialty was images of the Civil War, and historians and art critics considered him the premier historical artist in the country — one known for his detailed research and accurate depictions of scenes from Colonial times through the Space Age. In 2006, M. Stephen Doherty, editor of American Artist magazine, wrote “Künstler is now known as America’s foremost historical artist” and since the late 1970s “has been recognized as a distinguished fine artist.”…
(9) MEMORY LANE. History.com remembers what happened on February 7, 1974: “Guests watch Mel Brooks’ “Blazing Saddles” movie premiere from horseback”. Guess which daily Scroll contributor whose initials are JKT was there! See photo at this link.
In one of Hollywood’s zaniest movie premiere stunts, Mel Brooks’ 1974 western spoof Blazing Saddles screens at the Pickwick Drive-In Theater in Burbank, California. Guests attend not in cars—but on horseback.
Attendees, many sporting cowboy hats, watched the movie from atop their steeds. Movie sound came through speakers attached to saddle pommels, and the studio set up a “Horsepitality Bar” where guests got “horse d’oeuvres.” Brooks, one of Hollywood’s most legendary comedic directors, was reportedly thrilled with the memorable publicity stunt, and wrote to Warner Bros.’ publicist, Marty Weiser, who came up with the clever idea. Its message: “You’re crazier than I am!”…
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
February 7, 1960 — James Spader, 65.
How can I not do the Birthday of James Spader, the performer who played Dr. Daniel Jackson, Egyptologist in Stargate? Yes, I’m really fond of him in that film. And yes, I am equally fond of Michael Shanks playing that version of the character in the Stargate SG-1 franchise.
His first SF film actually came as a starring role as Joey Callaghan in Starcrossed where an alien woman is running from a deadly enemy and tries to hide here. She meets a young mechanic (Joey), who helps her to go home and to be a freedom fighter there.
A decade later, his next role is in Stargate. I thought it was a great performance by him. And yes, the character as performed by Michael Shanks in Stargate SG-1 continuity is just as interesting, just completely different. His role I thought was more true to that of being an Egyptologist but the Stargate SG-1 continuity isn’t really concerned with the original premise, is it?
If you saw Avengers: Age of Ultron, and I will readily admit that I have not, he not only voiced Ultron but did the motion capture for it.
But his greatest role, and I readily admit that is not genre was in The Blacklist series as Raymond “Red” Reddington, a former US Naval Intelligence officer turned fugitive who’s maybe forced to become an FBI crime consultant. And I was surprised to learn that he was an executive producer for that series.
It’s streaming on Netflix.
(11) COMICS SECTION.
- Lio is not exactly walking the dog.
- Reality Check refuses to obey in advance.
- Wizard of Id delivers collateral damage at a distance.
(12) CIVILIZATION SHUFFLES THE DECK. Polygon tells us what they think about the latest iteration of a longtime classic video game: “Review: Civilization 7 embraces a new era”.
… Civilization 7 breaks with franchise tradition in a couple ways. The first is that your leader and your civilization are unrelated to one another. At the beginning of a game, you select a leader (say, Harriet Tubman) who brings certain capabilities with them (like a bonus to espionage actions). You also select a civilization, a group of people who your leader, well, leads. If you’re starting in the age of Antiquity, the oldest time period, these are civilizations like the Greeks, the Mississippians, or the Han. They are distinguished by specific traits and units that are unique to them. This whole process is inevitably a little weird to people who have played these games before, given that historically there was not a split between leaders and civs, but ultimately the vibes are the same when playing the game — you simply get to mix and match your people, even if it produces extremely weird combos like Machiavelli, leader of ancient Persia….
(13) SUPERSIZED. “Astronomers find the largest structure in the universe and name it Quipu” reports Phys.Org.
Is it possible to understand the universe without understanding the largest structures that reside in it? In principle, not likely. In practical terms? Definitely not. Extremely large objects can distort our understanding of the cosmos.
Astronomers have found the largest structure in the universe so far, named Quipu after an Incan measuring system. It contains a shocking 200 quadrillion solar masses.
Astronomy is an endeavor where extremely large numbers are a part of daily discourse. But even in astronomy, 200 quadrillion is a number so large it’s rarely encountered. And if Quipu’s extremely large mass doesn’t garner attention, its size surely does. The object, called a superstructure, is more than 400 megaparsecs long. That’s more than 1.3 billion light-years.
A structure that large simply has to affect its surroundings, and understanding those effects is critical to understanding the cosmos. According to new research, studying Quipu and its brethren can help us understand how galaxies evolve, help us improve our cosmological models, and improve the accuracy of our cosmological measurements…
…Astronomers have found the largest structure in the universe so far, named Quipu after an Incan measuring system. It contains a shocking 200 quadrillion solar masses….
(14) VIDEO OF THE DAY. “Jack Benny and Mel Blanc – The Man of a Thousand Voices” with Johnny Carson on The Tonight Show.
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Artie Fenner, Jim Janney, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
