Pixel Scroll 4/6/25 Always Check Where You’re Walking When Pixels Are Present

(1) 2025 HUGO AWARD FINALISTS. The Seattle Worldcon 2025 Hugo Award Finalists were announced today.

Congratulations to all the finalists, especially the authors of two Best Related entries published by File 770, Chris Barkley and Jason Sanford for “The 2023 Hugo Awards: A Report on Censorship and Exclusion” and Camestros Felapton and Heather Rose Jones for “Charting the Cliff: An Investigation Into the 2023 Hugo Nomination Statistics”.

(2) HUGO AWARD BASE DESIGNER. Seattle Worldcon 2025 has announced that the Hugo Awards Base will be designed by Joy Alyssa Day, a professional glass sculpture artist. Joy, with her partner BJ, have previously designed the Hugo Awards base for LonCon in 2014. Examples of Joy’s sculptures can be found at her website, GlassSculpture. Below are photos of the 2014 Hugo Award base, and their work on the Cosmos Award given by the Planetary Society.

(3) OCTOTHORPE. Episode 132 of the Octothorpe podcast, “Almost Everything Is Not Mac” is here early, because the hosts John Coxon, Alison Scott, and Liz Batty are discussing this year’s Hugo Awards finalists.

An uncorrected transcript is available here.

A black background. Text in purple reads “Octothorpe 132” while text MADE OF FIRE says “Scorching hot takes on the Hugo finalists”.

(4) WHY NOT SAY WHAT HAPPENED? Scott Edelman returns with episode 22 of his Why Not Say What Happened? Podcast, “The Conundrum of Condensing Marie Severin into 1,200 Words”. And here’s where it’s available on multiple platforms.

This time around, I grow anxious over a dream discovery of long-lost original comic book artwork, realize I was wrong about a certain Alan Moore/Frank Miller memory, contemplate the difficulty of condensing the life of Marie Severin into a mere 1,200 words, share the meager remains of what was once a massive comic book collection, remember there’s an issue of Fantastic Four I need to track down to solve an early fannish mystery, rededicate myself to Marie Kondo-ing my creative life, and more.

A 1972 Marie Severin Hulk Sketch

(5) FISHING FOR A SUPERSTAR. “Doctor Who showrunner Russell T Davies is manifesting DC star Viola Davis being the next iteration of the villainous Master, calling her ‘one of the greatest actors in the world’” at GamesRadar+.

Given that beloved sci-fi series Doctor Who has been on air for over 60 years now, countless actors have featured either in major roles or as guest stars.

From Simon Pegg playing a villainous editor in ‘The Long Game’ to Andrew Garfield facing off against aliens in ‘Daleks in Manhattan’, the seemingly endless list also includes Get Out star Daniel Kaluuya, Oscar winner Olivia Colman, and Black Panther’s very own Letitia Wright – to name but a few.The question is then – who would showrunner Russell T Davies love to have on the series in a guest role, who hasn’t been featured before? Putting that to the man himself in a recent interview ahead of Doctor Who season 2 hitting our screens, Davies is puzzled at first admitting to GamesRadar+ that “almost everyone has been in it”. And he’s right – hell, even pop star icon Kylie Minogue even showed up for the Titanic themed episode ‘Voyage of the Damned’….

…As Davies tells us: “I simply worship Viola Davis, one of the greatest actors in the world, we should be so lucky we should have that money. She just brings quality, depth, and surprise. Every time I see her she does something surprising, which is a very Doctor Who quality. She’d get it. I say this hoping that you print it, then her agent will read it and say ‘yes, you can have Viola for absolutely no money, she will come to Cardiff for free.'” Well – here’s hoping!

(6) BOOP-OOP-A-DOOP! “’Boop!’ Arrives on Broadway, With a Surprising 100-Year Back Story” reports the New York Times. Link bypasses paywall.

Betty Boop has arrived on Broadway, nearly a century after she first boop-oop-a-dooped her way onto the big screen. “Boop! The Musical,” like the “Barbie” and “Elf” films that preceded it, imagines a transformational encounter between an anthropomorphic character and the real world (well, a fictional world full of people)….

…Jasmine Amy Rogers, the actress starring as Betty Boop on Broadway, described her as “full of joy” and “unapologetically herself.” “She is sexy, but I don’t think it is merely sex that makes her sexy,” she continued. “I would say it’s the way she carries herself, and her confidence and her unabashed self.”…

Betty, created at the height of the Jazz Age, is obviously modeled on flappers, and her relationship to music history has been a subject of debate and litigation.

In 1932, a white singer named Helen Kane sued, alleging that the “baby vamp” style of the Betty Boop character, including the “boop-oop-a-doop” phrase, was an unlawful imitation of Kane. At a widely publicized trial in 1934, Fleischer countered by pointing out that a Black singer, Esther Lee Jones, who performed as Baby Esther, had used similar scat phrases before Kane. Kane lost….

…Rogers said she hopes that over time, women of different ethnicities will portray the character, but said she is proud to play her as a Black woman, with nods to Baby Esther and the scat technique of jazz singing. “Jazz lives so deep in the heart of Betty that I feel as if we can’t really have a full discussion about her without involving the African American race,” she said…

(7) GOOD DOG. Krypto takes us home: Superman | Sneak Peek”.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

April 6, 1937Billy Dee Williams, 88.

Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin. 

(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.) 

He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars fandom site thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.

He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes. Truly great series if you haven’t seen, and available of course on Disney+. 

He voiced him in two audio dramas with one being the full cat adaption of Timothy Zahn’s Dark Empire. 

Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.

Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eighties.

He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in  Epoch: Evolution, the sequel to Epoch, which looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?,  the thirteenth television series in the Scooby-Doo franchise. 

Billy Dee Williams

(9) COMICS SECTION.

My cartoon for this week’s @newscientist.com

Tom Gauld (@tomgauld.bsky.social) 2025-04-06T11:46:12.460Z

(10) WHY ARE KIDS OBSESSED WITH THE TITANIC? “So You Think You Know a Lot About the Titanic …” in the New York Times (behind a paywall.)

Parents often look down at the whorl on the top of their children’s heads and wonder what, exactly, is going on inside. An industry of books, video games, films, merchandise and museums offers some insight: They’re probably thinking about the Titanic.

Last fall, Osiris, age 5, told his mother, Tara Smyth, that he wanted to eat the Titanic for dinner. So she prepared a platter of baked potatoes — each with four hot-dog funnels, or smokestacks — sitting on a sea of baked beans. (He found it delicious.) Since first hearing the story of the Titanic, Ozzy, as he’s known, has amassed a raft of factoids, a Titanic snow globe from the Titanic Belfast museum and many ship models at his home in Hastings, England.

About 5,500 miles away in Los Angeles, Mia and Laila, 15-year-old twins, devote hours every week to playing Escape Titanic on Roblox. They have been doing this for the last several years. Sometimes, they go down with the ship on purpose — “life is boring,” explained Mia, “and the appeal is that it’s kind of dramatic.”

Nearly 113 years after the doomed White Star Line steamship collided with an iceberg on April 14, 1912, and sank at around 2:20 a.m. the next day, it remains a source of fascination for many children. The children The New York Times spoke to did not flinch at the mortal fact at the heart of the story: That of the more than 2,200 passengers on the Titanic, more than twice as many passengers died as those who survived.

“I really like whenever it just cracked open in half and then sank and then just fell apart into the Atlantic Ocean,” said Matheson, 10, from Spring, Texas, who has loved the story since he read “I Survived the Sinking of the Titanic, 1912” at age 5. After many frustrating bath time re-enactments involving flimsy ship models, Matheson and his father, Christopher Multop, designed a Tubtastic Titanic bath toy — of which they say they now sell about 200 a month (separate floating iceberg included)….

John Zaller, the executive producer of Exhibition Hub, the company that designed “Bodies: The Exhibition” and “Titanic: An Immersive Voyage,” a traveling exhibition with interactive elements, attested that Titanic kids often knew more than their tour guides. At the Titanic experience, children can sit in a lifeboat and watch a simulation of the ship sinking, see a life-size model of the boiler room be flooded with water, and follow along with the passengers on their boarding pass, ultimately finding out whether they survived the wreck.

“The biggest takeaway for kids is, ‘I lived!’ or ‘I died!’” Mr. Zaller said. “They understand the power of that.”…

(11) APRIL FOOLISHNESS. Except it happened in March: “An AI avatar tried to argue a case before a New York court. The judges weren’t having it” at Yahoo!

It took only seconds for the judges on a New York appeals court to realize that the man addressing them from a video screen — a person about to present an argument in a lawsuit — not only had no law degree, but didn’t exist at all.

The latest bizarre chapter in the awkward arrival of artificial intelligence in the legal world unfolded March 26 under the stained-glass dome of New York State Supreme Court Appellate Division’s First Judicial Department, where a panel of judges was set to hear from Jerome Dewald, a plaintiff in an employment dispute.

“The appellant has submitted a video for his argument,” said Justice Sallie Manzanet-Daniels. “Ok. We will hear that video now.”

On the video screen appeared a smiling, youthful-looking man with a sculpted hairdo, button-down shirt and sweater.

“May it please the court,” the man began. “I come here today a humble pro se before a panel of five distinguished justices.”

“Ok, hold on,” Manzanet-Daniels said. “Is that counsel for the case?”

“I generated that. That’s not a real person,” Dewald answered.

It was, in fact, an avatar generated by artificial intelligence. The judge was not pleased.

“It would have been nice to know that when you made your application. You did not tell me that sir,” Manzanet-Daniels said before yelling across the room for the video to be shut off….

… As for Dewald’s case, it was still pending before the appeals court as of Thursday.

(12) ONCE FICTION, NOW SCIENCE. [Item by Steven French.] The Guardian reports “Biologist whose innovation saved the life of British teenager wins $3m Breakthrough prize”. Harvard Professor, David Liu —  

 … was chosen for inventing two exceptionally precise gene editing tools, namely base editing and prime editing. Base editing was first used in a patient at Great Ormond Street in London, where it saved the life of a British teenager with leukaemia.

The young woman’s doctor apparently called the technique at the time, ‘science fiction’!

(13) ETERNAUT TRAILER. The Eternaut premieres on Netflix on April 30.

After a deadly snowfall kills millions, Juan Salvo and a group of survivors fight against a threat controlled by an invisible force. Based on the iconic graphic novel written by Héctor G. Oesterheld and illustrated by Francisco Solano López.

(14) WHY IS MARS RED? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all know the answer – an on-going process of the radiolysis of water (here UV and high energy particles from Solar wind splitting water) produces oxygen radicals that oxidise iron to hematite (a form of iron(III) that on Earth often gives some sandstones their red colour…)  Well, maybe not!   New research now suggests otherwise.  Data from three orbiters combined with a look at Earth minerals suggests that the Martian red minerals were formed over three billion years ago when Mars was decidedly wet. Had Mars been warmer, then these minerals would have gone. ; Mars’ red colour looks like being ferrihydrite (Fe5O8H  nH2O) that forms under decidedly wet conditions.  This is yet more evidence – if more is needed – that Mars was wet billions of years ago. 

The primary research, by French, US and British based astrophysicists, is  Valantinas, A. et al (2025) “Detection of ferrihydrite in Martian red dust records ancient cold and wet conditions on Mars”. Nature Communications, vol. 16, 1712. Meanwhile over at DrBecky there is a 12-minute video which you can see here: “New study explains why Mars is RED”. I keep on telling people that the machines are taking over but nobody ever listens to me… In fact they rule Mars!

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Scott Edelman, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Seattle Worldcon 2025 Hugo Award Finalists

Seattle Worldcon 2025, the 83rd World Science Fiction Convention today announced the finalists for the 2025 Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding Award for Best New Writer. A full list of the Finalists can be found at the Seattle Worldcon 2025 Webpage.

VOTING TOTALS. 1,738 1,338 valid electronic nominating ballots were received by the deadline of March 14 at 11:59 p.m. PDT and counted from the members of the 2024 and 2025 World Science Fiction Conventions for the 2025 Hugo Awards. ​​ Unfortunately, 2 mailed ballots were received 2.5 weeks later on April 3rd after the deadline of receipt.

Voting on the final ballot will open during April 2025. Only Seattle Worldcon 2025 WSFS members will be able to vote on the final ballot and choose the winners for the 2025 Awards.

The 2025 Hugo Awards, the Lodestar Award, and the Astounding Award will be presented on Saturday evening, August 16, 2025 at a formal ceremony at Seattle Worldcon 2025.

BEST NOVEL

  • Alien Clay by Adrian Tchaikovsky (Orbit US, Tor UK)
  • The Ministry of Time by Kaliane Bradley (Avid Reader Press, Sceptre)
  • Service Model by Adrian Tchaikovsky (Tordotcom)
  • Someone You Can Build a Nest In by John Wiswell (DAW)
  • A Sorceress Comes to Call by T. Kingfisher (Tor)
  • The Tainted Cup by Robert Jackson Bennett (Del Rey, Hodderscape UK)

1078 ballots cast for 554 nominees, Finalists range 90 to 157

BEST NOVELLA

  • The Brides of High Hill by Nghi Vo (Tordotcom)
  • The Butcher of the Forest by Premee Mohamed (Tordotcom)
  • Navigational Entanglements by Aliette de Bodard (Tordotcom)
  • The Practice, the Horizon, and the Chain by Sofia Samatar (Tordotcom)
  • The Tusks of Extinction by Ray Nayler (Tordotcom)
  • What Feasts at Night by T. Kingfisher (Nightfire)

739 ballots cast for 209 nominees, Finalists range 75 to 135

BEST NOVELETTE

  • “The Brotherhood of Montague St. Video” by Thomas Ha (Clarkesworld, May 2024)
  • “By Salt, By Sea, By Light of Stars” by Premee Mohamed (Strange Horizons, Fund Drive 2024)
  • “The Four Sisters Overlooking the Sea” by Naomi Kritzer (Asimov’s, September/October 2024)
  • “Lake of Souls” by Ann Leckie in Lake of Souls (Orbit)
  • “Loneliness Universe” by Eugenia Triantafyllou (Uncanny Magazine, Issue 58)
  • “Signs of Life” by Sarah Pinsker (Uncanny Magazine, Issue 59)

394 ballots cast for 188 nominees, Finalists range 36 to 58

BEST SHORT STORY

  • “Five Views of the Planet Tartarus” by Rachael K. Jones (Lightspeed Magazine, Jan 2024 (Issue 164))
  • “Marginalia” by Mary Robinette Kowal (Uncanny Magazine, Issue 56)
  • “Stitched to Skin Like Family Is” by Nghi Vo (Uncanny Magazine, Issue 57)
  • “Three Faces of a Beheading” by Arkady Martine (Uncanny Magazine, Issue 58)
  • “We Will Teach You How to Read | We Will Teach You How to Read” by Caroline M. Yoachim (Lightspeed Magazine, May 2024 (Issue 168))
  • “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim (Clarkesworld, February 2024)

610 ballots cast for 673 nominees, Finalists range 32 to 110

BEST SERIES

  • Between Earth and Sky by Rebecca Roanhorse (Saga Press)
  • The Burning Kingdoms by Tasha Suri (Orbit)
  • InCryptid by Seanan McGuire (DAW)
  • Southern Reach by Jeff VanderMeer (Farrar, Straus and Giroux)
  • The Stormlight Archive by Brandon Sanderson (Tor Books)
  • The Tyrant Philosophers by Adrian Tchaikovsky (Ad Astra)

621 ballots cast for 201 nominees, Finalists range 57 to 90

BEST GRAPHIC STORY OR COMIC

  • The Deep Dark by Molly Knox Ostertag (Graphix)
  • The Hunger and the Dusk: Vol. 1 written by G. Willow Wilson, art by Chris Wildgoose (IDW Publishing)
  • Monstress, Vol. 9: The Possessed written by Marjorie Liu, art by Sana Takeda (Image)
  • My Favorite Thing Is Monsters, Book 2 by Emil Ferris (Fantagraphics)
  • Star Trek: Lower Decks: Warp Your Own Way written by Ryan North, art by Chris Fenoglio (IDW Publishing)
  • We Called Them Giants written by Kieron Gillen, art by Stephanie Hans, lettering by Clayton Cowles (Image)

265 ballots cast for 259 nominees, Finalists range 13 to 37

BEST RELATED WORK

  • “Charting the Cliff: An Investigation into the 2023 Hugo Nomination Statistics” by Camestros Felapton and Heather Rose Jones (File 770, February 22, 2024)
  • r/Fantasy’s 2024 Bingo Reading Challenge (r/Fantasy on Reddit), presented by the r/Fantasy Bingo team: Alexandra Forrest (happy_book_bee), Lisa Richardson, Amanda E. (Lyrrael), Arka (RuinEleint), Ashley Rollins (oboist73), Christine Sandquist (eriophora), David H. (FarragutCircle), Diana Hufnagl, Pia Matei (Dianthaa), Dylan H. (RAAAImmaSunGod), Dylan Kilby (an_altar_of_plagues), Elsa (ullsi), Emma Surridge (PlantLady32), Gillian Gray (thequeensownfool), Kahlia (cubansombrero), Kevin James, Kopratic, Kristina (Cassandra_sanguine), Lauren Mulcahy (Valkhyrie), Megan, Megan Creemers (Megan_Dawn), Melissa S. (wishforagiraffe), Mike De Palatis (MikeOfThePalace), Para (improperly_paranoid), Sham, The_Real_JS, Abdellah L. (messi1045), AnnTickwittee, Chad Z. (shift_shaper), Emma Smiley (Merle), Rebecca (toughschmidt22), smartflutist661
  • “The Spectacular Failure of the Star Wars Hotel” by Jenny Nicholson (YouTube)
  • Speculative Whiteness: Science Fiction and the Alt-Right by Jordan S. Carroll (University of Minnesota Press)
  • Track Changes by Abigail Nussbaum (Briardene Books)
  • “The 2023 Hugo Awards: A Report on Censorship and Exclusion” by Chris M. Barkley and Jason Sanford (Genre Grapevine and File770, February 14, 2024)

431 ballots cast for 209 nominees, Finalists range 28 to 95

BEST DRAMATIC PRESENTATION, LONG FORM

  • Dune: Part Two, screenplay by Denis Villeneuve and Jon Spaihts, directed by Denis Villeneuve (Legendary Pictures / Warner Bros. Pictures)
  • Flow, screenplay by Gints Zilbalodis and Matīss Kaža, directed by Gints Zilbalodis (Dream Well Studio)
  • Furiosa: A Mad Max Saga, screenplay by George Miller and Nick Lathouris, directed by George Miller (Warner Bros. Pictures)
  • I Saw the TV Glow, screenplay by Jane Schoenbrun, directed by Jane Schoenbrun (Fruit Tree / Smudge Films / A24)
  • Wicked, screenplay by Winnie Holzman and Dana Fox, directed by Jon M. Chu (Universal Pictures)
  • The Wild Robot, screenplay by Chris Sanders and Peter Brown, directed by Chris Sanders (DreamWorks Animation)

610 ballots cast for 217 nominees, Finalists range 80 to 219

BEST DRAMATIC PRESENTATION, SHORT FORM

  • Fallout: “The Beginning” written by Gursimran Sandhu, directed by Wayne Che Yip (Amazon Prime Video)
  • Agatha All Along: “Death’s Hand in Mine” written by Gia King & Cameron Squires, directed by Jac Schaeffer (Marvel, Disney+)
  • Doctor Who: “Dot and Bubble” written by Russell T  Davies, directed by Dylan Holmes Williams (BBC, Disney+)
  • Star Trek: Lower Decks: “Fissure Quest” created by Mike McMahan and written by Lauren McGuire based on Star Trek created by Gene Roddenberry, directed by Brandon Williams (CBS Eye Animation Productions for Paramount+)
  • Star Trek: Lower Decks: “The New Next Generation” created and written by Mike McMahan, based on Star Trek created by Gene Roddenberry, directed by Megan Lloyd (CBS Eye Animation Productions for Paramount+)
  • Doctor Who: “73 Yards” written by Russell T Davies, directed by Dylan Holmes Williams (BBC, Disney+)

451 ballots cast for 302 nominees, Finalists range 31 to 59

BEST GAME OR INTERACTIVE WORK

  • Caves of Qud, co-creators Brian Bucklew and Jason Grinblat; contributors Nick DeCapua, Corey Frang, Craig Hamilton, Autumn McDonell, Bastia Rosen, Caelyn Sandel, Samuel Wilson (Freehold Games); sound design A Shell in the Pit; publisher Kitfox Games
  • Dragon Age: The Veilguard produced by BioWare
  • The Legend of Zelda: Echoes of Wisdom produced by Nintendo
  • Lorelei and the Laser Eyes produced by Simogo
  • Tactical Breach Wizards developed by Suspicious Developments
  • 1000xRESIST developed by sunset visitor 斜陽過客, published by Fellow Traveller

298 ballots cast for 187 nominees, Finalists range 19 to 34

BEST EDITOR SHORT FORM

  • Scott H. Andrews
  • Jennifer Brozek
  • Neil Clarke
  • Jonathan Strahan
  • Lynne M. Thomas and Michael Damian Thomas
  • Sheila Williams

322 ballots cast for 165 nominees, Finalists range 28 to 80

BEST EDITOR LONG FORM

  • Carl Engle-Laird
  • Ali Fisher
  • Lee Harris
  • David Thomas Moore
  • Diana M. Pho
  • Stephanie Stein

162 ballots cast for 89 nominees, Finalists range 15 to 40

BEST PROFESSIONAL ARTIST

  • Micaela Alcaino
  • Audrey Benjaminsen
  • Rovina Cai
  • Maurizio Manzieri
  • Tran Nguyen
  • Alyssa Winans

214 ballots cast for 209 nominees, Finalists range 14 to 37

BEST SEMIPROZINE

  • The Deadlands, publisher Sean Markey; editors E. Catherine Tobler, Nicasio Andres Reed, David Gilmore, Laura Blackwell, Annika Barranti Klein; proofreader Josephine Stewart; columnist Amanda Downum; art and design Cory Skerry, Christine M. Scott; social media Felicia Martínez; assistant Shana Du Bois.
  • Escape Pod, editors Mur Lafferty and Valerie Valdes, assistant editors Premee Mohamed and Kevin Wabaunsee, hosts Tina Connolly and Alasdair Stuart, producers Summer Brooks and Adam Pracht; and the entire Escape Pod team
  • FIYAH Magazine of Black Speculative Fiction, publisher and executive editor DaVaun Sanders, poetry editor B. Sharise Moore, art director Christian Ivey, acquiring editors Rebecca McGee, Kerine Wint, Egbiameje Omole,Emmalia Harrington, Genine Tyson, Tonya R. Moore, sponsor coordinator Nelson Rolon
  • khōréō – produced by Zhui Ning Chang, Aleksandra Hill, Danai Christopoulou, Isabella Kestermann, Kanika Agrawal, Sachiko Ragosta, Lian Xia Rose, Jenelle DeCosta, Melissa Ren, Elaine Ho, Ambi Sun, Cyrus Chin, Nivair H. Gabriel, Jeané Ridges, Lilivette Domínguez, Isaree Thatchaichawalit, Jei D. Marcade, M. L. Krishnan, Ysabella Maglanque, Aaron Voigt, Adialyz Del Valle Berríos, Adil Mian, Akilah White, Alexandra Millatmal, Anselma Widha Prihandita, E. Broderick, K. S. Walker, Katarzyna Nowacka, Katie McIvor, Kelsea Yu, Lynn D. Jung, Madeleine Vigneron, Marie Croke, Merulai Femi, Phoebe Low, S. R. Westvik, Sanjna Bhartiya, Sara Messenger, Sophia Uy, Tina Zhu, Yuvashri Harish, Zohar Jacobs
  • Strange Horizons, by the Strange Horizons Editorial Collective 
  • Uncanny Magazine, publishers and editors-in-chief: Lynne M. Thomas and Michael Damian Thomas; managing editor Monte Lin; poetry editor Betsy Aoki, podcast producers Erika Ensign and Steven Schapansky.

334 ballots cast for 94 nominees, Finalists range 38 to 108

BEST FANZINE

  • Ancillary Review of Books, editors Jake Casella Brookins, Zachary Gillan, Lane Gillespie, Misha Grifka Wander, Gareth A. Reeves, Bianca Skrinyár, Cynthia Zhang
  • Black Nerd Problems, editors William Evans and Omar Holmon
  • The Full Lid, written by Alasdair Stuart and edited by Marguerite Kenner
  • Galactic Journey, founder Gideon Marcus, editor Janice L. Newman, associate writers Cora Buhlert, Jessica Holmes, Kerrie Dougherty, Kris Vyas-Myall, and Natalie Devitt, and the rest of the Journey team
  • Journey Planet, edited by Allison Hartman Adams, Amanda Wakaruk, Ann Gry, Jean Martin, Sara Felix, Sarah Gulde, Chuck Serface, David Ferguson, Olav Rokne, Paul Weimer, Steven H Silver, Christopher J. Garcia and James Bacon
  • Unofficial Hugo Book Club Blog, editors Olav Rokne and Amanda Wakaruk

243 ballots cast for 77 nominees, Finalists range 25 to 67

BEST FANCAST

  • The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe, producer Jonathan Strahan
  • Eight Days of Diana Wynne Jones, presented by Emily Tesh and Rebecca Fraimow
  • Hugo, Girl!, presented by Haley Zapal, Amy Salley, Lori Anderson, and Kevin Anderson
  • Hugos There, presented by Seth Heasley
  • A Meal of Thorns, presented by Jake Casella Brookins
  • Worldbuilding for Masochists, presented by Marshall Ryan Maresca, Cass Morris and Natania Barron

376 ballots cast for 197 nominees, Finalists range 24 to 64

BEST FAN WRITER

  • Camestros Felapton
  • Abigail Nussbaum
  • Roseanna Pendlebury
  • Jason Sanford
  • Alasdair Stuart
  • Örjan Westin

329 ballots cast for 158 nominees, Finalists range 27 to 62

BEST FAN ARTIST

  • Iain J. Clark
  • Sara Felix
  • Meg Frank
  • Michelle Morrell
  • Alison Scott
  • España Sheriff

186 ballots cast for 120 nominees, Finalists range 16 to 37

BEST POEM

  • Calypso by Oliver K. Langmead (Titan)
  • “Ever Noir” by Mari Ness (Haven Spec Magazine, Issue 16, July 2024)
  • “there are no taxis for the dead” by Angela Liu (Uncanny Magazine, Issue 58)
  • “A War of Words” by Marie Brennan (Strange Horizons, September 2024)
  • “We Drink Lava” by Ai Jiang (Uncanny Magazine, Issue 56)
  • “Your Visiting Dragon” by Devan Barlow (Strange Horizons, Fund Drive 2024)

219 ballots cast for 266 nominees, Finalists range 11 to 26

LODESTAR AWARD FOR BEST YOUNG ADULT  BOOK

  • The Feast Makers by H.A. Clarke (Erewhon)
  • Heavenly Tyrant by Xiran Jay Zhao (Tundra Books)
  • The Maid and the Crocodile by Jordan Ifueko (Amulet)
  • Moonstorm by Yoon Ha Lee (Delacorte Press)
  • Sheine Lende by Darcie Little Badger (Levine Querido)
  • So Let Them Burn by Kamilah Cole (Little, Brown Books for Young Readers)

268 ballots cast for 175 nominees, Finalists range 18 to 52

ASTOUNDING AWARD FOR BEST NEW WRITER (sponsored by Dell Magazines)

  • Moniquill Blackgoose (2nd year of eligibility)
  • Bethany Jacobs (2nd year of eligibility)
  • Hannah Kaner (2nd year of eligibility)
  • Angela Liu (2nd year of eligibility)
  • Jared Pechaček (1st year of eligibility)
  • Tia Tashiro (2nd year of eligibility)

341 ballots cast for 168 nominees, Finalists range 28 to 96

NOMINEES RULED INELIGIBLE. The following nominees received enough votes to qualify for the final ballot, but were found to be ineligible:

  • Best Series: The Singing Hills Cycle, by Nghi Vo (fewer than 240,000 words in total)
  • Best Dramatic Presentation, Short Form: Dune, the Musical (first performed in 2023)

DECLINED NOMINATION. The following nominees received enough votes to qualify for the final ballot, but declined nomination:

  • Lodestar Award: Compound Fracture by Andrew Joseph White (Peachtree Teen)
  • Best Semiprozine: Beneath Ceaseless Skies

STATISTICAL NOTE. In three different categories — Best Novella, Best Related Work and Best Professional Artist — the same total number of total nominees received nominating votes.

HUGO AWARD BASE DESIGNER. Seattle Worldcon 2025 has announced that the Hugo Awards Base will be designed by Joy Alyssa Day, a professional glass sculpture artist. Joy specializes in blown glass sculptures that capture the awe and beautifulness of space. Joy, with her partner BJ, have previously designed the Hugo Awards base for LonCon in 2014.

Joy lived for many years in the Pacific Northwest, and it holds a place dear to her. She says, “I began going to conventions with my parents at the young age of 14, and have always loved the community of fandom, from small, local cons, to the Worldcon level. To be able to use my artwork to honor those who help bring the fans together is a great gift. Having lived in the Pacific Northwest for a number of years, I have loved the beauty of the land, and the connection to the fandom there, my friends. It was natural to want to continue to be a part of that fandom’s history, and I’m so happy to be chosen.”  Examples of Joy’s sculptures can be found at her website, GlassSculpture.

Questions about the Hugo Awards process may be directed to hugo-help@seattlein2025.org

[Based on a press release.]

Update 04/07/2025: Today Hugo Administrator Nicholas Whyte issued a correction. The correct number of total votes is 1,338.

Pixel Scroll 10/29/20 The Wheel of Time Bears Bitter Fruit

(1) FOR THE WINNERS. Joy Alyssa Day posted a photo of this year’s Chesley Award.

Commemorating the 50th Anniversary of Apollo 13. On April 13, 1970, the Apollo 13’s lunar landing was aborted in what would become a historic mission. The crippled Apollo 13 spacecraft splashed down on April 17, 1970.

It’s a beautiful piece, 4″ wide, 12″ deep and about 4″ tall. Water is sculpted fused glass with a blown glass Apollo Capsule attached. Capsule is engraved and painted for the doors and windows.

(2) BREAK THE CYCLE. Samantha Haney Press in a Facebook post urges “A Radical Approach To Fan-Run Cons”.

…Conrunning is a hard, sometimes thankless task. Most of the time people don’t know who does what unless they’re looking to complain. Most people don’t know that a lot of fan-run cons are run by volunteers, not paid workers.

THAT BEING SAID, conrunners are still stewards of and drawn from the community made up of the convention’s attendees. If your convention isn’t welcoming to congoers of marginalized identities, the demographics trickle up. Fewer people of color among attendees means fewer people of color to recruit from for leadership positions.

And the reverse becomes true, too – no people of marginalized identities in leadership roles? Those demographics will feel unwelcome as attendees, either through passive perception or active failures by leadership. It’s a cycle.

You have to make a DELIBERATE EFFORT to break the cycle. At *every* link in the chain, or it perpetuates itself.

You need not just one person overseeing programming, for instance, but an ecosystem of people across many departments, from front-facing/high-profile jobs to the invisible ones backstage. You need redundancy in case of burnout – conrunner burnout is REAL, and it’s **compounded** by social justice burnout for those trying to enact systemic change….

(3) SPECULATING ABOUT REALITY. Mary Anne Mohanraj interviews “Minal Hajratwala”, author of Leaving India, at Speculative Literature Foundation. (Transcript here.)

“South Asian work in particular, it’s interesting because I feel like…a modern South Asian science fiction sensibility, if there is one, is still forming. And of course, I mean, we’ve talked about this, how diverse South Asia is, so many different strands. So whether you can even say there is ‘a South Asian sensibility’ is disputable. But at the same time, I do think that South Asian countries have this deep wellspring of myth…and religion, which is nothing if not speculative. Like, that’s, to me, that’s the definition. It’s like we don’t know things; therefore, we will speculate about how reality is constructed. And so drawing from that is this really fertile ground that I think people are still just beginning to tap into.”

(4) SOUND FAMILIAR? Den of Geek presents “The Scariest Sentences Ever Written, Selected by Top Horror Authors”. You’ll know a bunch of these.

For Halloween we’ve attempted to round up some of the scariest sentences ever written – and who better to ask for their recommendations than some of the finest horror writers and editors around? We asked some of our favourite experts to tell us the line that scared them most and why. Any suggestions of your own? Let us know in the comments.

To Serve Man by Damon Knight

Scariest sentence“It’s a cookbook,” he said.

Is there a better whammy of an end line than this? Ten to one you’ll know the story that precedes it: Seemingly benevolent aliens, the Kanamit, arrive on earth, promising peace and prosperity. The aliens are as good as their word, and start whisking “lucky” humans off to their planet for a “ten year exchange programme”. A U.N translator, who (rightly) thinks this is all too good to be true, sets about translating the aliens’ favourite book, which, from its title, “To Serve Man,” is assumed to be an innocent handbook. It ain’t (see the last line).

(5) CLUB FANS. PC Magazine asks Los Angeles Science Fantasy Society President Matthew B. Tepper “In 2020, Is Science Fiction Still an Escape?”

That was a long time before you joined, but do you have any memories of meeting [Ray Bradbury]?
MBT: 
If you bounced around to all the libraries and bookstores on LA’s Westside, as I did as a kid, it was hard not to meet Ray! He was always around somewhere, always genial, always ready to bask in adulation. The last time I saw him was just before his 90th birthday, at a bookstore.

There must be lots of writers who’ve emerged from LASFS over the years.
MBT: 
Yes, we’ve had many authors come up from our membership. The best known is Larry Niven, author of Ringworld, and he still attends our Zoom meetings. 

(6) MORE ABOUT LUPOFF. Comics expert Maggie Thompson focuses on the good times in “Richard Allen Lupoff: Among the Memories” at The Comics Journal.

…But facts, dates, awards: They don’t convey just how much fun it was to hang out with Dick and Pat — and how eternally kind they were as hosts. I’m speaking here as one among many who experienced their kindness. For example, they: provided home base, as Don and I explored Manhattan’s comics publishers; played host, as Don and I visited Poughkeepsie to tour the Western printing operation; and brainstormed collecting a bunch of nostalgia articles into book collections that others could share. Heck, I haven’t even mentioned their kindness, as the plans for us all to see the Broadway show It’s a Bird … It’s a Plane … It’s Superman fell through — and they arranged to substitute the off-Broadway The Mad Show. They were there for us so that we could attend John Benson’s multi-day New York City comics convention that same year (with Pat and me as two of the four attending females). And it was grand to see them more than once at Comic-Con International: San Diego.

(7) MEDIA ANNIVERSARY.

  • 1996 — Terri Windling’s The Wood Wife was published by Tor Books with the cover illustration by Susan Boulet. It would win the Mythopoeic Fantasy Award for Adult Literature the following year. It was nominated for both the BFA and Nebula Awards too. She later published a somewhat loosely connected story, “The Color of Angels”, a year later. Jo Walton in What Makes This Book So Great says that The Wood Wife “hits a sweet spot for me where I just love everything it’s doing.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 29, 1906 – Fredric Brown.  Had he written only “Arena”, The Lights in the Sky Are StarsMartians, Go Home, and What Mad Universe, it would have been enough for us; these even if alone would make him a star in our sky.  Two more novels, a hundred thirty shorter stories – some very short, one of his gifts.  Also detective fiction (Edgar Award for The Fabulous Clipjoint).  NESFA Press has two collections.  I never met him in person; photos show an ordinary-looking man; all his strangeness, of which he had no lack, must have gone into his work.  (Died 1972) [JH]
  • Born October 29, 1925 – Beryl Mercer.  Active in the British SF Ass’n.  Essays, reviews in Vector and Zenith, some with husband Archie Mercer.  Fanzines Oz (for OMPA, the Off-trails Magazine Publishers Ass’n), Mercatorial Annual (with AM), The Middle Earthworm (with AM; Tolkien), The Once and Future Worm (with AM; Arthur); did much of the zine reproduction for PADS (Printing And Distributing Service) and contributed Link (with Mary Reed).  Eastercon committees.  Doc Weir award (U.K., for service).  (Died 2003) [JH]  
  • Born October 29, 1935 Sheila Finch, 85. She’s best-known for her stories about the Guild of Xenolinguists which are quite excellent. The Golden Gryphon collection The Guild of Xenolinguists is well worth seeking out. She also wrote Myths, Metaphors, and Science Fiction: Ancient Roots of the Literature of the Future which is exactly what the title says. Neither are available at the usual digital suspects though some of her other work is. (CE) 
  • Born October 29, 1938 Ralph Bakshi, 82. Started as low-level worker at Terrytoons, studio of characters such as Heckle and Jeckle and Mighty Mouse. His first major break would be on CBS  as creative director of Mighty Mouse and the Mighty Heroes. Fast forwarding to Fritz the Cat which may or may not be genre but it’s got a foul mouthed talking cat. Genre wise, I’d say War Wizards which features voice work by Mark Hamill and whose final name was Wizards so it wouldn’t be confused with you know what film. Next up was The Lord of the Rings, a very odd affair. That was followed by Fire and Ice, a collaboration with Frank Frazetta. Then came what I considered his finest work, the Mighty Mouse: The New Adventures series!  Then there’s Cool World… (CE) 
  • Born October 29, 1967 Rufus Sewall, 53. Appeared as Reichsmarschall John Smith in The Man in The High Castle loosely based on the novel by Philip K. Dick. And he was the lead in Dark City, a film often compared to the Matrix films. He’s also appeared, and this not a complete listing,in The Legend of ZorroAbraham Lincoln: Vampire HunterA Knight’s TaleMermaid Chronicles Part 1: She Creature, The Illusionist and on the American version of the Eleventh Hour series.(CE)
  • Born October 29, 1971 Winona Ryder, 49. Beatlejuice, of course, but also Edward Scissorhands and Bram Stoker’s Dracula. Not to mention Alien Resurrection and Star Trek as Spock’s human mother Amanda Grayson. Which brings me to Being John Malkovich which might me the coolest genre film of all time. (CE) 
  • Born October 29, 1971 Anna Dale, 49. Scottish  writer whom many reviewers have dubbed “the next JK Rowling” whose best  known for her Whispering to Witches children’s novel. It was based on her masters dissertation in children’s writing. She has written two more novels of a similar ilk, Spellbound and Magical Mischief. (CE)
  • Born October 29, 1979 Andrew Lee Potts, 41. He is best known as Connor Temple on Primeval and the all-too-short live spinoff Primeval: New World. He was also Tim Larson in Stan Lee’s Lucky Man, a British crime drama series. Yes, it’s that Stan Lee. He also had recurring role of Toby in Strange, a BBC supernatural series. (CE) 
  • Born October 29, 1938 – Ralph Bakshi, 82.  Producer, director, writer, animator.  Fritz the Cat (1972), first animated film to be rated X, may be the most financially successful independent animated film of all time.  Two years of Mighty Mouse 1987-1989.  Started as a cel polisher at Terrytoons.  Golden Gryphon for his Lord of the Rings.  Inkpot.  Annie.  [JH]
  • Born October 29, 1968 – Stanley Donwood, 52.  One novel, a shorter story, four covers for us; half a dozen other books; artwork for the band Radiohead, its singer Thom Yorke’s solo albums, TY’s band Atoms for Peace – I’ll let you decide whether those are ours, Our Gracious Host has been after me for saying maybe. Website Slowly Downward, also the title of a 2001 collection.  Here is Blue Light.  Here is Concrete Island.  Here is Let’s All Go to the Science Fiction Disco.  [JH]
  • Born October 29, 1975 – Dahlia Rose, 45.  Seven dozen books; mostly romance, historical, military, modern, paranormal, combinations thereof; to quote her Website, “Bad boys, soldiers and shifters, spice between the sheets”.  Ten so far in the Paladin Dragons series.  [JH]
  • Born October 29, 1986 – Lyndsay Gilbert, 34.  Likes SF, playing the fiddle, cats, dogs, “and the ancient art of belly dance”.  Has read Tennyson and Yeats.   One novel, three shorter stories so far.  A few months ago she wrote, “My life has changed so much in the last two years.  Unfortunately my writing hasn’t changed enough, so prepare for a deluge of emotional poems, folks.”  [JH]

(9) GONE ALREADY. ComingSoon reports “Sci-Fi Drama Brave New World Cancelled at Peacock After One Season”.  

According to DeadlinePeacock has officially decided not to give David Wiener’s sci-fi drama series Brave New World a second season renewal, with UCP planning to shop it to other streamers or networks. This cancellation comes four months after the Alden Ehrenreich-led series debuted its 9-episode first season as part of the original slate for the streamer’s launch in July.

(10) FOR ALL MANKIND. [Item by Martin Morse Wooster.] In “What if America had lost the race to the moon? My long-read Q&A with Ronald D. Moore” at the American Enterprise Institute, AEI scholar James Pethokoukis interviews For All Mankind creator Ronald D. Moore about his show, including why NASA did not cooperate with the series because they don’t want to hear from cranks who think the Moon landing was faked, why there should be more optimistic sf, and whether Moore, as a former Star Trek writer, agrees with Peter Thiel’s statement that Star Wars is capitalist and Star Trek communist because there’s no money in Star Trek.

In the show, one of the lead characters, astronaut Ed Baldwin, portrayed by Joel Kinnaman, criticizes NASA for being too risk-averse. Is that just a purely in-show criticism? Or is that a real-world criticism when we think about the things that have either gone wrong or not really been as spectacular as maybe many of us had hoped decades ago?

I think it’s a little bit of both. In the show’s context, I felt like that’s where the characters would go. They would be looking for reasons why they got beat, and it was like, “Well, this is why we got beat: We got too risk-averse after the Apollo 1 fire. It made us too cautious, and we lost that spirit. That’s the reason.”

In real-world terms, I think there is some validity to that. I think that the Apollo 1 fire, the Challenger accident, and the Columbia accident were magnified to the point in the public imagination that then everything at NASA became about safety. I’m not saying that we should risk astronaut lives willy-nilly. That’s not the point at all. But these are inherently dangerous things that we’re attempting. We’ve gotten to the point with space travel where we’re so concerned about that aspect that it feels like they’re really unwilling to take much risk at all.

And it’s an inherently dangerous undertaking. So then you’re sort of saying, “Well, we’re going to do very, very little of it because we have to be so, so, safe in every single possible way because we’re so deathly afraid of losing somebody.” The truth is it was predicted that we were going to lose more than one orbiter when the Space Shuttle program was first posited. So it wasn’t a shock on a certain level that it happened. It’s an inherently dangerous business. But, as a result of what happened, the way it was portrayed, and the way we dealt with it, the American public just became like, “God, we just cannot risk their lives anymore.” That works against the idea of, “You have to boldly go. You got to be bold. You got to take the risk.”

(11) REWINDING SHEETS. The Guardian brings you “Scariest ghosts in cinema – ranked!”. My favorite horror movie is almost at the bottom of this list.

18. Emeric Belasco in The Legend of Hell House (1973)

Size does matter. If ever a ghost failed to live up to its reputation it’s the malevolent entity at the centre of John Hough’s screening of Richard Matheson’s haunted house tale (played by an uncredited Michael Gough) who has to delegate his havoc-wreaking to a black cat and unsecured chapel furniture. He still manages to rack up a body count.

(12) HOUSELESS HAUNTS. CrimeReads’ Matthew Lyons counts off “The 9 Scariest Fictional Haunted Houses (That Aren’t Actually Houses)”. First on the list —

The Photo Album – Paper Tigers, Damien Angelica Walters

Some of the scariest hauntings are borne out of trauma, and in no other book is this fact examined with such dread and empathy as Damien Angelica Walters’ Paper Tigers. The story follows Alison, a horribly scarred young woman navigating the trauma from the loss of the life she used to know, who soon discovers a photo album in a curio shop that is far more terrifying and alive than it seems at the outset….

(13) BOWIE. Pitchfork invites everyone to “Watch the New Trailer for David Bowie Movie Stardust  — “…The movie focuses on a U.S. publicity tour in 1971, which led to Bowie inventing the Ziggy Stardust character. The film is coming to theaters and VOD on November 25.”

David Bowie is one of the most seminal legends in music history; but who was the man behind the many faces? In 1971, a 24-year-old fledgling David Bowie (Johnny Flynn) is sent to America to promote his newest record, The Man Who Sold the World. Leaving behind his pregnant wife Angie (Jena Malone), Bowie and his band embark on a makeshift coast-to-coast promotional tour with struggling Mercury Records publicist Rob Oberman (Marc Maron).

(14) MUPPET SCARES. [Item by Martin Morse Wooster.] In the Yahoo! Entertainment story, “MVP of Horror: Alice Cooper recalls making a devilish deal with the Muppets”, Lyndsey Parker interviews Cooper, who said he was concerned that appearing on The Muppet Show would affect his brand as a super-scary guy, but Cooper says he had a really great time.

Back in the ‘70s, almost every major musical artist was starring in some bonkers movie musical or TV variety show — even KISS got in on the act. But KISS’s fellow shock-rocker Alice Cooper turned most of those opportunities down, out of concern that such projects would dilute the menacing image he’d so carefully cultivated with his own 1975 television special, Alice Cooper: The Nightmare, and its companion concept album, Welcome to My Nightmare. “I never wanted to be in a show where I had to totally lose the Alice character and become something else,” he explains to Yahoo Entertainment.

But when Jim Henson came calling, asking him to star in The Muppet Show’s 1978 Halloween special, that was an offer Alice could not refuse. “I never had so much fun in my life as doing The Muppet Show,” he gushes.

“I balked at first,” Cooper admits. “I went, ‘Oh man, I’ve been spending all this time building this villain image. Is this just going to water it down?’ I said, ‘Who’s going to be on it?’ And they said Christopher Lee, Vincent Price [who’d done previous Muppet Show Halloween guest spots]. And I went, ‘I’m in!’ I didn’t even have to think about it. I went, ‘I’m in. If those guys can do it, I am privileged to do it.’”

I saw the version of “School’s Out” Cooper did with the Muppets and I thought it was pretty entertaining.

https://www.youtube.com/watch?v=z8j3NAA0uis

[Thanks to Cat Eldridge, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, John King Tarpinian, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Poppin’ Wheelies” Dern.]

2014 Hugo Base Design Competition Decided

Loncon 3 has selected the winners of its competition to design the Hugo and Retro Hugo Awards bases.

Joy Alyssa Day is the creator of the winning design for the 2014 Hugo Award.

Marina Gélineau produced the design chosen for the 1939 Retro Hugo, also being given this year.

Day is a first-time winner, while Gélineau previously designed the 2011 Hugo base.

Both bases will be shown during the Loncon 3 Opening Ceremony and displayed for the run of the convention.

Each Worldcon committee commissions its own unique base, whereas the Hugo Award trophy itself is a chrome-plated rocket. The first rockets were made by Jack McKnight and Ben Jason under the inspiration of Chesley Bonestell’s artwork. For the past several decades the rockets have been produced under the direction of British fan Peter Weston.