Tag Archives: ACE Eddie Awards

Pixel Scroll 3/18/25 Soylent Green And Spam: I Would Not Like It In A Pixel, I Would Not Like It Fried With Schnitzel

Posted on by
32

(1) BSFA AWARDS NEWS. The British Science Fiction Association released the “BSFA Awards 2024 Shortlist” today.

Congratulations to Chris M. Barkley and Jason Sanford for their article being among the finalists: “The 2023 Hugo Awards: A Report on Censorship and Exclusion” – which was simultaneously published by File 770 and Genre Grapevine, and so it would have been nicer if the BSFA announcement hadn’t failed to name File 770.

(2) ACE EDDIE AWARDS. The American Cinema Editors (ACE) announced the “ACE Eddie Winners” on March 15.  The awards recognize outstanding editing in 14 categories of film, television and documentaries. The complete list is at the link. The winners of genre interest are:

BEST EDITED FEATURE FILM (COMEDY, THEATRICAL)

Wicked
Myron Kerstein, ACE

BEST EDITED ANIMATED FEATURE FILM

The Wild Robot
Mary Blee

BEST EDITED SINGLE CAMERA COMEDY SERIES

What We Do in the Shadows (603 – Sleep Hypnosis)
Liza Cardinale, ACE
Dane McMaster, ACE

BEST EDITED ANIMATED SERIES:

X-Men ’97 (105 – Remember It)
Michelle McMillan

Also recognized were filmmaker Jon M. Chu who received the ACE Golden Eddie Filmmaker of the Year Award, recognizing a filmmaker who exemplifies distinguished achievement in the art and business of film. Film editors Maysie Hoy, ACE and Paul Hirsch, ACE received Career Achievement Awards for their outstanding contributions to film editing.

(3) THIS CHARACTER WAS DEMANDED BY THE TIMES. So argues R.P. O’Donnell: “Sherlock Holmes in the World” at CrimeReads.

…To Victorian Londoners, crime was terrifying and out of control. Penny Dreadfuls, cheap pamphlets blending the lurid and the sensationalist, contributed to the feeling that violent crime was lurking behind every street corner, waiting to spring out of every shadow with a knife drawn and ready to kill. 

Jack the Ripper, with the entire city at his heels, murdered and mutilated his way through the streets of London — preying on the same underworld he seemed to spring out of. And then, suddenly and without resolution, he disappeared, and slipped back into the shadows. Ready to spring out again, at any moment. A knife held against the entire city.

And then, out of these same shadows, stepped a hero. A man of science, who brought order to a dangerous world in the throes of calamitous change. A man who obeyed only a strict moral code, rather than the letter of an unjust law. A man who not only did not obey the class structure, but openly flaunted it — in his very first adventure, he reproached a King for saying a lower-class woman was not on his level. This was a man who would help anyone in need — as long as the case was interesting enough. He had no interest in money or class; he was as happy with a king’s simple portrait as he was with the proverbial king’s ransom. He was a man who didn’t just protect the city, but even adapted some of its worst bits, such as the young and ruthless pickpockets, to help him in his quest.

That man was, of course, Sherlock Holmes. And it’s no wonder he became a sensation when he first appeared in the Strand Magazine in 1891 — emerging into the city and wider society that he did.

(Author’s note: I’m setting aside the first novels for a few reasons. But in any case, it was the Adventures that exploded in popularity, and would’ve been most readers’ first introduction to Sherlock.)…

(4) WON’T BE IN SEATTLE. Count Australian sff author Jeremy Szal among those who are checking out of attending the Seattle Worldcon.

(5) BLACK MIRROR TRAILER. “’Black Mirror’ season 7 trailer previews epic ‘USS Callister’ sequel”. Entertainment Weekly sets the frame.

The AI apocalypse is primed for an explosive launch in the Black Mirror season 7 trailer, which previews a bloody, bombastic batch of six new episodes — including the return of Cristin Milioti (The Penguin) in a sequel to 2017’s epic “USS Callister” episode.

Netflix revealed Thursday the first preview of Charlie Brooker’s beloved sci-fi anthology, which welcomes a wealth of stars to its seventh season, including Issa Rae, Tracee Ellis Ross, Awkwafina, Rashida Jones, Chris O’Dowd, Emma Corrin, Oscar-nominated actor Paul Giamatti, and Will Poulter (reprising the role of Colin Ritman from 2018’s interactive Bandersnatch movie).

In addition to teasing Milioti’s return alongside fellow “USS Callister” stars Jimmi Simpson, Paul G. Raymond, Milanka Brooks, Osy Ikhile, and Billy Magnussen, the Black Mirror season 7 trailer gives us a glimpse at a few of the new installment’s harrowing episodes….

(6) THE ELECTRIC STATE, THEIR LATEST DUD. [Item by Steven French.] A Guardian writer asks, “Why are the most expensive Netflix movies also the worst?”

Here’s the answer:

Blockbusters … have always been deceptively difficult to replicate; on some level, most of them seek some kind of overwhelming sensation, whether it’s thrills, big laughs, melodrama, spectacular visuals or some combination; these things can be faked or strung along (plenty of middling mega-movies have been big hits), but the presentation is part of that fakery, which in turn can be part of the fun. A well-crafted one can sweep you up in the moment even if what they’re doing isn’t all that clever or insightful and leaves you with empty calories; JJ Abrams owes his whole career to this phenomenon. The Netflix auteur movies, meanwhile, are made with the confidence that they will transcend their humble smaller screens (or maybe the serene knowledge that at least they’ll be shown at a lot of festivals before they make it to streaming). The most striking aspect of their mockbuster cousins is how they feel infused with the knowledge that this avenue is closed to them; it’s almost astonishing how inept they are at faking otherwise. Movies like The Electric State can throw around millions of dollars, big stars and cutting-edge effects, but they just can’t shake the bone-deep knowledge that they’re content first….

(7) CHILDREN AND FAMILY EMMY AWARDS. The Children’s & Family Emmys were presented on March 15. Animation Magazine tells who took home the honors: “’Orion and the Dark,’ ‘Moon Girl and Devil Dinosaur’ Are Among the Big Winners of Children’s & Family Emmys”.

…As previously announced, this year’s winners of the juried Outstanding Individual Achievement in Animation honors are background designer Philip Vose (Merry Little Batman), viz-dev artist Miho Tomimasu (Orion and the Dark), animation supervisor Elena Najar (Merry Little Batman), character designer Lesego Vorster (Kizazi Moto: Generation Fire), digimatte artist Lauren Zurcher (Orion and the Dark), art director Guillaume Fesquet (Merry Little Batman) and storyboard artist David Lux (Snoopy Presents: Welcome Home, Franklin)….

CAFÉ winners of genre interest included:

Children or Family Viewing Series

  • Fraggle Rock: Back to the Rock (Apple TV Plus)  [The Jim Henson Company /Apple]

Fiction Special

  • The Velveteen Rabbit (Apple TV Plus) [Magic Lamp Pictures/Apple]

Preschool Animated Series

  • The Tiny Chef Show (Nickelodeon)

Children’s or Young Teen Animated Series

  • Marvel’s Moon Girl and Devil Dinosaur (Disney+)

Animated Special

  • Orion and the Dark (Netflix)

Voice Performer in a Children’s or Young Teen Program

  • Eric Bauza as Daffy Duck & Bugs Bunny – Teen Titans Go! (Cartoon Network)

Younger Voice Performer in a Preschool, Children’s or Young Teen Program

  • Jacob Tremblay as Orion – Orion and the Dark (Netflix)

Writing for a Children’s or Young Teen Animated Series

  • “Dancing with Myself” – Marvel’s Moon Girl and Devil Dinosaur (Disney+)

(8) YOU COULD GET LOST IN HERE. “Architectural Misdirection: Seeking Out Secret Staircases and Hidden Rooms” at CrimeReads.

Mystery fans love ingenious misdirection in their plots, and novels can be even more mysterious when the setting itself adds layers of intrigue. Creepy old buildings have a long history in mystery fiction, and the novels I’m diving into today use architecture as a key part of the puzzle…. 

In the middle of this list:

The Name of the Rose – Umberto Eco

This classic novel is dominated by a medieval abbey’s labyrinthine library that’s filled with secret passageways and hidden rooms. Friar William of Baskerville and his apprentice are investigating the mysterious deaths of several monks at the abbey, and the architecture both provides clues and mirrors the deeper symbolic meaning behind the crimes. 

(9) CHRIS MOORE’S NYT OBITUARY. [Item by Daniel P. Dern.] Sff artist Chris Moore, whose passing was noted in the February 11 Scroll, has now received a detailed tribute in the New York Times. This gift link bypasses the paywall: “Chris Moore Dead: Illustrator for Classic Sci-Fi Books Was 77”.

DPD notes, Alex Williams’ obituary for Moore has a refreshing, remarkable depth (and presumed accuracy) with respect to sf stuff, e.g.:

Chris Moore, a British artist who conjured fantastical worlds with high-sheen covers for books by science-fiction masters like Philip K. Dick, Arthur C. Clarke and Alfred Bester, and who lent his artistry to albums by Rod Stewart and Fleetwood Mac, died on Feb. 7 at his home in Charmouth, on the southwestern coast of England. He was 77.

… Moore provided memorable interstellar images for various editions of notable books by Mr. Dick — including his novel “Do Androids Dream of Electric Sheep?,” the basis of the 1982 film “Blade Runner” — as well as works by Kurt Vonnegut, Isaac Asimov, Ursula K. Le Guin, H.G. Wells, Alastair Reynolds, J.G. Ballard, Stephen King and many others.

…While best known for his visual journeys through the cosmos, Mr. Moore produced a wide range of illustrations. He created the art for several album covers, including Fleetwood Mac’s “Penguin” (1973) and Mr. Stewart’s “The Vintage Years 1969-70” (1976), as well as contributing images to magazines like Omni and Asimov’s Science Fiction. And he designed wallpaper tied to the Star Wars film “The Empire Strikes Back” (1980).

…He exhibited his work for the first time in 1995, at the World Science Fiction Convention in Glasgow, where he realized that there was a market for his originals, which he began selling….

DPD adds: So I’m sure I saw those there, and for all I know, crossed paths with Moore.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

March 19, 1928 — Patrick McGoohan. (Died 2009.)

 I will not make any deals with you. I’ve resigned. I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own. — Number 6

I don’t how times I’ve seen the opening of The Prisoner series as it’s been separately shown from the episodes online pretty much since video came to the Internet. Not sure in what context I was watching it but it was, without doubt, one of the best openings I’ve seen.

Then there was the series. Weird, thrilling, mysterious. Eminently watchable over and over and over again. Was it SF? Or was it a spy series set in the very near future? Who knew? And then there was Number Six, the never named intelligence agent played by Patrick McGoohan. He seemed destined to play this role.

He was an American-born Irish actor, director, screenwriter, and producer. Now it turns out that The Prisoner was his creation. He was also one of the writers – there were five in fact — and he was one of four directors. In other words, he had his hand in every facet of the series and its sixteen episodes. 

Before he was that unnamed intelligence agent he was, and I’m not at all convinced that McGoohan meant this to be a coincidence, secret agent John Drake in the Danger Man espionage series. I’ve seen a few episodes, it’s well crafted.  

Danger Man (retitled Secret Agent in the United States for the revived series) was a British television series broadcast between 1960 and 1962, and again between 1964 and 1968. (A neat bit of history here: Ian Fleming was brought in to work on series development, but left before that was complete. Apparently, he didn’t like the way the secret service was to be portrayed.) 

After The Prisoner, McGoohan’s next genre endeavor was as the narrator of Journey into Darkness is a British television horror film stitching together two episodes derived from late Sixties anthology television series Journey to the Unknown.

We are now leaving genre and headed for, well the Columbo series. Why so? Because he was good friends with Peter Falk and directed five episodes of the series, four of which he appeared in, winning two Emmys in the process. McGoohan was involved with the series in some way from 1974 to 2000. 

He was said that his first appearance on Columbo was probably his favorite American role. He had top billing as Col. Lyle C. Rum, fired from a military academy, in “By Dawn’s Early Light”, one of the Columbo films that preceded the series.

His daughter Catherine McGoohan appeared with him in the episode “Ashes To Ashes” The other two Columbo episodes in which he appeared are “Identity Crisis” and “Agenda For Murder”.  

Yes, he reprised his role as Number Six for The Simpsons in “The Computer Wore Menace Shoes”.  Homer Simpson fakes a news story to make his website more popular, and he wakes up in a prison that is a holiday resort. As Number Five, he meets Number Six. 

McGoohan’s last movie role was as the voice of Billy Bones in the animated Treasure Planet.

He received the Prometheus Hall of Fame Award for The Prisoner.

The Prisoner is streaming on Prime. No, not awful remake (shudder) but the original one. 

Patrick McGoohan in The Prisoner

(11) COMICS SECTION.

  • Brewster Rockit seems to be accounting to DOGE.
  • Dog Eat Doug doesn’t want to go to Mars.
  • Rose Is Rose shows why reading only the good parts doesn’t work.
  • Wizard of Id takes us back to the early history of social media “blocking”.
  • Tom Gauld tells what changed the bird’s mind.

A cartoon for @theguardian.com books.

— Tom Gauld (@tomgauld.bsky.social) 2025-03-17T13:03:11.704Z

(12) THE SHADOW KNOWS. ThePulp.Net takes us from Victor Jory to Alec Baldwin and beyond in “The Shadow on film”.

As in radio, The Shadow’s film career began with him as an announcer of detective stories, not as a lead character. In 1931 — the same year that the namesake pulp began — The Shadow began introducing a series of two-reel mysteries for Universal Studios.

Frank Readick, one of the voices of The Shadow on radio’s Detective Story Hour, is credited with narrating A Burglar to the Rescue, the first of the six 15- to 23-minute films. The other film shorts included: Trapped, Sealed Lips, House of Mystery, The Red Shadow and The Circus Show-Up.

It was five years before The Shadow returned to the screen. This time silent-screen actor Rod La Rocque appeared in The Shadow Strikes for Grand National Pictures. The 1937 film featured detective Lamont “Granston,” who like Cranston in the radio program was The Shadow. In 1938, La Rocque returned, this time as Lamont Cranston, in International Crime. The Shadow isn’t the main character, but rather radio sleuth Cranston is.

The Shadow is back in the lead role in a 15-chapter Columbia serial. The Shadow starred hawk-nosed actor Victor Jory….

… Alec Baldwin is the latest to assume the role in The Shadow. The 1994 film enjoyed the trappings of a robust budget. The art direction and production were splendid, but the script was lacking. Disappointingly for pulp purists, its story, like the previous motion pictures, was an amalgam of influences from The Shadow’s past in print, radio and film. On top of that, screenwriter David Koepp or director Russell Mulcahy added several curious twists to the story, such as Margo Lane being psychic, and Lamont Cranston being police commissioner Wainwright Barth’s nephew….

(13) A SOLAR ECLIPSE… FROM THE MOON. [Item by Mark Roth-Whitworth.] Firefly Aerospace’s Blue Ghost lander, which successfully touched down in Mare Crisium on March 2, 2025 got a pic of the *Earth* eclipsing the Sun… “Private Lunar Lander Captures Stunning ‘Diamond Ring’ Eclipse from the Moon’s Surface” at Daily Galaxy. You can see the image at the link.

For the first time in history, a privately operated lunar lander has captured images of a total eclipse from the Moon’s surface. Firefly Aerospace’s Blue Ghost lander, which successfully touched down in Mare Crisium on March 2, 2025, recently transmitted breathtaking images of a “diamond ring” eclipse—a rare celestial phenomenon that occurs when the Sun emerges from behind Earth, forming a brilliant ring of light in the lunar sky….

(14) A LIGHTER FORM OF DARK MATTER. Hey, I’m not making this up! “Mysterious phenomenon at center of galaxy could reveal new kind of dark matter” at Phys.org.

A mysterious phenomenon at the centre of our galaxy could be the result of a different type of dark matter.

Dark matter, the mysterious form of unobserved matter which could make up 85% of the mass of the known universe, is one of science’s biggest manhunts.

In this first of its kind study, scientists have taken a step closer to understanding the elusive mystery matter. They believe a reimagined candidate for dark matter could be behind unexplained chemical reactions taking place in the Milky Way…

Dr. Shyam Balaji, Postdoctoral Research Fellow at King’s College London and one of the lead authors of the study explains, “At the centre of our galaxy sit huge clouds of positively charged hydrogen, a mystery to scientists for decades because normally the gas is neutral. So, what is supplying enough energy to knock the negatively charged electrons out of them?

“The energy signatures radiating from this part of our galaxy suggest that there is a constant, roiling source of energy doing just that, and our data says it might come from a much lighter form of dark matter than current models consider.”

Primary research: Pedro De la Torre Luque et al, (2025) Anomalous Ionization in the Central Molecular Zone by Sub-GeV Dark Matter, Physical Review Letters, vol. 134, 101001 

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Around tea time, about 65 million years ago, a large pebble hit the Earth, wiping out many birds with a single stone.  (I really have never forgiven the dinosaurs for what they did to Raquel Welch.) Recently there has been news of asteroid 2024 YR4 possibly hitting Earth in 2032.  It now looks like it will be a near miss, but what other dangers are there out there?  Keep watching the skies….  Over at PBS Space Time Matt O’Dowd looks at the chaotic Solar system that otherwise might puzzle Bruce Willis…

Giant space rocks are definitely going to hit the Earth again. We actually do know how to deflect them, but only if we find them and correctly assess their risk. But the solar system is a chaotic place. How is it even possible to tell if a space rock will one day collide with the Earth?

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Oscar Dunham, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/3/24 And Did Those Filers In Ancient Times Scroll Upon Glyer’s Pixels Green?

Posted on by
24

(1) SIGN FROM A FELINE. Mary Robinette Kowal’s “Rude Litterbox Space” is a free read at Sunday Morning Transport to encourage people to subscribe. Bonnie McDaniel says it is based on the author’s real-life communication-board-using cat.

… Language was hard. Bending space-time was not….

(2) A HITCH. P. Djèlí Clark’s blog post makes you want to read “The Dead Cat Tail Assassins”, then tells you why you’ll need to wait ’til summer’s end.

…Okay, now for the not so good news. The Dead Cat Tail Assassins was supposed to drop this month, March. But… yadda, yadda, yadda.. we got a new pub date: August, 6 2024.

What happened? Stuff. Stuff happened. Putting a book together requires lots of hands: me the author, editors, copyeditors, publicists, printers, centaurs, goblins, magical creatures from Fillory. And, for a myriad of reasons, sometimes things go pear shaped and stuff gets pushed back. You’re probably like, yeah but from March to August? That’s a big pushback! Hey, what can I tell you… lose your place in line, and you don’t just get a back-cut. There are other books by other authors waiting to be worked on, books coming out that can’t clash with your own, gotta find a new place in the queue at the printing warehouse, and all kinds of arcane alchemy I don’t pretend to understand…

(3) LIVESTOCK BY MAIL. I think the anecdote that starts Brian Keene’s “Letters From the Labyrinth 370” really happened, though I won’t be surprised if it finds its way into a book.

“I’m here about the dead chicks.”

That was what the woman butting in front of me and another customer at the post office said. I turned, intrigued. She was short, thin, blonde hair fading with age to the color of straw. I placed her at older than me — probably mid-sixties but then I remembered the day before when my postal carrier, whom I’d thought was in her seventies, told me she was the same age as me — 56. I can’t gauge age anymore. When I look in the mirror, I don’t see 56. But I’m also smart enough to know that how I see myself isn’t necessarily how others see me. In my mind, I’m still as suave and charming as Diamond David Lee Roth, but I suspect others look at me and think “Look at that silly old man. How sweet.”

But I digress….

Makes me remember when I was surprised to learn you could order live honeybees through the Sears catalog. (Which I wasn’t allowed to do. Just as well.)

(4) HUGO NEWS ROUNDUP AND MORE. Jason Sanford’s “Genre Grapevine for February 2024” on Patreon is free to the public.

In early February, Chris Barkley contacted me and said he’d received emails and documents related to the 2023 Hugo Awards from Diane Lacey, one of the award administrators. I’d seen Chris only two weeks earlier at the ConFusion convention in Detroit, where we sat at the bar discussing that weekend’s release of the Hugo nomination and voting stats. We were both shocked by the works and authors deemed “not eligible” and kept off the final ballot for no stated reason. We also were surprised so few Chinese authors and works made the Hugo longlist.

While talking in Detroit, Chris and I felt shenanigans had likely happened during last year’s Hugos. However, we also feared the truth of what happened might never come out.

Two weeks later, Chris shared the leaked emails and documents and I realized we’d been wrong. The truth would indeed come out….

(5) FAITH. Abigail Nussbaum walks readers through “The 2024 Hugo Awards: My Hugo Ballot” at Asking the Wrong Questions. She says in a preamble to the nominations:

We’ve spent so much of the last six weeks talking about the debacle that was last year’s Hugo awards, that it was easy to forget that another awards season was gearing up at the same time. So here we are, with less than a week left to nominate for this year’s Hugos, and to be honest it feels a bit strange to make this post. I always love to talk about the things I enjoyed in the fantastic genres over the last year, and to encourage my readers to consider them for a Hugo nomination. But doing it this year, with the shadow of an award whose nominations and results we can have no faith in, can feel a bit pointless.

Another way of putting it is that this is an act of faith–in the administrators of this year’s award, who have been doing their utmost to project reliability and distance themselves from last year’s inexcusable actions; in the fandom, which continues to care about this award and try to make it the best it can be; and in the award itself, and the idea that it can overcome this blow to its reputation and start moving back to what it was….

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and Moses Ose Utomi on Wednesday, March 13 starting at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

Christopher Rowe

Christopher Rowe’s most recent novella, The Navigating Fox, published by Tordotcom was described by The Wall Street Journal as a “modern Aesop’s fable.” His other books include the novella These Prisoning Hills and a collection, Telling the Map. Over the last 25 years, his stories have been published, anthologized, and translated around the world and he has been a finalist for the Hugo, Nebula, World Fantasy, Theodore Sturgeon, Neukom, Seiun, and other awards. He lives in Kentucky.

Moses Ose Utomi

Moses Ose Utomi is a Nigerian-American fantasy writer and nomad currently based out of San Diego, California. He has an MFA in fiction from Sarah Lawrence College and short fiction publications in Fantasy Magazine, Sunday Morning Transport, and other venues. He is the author of the young adult fantasy novel Daughters of Oduma and The Forever Desert, the fantasy novella series that includes the acclaimed The Lies of the Ajungo. When he’s not writing, he’s traveling, training martial arts, or doing karaoke—with or without a backing track.

(7) FILM EDITING AWARDS. Deadline has the “ACE Eddie Awards Winners List”.

Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th ACE Eddie Awards Sunday….

Here are all the winners of genre interest:

BEST EDITED FEATURE FILM (Drama, Theatrical)

  • Oppenheimer — Jennifer Lame

BEST EDITED ANIMATED FEATURE FILM

  • Spider-Man: Across the Spider-Verse — Michael Andrews, ACE

BEST EDITED DRAMA SERIES

  • The Last of Us: “Long, Long Time” — Timothy A. Good, ACE

(8) HERE WE GO AGAIN. “Hollywood Teamsters, IATSE Hold Solidarity Rally Ahead of AMPTP Negotiations” – The Hollywood Reporter was there.

A coalition of Hollywood’s below-the-line unions rallied Sunday on the eve of their latest contract negotiations. They threatened a historic strike against the Alliance of Motion Picture and Television Producers if their demands weren’t met. Such a work stoppage would follow a pair of strikes in 2023 by industry writers and actors which crippled the entertainment industry and have left it limping into the new year.

“I hope they’re paying attention right down the road at the AMPTP,” IATSE vice president Michael Miller announced from the stage to the crowd of around a thousand people at Woodley Park in Encino. (Nearly a thousand more watched a live-stream online.) He then invoked a slogan repeated throughout the event: “Nothing moves without the crew.”

For the first time since 1988, the Hollywood Basic Crafts group — which includes Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78 — and the crew union IATSE are joining this year to negotiate their health and pension benefits with the Hollywood trade group the AMPTP, which represents studios and streamers. Those talks begin Monday.

The “Many Crafts, One Fight” rally served mainly as an opportunity for members to express solidarity and hype each other up. So-called “above-the-line” unions SAG-AFTRA and the WGA made strong shows of force with their sign-wielding members and leaders expressing gratitude. (Teamster cooperation was key in the WGA’s production shutdown strategy early in its stoppage.) WGA West vice president Michele Mulroney drew applause when she acknowledged crew support which “sustained us through our own long and arduous fight,” and noted that “without all of you our words would just languish on the page.”…

(9) ARRAKIS DELIVERS BIG B.O. “’Dune 2′ Nears $100 Million Overseas, Surpasses $150 Million Globally” according to Variety.

“Dune: Part Two” is turbocharging the international box office.

Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

The movie, starring Timothée Chalamet and Zendaya, has been embraced in the U.S. and Canada. But the backers of “Dune 2” need overseas audiences to keep the ticket sales flowing as freely as spice on the desert planet of Arrakis. That’s because Warner Bros. and Legendary Entertainment spent $190 million to produce and roughly $100 million more to promote the film to global audiences. Those hefty fees mean the tentpole will require outsized admissions to turn a profit.

(10) MARK DODSON (1960-2024). The voice actor Mark Dodson died of a heart attack while staying in Evansville, IN to appear at Horror Con. Deadline pays tribute: “Mark Dodson Dies: ‘Star Wars’ And ‘Gremlins’ Voiceover Artist Was 64”.

Mark Dodson, whose unique voice characterizations propelled creatures in the films Star Wars: Return of the Jediand Gremlins, has died at 64.

His daughter told TMZ that he died while in Evansville, Indiana, to attend Horror Con. He checked into a hotel and suffered a “massive heart attack” while sleeping, she said.

Dodson was the voice of Salacious Crumb, the scruffy little creature who was a cackling crony of Jabba the Hut in Star Wars: Return of the Jedi.That memorable voice led to a gig in Gremlins, where he became the voice Mogwai, much-imitated in school yards. 

He worked continuously for several decades in film, video games, radio and commercials as a voice artist. . 

His daughter, Ciara, told TMZ that her father “never ceased making me proud.” a 

The Evansville Horror Con, where Dodson was scheduled to appear, posted a tribute to Facebook. 

“We are heartbroken to announce the sudden passing of Mark Dodson last night. Mark was not only a talented voice actor but also a cherished member of the horror community. Our thoughts and prayers are with his family, friends, and fans during this incredibly difficult time. We hope that you can take a moment out of your day to reflect on the joy and laughter that Mark brought into the world. His legacy will live on through his work.”

Survivors include his daughter and several grandchildren.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 3, 1920 — James Doohan. (Died 2005.) James Doohan, a Canadian, is of course remembered best for being the original Montgomery “Scotty” Scott on the first version of the Enterprise. And doesn’t it say something about the franchise that I had to write the sentence that way? 

He played, definitely way too much in my opinion, the archetypal Scotsman. He even had a Dress Uniform Kilt, something I’m dead certain doesn’t exist in the modern Navy, as on display in “Is There in Truth No Beauty?” and “The Savage Curtain”. And I forget how many characters he drank literally to the floor. No don’t get me wrong, I loved the character, but the depiction was seriously over the top.

So my favorite episode involving him? That had to be when he defended the honor of the Enterprise in a bar brawl with a Klingon in “The Trouble with Tribbles” after that Klingon called his beloved ship a garbage scow. Perfect, just perfect. 

So what else has he done? His first major genre role (he had previously appeared in one episode of Tales of Tomorrow) was as Paul Mitchell on Space Command, an early Fifties Canadian children’s sf series. It only lasted two years but they did one hundred and fifty episodes!  Shatner would appear there.

A decade later, he entered the Twilight Zone playing Johnson, by no means a major role, in the “Valley of the Shadow”.  Around the same time, on Outer Limits he played Police Lt. Branch in “Expanding Human”, this time a lead role. 

He showed up twice in The Man from U.N.C.L.E (in different roles),  Bewitched, Fantasy Island, MacGyver and Knight Rider 2000.

Need I say Next Generation’s “Relics” was wonderful?  And I’m not talking about Trials and Tribble-ations even though it’s a stellar story as he’s only there in existing footage of him.

Filmwise, Trek was his major gig as I see very little genre undertakings at all. He had an uncredited role in The Satan Bug, an sf thriller. It’s so short that IMDB gives the time that he’s in the film.

His only other genre role that I can see in a film outside of Trek was as Judge Peterson in Skinwalker: Curse of the Shaman. If you’ve not seen it don’t feel bad. It’s obscure enough that no one on Rotten Tomatoes has either. 

I think that covers it for him. Now keep in mind that I did love him, despite my criticism of his portrayal of a Scottish character, on Trek as he’s really likeable. He and Nichelle Nichol’s always seems to be the two most, well, truly warm, likeable individuals there. 

I think I’ll go watch both of the Tribbles episodes on Paramount + now.  Yes, I know there’s the animated episode as well, “More Tribbles, More Trouble”, but it just doesn’t have the charm the actual ones with live actors do. 

(12) COMICS SECTION.

(13) CACHING IN. [Item by SF Concatenation’s Jonathan Cowie.] If my memory serves (and it is not that reliable though I constantly amaze myself in recalling a science paper from years ago out of the recesses of my mind) I have a feeling that File770 covered the demise of Google’s readily available Cache. Then  this piece might interest you — “Why Is Google Hiding Its Cached Search Results?” at Tedium.

I have to imagine that Google did not make a lot of money from people pinging its search engine for cached website results, but making it convenient to access was a service to searchers.

It was also somewhat of a service to society. Often, when information-related scandals broke—such as content with egregious errors, evidence of deleted social media statements, or information at risk of appearing offline in short order—it was a great backstop that worked more effectively than the Internet Archive for capturing fresh information.

And yet, for some reason, Google has treated this feature like it was embarrassed of it. Over the years, it has increasingly come to bury the feature in its search interface, making it harder and harder to find, despite me finding it just as useful as it was the day it launched.

Recently, the company started removing it entirely…

… To be clear, the cache is not gone—it is simply hidden from public view. (I don’t see it on my end, either.) You can access it manually by typing in a specialized URL…

For example, here’s the URL to access the cache for File 770: https://webcache.googleusercontent.com/search?q=cache:file770.com

(13) A TRUTH NOT YET UNIVERSALLY ACKNOWLEDGED. Would Jane herself have turned thumbs down on this idea? “Winchester plan for £100,000 Jane Austen statue triggers ‘Disneyfication’ fears” reports the Guardian.

The idea was to celebrate one of the greatest British authors with a beautiful statue set up in a cathedral for the 250th anniversary of their birth.

But at a public meeting to discuss the erection of a Jane Austen sculpture close to her final resting place at Winchester Cathedral, concerns were raised that it would lead to the “Disneyfication” of the place of worship and become a magnet for tourists keen to get a selfie.

Elizabeth Proudman, an Austen expert and leading light in the Jane Austen Society, also suggested the author herself would not have approved of the statue and the fuss surrounding it.

She said: “We don’t know what she looked like, but we do know that she was a very private person. She despised publicity.”

Austen is buried in the north nave aisle of Winchester Cathedral under a memorial stone, which mentions “the extraordinary endowments of her mind” but does not provide any more detail about her career.

(15) IN CASE YOU WONDERED. Everyone who’s read the history of the first atomic bomb saw this was missing from the movie. SYFY Wire’s James Grebey gives his opinion “Why Oppenheimer Doesn’t Include the Deadly “Demon Core” Accidents”.

… The ominously named demon core, a sphere of plutonium used in the development of atomic bombs after the success of the Trinity Test, was responsible for the deaths of two scientists who worked on the Manhattan Project. The core, which weighed 14 pounds and measured just 3.5 inches in diameter, was all set to be turned into a third bomb that could have been used against Japan had they not surrendered following the bombings of Hiroshima and Nagasaki in August 1945…. 

(16) THE HILLS ARE UNDEAD WITH THE SOUND OF MUSIC. Mitch Benn mashes up “Gilbert & Sullivan’s Francis Ford Coppola’s Bram Stoker’s Dracula” for YouTube viewers.

Now with on-screen libretto, my “restoration” of Gilbert & Sullivan’s operetta version of Dracula married to the sumptuous visuals of Coppola’s masterful 1992 film adaptation… Have fun with it before someone has it taken down

(17) VIDEO OF THE DAY. In a 2018 video Mr. Sci-Fi, Marc Scott Zicree, explains “WHY DIDN”T WE GET THIS?! Unreleased Sulu Star Trek Series!”

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Bill, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]