Tag Archives: Sharon Sbarsky

Pixel Scroll 1/20/23 Scrolling About Pixels Is Like Stardancing About Naval Architecture

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(1) SHORT SFF REVIVAL. Charlie Jane Anders diagnoses the problem and then brings forward “Some Ideas for How to Save Short Fiction!”

Short fiction is once again in crisis. After an era when the Internet seemed to be helping a lot of short stories find a bigger audience, the same thing is now happening to short stories that are happening to a lot of other content: the invisible hand is raising a big middle finger. Among other things, Twitter is getting to be much less useful in helping to spread the word about short stories worth reading, and Amazon just announced that it’s ending its Kindle subscription program from magazines, depriving magazine publishers of a pretty significant slice of income….

Here’s a short example out of several ideas Anders pitches.

I’d love to see more short fiction turning up in incongruous contexts

This is something I talked about a lot in the introduction to my short story collection Even Greater Mistakes (shameless plug alert!). I am always happy to see short stories show up on coffee bag labels, in pamphlets on public transit, scrawled on bathroom walls, or in the middle of a publication that mostly includes serious non-fiction pieces about politics and culture. I feel like we could be doing more to leverage the ability of short stories to show up in surprising places and suck us in with their narrative power.

(2) MEDICAL UPDATE. Paul Di Filippo’s partner Deborah Newton wrote to friends that on January 19 Paul was hit by a large SUV. 

The driver stopped, spoke to Paul and gave him her phone to call Newton.

I ran the three blocks to where the accident had occurred — the ambulance passed me as I ran.  Luckily there was a witness whose moving car was facing the accident when it happened and had a video camera on the dashboard.  He made arrangements with the police, who had already arrived, to share the video.  

Those of you who have met Paul in the flesh will not be surprised that he dragged himself up after the huge hit, and even climbed by himself into the ambulance.  The Dr. at the ER later called that “adrenaline”, but I believe Paul has a stronger energy and will than most of us mere mortals.

After extensive testing in the ER it was determined he sustained no head wounds or broken bones. However, writes Newton, “He is covered with bruises and has a large hematoma on his left thigh. His hip, where he believes he landed after the hit, is excruciatingly painful.”

He is back home, presently using a walker to get around.

(3) LIVE FROM 1968. Cora Buhlert returns to Galactic Journey as one of the contributors to a “Galactoscope” column, reviewing Swords of Lankhmar by Fritz Leiber — and also talking about some of the biggest protests her hometown has ever seen. There are also reviews of Picnic on Paradise by Joanna Russ, a Jack Vance book, an Andre Norton book and several others: “[January 20, 1968] Alyx and Company (January 1968 Galactoscope)”.

… However, with the sale of the Ziff-Davis magazines to Sol Cohen, the appearances of Fafhrd and Gray Mouser in the pages of Fantastic became scarce. It seemed the dynamic duo was homeless once again, unless they shacked up with Cele Goldsmith Lalli over at Modern Bride magazine, that is.

So imagine my joy when I spotted the brand-new Fafhrd and Gray Mouser adventure The Swords of Lankhmar in the spinner rack of my trusty import bookstore…

(4) 2024 NASFIC UPDATE. Sharon Sbarsky, the Pemmi-con/2023 NASFiC committee member in charge of NASFiC 2024 Site Selection, announced today that the Buffalo in 2024 bid has filed. She published the following extract from their letter of intent.

Upstate New York Science Fiction and Fantasy Alliance Inc. is pleased to present this letter of intent, along with Visit Buffalo Niagara, to host the 16th North American Science Fiction Convention in Buffalo, New York USA in 2024 .

Details of the bid

Proposed date: July 18-21, 2024

Proposed site: Hyatt Regency Buffalo Hotel and Convention Center & Buffalo Niagara Convention Center

Proposed Headquarter Hotel: Hyatt Regency Buffalo Hotel and Convention Center

Upstate New York Science Fiction and Fantasy Alliance, Inc. is a NYS registered not-for-profit corporation focused on encouraging and running fannish activities in New York State. Members of our bid committee include individuals who have experience working on Worldcon / NASFiC events, as well as others who have organized small conventions and other events across New York and Southern Ontario
https://buffalonasfic2024.org/

Sbarksy added: “Members of Pemmi-con will be able to vote in the Site Selection. Details will come at a later time. We hope to have electronic voting, similar to the Worldcon and NASFiC selections at Chicon 8. 180 days before the Start of Pemmi-Con is January 21, 2023, so the ballot is still open for additional bids.”

(5) GETTING UNSTUCK. Victoria Strauss of Writer Beware delivers another warning: “Bad Contract Alert: Webnovel”.

A bit over two years ago, I wrote about two companies, A&D Entertainment and EMP Entertainment, that appeared to have been deputized by serialized fiction app Webnovel to recruit authors to non-exclusive contracts. The contracts from both companies were (and continue to be) absolutely terrible.

EMP Entertainment no longer appears to be active (it has no website and I’ve heard nothing about it since 2020), but A&D is still going strong, and over the past two years I’ve been contacted by a lot of (mostly very young and inexperienced) writers who are confused about its complicated English-language contract, or have changed their minds about signing up and want to know how to get free (as with the contracts of so many serialized fiction apps, there’s no option for the author to terminate).

A&D recruits via a bait and switch. Writers are solicited by an editor or Author Liaison who claims to have discovered the writer’s work on Amazon or elsewhere, and invites them to publish on the Webnovel platform (the bait)….

(6) DON’T JUST ROLL THE DICE. [Item by Daniel Dern.] “5 Things SecOps Can Learn from Dungeons & Dragons” at Tech Beacon. Note, “SecOps” is tech shorthand for “Security Operations” (or possibly “Security Operators”)

… Anyone who has ever experienced a SOC 2 or ISO 27001 audit might see the parallels between a lengthy framework of rules and their arbiter. Still, D&D is significantly more fun than a cybersecurity audit. In fact, when it comes to security preparedness there are quite a few lessons that security operations (SecOps) teams that are responsible for the security of connected assets—including myriad Internet of Things (IoT) devices—can learn from D&D. And they might just have a bit of fun along the way.

Assemble Your Party

From wizards and warriors to clerics and rogues, there are a wide variety of classes in D&D—each with its own specializations. The key to an effective adventuring party is to combine them in a way that the strengths of one character can mitigate the weaknesses of another. Building a cybersecurity team is no different. Aside from all the specialized roles within cybersecurity, such as incident-response or threat-hunting teams, an effective approach to security preparedness requires cross-functional collaboration between IT teams, operational-technology (OT) teams, and other lines of business to better understand how to balance business objectives with security requirements….

(7) A THEORY ABOUT THE HOBBIT.  Scott McLemee poses the questions in an “Interview with Robert T. Tally Jr. on historicizing ‘The Hobbit’” for Inside Higher Ed.

Q: You don’t historicize The Hobbit in the naïve or narrow sense of interpreting it as a fictionalized response to real-world events. Your approach owes a great deal to the American Marxist literary theorist Fredric Jameson—the subject of your first book. What does it mean to read Tolkien as a Jamesonian?

A: “Modernism” is a dirty word among many Tolkien enthusiasts, and perhaps for Tolkien himself, but I see his desire to “create a mythology for England” as a powerfully modern thing to attempt, more like Yeats or Joyce than most mere medievalism. Also, The Hobbit and The Lord of the Rings are clearly novelistic in form, even if they deal with “epic” or “romantic” ideas.

In his work on postmodernism, Fredric Jameson refers to the “attempt to think the present historically in an age that has forgotten how to think historically in the first place.” Coming from an entirely different direction politically, I think Tolkien was deeply concerned with the modern world’s inability to “think historically,” and thus his desire to connect elements of the medieval historical world with our own time, even if—or especially if—that meant using fantasy as a way of sort of tricking us into “realizing” history.

(8) MEMORY LANE.

2021 — [Compiled by Cat Eldridge.]

Cat Rambo’s You Sexy Thing was a novel that I nominated for a Hugo. Why so? Because it is damn good. It made my top ten novels of that year by having a fantastic story, great characters that for the most part I could care about and not one but two truly interesting settings, the first being the intelligent bioship You Sexy Thing, and the other being a restaurant situated near a defunct star gate.

Now unlike the restaurant in the Douglas Adams’ The Hitchhikers Guide to Galaxy, this one is not played for laughs and is real, working environment. I don’t know if Rambo has worked in such a place but she captures the feel of it very nicely as I have a very long time ago and it seems quite right.

Now before we get to the quote, I’m very, very pleased to note that the next novel in the series is indeed out relatively soon. Here are the details courtesy of the author:

Devil’s Gun, available this August, follows the adventures of intelligent bioship You Sexy Thing and its crew. While seeking a weapon against the pirate king Tubal Last and operating a pop-up restaurant near a failed star gate, Niko and her friends encounter a strange pair of adventurers who claim to have power over the gates that link the Known Universe.  But following the two on an intergalactic treasure hunt will require going into one of the most dangerous places any of them have ever faced.

Of course it will be available from all the usual suspects in both print and epub formats. 

Now I normally choose the quote, but this time I’m honored to say that Cat chose her favorite quote about food from You Sexy Thing:

[Niko] looked at Dabry, who stood ignoring them, caressing the eggplant with all four hands and his eyes half closed. “Sweet Momma Sky, should we leave so you can have your way with that eggplant or should I just let you take it to your bunk?”

His eyes closed entirely, expression blissful. “Baba ganoush,” he said. “Flat wheat bread dusted with cumin. Seared protein tinctured with lemon and garlic…”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 20, 1884 — A. Merritt. Early pulp writer whose career consisted of eight complete novels and a number of short stories. H. P. Lovecraft notes in a letter that he was a major influence upon his writings, and a number of authors including Michael Moorcock and Robert Bloch list him as being among their favorite authors. He’s available at the usual suspects. (Died 1943.)
  • Born January 20, 1920 — DeForest Kelley. Dr. Leonard “Bones” McCoy on the original Trek and a number of films that followed plus the animated series. Other genre appearances include voicing Viking 1 in The Brave Little Toaster Goes to Mars (his last acting work) and a 1955 episode of Science Fiction Theatre entitled “Y..O..R..D..” They’re his only ones — he didn’t do SF as he really preferred Westerns. (Died 1999.)
  • Born January 20, 1934 — Tom Baker, 89. The Fourth Doctor and still my favorite Doctor. My favorite story? The “Talons of Weng Chiang” with of course the delicious added delight of his companion Leela played by Lousie Jameson. Even the worst of the stories were redeemed by him and his jelly babies. And yes, he turns up briefly in the present era of Who rather delightfully. Before being the Doctor he had a turn as Sherlock Holmes In “The Hound of the Baskervilles”, and though not genre, he played Rasputin early in his career in “Nicholas and Alexandra”! Being a working actor, he shows up in a number of low budget films early on such as The Vault of Horror, The Golden Voyage of Sinbad,The Mutations, The Curse of King Tut’s Tomb and The Zany Adventures of Robin Hood. And weirdly enough, he’s Halvarth the Elf in a Czech-made Dungeons & Dragons film which has a score of ten percent among audience reviewers on Rotten Tomatoes.
  • Born January 20, 1946 — David Lynch, 77. Director of the first Dune movie. Went on to make Twin Peaks: Fire Walk with Me which is possibly one of the weirdest films ever made. (Well with Blue Velvet being a horror film also vying for top honors as well.) Oh and I know that I didn’t mention Eraserhead. You can talk about that film.
  • Born January 20, 1960 — Kij Johnson, 63. Faculty member, University of Kansas, English Department. She’s also worked for Tor, TSR and Dark Horse. Wow. Where was I? Oh about to mention her writings… if you not read her Japanese mythology based The Fox Woman, do so now as it’s superb. The sequel, Fudoki, is just as interesting. The Dream-Quest of Vellitt Boe is a novella taking a classic Lovecraftian tale and giving a nice twist. Finally I’ll recommend her short story collection, At the Mouth of the River of Bees: Stories. She has won a Best Novella Hugo for “The Man Who Bridged the Mist” had several other nominations. Much of her work is available at the usual suspects.
  • Born January 20, 1964 — Francesca Buller, 59. Performer and wife of Ben Browder, yes that’s relevant as she’s been four different characters on Farscape, to wit she played the characters of Minister Ahkna, Raxil, ro-NA and M’Lee. Minister Ahkn is likely the one you remember her as being. Farscape is her entire genre acting career. 

(10) COMICS SECTION.

  • Get Fuzzy makes a noble pun about a bestselling horror writer.
  • Eek! deals with a young superhero’s fib.

(11) FRANKLY SPEAKING. In “When Monsters Make the Best Husbands”, a New York Times reviewer tells about two plays, one of genre interest.  

The monster is nestled in a glacier when the villagers dig him out, frozen but not dead, because he was undead already. Tall, broad-shouldered, hulking in his platform boots, he is instantly recognizable, and once he thaws, proves unpretentious despite his Hollywood fame.

It is 1946 in a tiny European village, and he is the most endearing of monsters: awkward, uncertain, just wanting to help out. And in “Frankenstein’s Monster Is Drunk and the Sheep Have All Jumped the Fences,” a winsome cartwheel of a show that’s part of the Origin Theater Company’s 1st Irish festival, he finds lasting romance — with a local outcast who falls in love with him at first sight. Never mind that by his own account he is “constructed from the dismembered body parts of a number of different corpses”; their sex life is fabulous….

(12) BEGIN AGAIN. The Cromcast, a sword and sorcery podcast that started as a Conan readthrough, are rereading all the Conan stories again ten years after they launched. They started with “The Phoenix on the Sword”, the very first Conan story: “Season 18, Episode 1: The Phoenix on the Sword!”

“Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of…”

(13) HE-MAN. The For Eternia YouTube channel has a great interview with Tim Sheridan, one of the writers of Masters of the Universe Revelation/Revolution, about why the Filmation Masters of the Universe cartoon resonated with so many gay people: “The Power of Pride: Talking Importance of 1980’s He-Man on the LGBTQ+ Community with Tim Sheridan”.

(14) THE NATURE OF REALITY COUNTS. [Item by SF Concatenation’s Jonathan Cowie.] I know from being involved with SF2 Concatenation that quite a few fans are interested in the interface between science and science fiction: after all, the term ‘science fiction’ contains ‘science’. Consequently, it should not be any surprise that all of the four YouTube Channels I invariably check out each week are SF and/or science related.

One of these is PBS Space-Time. It is ostensibly a physics channel (though often there’s astronomy and cosmology) and there’s nothing like at the start of the day having a mug of Yorkshire builders tea (sufficiently strong that the teaspoon stands up in it) along with a short episode of PBS Space Time: it is good to limber up with some physics before embarking on the serious biological and geoscience business of the day (tough as that is for Sheldon Cooper to take).

One aspect of the SF-science border is an exploration as to the true nature of reality. Are we living in a holographic universe? Are we living in a Matrix simulation? And if so is there a simulator?

This week’s PBS Space Time asks the question as to whether the Universe is simply, and purely, mathematical (not physical)? And if so, what of parallel Universes, dimensions and alternate Universes? Indeed, are there different levels to the multiverse?

Be assured, despite maths (or ‘sums’ as we environmental scientists call it) being in the title, there are no heavy mathematics in this short video, rather it is a somewhat deep philosophical discussion. Nonetheless, don’t worry if you find your mind being stretched: that’s what daily limbering up exercises are all about.

So, sit down with your mug of builders and enjoy this 16 minute slice of Space Time… “What If The Universe Is Math?”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Daniel Dern, Alan Baumler, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

To Be Fair, I Was Left Unsupervised: DisCon III, Day Two

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To Be Fair, I Was Left Unsupervised: A Disjointed Chronicle of 79th World Science Fiction Convention, Discon III – December 16-17, 2021

By Chris M. Barkley: There are some days, you just feel LUCKY.

On this fine day, Juli, our friend Anna and I decided to try the Omni’s restaurant for breakfast. After ordering coffee and tea, I suddenly remembered that I had not taken my diabetic meds. 

I excused myself and walked back to the elevators. There was a bit of a crowd there so I decided to take the steps up one flight to our room. There are two sets of steps and the convention had posted signs indicating which ones to use going up and which to go down.  I went to the right and  up the steps.

As I opened the door, I looked down and became very surprised; there on the floor right at the entrance was my convention notebook! Apparently, it dropped out of my pocket as we left our room. I scooped it up and immediately wrote my name and phone number on the inside of the front cover. If I had the cash for a lottery ticket, I would have gotten one today. I was smiling for the rest of the morning…

We were joined at Breakfast by Chicago area super-fan Sandra Levy, who was having a splendid time at Discon III.

  • Sandra Levy

After breakfast, Juli and I decided to go Vote at the Site Selection area in the Dealer’s Room. Along the way, we encountered Laurie Mann at the Boskone Fan Table, who exhorted us to VOTE! 

  • Laurie Mann

At the Site Selection Desk, Sharon Sbarsky reported that had been a steady stream of fans coming to vote, both yesterday and today. 

  • Sharon Sbarsky (right foreground)

As we wandered through the Dealer’s Room (which I found out later in the day was actually the Omni’s Parking Garage and looks very reminiscent of the sets they used on The Matrix films…) we came across the table of former Worldcon Chair (ConStellation, 1983) and bookseller Mike Walsh.

My eye was immediately drawn to a BIG collection of Krazy Kat comic strip Sunday pages. And when I mean big, I ACTUALLY MEANT GIGANTIC!

Being an ardent fan of George Herrimann, the late creator of the classic comic strip, I was immediately smitten with it. As I frantically wrote out a check to make the purchase, the Best Girlfriend in the World had already whipped out her credit card and gave me a very early Christmas gift. I LOVE you Juli and I thank you for loving my stupid face every day. At 3:00, we checked out the Con Suite, which was located on the 8th floor of the East Wing of the hotel. The food and drink were quite varied and plentiful but due to the pandemic, no one was allowed to eat in the suite. The suite’s balcony was open and a few people at a time did go out to take in the captivating view of Washington D.C.

(Click for larger images)

At 4:00 p.m., we caught up with Hugo Award-winning author Jo Walton (whom we last encountered at the Dublin Airport on the way home) and the Hugo Award winning editor-in chief of Clarkesworld, Neil Clarke. Since I could not bring the many books I’d like to have signed, both happily consented to signing several book plates instead.

  • Jo Walton
  • Neil Clarke
(Click for larger images)

Also in the Dealers Room, Dave McCarty introduced me to writer/director Eric Brammer, who is shooting here with a crew for a documentary on Worldcons. He hopes to have either a rough cut or finished version done to show at Chicon 8 next year.

  • Eric Brammer

Later in the day, Juli and I sat for a while with fan writers and editors Nicki and Richard Lynch, who live about an hour away from D.C. They are longtime attendees of our local Ohio relaxacon  Midwestcon and asked about its status for 2022. (It is currently unknown to me.) We were lucky to catch them because they are lovely people (i.e.: baseball fans) and were only attending for the day…

  • Rich and Nicki Lynch

Nearby, The Hugo Nominee’s reception was in full swing…with The Little Big Band, an ACTUAL swing band!

  • Little Big Band

In the reception area, constant Filer (and Hugo Nominees) Olav Rokne and his partner Amanda Wakaruk were holding court with Skiffy and Fanty podcast host Shaun Duke.

  • Amanda Wakaruk and Olav Rokne
  • Shaun Duke

We had dinner at the Open City restaurant, a delightful eatery located a half a block away from the hotel. Dinner was so delicious that Juli and I agreed that we would make that our destination for breakfast the next day.

As I began writing up the day’s events (and keeping an eye on the Eagles-Chief game on Fox) we tried to find a first run copy of Day One’s Dis ‘N Dat, which featured the first mention of the Site Selection controversy. We examined all the copies we had on hand but they were all the redacted versions.

We eventually surmised that by the time we arrived on Wednesday, ALL of the offending copies had already been rounded up and destroyed.

But anyone who does have an original, is in possession of one of the rarest of all ephemeral artifacts, ground zero of this year’s biggest fannish scandal. I can only imagine seeing it on Antiques Roadshow twenty or thirty years from now…

An Editorial About the WSFS Business Meeting. On the second day of DisCon III, a Preliminary Business Meeting of the World Science Fiction Society was held to confirm the agenda for the Main Business Meeting, which will be held on Friday. 

I did not attend the Preliminary Meeting nor do I intend to go to the Main Business Meeting. 

The Business Meeting and I became first acquainted in 1999 at Aussiecon 3 and parted bitterly at the Dublin Worldcon in 2019 and I, dear reader, was the plaintiff.

Back on November 22nd, File 770 published a link to Nicholas Whyte’s analysis of the 2021 WSFS Business Meeting’s Hugo Award Study Committee, which, over the past several years, has been charged with recommending rule and category changes to the WSFS Constitution.

What they have done is left a trail of obfuscation, hand-wringing and utter disdain for the proposals that came before them. I should know, I was one of the people doing the proposing. 

It was only through the persistence of myself and a dedicated group of supporters and collaborators that any changes have been made at all. They have my undying gratitude for all the time and effort they have put into getting those changes through the arduous process of being ratified.

As many of you regular readers may know, I was one of the main proponents of the Young Adult Book Award, now known as the Lodestar Award. 

And, as one of the more recent additions to the WSFS Constitution, the Lodestar Award is up for re-ratification this year. I support its continuation, even though I, and many other people, would prefer it be recognized as a full-fledged Hugo Award category, as it was originally intended.

Reading Nicholas Wyhte’s comments on this year’s Business Meeting agenda stirred up some strong feelings within me.

Specifically, I have found that many times, the proposals that had been made and debated online in advance of the Business Meeting, most egregiously in the case of the Young Adult Book Award, there were motions to delay debate on or outright reject proposals with BM sanctioned committees, like the Hugo Award Study Committee mentioned by Mr. Whyte, for the sole purpose of obstructing and eventually killing any possibilities for new award categories. 

There have been arguments that any new award proposals should be accompanied by evidence or statistics that would support a new award. The people making these objections claim they are doing so to protect the integrity of the Hugo Awards but know that such evidence is either hard to collect or nearly impossible to produce. 

As any mathematician worth their salt will tell you that a negative cannot be proven. The only appropriate way to see if a proposal is viable is to persuade a Worldcon committee to use its special award privilege as specified in the WSFS Constitution:

3.3.19: Additional Category. Not more than one special category may be created by the current Worldcon Committee with nomination and voting to be the same as for the permanent categories. The Worldcon Committee is not required to create any such category; such action by a Worldcon Committee should be under exceptional circumstances only; and the special category created by one Worldcon Committee shall not be binding on following Committees. Awards created under this paragraph shall be considered to be Hugo Awards. 

In the past decade, the members of the Business Meeting have taken very swift action on some issues when there has been a consensus that something needed to be done.

Per wit; the Fancast Award and Best Series Award were fast tracked through the process without too much resistance and legislation was quickly passed and ratified during the Angry/Sad/Rabid Puppy Crisis to deter a rash of slated voting.    

In the meantime, the Young Adult Book Hugo Award proposal languished in committees and discussion groups as they argued over the worthiness of honoring a branch of literature that the Locus and Nebula Awards have no problem honoring previously for many years. 

The Lodestar Award, sans it’s Hugo Award status, finally debuted in 2018. 

As I have argued over the past twenty one years, the Hugo Awards NEED to evolve and change with the times lest they become irrelevant and obsolete in our cultural landscape. And when I say change, which includes the categories I had a hand in creating, the Long and Short Form Best Dramatic Presentation, Short and Long Form Editing and Best Graphic Story or Comic (which, upon further reflection, NEEDS the term Manga added to the title to expand and clarify the category’s reach).

In examining its record over the past few years, I too have concluded that the Hugo Award Study Committee has been a dismal failure, having accomplished nothing except squelching debate on new categories and delaying vitally needed reforms for a whole host of issues, including categories I mentioned above and the Best Fan and Professional Artist categories as well. 

As Mr. Whyte mentioned in his blog post, the Lodestar Award is up for a final ratification for a permanent spot on the Hugo Awards ballot. I have every expectation that it will be ratified, seeing that it has more than proved its worthiness having averaged well over 500 nominating ballots over the past four years. 

I am also of the opinion that if the Lodestar Award were struck down by the Business Meeting, it would not only be a black eye for the fannish community and it would also invite a backlash from the wider Young Adult readers around the world.

The other measure up for re-ratification is the Best Series Award; I expect that it too, will be a permanent fixture on the ballot, at least until the literary quality of the series being nominated falls off.

The move to limit a television or a streaming series to a single nomination (instead of the current limit of two) is probably a mistake because it will restrict the voting for two connected, serialized episodes, which I think would be profoundly unfair. The only upside I can see is that more people will start nominating an entire mini-series or a season of a series in the BDP Long Form category, something that I have been advocating people to do, even at the expense of some of the longer eligible films. 

The solution to this particular conundrum would be to redefine the Best Dramatic Presentation into Best Series and Best Film categories, with a third category for very short items of under one hour’s running time. (This solution was actually submitted to the Business Meeting by myself and Vincent Docherty way back in 2015 when we were both members of another “Hugo Award Committee”. It was summarily dismissed and subsequently ignored.)  

While I enthusiastically support the idea of a Best Audio Book award, I am afraid that it will either be voted down not to be considered or, if they’re lucky, relegated to a study committee where it will either be hashed around for several years or ignored and discarded. 

I have a word of advice to Michele Cobb and Nicole Morano, the fans who proposed the Best Audio Book Award. The only way to advance your idea is to show up with enough supporters to advance your amendment past the Preliminary Meeting to get to the Main Meeting and hope for some spirited debate between yourself and them. 

If you fail, my advice to you is to be PERSISTENT. Show up and keep showing up.

If not this year, then next year and the year after that. Wear them down until they actually listen to you. Persuade people. Build coalitions. Spread the word. Build a groundswell of support among fans of audio books.

And, if you love your idea and believe in it, do not retreat and never, ever, surrender to the naysayers.

Good Luck!

Estimated Onsite Head Count: Still unknown

Luminaries Sighted: Geez, EVERYBODY, I think.

Four Resignations from Arisia Eboard

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The Arisia Eboard tonight announced four recently re-elected board members have resigned:

Update from the Eboard: 10/30

At this time I, Gregorian Hawke, have accepted the resignation of the following Eboard members (those who stood for re-election in September). Anna Bradley – Vice-President, Rick Kovalcik – Clerk, Benjamin Levy – Treasurer, and Sharon Sbarsky – Member-at-Large. Anna Bradley has resigned effective immediately. Rick Kovalcik, Benjamin Levy, and Sharon Sbarsky have resigned effective upon the election of a replacement (per Bylaws 3.12) at the November 11th meeting when elections will be held.

Gregorian Hawke is now Acting President as per our Bylaws. Andy Rosequist is now Acting Vice-President per Bylaws and Eboard vote.

The entire Eboard remains committed to doing what’s best for the community. Some of the resigning members have chosen to stay involved until November to continue the work required to, among other things, make the meeting happen and deal with Storage issues. Others have decided it would be best to step away immediately and we ask you to respect all their decisions.

If you wish to join the corporation, the overseeing body of the convention, you can join online at https://corp.arisia.org/membership. Dues are currently $20 and the Eboard grants dues waivers upon request.

The next Corporate Meeting (where elections will be held) will be at 2PM on 11/11/18 at Arts at the Armory, 191 Highland Ave, Somerville, MA 02143 and is open to the public. Information on public transit and parking available here: http://artsatthearmory.org/about/getting-here/

Our Bylaws state you must attend one Corporate Meeting (in person) before gaining voting rights, however new members may speak, ask questions, hold proxies, and run for office.

The calendar for Arisia meetings is at https://corp.arisia.org/calendar

As before, please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected]. This email address goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.

Signed,
Gregorian Hawke for the Eboard

Rooters for Scooters

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On Saturday at Denvention I commented to Diana how surprised I was to see so few fans riding electric carts. They’ve become commonplace at Worldcons, where less mobile fans use them to get around huge convention centers. I really don’t know how many carts fans rented at past Worldcons. Rather like the larger carts carrying passengers at the airport, it takes only two or three beeping past to make you think you’ve seen a lot of them. But seeing none at all in the prairie-sized corridor that ran the length of the Colorado Convention Center I wondered why? Was Denvention’s tight budget a factor? Did a lot of people who use these carts just stay home, perhaps unable to handle the altitude?

At least in big cities, there generally is a medical equipment rental service that fans can make advance arrangements with, the Worldcon doesn’t have to become involved at all. However, past performance now has created some expectations that the Worldcon committee will facilitate arrangements for attendees who discover at the con they can’t handle all the walking and now want to rent an electric cart.

If a committee rents a small number of carts as a contingency, it may recover the expense from fans who use them. So the problem for the Worldcon is not the expense, but having to front the money, and choose this over something else that has to be paid in advance. There’s also a small risk that not all the carts will be sub-rented to members.

Denvention was a smaller Worldcon, its budget was really squeezed, and so questions looking at this single item in isolation from all the tradeoffs considered in Denvention’s budgeting process have been cheerfully answered with accusations that people are confusing the Worldcon with socialized medicine.

Worldcons really don’t have the resources to be electric cart vendors, but people benefit when a committee uses its local knowledge to identify businesses that supply this equipment. Denvention seems to have given that help to fans who planned in advance. The question really is what future Worldcons should provide for these last-minute needs, if anything. The issue needs a champion — jargon that comes with a built-in warning there will be resistance to overcome. (When Electrical Eggs did this work, they had their admirers and detractors, both.)

The best suggestion I saw in the recent discussion on the Smofs list was Sharon Sbarsky’s idea to find a past Worldcon with surplus funds, or get fans to donate, $1000 to rent four additional, spare electric carts to have available at next year’s Worldcon, Anticipation. “If the scooters get rented, the money received goes back into the fund to rent scooters at Aussiecon 4. Less than four get rented, then the number is reduced for the next year unless additional money could be found. If the idea catches on, then more spare scooters could be rented.”

In everything that happens at a Worldcon, labor is even dearer than money. If somebody takes up this cause, however, I think they will find financial support fairly promptly.