Pixel Scroll 4/3/25 Pixels First, Or Multiverse First? Cosmologists Want To Know

(1) ‘WONDERLAND’ SF DOCUMENTARY. [Item by Ersatz Culture.] The UK free-to-air channel Sky Arts is showing the first of a four-part documentary series Wonderland: Science Fiction in the Atomic Age tonight at 8pm UK time. And it will air again on Saturday April 5 at 3:40 p.m.

Unusually, it looks to be focused on literary SF; the episode descriptions only mention film/TV/etc for the final episode.  The trailer shows talking heads clips from a number of well-known UK-based critics, academics and authors, including John Clute, Farah Mendlesohn, Adam Roberts and Tade Thompson.

A description of the four episodes as taken from the Fine Books & Collections website:

  • Episode I – Mary Shelley to Isaac Asimov (April 3)

The creation and detonation of two atomic bombs developed by science fiction reading scientists is followed by an exploration of early science fiction writers including Mary Shelley, Jules Verne, and H.G. Wells. It also features Kurt Vonnegut’s experience of being firebombed in 1944 in a prison in Dresden (Slaughterhouse Five) and J.G. Ballard’s war experiences in the Far East (Empire of the Sun). The fear of nuclear apocalypse is portrayed in a range of work including Nevil Shute’s On the Beach. The episode concludes with the work of Isaac Asimov.

  • Episode II – Arthur C. Clarke to Ray Bradbury (April 10)

The work of Isaac Asimov leads to the sense of wonder that surrounded 1960s’ space exploration, embodied in the work of Arthur C. Clarke such as Childhood’s End and The Nine Billion Names of God. Also included are J.G. Ballard’s concern with “inner space” and apocalyptic events (Crash, The Atrocity Exhibition, The Drowned World), the work of Robert A. Heinlein (The Moon is a Harsh Mistress), and Stanislaw Lem (Solaris). The episode concludes with discussions of the menacing alternative worlds of Aldous Huxley’s Brave New World, George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451.

  • Episode III – Margaret Atwood to Ted Chiang (April 17)

Writers like Ursula le Guin and Octavia Butler challenged conventional notions of gender. Margaret Atwood’s A Handmaid’s Tale created a more political, dystopian model to illustrate relations between genders becoming oppressive. Samuel Delaney (Babel-17, Dhalgren) questioned in the late 1960s and 1970s what it meant to be a person as the complexion of science fiction is seen to have changed, becoming less white and straight and American and British than it used to be in the Golden Age or the age of the pulps or even in the New Wave.

  • Episode IV – Quatermass to Christopher Nolan (April 24)

Discussion of the success of John Wyndham’s Day of the Triffids is followed by the long running and immensely successful Dr Who. Science fiction’s prescient concern with cyberspace and artificial intelligence is illustrated through the work of writers like William Gibson, William Burroughs and Philip K. Dick.

A trailer can be seen at the above link, or on the Sci-Fi-London website.  Starburst has a brief Q&A with the creator of the series, and there’s a positive review by someone who’s seen all four episodes.

The first episode is preceded by an apparently-unrelated documentary Douglas Adams: The Man Who Imagined Our Future; the UK comedy site Beyond the Joke has an overview, and there’s an an interview by the Radio Times with Adams’ collaborator John Lloyd.

(2) YEAR’S BEST CANADIAN KICKSTARTER. Stephen Kotowych has launched a Kickstarter to fund “Year’s Best Canadian Fantasy and Science Fiction: Volume 3”.

This year’s cover image is “Repair Station 73” by Pascal Blanché.

After highly successful campaigns for Volume One in 2023 and Volume Two in 2024, Year’s Best Canadian Fantasy & Science Fiction: Volume Three will help us cement the status of this series as the calling card anthology showing readers the powerful fantastical fiction being written by the Canadian F&SF community today.

If this project successfully funds, we’ll publish a reprint anthology made up of 50,000 words of today’s very best Canadian fantasy and science fiction. And, with YOUR help, we can make this a much longer anthology–see the Stretch Goals section below for details on how this could grow to be a 150,000 word anthology.

Stories written by Canadians appear in magazines both at home and abroad, on websites, in anthologies, and in zines. Some markets are well-known; others are smaller and might be missed. Some are free to read; some require subscriptions. And once the next issue of a magazine comes out, or an anthology goes out of print, or a publisher shuts down, these stories become hard to find and risk disappearing.

…And in the spirit of shopping Canadian, for Volume Three, I will be using a local book printer who did a very nice short run of Volume Two for me. Their books look great and their turnaround time is quick, so I’m looking forward to them printing the full run for me this year.

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Andrea Hairston and Ursula Whitcher on Wednesday, April 9, 2025 beginning at 7:00 p.m. Eastern. Where: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Andrea Hairston

Novelist, Andrea Hairston ran away from the physics lab to the theatre as a young thing and has been a scientist, artiste, and hoodoo conjurer ever since. Novels: Archangels of FunkWill Do Magic For Small Change, a NYT, (the latter an Editor’s pick & finalist for the Mythopoeic, Lambda, & Otherwise Awards); Redwood and Wildfire, winner of the Otherwise & Carl Brandon Award; Master of Poisons was on the Kirkus Review’s Best SF&F of 2020; and Mindscape, coming from Tordotcom, August, 2025.

Ursula Whitcher

Ursula Whitcher is a writer, poet, and mathematician whose collection of interwoven short stories, North Continent Ribbon, is published by Neon Hemlock Press. Ursula lives in Michigan with a spouse who works on high-voltage outer space experiments and two cats who work on lounging by heating vents. Look for more of Ursula’s writing in magazines such as Asimov’s and Analog or in the American Mathematics Society‘s Feature Column

(4) ALFIES: WHAT IT’S ALL ABOUT. In his report on “A Scottish Worldcon” at Not A Blog, George R.R. Martin recalls why he held the original Alfies ceremony in 2015, the first year the Sad and Rabid Puppies monopolized the Hugo ballot:

…A number of writers and fans who would surely have been nominated for a Hugo Award were squeezed out when the Puppies (Sad and Rabid) stuffed the ballot with their own favorites.   There was no way to rectify that (though various people tried, with everything from wooden asterisks to rules reform to voting No Award).   My own approach was the Alfies; consolation  trophies made of old hood ornaments, like many of the early Hugo Awards, given to writers and fans who missed out on nominations they likely would have gotten in a normal year….

He gave more Alfies in 2016. He skipped 2016 after that the purpose of them changed to just being nice tokens for people he thought should be honored. One Alfie was given in 2018 to John Picacio for the Mexicanx Initiative. At Dublin 2019 he presented Jane Johnson and Malcolm Edwards with Alfie Awards for Editing. But in 2024 they resumed their original purpose of calling attention to people unjustly denied their place on the Hugo Ballot.

Martin details why one of the victims of the Chengdu Worldcon Hugo shenanigans, R.F. Kuang, got an Alfie.

…The final Alfie of the night went to R.F.  KUANG for her novel BABEL, OR THE NECESSITY OF VIOLENCE,, which received 810 nominations, the third highest total.   Nonethelss, there was no place on the ballot her.  That was especially egregious, I thought, since BABEL would have had an excellent chance of coming out on top if the book had been nominated.  The novel had already won the Nebula Award and the Locus Award, among other honors; a Hugo would have given it a rare sweep of SF’s most prestigious awards.  Alas, BABEL never got the chance to contend.

But it did get an Alfie.  And Rebecca herself was there to collect it.

Will there be more Alfies in the years to come?  Only time will tell….

(5) RECOMMENDED READING. The New York Times supplies a whole chart to help you find “The Best Fantasy Novels to Read Right Now” – link bypasses the paywall.

The editors of The New York Times Book Review bring you cross-genre fantasy booksour favorite recent romantasy readsbooks that will transport you to other worldsour latest reviewsthrilling historical fantasiesthe essential Tanith Leenew series fantasy novels and more!

(6) WAYWARD WORMHOLE 2026. Cat Rambo’s Wayward Wormhole workshop will meet in Barbados from February 7-21, 2026. The focus will be on “The Art of the Novella”. Applications close May 15, 2025. Full details at the link.

Novellas are growing in popularity, and we want to help yours stand out.

Structurally, they can get tricky—they’re not mini-novels anymore than children are mini-adults—while still demanding full, fleshy, character arcs and immersive descriptions.

WHERE: Oistins area, Christ Church, Barbados. FEE:  $2,500.00 US (travel, accommodations, and food NOT included)

(7) THROUGH A MIRROR DARKLY. [Item by SF Concatenation’s Jonathan Cowie.] The first 15 minutes of BBC Radio 4’s Front Row earlier this week had an interview with Charlie Brooker, the writer behind Black Mirror. You can download it here.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

April 3, 1999The Lost World series

Twenty-six years ago, something that had been made into a film at least seven times was made into a series. Sir Arthur Conan Doyle’s The Lost World, often shortened to just The Lost World, premiered this day in syndication in the States. (The first adaptation was made in 1925, and author Doyle appears in a preface to that film, though not all existing prints have him as some were cut, often radically.)

It was based very loosely as you well know on Doyle’s The Lost World novel and includes John Landis among its bevy of executive producers. The actual producer was Darrly Sheen who was the line producer on Time Trax and who did the same on several episodes of the Australian version of Mission: Impossible. The latter is a series that I like a lot which is not streaming anywhere. Did you did every episode used a script that not chosen for an expose during the run of the original series? Well it did. It marked the last appearance of Graves as Phelps as in the films the character goes bad and he wouldn’t do that. 

Guess where this series was produced? It was done at Village Roadshow Studios, Oxenford, Queensland, Australia.  Other productions of note done there include Thor: RagnarokPirates of the Caribbean: Salazar’s Revenge and Aquaman.

The initial cast was Peter McCauley as Professor George Edward Challeger, Rachel Blakely, as Marguerite Krux, Jennifer O’Dell as Veronica Layton, William deVry as Ned Malone and William Snow as Lord John Richard Roxton and Michael Sinelnikoff as Professor Arthur Summerlee. It would have way, way too many guest performers as it had at least or more generally every episode to list here. Suffice it say that if you watched any series that was made in Australia or. New Zealand then, it’s likely one or more of them could well grace this series. 

They lived in a giant tree house, really they did, one with many conveniences that rival what you and I have in a sort of Victorian peusdo-scientific fashion, and had many a fantastical adventure, none of which I’d say had anything to do with The Lost World novel unless there’s reptile people in there that I missed when I read it. It lasted three seasons consisting of sixty-six episodes. It was cancelled when funding for another season fell through. It’s on Amazon Prime right now.

Personal opinion? It was fun and I certainly don’t regret the time that I took to watch it. It was quite pulpy (Doc Savage would have fit right in here) and as long as you don’t expect it to have anything to do with the novel, you will enjoy a Thirties-style concept updated to contemporary standards. 

(9) COMICS SECTION.

(10) PROJECT HAIL MARY. “Ryan Gosling Plays a Nerdy Scientist on a Suicidal Space Mission in ‘Project Hail Mary’ CinemaCon Trailer: ‘I Put the Not in Astronaut’” at Variety.

Ryan Gosling, looking very nerdy and quite un-Ken-like, plays a science teacher turned grudging astronaut in “Project Hail Mary,” a sci-fi adventure that Amazon MGM Studios teased during its presentation to theater owners at CinemaCon on Wednesday.

“I put the ‘not’ in astronaut,” Gosling tells the government handler (Sandra Hüller) who has tapped him to undertake a suicidal space mission. “I can’t even moonwalk.”

The film, an adaptation of Andy Weir’s best-selling novel of the same name, follows an ordinary man who is told he has what it takes to go into the outer reaches of the universe. “You have the right stuff,” Gosling tells Hüller. “I have the wrong stuff.”…

(11) NINTENDO’S NEW CONSOLE. [Item by Steven French.] This week’s gaming newsletter from the Guardian:“Everything we learned from Nintendo’s ‘deep dive’ into the Switch 2”.

Sixty minutes – that’s how long Nintendo took on Wednesday afternoon to remind us that no other video game manufacturer creates joy like this one. It was the Nintendo livestream we’ve been waiting for: a deep dive into the new console after so much speculation. Sure, the Switch 2 is the company’s first real hardware sequel – an updated and spruced-up version of its predecessor rather than a radical new piece of kit. But the updates are the intriguing part.

Naturally, we’re getting a larger (7.9-inch, to be precise) screen that displays in full HD at 1080p; but we’re also getting re-thought Joy-Con controllers that now click to the console via strong magnets rather than those fiddly sliders we all put on the wrong way. The buttons are larger, too, so adults will be able to play Mario Kart with some semblance of skill. But the main new feature for the controllers is a new rollerball that enables each one to operate as a mouse. This will allow for new point-and-click features and some interesting control options. I like that they showed this off with a wheelchair basketball game, where you slide the controllers a long a surface to mimic pushing the wheels….

(12) JUSTWATCH QUARTERLIES. JustWatch has released their first quarter 2025 US streaming video on demand market share report — and as always, it’s based on data from over 15 million monthly JustWatch users in the US. The report tracks streaming interest by analyzing user behavior like filtering platforms, engaging with titles, and clicking through to offers.

Highlights from Q1 2025:

  • Prime Video takes the lead at 21%, just ahead of Netflix at 20%.
  • Max (13%) and Disney+ (12%) are neck-and-neck in the second tier.
  • Hulu holds 10%, while Apple TV+ (8%) and Paramount+ (7%) follow.
  • Peacock and Starz both captured 2% of market share.

SVOD Market Shares in Q1 2025. In a highly competitive landscape, Prime Video edged out Netflix to claim the leading position in Q1 2025 with a 21% market share. Netflix followed closely with 20%, making it a tight race at the top. Max secured third place at 13%, narrowly ahead of Disney+ at 12%, while Hulu held 10% of the market, closing the gap between them and the top three.

The remaining platforms—including Apple TV+, Paramount+, and services like Peacock and Starz—collectively accounted for the remaining share of the market. These figures reflect shifting user preferences as viewers navigate an increasingly fragmented streaming landscape.

Market Share Development in Q1 2025. Short-term growth trends between December 2024 and March 2025 showed modest but notable shifts. Disney+ and Starz each gained +1%, signaling increased user interest. In contrast, Paramount+ experienced the most significant drop, falling -2% over the same period. Most major platforms—including Prime Video, Netflix, and Hulu—remained stable throughout the quarter, suggesting consistent user engagement at the top.

Year-over-Year Comparison. Comparing Q1 2025 to Q1 2024, Peacock Premium and Starz demonstrated the strongest growth, each up +1% on average. Disney+ also showed positive momentum, while Paramount+ saw the largest decline at -2% year-over-year. Max and Netflix each slipped slightly with -1%, despite remaining major players in the U.S. streaming ecosystem.

(13) UNIVERSAL UP? [Item by Mark Roth-Whitworth.] Sure looks like this is what this study implies, that there’s a universal up/north. “The distribution of galaxy rotation in JWST Advanced Deep Extragalactic Survey” in Monthly Notices of the Royal Astronomical Society at Oxford Academic.

JWST provides a view of the Universe never seen before, and specifically fine details of galaxies in deep space. JWST Advanced Deep Extragalactic Survey (JADES) is a deep field survey, providing unprecedentedly detailed view of galaxies in the early Universe. The field is also in relatively close proximity to the Galactic pole. Analysis of spiral galaxies by their direction of rotation in JADES shows that the number of galaxies in that field that rotate in the opposite direction relative to the Milky Way galaxy is ∼50  per cent higher than the number of galaxies that rotate in the same direction relative to the Milky Way. The analysis is done using a computer-aided quantitative method, but the difference is so extreme that it can be noticed and inspected even by the unaided human eye. 

(14) VIDEO OF THE DAY. “’Star Wars: Tales of the Underworld’ Drops Trailer ahead of May 4 Premiere”Animation Magazine sets the frame.

Today, Disney+ released the trailer, key art and stills for Lucasfilm Animation’s Star Wars: Tales of the Underworld, an all-new anthology series of animated shorts from creator Dave Filoni, premiering exclusively on Disney+ just in time for the “Star Wars holiday,” May the 4th. Synopsis: The series of animated Star Wars anthologies, which began in 2022 with Tales of the Jedi and continued in 2024 with Tales of the Empire, this time focuses on the criminal underbelly of the galaxy through the experiences of two iconic villains.

Former assassin and bounty hunter Asajj Ventress is given a new chance at life and must go on the run with an unexpected new ally, while outlaw Cad Bane faces his past when he confronts an old friend, now a Marshal on the opposite side of the law.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Roger Silverstein, Dann, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/2/21 Like Three Zabriskan Fontemas In A Trench Coat

(1) DR. MAE JEMISON. Dr. Mae Jemison will give a talk in the Oregon State University Provost’s Lecture series on February 4. Free registration here.

Dr. Mae Jemison: the first woman of color in space; a national science literacy ambassador and advocate for radical leaps in knowledge, technology, design and thinking — on Earth and beyond. She also served six years as a NASA astronaut. Join us as we explore the frontiers of science and human potential with Dr. Jemison for the next Provost’s lecture on Thursday, Feb. 4 from 6:30 – 7:30 p.m. [Pacific] Free, remote, open to all.

(2) BLASPHEMY, I TELL YOU. Throwing-rocks denier James Davis Nicoll unleashes his skepticism on some of the leading hard science authors of the genre: “Five Books That Get Kinetic Weapons Very Wrong”. Heinlein’s The Moon Is A Harsh Mistress supplies the text for his opening lesson.  

… On the surface, this seems plausible. A quick back-of-the-envelope calculation assures one that this would be quite vexing to anyone standing where the rock happens to land: at 11 kilometres per second, each kilogram of rock would have about 60 megajoules of kinetic energy, more than ten times the energy of a kilogram of TNT. Nobody wants more than ten kilograms of TNT exploding on their lap.

But…a moment’s consideration should raise concerns. For example, the rebels are using repurposed cargo vessels. How is it they are able to reach the surface at near-escape velocities without fragmenting on the way down? How did the rebels manage to erase Cheyenne Mountain from existence when (given the numbers in the book) it would take about two hundred thousand impacts to do so? How did the rebels cause a tidal wave in the UK when simple math says the wave would only have been a few centimetres high at Margate?

Heinlein probably relied on a simple but useful technique: he didn’t do the math…. 

(3) NOT IN KANSAS ANYMORE, AND PROBABLY NEVER WERE. The Horn of Rohan Redux conducted “An interview with Suzanne Nelson, Mythopoeic Fantasy Award for Children’s Literature 2020 finalist” for her book A Tale Magnolious

There is something post-apocalyptic about the dust bowl-esque farm featured in this book. Did you pull ideas from history or dystopian literature? 

I’m a fan of dystopian literature, but I didn’t have any particular piece in mind as I was writing A Tale Magnolious. Certainly, the desperation of the Dust Bowl years and the Great Depression era were at the forefront of my mind as I wrote. I am an avid student of history and think often about periods, like World War II, where there have been great loss, or evil and tragedy, but where humankind has ultimately overcome these horrors through courage, faith, and love. As I crafted Nitty and Magnolious’s story, I kept returning to the idea of hope blooming in the midst of desolation. Even Neezer Snollygost had the chance to alter his self-serving, destructive path, but he chose not to. In a way, I suppose he resembled Tolkien’s Gollum in that his obsessions robbed him of his better self. But others in Magnolious like Windle Homes, gave up their resentments and anger, and once they did, their hearts reopened to love. People have a way of finding joy and one another in the darkest times through love and hope.

(4) WEBSITE DEFLECTS BLAME. Directors Notes has responded to Adam Ellis and his charges that Keratin ripped off his comic: “A Statement on Adam Ellis’ Keratin Plagiarism Accusation”.

For clarity, we would like to state that Directors Notes was in no way involved with the creation of Keratin nor have we profited from the film’s existence. We are however regretful to have used our platform to help promote the film. Had the full facts of its genesis been made clear to us at the time would have declined to run the interview.

As has been pointed out by many commentators, when asked about Keratin’s inspiration Butler and James’ response: “The original concept was inspired by a short online cartoon we saw which we developed further” fails to credit Ellis as the creator of the original online cartoon, nor does it detail the email conversation the filmmakers had with Ellis or his request that they pull the film from festivals.

(5) AVOID CROWDS. Paul McAuley has advice for writers in “World-Building The Built World”.

…Worldbuilding is hard only if you pay too much attention to it. Less is almost always better than more. Use details sparingly rather than to drown the reader in intricate descriptions and faux exotica; question your first and second thoughts; set out a few basic parameters, find your character and start the story rather than fleshing out every detail of the landscape, drawing maps, and preparing recipe cards and fashion plates before writing the first sentence. Wherever possible, scatter clues and trust the reader to put them together; give them the space to see the world for themselves rather than crowd out their imagination with elaborate and burdensome detail.

Most of the heavy lifting for the worldbuilding of War of the Maps was already done for me in a speculative scientific paper, ‘Dyson Spheres around White Dwarfs’ by Ibrahim Semiz and Selim O?ur. That gave me the basic idea: a very large artificial world wrapped around a dead star, its surface a world ocean in which maps skinned from planets were set. Almost everything else was tipped in as the story progressed. Discovering details essential to the story as it rolls out gives space and flexibility to hint at the kind of random, illogical, crazy beauty of the actual world; the exclusionary scaffolds of rigid logic too often do not….

(6) WINDOW ON A PAST WORLDCON. AbeBooks is offering “The Twelfth World Science Fiction Convention Papers” for a tad under $24,000. I now realize one of the disadvantages of the internet age – all those emails I got from pros while organizing convention programs will never be collectibles! Also, I wonder if there’s anything in the archive explaining why SFCon (1954) decided not to continue the Hugo Awards which had been given for the first time the previous year?

A UNIQUE OFFERING THE TWELFTH WORLD SCIENCE FICTION CONVENTION PAPERS. Held in San Francisco in the summer of 1954 with G.O.H. John Campbell, Jr., this was one of the great early gatherings. Included in this massive archive is everything that one might want to know about running a convention: Hotel rates for rooms, banquets, buffet menus, rentals, carpenters, electricians, etc. There are letters from attendees and those who wished to attend but could not; paid invoices from photo shops, printers, etc.; canceled checks (along with some unused ones as well) and check stubs; Radio scripts from local stations and press clippings and pictures from local papers; letters from major Motion Picture Studios answering requests about film availability; SIGNED letters from advertizers (including all the small presses); the entire convention mailing list; black & white photos picturing singularly or in group Ackerman, Anderson, Boucher, Bloch, Campbell, Clifton, Dick, Ellison, Evans, Gold, Mayne, Ley, Moskowitz, Nourse, E.E. Smith, Williamson, Van Vogt, Vampira, et.al. But of course the major importance of this archive has yet to be mentioned. And that’s simply the great abundance of SIGNED letters, post-cards and notes from authors and artists. To wit: Anderson, Asimov (3), Blaisdell, Blish, Bond, Bonestell (4), Boucher (3), Bradbury (4), Bretnor, F. Brown, Howard Browne, Budrys, Campbell (5), Clement, Clifton (2), Collier, Conklin, DeCamp, DeFord, Dick, Dickson, Dollens (8), Emshwiller (2), Eshbach (2), Evans, Farmer, Freas (3), Greenberg (2), Gunn, Heinlein, Hunter (5), Kuttner, Ley (5), Moskowitz, Neville, Nolan (3), Nourse, Obler, Orban (3), Palmer, Pratt, Simak, E.E. Smith (2), Tucker, Williamson (3), Wylie, et.al. Finally, also included is a set of audio tapes which were taken at this convention. Now for the first time (depending on your age I guess) you can not only be privy to what went on at this convention, but also hear the actual voices of Anthony Boucher, John W. Campbell, E.E. “DOC”Smith and others too numerous to mention. A unique opportunity to snatch a bit of vintage post-war Science Fiction history. (The tapes, while definitely included in this grouping, may not be immediately available.).

(7) A WRITER BEGINS. Read Octavia Butler’s autobiographical article “Positive Obsession”, the Library of America’s “Story of the Week.”

…A decade after she published Kindred, as her standing in the literary world continued to rise, Octavia Butler wrote for Essence magazine a remarkably compelling essay outlining the path of her career, from early childhood in the 1950s to her status as a full-time writer in the 1980s. We present her life story as our Story of the Week selection….

MY MOTHER read me bedtime stories until I was six years old. It was a sneak attack on her part. As soon as I really got to like the stories, she said, “Here’s the book. Now you read.” She didn’t know what she was setting us both up for….

(8) SLOW READER. “’Doctor Doolittle’ returned to Canadian library was 82 years overdue” – UPI has the story.

…”We were putting a fan in our bathroom, so we had to cut a hole through our roof and while we were up in the attic, we found a bunch of old books,” Musycsyn told CTV News.

Musycsyn said the copy of Doctor Dolittle stood out because it bore markings from the Sydney Public Library.

“This one in particular had the old library card from 1939,” Musycsyn said. “And I just thought that was interesting, because it was the same week that the library had abolished their fines.

“So, I thought it was a good thing, because I wouldn’t want to know what the fine on an 82-year-old overdue book would be.”

Library officials said the old Sydney Public Library burned down in 1959, destroying most of its books. They said the tome returned by Musycsyn might not have survived if it had been returned on time.

(9) VON BRAUN’S SF BOOK. The Smithsonian National Air and Space Museum website discusses the engineer’s literary ambitions Mars Project: Wernher von Braun as a Science-Fiction Writer”.

The German-American rocket engineer Dr. Wernher von Braun is famous—or infamous—for his role in the Nazi V-2 rocket program and for his contributions to United States space programs. He was, I have argued, the most influential rocket engineer and space advocate of the twentieth century, but also one whose reputation will be forever tainted by his association with Nazi crimes against humanity in V-2 ballistic missile production. Von Braun certainly was multi-talented—he was a superb engineering manager, an excellent pilot, and a decent pianist. In the U.S., he became a national celebrity while speaking and writing about spaceflight. But we don’t think him as a science-fiction writer. It was not for want of trying. Von Braun wrote a novel, Mars Project, in America in the late 1940s and later exploited his fame to publish a novella about a Moon flight and an excerpt from his failed Mars work.

…The political context for his fictional Mars expedition is equally fascinating. Mars Project opens in 1980, after the United States of Earth, with its capital in Greenwich, Connecticut, conquers and occupies the Soviet bloc, aided by its space station—once again called Lunettadropping atomic bombs on Eurasian targets. While von Braun reveals his tendency to naïve technological utopianism in the Martian sections, his opening displays a conservative anti-Communism suited to the Cold War hysteria of 1949. His vision of World War III is, to put it plainly, a fantasy of a successful Blitzkrieg against the Soviet Union….  

(10) MEDIA BIRTHDAY.

  • February 2, 1925 The Lost World enjoyed its very first theatrical exhibition.  It was directed by Harry O. Hoyt and featured pioneering stop motion special effects by Willis O’Brien, a forerunner of his work on the original King Kong. It’s the first adaption of A. Conan Doyle’s novel of the same name.  It’s considered the first dinosaur film. This silent film starred Bessie Love, Lewis Stone, Wallace Beery and Lloyd Hughes. Because of its age the film is in the public domain, and can be legally downloaded online which is why you can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 2, 1882 – James Joyce.  If I call Ulysses or Finnegans Wake fantasy, someone will answer “He just wrote what he saw”, which leads not only to Our Gracious Host’s days as an SF club secretary, but also to Van Gogh’s Starry Night.  Marshall McLuhan said in War and Peace in the Global Village he could explain what FW’s thunder said.  Half a dozen short stories for us anyway.  (Died 1941) [JH]
  • Born February 2, 1905 – Ayn Rand.  Anthem and Atlas Shrugged are ours – meaning they’re SF; I express no opinion on them or Objectivism philosophically, that being outside the scope of these notes.  I did put a Jack Harness drawing of JH’s Objectivist Mutated Mouse Musicians in the L.A.con II (42nd Worldcon) Program Book, but that was ars gratia artis.  (Died 1982) [JH]
  • Born February 2, 1933 Tony Jay. Oh, I most remember him as Paracelcus in the superb Beauty and the Beast series even though it turns out he was only in for a handful of episodes. Other genre endeavours include, and this is lest OGH strangle me is only the Choice Bits included voicing The Supreme Being In Time Bandits, an appearance on Star Trek: The Next Generation as Third Minister Campio In “Cost of Living”, being in The Adventures of Brisco County, Jr. (and yes I loved the series) as Judge Silot Gato in ”Brisco for the Defense.” (Died 2006.) (CE) 
  • Born February 2, 1940 Thomas M. Disch. Camp ConcentrationThe Genocides334 and On Wings of Song are among the best New Wave novels ever done.  He was a superb poet as well though I don’t think any of it was germane to our community. He won the Nonfiction Hugo for The Dreams Our Stuff Is Made Of, a critical but loving look on the impact of SF on our culture. (Died 2008.) (CE) 
  • Born February 2, 1947 – Eric Lindsay, age 74.  Fan Guest of Honor at Tschaicon the 21st Australian natcon, Danse Macabre the 29th.  Fanzine, Gegenschein.  GUFF delegate with wife Jean Weber (northbound the Get-Up-and-over Fan Fund, southbound the Going Under Fan Fund); their trip report Jean and Eric ’Avalook at the UK here (PDF).  [JH]
  • Born February 2, 1949 Jack McGee, 72. Ok, so how many of us remember him as Doc Kreuger on the Space Rangers series we were just discussing? I’ve also got him as Bronto Crane Examiner in The Flintstones in Viva Rock Vegas, as a Deputy in Stardust, Mike Lutz in seaQuest, Doug Perren in Buffy the Vampire Slayer and a Police Officer Person of Interest to name some of his genre roles. (CE)
  • Born February 2, 1949 Brent Spiner, 72. Data on more Trek shows and films than I’ll bother listing here. I’ll leave it up to all of you to list your favorite movements of him as Data. He also played Dr. Brackish Okun in Independence Day, a role he reprised in Independence Day: Resurgence, a film I’ve not seen yet. He also played Dr. Arik Soong/Lt. Commander Data in four episodes of Enterprise.  Over the years, he’s had roles in Twilight ZoneOuter LimitsTales from the DarksideGargoylesYoung JusticeThe Avengers: Earth’s Mightiest Heroes and Warehouse 13. (CE)
  • Born February 2, 1957 – Laurie Mann, F.N., age 64.  Co-chaired Boskone 25, chaired SMOFcon 30 (SMOF is Secret Master Of Fandom, as Bruce Pelz said a joke-nonjoke-joke, besides the Jefferson Airplane comment).  Two short stories.  Pittsburgh Bach Choir.  Fellow of NESFA (New England SF Ass’n; service).  Maintains William Tenn Website.  Fan Guest of Honor at Rivercon XII, ArmadilloCon 27 (with husband Jim Mann).  Program Division head for Sasquan the 73rd Worldcon, also (with JM) for Millennium Philcon the 59th. You might read her “Everything I Learned About Buying and Renovating Buildings I Learned from Monty Wells”.  [JH]
  • Born February 2, 1966 – Frank Lewecke, age 56.  Molecular biologist.  Half a dozen covers for German-language editions of Herbert-Anderson Dune books.  Here is House Atreides.  Here is The Butlerian Jihad.  More generally this gallery.  [JH]
  • Born February 2, 1981 – Tara Hudson,age 40.  Three novels for us.  Says she once drove a blue Camaro, got her lowest grade (B) in law school, and in that profession had a great career and stagnated.  Many seem happy with the result.  [JH]
  • Born February 2, 1986 Gemma Arterton, 35. She’s best known for playing Io in Clash of the Titans, Princess Tamina In Prince of Persia: The Sands of Time, Strawberry Fields in Quantum of Solace, and as Gretel in Hansel and Gretel: Witch Hunters. She also voiced Clover in the current Watership Down series. (CE)

(12) COMICS SECTION.

  • Tom Gauld depicts “The Runaway Lobster-Telephone Problem.”

(13) SPASEBO BOLSHOYA SUPERMAN. You don’t need millions of dollars for special effects anymore if you have a drone with a tiny camera: “Superman With a GoPro”. (Don’t ask me why the closed captions are in Russian.)

(14) WHEDON WAS HERE. Yahoo! Entertainment frames the series and trailer: “’The Nevers’ First Trailer: Joss Whedon Creates HBO’s Next Genre-Mashing Original Series”.

Whedon is back with HBO’s “The Nevers,” albeit with a twist. While Whedon created and executive produced the Victorian Era science fiction series, he announced in November he was stepping away from the series. By this point, “The Nevers” had already wrapped production on its six-episode first season. Whedon is no longer involved with “The Nevers,” but HBO’s teaser trailer for the show is peak Whedon with its clashing of genres and super-powered female action heroes.

The description from The Nevers: Official Teaser says —

Society fears what it cannot understand. Experience the power of The Nevers, a new @HBO original series, this April on @HBOmax. In the last years of Victoria’s reign, London is beset by the “Touched”: people — mostly women — who suddenly manifest abnormal abilities, some charming, some very disturbing. Among them are Amalia True (Laura Donnelly), a mysterious, quick-fisted widow, and Penance Adair (Ann Skelly), a brilliant young inventor. They are the champions of this new underclass, making a home for the Touched, while fighting the forces of… well, pretty much all the forces — to make room for those whom history as we know it has no place.

https://www.youtube.com/watch?v=CWdpBQFgdxQ

(15) I SAY I’M SPINACH. [Item by Cora Buhlert.] MIT scientists have used nanotechnology to enable spinach to detect components of explosives and other hazardous substances. The spinach plants can also send out an alert via e-mail, so guess what the headline is about. Though automatic e-mail alerts aren’t anything unusual. My furnace regularly e-mails me as well. From Euronews, “Scientists have taught spinach to send emails and it could warn us about climate change”.

…Through nanotechnology, engineers at MIT in the US have transformed spinach into sensors capable of detecting explosive materials. These plants are then able to wirelessly relay this information back to the scientists.

When the spinach roots detect the presence of nitroaromatics in groundwater, a compound often found in explosives like landmines, the carbon nanotubes within the plant leaves emit a signal. This signal is then read by an infrared camera, sending an email alert to the scientists.

This experiment is part of a wider field of research which involves engineering electronic components and systems into plants. The technology is known as “plant nanobionics”, and is effectively the process of giving plants new abilities….

(16) POWER WALK. [Item by Michael Toman.] Just in case Other Mostly Shut-In “At Risk” Filers can use some inspiration for taking a daily 30-minute Masked Walk for exercise toward achieving the goal of 50 miles a month? “Astronauts Wind Down After Spacewalk, Reap Space Harvest” from the NASA Space Station blog.

…NASA astronauts Michael Hopkins and Victor Glover completed their second spacewalk together on Monday wrapping up a years-long effort to upgrade the station’s power system. They relaxed Tuesday morning before spending the afternoon on a spacewalk conference and space botany.

The duo joined astronauts Kate Rubins of NASA and Soichi Noguchi of JAXA and called down to spacewalk engineers after lunchtime today. The quartet briefed the specialists on any concerns or issues they had during the Jan. 27 and Feb. 1 spacewalks….

(17) BEWARE REDSHIRT ARMED WITH UKULELE. Howard Tayler tweeted a rediscovered drawing of John Scalzi, eliciting this comment from the subject.

(18) VIDEO OF THE DAY. In “The Mandalorian Season 2” on Honest Trailers. the Screen Junkies say the show combines “the world of Star Wars, the feel of old samurai movies, and the emotional core of Reddit’s r/awww community because every time you see Baby Yoda, you want to go “Awwwww!”

[Thanks to John King Tarpinian, Cora Buhlert, Michael Toman, Hampus Eckerman, Andrew Porter, Martin Morse Wooster, Danny Sichel, Rob Thornton, Daniel Dern, Mike Kennedy, JJ, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]