(1) GREGORY BENFORD CONSERVATORSHIP ANNOUNCED. Joe Haldeman today published on Facebook an announcement and statement by James Benford: “Jim Benford asked me to post this:  Court Approves conservatorship of the Estate and Person of Gregory Benford”. In addition to some information about Gregory Benford’s health, it includes allegations and insinuations about people who have been close to Gregory since his stroke in 2022.

Richard Man tries to correct the characterization about one of those people in this Facebook post.

A number of well-known sff figures comment on the two posts.

(2) LACON V REVEALS FIRST SPECIAL GUEST. The 2026 Worldcon committee, LACon V, has announced Tracy Drain as the convention’s first Special Guest.

Tracy Drain is a flight systems engineer who has helped to develop, test, and operate a variety of robotic spacecraft for deep space exploration over the past 25+ years. Her passion for space grew from an early love of science fiction – she soaked up Star Trek, Star Wars, and Battlestar Galactica, plus sci-fi and fantasy books by the armload. With her eye on a career in space, she studied Mechanical Engineering at the University of Kentucky and interned at the NASA Langley Research Center. After earning a master’s degree in mechanical engineering at Georgia Tech, she landed a full-time position at NASA’s Jet Propulsion Laboratory in 2000.

As a systems engineer, Tracy works with teams of engineers and scientists to ensure all the parts of a spacecraft (telecommunications, thermal, power, software, etc.), the science instruments, and the mission (spacecraft/instruments, ground data system, mission design and navigation, etc.) are designed to work well together to accomplish the mission goals. Her previous missions have included the Mars Reconnaissance Orbiter, the Kepler mission (an Exoplanet hunter), the Juno mission (orbiting Jupiter) and the Psyche mission (now on its way to study an asteroid). She is currently the Chief Engineer in operations for the Europa Clipper mission which successfully launched in October 2024 and is now on its 5.5-year cruise to Jupiter. After arrival in the Jovian system, Clipper will study Europa – one of the most scientifically exciting moons in our solar system!…

(3) LACON V OPENS PROGRAM PARTICIPANT INTEREST SURVEY. The Program Division for LAcon V, the 2026 Worldcon, will be co-managed by Helen Montgomery and Dr. Meg MacDonald. Montgomery chaired Chicon 8, the 2022 Worldcon. MacDonald was co-Division Head for Promotions for Glasgow 2024 – A Worldcon for Our Futures.

LAcon V has a Program Overview page.

Our Program Suggestion Form is for anyone who wishes to submit an idea for a program item. This can be a panel discussion you want to see, a workshop you want someone to run, a discussion group about your favorite book or movie franchise – maybe you just have a cool panel title, or perhaps a fully formed description of a panel but no title. It’s all okay to submit! No idea is too big or too small; we want to hear them all!

And then there’s our Program Participant Interest survey, which is for anyone who is interested in being a program participant, be it on site in Anaheim or online through our virtual offerings. We expect and need hundreds of program participants. Some may be professionals in their field; others may be hobbyists or fans. No matter what, we want to know more about you! Filling out the form does not guarantee that you will be accepted as a participant, but it is the first necessary step in the process, and we’re excited to hear from you.

(4) SIMULTANEOUS TIMES. Space Cowboy Books has released Simultaneous Times podcast episode 87 with KC Grifant & Franco Amati.

Stories featured in this episode:

• “Negation” by KC Grifant; music by Phog Masheeen; read by the Jenna Hanchey
• “So I Guess I’m Not an Actual Person Anymore” by Franco Amati; music by Phog Masheeen; read by Jean-Paul Garnier

Theme music by Dain Luscombe.

(5) GENRE GRAPEVINE ON SEATTLE WORLDCON. Jason Sanford presents “Genre Grapevine’s Deep Dive into the Use of ChatGPT by Seattle Worldcon”, a public post on Patreon.

….It appears Worldcon leadership only learned that ChatGPT was used in this manner after the fact, when the person on the vetting team revealed what they’d done and said that there was no other way to complete the vetting with so few volunteers on the team. While Worldcon leadership had concerns about the use of generative AI, because ChatGPT had already been used – and because of the lack of needed volunteers on the vetting team – they decided to retroactively accept its use.

What came after is now well known: Word about the use of ChatGPT quickly spread among Worldcon volunteers and the larger genre community. 

I’m told the person on the vetting team who originally decided to use ChatGPT is no longer involved in the vetting process….

Unfortunately, none of the quoted sources was willing to go on the record as a source.

(6) DAVE RATTI OBITUARY. [By Becky Veal.] David Ratti, long time Orlando fan, passed away on May 15, 2025. He had been suffering prolonged illnesses, but the cause of death is initially listed as pneumonia and sepsis.

I don’t know when Dave first got into fandom, but I met him at Necronomicon in 1983. I was pushing my infant son Sean in a stroller when someone came up to me and tried to start a conversation. I remember thinking “another fat jerk“.  And thus I met my best friend of 40 years.

Dave was a founding member of the Orlando Science Fiction Society and the convention Oasis. We worked together editing the bid progress reports for the 1992 Orlando Worldcon, MagiCon. We ran more convention offices and other departments than I can count.

I will write a better obituary later, as I’m sure others will. I’m too exhausted with grief to do more. Dave was unique and special and wonderful in his own way. There will be many tears shed by many fans and friends, including myself.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Liō series (2006)

Nineteen years ago on this date, one of the most unusual strips to come into existence did so in the form of Mark Tatulli’s Liō. It was very easy to market globally as it had almost no dialogue except that spoken by other people in the parodies that I’ll mention in a minute as Liō and the other characters don’t speak at all, and there were no balloons or captions at all giving it a global appeal. 

Liō, who lives with his father and various monsters, i.e. Ishmael a giant squid and Fido a spider, various animals like Cybil a white cat (of course there’s a cat here, a very pushy feline indeed), aliens, lab creations, and even Liō’s hunchbacked assistant.  Why there’s even Archie, Liō’s psychopathic ventriloquist’s dummy. Liō’s mother is deceased. Though why she’s deceased is never stated. Definitely not your nuclear family here.

An important aspect of the strip is that it  will riff off other strips, and lots of them: Blondie, Bloom County, Calvin and Hobbes (my favorite strip ever), Cathy, Garfield, Opus, Peanuts, even Pearls Before Swine (definitely not one of my favorite strips I will readily admit) will become fodder for parody by this strip. That’s where the only dialogue is spoken. 

Tatulli on the Mr. Media podcast back a decade or so said “It’s really a basic concept. It’s just Liō who lives with his father, and that’s basically it, and whatever I come up with. I set no parameters because I didn’t want to lock myself in. I mean, having no dialogue means that there is going to be no dialogue-driven gags, so I have to leave myself as open as possible to any kind of thing, so anything basically can happen.” 

There a transcript of that podcast here as the audio quality of that interview is, as the interviewer admits, rather awful. He says that he got better after that first interview by him. 

In multiple interviews, Tatulli has said the two major contemporary influences on his style are Gahan Wilson and Charles Addams.

It’s good at offending people as this strip demonstrates.

Currently, the strip runs daily globally in more than two hundred and fifty papers. Lio is also available in collections, many of them, found in paperback and digital formats. They display rather well on an iPad. 

(8) MORE MEMORY LANE.

[Written by Paul Weimer.]

May 15, 2015 — Mad Max: Fury Road

By Paul Weimer: I briefly mentioned Mad Max Fury Road in my recent retrospective of George Miller, but the movie deserves a bit of its own space as well. 

It came out in 2015. Thirty years after the previous entry, Mad Max Beyond Thunderdome. I had figured that the franchise had had its end. The creation of Fury Road was a delight, and, 30 years after seeing the last Mad Max movie in a theater, I vowed to see this one, too. And so I did, one fine afternoon in May. 

I was blown away. Tom Hardy makes an excellent Mad Max, taking up Gibson’s old mantle. But the thing that struck me immediately is how little he is a part of his own movie. This is a movie about a community, and about an Imperator (Charlize Theron) and a struggle against patriarchal tyranny. Max is only a piece of his own titular film…and yet it works. What I remember about this film isn’t Max so much as Immortan Joe, and his Boys. And Furiosa. And the War Rig.

And the spectacle. Seeing this on a movie theater screen was revelatory. The scale and size of the movie, especially in the “dust storm” sequence, astonished me. My jaw hit the floor when we got to that sequence. And then we get the musician on the attacking vehicle, and a fantastic action sequence. We get moments of intimacy, and care. And utter tragedy, when Furiosa realizes her paradisiacal home is gone forever. The fiercely anti-patriarchal nature of the script.  “We are not things!”

It won six academy awards, and was also up but did not win Best Picture and Best Director. Entirely deserving, Mad Max Fury Road felt (until the recent movie Furiosa) as a capstone to the world of Mad Max. In a way, I feel like it is the one essential Mad Max movie because, as noted above, Mad Max is almost a walk-on in his own titular movie. The movie is much bigger, bolder and larger for not having Max front and center, and possibly why it is so successful. It’s the one essential Mad Max movie. It takes every theme of the previous films, adds new ones and puts it all together in a stunning performance all around.

And the Black and White conversion is fantastic.

(9) COMICS SECTION.

• Dinosaur Comics predicts the future. 
• Frank and Ernest label a book trend. 
• Ink Pen illustrates failure at Green Lantern power. 
• Loose Parts corrects a name. 
• Reality Check doesn’t age well. 
• Rhymes with Orange runs into staffing issues. 
• Saturday Morning Breakfast Cereal comments on achievements. 
• Tom the Dancing Bug has a repeat that is still true. 
• xkcd features a historian joke. 

(10) KGB. Ellen Datlow shared her photos from the Fantastic Fiction at KGB readings for May 14, 2025.

Carol Gyzander and Daryl Gregory read from recent work to a full house, despite the dreary weather.

(11) OCTOTHORPE. In episode 134 of the Octothorpe podcast, “In the Framework of Linear Time”, they “discuss the recent Seattle 2025 controversy, and also read out some letters of comment from various listeners, before getting into the real meat of the podcast: roguelikes.” An uncorrected transcript is here.

(12) LOVE, DEATH + ROBOTS. JustWatch gives reasons to watch “Love, Death + Robots – streaming tv show online”.

JustWatch’s latest Why-To-Watch feature spotlights acclaimed director and animator Tim Miller, the visionary behind Netflix’s genre-defying anthology Love, Death + Robots, which premieres its fourth season today (May 15, 2025). In an exclusive quote shared with JustWatch, Miller speaks to the show’s groundbreaking creative freedom and its potential to convert even the most hesitant viewer into an animation devotee.

The show’s Director Tim Miller says:

This show will make you an animation fan

There’s something for everyone [in “Love, Death + Robots”]. If you want to see artists performing at the top of their game across a variety of genres and styles, and you’re an animation fan, it’s a must-watch. If you’re not an animation fan, this is the show that might make you one.

(13) V’GER LIVES! [Item by Mark Roth-Whitworth.] Engineers at NASA say they have successfully revived thrusters aboard Voyager 1, the farthest spacecraft from our planet, in the nick of time before a planned communications blackout. “Voyager 1: Once ‘dead’ thrusters on the farthest spacecraft from Earth are in action again” at CNN.

Engineers at NASA say they have successfully revived thrusters aboard Voyager 1, the farthest spacecraft from our planet, in the nick of time before a planned communications blackout.

A side effect of upgrades to an Earth-based antenna that sends commands to Voyager 1 and its twin, Voyager 2, the communications pause could have occurred when the probe faced a critical issue — thruster failure — leaving the space agency without a way to save the historic mission. The new fix to the vehicle’s original roll thrusters, out of action since 2004, could help keep the veteran spacecraft operating until it’s able to contact home again next year.

Voyager 1, launched in September 1977, uses more than one set of thrusters to function properly. Primary thrusters carefully orient the spacecraft so it can keep its antenna pointed at Earth. This ensures that the probe can send back data it collects from its unique perspective 15.5 billion miles (25 billion kilometers) away in interstellar space, as well as receive commands sent by the Voyager team.

(14) THE KIDS HAVE TO LEARN ABOUT TEKWAR. [Item by N.] Majuular discusses “William Shatner’s TekWar: A Forgotten Franchise in Retrospect”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, N., Becky Veal, John Coxon, Steven H Silver, Lis Carey, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]