The Kitschies have announced their finalists for “the year’s most progressive, intelligent and entertaining fiction that contains elements of the speculative and fantastic”.
The prize, completing its 15th year, is sponsored by Blackwell’s, with additional funding coming from NESTA. The Kitschies are eligible to all books first published or self-published in the UK during 2023. This year’s winners were chosen from 278 submissions, coming from over 65 different imprints.
The awards ceremony will be held in London at the end of November. The winners will receive a total of £2,000 in prize money, as well as one of the iconic tentacle trophies.
From their inception, The Kitschies have taken a broad perspective on speculative fiction. This year’s finalists range from multidimensional space opera and cyberpunk noir to mystically-inflected dark academia and Orwellian retellings; from literary heavyweights to upstart debuts to graphic novels. The shortlists explore subjects both topical and wondrous, including AI and climate change, but also our relationships with family, loved ones and our own sense of identity.
AWARD TO BE RETIRED. The Directors of The Kitschies have also announced that this will also be the final year of the prize, citing the increased time-commitment required both of the prize’s administrators and its judges. They note, however, that this year’s diverse lists make the perfect swan-song for the award.
2024 SHORTLISTS
THE RED TENTACLE (NOVEL)
Infinity Gate by Mike Carey (Orbit)
In Ascension by Martin McInnes (Atlantic)
Julia by Sandra Newman (Granta)
Jungle House by Julianne Pachico (Serpent’s Tail)
The Premonition by Banana Yoshimoto, translated by Asa Yoneda (Faber & Faber)
THE GOLDEN TENTACLE (DEBUT)
Shark Heart by Emily Habeck (Arcadia)
The Cloisters by Katy Hays (Transworld)
Your Wish is My Command by Deena Mohamed (Granta)
The Centre by Ayesha Manazir Siddiqi (Picador)
Bang Bang Bodhisattva by Aubrey Wood (Solaris)
THE INKY TENTACLE (COVER ART)
Remember, Mr Sharma by A.P. Firdaus, designed by Nathan Burton (Sceptre)
The Vegan by Andrew Lipstein, design by Cecilia R. Zhang (FSG)
Julia by Sandra Newman, design by Luke Bird (Granta)
Out There Screaming, edited by Jordan Peele, design by Janay Nachel Frazier and Stuart Wilson, and art by Arnold J. Kemp (Picador)
Lioness by Emily Perkins, design by Greg Heinimann Design (Bloomsbury)
The Red and Golden Tentacles were judged by Anne Charnock, Leila Abu El Hawa, Nick Mamatas and Molly Tanzer.
Anne Charnock said about the finalists: “I found myself swept away by the writing talent in this year’s entries, and I believe the shortlists reflect the truly ambitious and provocative nature of speculative fiction. These novels take readers to richly imagined worlds, by turn dystopian, fantastical, weird and ecologically surreal”
Kieron Smith, Digital Director, Blackwell’s commented: “The legacy of The Kitschies is one to be proud of, and one which Blackwell’s has been privileged to play a small part in supporting. Always highlighting titles which have surprised and delighted our customers, The Kitschies selections have made a real difference – introducing some of the best writing in speculative fiction today to a broader audience. This year’s list is another superb set of titles, with the judges demonstrating, again, the fine writing to be enjoyed within genre literature.”
Speaking about the coming end of The Kitschies, award co-founder Anne C. Perry remarked: “Founding, judging, administrating, and creating the tentacles for the Kitschies has been one of the highlights of my life, and I will always be incredibly proud of what we accomplished: shining a spotlight on the very best genre fiction in the world with an award that was open to everyone.”
And The Kitschies’ current Director, Leila Abu El Hawa, gave this valedictory: “Starting out as a fan of the award, then judging and finally becoming a director has been a dream come true. Having the opportunity to read the SF/F landscape year after year is an experience I will always treasure along with the connections and friendships forged in the process. Seeing how science fiction and fantasy have pushed the literary landscape forward over the years is an honour and I am ridiculously proud of what we have achieved, both as an award and a community. I am sad that this chapter is closing, but we can all continue to be Progressive, Intelligent and Entertaining with elements of the fantastic.”
The 2023 Kitschies Awards were presented on June 24 at the Bradford Literature Festival. The prize, sponsored by Blackwell’s, is given to “the year’s most progressive, intelligent and entertaining fiction that contain elements of the speculative or fantastic.”
RED TENTACLE (NOVEL)
The Last Blade Priest by Will Wiles
GOLDEN TENTACLE (DEBUT)
Our Wives Under the Sea by Julia Armfield
INKY TENTACLE (COVER ART)
Paper Crusade by Michelle Penn — Cover by Klara Smith
The Red and Golden Tentacle categories were judged by Adam Roberts, Molly Tanzer, Mahvesh Murad and Jared Shurin.
The winner of the Red Tentacle receives £1,000 & a hand-crafted tentacle trophy; the Golden Tentacle winner gets £500 & a hand-crafted tentacle trophy; and the Inky Tentacle winner gets £500 & a hand-crafted tentacle trophy.
Also presented:
GLENTACLE (SPECIAL)
A discretionary award named in honor of The Kitschies’ former director, Glen Mehn, intended to recognize extraordinary service to the SFF industry.
Bisha K. Ali — for her inspirational and thought-provoking work as head writer for the Disney+ show, Ms. Marvel.
The 2023 Kitschies Award shortlists have been revealed. The prize, sponsored by Blackwell’s, is given to “the year’s most progressive, intelligent and entertaining fiction that contain elements of the speculative or fantastic.”
RED TENTACLE (NOVEL)
Beyond the Burn Line by Paul J. McAuley
The Coral Bones by E. J. Swift
The Last Blade Priest by Will Wiles
Our Share of Night by Mariana Enriquez, translated by Megan McDowell
Twelve Percent Dread by Emily McGovern
GOLDEN TENTACLE (DEBUT)
Brother Alive by Zain Khalid
The Immortal King Rao by Vauhini Vara
The Mountain in the Sea by Ray Nayler
When We Were Birds by Ayanna Lloyd Banwo
Our Wives Under the Sea by Julia Armfield
INKY TENTACLE (COVER ART)
The Seven Moons of Maali Almeida by Shehan Karunatilaka — Cover by Peter Dyer
Celestial by M. D. Lachlan — Cover by Rachel Lancaster & Patrick Knowles
Poster Girl by Veronica Roth — Cover by Lydia Blagden
Paper Crusade by Michelle Penn — Cover by Klara Smith
Motherthing by Ainslie Hogarth — Cover by Mark Abrams
The Red and Golden Tentacle categories were judged by Adam Roberts, Molly Tanzer, Mahvesh Murad and Jared Shurin.
The winner of the Red Tentacle receives £1,000 & a hand-crafted tentacle trophy; the Golden Tentacle winner gets £500 & a hand-crafted tentacle trophy; and the Inky Tentacle winner gets £500 & a hand-crafted tentacle trophy.
The awards ceremony will be held June 24 at the Bradford Literature Festival.
A total of £2,000 in prize money goes to the winners, and each receives one of the prize’s iconic Tentacle trophies. The awards are given to “the year’s most progressive, intelligent and entertaining fiction that contain elements of the speculative or fantastic.” Sponsored by Blackwell’s, the award is now in its twelfth year.
The Red Tentacle (Novel)
Judged by Nathalie Radmall-Quirke, Yudhanjaya Wijeratne, Sara Taylor and Oliver Johnson
The Galaxy And The Ground Within by Becky Chambers (Hodder Fiction)
The Golden Tentacle (Debut)
Judged by Nathalie Radmall-Quirke, Yudhanjaya Wijeratne, Sara Taylor and Oliver Johnson
Temporary by Hilary Leichter (Faber)
The Inky Tentacle (Cover Art)
Judged by Fleur Clarke, Anne Perry, Jared Shurin and Leila Abu el Hawa
The Seep by Chana Porter, Cover Art/Design by Julia Lloyd (Titan)
The Glentacle
This year the Directors of #TheKitschies awarded the Glentacle, sponsored by @nesta_uk , to:
Comma Press, “for their thoughtful and truly global contributions to literature with their anthology series.”
The 2021 Kitschies Award shortlists have been revealed. The prize, sponsored by Blackwell’s, is given to “the year’s most progressive, intelligent and entertaining fiction that contain elements of the speculative or fantastic.”
This year’s shortlisted books were narrowed down from 198 submissions, coming from 57 publishers.
The Red Tentacle (Novel)
Judged by Nathalie Radmall-Quirke, Yudhanjaya Wijeratne, Sara Taylor and Oliver Johnson
Bear Head by Adrian Tchaikovsky (Head Of Zeus)
The Galaxy And The Ground Within by Becky Chambers (Hodder Fiction)
The Cabinet by Un-Su Kim (Angry Robot)
The Last House On Needless Street by Catriona Ward (Serpent’s Tail)
Black Water Sister by Zen Cho (Macmillan)
The Golden Tentacle (Debut)
Judged by Nathalie Radmall-Quirke, Yudhanjaya Wijeratne, Sara Taylor and Oliver Johnson
Several People Are Typing by Calvin Kasulke (Hodder Studio)
Winter’s Orbit by Everina Maxwell (Orbit)
Temporary by Hilary Leichter (Faber)
Iron Widow by Xiran Jay Zhao (Rock The Boat)
Composite Creatures by Caroline Hardaker (Angry Robot)
The Inky Tentacle (Cover Art)
Judged by Fleur Clarke, Anne Perry, Jared Shurin and Leila Abu el Hawa
The Seep by Chana Porter, Cover Art/Design by Julia Lloyd (Titan)
Iron Widow by Xiran Jay Zhao, Cover Art/Design by Ashley Mackenzie (Rock The Boat)
Nightbitch by Rachel Yoder, Cover Art/Design by Suzanne Dean, (Harvill Secker)
Velvet Was The Night by Silvia Morena-Garcia, Cover Art/Design by Faceout Studio: Tim Green, (Jo Fletcher Books)
A Desolation Called Peace by Arkady Martine, Cover Art/Design Jaime Jones (Tor)
The winners will be announced in a virtual ceremony on October 12, and receive a total of £2,000 in prize money, as well as one of the prize’s iconic Tentacle trophies. The Kitschies, sponsored by Blackwell’s, is now in its twelfth year.
The 2020 Kitschies Award winners were announced in a virtual ceremony on July 21. The winners receive a total of £2,000 in prize money sponsored by Blackwell’s, and each gets one of the prize’s iconic Tentacle trophies.
THE RED TENTACLE (NOVEL)
Judged by M.R. Carey, Clare Rees, Mahvesh Murad, Kaiya Shang and Daphne Lao Tong. The winner receives £1,000.
Piranesi by Susanna Clarke (Bloomsbury)
THE GOLDEN TENTACLE (DEBUT)
Judged by M.R. Carey, Clare Rees, Mahvesh Murad, Kaiya Shang and Daphne Lao Tong. The winner receives £500.
The Space Between Worlds by Micaiah Johnson (Hodder & Stoughton)
THE INKY TENTACLE (COVER ART)
Judged by Paul Wiseall, Fleur Clarke, Claire Richardson and Jeffrey Alan Love. The winner receives £500.
The Arrest by Jonathan Lethem, Cover Design by Allison Saltzman and Illustration by Dexter Maurer (Atlantic Books)
THE GLENTACLE
Recognizes extraordinary service to the SFF industry.
Simon Key from The Big Green Bookshop for his Buy A Stranger A Book intiative.
The 2020 Kitschies Award shortlists have been revealed. The prize, sponsored by Blackwell’s, is given to “the year’s most progressive, intelligent and entertaining fiction that contain elements of the speculative or fantastic.”
This year’s shortlisted books were winnowed down from 177 submissions, coming from 55 publishers. The Kitschies administrators announced that 80% of the submissions were from white authors, 20% from non-white authors, 50% from female authors, 48% from male authors 2% from non binary authors.
The winners will be announced in a virtual ceremony on July 21, and receive a total of £2,000 in prize money, as well as one of the prize’s iconic Tentacle trophies.
THE RED TENTACLE (NOVEL)
Judged by M.R. Carey, Clare Rees, Mahvesh Murad, Kaiya Shang and Daphne Lao Tong
A Tall History Of Sugar by Curdella Forbes (Canongate)
The City We Became by N. K. Jemisin (Orbit)
The Lost Future Of Pepperharrow by Natasha Pulley (Bloomsbury)
Piranesi by Susanna Clarke (Bloomsbury)
The Ministry For The Future by Kim Stanley Robinson (Orbit)
THE GOLDEN TENTACLE (DEBUT)
Judged by M.R. Carey, Clare Rees, Mahvesh Murad, Kaiya Shang and Daphne Lao Tong
Sharks In The Time Of Saviours by Kawai Strong Washburn (Canongate)
The Animals In That Country by Laura Jean McKay (Scribe)
The Space Between Worlds by Micaiah Johnson (Hodder & Stoughton)
Djinn Patrol On The Purple Line by Deepa Anappara (Chatto & Windus)
Raybearer by Jordan Ifueko (Hot Key Books)
THE INKY TENTACLE (COVER ART)
Judged by Paul Wiseall, Fleur Clarke, Claire Richardson and Jeffrey Alan Love
The Arrest by Jonathan Lethem, Cover Design by Allison Saltzman and Illustration by Dexter Maurer (Atlantic Books)
Little Eyes by Samanta Schweblin, Cover Design by Ben Summers (Oneworld)
Monstrous Heart by Claire McKenna, Cover Design by Andrew Davis (Harper Voyager)
The Harpy by Megan Hunter, Cover Design by Lucy Scholes and Illustration by Amy Judd (Picador)
The City We Became by N. K. Jemisin, Cover Design by Lauren Panepinto (Orbit)
When someone told me about Tomi Adeyemi’s Children of Blood and Bone, describing it as a cross between Harry Potter, the Chronicles of Narnia and Yoruba gods, I was shocked. It sounded like the best combination ever: How had I not heard of it? I read it, then I read it again, then I listened to the audiobook. I was being introduced to a world I couldn’t have imagined before. The characters were larger than life but with very human problems and issues. And the novel spoke to my self-identity and culture as a Nigerian, in its social commentary and in its depiction of both magic and oppression.
It’s so important to have representation within books like this. In school, I realized that only when my teacher considered my point of view did learning become easier. When my kids are growing up, they’re going to have these new classic heroes from an environment they know….
In October 2019, Christina Koch and Jessica Meir exited the International Space Station and replaced a controller regulating the batteries that store the station’s solar power. But the two astronauts accomplished much more than fixing the space station. They completed the first all-female spacewalk, shifting who we see as strong, brave, competent, and who’s on the team pushing the boundaries of exploration.
Yes, as Koch and Meir said, they were just doing their jobs. All astronauts say that, because being in space is our job. Yet two women executing intellectually and physically demanding work in one of the most challenging circumstances in which humans operate – orbital altitude of 250 miles, velocity of 17,500 m.p.h. – is an important event. Not because these women proved what we, women, could do; that was never in doubt. Rather because the whole world saw it, including the gatekeepers (frequently men) who determine who has access to these opportunities….
(2) ALGORITHM AND BLUES. The latest Future Tense story is “The State Machine” by Yudhanjaya Wijeratne. Tagline: “A new short story imagines a government run entirely by machines.”
This is my attempt to explore the cracks and boundaries of AI governance that doesn’t fall into the tired Skynet tropes, Machine-Priest dreamings or one-reclusive-programmer-creates-life nonsense. How might a benevolent system actually come to be?
The world of software has a long-held, pernicious myth that a system built from digital logic cannot have biases. A piece of code functions as an object of pure reason, devoid of emotion and all the messiness that entails. From this thesis flows an idea that has gainedincreasingtraction in the worlds of both technology and science fiction: a perfectly rational system of governance built upon artificial intelligence. If software can’t lie, and data can’t inherently be wrong, then what could be more equitable and efficient than the rule of a machine-driven system?
In “The State Machine,” Yudhanjaya Wijeratne explores a possible future where this concept has become reality. He takes the idea of A.I. government a step further by making it highly dynamic, with regular changes to the constitution and legal framework. Given how much of our lives are now in the hands of massive software applications – communications, banking, health care – I can see large swaths of humanity choosing to live under an A.I.-based government, rather than under human politicians, in hopes of more equitable treatment under the law and less overall corruption. It could happen incrementally, as it does in this story, so we go along with it, until one day a sizable portion of the world’s population finds itself living this way. You have only to look at Facebook, which now has 2.7 billion monthly active users (more than one-third of the world!), for a very real example….
…And The Old Drift is the story of the stories that make up a country and a history, across the personal, national and societal levels. Comedy, romance, horror, crime, science fiction. It’s almost a fire hose worth of concepts, conceits and glittering moments of invention and prose that approach overwhelming even as they impress.
But in Serpell’s hands, each of these stories and genre shifts presents more like the progression of a elaborate, interwoven symphony. The tale starts with a simple melody: a Victorian photographer entranced in equal proportion by the brave new worlds of his profession and of his newly chosen home. He’s cheery and unconcerned with the complexities of life in a way that’s both profoundly familiar (David Copperfield as science fiction Chosen One) and deeply unsettling and annoying. This isn’t his land, even though as time goes by he treats it like exactly that. That subtlest of cuts, that differentiation between character and reader is what Serpell uses to expand the novel out into a swelling crescendo across decades and genres….
(4) TENTACLE TIME. The Kitschies Award team announced they are taking submissions until January 8, 2021.
The Kitschies, literature’s most tentacular prize, are pleased to announce that they are open to submissions for books published in the UK in 2020.
The Kitschies rewards the year’s most progressive, intelligent and entertaining books that contain elements of the speculative and fantastic. Winners receive a total of £2,500 in prize money, as well as one of the prize’s iconic hand-crafted Tentacle trophies.
The judges for the Red and Golden Tentacles are M.R. Carey, Mahvesh Murad, Daphne Lao Tonge and Kaiya Shang. Inky Tentacle judges are Fleur Clarke, James Spackman, Emily McGovern and Clare Richardson.
(5) MEDIA ANNIVERSARY.
Twenty years ago, Tamsin by Peter S. Beagle won the Mythopoeic Fantasy Award for Adult Literature. Published by Roc, Tamsin is the story of ghosts and cats set on an English country estate. It never had a British edition though it had a German one. The last print edition was on Firebird Books, the imprint edited by Sharyn November, fourteen years ago. There was a cassette only release of Peter narrating the novel though I don’t see it available currently. It is available from the usual digital suspects. (CE)
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 26, 1867 – Winsor McCay. Pioneer in comic strips and animation. Little Nemo in Slumberland remains astonishing. Among much else WM drew Dreams of the Rarebit Fiend (alas, the joke is “Welsh rabbit” = melted cheese, but never mind that now) and political cartoons. In one version of Gertie the Dinosaur for vaudeville, WM appeared to interact with her. A Little Nemo short film took 4,000 drawings; The Sinking of the “Lusitania” took 25,000. (Died 1934) [JH]
Born September 26, 1872 — Max Erhmann. Best remembered for his 1927 prose poem “Desiderata” which I have a framed copy hanging here in my work area. Yeah big fan. Genre connection? Well calling it “Spock Thoughts”, Nimoy recited the poem on Two Sides of Leonard Nimoy, his 1968 album. (Died 1945.) (CE)
Born September 26, 1918 – John Rankine. Forty novels, some for Space:1999; three dozen shorter stories; some e.g. From Carthage Then I Came under another name. Friend of Anthony Burgess while both at Univ. Manchester. JR is in five volumes of New Writings in SF. (Died 2013) [JH]
Born September 26, 1941 — Martine Beswick, 79. Although she auditioned for Dr. No, she was instead cast in From Russia with Love as Zora. She also appeared as Paula Caplan in Thunderball. She would appear in One Million Years B.C. opposite Raquel Welch. She made several Hammer Studio films including Prehistoric Women and Dr. Jekyll and Sister Hyde. (CE)
Born September 26, 1942 – James Christensen. Three dozen covers, five dozen interiors. Here is Lyonesse. Here is Spectrum 4. Here is Voyage of the “Basset”. Artbook A Journey of the Imagination. (Died 2017) [JH]
Born September 26, 1945 – Denny Lien, 75. Served as an officer of Minn-Stf and editor of Einblatt. Co-author of Midwest Side Story. In various apas e.g. Minneapa, ANZAPA. Guest of Honor at Minicon 21. Letters, reviews in F&SF, Interzone, Locus, NY Review of SF, SF Commentary, SF Review. [JH]
Born September 26, 1948 — Olivia Newton-John, 72. She was Kira in Xanadu which is partly responsible for the creation of the Golden Raspberry Awards. (Can’t Stop the Music was the other film responsible.) It should be noted that Xanadu currently gets a 23% rating among audience reviewers at Rotten Tomatoes. (CE)
Born September 26, 1957 — Tanya Huff, 63. Her now-concluded Confederation of Valor Universe series is highly recommended by me. And I also give a strong recommendation to her Gale Family series. I’ve not read her other series, so I’ll ask y’all what you’d recommend. (CE)
Born September 26, 1957 – Roger MacBride Allen, 63. A score of novels (three in the Star Wars universe, three with Asimov’s positronic robots), half as many shorter stories. Two books of history with his father, historian Thomas B. Allen. [JH]
Born September 26, 1968 — Jim Caviezel, 52. John Reese on Person of Interest which CBS describes as a “crime drama”. Huh. He was also Detective John Sullivan in Frequency, and Kainan in Outlander. And yes he played Number Six in the rather unfortunate reboot of The Prisoner. (CE)
Born September 26, 1974 – Sonny Liew, 46. The Art of Charlie Chan Hock Chye was an Amazon and NY Times Best Seller, a first for a Singaporean graphic novel; it and SL won three Eisners, also a Ping Prize as Best Int’l Comic (Denmark). Here is SL’s cover for The Infinite Library. SL’s Malinky Robot won a Xeric Award, and Comic Album of the Year at the Utopiales Int’l SF Festival. [JH]
Born September 26, 1985 — Talulah Riley, 35. Miss Evangelista in “Silence in the Library” and “Forest of the Dead”, two most excellent Tenth Doctor stories. She also portrays Angela in the Westworld series, and she shows up in Thor: The Dark World as an Asgardian nurse. And she’s Gina Gartison in Bloodshot, the Vin Diesel-fronted Valiant Comics superhero film. Anyone seen the latter? (CE)
(8) BOOK HEAVEN. A photo of the original site of Toronto’s Bakka bookstore was tweeted by Retrontario. That’s where it was when I visited in 1973.
Bakka ("the weeper who mourns for all mankind") when it was a SF/Comic book Mecca on Queen Street West. Bought lots of original Target Dr. Who books here in the 80s ?? pic.twitter.com/gV38aJtper
The actor is set to play Tinkerbell in Disney’s “Peter Pan and Wendy,” the studio’s latest live-action adaptation. Shahidi joins a cast that features Jude Law as Captain Hook, with Alexander Molony as Peter Pan and newcomer Ever Anderson as Wendy.
(10) WORKING AWAY FROM HOME. NPR tells how a “NASA Astronaut Will Vote From Space”. I hope that ballot doesn’t burn up on re-entry! Oh – never mind.
On Election Day, NASA astronaut Kate Rubins will be more than 200 miles above her nearest polling place. But she’s still planning to vote – from space.
“It’s critical to participate in our democracy,” Rubins told The Associated Press. “We consider it an honor to be able to vote from space.”
Rubins, who has a doctorate in cancer biology from Stanford and was the first person to sequence DNA in space, is currently training for her upcoming six-month mission on the International Space Station.
Voting from the space station is similar to voting absentee from anyplace on the planet – except instead of relying on the U.S. Postal Service to deliver the ballot, Rubins will get hers forwarded electronically from Mission Control in Houston.
… I’m behind with my Uncanny reading – in fact, it’s possible my subscription has lapsed without me noticing, because those are the kind of times we live in now, folks – and some of the stories in this next-most-recent (I think?) issue worked better for me than others. Firmly on the “yay” side of that equation was “The Inaccessibility of Heaven” by Aliette de Bodard, a story of fallen angels and the humans who live alongside them (I’m not sure if this is in the same universe as The Dominion of the Fallen, though it definitely doesn’t feel the same or contain any characters I recognise). It’s a tight, intriguing murder mystery that puts its human protagonist in the centre of magical happenings which the Fallen in their life would prefer they stayed out of. …
The vigilant spectator would watch the elaborate puppet show Jeremy Scott created for Moschino this season and wonder: Was this the designer painting a picture of our turbulent times through metaphors of political puppeteering, ‘strings attached,’ and questions of real vs. fake? Were his designs – couture-level garments that revealed their own construction – an image of much-needed truth in the public forum? “You’re totally reading into it,” he said on a video call from his home in Los Angeles as we both burst out in laughter. “The best thing I could do for everyone who’s stressed about the election, the pandemic, social unrest, and the future was to give the gift of fantasy and take us away from all of it for a few minutes; let us enjoy this little fashion world of ours.”
I didn’t really want to review The Trouble With Peace by Joe Abercrombie, because I don’t want to draw your attention to it. As I have said before, Abercrombie is best enjoyed with no expectations and as little knowledge as possible. If you have read him, you likely are going to read this book. If you haven’t heard of him, and want a really intense fantasy series, go check out his first book in this world: The Blade Itself. So if I can’t really talk about the book, and I don’t want to talk about the book, and no one really needs to hear about the book, why am I writing a review of it you ask? Well, because The Trouble With Peace is a contender for my best book of the year and it would feel unprofessional to say nothing about it.
The thing that makes The Trouble With Peace, and all Abercrombie books, great is the characters….
(14) MAKING DEMANDS. [Item by Mike Kennedy.] A researcher hacked a smart coffee maker. He not only gained full control of the functions (which he could misuse in devious ways like beeping incessantly & spewing hot water) but also flashed a ransom message on the display. “When coffee makers are demanding a ransom, you know IoT is screwed” at Ars Technica.
With the name Smarter, you might expect a network-connected kitchen appliance maker to be, well, smarter than companies selling conventional appliances. But in the case of the Smarter’s Internet-of-things coffee maker, you’d be wrong.
As a thought experiment, Martin Hron, a researcher at security company Avast, reverse engineered one of the $250 devices to see what kinds of hacks he could do. After just a week of effort, the unqualified answer was: quite a lot…
… The next step was to create modified firmware that did something less innocuous.
“Originally, we wanted to prove the fact that this device could mine cryptocurrency,” Hron wrote. “Considering the CPU and architecture, it is certainly doable, but at a speed of 8MHz, it doesn’t make any sense as the produced value of such a miner would be negligible.”…
…. But it is the nuts and bolts of the Military SF that the novel really focuses on, and where for the most part it shines brilliantly. The FTL is the Alcubierre drive, frame dragging FTL with interesting limitations and restrictions. There is no Ansible (which means that the transmission of information between solar systems has to be by ship, which proves to be something that parts of the plot turns on) There is a definite sense of a cold war arms building up and testing on both sides. Like the 1970’s and 1980s as America and the USSR developed better weapon systems of various kinds, a Balance of Terror, there is a corporate cast to the weapons development, making profit motives an interesting tweak to how the Military tech development and execution proceed. There is plenty of space action as the opposite sides square off, and Tomlinson delivers what Mil-SF readers are looking for in terms of well described action and adventure.
[Thanks to N., James Davis Nicoll, Martin Morse Wooster, JJ. Michael Toman, John Hertz, Cat Eldridge, Mike Kennedy, John King Tarpinian, Lise Andreasen, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day PJ Evans.]
The Kitschies, sponsored by Blackwell’s, are “fiction’s prize for the year’s most progressive, intelligent and entertaining novels containing elements of the speculative and the fantastic.
The winners receive a total of £2,000 in prize money, as well as one of the prize’s iconic Tentacle trophies.
The Red Tentacle (Novel)
For the novel containing speculative or fantastic elements that best fulfills the criteria of intelligent, progressive and entertaining. Judged by Claire North, Kirsty Logan, Alasdair Stuart, Tasha Suri, and Michaela Grey
The Fire Starters by Jan Carson
The Golden Tentacle (Debut)
For the debut novel that best fits the criteria of progressive, intelligent and entertaining. Also judged by Claire North, Kirsty Logan, Alasdair Stuart, Tasha Suri, and Michaela Grey
Jelly by Clare Rees
The Inky Tentacle (Cover Art)
Awarded to the year’s finest cover art, as selected by a panel of visual arts experts from wide range of disciplines. Judged by Sharan Matharu, Kaiya Shang, James Spackman, and Kim Curran
The Memory Police by Yoko Ogawa, Cover Art by Tyler Comrie (Vintage)
The Black Tentacle (Special)
A discretionary award in memory of Glen Mehn, aka The Glentacle, for services to the SF/F community. Awarded for a work or body of work that does not otherwise fit The Kitschies’ criteria.
The 2019 Kitschies Award shortlists have been revealed. The prize, sponsored by Blackwell’s, is given to “the year’s most progressive, intelligent and entertaining fiction that contain elements of the speculative or fantastic.”
This year’s shortlisted books were winnowed down from 196 submissions by around 59 imprints. The Kitschies administrators announced that 49% of the submissions were by female authors, 47% by male authors and 4% by non-binary authors. 17% of submissions were by POC. 77% of submissions were sent as ebooks
The winners will be announced in a ceremony on April 6, and receive a total of £2,000 in prize money, as well as one of the prize’s iconic Tentacle trophies.
The Red Tentacle (Novel)
Judged
by Claire North, Kirsty Logan, Alasdair Stuart, Tasha Suri, and Michaela
Grey
Always North by Vicki Jarrett
From The Wreck by Jane Rawson
The Fire Starters by Jan Carson
The Memory Police by Yoko Ogawa
This is How You Lose The Time War by Amal El Mohtar & Max Gladstone
The Golden Tentacle (Debut)
Also judged by Claire North, Kirsty Logan, Alasdair Stuart, Tasha Suri, and Michaela Grey
Jelly by Clare Rees
My Name Is Monster by Katie Hale
She Would Be King by Wayétu Moore
The Ten Thousand Doors Of January by Alix E. Harrow
Wilder Girls by Rory Power
The Inky Tentacle (Cover Art)
Judged
by Sharan Matharu, Kaiya Shang, James Spackman, and Kim Curran
Across The Void by S. K. Vaughan, Cover Design by Ceara Elliot
The Heavens by Sandra Newman, Cover Design by Leo Nickolls
Zed by Joanna Kavenna, Cover Design by Faber
This Is How You Lose The Time War by Amal El Mohtar & Max Gladstone, Cover Design by Greg Stadnyk
The Memory Police by Yoko Ogawa, Cover Art by Tyler Comrie (Vintage)